Includes articles about Davidovich, SoHo, garbage art, and art events.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
Rumpf, Friedrich Karl Georg, 1888-1949 Search this
Extent:
3 Notebooks (3 notebooks and loose notes. Notebooks are very worn and many pages are likely not in their original order. Notebook 3 is without covers)
Type:
Collection descriptions
Archival materials
Notebooks
Place:
Japan
Berlin (Germany)
Date:
circa 1914-1930s
Scope and Contents:
Three undated notebooks by artist and educator Friedrich Karl Georg (Fritz) Rumpf (1888-1949). With multiple notes in German and Japanese, and drawings in pencil, ink and wash made during his travels and research in Japan. The notebooks also contain many loose paper scraps and letters, including a draft letter addressed to Felix Tikotin.
Arrangement:
in a box
Biographical / Historical:
Friedrich (Fritz) Karl Georg Rumpf the Younger was the son of the Potsdam painter Fritz Rumpf (1856-1927). He grew up in Potsdam and at 15 studied Japanese from a Japanese officer who attended the military school in Potsdam. After graduating from middle school, he studied at the Royal School of Arts in Berlin. He moved to Japan in 1908, where he studied woodblock printing under Igami Bonkotsu (1875-1933) and was active in the literary society "Pan no Kai." From 1910 he continued his studies in Berlin under the artist Emil Orlik. At the beginning of World War I he was sent to China as a military officer and was taken prisoner following the surrender of Qingdao to the Japanese in 1914. He was a prisoner of war in Oita and Narashino until 1920. In 1931 under Asian art historian Otto Kümmel, he produced a dissertation on the Ise monogatari woodblock print edition of 1608. Rumpf traveled extensively in Japan throughout his career. In 1927-1928 he accompanied the art collector Felix Tikotin (1893-1986) in Japan.
Local Numbers:
FSA A2015.22
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Notebooks
Citation:
Fritz Rumpf Notebooks, FSA A2015.22. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A2015.22
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Side 1: Eriskay love lilt --Ruari of Dunvegan --Heart of fire-love --Seagull of the land under the waves --Seal woman's joy --Two sisters --Song of the sea winds --Ethne's lullaby to Colomba --The rune of Columcille --Saint Bride's lullaby. Side 2: The witches' milking croon --The witches' fate song --The water-kelpie's lullaby --The fairy song to the dying Christian woman --The fairy love song --The fairy plaint on the Day of the Cross --Kishmul's galley : the song of the MacNeill's of Barra --The lullaby to the hier [i.e. heir] of MacNeill --The Col nurse's lilt --The processional song sung at the crowning of the Lord of the Isles.
Track Information:
101 Moray, Ann; Eriskay Love Lilt.
102 Moray, Ann; Ruari of Dunvegan.
103 Moray, Ann; Heart of Fire-Love.
104 Moray, Ann; Seagull of the Land Under the Waves.
105 Moray, Ann; Seal Women's Joy.
106 Moray, Ann; Two Sisters.
107 Moray, Ann; Song of the Sea Winds.
108 Moray, Ann; Ethene's Lullaby to Colomba.
109 Moray, Ann; The Rune of Columcille.
110 Moray, Ann; Saint Bride's Lullaby.
201 Moray, Ann; The Witches Milking Croon.
202 Moray, Ann; The Withches Fate Song.
203 Moray, Ann; The Water-Kelpie's Lullaby.
204 Moray, Ann; The Fairy Song to the Dying Christian Woman.
205 Moray, Ann; The fairy Love Song.
206 Moray, Ann; The fairy Plaint on the day of the Cross.
207 Moray, Ann; Kishmul's Galley: The Song of the MacNeill's of Barra.
208 Moray, Ann; The Lullaby to the Heir of Macneill.
209 Moray, Ann; The Col Nurse's Lilt.
21O Moray, Ann; The Processional Song Sung at the Crowning of the Lord of the Aisles.
Local Numbers:
FW-ASCH-LP-1752
Spoken Arts.745
Publication, Distribution, Etc. (Imprint):
Spoken Arts
General:
Songs sung in Gaelic with spoken introductions in English. Performer(s): Sung by Ann Moray.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Brumbaugh, Thomas B. (Thomas Brendle), 1921- Search this
Extent:
10 Items (Letters, written in ink, ball point, graphite, typewritter)
Type:
Archival materials
Correspondence
Date:
1941-1970
Scope and Contents:
This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in this folder are letters between the collector, Thomas Brumbaugh, and various artists, including American playwright and writer Oliver Wolcott Gibbs, mural artist Barry Faulkner, and Louis Hardin.
Arrangement:
Organized chronologically.
Biographical / Historical:
Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.
Oliver Wolcott Gibbs was an American playwright and writer who lived in New York City. He wrote for The New Yorker and worked as a humorist and theatre critic. Gibbs was a direct descendent of President Martin Van Buren.
Barry Faulkner was an American artist who studied with Abbott H. Thayer, George de Forest Brush, and Augustus Saint-Gaudens. Along with sculptor Sherry Edmundson Fry, Faulkner organized artists to train as camouflage specialists. Faulkner was born in New Hampshire, traveled to Europe as he studied art, and then returned to New York, where he began work as a mural artist. He completed "The Constitution" and "The Declaration" in 1936 for the Rotunda for the Charters of Freedom at the National Archives.
Isaac Soyer was a social realist painter from New York City who used working-class and unemployed people as the subjects in his paintings. He also painted portraits for friends, and used his friends and family as models for his work.
Louis Hardin, commonly known as "Moondog," was a blind American composer and poet who lived on the streets of New York for a large portion of his life. He wore clothes inspired by the Norse god Thor, giving him the epithet, "The Viking of 6th Avenue." Moondog was influenced by ambient noises in his environment, and Native American music.
Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.
Ibram Lassaw was an American sculptor in the 20th century. Born in Egypt to Russian parents, Lassaw grew up in Brooklyn, New York. He was influenced by Alexander Calder and Wassily Kandinsky. Lassaw created open-space sculptural abstractions with metal, and helped abstract art grow in the United States.
Harry Rosin was an American sculptor born in Philadelphia, Pennsylvania. After working around the area following his studies at the Pennsylvania Academy of Fine Arts, he traveled to Tahiti, where he married his wife. He is known for his iron sculptures.
Local Numbers:
FSA A2009.06 3
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1987 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
The lowlands. Glasgow Police Band -- The Chevalier's muster roll -- The Souter' of Selkirk -- Roy's wife of Aldivalloch -- My love is like a red red rose -- The Dowiex dens of Yarrow -- O can ye sew cushions -- I am a little orphan girl ; I Paula Tee Paule Teska -- Now the war is over -- The wind blows high -- Bressay lullabye -- The hen's march to the Midden -- The bonnie lass of Fyvie -- Glenlogie -- Portnockie girl -- Tail toddle -- The Laird of Drumblair and the De'il among the tailors -- Come all ye tramps and hawkers -- Sleepytoon -- MacPherson's lament -- The tinkler's waddin'. The highlands. The mullad, the mulad (There is no sorrow) -- Gu Braìghe Loch lall -- Larach do thacaidaen -- Dill o idilum -- Thoir a nall Ailean -- Till a♭ crodh, laochan (Turn the cows, laddie) -- Thig, a chuinneag, thig (Come, butter, come) -- Iomairibh eutrom ho ro (Row lightly) Thug mi gaol dhuit (Spinning song) -- Fuirch and diugh -- Héman dubh hi ri oro -- Ho na filibhig chunncas bata -- Eho hao rìo -- Fail il eileadh -- The reel of Tulloch -- Mrs. McLeod of Raasay -- Hó ail ili -- Caberfeidh (MacIntosh's lament) -- Gaelic hymn -- A phiuthrag's a phiuthar (Little sister) -- 'S mise chunnaic an t-iongnadh (A mermaid's song) -- Clach mhin mheallain (Rune against hail) -- Ig ìg igein (The lark's song) -- Och, a thearlakh oig stiushairt (The lament for Wm. Chisholm) -- 'S fliuch and oidhche (The night is wet) --Cairistiona.
Track Information:
101 The Glasgow Police Band.
102 The Chevalier's Muster Roll / Ewan MacColl.
103 The Souters of Selkirk.
104 Roy's Wife of Aldivalloch / Ewan MacColl.
105 My Love is like a Red, Red Rose / Mrs. McGrath.
106 The Dowie Dens of Yarrow (Child No. 214)/ Ewan MacColl.
107 O Can Ye Sew Cushions / Isla Cameron.
108 I Am a Little Orphan Girl.
108 I Paula Tee Paula Taska.
108 Now the War is Over.
108 The Wind Blows High / Jackie Mearns.
109 Bressay Lullabye / Elizabeth Barclay.
110 The Hen's March to the Midden / Taamie Anderson, Willie Johnson.
111 Bonnie Lass O Fuvie / John Strachan.
112 Glenlogie / John Strachan.
113 Portnockie Girl / Blanche Wood.
114 The Laird of Drumblair / Jimmy Shand.
114 The De'il Among the Tailors / Jimmy Shand.
116 Come all Ye Tramps and Hawkers / Jimmy MacBeath.
202 Braighe Loch Iall (The Braes of Locheil) / Rena McLean.
203 Larach Do Thacaidean / Kitty McLeod.
204 Dili O Idilum / John McInnes, John McLeod.
204 Thoir a Nall Ailean / John McInnes, John McLeod.
205 Till Ab Crodh Laochan (Turn the Cows, Laddie) / Kate Nicholson.
207 Iomairibh Eutrom Ho Ro (Row Lightly) / Allen MacDonald.
208 Thug Mi Goal Dhuit (Spinning Song) / Calum Johnston.
210 Heman Dubh Hi Ri Oro.
211 Ho Na Filibhig Chunncas Bata.
212 Eho Hao Ri O.
213 Fail Il Eileadh.
214 The Reel of Tulloch / Mary Morrison.
214 Mrs. MacLeod of Raasay / Mary Morrison.
215 Ho Ali Ili (Drinking Song).
216 Caberfeidh.
216 MacIntosh's Lament.
217 Gaelic Hymn (Whom Have I in Heaven but Thee) / Precentor Iain Murray.
218 A Phiuthrag's A Phiuthar (Little Sister) / Kitty McLeod.
219 'S Mise Chunnaic An T-Iongnadh (A Mermaid Song) / Penny Morrison.
220 Clach Mhin Mheallain (Rune Against Hail) / Calum Johnston.
221 Ig Ig Igein (The Lark's Song) / Calum Johnston.
222 Och, A Thearlaich Oig Stiubhairt (The Lament for William Chrisholm) / Flora MacNeil.
223 'S Fliuch An Oidhche (The Night is Wet) / Kitty McLeod.
224 Cairistiona / Flora MacNeil.
Local Numbers:
RA-RAMS-LP-0093
Columbia.209
Publication, Distribution, Etc. (Imprint):
New York Columbia 1954
Date/Time and Place of an Event Note:
Recorded at various places, principally during the summer of 1951.
General:
recorded and edited by Alan Lomax with the help of the MacLeans of Raasay, Hamish Henderson and William Montgomerie ; translations and texts of Gaelic songs by Sorley McLean.
Table of contents keyed to map on album cover. Program notes by the editor and texts with English translations ([5] p. : ill. ; 31 cm.)--bound in album.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Wedel, Waldo R. (Waldo Rudolph), 1908-1996 Search this
Container:
Box 11
Type:
Archival materials
Collection Restrictions:
The Waldo R. Wedel and Mildred Mott Wedel papers are open for research. Personnel files and grant proposals sent to Waldo Wedel to review are restricted. Waldo and Mildred Wedel's monographs are stored at an off-site facility.
Access to the Waldo R. Wedel and Mildred Mott Wedel papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
NAA.1990-20, Waldo R. Wedel and Mildred Mott Wedel papers, National Anthropological Archives, Smithsonian Institution
Wedel, Waldo R. (Waldo Rudolph), 1908-1996 Search this
Container:
Box 12
Type:
Archival materials
Collection Restrictions:
The Waldo R. Wedel and Mildred Mott Wedel papers are open for research. Personnel files and grant proposals sent to Waldo Wedel to review are restricted. Waldo and Mildred Wedel's monographs are stored at an off-site facility.
Access to the Waldo R. Wedel and Mildred Mott Wedel papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
NAA.1990-20, Waldo R. Wedel and Mildred Mott Wedel papers, National Anthropological Archives, Smithsonian Institution
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
N. Joseph Woodland Papers, 1943-2012, Archives Center, National Museum of American History.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Out of the Mists: Exhibition Report, by Rune Thoralfsson
Collection Creator:
Museum of the American Indian, Heye Foundation Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957 Search this
Container:
Box 377, Folder 17
Type:
Archival materials
Date:
1984
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
