An interview of Joan Snyder conducted 2010 February 25-26, by Judith Olch Richards, for the Archives of American Art, at Snyder's home and studio in Brooklyn, New York.
Snyder speaks of her childhood and education, growing up in a Jewish household in Brooklyn; education at Douglass College at Rutgers University, New Jersey; work with anti-poverty programs; her involvement in the wave of feminism, WAC (Women Art Collective), and Women Against War; Snyder's work on the magazine "Heresies: A Feminist Publication on Art and Politics"; relationship with ex-husband, photographer Larry Fink; Snyder's important early showing at Bykert Gallery and Hirschl & Adler; the works Small Symphony for Women (1974), Resurrection (1977), Love's Pale Grapes (1982), Apple Tree Mass (1983), Beanfield with Music for Molly (1984), Savage Dreams, (1981-82), Women in Camps (1988), Morning Requiem for the Children (1987-88), Faces, Journey of the Souls (1993), Cherry Tree (1993), and her work into the 21st century; themes in her work that refer to the AIDS crisis, the treatment of women and female sensibility, lives of children, and religion; recipient of the MacArthur Fellowship in 2007; her teaching experience at Parsons and School of Visual Art (SVA). Snyder also recalls Ulfred Wilke, Lucy Lippard, and various individuals associated with the Feminist/women's movement, daughter Molly Snyder-Fink, and partner Maggie Cammer.
Biographical / Historical:
Joan Snyder (1940- ) is an abstract artist in Brooklyn, New York. Judith Olch Richards (1947- ) is former executive director of iCI in New York, New York.
General:
Originally recorded on 6 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New York (State) -- New York Search this
The papers of abstract painter Joan Snyder measure 3.0 linear feet and date from 1962 to 2009. They document the career of Snyder through biographical material, correspondence, interviews, writings, gallery and exhibition files, professional files, printed materials, photographic material, and artwork.
Scope and Contents:
The papers of American painter Joan Snyder measure 3.0 linear feet and date from 1962 to 2009. They document the career of Snyder through biographical material, correspondence, interviews, writings, gallery and exhibition files, professional files, printed materials, photographic material, and artwork.
The biographical material series includes honors and awards as well as a resume. Correspondence includes personal letters from friends and fellow artists. The interviews series features three transcripts of separate interviews with Ardele Lister and Ned Rifkin. The writings series includes journal entries and manuscripts by Snyder, as well as manuscripts and published reviews. The gallery and exhibition files series includes documentation originating from various organizations including the Brooklyn Museum of Art, Rutgers University and the Hirschl and Adler Gallery. The professional files series includes business correspondence with State University of New York (SUNY) and the Women's Art Registry of Minnesota. The printed material series includes many clippings featuring Snyder and miscellaneous exhibition advertisements from Boston, New York, and across the nation. The photographic material series includes many labeled slides of Snyder's artwork and studio. The artwork series is comprised of a single sketchbook.
Arrangement:
This collection is arranged as 9 series:
Series 1: Biographical Material, circa 1962-1983 0.1 Linear feet (Box 1)
Series 2: Correspondence, circa 1971-2006 0.1 Folders (Box 1)
Series 3: Interviews, circa 1990-1991 0.1 Linear feet (Box 1)
Series 4: Writings, circa 1971-1994 0.2 Linear feet (Box 1)
Series 5: Gallery and Exhibition Files, circa 1971-2005 0.5 Linear feet (Box 1)
Series 6: Professional Files, circa 1969-1996 0.2 Linear feet (Box 2)
Series 7: Printed Material, circa 1963-2000 1.4 Linear feet (Boxes 2-3)
Series 8: Photographic Material, circa 1979-2014 0.2 Linear feet (Box 3)
Series 9: Artwork, circa 2003-2009 0.1 Linear feet (Box 3 )
Biographical / Historical:
Joan Snyder (1940-present) is an abstract painter and feminist organizer who primarily works in New York City and New Jersey. Born in the Highland Park area, Snyder did not decide to pursue a career in the arts until after taking her first introductory art class at Douglass College in 1961. After earning a MFA at Rutgers University, she married photographer Larry Fink and began teaching at Neighborhood House in New Brunswick. She would continue to teach and serve as a visiting artist at universities like Yale, Princeton and SUNY later in her career.
In 1970, Snyder held her first solo exhibition in New York City, and participated in solo and group exhibitions at galleries and universities in the city and across the nation throughout her career. In repsonse to the gender imbalance among artistic faculty and gallery representation, Snyder became active in the feminist art movement, founding the Mary H. Dana Women Artist Series and supporting organizations like The Woman's Building. Her work can be found in the collections of institutions like the Guggenheim, the Whitney Museum, the MOMA, and the National Gallery of Art.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Joan Snyder conducted by Judith Olch Richards, February 25-26 2010.
Provenance:
The Joan Snyder papers were donated by Snyder in two installments, in 2011 and 2014.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for
additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Educators -- New York (State) -- New York Search this
An interview with Geoffrey Hendricks conducted 2016 August 17-18, by Linda Yablonsky, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Hendricks' home in New York, New York.
Hendricks speaks of his childhood in New England and Chicago; his art education at Amherst College, Cooper Union, Yale's summer arts school, and Columbia University; his teaching career at Douglass College and Rutgers University; his affiliation and body of artwork with Fluxus; his first marriage and divorce to Nye Ffarrabas (née Beatrice Forbes); his partner Brian Buczak; involvement with Visual AIDS, Day Without Art, and other activist efforts; his relationship with Sur Rodney (Sur); his work to help HIV-positive artists plan their estates; his body of work and exhibitions as a solo artist; changes he has observed in the art world; and his hopes for his artistic legacy. Hendricks also recalls Philip Corner, Theodore Brenson, Rudolph Wittkower, Allan Kaprow, Bob Watts, George Brecht, Robert Filliou, George Maciunas, Peter Moore, Alison Knowles, Yoshi Wada, Peter van Riper, Bill Olander, Al Hansen, Francesco Conz, William Pope.L, Hermann Nitsch, Jill Johnston, and others.
Biographical / Historical:
Geoffrey Hendricks (1931-2018) was an artist in New York, New York, associated with Fluxus. Hendricks was also professor emeritus at the Mason School for the Arts at Rutgers in New Brunswick, New Jersey. Linda Yablonsky (1948- ) is a writer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Smithsonian Institution. Program in African American Culture Search this
Container:
Box 25, Folder 6-7
Type:
Archival materials
Date:
1997 February 5-8
Scope and Contents:
Program in African American Culture of the National Museum of American History, in collaboration with the African Voices Project of the National Museum of Natural History, the Anacostia Museum and the Center for African American History and Culture, the Center for Folklife Programs and Cultural Studies, the Louisiana State Museum, and the Black Film Review, presented this symposium and cultural festival. Program focused on the roots and evolution of the Franco-Creole diaspora in the Americas, from Wednesday, February 5, through Saturday, February 8, 1997, in honor of the sixteenth annual national observance of African American History Month. The program included performances, films, demonstrations, oral histories, conversations, and workshops. The symposium took place from Friday to Saturday, including presentations, panel discussions, roundtable discussion, audience discussions, and performances.
Participants:
Dignitaries
His Excellency Lucien Tonoukouin, Ambassador of Benin
His Excellency Jean Casimir, Ambassador of Haiti
His Excellency General Mamadou Mansour Seck, Ambassador of Senegal
The Honorable William Jefferson, Congressman, Louisiana's Second District
Gwendolyn Midlo Hall, Ph.D., professor emerita of history, Rutgers University
Michel-Rolph Trouillot, Ph.D., born in Port-au-Prince, Haiti; Kreiger-Eisenhower Distinguished Professor and chair of the Anthropology Department and director of the Institute for Global Studies in Culture, Power, and History, Johns Hopkins University
Panelists
Liberata Ahimba, culture bearer in the Washington area Senegalese community
Keith Allen Cartwright, English faculty, Coastal Georgia Community College, Brunswick
Irène Assiba d'Almeida, Ph.D., associate professor of French and Francophone African literature, University of Arizona
Wonda Lee Fontenot, Ph.D., administrator and faculty member, University of New Orleans
Jessica B. Harris, Ph.D., faculty member, Office of Special Programs, Queens College
Joseph E. Harris, Ph.D., distinguished professor of history, Howard University
Michael S. Laguerre, Ph.D., professor of anthropology and Afro-American studies, University of California at Berkeley
Gorgui N'Diaye, loan officer, World Bank, Washington, DC
Sulayman S. Nyang, Ph.D., chairman of the Department of African Studies, Howard University; lead developer for the African Voices Project, National Museum of Natural History
Marie M.B. Racine, Ph.D., professor of foreign languages, University of the District of Columbia
Elliot Percival Skinner, Ph.D., Franz Boas Professor of Anthropology, Columbia University
Marie- Thérèse Labossière Thomas, cultural consultant
Michael Gerard White, Ph.D., associate professor of Spanish and instructor of Afro-American music, Xavier University, New Orleans, Louisiana
Herbert Joseph Wiltz, assistant principal, Lafayette High School, Louisiana
Cultural Presenters
Marc A. Christophe, Ph.D. received his M.A. in French from Howard University and his Ph.D. in French from George Washington University
Djimo Kouyate, Griot, is an oral historian and musician of Manding traditions
Thomas "Big Hat" Fields and His Foot Stompin' Zydeco Band are based in Louisiana
The Smithsonian Movement in Classic Jazz Quartet is part of an ensemble composed of Washington, DC - based musicians specializing in early twentieth-century jazz repertory
Program number AC408.100.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
Smithsonian Institution. Program in African American Culture Search this
Container:
Box 25, Folder 15
Type:
Archival materials
Date:
1999 February 3-6
Scope and Contents:
The eighteenth annual national conference in observance of African History
Month was a symposium and community tribute held from Wednesday, February
3, through Saturday, February 6, 1999, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The Middle Passage conference was launched by the Program on African American Culture series "African Americans at the Millennium: From Middle Passage to Cyberspace". The conference saluted three pioneering educators: Dr. John Henrik Clarke, Dr. Adelaide M. Cromwell and Dr. Joseph E. Harris.
Participants included:
Ronald Bailey, Ph.D., chair of the Department of African-American Studies, Northeastern University
Michael L. Blakey, Ph.D., professor of anthropology and anatomy and curator of the W. Montague Cobb Human Skeletal Collection, Howard University
Kim D. Butler, Ph.D., assistant professor, Department of Africana Studies, Rutgers University
Adama J. Conteh, Ph.D., assistant professor of history, Hampton University
Collaborative Public Art Team; Houston Conwill,sculptor; Estella Conwill Majozo, poet; and Joseph DePace, architect
C. Daniel Dawson, photographer and filmmaker
Tom Feelings, renowned artist and illustrator of children's books
Haile Gerima, film producer, director, writer, and editor
Michael A. Gomez, Ph.D., professor of history, University of Georgia; and adjunct faculty, Spelman College
Leslie King Hammond, Ph.D., artist and illustrator and dean of graduate studies, Maryland Institute College of Art
Sylvia Hill, Ph.D, chair of the Department of Urban Affairs, University of the District of Columbia
James Oliver Horton, Ph.D., Benjamin Banneker Professor of American Studies and History, George Washington University
Noel Ignatiev, Ph.D., a visiting assistant professor of history, Bowdoin College
Joseph E. Inikori, Ph.D., a professor of history and associate director, Frederick Douglass Institute for African and African-American Studies, University of Rochester
Aisha Kahil, performing artist and master teacher in voice and dance and member of the a cappella ensemble Sweet Honey in the Rock
Gilberto Leal, a geologist, labor union and political party leader
Clarence Lusane, Ph.D., political scientist and author
Deborah L. Mack, Ph.D., director of public programs and exhibitions, National Underground Railroad Freedom Center in Cincinnati
Lorna McDaniel, Ph.D., historian and founding editor of New Directions: Readings in African Diaspora Music
Alice McGill, storyteller, author and educator
Diana Baird N'Diaye, Ph.D., a folklorist, anthropologist, and program curator, Smithsonian Institution's Center for Folklife Programs and Cultural Studies
Sylvia Ojukutu-Macauley, Ph.D., visiting assistant professor of history, Georgetown University
Colin A. Palmer, Ph.D., Distinguished Professor of History, New York Graduate School, City University
Carla L. Peterson, Ph.D., professor, Department of English and Comparative Literature, University of Maryland
Bernice Johnson Reagon, Ph.D., curator emerita, National Museum of American History (NMAH); and Distinguished Professor of History, American University
Fath Davis Ruffins, historian at the National Museum of American History
Llewellyn Smith, television producer and playwright
Elisée Soumonni, Ph.D., lecturer, department of history, Université Nationale du Bénin
John Thornton, Ph.D., professor of history, Millersville University
Eleanor W. Traylor, Ph.D., graduate professor of English and chair of the Department of English, Howard University
Sheila S. Walker, Ph.D., Annabel Irion Worsham Centennial Professor in Liberal Arts and director of the Center for African and African American Studies, University of Texas
Margaret Washington, Ph.D., history department, Cornell University
Jacquie Gales Webb, producer, Smithsonian Productions; and radio host
Olabiyi Yai, Ph.D., ambassador from Bénin
African Heritage Dancers and Drummers, a youth intervention program that provides rich portrayals of traditional West African dance, music, crafts, and folklore
Melvin Deal, founder and artistic director of the African Heritage Dancers and Drummers
Olufunmilayo Jomo, master teacher and performance artist of African dance and percussion
Kimberly A. Kelly, Ford Foundation Scholar, master's program, European decorative arts, Parsons/Cooper-Hewitt
Kono Youth Ensemble, founded in 1995 to awaken young people here and abroad to the power and beauty of traditional West African dance and drum
Djimo Kouyate, born in Dianna Senegal, is a diali, an oral historian and musician of Manding traditions
Amshatar Monroe, advocate of indigenous culture and spirituality and founder of Sacred Space
Pam Rogers, director of In Process…, Includes: Michelle Lanchester, Yasmeen Williams, Tammy Adair, Ayo Ngozi, Paula Pree, and Reverend Amitiyah Elayne Hyman
Sacred Space: Where Indigenous Paths Meet, a nonprofit organization committed to providing cultural and educational activities, council of elders: Baba Wande Abimbola, Nana Kwabena Brown, Mounain Eagle Woman (Mama Binta-Bisa Mati), Ione, Baba Kwame Ishangi, and Iya N'Ifa Efunyale (Mother) Taylor
Program number AC408.108.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet and 4.13 GB. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings by Golub and other authors, subject files, printed and digital material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and wife Nancy Spero. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.
Scope and Contents:
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet and 4.13 GB. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings, subject files, printed and digital material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and his art work. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.
Biographical materials consist largely of video documentaries about Leon Golub and his work, obituaries, and information about his 2004 memorial service and a larger memorial tribute held later. Also found are educational records, passports, curricula vitae.
Correspondence is mostly of a professional nature, focusing on exhibitions, projects, collectors, articles submitted for publication, Golub's work, speaking engagements, awards, gifts of artwork, studio visits, and travel arrangements. Correspondents include dealers, curators, art historians, critics, collectors, writers, and editors. Scattered throughout are a small number of letters concerning personal business and politics.
Interviews with Leon Golub and joint interviews with Leon Golub and Nancy Spero were conducted for a variety of purposes. They are preserved as transcripts, video, and sound recordings. Writings by Golub include manuscripts and notes for articles, catalog essays, and miscellaneous writings. Notes and texts for talks, lectures, and panel discussions, include some transcripts and recordings. Among the writings by other authors are a dissertation, a thesis, academic papers, notes, texts of speeches, and a recording of a lecture by an unidentified speaker.
Subject files reflect Golub's professional and personal activities, interests and relationships. Of note are many files of "Images (source material)" used for a variety of artwork and projects. Personal business records documenting Golub's artistic output include many inventories and lists, and a comprehensive register of work, information about consignments, loans, photo permissions, and gifts or donations. Also found are extensive mailing lists.
Printed material includes clippings, exhibition catalogs and announcements, and a variety of miscellaneous printed items. Most material is about/mentions Golub, and/or includes reproductions of his work. Scattered throughout are items concerning topics of interest to Golub, and articles written by him.
The majority of the photographic materials are color digital prints of Golub's artwork. There are photographs of Leon Golub and Nancy Spero, family members, and friends and colleagues at exhibition events. Also found are a few photographs of Golub's plexibox sculptures.
Arrangement:
The collection is arranged in 8 series:
Missing Title
Series 1: Biographical Material, 1930s-2006 (Boxes 1-2; 1.4 linear feet, ER01-ER02; 3.82 GB)
Series 2: Correspondence, 1955-2004 (Boxes 2-3; 0.9 linear foot)
Series 3: Interviews, 1967-2004 (Boxes 3-4; 0.8 linear foot)
Series 4: Writings, 1948-2003 (Boxes 4-5, 21; 1.1 linear foot, ER03; 0.098 GB)
Series 5: Subject Files, 1959-2005 (Boxes 5-11, OV 18; 6.2 linear feet, ER04-ER06, 0.213 GB)
Series 6: Personal Business Records, 1965-2009 (Boxes 11-12; 1.4 linear feet)
Series 7: Printed Material, circa 1950s-2009 (Boxes 12-16, 21, OV 19; 3.9 linear feet)
Series 8: Photographs, 1940s-2004 (Boxes 16-17, OV 20; 0.6 linear foot)
Biographical / Historical:
Leon Golub (1922-2004) was a painter in New York City known for figurative work with political content, an anti-war activist, and professor of art at Rutgers University.
Chicago native Leon Golub studied art history at the University of Chicago (BA 1942) before serving as a cartographer with the U.S. Army Corps of Engineers in Europe during World War II. Upon returning home, Golub became identified with Monster Roster, a group of Chicago artists who believed art must be grounded in real events in order to be relevant to the viewer and society, an idea he held throughout his life. At the School of the Art Institute of Chicago, Golub pursued his interest in painting (BFA 1949, MFA 1950) and met fellow student Nancy Spero whom he married in 1951. After graduation he began teaching at local colleges, exhibited in Chicago and New York, and served as chair of "Exhibition Momentum" (1950). The couple and their two sons lived in Italy from 1956-1957. In 1959 they moved to Paris and, while there, a third son was born. Upon returning to New York City in 1964, Golub became actively involved with the Artists and Writers Protest Against the War in Vietnam, other anti-war groups, and civil liberties organizations. While his painting style changed with time, Golub continued to explore power, violence and conflict, often working in series with titles such as Combats, Napalm, Mercenaries, Interrogation, and Riot.
He first participated in a group show with other veterans at the School of the Art Institute of Chicago in 1947, and soon was included in group and solo exhibitions throughout the United States and in Europe, including the Guggenheim Museum's influential national traveling exhibition "Younger American Painters" (1954-1956). Golub and Spero exhibited their work in tandem and collaborated on installations. He continued to participate in group shows including "Documenta IX" (2002). Golub's work is included in the permanent collections of museums throughout the world.
Golub began his teaching career soon after graduation, first at a junior college in Chicago. In the later 1950s he served briefly on the faculties of Illinois Institute of Technology School of Design and Indiana University; in the 1960s at the Tyler School of Art in Philadelphia, and Fairleigh Dickinson University in New Jersey. He began a long tenure at Rutgers University, School of Visual Arts in 1970 and retired in 1991. In the early 1990s, both Golub and Spero were affiliated with Sommerakademie in Salzburg. Golub wrote and spoke on art, politics, and social issues; he also published many articles, statements, and book reviews, as well as contributing introductions and essays for exhibition catalogs.
Awards and honors included the Skowhegan Medal for Painting (1988), Chicago Committee to Defend the Bill of Rights Award (1989), Dickinson College Arts Award (1992), National Foundation of Jewish Culture Visual Arts Award (1995), and Hiroshima Art Prize shared with Nancy Spero (1996). Golub was awarded honorary doctorates of Fine Arts by the School of the Art Institute of Chicago (1982), Swarthmore College (1985), College of St. Rose (1995), Trinity College (1999), and Pratt Institute (2000). He was elected a member of the American Academy of Arts and Letters (2002).
Leon Golub died in New York City August 8, 2004 from complications following surgery.
Related Materials:
Also among the holdings of the Archives of American Art are oral history interviews with Leon Golub conducted for the Archives of American Art by Bruce Hooten 1965 and Irving Sandler 1968 October 28-November 18. The Nancy Spero papers, 1940s-2009, bulk 1970-2009, include documentation of many of the couple's collaborative projects, joint exhibitions, their family, and shared interests.
Provenance:
The Leon Golub papers were donated by Leon Golub in 1978; the majority of the papers were given in 2013 by The Nancy Spero and Leon Golub Foundation for the Arts via their sons Stephen, Philip and Paul Golub. Material loaned for microfilming in 1969 is included with the 2013 donation.
Restrictions:
Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
An interview with Douglas Crimp, conducted 2017 January 3-4, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Crimp's home in New York, New York.
Crimp speaks of growing up in Coeur d'Alene, Idaho; his athleticism in water skiing and ice skating; sibling rivalry as a child; seeing art for the first time at the Seattle World Fair; being closeted and conflicted as a young gay man in 1950s Idaho; attending Tulane University in New Orleans and the culture shock he experienced there; his first year in Tulane's rigorous architecture program and ultimately changing his major to art history; the pageantry of Mardi Gras parades and the gay society he explored; writing an undergraduate paper analyzing Marcel Duchamp's "The Large Glass"; deciding to go to New York City; finding his voice as an art critic while beginning his career at Art News and Art International; his extensive analysis of Joan Jonas; attending Firehouse dances sponsored by Gay Activist Alliance and coming into his sexuality; being a patient of esteemed doctor Dr. Dan William; first learning of the AIDS crisis and epidemic through a New York Times article in 1981 describing a gay cancer; receiving an NEA art critic grant and spending a year in Germany from 1985-86; returning to find friends and acquaintances sick with HIV/AIDS or having died from it; the Dia Conversations; his role as editor of October and bringing queerness and AIDS to the forefront; joining ACT UP; the genesis of October's AIDS double issue in 1987-1988 and its success; how the journal issue changed the course of his career and steered him to teach gay studies and further his work with AIDS activism; the inner workings of ACT UP meetings; the sense of community ACT UP provided and the empowerment everyone felt; noting a sense of personal and professional urgency during the crisis; the timeline of his AIDS writings; his reaction to seeing the AIDS quilt for the first time at the March on Washington; writing to a wide, non-academic audience; his 1988 course at Rutgers University on AIDS video; his complex relationships with Rosalind Krauss and Annette Michelson; the poor coverage of the AIDS epidemic in the media and how it informed his writing; the understanding of the need for safe sex practices and writing "How to Have Promiscuity in an Epidemic;" teaching courses on AIDS at the University of Rochester and how his teaching interest evolved into queer theory and studies; evaluating Warhol's work with a queer lens; writing about his experience with queer life in New York City in the 1970s to counter the condescending conservative narrative; his current writing projects and interests; experience in demonstrations held by ACT UP; and the tremendous communal support he felt during his seroconversion. Crimp also recalls Marilynne Summers (Robinson), Bernard Lemann, Marimar Benetiz, Ida Kohlmeyer, Lynn Emory, Diane Waldman, Betsy Baker, Lucinda Hawkins, Christian Belaygue, Krzysztof Wodiczko, Rosalind Krauss, Joan Copjec, Gregg Bordowitz, Terri Cafaro, Rene Santos, Craig Owens, Fernando Torm, Bill Olander, Richard Elovich, Daniel Wolfe, Hector Caicedo, Lynne Cooke, and Zoe Leonard.
Biographical / Historical:
Douglas Crimp (1944- 2019) was a professor and art critic in New York, New York. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- New York (State) -- New York -- Interviews Search this
Educators -- New York (State) -- New York Search this
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emily Hall Tremaine papers, circa 1890-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the The Brent R. Harris Charitable Fund. Funding for the digitization of the papers was provided by the Emily Hall Tremaine Foundation. Researchers are invited and encouraged to inform the Emily Hall Tremaine Foundation of publication efforts at collection@tremainefoundation.org.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
This collection is comprised of the professional papers of Joel M. Halpern and, to a lesser extent, the papers of Barbara Kerewsky-Halpern. Both their collaborations and individual work are represented here. Materials include their correspondence, published and unpublished writings, research materials, photographs, grant applications, consultant work, teaching files, their files as students, and writings by colleagues.
The bulk of the research files pertain to Halpern's Orašac demography project. Also present are notes and photographs from his field research in the Balkans during the 1950s and 1960s. The collection also reflects his research interests in the Inuit of Alaska and Canada. There is little original material, however, documenting his fieldwork in Laos. Additional materials of interest in the collection include a transcript of an interview Halpern conducted with Conrad Arensberg as well as his notes and syllabi from courses taught by a number of prominent anthropologists, such as Conrad Arensberg, Morton Fried, Alfred Kroeber, and Margaret Mead. The collection also contains a set of prints of Shinnecock Indians that Halpern obtained from Red Thunder Cloud.
Among Kerewsky-Halpern's files are notes from her research on South Slav immigrants in Ontario, her research on oral tradition among peasant communities in Southeastern Europe, as well as her involvement in multiple sclerosis organizations and the Feldenkrais Method.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is organized into 10 series: 1) Correspondence, 1950s-2003; 2) Research, 1953-1996; 3) Writings, 1948-2007; 4) Professional Activities, 1951-1990s; 5) Student Files, 1946-1955, 1968-1979; 6) Teaching Files, 1947-1992; 7) Personal and Biographical Files, 1948-2002; 8) Writings by Others, 1950s-1990s; 9) Photographs, 1942, 1953-1970, 1978, 1997, undated; 10) University of Massachusetts, 1968-1992
Biographical Note: Barbara Kerewsky-Halpern:
Barbara Kerewsky-Halpern was born on December 23, 1931 in Mt. Vernon, New York. Her mother, Rose S. Kerewsky, had worked with physical anthropologist Stanley Garn and coauthored a number of papers on dentition. Kerewsky-Halpern attended Barnard College, where she received a B.A. in Geology and Geography in 1953. She later obtained her M.A. in Linguistics (1974) and Ph.D. in Anthropology (1979) at University of Massachusetts in Amherst.
Kerewsky-Halpern married Joel M. Halpern in 1952. In the following year she accompanied him to the field in Orašac, Serbia and assisted him in his research. She was also the illustrator and cartographer for Halpern's monograph A Serbian Village. Over the span of her career, she frequently collaborated with her husband on research projects and coauthored a number of articles. Like her husband, her research focused on peasant communities, specifically on oral traditions and the ethnography of communication. In 1974, she also studied South Slav communities in Ontario.
When she was 44, Kerewsky-Halpern became incapacitated due to multiple sclerosis. Through self-rehabilitation, she was able to regain full motion, but the experience continued to influence her life. Her research interests expanded to include medical anthropology, cross-cultural perspectives on disability, and the anthropology of movement. She also became active in multiple sclerosis associations and became a licensed instructor in the Feldenkrais Method in 1983.
Kerewsky-Halpern and Halpern divorced in 2010.
Sources consulted
[Articles about Barbara K. Halpern], Series 9. Personal, Joel Martin Halpern and Barbara Kerewsky-Halpern Papers, National Anthropological Archives, Smithsonian Institution.
Barbara K. Halpern curriculum vitae, Series 9. Personal, Joel Martin Halpern and Barbara Kerewsky-Halpern Papers, National Anthropological Archives, Smithsonian Institution.
Clifford, Joyce and Jeremy Smith. 2010. Finding Aid to Joel Martin Halpern Papers, 1939-2009 (Bulk: 1948-2008). http://www.library.umass.edu/spcoll/ead/mufs001.pdf (accessed December 3, 2012).
Halpern, Joel. 2003. Interview with Joel Halpern [regarding fieldwork in Serbia] conducted by Mirjana Prošić-Dvornić. Emeritus Faculty Author Gallery. Paper 60. http://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1059&context=emeritus_sw (accessed December 3, 2012).
Halpern, Joel. August 2007. Curriculum Vitae. http://works.bepress.com/joel_halpern/cv.pdf (accessed July 6, 2012).
Biographical Note: Joel M. Halpern:
Joel Martin Halpern was born on April 8, 1929 in New York City. He attended University of Michigan, where he obtained his B.A. in History in 1950. He had initially intended to major in chemistry but realized that he wanted to pursue a more "adventurous" field that would allow him to travel. While an undergraduate student, he published articles based on his ethnographic, geological, and archaeological research in Alaska, Canada, and Swedish Lapland.
Halpern decided to continue his studies at Columbia University, where he earned his Ph.D. in Anthropology in 1956. Conrad Arensberg was his faculty advisor, while Margaret Mead was on his doctoral committee. Halpern was greatly influenced by Philip E. Mosely, the first director of Columbia University's Institute for Russian Studies. Through Mosely, he met the prominent Serbian ethnologist Milenko Filipović, who also served as his mentor. It was due to Filipovíc that Halpern chose to focus his research on a Serbian village for his dissertation.
In 1953, Halpern and his former wife, Barbara Kerewskey-Halpern, conducted ethnographic field research in Orašac, a village in the Sumadija district of central Serbia, at the time part of former Yugoslavia. This research resulted in Halpern's dissertation, Social and Cultural Change in a Serbian Village, for which he was awarded the Ainsley Award from Columbia University. The dissertation was later edited and published as A Serbian Village (1958). Halpern and his wife would return to Orašac numerous times throughout their career. The documentary The Halperns in Orašac, which aired in Yugoslavia in 1986, focuses on the couple's research in Orašac from 1953 to 1986.
In addition to Serbia, Halpern conducted research in Bosnia, Montenegro, Macedonia, Croatia, and Slovenia. A prolific writer, he published and presented a number of papers on peasant communities, historical demography, kinship, and social change in the Balkans. He also co-edited Among the People: Native Yugoslav Ethnography, Selected Writings of Milenko S. Filipovic (1982) and authored and edited works on and by Jozef Obrebski, the pioneering ethnographer of the Balkans, whose papers Halpern helped deposit at the University of Massachusetts, Amherst.
Halpern also published extensively on Laos. He was one of the first American anthropologists to conduct research in the Southeast Asian country. After receiving his doctorate, he had worked on Area Handbook for Laos (1958) as a Research Associate for the Human Relations Area Files office in Washington, DC (1956). When he accepted a position as a Junior Foreign Service Officer (Foreign Service Reserve) with the Community Development Division of the U.S. International Cooperation Administration, he was stationed in Laos in 1957-1958. In 1959 he returned to the country under the sponsorship of Rand Corporation to study the Lao elite. He returned once again in 1969 as chair of the Mekong Seminar of the Southeast Asia Development Advisor Group to study the socio-economic impact of hydro-electrical dams constructed on the Mekong River.
In his later years, Halpern conducted research on the Inuit in Arviat (formerly known as Eskimo Point) and Frobisher Bay in Canada and immigrant populations in the United States. He was particularly interested in Southeast Asian immigrant communities in New England. He co-edited with Lucy Nguyen Far East Comes Near, a compilation of autobiographical essays by his Southeast Asian refugee students at University of Massachusetts. He also studied Jewish ethnic communities in Western Massachusetts and the urban history of the Bronx.
Halpern taught at UCLA (1958-1963) and Brandeis (1963-1965) before joining the Anthropology faculty at University of Massachusetts Amherst (1967-1996). He was also a visiting professor at Albert Ludwigs-Universitat and Arnold Bergstrasser Institute in Frieberg (1970-1971) and University of Graz (Spring 1993, Spring 1994). In addition, he was a National Academy of Sciences Senior Exchange Scientist at the Bulgarian Academy of Sciences (1975) and Serbian Academy of Sciences (1975, 1978).
1929 -- Born April 8, New York, New York
1950 -- Receives B.A. in History from University of Michigan
1952 -- Marries Barbara Kerewsky
1953-1954 -- Conducts fieldwork in Orašac, Serbia for first time
1956 -- Earns Ph.D. in Anthropology from Columbia University
1957-1958 -- Stationed in Laos as a Junior Foreign Service Officer with the Community Development Division of the U.S. International Cooperation Administration
1958-1963 -- Assistant Professor in the Department of Anthropology at University of California, Los Angeles
1959 -- Returns to Laos to conduct research on the Lao elite under sponsorship from Rand Corporation
1963-1965 -- Associate Professor in the Department of Anthropology at Brandeis University
1964 -- Director of Brandeis University Summer Field Program in Bosnia
1967 -- Joins Department of Anthropology faculty at University of Massachusetts, Amherst
1970-1971 -- Visiting Professor, Albert Ludwigs-Universitat and Arnold Bergstrasser Institute, Freiburg, Federal Republic of Germany
1976, 1979 -- Research on Jewish Ethnic Communities in Western Massachusetts
1996 -- Retires from University of Massachusetts
2010 -- Divorce from Barbara Kerewsky-Halpern finalized
Related Materials:
The Smithsonian Institution holds additional materials relating to Joel M. Halpern and Barbara Kerewsky-Halpern. Their correspondence can be found in the Conrad M. Arensberg papers at the National Anthropological Archives. Halpern also donated films and video to the Human Studies Film Archives and a collection of Eskimo dolls (Accession # 409953) to the Anthropology Collections division.
The bulk of Joel M. Halpern's papers are at the Special Collections and University Archives of University of Massachusetts, Amherst. The following is a list of other repositories that hold his papers and photographs:
Joel Martin Halpern Collection, American Folklife Center, Library of Congress
Joel Martin Halpern Papers, Hoover Institution, Stanford University
Joel M. Halpern Papers, Division of Rare and Manuscript Collections, Carl A. Kroch Library, Cornell University Library
Joel Martin Halpern Photograph Collection, Jones Library (Amherst, MA Public Library)
Joel Martin Halpern Southeast Europe Collection, University of Alberta Libraries
Joel Martin Halpern Balkan Archive, University of Bradford
Joel Halpern Collection, University of Graz
Joel M. Halpern Laotian Slide Collection, Department of Special Collections
, University of Wisconsin, Madison
The Halpern, Joel Papers, General/Multiethnic Collection, Immigration History Research Center, University of Minnesota
Provenance:
These papers were donated to the National Anthropological Archives by Joel Halpern in multiple installments from the 1980s to 2006.
Restrictions:
All except Series 9. Photographs is stored off-site. Advance notice must be given to view off-site materials.
Access to materials containing social security numbers; Halpern's students' graded materials; and manuscripts and grant applications sent to Halpern for review is restricted. Additional materials have also been restricted at Halpern's request.
Rights:
Contact the repository for terms of use.
Please note that some of the materials in the collection are copies made by Joel M. Halpern; the originals are most likely deposited at other archives. For these materials, permission will need to be obtained from the repositories where the originals are held. See Related Collections for a list of repositories.
The papers of illustrator Winifred Lubell measure 1.8 linear feet and date from 1933-2003. The collection consists of 25 sketchbooks with original drawings and watercolors, as well published books and unpublished manuscripts both written and illustrated by Lubell. There are also loose ink drawings and a folio of drawings.
Scope and Content Note:
The papers of illustrator Winifred Lubell measure 1.8 linear feet and date from 1933 - 2003. The collection consists of 25 sketchbooks dating from 1933-1983, with original drawings and watercolors. There are copies of published books and unpublished manuscripts written and/or illustrated by Lubell. There are also loose ink drawings and a folio of drawings.
Arrangement:
The collection is arranged as 1 series:
Series 1: Winifred Lubell Papers, 1933-2003 (Boxes 1-3, OV 4; 1.8 linear feet)
Biographical Note:
Winifred Milius Lubell (1914-2012) was a prolific illustrator who worked primarily in the Massachusetts area. She is best known for her illustrations of a series of books by Dorothy Sterling, The Outer Lands, a natural history of Cape Cod.
Winifred Lubell was born in 1914 in New York City. She studied at the Art Students League in New York with George Grosz and other members of the League's faculty from 1933 to 1935. During the Great Depression, Lubell and her fellow students were encouraged by Grosz to go out into the city and document the plight of the homeless. In 1936 she began attending the Duncan Phillips Museum School in Washington D.C. She met and married textile expert and writer Cecil Lubell in 1939, with whom she shared an avid interest in mythology, psychology, linguistics and the history and visual styles of written languages. Together, they had two children David and Stephen.
After World War II Lubell began her long career as an illustrator. With her husband she created a series of children's books emphasizing natural history, animals, plants and ecosystems. Here Comes Daddy, appeared in 1945 with text and illustrations by Lubell. In 1994, Lubell published The Metamorphosis of Baubo, Myths of Woman's Sexual Energy which became an important resource for feminist scholarship. Her artwork can be found in the Rutgers Art Museum and the Kerlan collection in Minneapolis.
Related Materials:
Additional Winifred Lubbell papers are located at Rutgers University and the University of Minnesota.
Provenance:
The Winifred Lubell papers were donated in 2003 by Winifred Milius Lubell.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after
approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no
manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead.
Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from
1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called
the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the
Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of
Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives;
two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents
of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded
to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice
since that time.
The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A.
Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard
Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas
R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A.
Wallace, William A. Wheeler, Henry Wilson.
Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White,
William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.
Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell,
Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin,
Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey,
Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull,
Wallace H. White, Jr., Robert Enoch Withers.
Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth,
Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel
Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton,
Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce,
Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R.
Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards
Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.
Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George
Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings,
John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward
H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius
Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley,
John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston
Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton
Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton,
Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson,
Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Baekeland, L. H. (Leo Hendrik), 1863-1944 Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944 Search this
Extent:
1 Item (6.0" x 3.5")
Container:
Box 22, Folder 2
Type:
Archival materials
Diaries
Date:
1938 September 12-1939 December 31
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
