Search Results

Interviewee:

Lippard, Lucy R.  Search this

Interviewer:

Heinemann, Sue  Search this

Creator:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Names:

Art Workers Coalition  Search this

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Guerilla Art Action Group  Search this

Heresies Collective, Inc.  Search this

Museum of Modern Art (New York, N.Y.) -- Employees  Search this

Political Art Documentation/Distribution (Organization)  Search this

Smith College -- Students  Search this

Ashton, Dore  Search this

Chicago, Judy, 1939-  Search this

Hammond, Harmony  Search this

Judd, Donald, 1928-1994  Search this

LeWitt, Sol, 1928-2007  Search this

Miss, Mary, 1944-  Search this

Reinhardt, Ad, 1913-1967  Search this

Ryman, Robert, 1930-2019  Search this

Schneemann, Carolee, 1939-  Search this

Sholette, Gregory  Search this

Stevens, May  Search this

Extent:

4 Items (memory cards (4 hr., 29 min.), secure digital, wav, 1.25 in.)

97 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2011 Mar. 15

Scope and Contents:

An interview with Lucy Lippard conducted 2011 Mar. 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Lippard's home, in Galisteo, N.M.

Lippard discusses her childhood summers in Maine; growing up in New Orleans, La., and Charlottesville, Va.; attending the Abbot Academy and Smith College; her junior year in Paris; working in the Museum of Modern Art Library; living on Avenue D; meeting Bob Ryman and Sol Lewitt; birth of her son Ethan; Dore Ashton as a role model; involvement with various groups and political causes including the Angry Arts movement, the Art Workers' Coalition, Women Artists' Committee, Guerilla Art Action Group, Womanhouse, Political Art Documentation and Distribution (PAD/D), the Ad Hoc Women Artists Committee, and others; the development of Heresies Collective; her publications including, "From the Center: Feminist Essays on Women's Art," (1976), "On the Beaten Track: Tourism, Art and Place," (1999), "Mixed Blessings: New Art in a Multicultural America," (1990, 2000), "The Lure of the Local: Sense of Place in a Multicentered Society," (1997), and "Overlay: Contemporary Art and the Art of Prehistory," (1983) ; curating exhibitions; travels to Argentina and Mexico; moving to Galisteo, N.M.; interest in the Galisteo Basin; teaching; and other topics. She recalls Ad Reinhardt, Donald Judd, Harmony Hammond, Judy Chicago, Gregory Sholette, Carolee Schneemann, Max Koszloff, Joyce Koszloff, May Stevens, Betsy Hess, Mary Miss, and others.

Biographical / Historical:

Lucy R. Lippard (1937- ) is a writer and art critic in New York, N.Y. and Galisteo, N.M.

General:

Originally recorded on Edirol R-09HR on 4 secure digital memory cards. Duration is 4 hr., 29 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.

Occupation:

Curators -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Art critics -- New York (State) -- New York  Search this

Topic:

Art -- Study and teaching  Search this

Art criticism  Search this

Feminism and art  Search this

Women authors  Search this

Women art critics  Search this

Women museum curators  Search this

Women educators  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview is part of the Elizabeth Murray Oral History of Women in the Visual Arts Project, funded by the A G Foundation.

Identifier:

AAA.lippar11

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b83cc211-01df-48fa-bb27-fb6ea7cd8d42

EDAN-URL:

ead_collection:sova-aaa-lippar11

Interviewee:

Dwan, Virginia  Search this

Interviewer:

Stuckey, Charles F.  Search this

Names:

Dwan Gallery (Los Angeles, Calif.)  Search this

Dwan Gallery (New York, N.Y.)  Search this

Andre, Carl, 1935-  Search this

Arman, 1928-2005  Search this

De Maria, Walter, 1935-2013  Search this

Guston, Philip, 1913-1980  Search this

Heizer, Michael, 1944-  Search this

Kienholz, Edward, 1927-  Search this

Klein, Yves, 1928-1962  Search this

Kline, Franz, 1910-1962  Search this

LeWitt, Sol, 1928-2007  Search this

Rauschenberg, Robert, 1925-2008  Search this

Reinhardt, Ad, 1913-1967  Search this

Ryman, Robert, 1930-2019  Search this

Smithson, Robert  Search this

Snelson, Kenneth, 1927-2016  Search this

Tinguely, Jean, 1925-  Search this

Extent:

192 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1984 March 21-June 7

Scope and Contents:

An interview of Virginia Dwan conducted 1984 March 21-June 7, by Charles F. Stuckey, for the Archives of American Art.

Dwan speaks of her background and education; her early interest in art; starting her gallery in 1959 in Los Angeles; the early days of her gallery; the development of her circle of artists; early shows; financing the gallery; "shopping" for art and artists; public and critical reaction to her gallery's shows; the decision to go to New York, and getting established there; making decisions about what to show; collectors; the closing of the Dwan Gallery; and her life since. She also relates anecdotes about the creation and execution of Robert Smithson's "Spiral Jetty" and reminisces about numerous artists with whom she was associated, including: Jean Tinguely, Robert Rauschenberg, Yves Klein, Ad Reinhardt, Ed Kienholz, Philip Guston, Arman, Robert Smithson, Franz Kline, Kenneth Snelson, Carl Andre, Sol Lewitt, Michael Heizer, Walter De Maria, and Robert Ryman.

Biographical / Historical:

Virginia Dwan (1931- ) is an art dealer from New York, New York.

General:

Originally recorded on 10 sound cassettes. Reformatted in 2010 as 19 digital wav file. Duration is 11 hr., 20 min.

Provenance:

These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

For information on how to access this interview contact Reference Services.

Rights:

Authorization to quote or reproduce for the purposes of publication requires written permission from Anne Kovach. Contact Reference Services for more information.

Occupation:

Art dealers -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.dwan84

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9165fee55-bbae-4357-8563-cb11f920e998

EDAN-URL:

ead_collection:sova-aaa-dwan84

Interviewee:

Ryman, Robert, 1930-2019  Search this

Interviewer:

Cummings, Paul, 1933-1997  Search this

Subject:

Flavin, Dan  Search this

LeWitt, Sol  Search this

Lippard, Lucy R.  Search this

Museum of Modern Art (New York, N.Y.)  Search this

New York Public Library  Search this

Type:

Interviews

Sound recordings

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Robert Ryman, 1972 October 13-November 7. Archives of American Art, Smithsonian Institution.

Topic:

Painters -- New York (State) -- Interviews  Search this

Prints -- Technique  Search this

Record number:

(DSI-AAA_CollID)12729

(DSI-AAA_SIRISBib)212091

AAA_collcode_ryman72

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212091

Interviewee:

Dominguez, Eddie, 1957-  Search this

Interviewer:

Fleming, Stephen  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Alfred University -- Students  Search this

Cleveland Institute of Art -- Students  Search this

Haystack Mountain School of Crafts  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Penland School of Crafts  Search this

University of Nebraska -- Faculty  Search this

Abrams, Fay  Search this

Casebeer, Doug, 1956-  Search this

Hepburn, Tony  Search this

Higby, Wayne  Search this

Jimenez, Luis, 1940-2006  Search this

Martin, Agnes, 1912-2004  Search this

Munson, Larry  Search this

Nevelson, Louise, 1899-1988  Search this

Price, Kenneth, 1935-2012  Search this

Rothko, Mark, 1903-1970  Search this

Ryman, Robert, 1930-2019  Search this

Saks, Esther  Search this

Salomon, Judith  Search this

Extent:

71 Pages (Transcript)

12 Items (Sound recording: 12 sound files (4hr., 23 min.), digital, wav)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

2006 July 27-28

Scope and Contents:

An interview of Eddie Dominguez conducted 2006 July 27-28, by Stephen Fleming, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Roswell, New Mexico.

Dominguez speaks of his childhood in Tucumcari, New Mexico; the strong drive to create he felt from his youth; attending Cleveland Institute of Art in Ohio; receiving his M.F.A. from New York State College of Ceramics, Alfred University in New York; being awarded a Gift of Time grant for the Roswell Artist-in-Residence Program in 1986; the differences he encountered returning to the program 20 years later; his involvement with Haystack Mountain School of Crafts where he serves on the board of directors; participating in numerous workshops and lectures, including workshops at Penland School of Crafts; working as a regional artist and what that designation means to him; teaching experiences at the University of Nebraska, Lincoln; the importance of giving back to communities; his enjoyment in working with children to create public art installations; the influence of the Southwest landscape in his work; the very physical way he interacts with his work through piercing, burning, tearing, et cetera; being influenced by artists such as Louise Nevelson, Mark Rothko, Robert Ryman, Luis Jimenez, Agnes Martin, and others; the issue of ethnicity and race in identifying his art; and recent explorations with computer technology and digital photography. Dominguez also recalls Judith Salomon, Tony Hepburn, Wayne Higby, Fay Abrams, Larry Munson, Esther Saks, Doug Casebeer, Kenneth Price and others.

Biographical / Historical:

Eddie Dominguez (1957- ) is a ceramicist from Roswell, New Mexico. Stephen Fleming (1950- ) is the director of the Roswell Artist-in-Residence Program, Roswell, New Mexico.

General:

Originally recorded on 4 sound discs. Reformatted in 2010 as 12 digital wav files. Duration is 4 hr., 23 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Occupation:

Ceramicists -- New Mexico  Search this

Topic:

Decorative arts  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.doming06

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dbf64952-9fa3-4b0e-ab63-8ce52c481842

EDAN-URL:

ead_collection:sova-aaa-doming06

Interviewee:

Ryman, Robert, 1930-2019  Search this

Interviewer:

Cummings, Paul  Search this

Names:

Museum of Modern Art (New York, N.Y.) -- Employees  Search this

New York Public Library -- Employees  Search this

Flavin, Dan, 1933-  Search this

LeWitt, Sol, 1928-2007  Search this

Lippard, Lucy R.  Search this

Extent:

31 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

1972 October 13-November 7

Scope and Contents:

An interview of Robert Ryman conducted 1972 October 13-November 7, by Paul Cummings, for the Archives of American Art.

Ryman speaks of his early career as a Jazz musician and transition to painting in the early 1950's, after moving to New York City. He recalls working as a guard for the Museum of Modern Art and as a page for the New York Public Library, where he encountered such artists and curators as Dan Flavin, Sol Lewitt, and Betsy Jones. Ryman elaborates on his development as a painter; experimentation with lithograph printmaking; his work methods; group shows at the Tenth Street Galleries; solo shows in Europe and New York, including The Solomon R. Guggenheim Museum; his marriage to art critic Lucy Lippard.

Biographical / Historical:

Robert Ryman (1930-2019 ) was a painter from New York, N.Y.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 8 min.

Provenance:

These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.

Occupation:

Musicians -- United States  Search this

Topic:

Painters -- New York (State) -- Interviews  Search this

Prints -- Technique  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.ryman72

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw961199d41-22e5-4896-985b-008e9aecd693

EDAN-URL:

ead_collection:sova-aaa-ryman72