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Oral history interview with Robert Ryman, 1972 October 13-November 7

Interviewee:
Ryman, Robert, 1930-2019  Search this
Ryman, Robert, 1930-2019  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Flavin, Dan  Search this
LeWitt, Sol  Search this
Lippard, Lucy R.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York Public Library  Search this
Type:
Interviews
Sound recordings
Topic:
Painters -- New York (State) -- Interviews  Search this
Prints -- Technique  Search this
Record number:
(DSI-AAA_CollID)12729
(DSI-AAA_SIRISBib)212091
AAA_collcode_ryman72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212091
Online Media:

Oral history interview with Robert Ryman

Interviewee:
Ryman, Robert, 1930-2019  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Museum of Modern Art (New York, N.Y.) -- Employees  Search this
New York Public Library -- Employees  Search this
Flavin, Dan, 1933-  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1972 October 13-November 7
Scope and Contents:
An interview of Robert Ryman conducted 1972 October 13-November 7, by Paul Cummings, for the Archives of American Art.
Ryman speaks of his early career as a Jazz musician and transition to painting in the early 1950's, after moving to New York City. He recalls working as a guard for the Museum of Modern Art and as a page for the New York Public Library, where he encountered such artists and curators as Dan Flavin, Sol Lewitt, and Betsy Jones. Ryman elaborates on his development as a painter; experimentation with lithograph printmaking; his work methods; group shows at the Tenth Street Galleries; solo shows in Europe and New York, including The Solomon R. Guggenheim Museum; his marriage to art critic Lucy Lippard.
Biographical / Historical:
Robert Ryman (1930-2019 ) was a painter from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 8 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Occupation:
Musicians -- United States  Search this
Topic:
Painters -- New York (State) -- Interviews  Search this
Prints -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ryman72
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ryman72

Museum of Contemporary Art interviews

Creator:
Museum of Contemporary Art (Chicago, Ill.)  Search this
Names:
Adrian, Dennis, 1937-  Search this
Brown, Roger, 1941-1997  Search this
Close, Chuck, 1940-  Search this
Danforth, George  Search this
Fischl, Eric, 1948-  Search this
Hafif, Marcia, 1929-  Search this
Jacobi, Peter, 1935-  Search this
Jacobi, Ritzi, 1941-  Search this
Keister, Steve, 1949-  Search this
LeWitt, Sol, 1928-2007  Search this
Lohan, Dirk  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Pollock, Jackson, 1912-1956  Search this
Pozzi, Lucio, 1935-  Search this
Ryman, Robert, 1930-  Search this
Schulze, Franz, 1927-  Search this
Yasuda, Robert, 1940-  Search this
Extent:
8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1979-1986
Summary:
The Museum of Contemporary Art Interviews measure 8 linear feet and contain video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes.
Scope and Contents:
The Museum of Contemporary Art Interviews measure 8 linear feet and contain video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes.

The first set of interviews are with contemporary artists who had solo exhibitions at the museum between 1979 and 1985, including Chuck Close, Roger Brown, Eric Fischl, Peter and Ritzi Jacobi, Steve Keister, Sol Le Witt, and collector Dennis Adrian, whose Chicago art collection was exhibited in 1982. The remainder of the series contains four sets of interviews and other footage relating to exhibitions and programming, including the 1979 exhibition Wall Painting - Ryman, Hafif, Pozzi, Jackson, Yasuda; the 1981 exhibition Kick out the jams: Detroit's Cass Corridor 1963-1977; and the 1983 exhibition and educational program Eleven Chicago Artists, created with Chicago's N.A.M.E. gallery, which traveled to area high schools featuring short video documentaries about each artist that were created from the footage on the tapes in this collection. The last set includes interviews with architects Dirk Lohan and George Danforth and historian Franz Schulze, created for the 1986 program "Mies van der Rohe Remembered," celebrating the centennial of the architect's birth.
Arrangement:
Collection is arranged as one series.

Series 1: Interviews with Artists, Collectors, and Curators (Boxes 1-8)
Biographical / Historical:
The Museum of Contemporary Art in Chicago was founded in 1967 with Jan van der Marck as its first Director. The period from 1979 to 1986, represented in the videorecordings in this collection, was a period of physical expansion for the Museum, as well as a period when audiovisual components of artworks and exhibition design were increasingly incorporated into exhibitions and other programming. In 1979, a physical expansion of the museum begun in 1977 was unveiled with the opening of four new galleries, signaling an increased capacity for showing local and emerging contemporary artists and engaging the community.

The museum's education department began using video to create a rich record of solo and group exhibitions mounted at the museum, and created short video programs to reach out to new audiences. For their 1979 Wall Paintings exhibition, artists were interviewed while making their work in the museum, creating a visual record of the ephemeral works on display and the process of their creation. Video interviews with Detroit artists were created in preparation for a 1981 exhibition showing contemporary artists in the Cass Corridor community of that city. In 1983, Museum staff collaborated with Chicago's N.A.M.E. gallery to create the traveling exhibition Eleven Chicago Artists, which combined artwork with video documentaries showing artists at work and talking about their creative process. The exhibition traveled to city and suburban schools around Chicago. And on the centenary of the birth of architect Ludwig Mies van der Rohe in 1986, interviews were conducted with Mies' grandson, Dirk Lohan, also an architect, as well as architectural historians George Danforth and Franz Schulze.
Provenance:
Donated 1986 by the Museum of Contemporary Art, Chicago.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Interviews  Search this
Art -- Collectors and collecting -- Illinois -- Chicago -- Interviews  Search this
Art -- Michigan -- Detroit  Search this
Genre/Form:
Interviews
Video recordings
Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.musecaci
See more items in:
Museum of Contemporary Art interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-musecaci

Oral history interview with Lucy Lippard

Interviewee:
Lippard, Lucy R.  Search this
Interviewer:
Heinemann, Sue  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Art Workers Coalition  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Guerilla Art Action Group  Search this
Heresies Collective, Inc.  Search this
Museum of Modern Art (New York, N.Y.) -- Employees  Search this
Political Art Documentation/Distribution (Organization)  Search this
Smith College -- Students  Search this
Ashton, Dore  Search this
Chicago, Judy, 1939-  Search this
Hammond, Harmony  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Miss, Mary, 1944-  Search this
Reinhardt, Ad, 1913-1967  Search this
Ryman, Robert, 1930-2019  Search this
Schneemann, Carolee, 1939-  Search this
Sholette, Gregory  Search this
Stevens, May  Search this
Extent:
4 Items (memory cards (4 hr., 29 min.), secure digital, wav, 1.25 in.)
97 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2011 Mar. 15
Scope and Contents:
An interview with Lucy Lippard conducted 2011 Mar. 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Lippard's home, in Galisteo, N.M.
Lippard discusses her childhood summers in Maine; growing up in New Orleans, La., and Charlottesville, Va.; attending the Abbot Academy and Smith College; her junior year in Paris; working in the Museum of Modern Art Library; living on Avenue D; meeting Bob Ryman and Sol Lewitt; birth of her son Ethan; Dore Ashton as a role model; involvement with various groups and political causes including the Angry Arts movement, the Art Workers' Coalition, Women Artists' Committee, Guerilla Art Action Group, Womanhouse, Political Art Documentation and Distribution (PAD/D), the Ad Hoc Women Artists Committee, and others; the development of Heresies Collective; her publications including, "From the Center: Feminist Essays on Women's Art," (1976), "On the Beaten Track: Tourism, Art and Place," (1999), "Mixed Blessings: New Art in a Multicultural America," (1990, 2000), "The Lure of the Local: Sense of Place in a Multicentered Society," (1997), and "Overlay: Contemporary Art and the Art of Prehistory," (1983) ; curating exhibitions; travels to Argentina and Mexico; moving to Galisteo, N.M.; interest in the Galisteo Basin; teaching; and other topics. She recalls Ad Reinhardt, Donald Judd, Harmony Hammond, Judy Chicago, Gregory Sholette, Carolee Schneemann, Max Koszloff, Joyce Koszloff, May Stevens, Betsy Hess, Mary Miss, and others.
Biographical / Historical:
Lucy R. Lippard (1937- ) is a writer and art critic in New York, N.Y. and Galisteo, N.M.
General:
Originally recorded on Edirol R-09HR on 4 secure digital memory cards. Duration is 4 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Art critics -- New York (State) -- New York -- Interviews  Search this
Art historians -- New Mexico -- Santa Fe -- Interviews  Search this
Topic:
Authors -- New York (State) -- New York -- Interviews  Search this
Curators -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lippar11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lippar11

Fischbach Gallery records

Creator:
Fischbach Gallery  Search this
Names:
Thiabaut Galley  Search this
Altoon, John, 1925-  Search this
Antonakos, Stephen, 1926-2013  Search this
Bladen, Ronald, 1918-1988  Search this
Chamberlain, Wynn  Search this
D'Arcangelo, Allan, 1930-  Search this
Davis, Gene, 1920-1985  Search this
Dunn, Anne  Search this
Gilardi, Piero, 1942-  Search this
Hesse, Eva, 1936-1970  Search this
Katz, Alex, 1927-  Search this
Krushenick, Nicholas, 1929-1999  Search this
Levine, Les, 1935-  Search this
Mangold, Robert, 1937-  Search this
Ohlson, Douglas Dean, 1936-  Search this
Ryan, Anne, 1889-1954  Search this
Ryman, Robert, 1930-  Search this
Slavin, Arlene, 1942-  Search this
Smith, Tony, 1912-  Search this
Sugarman, George, 1912-1999  Search this
Swain, Robert, 1940-  Search this
Extent:
39.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Photographs
Date:
1937-2015
bulk 1963-1977
Summary:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials. The 2015 addition of 14 linear feet consists of inventory and client sales records in the form of card indexes. The 2019 addition consists of material related to Marilyn Fischbach's art collection.
Scope and Content Note:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials.

Artists and Exhibition Files contain information on over one hundred Fischbach Gallery artists and measure 18 linear feet. The contents of each file varies, but typically may include biographical information; correspondence between the artist, museums, and other galleries; scattered consignment information; printed materials including articles, clippings, exhibition announcements and catalogs, and press releases; photographs of the artist, installations, constructions, and works of art; and negatives, slides, and transparencies. Substantial files are found for John Altoon, Stephen Antonakos, Ronald Bladen, Wynn Chamberlain, Allan D'Arcangelo, Gene Davis, Anne Dunn, Piero Gilardi, Eva Hesse, Alex Katz, Nicholas Krushenick, Les Levine, Robert Mangold, Doug Ohlson, Anne Ryan, Robert Ryman, Arlene Slavin, Tony Smith, George Sugarman, and Robert Swain, among others. Also included are files pertaining to group exhibitions including "According to the Letter" (1963), "Hard Center" (1963), "Six Women" (1965), "Game Without Rules" (1966), "Direct Representation" (1969), and "Eccentric Abstraction" (1966) which was organized by Lucy Lippard.

General gallery correspondence is business correspondence between the gallery and companies, individuals, museums, galleries, dealers, new or non-Fischbach artists, and institutions. Additional business records consist of an address book, lists of Fischbach artists, gallery plans, a notebook, as well as guest lists, mailing lists, and press lists.

Financial records are access restricted and require written permission from the donor's representative for use. The files document financial transactions for many of the artists represented in the artists files and includes sales records, invoices, artists' payments, and correspondence about sales and possible sales. The alphabetical financial files document routine gallery business, such as framing, shipping, insurance, messenger, publicity, etc. and are organized by name of business. General financial files consist of accounting ledgers, banking documents, insurance claims, and travel accounts.

Printed materials consist of various business cards, clippings concerning the Fischbach Gallery, and a pamphlet by Ron Williams as a guide to New York galleries. The bulk of printed materials are found in the Artists and Exhibition Files.

A small series of photographs include those from the Thiabaut Gallery, and unidentified photos of landscapes. It is likely that Fischbach Gallery occupied the space previously used by the Thiabaut Gallery and some materials were included in the collection for that reason. The bulk of photographic materials are found in the Artists and Exhibition Files.

In 2015, 14 feet of records were added to the collection. The addition consists of inventory and client sales records in the form of card indexes. The addition is access-restricted until 2065.

A 2019 addition of 0.2 linear feet, consisting of material related to Marilyn Fischbach's art collection, was processed in 2020.
Arrangement:
The collection is arranged as 9 series.

Series 1: Artists and Exhibitions Files, 1937-1977 (Boxes 1-18, 28; 18 linear feet)

Series 2: Gallery Correspondence, 1962-1974 (Boxes 18-19; 1.75 linear feet)

Series 3: Business Records, 1969-1971 (Box 27; 0.3 linear feet)

Series 4: Financial Records, 1963-1975 (Boxes 20-25; 4.5 linear feet)

Series 5: Printed Material, 1963-1972 (Box 26; 6 folders)

Series 6: Photographs, circa 1960s (Box 26; 2 folders)

Series 7: Inventory Card Indexes, circa 1960s-2015 (12.1 linear feet; Box 29-41)

Series 8: Client Sales Card Index, circa 1970s-2000s (1.9 linear feet; Box 41-42)

Series 9: Marilyn Fischbach Collection Records, circa 1975-2000 (0.2 linear feet; Box 43)
Historical Note:
The Fischbach Gallery was founded in 1960 by Marilyn Cole Fischbach at 799 Madison Avenue in New York City. The gallery was noted for its stable of minimalist young artists in the 1960s, and the work of the painterly realists in the 1970s. The gallery remains open today.

During its early years, the gallery was among the first to focus on 1960s avant-garde and minimalist artists. Marilyn possessed a talent for discovering young artists and for helping them advance their careers. Many of these young artists became well-known, including Ronald Bladen, Eva Hesse, and Alex Katz. Other artists represented by the gallery include Allan D'Arcangelo, Les Levine, Robert Mangold, Robert Ryman, George Sugarman, and Robert Swain.

The gallery also had an active exhibition schedule and organized and hosted group exhibitions of modern art, including "According to the Letter" (1963), "Hard Center" (1963), and "Direct Representation" (1969). Additionally, the Fishbach Gallery hosted "Eccentric Abstraction" in 1966, an exhibition organized by Lucy Lippard.

Later, the gallery moved to W. 57th Street in Manhattan. Fischbach hired A. Aladar Marberger as director of the gallery. Under his direction, the Fischbach Gallery shifted from the avant-garde to contemporary American realism and minimalist sculpture. In the 1980s, Marilyn Fischbach brought three investors into the gallery. She remined a co-owner, but lived in Paris, France for many years prior to her death at the age of seventy-two. The Fischbach Gallery remains open at 210 West 11th Street at 25th Street in New York City.
Provenance:
Gallery founder Marilyn C. Fischbach and director A. Aladar Marberger donated the majority of the Fischbach Gallery records in 1978. Additional records were donated in 2001 by Maureen Dawley on behalf of the Carnegie Mellon University and in 2015 and in 2019 by John Fischbach, Marilyn C. Fischbach's son.
Restrictions:
Use of original papers requires an appointment. Written permission from the donor is also required to view the series of financial records and the 2015 addition of card indexes. Contact the Reference Services Department for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Minimal art -- United States  Search this
Artists -- United States  Search this
Genre/Form:
Gallery records
Photographs
Citation:
The Fischbach Gallery records, 1937-2015, bulk 1963-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fiscgall
See more items in:
Fischbach Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fiscgall
Online Media:

Dorothy and Herbert Vogel papers

Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Names:
Kunsthalle Bielefeld  Search this
Andre, Carl, 1935-  Search this
Antonakos, Stephen, 1926-2013  Search this
Artschwager, Richard, 1923-  Search this
Aycock, Alice  Search this
Barnet, Will, 1911-2012  Search this
Bochner, Mel, 1940-  Search this
Cadere, André, 1934-1978  Search this
Chernow, Ann, 1936-  Search this
Christo, 1935-  Search this
Cyphers, Peggy, 1954-  Search this
DeMonte, Claudia, 1947-  Search this
Francisco, Richard, 1942-  Search this
Graham, Dan, 1942-  Search this
Groth, Jan, 1938-  Search this
Hazlitt, Don, 1948-  Search this
Highstein, Jene, 1942-2013  Search this
Jean-Claude, Martha, 1919-2001  Search this
Kawara, On  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Mangold, Sylvia Plimack, 1938-  Search this
Pozzi, Lucio, 1935-  Search this
Renouf, Edda  Search this
Ryman, Robert, 1930-  Search this
Schultz, Barbara  Search this
Seawright, Sandy  Search this
Tabler, Bernadine  Search this
Taschler, Lori, 1959-  Search this
Tuttle, Richard, 1941-  Search this
Umlauf, Lynn  Search this
Extent:
47.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1960s-2009
Summary:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.
Scope and Contents:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.

Scattered general correspondence is with friends, acquaintances, and corporate entities.

Files for artists represented in the Vogel Collection include Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Will Barnet, Mel Bochner, Andre Cadere, Ann Chernow, Christo and Jeanne-Claude, Peggy Cyphers, Claudia DeMonte, Richard Francisco, Dan Graham, Jan Groth, Don Hazlitt, Jene Highstein, On Kawara, Sol Lewitt, Sylvia and Robert Mangold, Lucio Pozzi, Edda Renouf, Robert Ryman, Barbara Schultz, Lori Taschler, Richard Tuttle, and Lynn Umlauf among many others. Materials within artists' files may include printed material, correspondence, writings and notes, and scattered business records.

Subject files are found for Dorothy and Herbert Vogel's friends and colleagues within the art world including art historians, writers, gallerists, dealers, and collectors. Extensive letters are from Sandy Seawright and Bernadine Tabler. Exhibition related materials are found among the files.

Scattered business records of the Vogel Collection document exhibitions of the collection at U.S. institutions and at the Kunsthalle Bielefeld Museum in Germany.

Printed materials include clippings, posters, and exhibition catalogs and announcements.
Arrangement:
The collection is arranged as 5 series:

Series 1: Correspondence, 1971-1987 (0.3 linear feet; Box 1)

Series 2: Artists' Files, 1963-2009 (30.4 linear feet; Boxes 1-31)

Series 3: Subject Files, 1969-2008 (9.8 linear feet; Boxes 31-41)

Series 4: Vogel Collection Business Records, 1974-1988 (0.3 linear feet; Box 41)

Series 5: Printed Material, 1960s-2000s (6.7 linear feet; Boxes 41-47, OV48-58)
Biographical / Historical:
Dorothy (1935- ) and Herbert Vogel (1922-2012) were contemporary art collectors in New York City, New York. The middle-class couple bought and collected art for forty-five years and amassed an extensive collection.

A life-long New Yorker, Herbert Vogel was born in 1922 and dropped out of school to work in a garment factory. After joining the U.S. Army, Vogel became a postal clerk and began to frequent Greenwich Village's Cedar Bar, a popular bar of the arts crowd. Vogel developed a deep appreciation for art and for the artists themselves.

In 1960, he met librarian Dorothy Faye Hoffman and they quickly fell in love. During their honeymoon, they visited the National Gallery of Art in Washington, D.C. Dorothy and Herb's first purchase was a sculpture by John Chamberlain. On their civil servant salary, the Vogels continued to collect and purchase art, beginning with young artists of the 1960s and 1970s while bypassing the dealer system of the New York City art scene. The result was a collection of 5,000 pieces which had to fit in their one-bedroom apartment.

In 1992, the Vogels donated the bulk of their collection to the National Gallery of Art, with fifty pieces intended to go to a museum or institution in each of the United States. Herbert Vogel died in 2012 in Manhattan and is survived by Dorothy.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 2435) including three notebooks containing clippings, articles, press releases, exhibition catalogs and announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Dorothy and Herbert Vogel donated their papers in several accretions from 1980 to 2009 and lent three notebooks for microfilming in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- Collectors and collecting -- New York (State) -- New York  Search this
Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vogedoro
See more items in:
Dorothy and Herbert Vogel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vogedoro
Online Media:

Oral history interview with Eddie Dominguez

Interviewee:
Dominguez, Eddie, 1957-  Search this
Interviewer:
Fleming, Stephen  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Cleveland Institute of Art -- Students  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
University of Nebraska -- Faculty  Search this
Abrams, Fay  Search this
Casebeer, Doug, 1956-  Search this
Hepburn, Tony  Search this
Higby, Wayne  Search this
Jimenez, Luis, 1940-2006  Search this
Martin, Agnes, 1912-2004  Search this
Munson, Larry  Search this
Nevelson, Louise, 1899-1988  Search this
Price, Kenneth, 1935-2012  Search this
Rothko, Mark, 1903-1970  Search this
Ryman, Robert, 1930-2019  Search this
Saks, Esther  Search this
Salomon, Judith  Search this
Extent:
71 Pages (Transcript)
12 Items (Sound recording: 12 sound files (4hr., 23 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2006 July 27-28
Scope and Contents:
An interview of Eddie Dominguez conducted 2006 July 27-28, by Stephen Fleming, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Roswell, New Mexico.
Dominguez speaks of his childhood in Tucumcari, New Mexico; the strong drive to create he felt from his youth; attending Cleveland Institute of Art in Ohio; receiving his M.F.A. from New York State College of Ceramics, Alfred University in New York; being awarded a Gift of Time grant for the Roswell Artist-in-Residence Program in 1986; the differences he encountered returning to the program 20 years later; his involvement with Haystack Mountain School of Crafts where he serves on the board of directors; participating in numerous workshops and lectures, including workshops at Penland School of Crafts; working as a regional artist and what that designation means to him; teaching experiences at the University of Nebraska, Lincoln; the importance of giving back to communities; his enjoyment in working with children to create public art installations; the influence of the Southwest landscape in his work; the very physical way he interacts with his work through piercing, burning, tearing, et cetera; being influenced by artists such as Louise Nevelson, Mark Rothko, Robert Ryman, Luis Jimenez, Agnes Martin, and others; the issue of ethnicity and race in identifying his art; and recent explorations with computer technology and digital photography. Dominguez also recalls Judith Salomon, Tony Hepburn, Wayne Higby, Fay Abrams, Larry Munson, Esther Saks, Doug Casebeer, Kenneth Price and others.
Biographical / Historical:
Eddie Dominguez (1957- ) is a ceramicist from Roswell, New Mexico. Stephen Fleming (1950- ) is the director of the Roswell Artist-in-Residence Program, Roswell, New Mexico.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 12 digital wav files. Duration is 4 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- New Mexico  Search this
Topic:
Decorative arts  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.doming06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-doming06

Oral history interview with Virginia Dwan

Interviewee:
Dwan, Virginia  Search this
Interviewer:
Stuckey, Charles F.  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Andre, Carl, 1935-  Search this
Arman, 1928-2005  Search this
De Maria, Walter, 1935-2013  Search this
Guston, Philip, 1913-1980  Search this
Heizer, Michael, 1944-  Search this
Kienholz, Edward, 1927-  Search this
Klein, Yves, 1928-1962  Search this
Kline, Franz, 1910-1962  Search this
LeWitt, Sol, 1928-2007  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Ryman, Robert, 1930-2019  Search this
Smithson, Robert  Search this
Snelson, Kenneth, 1927-2016  Search this
Tinguely, Jean, 1925-  Search this
Extent:
192 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1984 March 21-June 7
Scope and Contents:
An interview of Virginia Dwan conducted 1984 March 21-June 7, by Charles F. Stuckey, for the Archives of American Art.
Dwan speaks of her background and education; her early interest in art; starting her gallery in 1959 in Los Angeles; the early days of her gallery; the development of her circle of artists; early shows; financing the gallery; "shopping" for art and artists; public and critical reaction to her gallery's shows; the decision to go to New York, and getting established there; making decisions about what to show; collectors; the closing of the Dwan Gallery; and her life since. She also relates anecdotes about the creation and execution of Robert Smithson's "Spiral Jetty" and reminisces about numerous artists with whom she was associated, including: Jean Tinguely, Robert Rauschenberg, Yves Klein, Ad Reinhardt, Ed Kienholz, Philip Guston, Arman, Robert Smithson, Franz Kline, Kenneth Snelson, Carl Andre, Sol Lewitt, Michael Heizer, Walter De Maria, and Robert Ryman.
Biographical / Historical:
Virginia Dwan (1931- ) is an art dealer from New York, New York.
General:
Originally recorded on 10 sound cassettes. Reformatted in 2010 as 19 digital wav file. Duration is 11 hr., 20 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
For information on how to access this interview contact Reference Services.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from Anne Kovach. Contact Reference Services for more information.
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Function:
Art galleries, Commercial
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dwan84
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dwan84

Robert Ryman : drawings

Artist:
Ryman, Robert 1930-  Search this
Writer of supplementary textual content:
Schwarz, Dieter 1953-  Search this
Host institution:
Pace Gallery  Search this
Printer:
Meridian Printing  Search this
Subject:
Ryman, Robert 1930-  Search this
Physical description:
128 pages : chiefly color illustrations ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Place:
United States
Date:
2018
20th century
Topic:
Minimal art  Search this
Formalism (Art)  Search this
Monochrome drawing  Search this
Drawing, American  Search this
Call number:
N40.1.R994x P33d 2018
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1093381

Minimal art from the Marzona Collection : Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback, Richard Serra, Richard Tuttle / [exhibition coordinator, Polly Robinson Gaer ; editors, Oona Doyle and Paul B. Franklin

Title:
Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback, Richard Serra, Richard Tuttle : minimal art from the Marzona Collection
Editor:
Doyle, Oona  Search this
Franklin, Paul B. 1967-  Search this
Curator:
Gaer, Polly Robinson  Search this
Publisher:
Galerie Thaddaeus Ropac (Paris, France)  Search this
Subject:
Andre, Carl 1935-  Search this
Flavin, Dan 1933-1996  Search this
Judd, Donald 1928-1994  Search this
LeWitt, Sol 1928-2007  Search this
Lozano, Lee 1930-1999  Search this
Ryman, Robert 1930-  Search this
Sandback, Fred 1943-2003  Search this
Serra, Richard 1938-  Search this
Tuttle, Richard 1941-  Search this
Physical description:
93 pages : illustrations (some colour) ; 27 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1087654

Robert Ryman / editors: Stephen Hoban and Courtney J. Martin ; contributors, Sandra Amann [and 10 others]

Editor:
Hoban, Stephen  Search this
Contributor:
Martin, Courtney J.  Search this
Amann, Sandra  Search this
Applin, Jo  Search this
Gaines, Charles 1944-  Search this
Garrels, Gary  Search this
Hudson, Suzanne Perling 1977-  Search this
Kaiser, Philipp 1972-  Search this
Lippard, Lucy R.  Search this
Storr, Robert.  Search this
Swenson, Kirsten  Search this
Szwed, John F. 1936-  Search this
Host institution:
Dia Art Foundation  Search this
Subject:
Ryman, Robert 1930- Criticism and interpretation  Search this
Physical description:
335 pages : illustrations (mostly color) ; 26 cm
Type:
Books
Criticism, interpretation, etc
Date:
2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1083462

Robert Ryman : November 19, 2004-January 8 2005

Author:
Ryman, Robert 1930-  Search this
PaceWildenstein (Firm)  Search this
Subject:
Ryman, Robert 1930-  Search this
Physical description:
53 p. : col. ill. ; 27 cm
Type:
Books
Exhibitions
Date:
2004
C2004
Call number:
ND237.R83 A4 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_808304

Robert Ryman at Inverleith House, Royal Botanic Garden, Edinburgh : Raussmüller Collection / Christel Sauer ; [texts by Meret Arnold, Ines Goldbach, and Christel Sauer ; idea and concept by Urs Raussmüller and Christel Sauer ; edited by Christel Sauer ; translations from German into English by Suzanne Leu and Fiona Elliott ; editing of the English texts by Fiona Elliott]

Author:
Sauer, Christel  Search this
Arnold, Meret  Search this
Goldbach, Ines  Search this
Sauer, Christel  Search this
Raussmüller, Urs  Search this
Royal Botanic Garden, Edinburgh  Search this
Subject:
Ryman, Robert 1930-  Search this
Royal Botanic Garden, Edinburgh  Search this
Raussmüller Collection & Projects  Search this
Physical description:
120, [3] p. : col. ill. ; 28 cm
Type:
Books
Exhibitions
Date:
2006
C2006]
Call number:
ND237.R83 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_826849

Ryman paintings and Ryman exhibitions / Urs Raussmüller ; [idea and concept by Urs Raussmüller and Christel Sauer ; editing by Christel Sauer]

Title:
Urs Raussmüller : Ryman paintings and Ryman exhibitions
Raussmüller Collection
Author:
Raussmüller, Urs  Search this
Ryman, Robert 1930-  Search this
Sauer, Christel  Search this
Raussmüller Collection & Projects  Search this
Subject:
Ryman, Robert 1930-  Search this
Raussmüller, Urs  Search this
Physical description:
68 p. : ill. (chiefly col.) ; 28 cm
Type:
Books
Exhibitions
Interviews
Date:
2006
C2006
Call number:
ND237.R83 A4 2006b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_826958

Robert Ryman

Author:
Ryman, Robert 1930-  Search this
Sidney Janis Gallery  Search this
Subject:
Ryman, Robert 1930-  Search this
Physical description:
[4] p. : ill. ; 28 cm
Type:
Books
Exhibitions
Date:
1981
Call number:
ND237.R83 A4 1981b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_706645

Robert Ryman

Author:
Ryman, Robert 1930-  Search this
Tuchman, Phyllis  Search this
Sandback, Amy Baker  Search this
Thomas Ammann Fine Art (Gallery)  Search this
Subject:
Ryman, Robert 1930-  Search this
Physical description:
24 leaves of plates, [11] p. (1 folded) : col. ill. ; 31 cm
Type:
Books
Exhibitions
Date:
2002
C2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_758987

Robert Ryman : new paintings : October 11-November 9, 2002 / [essay by Yve-Alain Bois]

Author:
Ryman, Robert 1930-  Search this
Bois, Yve-Alain  Search this
PaceWildenstein (Firm)  Search this
Subject:
Ryman, Robert 1930-  Search this
Physical description:
42 p. : col. ill. ; 33 cm
Type:
Exhibitions
Date:
2002
C2002
Topic:
White in art  Search this
Call number:
ND237.R83 A4 2002b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_760137

Robert Ryman / Charles Wylie ; with a contribution by Claire de Dobay Rifelj

Author:
Wylie, Charles  Search this
Ryman, Robert 1930-  Search this
Rifelj, Claire de Dobay 1980-  Search this
Dallas Museum of Art  Search this
Subject:
Ryman, Robert 1930- Exhibitions  Search this
Physical description:
57 p. : chiefly col. ill. ; 31 cm
Type:
Books
Date:
2006
C2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_789759

Robert Ryman : paintings from the sixties / essay by Thierry de Duve

Author:
Ryman, Robert 1930-  Search this
Duve, Thierry de  Search this
Xavier Hufkens Gallery  Search this
Subject:
Ryman, Robert 1930-  Search this
Physical description:
48 p. : col. ill. ; 31 cm
Type:
Books
Exhibitions
Date:
2000
C2000
Call number:
ND237.R83 A4 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_608061

Robert Ryman / Haus der Kunst München, Kunstmuseum Bonn ; [Konzeption, Bernhart Schwenk und Christoph Schreier]

Author:
Ryman, Robert 1930-  Search this
Schwenk, Bernhart 1960-  Search this
Schreier, Christoph  Search this
Städtisches Kunstmuseum Bonn  Search this
Haus der Kunst München  Search this
Subject:
Ryman, Robert 1930-  Search this
Physical description:
169 p. : ill. (some col.), ports. ; 31 cm
Type:
Books
Exhibitions
Date:
2000
C2000
Call number:
ND237.R83 A4 2000a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_630219

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