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The State of Rock Art in North America 1 - Lawrence Loendorf

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-05-21T17:37:07.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_anthE44PUjs

The State of Rock Art in North America 2 - Carolyn McClellan

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-05-21T17:37:07.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_qe7fmiW8274

Albertype Company photograph collection relating to Native Americans

Collector:
Albertype Co.  Search this
Witteman, Hermann L., -1952  Search this
Photographer:
Fred Harvey (Firm)  Search this
Kiser Photo Co. (Portland, Or.)  Search this
N.W. Halsey & Co.  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Clarke, H. H.  Search this
Cornish, Geo. B. (George Bancroft)  Search this
Fiske, Frank Bennett, 1883-1952  Search this
Flood, H. Lee  Search this
Hazeltine, H. R.  Search this
Martin, W. H. (William H.), 1865-1940  Search this
Mathers, C. W.  Search this
Matsura, Frank, 1873-1913  Search this
Reed, Roland, 1864-1934  Search this
Stimson, Joseph Elam, 1870-1952  Search this
Watkins, H. H.  Search this
Names:
Wittemann, A. (Adolph), 1845-1938 (collector and photographer)  Search this
Extent:
318 Negatives (photographic) (circa, nitrate (includes copy negatives))
Culture:
Pueblo  Search this
Indians of North America -- Subarctic  Search this
Niuam (Comanche)  Search this
Cree  Search this
Coast Salish  Search this
Colville  Search this
Eskimos  Search this
Fox  Search this
Sioux  Search this
Tli Cho (Dogrib/Thlingchadinne)  Search this
Indians of North America -- Great Plains  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Catawba Indians  Search this
Caddo  Search this
Nuxalk (Bellacoola)  Search this
Acoma Pueblo  Search this
Apache  Search this
Inunaina (Arapaho)  Search this
Assiniboine (Stoney)  Search this
Indians of North America -- Southwest, New  Search this
Laguna Indians  Search this
Kiowa  Search this
Isleta Pueblo  Search this
Piipaash (Maricopa)  Search this
Havasupai (Coconino)  Search this
Haida  Search this
A'aninin (Gros Ventre)  Search this
Ponca  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Osage  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Niimíipuu (Nez Perce)  Search this
Diné (Navajo)  Search this
Mojave (Mohave)  Search this
Tewa Pueblos  Search this
A:shiwi (Zuni)  Search this
Shoshone  Search this
Taos Indians  Search this
Seminole  Search this
Shawnee  Search this
Northwest Coast  Search this
Sarsi Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hopi Pueblo  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Hawaiians  Search this
Arctic peoples  Search this
Japanese  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographs
Place:
Maine
Kansas City (Mo.)
British Columbia
Virgin Islands
Vancouver (British Columbia)
Date:
circa 1890-1910
Scope and Contents note:
The collection consists of photographs collected by the Albertype Company for their postcards and viewbooks, including portraits, scenery, camps, Native Americans schools, and some paintings and composites for postcard printing. Additional subjects include rock drawings in Maine; a statue in Kansas City, Missouri; Standing Rock Monument in North Dakota; people in Atlin, British Columbia; Carib rock drawings in the Virgin Islands; and totem poles in Vancouver.

Included are works of Charles Milton Bell, E. A. Benson, C. R. Bourne, H. E. Brown, William Bull, H. H. Clarke, George B. Cornish, Frank Bennett Fiske, H. Lee Flood, N. W. Halsey, Fred Harvey, H. R. Hazeltine, Kiser Photograph Company, W. H. Martin, C. W. Mathers, Frank Matsura, W. H. Matthewson, Charles E. Morris, Ernest Moses, J. S. Myers, M. OʹConnor, G. W. Parsons, Roland W. Reed, C. B. Robinson , J. E. Stimson, W. M. Stoltz, and H. H. Watkins. Clarke and Fiske, however, are the only photographers with more than a few images.
Biographical/Historical note:
The Albertype Company, headquartered in Brooklyn, New York, published viewbooks and postcards for national distribution. Founded by Adolph and Herman Witteman, the company began publishing souvenier photographic albums as early as 1867. The Wittemans established Witteman Brothers in 1885, and then the Albertype Company in 1890. From 1890 to 1950, the firm published collotypes made from the photographs of its agents (including Adolph Witteman), other companies, and independent photographers. The firm was purchased in 1952 by Art Vue Post Card Company.
Local Call Number(s):
NAA Photo Lot 25
Reproduction Note:
Modern copy negatives and prints made by Smithsonian Institution, circa 1972.
Location of Other Archival Materials:
The Library of Congress, Wisconsin Historical Society, and Historical Society of Pennsylvania also hold original Albertype Company prints and negatives.
Albertype Company views are also held in National Anthropological Archives Photo Lot 88-37, Photo Lot 92-37, and Photo Lot 92-3.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Modern copy prints and copy negatives for nearly all images are available.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Northeast  Search this
Rock paintings  Search this
Totem poles  Search this
Indians of North America -- Southern states  Search this
Genre/Form:
Photographs
Citation:
Photo lot 25, Albertype Company photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.25
See more items in:
Albertype Company photograph collection relating to Native Americans
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3bed1cd4a-0334-43a5-b145-f66931efedc8
EDAN-URL:
ead_collection:sova-naa-photolot-25
Online Media:

Andromeda tied to a Rock, (painting)

Artist:
Domenichino  Search this
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Mythology--Classical--Andromeda  Search this
Figure(s) In Exterior--Water  Search this
State of Being--Other--Imprisonment  Search this
Control number:
AECI 06380094
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_112808

Andromeda Tied To A Rock, (painting)

Artist:
Domenichino  Search this
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Mythology--Classical--Andromeda  Search this
State of Being--Other--Imprisonment  Search this
Figure(s) In Exterior--Water  Search this
Control number:
AECI 04320212
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_87399

Indian rock art of the Columbia Plateau / James D. Keyser

Author:
Keyser, James D  Search this
Physical description:
139 p. : ill., maps ; 26 cm
Type:
Books
Place:
Columbia Plateau
Date:
1992
C1992
Topic:
Indian art  Search this
Rock paintings  Search this
Petroglyphs  Search this
Antiquities  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_439341

Wong, K. T. (Wang Jiantang; 王鑑堂)

Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Container:
Box 35, Folder 18-23
Type:
Archival materials
Date:
1916-1920
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 2: Correspondence / 2.1: Charles Lang Freer Correspondence
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c63b8ff8-0dac-41ef-8db1-a21551dab127
EDAN-URL:
ead_component:sova-fsa-a-01-ref622
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  • View Wong, K. T.  (Wang Jiantang; 王鑑堂) digital asset number 3
  • View Wong, K. T.  (Wang Jiantang; 王鑑堂) digital asset number 4
  • View Wong, K. T.  (Wang Jiantang; 王鑑堂) digital asset number 5
  • View Wong, K. T.  (Wang Jiantang; 王鑑堂) digital asset number 6

Canyon de Chelly, its people and rock art / Campbell Grant

Author:
Grant, Campbell 1909-1992  Search this
Physical description:
xviii, 290 pages : illustrations ; 27 cm
Type:
Books
Place:
Arizona
Chelly, Canyon de
Chelly, Canyon de (Ariz.)
Canyon de Chelly
Date:
1978
©1978
Topic:
Rock paintings  Search this
Petroglyphs  Search this
Indians of North America  Search this
Call number:
E78.A7G72X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_105978

The rock-art of eastern North America : capturing images and insight / edited by Carol Diaz-Granados and James R. Duncan

Author:
Diaz-Granados, Carol 1943-  Search this
Duncan, James Richard 1942-  Search this
Physical description:
xxix, 426 p. : ill., maps ; 24 cm
Type:
Books
Place:
East (U.S.)
Date:
2004
C2004
Topic:
Antiquities  Search this
Petroglyphs  Search this
Rock paintings  Search this
Picture-writing  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_762390

Eliot Elisofon Field collection

Photographer:
Elisofon, Eliot  Search this
Extent:
14000 Negatives (photographic) (b&w, 35mm)
30000 Slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Slides (photographs)
Photographic prints
Negatives
Color slides
Black-and-white negatives
Black-and-white photographs
Place:
Africa
Congo (Democratic Republic)
Mali
Ghana
Côte d'Ivoire
Benin
Burkina Faso
Egypt
Kenya
Liberia
Niger
Nigeria
Rwanda
Senegal
South Africa
Sudan
Tanzania
Togo
Uganda
Zambia
Zimbabwe
Central African Republic
Date:
circa 1935-1978
Summary:
This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.
Scope and Contents:
This collection is comprised of circa 14,000 negatives, 30, 0000 slides, 8,000 photographic prints, and 14 boxes of manuscript materials that date from circa 1945-1978.

The photographs document Eliot Elisofon's travels and work in Africa. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. Artisans shown include an Asante weaver making kente cloth in Ghana; a Dogon carver in Mali making a kanaga mask; an Ebrie goldsmith in Cote d'Ivoire; Hausa dyers in Kano, Nigeria; and Nupe beadmakers in Nigeria; as well as artists at the Ecole des Beaux Arts in Kinshasa, Congo. Portraits of leaders include the Asante court at Kumase in Ghana; Ebrie chiefs and notables in Cote d'Ivoire; the timi (king) of Ede, a Yourba town, Nigeria; the emir of Katsina, Nigeria; and the Kuba king and his court in the Congo. There are informal portraits showing children of the Kuba royal court dancing, Fulbe women with gold earrings in Mali, Mangbetu women in the Congo, and Maasai elders in Kenya. Masked dances documented include a Dogon dama festival celebration in Mali, an Igbo festival in Nigeria, and Kuba and Pende masked dancers in the Congo. There are also images of Yoruba gelede (men's association) masks in Nigeria. Non-masked dancers shown include Dan professional acrobatic dancers in Cote d'Ivoire, Irigwe dancers in Nigeria, Mangbetu dancers in the Congo, Mbuti dancers in the Democratic Republic of the Congo, and Wodaabe men dancing in Nigeria. Events shown include Hausa riders in chain mail during the Independence Day celebration in Katsina, Nigeria. Images of art in situ include ancestral altars in the King of Benin's palace in Nigeria; Dogon rock paintings in Mali; and Yoruba Shango shrine sculptures in the palace courtyard of timi (king) of Ede in Nigeria. Landscapes include views of mount Kilimanjaro, Tanzania. Animals shown include birds, buffalos, elephants and giraffes. Traditional architecture shown includes Asante shrine houses with raised wall decorations in Ghana, Dogon villages in Mali and mosques in Mopti.

The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.
Biographical/Historical note:
A photographer best known for his work in Life magazine. Elisofon worked as a free-lance magazine photographer from 1933 to 1937, as a staff photographer for Life from 1933 to 1937 and on photographic assignments for various magazines, including the Smithsonian magazine, from 1942 to 1945. Elisofon traveled extensively in Africa, Asia, Europe and South America documenting the peoples of these lands as well as their arts and environments. A founding member and curatorial associate of the private Museum of African Art, which in 1981 became the National Museum of African Art (NMAfA), Elisofon bequeathed his collection of African photographs to the museum when he died in 1973. To honor Elisofon's contribution to the understanding of African art and culture, NMAfA named its archives after him.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Genre/Form:
Negatives
Photographic prints
Color slides
Black-and-white negatives
Black-and-white photographs
Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001
See more items in:
Eliot Elisofon Field collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo763575c19-5f10-470a-af8b-75ebd1c82664
EDAN-URL:
ead_collection:sova-eepa-1973-001
Online Media:

Tsé Yaa Kin : houses beneath the rock : Canyon de Chelly, Navajo National Monument / [David Grant Noble, editor]

Title:
Canyon de Chelly, Navajo National Monument
Author:
Noble, David Grant  Search this
School of American Research (Santa Fe, N.M.)  Search this
Physical description:
56 p. : ill ; 28 cm
Type:
Books
Place:
Arizona
Chelly, Canyon de
Chelly, Canyon de (Ariz.)
Canyon de Chelly National Monument (Ariz.)
Navajo National Monument (Ariz.)
Date:
1986
C1986
Topic:
Rock paintings  Search this
Petroglyphs  Search this
Call number:
E78.A7 T74 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_946455

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 16.
Slide No. I 1 DGN 3 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7525
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo79a622081-ebbe-4576-b5b2-42fde931dd85
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24353

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.01 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 0.
Slide No. I 1 DGN 3.01 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7526
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo791edeccd-6801-4e9c-8632-8455f043f563
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24354

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 12.
Slide No. I 1 DGN 3.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7527
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo71c2230cb-e089-439c-8e69-a6c737730995
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24355

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.1.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 14.
Slide No. I 1 DGN 3.1.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7528
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo76768add5-a1fe-4807-bd23-e8ce5337caef
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24356

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 23.
Slide No. I 1 DGN 3.2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7529
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo73af11e16-ba73-416e-ae9b-d096155125b8
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24357

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.3 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 20.
Slide No. I 1 DGN 3.3 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7530
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo71e046ec4-908c-4a82-9e76-c0253cbe9266
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24358

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.4 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 13.
Slide No. I 1 DGN 3.4 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7531
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo755f434b7-3689-4b9c-aa4a-ed60e1beac8c
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24359

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.5 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 17.
Slide No. I 1 DGN 3.5 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7532
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7c0cd3942-1fe6-44ce-9e89-2ca6fac7b56e
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24360

Dogon rock paintings on the great vault, Songo village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Dogon (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1972
Scope and Contents:
"Two large paintings have been made on the rocks which overhang the great vault. The first one is red and white and is called "trace of the sacrificed Nommo's blood" (nommo semi illi bummo). The second one is called " drawing of the stopping (place) of the resurrected Nommo" (nommo bulo inu toy). The drawings on the great vault (about 30m. long and 2m. high) are called ogodine tonu, "tonu of the chameleon." For all initiates these pictures, which are sometimes trichromatic, represent Amma's 266 signs. The two large paintings will be refreshed at the time of the Sigui; those of the vault likewise when the circumcision is performed." [Griaule M. and Dieteren G., 1986: The Pale Fox. Continuum Foundation]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
I 1 DGN 3.6 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Y13
Frame value is 21.
Slide No. I 1 DGN 3.6 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Rites and ceremonies -- Africa  Search this
Rock paintings  Search this
Cultural landscapes  Search this
Signs and symbols  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 7533
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7b9743e45-8939-4ae5-8420-f8be116fa9b2
EDAN-URL:
ead_component:sova-eepa-1973-001-ref24362

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