Restricted for 25 years from the latest date of records. See deed of gift for additional information regarding restrictions, until Jan-01-2029; Transferring office; 12/1/2003 Deed of Gift; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 04-028, Judith K. Zilczer Papers
Restricted for 25 years from the latest date of records. See deed of gift for additional information regarding restrictions, until Jan-01-2029; Transferring office; 12/1/2003 Deed of Gift; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 04-028, Judith K. Zilczer Papers
The collection, which dates from 1895 to 1972 and measures 23.97 linear feet, documents the career and travels of Professor Lorenzo Dow Turner. The collection is comprised of correspondence, academic papers, research materials, books, newspaper and journal articles, sound recordings, and photographs.
Arrangement note:
The collection is arranged in the following series:
Series 1: Biographical
Series 2: Academic Career
Series 3: Writings
Series 4: Research
Series 5: Photographs
Series 6: Sound Recordings
Series 7: Printed Materials
Biographical/Historical note:
Lorenzo Dow Turner was born in Elizabeth City, N.C. in 1895. He earned his B.A. in 1914 from Howard University; in 1917, he received an M.A. in English from Harvard University. He received his doctorate in English from the University of Chicago in 1926 while simultaneously serving as chairman and professor of the Department of English at Howard from 1917 to 1928. He held the same positions at Fisk University in Nashville from 1929 to 1946. In 1946 he accepted a professorship in the English department at Roosevelt University in Chicago, where he remained as professor of English and lecturer in African Cultures until his retirement in 1970. Turner was professor emeritus at Roosevelt until his death at age 77 in 1972. Turner's professional and academic interests encompassed both English and linguistics. A noted scholar of African languages and linguistics, he learned numerous West African languages, mastering five of them. He was a noted authority on Gullah, a Creole language spoken in the Sea Islands off the coast of South Carolina and Georgia.
Related Archival Materials note:
Lorenzo Dow Turner Papers at Northwestern University Library
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
An interview of Don Baum conducted 1986 January 31 and May 13, by Sue Ann Kendall, for the Archives of American Art, in Chicago, Illinois.
Baum speaks about his childhood in Michigan; interests during his college years at Michigan State; classes at the School of the Art Institute of Chicago; friendship with artists such as Miyoko Ito and Ethel Spears; the Institute of Design and Laszlo Moholy-Nagy; faculty and classes at the University of Chicago; jam sessions at Gertrude Abercrombie's home; teaching at Roosevelt University; the influence of travel; June Leaf; Leon Golub; psychoanalysis and its influence on his work; collage; The Hyde Park Art Center; objects with a magical aura; writing and writers; dolls; the relationship of self to art; outsider art; transformation; Joseph Cornell; the Hairy Who artists; collectors; the Museum of Contemporary Art; the Illinois Arts Council; Chicago art and artists; and travel in Indonesia.
Biographical / Historical:
Don Baum (1922-2008) was a sculptor, assemblage artist, curator, and educator from Chicago, Illinois.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 5 hr., 23 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Patrons must use transcript.
Transcript available on the Archives of American Art website.
The Sharon Frances Patton research material on the artist Vincent Smith measures 0.8 linear feet and dates from 1968-2005. Materials document Smith's career as an artist and include many letters as well as autobiographical writings by him. Also featured in this collection are many printed materials relating to his career including magazines, exhibition materials and clippings. This collection also includes three sound cassettes featuring a profile of Smith and his thoughts on music.
Scope and Contents:
The Sharon Frances Patton research material on the artist Vincent Smith measures 0.8 linear feet and dates from 1968-2005. The research materials document Smith's career as an artist and include many letters as well as autobiographical writings by him. Also featured in this collection are many printed materials relating to his career including magazines, exhibition materials and clippings. This collection also includes three sound cassettes featuring a profile of Smith and his thoughts on music.
Arrangement:
Missing Title
Series 1: Biographical Material, 1980-2004 (3 folders; Box 1)
Series 2: Correspondence, 1982-1998 (2 folders; Box 1)
Series 3: Writings, 1976-circa 1994 (5 folders; Box 1)
Series 4: Printed Material, 1968-2005 (0.4 linear feet; Boxes 1-2)
Series 5: Sound Recordings, 1986-1989 (3 folders; Box 2)
The collection is arranged as 5 series:
Biographical / Historical:
Sharon Frances Patton (1944- ) is a art historian and museum director in Baltimore, Maryland.
Vincent Smith (1929-2003) was a painter from New York City. His work was exhibited extensively and is now part of many distinguished collections.
Patton earned her BA in humanities with an emphasis on Studio Art from Roosevelt University in Chicago. This was followed by an MA from University of Illinois, Champaign-Urbana and a Ph.D. in African Art History at Northwestern University. During and after these degrees she was a professor at various colleges around the country as well as a curator at the Studio Museum in Harlem, the Director of the Center for African American Studies at University of Michigan and the Director of the Allen Memorial Art Museum at Oberlin College. From 2003-2008 she was the Director of the Smithsonian's National Museum of African Art. Throughout her career she has organized around 20 exhibitions, compiled catalogs (one of which was on Vincent Smith's "Riding on a Blue Note" exhibit), written articles and essays and given lectures. She has also written two books, Memory and Metaphor: The Art of Romare Bearden and African American Art.
Smith became a full-time artist in 1953 after stints as a hobo, in the army and as a post office worker. Around this time he studied art at the Brooklyn Museum Art School, New York City's Art Students League and attended the Skowhegan School of Painting and Sculpture in Maine on a scholarship. He also cited other African American artists as valuable resources for the development of his work. Much of his early work focused on the culture of jazz in New York City, but in the mid-1950s, with the start of the Civil Rights Movement, his work took on a more political tone. His first solo show was in 1955 at the Brooklyn Museum Art School Gallery and this was followed by many more solo and group shows throughout his career. His work is now in the collections of many museums as well as President Clinton, who was given one of Smith's pieces at his first inauguration. In 1980 he received a college degree from Empire State College at the State University of New York, Saratoga.
Provenance:
The collection was donated by Sharon Frances Patton in 2012.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The collection is open for research. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Charismic Productions Records of Dizzy Gillespie, Archives Center, National Museum of American History.
The Carol Zane Jolles papers document her research conducted among the Yup'ik and Inupiaq communities of St. Lawrence Island, Wales, and Little Diomede Island from approximately 1982-2004. Jolles interviewed residents (with a focus on village elders) in English, Yup'ik, and Inupiaq about their lives, traditions, and village histories. The collection contains audiovisual recordings, transcripts, correspondence, research project notes and papers, maps, charts, diagrams, drawings, and publications.
Scope and Contents:
The bulk of the collection consists of recorded interviews with the residents of St. Lawrence Island, Little Diomede, and Wales, Alaska. The interviews were conducted as part of numerous research projects led by Jolles from approximately 1982-2004. The interviews focus primarily on community life and history.
The records include: audiovisual recordings (cassettes, VHS tapes, and film) and associated transcripts; correspondence between Jolles and various community members; maps, charts, diagrams, and drawings (many created by community members); population records; reports; research project notes and papers; school records; photographs; and various publications.
Access to the collection is restricted, due to the presence of personally identifiable information (PII). Access is subject to approval by the Smithsonian Institution's Institutional Review Board (IRB). Please contact the National Anthropological Archives for further information.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged into two (2) series: (1) St. Lawrence Island, 1910-2000 and (2) LIttle Diomede and Wales, 1930-2013.
Biographical note:
Carol Zane Jolles is a leading figure in Arctic ethnology who worked among the Yup'ik and Inupiaq communities in Alaska along the northern Bering Sea-Bering Strait region from 1982-2013.
Jolles was born on November 12, 1940 in Washington, D.C. and grew up in Falls Church, Virginia. She studied Literature at Earlham College (1958-1961) and received her Bachelor's degree and a teaching certificate from Roosevelt University (1964). From the 1964 to 1980 Jolles taught in Chicago, Minneapolis, and Philadelphia public schools, until deciding to continue her education.
Jolles attended the University of Washington from 1982-1990, where she received her Master's degree (1985) and Ph.D. (1990) in Cultural Anthropology. Her doctoral research involved documenting family histories and relationships, gender roles, and the history and impact of acculturation and the activities of Presbyterian missionaries beginning in the late 1800s. This research also addressed changes in schooling and the decreased knowledge of the Yup'ik language. In 2002, Jolles, along with research partner, Elinor Mikaghak Oozeva, published the seminal book, Faith, Food, and Family in a Yupik Whaling Community.
After becoming a faculty member at the University of Washington in the 1990s, Jolles' anthropological research expanded to include the documentation of the Inupiaq hunting communities of Wales and the Diomede Islands. Here, she focused on indigenous knowledge, perception of place and space, Inupiat people's relation to their home territory as reflected in place names, oral histories, original art (drawings), and other cultural means. Other research interests included climate change and its impact on Alaska Native communities.
Jolles retired from the University of Washington in 2013. As Emerita Research Professor for the Department of Anthropology, she continues to maintain correspondence with various Yu'pik and Inupiaq community members.
Chronology
1940 November 12 -- Born in Washington, D.C.
1958-1961 -- Attends Earlham College
1964 -- Receives Bachelor's Degree in English & Language Arts from Roosevelt University Receives Teaching Certificate from Roosevelt University
1964-1980 -- Teaches in Chicago, Minneapolis, and Philadelphia public schools
1982-1990 -- Studies as a Graduate Student in Cultural Anthropology at the University of Washington Conducts doctoral research in Alaska
1982-2013 -- Conducts research in St. Lawrence Island, Wales, and the Diomede Islands of Alaska
1985 -- Receives Master's Degree in Cultural Anthropology from the University of Washington
1990 -- Receives PhD in Cultural Anthropology from the University of Washington
1990s -- Research Assistant Professor, Anthropology Department, University of Washington
1992-1995 -- Principal Investigator on the "Sivuqaghhmiit Traditions and Culture: Values for Survival in a Changing World" project
1995-1997 -- Principal Investigator on the "Yupik Women: Narratives of Eskimo Women's Lives" project
1997-2000 -- Principal Investigator on the "Yupik Women, Yupik Families: A Comparative Study of Siberian Yupik and St. Lawrence Island Yupik Eskimo Family Life"
1997-2001 -- Research Associate, Visiting Assistant Professor,Anthropology, Indiana University-Purdue University at Indianapolis
2001-2002 -- Mentor for the National Science Foundation's Teachers Experiencing Antarctica and the Arctic (TEA)
2001-2006 -- Principal Investigator on the "Collaborative Research-Change and Its Impact on Culture, Economy and Identity in Three North Bering Strait Alaskan Inupiat Societies: Diomede, King Island, Wales" project
2002 -- Publishes Faith, Food, and Family in a Yupik Whaling Community with Elinor Mikaghaq Oozeva
2006-2007 -- Principal Investigator on the "Assessing Alaskan Yup'ik Community Interest in a Dental Health Initiative" project
2006-2009 -- Principal Investigator on the "Ethnographic Approaches to Alaska Native Health Disparities Research" project
2008-2013 -- Principal Investigator on the "Inupiaq Landscapes and Architecture: Preserving Alaska Native Community Histories" project
2013 -- Retires
2013 -- Research Associate Professor, faculty emerita, Anthropology, University of Washington
Provenance:
The papers were donated to the National Anthropological Archives by Carol Jolles between 2014 and 2022.
Restrictions:
Access to portions of the collection may be restricted, due to the presence of personally identifiable information (PII). Access is subject to approval by the Smithsonian Institution's Institutional Review Board (IRB). Please contact the National Anthropological Archives for further information.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate copy requires advance notice. One box of letters from Jim Nutt are ACCESS RESTRICTED; use requires written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ray Yoshida papers, circa 1895-2010, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of the Ray Yoshida papers received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate copy requires advance notice. One box of letters from Jim Nutt are ACCESS RESTRICTED; use requires written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ray Yoshida papers, circa 1895-2010, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of the Ray Yoshida papers received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after
approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no
manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead.
Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from
1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called
the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the
Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of
Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives;
two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents
of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded
to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice
since that time.
The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A.
Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard
Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas
R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A.
Wallace, William A. Wheeler, Henry Wilson.
Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White,
William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.
Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell,
Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin,
Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey,
Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull,
Wallace H. White, Jr., Robert Enoch Withers.
Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth,
Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel
Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton,
Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce,
Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R.
Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards
Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.
Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George
Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings,
John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward
H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius
Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley,
John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston
Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton
Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton,
Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson,
Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Folders 1-7 Made in Chicago (XII Sao Paulo Biennial). 73-08. 1973-74. Initial showing: Nov. 5-Dec. 2, 1973, XII Biennial, Sao Paulo, Brazil. Final showing: Nov. 1-Dec. 29, 1974, Museum of Contemporary Art, Chicago, IL (?). Curated by Don Baum, Roosevel...
Container:
Box 222 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
This is the largest series. It consists of materials which chronicle Turner's life professionally at Howard University, Fisk University, Roosevelt University (formerly known as Roosevelt College), University of Chicago, and the University of Illinois. The series contains materials related to day-to-day teaching and includes correspondence from highly recognized individuals, such as, Lydia Parrish to Dr. Melville Herskovits,14, 1936--940, and Lorenzo Dow Turner with John H. Sengstacke, July 4 and 27, 1953, Langston Hughes, July 13 and 19, 1953 and Ralph J. Bunche, October 23, 1957. Also included are documents related to the Peace Corp Program that Professor Turner co--ounded while tenured at Roosevelt University, Y.M.C.A teaching materials, and other materials related to his work as a consultant with Funk and Wagnall's Company, Webster's New International Dictionary and the Encyclopedia Britannica. In addition, there are items related to the Washington Sun newspaper which Turner edited and published from 1928-1929.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
