Search Results

Creator:

Smithsonian Magazine  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Wed, 07 Apr 2021 15:29:04 +0000

Topic:

Custom RSS  Search this

See more posts:

Smithsonian Article Database

Data Source:

Smithsonian Magazine

EDAN-URL:

edanmdm:posts_31799334884e2daa7d4f59e62bf11d52

Creator:

Smithsonian Magazine  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Tue, 06 Apr 2021 19:06:33 +0000

Topic:

Custom RSS  Search this

See more posts:

Smithsonian Article Database

Data Source:

Smithsonian Magazine

EDAN-URL:

edanmdm:posts_59b6bce92b8f3e76d5877de80e203d3e

Advertiser:

Cambio Palomba Mangiant Company  Search this

Maker:

Whitehead & Hoag Company  Search this

Physical Description:

cellulose nitrate (overall material)

paper (overall material)

Measurements:

overall: 15.4 cm x 20.2 cm; 6 1/16 in x 7 15/16 in

overall: 1/2 in x 6 in x 7 7/8 in; 1.27 cm x 15.24 cm x 20.0025 cm

Object Name:

sign

Place made:

United States: New Jersey, Newark

Referenced:

United States: Rhode Island, Providence

Associated Place:

United States: New Jersey

Date made:

after 1906

ID Number:

2006.0098.0747

Accession number:

2006.0098

Catalog number:

2006.0098.0747

See more items in:

Medicine and Science: Chemistry

Celluloid

Advertising

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ac-3ff1-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1328593

Creator:

Medellin, Octavio, 1907 or 1908-1999  Search this

Names:

Gonzalez, Xavier, 1898-1993  Search this

Mérida, Carlos, 1891-1984  Search this

Extent:

3.6 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Photographs

Videorecordings

Date:

circa 1935-circa 1979

Summary:

The papers of Mexican born painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.

Scope and Contents:

The papers of Mexican born painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.

Arrangement:

The collection is arranged as five series.

Series 1: Correspondence, 1939-1978 (Box 1; 0.3 linear feet)

Series 2: Commission Files, 1950-1973 (Box 1, OV 6; 0.3 linear feet)

Series 3: Professional Files, circa 1950-circa 1979 (Box 1, OV 5; 0.2 linear feet)

Series 4: Printed and Documentary Materials, 1936-1979 (Boxes 1-2; 1.0 linear feet)

Series 5: Photographic Materials, circa 1935-circa 1979 (Boxes 2-4, OV 5; 1.8 linear feet)

Biographical / Historical:

Octavio Medellin (1907-1999) was a painter, sculptor, and educator in Dallas, Texas. Medellin was born in Matehuala, Mexico to parents of Otomi heritage. His family moved to San Antonio, Texas when he was eight years old and he became a citizen of the U.S. in 1939. Medellin attended the San Antonio Art School with classmate Xavier Gonzalez and studied with José Arpa. He also studied at the Chicago Art Institute for a short time. Medellin returned to Mexico in order to study the arts, culture, and history of the country and was greatly influenced by the Mayan and Toltec ruins and artifacts he saw there. He returned to San Antonio in 1931 where he taught at the Witte Museum. Under the sponsorship of Lucy Maverick, an artist he met at La Villita Art Gallery who was involved in the historic preservation of San Antonio, Medellin returned to Mexico a few years later to visit the Yucatan region of the country. In 1966, Medellin opened the Medellin School of Sculpture that is now the Creative Arts Center of Dallas. He also taught at North Texas State University and the Dallas Museum of Art. He completed numerous commissions in the state of Texas including a monument at Calvary Hill Cemetery, a sculpture for the Houston Police Administration, mosaics and carvings for St. Andrew's Catholic Church and St. Bernard Catholic Church, and decorations for the sanctuary in Temple Emanu-el.

Medellin retired from teaching in 1979 and moved with his wife Consuelo to Bandera, Texas. He and his wife had two children, Patsy and Sergio. Medellin died in Dallas in 1999. He was buried in Calvary Hill Cemetery near his commissioned monument, The Garden of the Glorious Mysteries.

Related Materials:

Additional Octavio Medellin papers are at Syracuse University, Special Collections Research Center, Syracuse, New York, and the Southern Methodist University Bywaters Special Collections at the Hamon Arts Library, Dallas, Texas.

Provenance:

The collection was donated from 1981 to 1983 by Octavio Medellin.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual records with no duplicate copies requires advance notice.

Occupation:

Painters -- Texas -- Dallas  Search this

Sculptors -- Texas -- Dallas  Search this

Topic:

Painting, American  Search this

Public sculpture -- Texas -- Dallas  Search this

Latino and Latin American artists  Search this

Genre/Form:

Interviews

Photographs

Videorecordings

Citation:

Octavio Medellin papers, circa 1935-circa 1979. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.medeocta

See more items in:

Octavio Medellin papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-medeocta

Creator:

Farber, Joan C., Dr.  Search this

Farber, Joseph C., 1903-1994  Search this

Names:

Independence Hall (Philadelphia, Pa.).  Search this

Raleigh's Tavern (Williamsburg, Va.).  Search this

Herodotus  Search this

Jefferson, Thomas, 1743-1826  Search this

Lincoln, Abraham, 1809-1865  Search this

Palladio, Andrea (architect)  Search this

Extent:

15 Cubic feet (90 boxes, 1 map-folder)

Type:

Collection descriptions

Archival materials

Photographs

Contact sheets

Proofs

Correspondence

Proof sheets

Slides (photographs)

Place:

Boston (Mass.) -- Architecture

Cambridge (Mass.) -- Architecture

Villa Rotunda (Vicenza, Italy)

Springfield (Ill.) -- Architecture

White House (Washington, D.C.)

Monticello Va. -- Photographs

Maison Carree (Nimes, France)

New York (N.Y.) -- Architecture

New England -- Architecture

Greece -- Classical architecture

Essex (Conn.)

Italy -- Architecture

Hannibal (Mo.) -- Architecture

Date:

circa 1930-1990

Summary:

The Farber collection documents images of celebrated American buildings by photographer Joseph C. Farber.

Scope and Contents note:

The Farber collection is filled with well-crafted and often very beautiful images of celebrated American buildings. Many of the images, which for the most part take the form of 11" x 14" black-and-white photoprints, explore the European Renaissance origins of American architecture. The collection is also very rich in color transparencies. Nearly all the images are directly related to published projects, specifically photo-essays in the shape of articles , many of which appeared in the magazine Antiques or newspapers. Farber probably would have wished for all of his photographs to have been published. Many were shown in exhibitions, as evidenced by the large proportion of the photoprints that are mounted and also the existence of correspondence files relating to such matters. There are also files related to the processes of conceiving, executing, and publishing his photographic work.

The images for the books are nearly all black-and-white, whereas magazine work, especially the commissions from Antiques, generated the most transparencies. In addition to the images in print and transparency form, and the associated proof sheets and negatives, there is also a great quantity of slides related to travel in the collection, which predate Farber's second career as a professional photographer. A tiny sampling of earlier photographs, mostly with artistic or family-and-personal themes, is also included.

Black-and-white negatives, black-and-white prints, and color transparencies, mostly created for specific book projects, articles in Antiques magazine, etc. Generally, color was used for magazine articles, while black-and-white images were intended for books. Collection also includes photographs of personal or family significance, and some early artistic efforts. Non-pictorial portion consists primarily of material related to Farber's publications: correspondence, galley proofs, reviews, etc.

Photographs include projects related to Thomas Jefferson (e.g., Monticello), classical architecture, Essex, Connecticut, etc. Buildings photographed include Raleigh's Tavern, Williamsburg, Va.; Independence Hall, Philadelphia; Maison Carree, Nimes, France; St. Paul's Chapel, Boston, Mass.; White House, Washington; New York City landmarks; sites in Springfield and New Salem, Ill., associated with Abraham Lincoln; historic buildings in Boston and Cambridge,Mass.; Hannibal, Mo.; Deerfield, Mass.; New England churches and meetinghouses; and buildings and objects from ancient Greece, which were published with excerpts from Herodotus' History of the Pelopponesian Wars (Farber called this group of images "Herodotus"); and Italian villas designed by Andrea Palladio, such as the Villa Rotunda. Some pictures relating to themes of democracy were inspired by the U.S. Bicentennial celebration.

Arrangement:

Divided into five series.

Series 1: Photographs

Series 2: Photonegatives and Contact Sheets

Series 3: Textual Materials

Series 4: Color Slides and Transparencies

Series 5: Books

Biographical/Historical note:

Born in Cleveland, Ohio in 1902, Joseph C. Farber he attended the New York Military Academy, and later Columbia College, where his formal studies included chemistry and art composition. While these were excellent preparation for subsequent employment in the family business, Friedman Blau Farber, Manufacturers of Knitted Outerwear, at Columbia he discovered the true love of his life, the art and craft of photography. He became involved in the New York Camera Club. For the rest of his life he would consider himself a protégé of the Club's resident guru, famed photographer Edward Steichen. Farber's work was first shown in the Fifth Annual Exhibition of Work by Cleveland Artists and Craftsmen at the Cleveland Museum of Art in late spring 1923, and he taught photography to summer campers. Later, throughout 39 years of employment in the garment business, he continued to enjoy and practice photography, especially in making portraits of good friends. He married Caroline Feiss, also a Cleveland native and a promising watercolor artist. In 1939 the Farber's moved to New York.

According to his daughter, Dr. Joan Farber, her father purchased a large format Linhof field camera during a 1958 visit with his son Thomas in Germany. The Linhof camera front can be shifted to provide corrections for architectural photography which are not possible with smaller cameras. After Joan headed to college the Farbers had time for increased travel. They were accompanied by their daughter on a trip to Greece in summer 1960 which included photographs of herself, an attractive, sophisticated college coed, stylishly dressed and coifed for the occasion, posed on the steps of the Parthenon. A trip to Spain the following year resulted in many dozens of 35mm color images, part of a large group of travel slides.

This was also the period in Farber's life that a whirlwind round-the-world trip was undertaken, with visits to Thailand, Japan, Hong Kong, Hawaii, and California. By the end of the next year, the Farbers were renting as a vacation home a converted button factory in Essex, Connecticut, a former shipbuilding town on the Connecticut River, as a vacation home. Within months Farber had retired from his design and executive responsibilities at the Campus Sweater and Sportswear Company in Manhattan to live for a year in Essex. There were also trips more abroad, particularly to Greece and Egypt, while the Farbers continued to maintain an apartment in New York. Climbing a mountain in Greece in summer 1967, Farber suffered a heart attack, from which he fully recovered.

In 1969 his new career was launched by the publication of Portrait of Essex by Barre Publishers. Local historian Marie Moore supplied the text to accompany Farber's evocative photographs of the ships, shops, shores, streets, and historic structures of this seafaring town. His brother-in-law Carl Feiss, F.A.I.A., furnished the Introduction.

In 1971, Farber and Wendell Garrett published his first Jefferson book, The Worlds of Thomas Jefferson followed by their second, Thomas Jefferson Redivivus Garrett, who edited the Adams Papers wrote the text, with the help of excerpts from the writings of Jefferson himself. The following summer one of Farber's Monticello views was featured on the cover of Antiques. In 1973 Farber was credited with three covers and a frontispiece for the magazine, as well as three photographic essays. The subjects ranged from Sculpture at the Boston Atheneum to The Villas of Andrea Palladio to The Architecture of Lavius Fillmore Garrett introduced Farber to Lincoln scholar Harold Holzer who hired Farber as photographer to help illustrate his Prints of Abraham Lincoln, which appeared in the annual presidents' birthday number of Antiques the next year, February 1974. Some Contemporary Paintings of Abraham Lincoln appeared twelve months later. Three more Lincoln-themed articles appeared in February issues of Antiques in 1978, 1979, and 1980: Sculptures of Abraham Lincoln From Life, George Washington and Abraham Lincoln, and Here Lincoln Lived: New Salem and Springfield, Illinois.

Two more books of Farber's photographs were published in 1975. Democracy's First Struggle was an account of the Peloponnesian Wars in the words of Herodotus, as edited from the Aubrey de Selincourt with translation by Farber. The photographic images dated back to the family trips to Greece in the early 1960s. Native Americans: 500 Years After was published by Thomas J. Crowell in 1975 with text by Michael Dorris. Following Native Americans came a series of exhibitions of photographs from the book including shows at the National Museum of Natural History (Smithsonian Institution), Dartmouth College, and the Cleveland Museum of Natural History .

Also in the mid -1970s a cover story in Antiques entitled "The Architectural Heritage of New York City" led to an exhibition at the Abigail Adams Smith House. In the late '70s two more exhibitions were staged, featuring scenes of local color at the dedication of the East Haddam (Connecticut) Historical Society in the summer of 1979 and showing buildings by Palladio at the Cooper-Hewitt Museum (New York City.)

In 1980 Farber's interior view of a basilica, Palladio's Redentore church in Venice, was featured on the cover of Antiques. The photographs became the subject of a book, Palladio's Architecture and Its Influence authored by architectural historian, Henry Hope Reed.

Harold Holzer organized many joint photographic trips revolving around Holzer's career in the public relations department of Channel 13, New York's public television station. Each summer for four years in succession they set off to diverse spots to make publicity shoots for upcoming special programming. First was Missouri to photograph Mark Twain sites for a dramatization of "Life Along the Mississippi". The next summer they headed to the Berkshires to document The Mount, the home of Edith Wharton in Lenox, Massachusetts, around whose life and work a mini-series in three parts was planned. The summer trip of 1982 was a return visit to Massachusetts to photograph The Street, Deerfield's historic thoroughfare, combined with a side trip across the border to the Robert Todd Lincoln home, Hildene, in Manchester, Vermont.

In 1982 Farber was commissioned by Architectural Digest magazine to photograph the Mark Twain residence in Hartford. Farber and Holzer succeeded in the early to mid-1980s in getting Farber's out-takes from their Channel 13 trips published together with his carefully worded scripts in such periodicals as American History Illustrated and in Antiques & The Arts Weekly. Many of Farber's pictures were printed in articles in Antique Trader, to which Holzer was a regular contributor. In 1983, when Farber turned 80, his color images of the interior spaces of the Metropolitan Club of New York were published in a book by the same name, written by Paul Porzelt. In his travels in the last decade of his life he was often accompanied by family friend Ethel Phillips, including a tour of Great Britain in the summer of 1987. With Mrs. Phillips he at one time had contemplated publishing a book on the historic mansions of the Hudson River. Two other unrealized projects, upon his death in 1994 at the age of 91, were books on the classical architecture of New York City and on the history and daily lives of Hispanic Americans in the United States.

Biographical Time Line:

Biographical Time Line for Joseph C. Farber

Biographical Time Line

1903 -- Born Cleveland, Ohio

1910s -- At New York Military Academy

1920s -- At Columbia College, studying chemistry, art composition; studies photography with Edward Steichen in Camera Club; teaches photography as camp counselor

1923 -- Participates in Fifth Annual Exhibition of Work by Cleveland Artists and Craftsmen at Cleveland Museum of Art (May 1-June 3)

1926 -- Takes job as "salesman and experimental worker" at Friedman Blau Farber, Mfg. Knitted Outerwear," Cleveland; Marriage to Caroline Feiss, Cleveland native and watercolor artist

1933 -- Son Thomas Feiss born at Cleveland

1936 -- Daughter Joan born

1930s -- Family moves to New York

1958 -- Visit to son in Germany; purchase of Linhof camera; daughter off to college

1960 -- Trip to Greece, daughter along

1961 -- To Spain

1963 -- Death of son in mountaineering accident; to Thailand, Japan, Hong Kong, Hawaii, California

1964 -- Rents former button factory in Essex, Connecticut as vacation home

1965 -- Retirement from Campus Sweater & Sportswear Company; Living in Essex

1966 -- To Greece

1967 -- To Egypt and Greece; heart attack ; Essex (summer?)

1969 -- Portrait of Essex published, text by Marie Moore; into by Carl Feiss, AIA (Barre)

1970 -- Trip to Bermuda

1971 -- Thomas Jefferson Redivus published, text by Wendell Garrett, Editor of The Magazine Antiques (Barre); Farber introduced to "Jefferson circle"; Vacations in Essex and Florida

1972 -- Monticello images published in Antiques

1973 -- Photographs of sculpture at the Boston Atheneum, the Maison Carree at Nimes (France): the villas of Andrea Palladio in Vicenza and environs (Italy) and the architecture of Lavius Fillmore (Connecticut and Vermont) published in Antiques

1974 -- Images of Abraham Lincoln prints published in Antiques: accompanying article is by Lincoln scholar Harold Holzer; beginning of ten-year collaboration

1975 -- Photographs of Lincoln portraits in Antiques, Holzer text Democracy's First Struggle published, based on Herodotus' Histories of Greece (Crown); Native Americans: 500 Years Afterpublished (Thomas Crowell)

1976 -- Exhibitions of photographs of Native Americans at National Museum of Natural History, Dartmouth College, and Cleveland Museum of Natural History; Images of historic New York City buildings in Antiques, text by Elizabeth Donaghty Garrett; Exhibition of photographs of New York City landmarks at Abigail Adams House, New York City.

1978 -- Photographs of Lincoln sculptures, with Holzer, in Antiques

1979 -- Images of Lincoln and George Washington, sculpture of John Rogers, and sculpture of U.S. Capitol published in Antiques, with Holzer; Exhibition of photographs at East Haddam Historical Society; Exhibition of Palladio photographs at Cooper Hewitt Museum, New York City.

1980 -- Palladio's Architecture and Its Influence published, with Henry Hope Reed (Dover) ; Venice image (church interior) published on Antiques cover; Death of wife; "Caroline Fund" established at Cooper Union; Teaches photography in local high school; To Missouri with Holzer to photograph Mark Twain sites for Channel 13

1981 -- Images of Lincoln sites published in black and white in Antiques with Holzer (should have been in color); Summer trip to Berkshires with Holzer to photograph Edith Wharton home

1982 -- Commissioned to photograph Mark Twain house in Hartford for Architectural Digest; Images of The Mount, Edith Wharton's home in Lenox, Mass., published in American History Illustrated with Holzer; Summer trip to Massachusetts and Vermont with Holzer to photograph "The Street," Deerfield (Channel 13) and Hildene, Robert Todd Lincoln home in Manchester

1983 -- Images of Mark Twain sites in Hannibal, Missouri published in American History Illustrated with Holzer; Summer trip to Harpers Ferry, West Virginia with Holzer (Channel 13); Harper's Ferry images published in Antique Trader with Holzer Deerfield, Massachusetts images published in Antiques & The Arts Weekly with Holzer; The Metropolitan Club of New York published, with Paul Porzelt (Rizzoli)

1984 -- Images of Hildene published in Antique Traderwith Holzer

1985 -- Images of Rebecca Nurse Homestead, Old Salem, Massachusetts published in Antique Traderwith Holzer

1987 -- Tour of Great Britain with Ethel Phillips (summer?)

1994 -- Died, New York City, New York

Related Archival Materials:

Other Materials at the Smithsonian Institution

National Anthropological Archives, National Museum of Natural History, Smithsonian Institution

Joseph C. Farber photographs of American Indian life, circa 1970-1975

Photographs made as part of Joseph C. Farber's project to document modern American Indian everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Provenance:

Collection donated by Dr. Joan Farber, 1994.

Restrictions:

Collection is open for research.

Rights:

Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Architecture -- Greece  Search this

Architecture, Renaissance  Search this

Architecture -- United States  Search this

Churches -- New England  Search this

Churches -- Quaker  Search this

Ruins -- Greece  Search this

Architecture, Classical  Search this

Architecture, Italian  Search this

American Revolution Bicentennial, 1776-1976  Search this

Architecture, Ancient -- Photographs  Search this

Genre/Form:

Photographs -- Black-and-white negatives -- 1950-2000

Contact sheets -- 1960-1990

Proofs -- 1960-1990

Correspondence -- 1960-1990

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000

Proof sheets

Photographs -- Phototransparencies -- 1960-1990

Slides (photographs) -- 1950-2000

Citation:

Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.

Identifier:

NMAH.AC.0520

See more items in:

Joseph C. Farber Papers and Photographs

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0520

Collection Creator:

Farber, Joan C., Dr.  Search this

Farber, Joseph C., 1903-1994  Search this

Container:

Box 7, Folder 19

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.

See more items in:

Joseph C. Farber Papers and Photographs

Joseph C. Farber Papers and Photographs / Series 1: Photographs / 1.4: Books : Thomas Jefferson Buildings and Places

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0520-ref578

Collection Creator:

Farber, Joan C., Dr.  Search this

Farber, Joseph C., 1903-1994  Search this

Container:

Box 18, Folder 11

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.

See more items in:

Joseph C. Farber Papers and Photographs

Joseph C. Farber Papers and Photographs / Series 1: Photographs / 1.5: Books : Herodotus/Ancient Greece and Egypt

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0520-ref601

Collection Creator:

Farber, Joan C., Dr.  Search this

Farber, Joseph C., 1903-1994  Search this

Container:

Box 18, Folder 4

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.

See more items in:

Joseph C. Farber Papers and Photographs

Joseph C. Farber Papers and Photographs / Series 1: Photographs / 1.5: Books : Herodotus/Ancient Greece and Egypt

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0520-ref605

Collection Creator:

Farber, Joan C., Dr.  Search this

Farber, Joseph C., 1903-1994  Search this

Container:

Box 83, Folder 27

Type:

Archival materials

Contact sheet

Date:

undated

Collection Restrictions:

Collection is open for research.

Collection Rights:

Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.

See more items in:

Joseph C. Farber Papers and Photographs

Joseph C. Farber Papers and Photographs / Series 2: Photonegatives and Contact Sheets / 2.6: Greece

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0520-ref862

Collection Creator:

Farber, Joan C., Dr.  Search this

Farber, Joseph C., 1903-1994  Search this

Container:

Box 83, Folder 30

Type:

Archival materials

Contact sheet

Date:

undated

Collection Restrictions:

Collection is open for research.

Collection Rights:

Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.

See more items in:

Joseph C. Farber Papers and Photographs

Joseph C. Farber Papers and Photographs / Series 2: Photonegatives and Contact Sheets / 2.6: Greece

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0520-ref865

Collection Creator:

Farber, Joan C., Dr.  Search this

Farber, Joseph C., 1903-1994  Search this

Container:

Box 79, Folder 8

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection is open for research.

Collection Rights:

Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.

See more items in:

Joseph C. Farber Papers and Photographs

Joseph C. Farber Papers and Photographs / Series 1: Photographs / 1.4: Books : Thomas Jefferson Buildings and Places

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0520-ref954

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2021-02-04T01:15:46.000Z

YouTube Category:

Entertainment  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_2Do-GzftHZc

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2020-09-17T15:16:29.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_oKaIVzSmI18

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2015-04-15T15:18:32.000Z

YouTube Category:

Film & Animation  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_Ah48jGe-xpI

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2010-11-29T17:58:47.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_OoOk5cMtsiM

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2016-01-21T15:17:04.000Z

YouTube Category:

Film & Animation  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_Tp6eh7MYKW8

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2015-07-10T21:24:25.000Z

YouTube Category:

Film & Animation  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_TphLbCtnTdo

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2015-08-28T14:17:17.000Z

YouTube Category:

Film & Animation  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_uppak1uBZPo

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2015-05-08T04:00:01.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_XS_ezrrevwQ

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2012-02-14T19:55:05.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_qE1ZBAFURMU