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Seal Harbor -- The Eyrie

Former owner:
Rockefeller, John D., Jr. (John Davison), 1874-1960  Search this
Rockefeller, David, 1915-  Search this
Architect:
Candler, Duncan  Search this
Reynolds, Marcus T.  Search this
Landscape architect:
Farrand, Beatrix, 1872-1959  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
4 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
Abby Aldrich Rockefeller Garden (Seal Harbor, Maine)
United States of America -- Maine -- Hancock County -- Seal Harbor
Varying Form:
Also known as the Abby Aldrich Rockefeller Garden.
General:
001: "The Eyrie" Summer home of Mr. John D. Rockefeller, Jr., Mt. Desert Island, Maine. 5A-N2341 Postcard circa 1915-1930.

002: Postcard circa 1939-1990.

003: "The Eyrie" Summer home of Mr. John D. Rockefeller, Jr., Seal Harbor, Maine. Postcard circa 1901-1945.

004: Postcard circa 1901-1915.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Maine -- Seal Harbor  Search this
Mansions  Search this
Tudor Revival  Search this
Driveways  Search this
Trees  Search this
Retaining walls  Search this
Woodland gardens  Search this
Boulders  Search this
Flower beds  Search this
Hillside planting  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File ME043
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Maine
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1382

Rudy Burckhardt papers

Creator:
Burckhardt, Rudy, 1914-1999  Search this
Names:
Leo Castelli Gallery  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Cornell, Joseph -- Photographs  Search this
De Kooning, Willem, 1904-1997 -- Photographs  Search this
Flavin, Dan, 1933- -- Photographs  Search this
Frankenthaler, Helen, 1928-2011 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Judd, Donald, 1928- -- Photographs  Search this
Kline, Franz, 1910-1962 -- Photographs  Search this
Lichtenstein, Roy, 1923-1997 -- Photographs  Search this
Nevelson, Louise, 1899-1988 -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Pettet, Simon  Search this
Rockefeller, David, 1915-  Search this
Stella, Frank -- Photographs  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Negatives
Date:
1934-2015
Summary:
The papers of photographer, filmmaker, and painter Rudy Burckhardt measure 5.6 linear feet and date from 1934 to 2015. A bulk of the collection consists of black and white negatives which document over 260 mid-to-late twentieth century modern artists, their work, studios, and/or exhibitions. Notable artists include Willem de Kooning, Dan Flavin, Joseph Cornell, Helen Frankenthaler, Donald Judd, Franz Kline, Roy Lichtenstein, Louise Nevelson, Isamu Noguchi, Frank Stella, and many others. Burckhardt was hired to photograph for a number of New York art galleries such as the Leo Castelli Gallery and Green Gallery; art collectors including Chaim Gross and David Rockefeller; and art magazines such as ARTnews. Personal papers include announcements and an exhibition catalog; clippings; photographs on postcards; and a book, entitled Conversations with Rudy Burckhardt About Everything, by Simon Pettet, 1987. A small but rich addition to the collection dates from 1941-2015 and contains a curriculum vitae; letters from Joe Brainard, Harold Schimmel, and others; writings; one scrapbook dating from World War II containing letters Burckhardt wrote to Edwin Denby; printed announcements and clippings; and one photograph of Burckhardt taken by Yvonne Jacquette.
Scope and Contents:
The papers of photographer, filmmaker, and painter Rudy Burckhardt measure 5.6 linear feet and date from 1934 to 2015. A bulk of the collection consists of black and white negatives which document over 260 mid-to-late twentieth century modern artists, their work, studios, and/or exhibitions. Notable artists include Willem de Kooning, Dan Flavin, Joseph Cornell, Helen Frankenthaler, Donald Judd, Franz Kline, Roy Lichtenstein, Louise Nevelson, Isamu Noguchi, Frank Stella, and many others. Burckhardt was hired to photograph for a number of New York art galleries such as the Leo Castelli Gallery and Green Gallery; art collectors including Chaim Gross and David Rockefeller; and art magazines such as ARTnews. Personal papers include announcements and an exhibition catalog; clippings; photographs on postcards; and a book, entitled Conversations with Rudy Burckhardt About Everything, by Simon Pettet, 1987. A small but rich addition to the collection dates from 1941-2015 and contains a curriculum vitae; letters from Joe Brainard, Harold Schimmel, and others; writings; one scrapbook dating from World War II containing letters Burckhardt wrote to Edwin Denby; printed announcements and clippings; and one photograph of Burckhardt taken by Yvonne Jacquette.
Arrangement:
The collection is arranged as 3 series:

Series 1: Personal Papers, 1934-1990 (Box 1; 0.2 linear feet)

Series 2: Photographic Materials, circa 1950-1975 (Boxes 2-13; 4.8 linear feet)

Series 3: Addition to the Rudy Burckhardt Papers, 1941-2015 (Box 14-15; 0.6 linear feet)
Biographical / Historical:
Rudy Burckhardt (1914-1999) was a Swiss-American photographer, filmmaker, and painter based in New York, N.Y. during the post-World War II era. Originally from Basel, Switzerland, Burckhardt relocated to New York in 1935 at the age of 21. Burckhardt shared a loft in Chelsea with American dance critic and poet, Edwin Denby, next-door to Willem and Elaine de Kooning.

After completing his service in the U.S. Army Signal Corps in 1944, Burckhardt pursued an education in painting. He studied with French painter and writer, Amédéé Ozenfant in New York, circa 1948-1949; Italian painter and professor Giuseppe (Beppe) Guzzi in Rome; and the Academy of Naples, circa 1950-1951.

Burckhardt married painter and collagist, Edith Schloss in 1947 and in 1949 their son Jacob, a filmmaker, was born. The two separated and in 1964, Burckhardt married American painter, Yvonne Jacquette and the same year the couple's son Thomas (Tom), a painter, was born.

Throughout his career, Burckhardt collaborated with a number of notable post-war visual artists such as Joseph Cornell, Larry Rivers, Jane Freilicher, Alex Katz, Nell Blaine, Lois Dodd, and Red Grooms as well as writers and poets including Edwin Denby, John Ashbery, Phillip Lopate, and Kenneth Kock.

Burckhardt was hired to photograph New York-based visual artists, their work, studios, and exhibitions. A bulk of the black and white negatives that make up the collection were produced circa 1950 to 1975. Burckhardt photographed for the Leo Castelli Gallery for approximately 20 years. He also frequently photographed for Thomas B. Hess, editor of ARTnews.

Early exhibitions of Burckhardt's street photography include Photo League, 1948; Limelight Gallery, 1954; and Gotham Bookmart, 1972 and 1980. Painting exhibitions include the Tanager Gallery, 1959; Green Mountain Gallery, 1971, 1974, and 1978; and Blue Mountain Gallery, 1981; Brooke Alexander Gallery 1976 and 1978. A number of his films have been collected by and shown at the Museum of Modern Art, 1987 and circa 1993.
Related Materials:
Available in the Archives of American Art is an oral history interview with Rudy Burckhardt conducted by Martica Sawin on January 14, 1993.
Provenance:
The first accession of biographical material was donated to the Archives of American Art by Rudy Burckhardt in 1993. A second installment of photographic material was donated by Yvonne Jacquette Burckhardt, Burckhardt's widow, in 2011. A third addition was donated by Yvonne Jacquette Burckhardt in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The donor has retained all intellectual property rights, including copyright, that she may own in the following material: photographs taken by Rudy Burckhardt.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Topic:
Photographers  Search this
Artists' studios -- Photographs  Search this
Filmmakers  Search this
Genre/Form:
Photographs
Negatives
Citation:
Rudy Burckhardt papers, 1934-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.burcrudy
See more items in:
Rudy Burckhardt papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-burcrudy

Oral history interview with Robert Beverly Hale

Interviewee:
Hale, Robert Beverly, 1901-1985  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Columbia University -- Students  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bridgman, George Brant, 1864-1943  Search this
Coyle, Terence  Search this
Duchamp, Marcel, 1887-1968  Search this
Geldzahler, Henry  Search this
Hirshhorn, Joseph H.  Search this
Huxley, Julian, 1887-1975  Search this
Klonis, Stewart, 1901-1989  Search this
McNulty, William Charles, 1884-1963  Search this
Peirce, Waldo, 1884-1970  Search this
Pollock, Jackson, 1912-1956  Search this
Priest, Alan Reed  Search this
Rockefeller, David, 1915-  Search this
Root, Edward Wales, d. 1956  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Russell, Bertrand, 1872-1970  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1984 Mar. 7
Scope and Contents:
An interview of Robert Beverly Hale conducted 1984 Mar. 7, by Robert F. Brown, for the Archives of American Art.
Hale speaks of his childhood years living a bohemian life; personal and family friend Marcel Duchamp; his time as a student at the Columbia School of Architecture; being a biology student at Columbia University; studying painting in Paris at Fontainebleau; assisting Waldo Pierce as a secretary; the gold medal from the American Poetry Society; running the publicity department of the Arts Students League; connection to the Metropolitan Museum of Art; Art News magazine critic in 1930s; tenure in the American wing of the Met; friend Jackson Pollack and the art scene at East Hampton; discussion of drawing the planes of the human body; and writing a book on figure drawing. Hale also recalls Bertrand Russell, Julian Huxley, Henry Oliver Walker, Phil Wiley, George Bridgman, William McNulty, Stuart Klonis, Sam Lewis, Edward Root, Walter Baker, Joseph Hirshhorn, Alan Priest, Albert Gardner, Henry Geldzahler, James Rorimer; David Rockefeller, Alfred Barr, and Terrance Coyle.
Biographical / Historical:
Robert Beverly Hale (1901-1985) was an administrator, instructor, and art historian from New York, N.Y.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 7 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Drawing -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hale84
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hale84

Dimitri Hadzi papers

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Names:
Harvard University -- Faculty  Search this
Foundry, Nicci  Search this
Greco, Emilio, 1913-1995  Search this
Monaco, Frank  Search this
Rockefeller, David, 1915-  Search this
Extent:
39.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Sound recordings
Video recordings
Date:
1921-2003
Scope and Contents:
Biographical material, professional and personal correspondence, personal business records, writings, photographs, audio visual material, and printed material relating to the life and career of Dimitri Hadzi.
Biographical material includes Hadzi's birth certificate, memoir files, school diplomas and report cards, course notebooks and transcripts, passports, military documentation, and professional membership files.
Professional and personal correspondence is with artists, critics, historians, dealers, collectors, institutions, students, assistants, fans, as well as family during Hadzi's military career.
Personal business records include project files containing correspondence, proposals, drawings, sales and writings on sculptural commissions, unrealized projects, competitions, blueprints, estimates, awards, loans and purchases, and Hadzi's teaching career.
Writings include journals, diaries, travel and military notebooks, daily notes, poetry, school notebooks, essays by Hadzi, address books, and guest books from Hadzi exhibitions.
Photographs are of Hadzi, his family, friends and studio and document his time during World War II, family vacations, and sculpture projects. Photographs of friends include Emilio Greco, David Rockfeller, Nicci Foundry, and Frank Monaco, among others.
A significant portion contains moving image material and sound recordings (approx. 5.0 linear ft.). The bulk of footage documents installations of multiple sculptural works by Hadzi, with extensive documentation of Thermopalae at the John F. Kennedy Federal Building in Boston, Mass. in 1967-1968. Other footage includes documentaries about Hadzi, footage of exhibitions from the late 1960s and early 1970s, Hadzi working at the Nicci and Francesco Bruni foundries in Italy. Sound and video recordings also include interviews and lectures by Hadzi
Printed material includes an scrapbook, newspaper clippings, journal clippings, exhibition catalogs and announcements.
Biographical / Historical:
Dimitri Hadzi (1921-2006) was a sculptor from Massachusetts. Hadzi studied at Cooper Union, the Brooklyn Museum School, and as a Fulbright scholar, at the Polytechnion, Athens. He established himself in Rome in 1951, returning to the U.S. in 1975 as Studio Professor of Visual and Environmental Studies at Harvard University, the first artist to be tenured there. Through the 1980s he undertook many commissioned projects for public sculpture.
Provenance:
Donated 1989 and 1998 by Dimitri Hadzi and in 2008 and 2011 by Cynthia Hadzi, Dimitri Hadzi's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Educators -- Massachusetts -- Cambridge  Search this
Sculptors -- Italy -- Rome  Search this
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Artists' studios -- Photographs  Search this
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Video recordings
Identifier:
AAA.hadzdimi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hadzdimi

Stanton L. Catlin papers

Creator:
Catlin, Stanton L. , 1915-1997  Search this
Names:
Columbia Records, Inc.  Search this
Hunter College -- Faculty  Search this
Syracuse University -- Faculty  Search this
Universidad de Chile -- Faculty  Search this
Ades, Dawn  Search this
Ashton, Dore  Search this
Boulton, Alfredo  Search this
Motherwell, Robert  Search this
Obregón, Alejandro, 1920-  Search this
Paternosto, César, 1931-  Search this
Paz, Octavio, 1914-  Search this
Rasmussen, Waldo  Search this
Rockefeller, David, 1915-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Sandoval, Judith Hancock de  Search this
Sebastián, Santiago  Search this
Torruella Leval, Susana  Search this
Williams, Amancio  Search this
Extent:
56.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Transcripts
Diaries
Place:
Czech Republic -- Description and Travel
Date:
1911-1998
bulk 1930-1994
Summary:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.
Scope and Contents:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.

Biographical material includes six address books, two annotated calendars, four day books, curriculum vitae, interview transcripts, records of Catlin's personal book collection, and his work as a student. Correspondence is with Catlin's family and prominent artists and colleagues, such as Dawn Ades, Dore Ashton, Alfredo Boulton, Robert Motherwell, Alejandro Obregon, César Paternosto, Octavio Paz, Waldo Rasmussen, David and Nelson Rockefeller, Susana Torruella Leval, Judith Sandoval, Santiago Sebastian, and Amancio Williams. Correspondence with Columbia Records concerns Catlin's Grammy Award for best album.

There are writings and notes by Catlin and others on Latin American art, and three journals kept by Catlin during his time in the Czech Republic and Minnesota.

Teaching files document some of Catlin's work as an art history professor at Hunter College, Syracuse University, and the University of Chile. The project files document his work as a consultant or contributor on various projects abd the professional files include records of Catlin's positions as art gallery curator and director, professional memberships, conference participation, and other professional activities. Research and subject files consist of annotated material related to Latin American art, European art, and various artforms and artists.

Exhibition files are found for Art of Latin America Since Independence (1966) and other exhibitions of Latin American art. Printed materials include books with an inscription, clippings, exhibition announcements and catalogs, magazines, and publications. There are photographs of Catlin, family and friends, colleagues, and artwork.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical material , 1933-1989 (1 linear foot; Box 1)

Series 2: Correspondence, 1914-1994 (4.5 linear feet; Box 2-6)

Series 3: Writings and Notes, 1930-1993 (4.5 linear feet; Box 6-10, OV 57)

Series 4: Teaching Files, 1941-1991 (1.5 linear feet; Box 10-12)

Series 5: Project Files, 1940-1993 (3.5 linear feet; Box 12-16)

Series 6: Professional Files, 1939-1994 (13.1 linear feet; Box 16-28, OV 58, 60)

Series 7: Research and Subject Files, 1938-1998 (8.0 linear feet; Box 28-36)

Series 8: Exhibition Files, 1941-1993 (15.6 linear feet; Box 37-51, OV 58-60)

Series 9: Printed Material, 1944-1993 (4.2 linear feet; Box 52-56)

Series 10: Photographs, 1911-1991 (0.5 linear feet; Box 56)
Biographical / Historical:
Stanton L. Catlin (1915-1997) was a curator, gallery director, educator, art historian, and expert on Latin American Art.

Catlin studied art history at Oberlin College and graduated in 1937. After graduation, he studied painting and art history at the Academy of Arts in Prague, Czech Republic for two years. Catlin received a Fogg Museum Fellowship in Modern Art at Harvard University to survey collections of art in Europe. However, the project was canceled because of World War II.

During the war, Catlin served as a Cultural Relations Representative for the Coordinator of Inter-American Affairs where he assisted with exhibition arrangements throughout Latin America. In 1942, he also began teaching the history of art in the United States at the University of Chile. After the war, Catlin served in the Field Operations Division of the United Nations Relief and Rehabilitation Administration, working in the Displaced Persons Operation from 1945-1946.

From 1947 to 1950, Catlin served as the executive director of the American Institute of Graphic Arts. He received his graduate degree in art history from New York University in 1952, and shortly thereafter became editor and curator of American art at the Minneapolis Institute of Arts. From 1958 to 1967, Catlin was the assistant director of the Yale University Art Gallery. While there, he curated the landmark exhibition Art of Latin America Since Independence in 1966, the first exhibition to include only Latin American art and the accompanying catalog remains a standard reference source. That same year, Catlin won a Grammy Award for best album notes for an essay on Mexican mural painting.

In 1967, Catlin left Yale to take a position as director of the Art Gallery at the Center for Inter-American Relations before joining the faculty of Syracuse University in 1971 and becoming director of the university's Art Gallery. He remained at Syracuse for the rest of his career.

Catlin was a consultant on the major retrospective exhibition of the work of Diego Rivera at the Detroit Institute of Arts in 1986. He also worked on a project to document Mexican murals in the United States. Catlin died in Fayetteville, New York in 1997.
Related Materials:
Also found at the Archives of American Art is an oral history interview conducted by Francis V. O'Connor with Stanton L. Catlin from July 1 to September 14, 1989.

The University of Texas at Austin holds a significant collection of Stanton Loomis Catlin's papers, some of which are duplicates of the papers held by the Archives of American Art.
Provenance:
The collection was donated from 1992 to 1995 to by Stanton L. Catlin.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State)  Search this
Minnesota -- Description and travel  Search this
Gallery directors -- New York (State)  Search this
Curators -- New York (State)  Search this
Topic:
Art, European  Search this
Latino and Latin American artists  Search this
Educators -- New York (State)  Search this
Art, Latin American  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Transcripts
Diaries
Citation:
Stanton L. Catlin papers, 1911-1998, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.catlstan
See more items in:
Stanton L. Catlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-catlstan
Online Media:

Memoirs / David Rockefeller

Author:
Rockefeller, David 1915-  Search this
Subject:
Rockefeller, David 1915-  Search this
Chase Manhattan Bank  Search this
Physical description:
517 p., [16] p. of plates : ill. ; 25 cm
Type:
Biography
Place:
United States
Date:
2002
C2002
Topic:
Bankers  Search this
Banks and banking--History  Search this
Call number:
CT275.R679 A1 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_708456

Art at work : forty years of The Chase Manhattan Collection / [foreword, William B. Harrison, Jr. ; edited by Emily Russell.]

Title:
Forty years of The Chase Manhattan Collection
Author:
Chase Manhattan Bank  Search this
Harrison, William B., Jr  Search this
Russell, Emily  Search this
Rosenblum, Robert  Search this
González, Manuel E  Search this
Subject:
Rockefeller, David 1915- Interviews  Search this
Chase Manhattan Bank Art collections  Search this
Physical description:
334 p. : ill. (some col.), ports. ; 32 cm
Type:
Exhibitions
Place:
United States
Date:
2000
C2000
20th century
Topic:
Corporations--Art collections  Search this
Art, Modern  Search this
Call number:
N6512 .A682 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_718900

Masterpieces from the David and Peggy Rockefeller Collection : Manet to Picasso / [organized by Kirk Varnedoe]

Author:
Rockefeller, David 1915-  Search this
Rockefeller, Peggy  Search this
Varnedoe, Kirk 1946-2003  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Subject:
Rockefeller, David 1915- Art collections Exhibitions  Search this
Rockefeller, Peggy Art collections Exhibitions  Search this
Physical description:
100 p. : ill. (chiefly col.) ; 31 cm
Type:
Exhibitions
Place:
France
New York (State)
New York
Date:
1994
C1994
19th century
20th century
Topic:
Painting, French  Search this
Impressionism (Art)  Search this
Art--Private collections  Search this
Call number:
ND547 .M42 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_468035

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