Skip to main content Smithsonian Institution

Search Results

Collections Search Center
471 documents - page 1 of 24

John Hiller lantern slide collection

Donor:
Hiller, John  Search this
Extent:
0.75 Cubic feet (216 lantern slides:, color autochromes; , 3.25 x 4 inches.)
Type:
Collection descriptions
Archival materials
Lantern slides
Autochromes (photographs)
Date:
circa 1910-1920
Summary:
The John Hiller Lantern Slide Collection contains 216 glass autochromes dated circa 1910-1920 documenting homes and gardens, house interiors, scenes from domestic and foreign travel, flower arrangements, and people in Europe and unidentified locations.
Scope and Contents Note:
The John Hiller Collection contains 216 glass autochromes dated c. 1910-1920. The images cover a wide array of subjects and regions, with many of them showing landscapes and travel destinations. Some show house interiors, flower arrangements, or casual groups of people. Several of the autochromes show historic towns and ruins in Greece and Switzerland along with some in Croatia, Italy, Bulgaria and Austria. Scattered amongst these are slides of various unidentified sites and gardens. It is not known if any of the unidentified images show sites in the United States.

The photographer(s) of these images is unknown. The uniformity of the type of tape used to seal each of the autochromes suggests that the images are likely the work of one photographer or photo studio rather than a collection compiled by an individual from multiple sources.
Provenance:
John Hiller, an employee in the Smithsonian's Office of Exhibits Central, donated the collection to the Archives of American Gardens in 2005. The collection had been on deposit in the Archives for a few years prior to it being formally donated.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Europe  Search this
Cultural landscapes  Search this
Seascapes  Search this
Flower arrangement  Search this
Genre/Form:
Lantern slides
Autochromes (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, John Hiller lantern slide collection.
Identifier:
AAG.HLR
See more items in:
John Hiller lantern slide collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6b87bd2c9-2a57-4d86-b7cd-731e6d77d5aa
EDAN-URL:
ead_collection:sova-aag-hlr
Online Media:

Athens, Greece -- the Erechtheum

Collection Donor:
Hiller, John  Search this
Extent:
1 Autochromes (photographs)
Container:
Box 3
Type:
Archival materials
Slides
Autochromes (photographs)
Place:
Acropolis (Athens, Greece)
Athens (Greece)
Date:
circa 1910-1920
General:
Situated on the Acropolis, the Erechtheum, or Temple of Athena Polis, was the holiest of all the Athenian temples.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Temples -- Greece  Search this
Stones  Search this
Ruins  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, John Hiller lantern slide collection.
Identifier:
AAG.HLR, Item HLR154
See more items in:
John Hiller lantern slide collection
John Hiller lantern slide collection / Series 1: Gardens and Sites / Greece
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6e07816f6-ff08-4860-b961-2979d635ad7c
EDAN-URL:
ead_component:sova-aag-hlr-ref541

Delos, Greece -- stone ruins and coastline

Collection Donor:
Hiller, John  Search this
Extent:
1 Autochromes (photographs)
Container:
Box 2
Type:
Archival materials
Slides
Autochromes (photographs)
Place:
Aegean Sea
Date:
circa 1910-1920
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Islands -- Greece  Search this
Ruins -- Greece  Search this
Rocks  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, John Hiller lantern slide collection.
Identifier:
AAG.HLR, Item HLR092
See more items in:
John Hiller lantern slide collection
John Hiller lantern slide collection / Series 1: Gardens and Sites / Greece
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6b9d56209-eefc-4f23-8135-e62dceb609b9
EDAN-URL:
ead_component:sova-aag-hlr-ref546

Cleve Gray papers

Creator:
Gray, Cleve  Search this
Names:
Berry-Hill Galleries  Search this
Betty Parsons Gallery  Search this
Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this
Jacques Seligmann & Co  Search this
Neuberger Museum of Art  Search this
Pratt Institute  Search this
Princeton University  Search this
Rhode Island School of Design  Search this
Barzun, Jacques, 1907-  Search this
Calder, Alexander, 1898-1976  Search this
Davis, Jim, 1901-1974  Search this
Dillenberger, Jane  Search this
Duchamp, Marcel, 1887-1968  Search this
Ernst, Jimmy, 1920-1984  Search this
Gabo, Naum, 1890-1977  Search this
Grace, Louise N.  Search this
Gray, Francine du Plessix  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marin, John, 1870-1953  Search this
Pollock, Jackson, 1912-1956  Search this
Richter, Hans, 1888-1976  Search this
Smith, David, 1906-1965  Search this
Villon, Jacques, 1875-1963  Search this
Weber, Nicholas Fox, 1947-  Search this
Extent:
9.2 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Date:
1933-2005
Summary:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.
Scope and Content Note:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

Among the biographical material are award and membership certificates, biographical notes, and personal documentation.

The alphabetical files contain Cleve Gray's personal and professional correspondence, as well as subject files relating to projects and interests. Correspondence is with friends and family, colleagues, publishers, museum curators and directors, art dealers, collectors, and fans. Among the correspondents of note are: Jacques Barzun, James E. Davis, Naum Gabo, Louise N. Grace, Hans and Fridel Richter, and Jacques and Gaby Villon. Other substantial correspondence includes: Berry-Hill Galleries, Betty Parsons Gallery, Connecticut Commission on the Arts, Jacques Seligmann and Co., Neuberger Museum of Art, Pratt Institute, Princeton University, and Rhode Island School of Design. Subject files mostly consist of correspondence, but include printed material and some photographs. Among the subject files are: Art Collection of Cleve and Francine Gray, Artist-Dealer Consignments and Visual Artists' Rights Act of 1989, Artists' Tax Equity Act of 1979, Promised Gifts to Museums, Threnody, Vestments, and Vietnam Protest. Of particular interest are files relating to the Estate of Hans Richter (Cleve Gray, executor), and Gray's research correspondence and illustrations for his Cosmopolitan article "Women-Leaders of Modern Art."

Writings are manuscripts and drafts, research materials, notes, and miscellaneous writings by Cleve Gray and other authors. Those by Gray include articles and catalog introductions on a wide range of art-related topics, as well as book and exhibition reviews. Also found are a book proposal, texts and notes for lectures and talks, miscellaneous notes, poems, political statements, and student papers. Of particular interest are autobiographical notes in the form of a chronology that his biographer, Nicholas Fox Weber, cited as an "autochronology."

Among the writings by other authors are pieces about Cleve Gray including Nicholas Fox Weber's manuscript Cleve Gray. A significant amount of material relates to three books edited by Gray: David Smith by David Smith: Sculpture and Writings, Hans Richter, and John Marin. Research material survives for an unpublished volume, Naum Gabo. Also included are notes relating to his translation of A l'Infinitif by Marcel Duchamp. Jane Daggett Dillenberger is represented by a lecture, "The Resurrection in Art." The remaining items by other authors are unsigned; of particular interest is a small notebook of reminiscences and notes about Jackson Pollock.

Artwork by Cleve Gray consists mostly drawings and sketches, and a small number of paintings, prints, and watercolors. Works by other artists consist are an unsigned mobile of paper cut-outs, possibly by Alexander Calder, and a pencil drawing signed Dick (probably Richard Avedon).

Audio recordings are a radio broadcast featuring Cleve Gray, several lectures by Gray on John Marin, and a lecture titled "Meaning in the Visual Arts." Other recordings are of Hans Richter and an interview with Jimmy Ernst conducted by Francine du Plessix Gray. Also found is a videocassette of "Glenville School Students at SUNY (Lincoln Center Activity)."

Artifacts are a Chinese scroll representative of those that hung in Cleve Gray's studio, two of his paintbrushes, Aberdeen-Angus Breeders' Association blue ribbon, and Neuberger Museum of Art Lifetime Achievement Award.

The vast majority of printed material - articles, clippings, exhibition catalogs and announcements, reproductions of art work, etc. - are about or by Cleve Gray. Miscellaneous items and publications mentioning Gray consist of annual reports, brochures, calendars, newsletters, programs, etc. Clippings about Vietnam and Vietnam protest memorabilia reflect his passionate involvement in the anti-war movement; a small number of these items mention Gray or were written by him.

Photographs are of artwork, events, people, places, and miscellaneous subjects. Most of the art work appearing in the photographs is by Cleve Gray and includes images of destroyed paintings. Also found is an original print of Photo Abstraction by Gray, circa 1934. Of particular note are photographs of Threnody, among them preparatory drawings and views of the work in progress. Photographs of artwork by other artists include Louise N. Grace, Jacques Lipchitz, John Marin, Hans Richter, and Jacques Villon.

Photographs of people are mainly portraits of Gray, and views of him with his wife and sons. Other individuals appearing in photographs are Hans Richter and some of Richter's descendants. Pictures of places consist of Gray's studio.

Events are an unidentified exhibition opening. Miscellaneous subjects are mostly exhibition installations. Illustrations consist of photographs published in David Smith by David Smith: Sculpture and Writings. Also found are small number of negatives and color transparencies.
Arrangement:
The collection is organized into 8 series:

Missing Title

Series 1: Biographical Material, 1943-circa 2001 (Box 1; 0.1 linear ft.)

Series 2: Alphabetical Files, 1936-2005 (Boxes 1-5, 9; 4.3 linear ft.)

Series 3: Writings, 1935-2000 (Boxes 5-6; 0.85 linear ft.)

Series 4: Artwork, circa 1933-1987 (Boxes 6, 9, OV 12; 0.45 linear ft.)

Series 5: Audio/Visual Records, 1971-1989 (Box 6; 0.25 linear ft.)

Series 6: Artifacts, 1957-1999 (Box 6, RD 11; 0.45 linear ft.)

Series 7: Printed Material, 1933-2005 (Boxes 7-8; 1.25 linear ft.)

Series 8: Photographs, circa 1934-2002 (Boxes 8-10; 1.15 linear ft.)
Biographical Note:
Abstract Expressionist painter, sculptor, and writer Cleve Gray (1918-2004) lived and worked in Connecticut where he was politically active in the Vietnam protest movement and other liberal causes.

Born Cleve Ginsberg in New York City (the family changed its name to Gray in 1936), he attended the Ethical Culture School and at a young age developed a fascination with color and paint. At the urging of friends, Cleve's parents allowed him to accompany a school friend for lessons with George Bellows' student Antonia Nell. She encouraged and inspired the young artist, and a still life he painted in her class was shown at the National Academy of Design's 1932 annual exhibition. Miss Nell also introduced him to Louise N. Grace, an artist who became a good friend and had a lasting influence on him. While a student at Phillips Academy, Cleve studied painting with Bartlett Hayes and aspired to paint in France. Upon his graduation in 1936, he was awarded the Samuel F. B. Morse Prize for most promising art student.

Gray's mother was always supportive of his career choice. His businessman father, who didn't understand his son's desire to be an artist, insisted on a college education. Cleve chose Princeton, where he majored in art and archaeology, and studied painting with James E. Davis. His senior thesis was on Chinese landscape painting; both Eastern philosophy and art were long-term influences on Gray's work and outlook. He graduated summa cum laude in 1940, and then spent several months painting while living at the farm of a family friend in Mendham, New Jersey.

When a doctor suggeted that a dry climate might relieve sinus and asthma problems, Gray moved to Tucson, Arizona. Once settled in the desert, he contacted Louise N. Grace, whom he had met as a young teenager through his art instructor. Miss Grace, an artist and daughter of the founder of W. R. Grace and Co., was a highly cultured and independent woman older than his parents. The summer before Gray entered Phillips Academy, she had hired him to brush ground color onto canvases for murals she was painting for "Eleven Arches," her home in Tuscon then under construction. Miss Grace invited Gray to visit "Eleven Arches" to see the completed murals, and despite the substantial age difference, their friendship deepened; Gray found in her intellectual and spiritual guidance that was lacking in his own family. He remained in Tucson until enlisting in the U. S. Army in 1942, and they corresponded frequently during the the war. When a stroke in 1948 prevented Miss Grace from participating in the extensive tour of Europe she was arranging for a small group of friends, including Gray, she provided sufficient funds and insisted he make the trip on his own. Another stroke, suffered while Gray was traveling, left her in a coma; he was not permitted to see her again. Upon her death in 1954, Gray inherited "Eleven Arches."

Between 1943 and 1946, Gray was stationed in England, France, and Germany, serving in Army Signal Intelligence. Most of his work was performed at night, and he spent his free time drawing. While in London, Gray produced many colored pencil drawings of buildings that had been bombed. In France, a Red Cross volunteered to introduce him to Jacques Villon; although unfamiliar with the artist, Gray knew of Villon's brother, Marcel Duchamp, and accepted the invitation. Jacques and Gaby Villon lived near Gray's billet and he became a frequent visitor. Their friendship was important to his development as an artist. After being discharged from the Army in 1946, Gray remained in France to work with Villon who introduced him to the study of color and the concept of intellectual quality in painting. Gray also studied informally with André Lhote, Villon's former teacher. "American Painters in Paris," an exhibition presented in 1946 at Galerie Durand-Ruel, included work by Cleve Gray.

He returned to New York City in 1946. In the tight post-war rental market Gray managed to find a small room upstairs from a grocery store on East 106th Street for use as a studio. He commenced painting the London Ruins series based on drawings he had made during the war, and began thinking about exhibiting in New York. Gray secured introductions to Pierre Matisse, Curt Valentin, and Dorothy Miller. They encouraged him, but no opportunities came his way until Germain Seligmann, whose gallery was expanding its scope to include contemporary art, followed the advice of Curt Valentin and looked at Gray's work. Gary's first solo exhibition, held at Jacques Seligmann and Co., included selections from the London Ruins series, paintings done in Maine and Arizona, and a few portraits. The New York Times called it "an auspicious first," and one of the London Ruins series was selected by Edward Alden Jewell for the "Critic's Exhibition" at Grand Central Gallery.

Gray found New York City too frenetic. In 1949 he bought a large, old house in Warren, Connecticut, and lived and worked at "Graystones" for the remainder of his life. Half of a 6-car garage was converted to a studio; many years later, his studio moved to a barn, its renovation and design planned by sculptor and architect Tony Smith.

He married Francine du Plessix in 1957. Always interested in literature and philosophy, in the 1960s Francine du Plessix Gray began contributing articles to The New Yorker and is still affiliated with the magazine. Her reviews and articles appeared in prominent publications, and she wrote several award-winning novels and biographies. Their sons, Thaddeus and Luke (now a painter), were born in 1959 and 1961. Francine's mother, Tatiana du Plessix (the hat designer Tatiana of Saks), and step-father, the sculptor Alexander Liberman (also former art director of Vogue and later editorial director of Condé Nast publications) became Cleve Gray's closest friends.

The paintings and drawings of Cleve Gray - first consisting of figures and portraits, and then abstract compositions - were often produced in series. The earliest series, London Ruins, grew from the colored pencil drawings made while stationed in London during World War II. Travels to France, Italy, Greece, Morocco, Hawaii, Spain, Egypt, Japan, and Czechoslovakia, inspired many series, among them: Etruscan, Augury, Ceres, Demeter Landscape, Hera, Morocco, Hawaii, Ramses, Perne, Hatshepsut, Roman Walls, Zen, and Prague. His hometown, the Holocaust, and musicians inspired other series: Warren, Sleepers Awake!, Bela Bartok, and Four Heads of Anton Bruckner. Some series were works on paper, others were collage canvases, and a few series later spawned prints. Gray began using acrylics in the 1940s. Although the medium offered many benefits, he did not always like its appearance and frequently returned to oils. Around 1966 Gray was painting almost exclusively with acrylic, and eventually developed a technique of thinning the paint and applying successive layers of color (sometimes by pouring or with a sponge) on cotton duck rather than traditional canvas.

Gray was attracted to sculpture, too, working in that medium at different points in his career. His first sculpture, in plaster, was completed in 1959. In the early 1960s he visited a commercial sand-casting foundry and became excited about learning to cast in bronze. He made about a dozen sculptures to cast in sand, but due to too much undercutting, their casting became too difficult a problem. Lava flows seen while in Hawaii during 1970 and 1971 inspired a return to sculpture. This time, he used wood, papier maché, and metal. Gray then decided these pieces should be cast in bronze, and he was determined to do it himself. Friends taught him the lost wax process and he began working at the Tallix Foundry in Peekskill, New York where, over the next year, he cast about forty bronzes.

Gray's best known work is Threnody, a lament for the dead of both sides in Vietnam. In 1972, Gray received a commission to fill a very large gallery of the soon-to-open Neuberger Museum of Art (State University of New York, College at Purchase) designed by Philip Johnson. Friends of the Neuberger Museum paid his expenses and Gray, who was enormously excited about the project he considered a once-in-a-lifetime opportunity, donated his time. Developing plans for the execution of Threnody consumed most of his time during 1972 and 1973. Composed of a series of fourteen panels, each approximately twenty feet square, the piece presented a number of technical challenges. It was constructed and painted in situ during the summer and early fall of 1973. Since then, Threnody has been reinstalled at the Neuberger Museum of Art on several occasions.

Gray was commissioned to design liturgical vestments for two Episcopal churches in Connecticut in the 1970s. A chasuble, stoles, and a mitre were commissioned by the Episcopal Diocese of Connecticut in 1984.

He won the "Outdoor Art at the Station Competition," for Union Station, Hartford, Connecticut. His very large porcelain enamel tile mural, Movement in Space, was installed on the façade of the transportation center in 1988.

Gray began writing occasional articles and exhibition reviews in the late 1940s. His concern with rational structure in art led him to question Abstract Expressionism and write "Narcissus in Chaos." This article, published in 1959 by The American Scholar, drew considerable attention. In 1960, Cosmopolitan published "Women - Leaders of Modern Art" that featured Nell Blaine, Joan Brown, Elaine de Kooning, Helen Frankenthaler, Sonia Gretchoff, Grace Hartigan, Ethel Magafan, Louise Nevelson, and Georgia O'Keeffe. Between 1960 and 1970, Gray was a contributing editor of Art In America, producing numerous articles (a few co-authored with Francine) and reviews for the periodical. He edited three books, David Smith by David Smith: Scupture and Writings, Hans Richter, and John Marin, all published by Holt, Rinehart, and Winston, and translated Marcel Duchamp's A l'Infinitif.

During the early 1960s, Gray became intensely focused on the situation in Vietnam. His first artistic response came in 1963 with Reverend Quan Duc, painted to commemorate a Buddhist monk who had immolated himself. Francine, too, felt strongly about the issue and over time the couple became increasingly active in the anti-war movement. They joined a number of organizations and helped to found a local chapter of Clergy and Laymen Concerned about Vietnam. The years 1968 and 1969 were an especially intense and active period for the Grays. They protested, wrote and spoke out against the war, raised funds to support anti-war political candidates, and on a few occasions were arrested and jailed. Writing for Art in America, editing the book series, and anti-war activities left little time for his art. In 1970 Gray refocused his attention on painting.

Beginning in 1947, Gray was always represented by a New York Gallery: Jacques Seligmann and Co. (1947-1959), Staempfli Gallery (1960-1965), Saidenberg Gallery (1965-1968), Betty Parsons Gallery (1968-1983), Armstrong Gallery (1984-1987), and Berry-Hill Galleries (1988-2003). He was represented by galleries in other cities, as well, but not as consistently or for such long periods.

He exhibited extensively in group and solo exhibitions throughout the United States and internationally. In addition to numerous solo exhibitions presented by the dealers who represented Gray, there were retrospective exhibitions at: Albright-Knox Art Gallery, Brooklyn Museum, Columbus Museum of Art, Krannert Art Museum (University of Illinois, Champaign), Princeton University Art Museum, Rhode Island School of Design, and Wadsworth Atheneum.

Many museums' permanent collections include the work of Cleve Gray, among them: Albright-Knox Art Gallery, Butler Institute of American Art, Columbus Museum of Art, Neuberger Museum of Art (SUNY, College at Purchase), the Museum of Modern Art (New York), Newark Museum, Oklahoma City Museum of Art, Phillips Collection, Sheldon Memorial Art Gallery (University of Nebraska, Lincoln), Smithsonian Institution, Solomon R. Guggenheim Museum, Whitney Museum of American Art, and Yale University Art Gallery.

Cleve Gray served as artist-in-residence at the Oklahoma City Museum of Art in 1963 and at the Honolulu Academy of Arts in 1970, both sponsored by Ford Foundation programs. In 1980, he was appointed an artist-in-residence at the American Academy in Rome, where Francine concurrently served as a writer-in-residence; they returned for shorter periods during each of the subsequent seven years. Cleve Gray was presented the Connecticut Arts Award in 1987, and the Neuberger Museum of Art Lifetime Achievement Award in 1999. He was awarded an honorary degree by the University of Hartford in 1992, and was elected a member of The American Academy of Arts and Letters in 1998. In addition, he was a trustee of the Neuberger Museum of Art, New York Studio School, Rhode Island School of Design, and Wadsworth Atheneum.

Cleve Gray hit his head and suffered a massive subdural hematoma after falling on ice outside of his home. He died the following day, December 8, 2004.
Separated Material:
Exhibition catalogs and announcements and two scrapbooks donated to the Archives in 1967 and 1968 were microfilmed on reels D314-D315. Items on reel D315, transferred to the Smithsonian American Art Museum Library in 1975, are not described in this finding aid.
Provenance:
The Cleve Gray papers were donated to the Archives of American Art by Mr. Gray in 1967 and 1968. The bulk of the collection was given by his widow, Francine du Plessix Gray, in 2007 and 2008.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Connecticut  Search this
Painters -- Connecticut  Search this
Topic:
Art, Modern -- 20th century -- United States  Search this
Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this
Designers  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grayclev
See more items in:
Cleve Gray papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d3d47d0-baa3-4085-80f2-9b5d1730c052
EDAN-URL:
ead_collection:sova-aaa-grayclev
Online Media:

Frederick Douglass' Paper

Published by:
Frederick Douglass, American, 1818 - 1895  Search this
Medium:
ink on paper
Dimensions:
H x W (open): 26 1/2 × 38 in. (67.3 × 96.5 cm)
H x W (closed): 26 1/2 × 19 1/8 in. (67.3 × 48.5 cm)
Type:
newspapers
Place printed:
Rochester, Monroe County, New York, United States, North and Central America
Date:
July 28, 1854
Topic:
African American  Search this
Antislavery  Search this
Education  Search this
Fugitive enslaved  Search this
International affairs  Search this
Mass media  Search this
Self-liberation  Search this
Slavery  Search this
Social reform  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.63.10
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Colonization movement
Exhibition:
Slavery and Freedom
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 3, C3 053
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5f5f576bf-0b85-4a16-bddf-704b72f21cab
EDAN-URL:
edanmdm:nmaahc_2014.63.10
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Frederick Douglass' Paper</I> digital asset number 1
Online Media:

Newspaper clippings

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 12, Folder 3
Type:
Archival materials
Text
Date:
1942
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 2: Professional
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg29e88526f-9151-49c1-b55b-04e5f0f91295
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref117
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Newspaper clippings digital asset number 1

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Sigma Phi Rho Fraternity, American, founded 1978  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
Association of Black Women Attorneys, American, founded 1976  Search this
National Urban Affairs Council, American, founded 1971  Search this
Raymond A. Jordan Jr., American, born 1943  Search this
National Association of Market Developers, American, founded 1953  Search this
The Links, Incorporated, American, founded 1946  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Medical Association, American, founded 1895  Search this
Dr. Leslie L. Alexander, Jamaican American, 1917 - 2002  Search this
Smithsonian Institution, American, founded 1846  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
Morehouse College, American, founded 1867  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Count Basie, American, 1904 - 1984  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
National Bankers Association, American, founded 1927  Search this
369th Veterans Association, American  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
Signed by:
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Date:
1985
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Enterprise  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.19
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ee110782-b949-43b4-bbec-56a00d4f086e
EDAN-URL:
edanmdm:nmaahc_2012.167.19
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

John L. Pappas papers, 1929-1977

Creator:
Pappas, John L., 1898-1976  Search this
Subject:
Slusser, Jean Paul  Search this
Burroughs, Clyde H. (Clyde Huntley)  Search this
Lekakis, Michael  Search this
McKinney, Roland J. (Roland Joseph)  Search this
Richardson, Edgar Preston  Search this
Rickey, George  Search this
Type:
Scrapbooks
Citation:
John L. Pappas papers, 1929-1977. Archives of American Art, Smithsonian Institution.
Topic:
Painting -- Michigan -- Detroit  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8799
(DSI-AAA_SIRISBib)210983
AAA_collcode_pappjohn
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210983

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Mediterranean Odyssey

Collection Creator:
Soule, Thayer  Search this
Extent:
2 Film reels (80 minutes, color silent; 2,862 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1980
Scope and Contents:
Edited film documents a cruise in the Mediterranean. Locales shown include Venice, Naples, Pompeii and Capri, Italy; the Bay of Kotor, Yugoslavia; Mykonos, Athens, Santorini and Rhodes, Greece; Istanbul, Turkey; Jerusalem, Israel; and Cairo, Giza and Memphis, Egypt. Archaeological and other sites include the Blue Grotto of Capri; the Arcopolis, Parthenon and Oracle of Delphi in Greece; the Blue Mosque, Hagia Sophia and Grand Bazaar of Istanbul; and the pyramid of Cheops, Saqqara, the temples of Luxor, Karnak and the Valley of the Kings in Egypt. Also shown are Italian folk dances, camel rides, "whirling dervishes," belly dancers and daily life aboard a luxury cruise ship. Film is a remake of earlier film "Magic of the Mediterranean" (1962) and uses much of the same footage.

Supplementary materials: publicity materials, still photographs, sound recording of lecture

Legacy keywords: Tourism ; Cruise ships ; Archeology sites ; Historic sites ; Dance ; Dancing belly dancing Italian folkdancing Mediterranean ; Ship cruise Mediterranean ; Archaeological ruins acropolis parthenon oracle of delphi Greece ; Archaeological ruins pyramid of Cheops Saqqara temples of Luxor Luxor Valley of the Kings Egypt ; Religious buildings Blue Mosque Hagia Sophia Istanbul, Turkey ; Markets Grand Bazaar Istanbul, Turkey
General:
Local Numbers: HSFA 1991.20.13
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Thayer Soule Travel Lecture Films collection, Human Studies Film Archives, Smithsonian Institution
See more items in:
Thayer Soule Travel Lecture Films collection
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc97dba02d4-33cf-41d9-8af6-8201263b5b0a
EDAN-URL:
ead_component:sova-hsfa-1991-20-ref26

Floyd Henry Wells Travel Film: Greek Islands

Collection Creator:
Wells, Floyd Henry  Search this
Extent:
1 Film reel (25 minutes, color silent; 910 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1977
Scope and Contents:
Edited film chronicling travel through the Greek Islands includng scenic views, ancient ruins and landmarks. Locations filmed include Hadrian's Arch, Temple of Zeus, Acropolis, Parthenon.

Legacy Keywords: Architecture, Greek ; Ruins Greece ; Tourism ; Landscapes ; Archaeology ; Europe ; Greece
General:
Local Number: HSFA 1998.21.21
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Floyd Henry Wells films, Human Studies Film Archives, Smithsonian Institution
See more items in:
Floyd Henry Wells films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc926fa0fc6-3a7c-4d47-929d-a5cd76562bcb
EDAN-URL:
ead_component:sova-hsfa-1998-21-ref5

John W. Rowe's Geneva to Bombay Car Rally

Collection Creator:
Rowe, John W.  Search this
Rowe, Mariella  Search this
Extent:
2 Film reels (color silent; 4232 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1956
Scope and Contents:
Edited film is an amateur travel film documenting a journey by car from Geneva, Switzerland to Bombay, India via Yugoslavia, Greece, Turkey, Jordan, Israel, Iraq, Iran and Pakistan. Principal stops on the tour include: Trieste, Italy; Thessaloniki, Greece; Istanbul, Turkey; the archaeological sites of Palmyra and Baalbeck, Syria; Jerusalem, Israel; Isfahan and Baluchistan, Iran; Delhi, Benares and Agra, India and the Hindu caves of Ajanta and Ellor, India. Scenes of Yugoslavian coutryside show men fishing with wicker baskets and nets, woman spinning wool using spindle, men and women making adobe bricks and laying them out to dry and historical architecture. Scenes in Thessaloniki, Greece include street activities, ox carts, a wheel maker and women and children in local dress. Scenes in Turkey include mosques, minarets, port of Istanbul, city streets, the Hagia Sophia, crossing the Bosporus to Asia Minor, flocks of sheep, camels, women gathering water at a well, village market,strolling water seller and the Christian caves/churches of Gorem at Urgup. Scenes in Syria include Aleppo, basilica of St. Simeon and the ruins of Palmyra and Baalbeck. Scenes in Jordan include the Roman ruins. Scenes in Israel include Jerusalam street activities and swimming in the Dead Sea. Scenes in Iraq include the Shiite Golden Mosque (Al-Askariya Mosque) in Samarra, desert with shepherds, camel trains and Iraqi playing a violin-like instrument. Scenes in Iran include the tiled mosque of Isfahan (Great Royal Mosque), fortified citadel of Bam constructed with mud and nomadic peoples. Scenes in Pakistan include landscapes of the desert and terraced farming near Indus River, crossing the Indus and street life in an unidentified city featuring snake charmers and mongoose-baiting. Scenes in India include women carrying peat or dung on their heads, laden oxcarts on the way to market, threshing grain, collecting cotton, musicians, bats, cobra swimming in an irrigation ditch and the Taj Mahal in Agra. Also included are shots of the cars and rally participants.
Local Number:
HSFA 1997.10.24
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
John and Mariella Rowe films, Human Studies Film Archives, Smithsonian Institution
See more items in:
John and Mariella Rowe films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc959dbcc91-06cb-4f8c-9196-4248e17f17f3
EDAN-URL:
ead_component:sova-hsfa-1997-10-ref4
Online Media:

Present Day Greece and Its Mediterranean Islands

Creator:
Nicholson, John N., 1900-1990  Search this
Extent:
4 Film reels (silent, color (6,100 ft), 16mm)
Type:
Collection descriptions
Archival materials
Film reels
Silent films
Place:
Europe
Greece
Date:
1946-1952
Scope and Contents:
Edited film of Greece by a Greek immigrant to the United States was specifically created to educate American audiences to the true qualities and nature of the Greek people. Footage includes Athens, Greek ruins, and country villages.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Local Number:
HSFA 1987.14.1
Provenance:
Received from Dr. John Nicholson in 1987.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Rights:
Contact the repository for terms of use.
Genre/Form:
silent films
Citation:
Present Day Greece and Its Mediterranean Islands, Human Studies Film Archives, Smithsonian Institution
Identifier:
HSFA.1987.14
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9a3a84f21-e0e0-4cf2-b287-2ca1d854d252
EDAN-URL:
ead_collection:sova-hsfa-1987-14

Travel Footage: Greece and Italy

Collection Creator:
Travis, Paul Bough, 1891-1975  Search this
Extent:
1 Film reel (18 minutes, black-and-white silent; 382 feet, 16mm)
Type:
Archival materials
Film reels
Date:
circa 1927
Scope and Contents:
Footage shot while traveling in Greece and Italy. Scenes of Greece include harbor activities, Greek ruins including the Parthenon and Acropolis, Athen streets, and a military parade. Scenes in Florence, Italy include workers along the Arno River, street activities, and the Palazzo Vecchio. Scenes in Venice, Italy include canals and bridges, gondolas, and Piazza di San Marco. Footage also includes views of traveling through the countryside and the Seine River in Paris.
Local Number:
HSFA 1989.17.2
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Paul Travis films, Human Studies Film Archives, Smithsonian Institution
See more items in:
Paul Travis films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc92cd3d8ad-23e9-49f6-b023-f11900b1ef1e
EDAN-URL:
ead_component:sova-hsfa-1989-17-ref2

The Acropolis and Theseion, from the northwest, Athens. Caption no. 2370 : stereoscopic photonegative

Topic:
GREECE TOUR
Publisher:
Underwood & Underwood  Search this
Photographer:
Jarvis  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8".)
Type:
Archival materials
Stereoscopic photographs
Photographs
Place:
Acropolis (Athens, Greece)
Athens (Greece)
Greece
Theseion
Date:
1907
Local Numbers:
RSN 13849

Video number 13124
General:
Company catalog card included.
Currently stored in box 3.1.26 [177].
Cancelled by scratching.
Copy and Version Identification Note:
109697
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Monuments -- Greece -- Athens  Search this
Ruins -- Greece  Search this
Genre/Form:
Stereoscopic photographs
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 13780-13874
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b881e48c-1d2e-4a6d-9cfc-7166d701d25d
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref10450

The Parthenon, N.W. from the Temple of the Olympian Zeus, Athens. 2371 photonegative

Topic:
GREECE TOUR
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Acropolis (Athens, Greece)
Temple of Zeus (Athens, Greece)
Athens (Greece)
Greece
Parthenon
Local Numbers:
RSN 13850

Video number 13125
General:
Company catalog card included.
Currently stored in box 3.1.26 [177].
Same as RSN 20348, 25960 and 25961.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Monuments -- Greece  Search this
Ruins -- Greece  Search this
Temples -- Greece  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 13780-13874
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d01fdb4a-194f-4d35-ad0a-43d8b6009297
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref10451

The Acropolis, the glory of ancient Athens, N.E. from Philopappos monument. Caption no. 2372 : photonegative

Topic:
GREECE TOUR
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Acropolis (Athens, Greece)
Athens (Greece)
Greece
Philopappos Monument
Local Numbers:
RSN 13851

Video number 13126
General:
Company catalog card included.
Similar to RSN 13852, 13853, 13854, 13855, 13856 and 20349.
Currently stored in box 3.1.26 [177].
Copy and Version Identification Note:
762
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Monuments -- Greece -- Athens  Search this
Ruins -- Greece -- Athens  Search this
Genre/Form:
Photographs -- 1890-1920 -- Black-and-white negatives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 13780-13874
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87ca970c5-bc0e-4873-bc8e-592f619280ed
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref10452

The Acropolis, the glory of ancient Athens, N.E. from Philopappos monument. Caption no. 2372 : photonegative

Topic:
GREECE TOUR
Creator:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (piece, 4" x 5")
Type:
Archival materials
Photographs
Place:
Acropolis (Athens, Greece)
Athens (Greece)
Greece
Philopappos Monument
Local Numbers:
RSN 13852

Video number 13127
General:
Company catalog card included
Similar to RSN 13851, 13853, 13854, 13855, 13856 and 20349
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Monuments -- Greece -- Athens  Search this
Ruins -- Greece  Search this
Genre/Form:
Photographs -- 1890-1920 -- Black-and-white negatives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 13780-13874
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85d97120e-503a-44b0-be89-649267e24a46
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref10453

The Acropolis, the glory of ancient Athens, N.E. from Philopappos monument. Caption no. 2372 : photonegative

Topic:
GREECE TOUR
Creator:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (piece, 3-3/4" x 7".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Acropolis (Athens, Greece)
Athens (Greece)
Greece
Philopappos Monument
Date:
1902
Local Numbers:
RSN 13853

Video number 13128
General:
Company catalog card included
Similar to RSN 13851, 13852, 13854, 13855, 13856 and 20349
Currently stored in box 3.1.26 [177].
Cancelled by scratching.
Copy and Version Identification Note:
24479
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Monuments -- Greece -- Athens  Search this
Ruins -- Greece -- Athens  Search this
Genre/Form:
Photographs -- 1890-1920 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 13780-13874
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep885d9e693-1a91-45e2-bc91-cbbfbd6aa957
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref10454

The Acropolis, the glory of ancient Athens, N.E. from Philopappos monument. Caption no. 2372 : photonegative

Topic:
GREECE TOUR
Creator:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
2 Items (pieces, 3-3/4" x 7".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Acropolis (Athens, Greece)
Athens (Greece)
Greece
Philopappos Monument
Local Numbers:
RSN 13854

Video number 13129
General:
Company catalog card included
Similar to RSN 13851, 13852, 13853, 13855, 13856 and 20349.
Currently stored in box 3.1.26 [177], moved from [127].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Monuments -- Greece -- Athens  Search this
Ruins -- Greece  Search this
Genre/Form:
Photographs -- 1890-1920 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 13780-13874
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8327cd1c3-9dea-4918-816d-87a79999683d
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref10455

Modify Your Search







or


Narrow By