That's all right --I love you because --Heartbreak hotel -- Elvis (Excerpt from interview held September 22, 1958) -- Don't be cruel --Love me --Trying to get you --Love me tender --(There'll be) Peace in the valley (For me) --Elvis (Excerpt from interview held September 22, 1958) --(Now and then there's) A fool such as I --Tonight's all right for love --Are you lonesone to-night --Can't help falling in love.
Local Numbers:
FW-ASCH-LP-0770
RCA Victor.0341
Publication, Distribution, Etc. (Imprint):
RCA Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Mercedes Benz --Ball and chain --Rap on "try" --Try (just a little bit harder) --Summertime --Albert Hall interview --Cry baby --Move over --Dick Cavett T.V. interview --Piece of my heart --Port Arthur High School reunion --Maybe --Me and Bobby McGee --Trouble in mind --What good can drinkin' do --Silver threads and golden needles --Mississippi River - Stealin' --No reason for livin' --Black Mountain blues --Walk right in --River Jordan --Mary Jane --Kansas City blues --Daddy, daddy, daddy --C.C. rider --San Francisco Bay blues -- Winin' boy - Careless love --I'll drown in my own tears.
Track Information:
101 Mercedes Benz.
102 Ball and Chain.
103 Try Just a Little Bit Harder.
104 Summertime.
105 Cry Baby.
201 Move Over.
202 Piece of My Heart.
203 Maybe.
204 Me and Bobby McGee.
301 Trouble in Mind.
302 What Good Can Drinkin' Do.
303 Silver Threads and Golden Needles.
304 Mississippi River.
305 Stealin'.
306 No Reason for Livin'.
307 Black Mountain Blues.
308 Walk Right In.
401 River Jordan.
402 Mary Jane.
403 Kansas City Blues.
404 Daddy, Daddy, Daddy.
405 C.C. Rider.
406 San Francisco Bay Blues.
407 Winin' Boy.
408 Careless Love.
409 I'll Drown in My Own Tears.
Local Numbers:
FW-ASCH-LP-2897
Columbia.33345
Publication, Distribution, Etc. (Imprint):
New York Columbia 1975
General:
Janis Joplin, vocals ; with various instrumental ensembles ; includes interviews by Albert Hall, Dick Cavett, and others. Production notes: Recorded 1963-1970; "contains previously released material."
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Publicity photographs of musicians and entertainers, mostly jazz musicians, such as Duke Ellington, Louis Armstrong, Miles Davis, and Dizzy Gillespie, but including many rock and even a few classical performers. The collection also contains tape recorded radio interviews conducted between 1970 and 2003. In addition there are posters relating to musical performances.
Scope and Contents:
This collection was formed by W. Royal Stokes in the course of his professional work as a music and arts critic. It is composed primarily of publicity portraits of musical performers, both single acts and groups. The emphasis is on jazz musicians and singers, although many rock stars and groups, and other popular musical performers are included. Even a few classical musicians are represented. The pictures are primarily mass-produced black and white publicity photographs distributed to newspapers, writers, etc., by agents for entertainment personalities. Some prints were made from the original negatives, while others clearly were made from copy negatives after typography was stripped together with a print and re-photographed. However, there are some rarer original photographs included in the collection, such as personal color snapshots, higher quality prints by art photographers, etc. Nearly all the prints are unmounted, and are 8 x 10 inches or smaller in size. The bulk of the photographs date from circa 1970 to 2000, however, a number of the earlier photographs are included as well as slightly later examples.
Arrangement:
The collection is divided into nine series.
Series 1, Photographs of Musicians and Ensembles, circa 1970-2000; undated
Subseries 1.1, Musicians and Ensembles
Subseries 1.2, Recording Company Photographs
Subseries 1.3, Unidentified Musicians
Series 2, Photographs of Performances, 1987-2002; undated
Subseries 2.1, Music Festivals, 1987-2002; undated
Subseries 2.2, Concerts, Music Clubs and Other Venues, 1920s-1940s and circa 1980s-1990s; undated
Series 3, Formal and Informal Groups, circa 1980s-2000; undated
Series 4, Photographs of Musicians in Films, Radio, Television and Theater, 1940s-2000; undated
Series 5, Photographs of Subjects and Products related to Musicians and Music, 1970-2000; undated
Series 6, Photographs of Non-Musicians, circa 1980s-2000; undated
Series 7, Interviews with Musicians, 1970-2003
Series 8, Audiovisual Materials, 1970-2003
Subseries 8.1, Audio Recordings - Audiocassettes
Subseries 8.2, Audio Recordings-Audiotapes
Series 9, Posters, 1976-1990; undated
Biographical / Historical:
Born in Washington, D.C., W. Royal Stokes served in the Army and then embarked on an academic career, teaching at the University of Pittsburgh, Tufts University, Brock University and the University of Colorado. He left the academic profession in 1969 and become a writer, broadcaster and lecturer, journalist, and critic and authority on jazz music. A follower of jazz since his teens in the 1940s, Stokes has written about music for such publications as Down Beat, Jazz Times, and the Washington Post, and hosted the public radio shows "I Thought I Heard Buddy Bolden Say . . ." and "Since Minton's". Today he is the editor of the quarterly Jazz Notes, and is the author of The Jazz Scene: An Informal History From New Orleans to 1990 and Swing Era New York: The Jazz Photographs of Charles Peterson.. He is also the author of Living the Jazz Life: Conversations with Forty Musicians about Their Careers in Jazz (Oxford; New York: Oxford University Press, 2000). Dr. Stokes lives in Silver Spring, Maryland.
Materials in the Archives Center, National Museum of Ameican History:
Duke Ellington Collection, 1928-1988 (AC0301)
Herman Leonard Photoprints, 1948-1993
Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copyprints], 1923-1972
Jazz Oral History Collection, 1988-1990
Ernie Smith Jazz Film Collection, 1910s-1970s (mostly 1930s-1960s)
Jeffrey Kliman Photographs
Stephanie Myers Jazz Photographs, 1984-1987, 2005
Chico O'Farrill Papers
Paquito D'Rivera Papers, 1989-2000.
Louis Armstrong Music Manuscripts, undated
Tito Puente Papers, 1962-1965.
Audrey Wells "Women in Jazz Radio Series, 1981-1982
Mongo Santamaria Papers, 1965-2001
Ramsey Lewis Collection, 1950-2007
Earl Newman Collection of Monterey Jazz Festival Posters, 1963-2009
James Arkatov Collection of Jazz Photographs, 1995-2003
Francis Wolff Jazz Photoprints, 1953-1966
Floyd Levin Jazz Reference Collection, circa 1920s-2006
Jazz Oral History Program Collection, 1992-2009
Leslie Schinella Collection of Gene Krupa Materials
Provenance:
Donated by W. Royal Stokes to the Archives Center in 2001.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- 1950-2000 -- United States Search this
Gorky Park Soviet Exchange Program: Introductory Remarks; Russian Song; Interviews; Sweet Honey in the Rock
Creator:
Smithsonian Institution. Festival of American Folklife. Soviet Union Program 1988 Washington, D.C. Search this
Artist:
Sweet Honey in the Rock (Musical group) Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
analog.
Type:
Archival materials
Sound recordings
Place:
Russia
Soviet Union
Moscow (Russia)
Date:
1988 August 15
Local Numbers:
FP-1988-CT-0493
General:
INTRODUCTORY REMARKS; RUSSIAN SONG; INTERVIEWS; SWEET HONEY AND THE ROCK AND ALL PARTICIPANTS ("WE SHALL OVERCOME"); TRIP TO LENIN'S TOMB TAPE 2 OF 5;
Date/Time and Place of an Event Note:
Recorded in: Moscow (Russia), Soviet Union, Russia, August 15, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 11, 1989.
General:
INTERVIEW WITH GUITARIST JERRY GARCIA OF THE ROCK GROUP, THE GRATEFUL DEAD, BY NICK SPITZER AND THOMAS VENNUM, JR.
Restrictions:
Restrictions on access. Smithsonian and Spitzer Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Redbone the true story of a Native American rock band written by Christian Staebler & Sonia Paoloni ; art by Thibault Balahy ; translated by Edward Gauvin ; lettering by Frank Cvetkovic
Quotes and excerpts must be cited as follows: Oral history interview with George Condo, 2017 May 5-June 20. Archives of American Art, Smithsonian Institution.
Damn right I've got the blues : Buddy Guy and the blues roots of rock-and-roll / Donald E. Wilcock with Buddy Guy ; Rick Siciliano, principal photographer
In 1990, curators at the National Museum of American History began a project to develop a traveling exhibition about American music, and in the course of research, curators repeatedly returned to the Mississippi Delta area and Memphis, Tennessee to conduct interviews. A group in Memphis organized to raise the funds to complete the research, to acquire objects and artifacts, and the project ultimately became the Smithsonian-affiliated Memphis Rock 'n' Soul Museum, which opened in 2000 at 191 Beale Street.
Scope and Contents:
The collection consists of oral and video history interviews conducted by curators at the National Museum of American History with musicians, recording executives, disc jockeys, and others involved with the development of rock'n'soul music. Complete transcripts of all of the interviews exist.
Arrangement:
The collection is arranged in four series.
Series 1, Original Interviews
Series 2, Reference Copies
Subseries 1: Umatic Videos
Subseries 2: Reference DVDs
Series 3: Audio Cassettes
Series 4: Transcripts
Biographical / Historical:
In 1990, National Museum of American History curators Dr. Pete Daniel and Dr. Charles McGovern, began conducting research with the intention of creating a traveling exhibit about "American music." Their investigations led them to the Mississippi delta and ultimately to Memphis Tennessee, which had developed as a crossroads where people and musical traditions met beginning in the 1930s. Based on their discoveries they refined their scope in order to focus on the music that grew out of the traditions that met and mixed in Memphis. They weren't able to secure funding for the originally proposed exhibit, but instead partnered with the Memphis Rock'n'Soul Museum to develop the exhibit Rock'n'Soul: Social Crossroads. The museum and exhibit opened in 2000 and explores the influential musical form that has its roots in Memphis.
Much of the basic research for the exhibit as well as the production elements for the companion radio series, "Memphis: Cradle of Rock'n'Soul" came from oral and video history interviews conducted with musicians, record producers, radio disc jockeys and others involved with the development and popularization of rock'n'soul during 1992 and 1999. Daniel and McGovern partnered with John Meehan of Smithsonian Productions to create high-quality, informative interview tapes. The Rock'n'Soul Video History Collection is comprised of these unedited interviews.
Provenance:
Made at the National Museum of American History for the Smithsonian-affiliated Memphis Rock 'n' Soul Museum in 1992 and 1999.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Only refrence DVDs and digital reference copies in the Smithsonian Institution's Digital Asset Management System (DAMS) may be used. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
5.5 cu. ft. (3 record storage boxes) (5 document boxes)
Type:
Collection descriptions
Archival materials
Audiotapes
Sound recordings
Videotapes
Compact discs
Place:
Memphis (Tenn.)
Date:
1992-2000
Descriptive Entry:
This accession consists of audio and video elements created during the production of the radio series "Memphis: Cradle of Rock and Soul" and videos for the exhibition
"Rock 'n' Soul: Social Crossroads."
"Memphis: Cradle of Rock and Soul" is a 13-part radio documentary featuring oral histories and music from the National Museum of American History's collection of recordings.
The programs were narrated by Cybill Shepherd and aired in the fall of 2000.
"Rock 'n' Soul: Social Crossroads" was jointly produced by the National Museum of American History and the Memphis Rock 'n' Soul Museum and permanently resides in Memphis.
The exhibition, which opened in 2000, traces the emergence of rock and roll and rhythm and blues music in Memphis from 1930-1975, from its rural traditions and working class
influences. Smithsonian Productions produced a number of videos for use in this exhibition.
Much of the material in this collection consists of interviews and recordings of musicians on DAT or 3/4" U-matic videotape. Materials also include interviews of historians,
voiceovers, rough cuts, and final cuts.
Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details.
An interview with George Condo conducted 2017 May 5 and June 20, by Christopher Lyon, for the Archives of American Art, at Condo's studio in New York, New York.
Condo speaks of his childhood and adolescence in New England; his Italian grandparents and heritage; his early obsession with drawing; the mathematical dimension of his mind; his Catholic upbringing and its influence on his art; exposure to literature, art, and music through his family; his decision to pursue visual art rather than music; the influence of jazz on his approach to making art; his understanding of tradition and originality; the influence of a wide range of literature on his approach to making art; dropping out of Mass College of Art; playing in a Boston punk rock band called The Girls in the late 1970s; moving to New York in 1981; working on Andy Warhol's silk-screening assembly line; moving to Los Angeles in 1982; being shown in Ulrike Kantor's gallery with Roger Herman's help; formative trips to Europe in the 1980s; important romantic relationships; changes in the New York art world in the 1990s; developing the concept of Artificial Realism; and his appreciation for the old masters of painting. Condo also recalls Dawn Clements, Keith Haring, Jean-Michel Basquiat, Devo, Mark Dagley, Rupert Smith, Fred Hughes, Susan Tyrrell, Gene Kelly, Willoughby Sharp, Walter Dahn, Bruno Bischofberger, and others.
Biographical / Historical:
George Condo (1957- ) is a contemporary visual artist working in New York, New York. Christopher Lyon (1949- ) is a publisher and writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Hotel California : the true-life adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles, and their many friends / Barney Hoskyns
