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Rockwell Kent papers

Creator:
Kent, Rockwell, 1882-1971  Search this
Names:
American Artists' Congress  Search this
Artists League of America  Search this
Artists' Union (New York, N.Y.)  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
International Workers Order  Search this
Macbeth Gallery  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
Boyesen, Bayard  Search this
Chamberlain, J. E.  Search this
Chase, William Merritt, 1849-1916  Search this
Cleland, T. M. (Thomas Maitland), 1880-1964  Search this
Daniel, Charles, 1878-1971  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Fitzgerald, James, 1899-1971  Search this
Freuchen, Peter, 1886-1957  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Marsden, 1877-1943  Search this
Hays, Lee, 1914-1981  Search this
Henri, Robert, 1865-1929  Search this
Jones, Dan Burne  Search this
Keller, Charles, 1914-2006  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nearing, Helen  Search this
Nearing, Scott, 1883-1983  Search this
Pach, Walter, 1883-1958  Search this
Phillips, Duncan, 1886-1966  Search this
Rasmussen, Knud, 1879-1933  Search this
Reeves, Ruth, 1892-1966  Search this
Robeson, Paul, 1898-1976  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Ruggles, Carl, 1876-1971  Search this
Seeger, Pete, 1919-2014  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Untermeyer, Louis, 1885-1977  Search this
Wildenstein, Felix, 1883-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
88 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Sketches
Business records
Photographs
Drawings
Date:
circa 1840-1993
bulk 1935-1961
Summary:
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Function:
Labor unions
Genre/Form:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a
EDAN-URL:
ead_collection:sova-aaa-kentrock
Online Media:

Giacomo Patri papers

Creator:
Patri, Giacomo, b. 1898  Search this
Names:
Patri School for Art Fundamentals  Search this
Eloesser, Leo  Search this
Kent, Rockwell, 1882-1971  Search this
Robeson, Paul, 1898-1976  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Date:
1905-1983
Scope and Contents:
Biographical material, letters, personal business records, photographs, artworks, calendars and a journal, printed material, scrapbooks, writings, and subject files.
Biographical materials includemembership cards and other documents. Letters, 1926-1983, are from Rockwell Kent, Burton Wasserman, Ted Goertzel and others. Business records include bank books, tax records, insurance policies and a ledger. Photographs, 1907-1968, are of Patri, his family, school and artworks. The illustrated journal dates from 1915 and the calendars with diary-style entries date 1951-1957. Artworks consist of 16 sketchbooks, 17 prints, many loose sketches, tracings, and scratch boards for a book on Polish-American blue collar worker and notes for classes, some illustrated.
Printed material includes WHITE COLLAR, a book of linocuts by Patri printed in 1940 and 1975, a small book THIS IS MY OWN by Rockwell Kent as well as loose chapters from the book, an edition of STORM OVER BRIDGES illustrated by Patri, and clippings. Also included are 2 scrapbooks of printed illustrations; writings, including short stories by Patri, interviews and an unpublished manuscript about Marino Marini; and subject files containing correspondence, printed material, writings, sketches and photographs on Paul Robeson, Dr. Leo Eloesser and the Spanish Civil War, The Patri School for Art Fundamentals, and other topics.
Biographical / Historical:
Illustrator, painter, instructor; San Francisco, Calif. b. 1898, Italy; d. 1978;Emigrated to The United States from Italy in 1916. Studied at The California School of Fine Arts. In 1940 he published a "Novel in Block Prints" entitled WHITE COLLAR, a story of workers during the Depression. In 1948 he founded the Patri School for Art Fundamentals which was aimed at teaching adults with no art background.
Provenance:
Donated 1982-1984 by Tamara Rey Patri, widow of Patri.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art teachers -- California -- San Francisco  Search this
Illustrators -- California -- San Francisco  Search this
Topic:
Artists' illustrated books  Search this
Artists' illustrated books  Search this
Illustrated books -- 20th century  Search this
Function:
Art Schools -- California -- San Francisco
Genre/Form:
Interviews
Sketchbooks
Identifier:
AAA.patrgiac
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ca3166c-9d0d-4f6e-bc8b-45306ae78464
EDAN-URL:
ead_collection:sova-aaa-patrgiac

Pearl Bowser Audiovisual Collection

Names:
Andrade-Watkins, Claire  Search this
Bambara, Toni Cade  Search this
Dash, Julie  Search this
Gerima, Haile  Search this
Greaves, William, 1953-2005  Search this
Gunn, Bill, 1934-1989  Search this
Jafa, Arthur  Search this
Jones, Robert Earl, 1904-2006  Search this
Massiah, Louis  Search this
Micheaux, Oscar, 1884-1951  Search this
Moses, Ethel  Search this
Robeson, Paul, 1898-1976  Search this
Sanchez, Sonia, 1934- (poet, reader)  Search this
Snead, James A., 1953-1989  Search this
Spence, Louise, 1945-  Search this
Tucker, Lorenzo  Search this
Donor:
Bowser, Pearl, 1931-  Search this
Extent:
approximately 100 Motion picture films
213 Sound cassettes (7 boxes)
Type:
Collection descriptions
Archival materials
Motion picture films
Sound cassettes
Sound cassette
Oral histories (document genres)
16mm motion picture film
Vhs (videotape format)
Place:
England
Harlem (New York, N.Y.)
Roanoke (Va.)
Memphis (Tenn.)
Date:
bulk 1920-2001
Arrangement:
The collection is currently arranged in three (3) archival series as follows:

Series 1: Motion Picture Films Series 2: Video Tapes Series 3: Audio Tapes

Series 1 and 2 are arranged sequentially by museum-assigned object numbers. Digital copies in Series 3 arranged into seven subseries by NMAAHC staff. There is an additional subseries for "unidentified" audiovisual materials.
Biographical / Historical:
Pearl Bowser is a filmmaker, producer, author, lecturer, and highly acclaimed scholar of African American film who is recognized as an authority on the works of Oscar Micheaux, a noted writer, director, and producer of race films from 1919 to 1948.

Born Pearl Johnson on June 25, 1931, in Sugar Hill, Harlem, New York, she was named after her mother (also Pearl Johnson), a domestic worker who had been raised in a Catholic nunnery. On occasional Saturdays, the younger Pearl would accompany her mother to work in apartments in lower Manhattan, where she would assist her by folding handkerchiefs for a small allowance. After moving to a lower part of Harlem when she was about four years old, she met Harlem entrepreneur "Bumpy" Johnson, for whom she and other children in the neighborhood did odd jobs such as counting coins or attending to his ice-cream stand. Johnson, who would sometimes give the children joy rides in his Cadillac, occasionally allowed Pearl and the other children to borrow books from his extensive library, provided that they read them and submitted to a quiz.

As a child, Bowser had several racist encounters. For example, one of her white kindergarten teachers at her elementary school wore gloves in the classroom as to not touch Black pupils. She was also occasionally teased for having a gap between her teeth but felt insulated from sustained bullying because she had several older brothers who sometimes protected her. On a separate occasion, when she was about nine years old, her mother sent her on a trip from New York to the South to visit relatives. Although her mother had purchased tickets for her to be in a Pullman car, when she changed trains in Washington, DC., she was forced to ride in the car behind the engine, which left her covered in soot.

An avid reader, Pearl excelled in elementary and high school and received a scholarship to attend Brooklyn College, where she majored in biology. She supplemented her income by recording the numbers in one of Bumpy Johnson's shops. Disappointed with the quality of the education she was receiving, Bowser withdrew from Brooklyn College, eventually landing a job at CBS where she worked on a team that analyzed Nielsen ratings.

In 1955, Pearl married fellow New Yorker LeRoy Bowser. By the mid-1960s, although Pearl and LeRoy Bowser had separate interests, they both were working simultaneously in the civil rights movement. While LeRoy was active in Brooklyn CORE (Congress of Racial Equality) and went to the South in the summer to teach for what was the beginning of HeadStart, Pearl, along with other production activists, took to the streets documenting African American culture and issues—working to bring these films to schools. Additionally, Bowser wanted to write a cookbook to earn funds for Brooklyn's CORE organization. She was approached by David Davis, the editor of Tuesday Magazine. Tuesday had distribution in the Herald Tribune across the country as a Sunday supplement. As the urban-world magazine exploded in Black communities, "Joan" Bowser's two-page pictorials on Southern cooking with a set of recipes became very popular in the five years she wrote them. Bowser retained copyrights to the articles, and easily completed her cookbook a short time later.

Bowser's colleague at ABC, Charles Hobson, found a used book written by Peter Noble about Black films and Oscar Micheaux. The volume was slim and contained what little information contained in the Museum of Modern Art (MoMA) files. Hobson and his colleagues wanted to write a book about the topic, and they assigned Bowser to begin the research. As part of the project, Bowser went to California to interview actors who may have been in early Black films or may have worked with Micheaux. What she learned began her intensive scholarship into Micheaux and his fellow filmmakers.

In 1971, she organized her first film festival, the Black Film History Series. In 1979, she organized the nation's first American women's film festival in New York City. She also presented a major retrospective, Independent Black American Cinema 1920-1980, which toured the country during 1981 and 1982. She also directed the Journey Across Three Continents film and lecture series, which toured the country from 1983-1985. Bowser also served as president of the prestigious Flaherty Film Seminar in 1987. In 1989, she, alongside Grant Munro, programmed the 35th Flaherty Film Seminar, which featured films such as Finzan, Zajota and the Boogie Spirit, Daughters of the Dust, and many more. She has also been a judge at the world-renown Pan-African Film and Television Festival of Ouagadougou (FESCPACO) in Burkina Faso (formerly known as Upper Volta).

In the 1980s Bowser was awarded an independent artists grant by the Ford Foundation to travel west and collect oral histories from individuals in Oscar Micheaux's orbit, loosely following the route he would have travelled decades earlier. Stopping in cities such as Roanoke, Virginia; Memphis, Tennessee; and Jackson, Mississippi, she collected dozens of oral histories from actors, actresses etc. that knew Oscar Micheaux. Through this research she became an eminent figure in the Black independent film industry. Working as a programmer, she travelled around the United States and the world showing films by domestic and Black filmmakers within the Diaspora.

Despite her wealth of experience working as a programmer, it wasn't until the 1990s that Bowser made her directorial debut with the documentary film Midnight Ramble. Funded by American Experience, the film looks at African Americans and Hollywood movies from 1910 through the 1950s. In 2000, she, along with Louise Spence, co-authored Writing Himself into History: Oscar Micheaux, His Silent Films and His Audiences, a book about the pioneering filmmaker. Additionally, she is founder and director of Chamba Educational Film Services, a film distribution company that specialized in distributing films by African American filmmakers. In the early 1980s, she renamed her company/collection as African Diaspora Images, a collection of historical and contemporary films documenting Black film history. She subsequently joined Third World Newsreel, where she was director of their theater department.

In 2012, Pearl Bowser donated her extensive collection of books, sound cassettes, films, film memorabilia, and papers to the Smithsonian National Museum of African American History and Culture.

Sources:

1940 United States Federal Census; New York, New York, New York, population schedule, p. 61B, house number 1486, family 195, Pearl Bowser; Ancestry.com. 1940 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2012 accessed: 10 Sept 2022); citing National Archives and Records Administration microfilm: m-t0627-02665

Bowser, Pearl. Pearl Bowser Oral History. Interview by Tuliza Fleming and Jennifer Lyon, July 21, 2011.
Provenance:
Acquired as a donation from Pearl Bowser in 2012.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
The NMAAHC Media Preservation team can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Occupation:
Filmmakers  Search this
Actors -- Interviews  Search this
Topic:
Documentary films  Search this
Film festivals  Search this
African American actors  Search this
African American actresses  Search this
African diaspora  Search this
Race films  Search this
African American motion picture producers and directors  Search this
African American women authors  Search this
Meetings  Search this
Conferences  Search this
Lectures and lecturing  Search this
Amateur films  Search this
Motion picture soundtracks  Search this
Oral history  Search this
Radio broadcasts  Search this
Genre/Form:
Sound cassette
Oral histories (document genres)
16mm motion picture film
VHS (videotape format)
Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
Identifier:
NMAAHC.A2012.79.AV
See more items in:
Pearl Bowser Audiovisual Collection
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3209e9c6d-3045-4a0a-941e-6519385b18d5
EDAN-URL:
ead_collection:sova-nmaahc-a2012-79-av

Portraits in Black Narration and Music

Creator:
National Portrait Gallery (Smithsonian Institution)  Search this
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Howard University  Search this
National Association for the Advancement of Colored People  Search this
United Nations  Search this
Barthé, Richmond, 1901-1989  Search this
Bethune, Mary McLeod, 1875-1955  Search this
Bunche, Ralph J. (Ralph Johnson), 1904-1971  Search this
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963  Search this
Hastie, William, 1904-1976  Search this
Johnson, James Weldon, 1871-1938  Search this
Johnson, Mordecai W. (Mordecai Wyatt), 1890-1976  Search this
Louis, Joe, 1914-1981  Search this
Marshall, Thurgood, 1908-1993  Search this
Randolph, A. Philip (Asa Philip), 1889-1979  Search this
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Smithsonian Institution. Traveling Exhibition Service  Search this
Extent:
2 Sound recordings (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Narration
Music
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1983
Scope and Contents:
Narrator presents short historical and biographical profiles of outstanding Americans of negro origin: W.E.B. Du Bois, A. Philip Randolph, Ralph Johnson Bunche, Thurgood Marshall, William Henry Hastie, Mordecai Wyatt Johnson, Mary McLeod Bethune, Joe Louis, James Weldon Johnson, Richmond Barthe, and Paul Robeson. Quotes written by these outstandings Americans and read by narrator are included. Music played between biographical profiles.
Narration and music. Part of Portraits in Black: Outstanding Americans of Negro Origin Audiovisual Records. AV003484 and AV003508: same content but AV003484 has beeps throughout recording. Undated.
Biographical / Historical:
The exhibition, Portraits in Black: Outstanding Americans of Negro Origin, displayed 36 portraits--27 oil paintings and 9 color photo reproductions--selected from the Harmon Foundation collection, on loan from the National Portrait Gallery, as well as biographical information and memorabilia. The exhibition was on view at the Anacostia Community Museum from April 17, 1983 - August 21, 1983. Likenesses of blacks who made significant contributions in the fields of civil rights, law, education, medicine, the military, and the arts were on display. Included were Marian Anderson, Joe Louis, W.E.B. Du Bois, Thurgood Marshall, George Washington Carver, Charles Drew, William Ayres Campbell, and Richmond Barthe.
Local Numbers:
ACMA AV003508-1

ACMA AV003508-2
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Lawyers  Search this
Artists  Search this
Topic:
African Americans  Search this
African American women  Search this
Civil rights  Search this
Civil rights movements  Search this
Civil rights leaders  Search this
African American diplomats  Search this
Diplomats  Search this
African American educators  Search this
Educators  Search this
African American lawyers  Search this
African American clergy  Search this
Clergy  Search this
African American authors  Search this
Authors  Search this
African Americans in the performing arts  Search this
African American artists  Search this
African American athletes  Search this
Athletes  Search this
Armed Forces  Search this
African American military personnel  Search this
Soldiers  Search this
Segregation  Search this
Education  Search this
Black people -- History  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Narration
Music
Citation:
Portraits in Black Narration and Music, Exhibition Records AV03-002, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-002, Item ACMA AV003484
See more items in:
Portraits in Black: Outstanding Americans of Negro Origin exhibition records
Portraits in Black: Outstanding Americans of Negro Origin exhibition records / Portraits in Black: Outstanding Negroes of American Origin audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa76369a5ca-356a-443b-9400-b0bacc0ee4aa
EDAN-URL:
ead_component:sova-acma-03-002-ref2

Portraits in Black: Slide Show Narration

Creator:
Anacostia Neighborhood Museum  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Barthé, Richmond, 1901-1989  Search this
Bethune, Mary McLeod, 1875-1955  Search this
Bunche, Ralph J. (Ralph Johnson), 1904-1971  Search this
Drew, Charles Richard, 1904-1950  Search this
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963  Search this
Hastie, William, 1904-1976  Search this
Johnson, James Weldon, 1871-1938  Search this
Louis, Joe, 1914-1981  Search this
Marshall, Thurgood, 1908-1993  Search this
Randolph, A. Philip (Asa Philip), 1889-1979  Search this
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Smithsonian Institution. Traveling Exhibition Service  Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Narration
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1983
Scope and Contents:
Narration for the two slide shows which complimented the exhibition, Portraits in Black: Outstanding Americans of Negro Origin. Narrator repeats quotes from the words of W.E.B. Du Bois, A. Philip Randolph, Ralph Johnson Bunche, Thurgood Marshall, William Henry Hastie, Charles Richard Drew, James Weldon Johnson, Mary McLeod Bethune, Joe Louis, Richard Barthe, and Paul Leroy Robeson.
Narration. Part of Part of Portraits in Black: Outstanding Americans of Negro Origin Audiovisual Records. Dated 19830324.
Biographical / Historical:
The exhibition, Portraits in Black: Outstanding Americans of Negro Origin, presented 36 portraits selected from the Harmon Foundation collection, on loan from the National Portrait Gallery, as well as biographical information and memorabilia. The portraits depicted likenesses of blacks who made significant contributions in the fields of civil rights, law, education, medicine, the military, and the arts. Portrait subjects included Marian Anderson, Joe Louis, W.E.B. Du Bois, Thurgood Marshall, George Washington Carver, Charles Drew, William Ayres Campbell, and Richard Barthe. The exhibition was on display from April 17, 1983 - August 21, 1983 at the Anacostia Neighborhood Museum.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Black people -- History  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Narration
Citation:
Portraits in Black: Slide Show Narration, Exhibition Records AV03-002, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-002, Item ACMA AV003301
See more items in:
Portraits in Black: Outstanding Americans of Negro Origin exhibition records
Portraits in Black: Outstanding Americans of Negro Origin exhibition records / Portraits in Black: Outstanding Negroes of American Origin audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7fe749cfe-36a3-4055-b9d7-7c451bc35005
EDAN-URL:
ead_component:sova-acma-03-002-ref3

Prentiss Taylor papers

Creator:
Taylor, Prentiss, 1907-1991  Search this
Names:
American University (Washington, D.C.). Fine Arts Dept. -- Faculty  Search this
Golden Stair Press  Search this
Society of Washington Printmakers (Washington, D.C.)  Search this
Field, Rachel, 1894-1942  Search this
Hughes, Langston, 1902-1967  Search this
Hurston, Zora Neale  Search this
Kahlo, Frida  Search this
Landeck, Armin, 1905-  Search this
O'Neill, Eugene, 1888-1953  Search this
Pinckney, Josephine, 1895-1957  Search this
Rivera, Diego, 1886-1957  Search this
Robeson, Paul, 1898-1976  Search this
Robinson, Bill, 1878-1949  Search this
Stein, Gertrude, 1874-1946  Search this
Toklas, Alice B.  Search this
Van Doren, Mark, 1894-1972  Search this
Van Vechten, Carl, 1880-1964  Search this
Extent:
20.8 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Date:
1885-1991
Summary:
The collection measures 20.8 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.
Scope and Content Note:
The collection measures 20.8 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

The Langston Hughes files contain photocopies of letters from Hughes, greeting cards, ten original photographs of Hughes, and an autographed card printed with Hughes' poem, The Negro Speaks of Rivers. In addition, there is a contract between Hughes and Taylor, witnessed by Carl Van Vechten, forming the Golden Stair Press, through which many of Hughes' poems were printed with illustrations by Taylor. A rare edition of their first publication, The Negro Mother, is found here. Also found in this file is a 1932 final copy of Scottsboro Limited, another collaborative effort between Taylor and Hughes that focused on a case where nine black youths were falsely accused of raping two white women. The collection contains extensive correspondence about Taylor's lithograph of the same title and the printing of the publication. Other rare Harlem Renaissance publications found within Taylor's papers include Golden Stair Broadsides, Opportunity Journal of Negro Life, The Rebel Poet, and Eight Who Lie in the Death House, several of which were also illustrated by Taylor.

Prentiss Taylor's long association with Langston Hughes and other figures of the Harlem Renaissance stemmed from his early friendship with Carl Van Vechten. Taylor's papers contain correspondence with Van Vechten, autographed copies of Van Vechten's booklets, and numerous photographs of notable Harlem Renaissance figures, many taken by Van Vechten, including Zora Neale Hurston, Bill "Bojangles" Robinson, Eugene O'Neill, Diego Rivera and Frida Kahlo, Paul Robeson, and many others. Also found are period photographs of Charleston, South Carolina and Harlem street scenes.

95 letters from Rachel Field, 75 letters from Langston Hughes, 3 letters from Armin Landeck, 46 letters from Josephine Pinckney, 1 letter from Gertrude Stein, 7 letters from Alice B. Toklas, 1 postcard from Mark Van Doren, and 25 letters from Carl Van Vechten are photocopies. Originals of the Hughes and Toklas letters are located at the Yale University Library. Location of the remaining original letters are unknown.

The Prentiss Taylor papers offer researchers insight into the rich cultural documentation of the Harlem Renaissance and the development of twentieth-century printmaking as an American fine art.
Arrangement:
The collection is arranged into ten series. The largest series housing Subject Files is arranged alphabetically, primarily by name of correspondent, maintaining Taylor's original arrangement. The remaining series are arranged in chronological order. Oversized material from various series has been housed in Box 21 (Sol) and OV 22 and is noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references.

Missing Title

Series 1: Biographical Material, 1918-1985, undated (Box 1; 6 folders)

Series 2: Miscellaneous Receipts, 1929-1986, undated (Box 1; 11 folders)

Series 3: Insurance Records, 1960-1976 (Box 1; 1 folder)

Series 4: Notes, 1921-1984, undated (Box 1; 18 folders)

Series 5: Writings, 1924-1971, undated (Box 1-2; 51 folders)

Series 6: Art Work, 1916-1975, undated (Box 2; 14 folders)

Series 7: Scrapbooks, 1885-1956 (Box 2, 21; 10 folders)

Series 8: Printed Material, 1914-1990, undated (Box 2-3, 21; 29 folders)

Series 9: Photographs, 1908-1984, undated (Box 3, 23-24; 1.1 linear feet)

Series 10: Subject Files, 1885-1991, undated (Box 3-21, OV 22; 18.0 linear feet)
Biographical Note:
Prentiss Taylor was born in 1907 at the Washington, D. C. residence of his maternal grandmother, his birth assisted by his grandmother's cook, affectionately known as Cookie Belle.

In the 1920s, Taylor studied painting with Charles W. Hawthorne in Provincetown, but turned to lithography in the late 1920s to early 1930s during his enrollment at the Art Students League in New York City. He received further training in that medium at the George C. Miller workshop in New York. During this period, he also designed costumes for the American-Oriental Revue. Taylor worked primarily in the printmaking medium for the rest of his life, experimenting with various techniques and compositions and ultimately achieving a status as one this country's great lithographers. Taylor depicted mostly realistic and narrative scenes of subjects and themes that reflected his personal interests in music, architecture, religion and social justice.

During his time in New York, Taylor developed close friendships with poet Langston Hughes and writer Carl Van Vechten. He collaborated with Hughes in the formation of the Golden Stair Press to produce publications reflecting the ideas of the Harlem Renaissance. Taylor created a number of prints and illustration for the press and its publications.

After returning to Washington, D.C., Taylor's work was included in exhibitions at the Corcoran Gallery, the Smithsonian Institution, the Baltimore Museum of Art and the Virginia Museum of Fine Arts in Richmond. He was represented by the Franz Bader Gallery in Washington, D.C., and by the Bethesda Art Gallery in Maryland. In 1942, Taylor was elected President of the Society of Washington Printmakers, a position he held for thirty-four years. He also worked as an art therapist for more than thirty years and taught oil painting at American University from 1955-1975.

Prentiss Taylor died October 7, 1991 in Washington, D.C.
Related Material:
Prentiss Taylor papers are also located at the Yale University Library.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 1392) including three notebooks detailing Taylor's lithographs, a gift and sales notebook, a guestbook, exhibition announcements, and a brochure. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Prentiss Taylor lent the Archives of American Art material for microfilming in 1978. Papers were donated in 1978 and 1984 by Taylor, and in 1992 and 2004 by his companion, Roderick S. Quiroz, for the estate of Prentiss Taylor.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Topic:
Lithography -- 20th century -- Washington (D.C.)  Search this
Lithographers -- Washington (D.C.)  Search this
Art therapy  Search this
Harlem Renaissance  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Citation:
Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.taylpren
See more items in:
Prentiss Taylor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f818b565-3f0c-457b-8712-7eb5d7b4a257
EDAN-URL:
ead_collection:sova-aaa-taylpren
Online Media:

Paul Robeson at Carnegie Hall

Performer:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Date:
1959
Contents:
Every time I feel the spirit / arr. Lawrence Brown --Balm in Giliad / arr. H.T. Burleigh --Volga boat song --Monologue from Othello / Shakespeare --O thou silent night / Alexandrov --Chinese children's song --My curly headed baby / G.H. Clutsam --Old Man River / Jerome Kern --Going home / Dvorak, arr. Fisher --Monologue from Boris Godunov ; The orphan / Mussorgsky --Christ lag in Todesbanden / J.S. Bach --Didn't my Lord deliver Daniel / arr. Lawrence Brown --Lullaby / Franz Schubert --O no John / arr. Cecil Sharp --Joe Hill / Earl Robinson --Jacob's ladder.
Local Numbers:
FW-ASCH-LP-0567

Vanguard.9051
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1959
General:
Vocal works with piano and recitations; vocal works sung in English or German. Biographical note on slipcase. Performer(s): Paul Robeson, bass-baritone; Alan Booth, piano. Production notes: Recorded May 9, 1958, Carnegie Hall, New York.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Popular music -- United States  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-0567
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a96e0e8e-20ce-49eb-a0fe-ee910d7bf515
EDAN-URL:
ead_component:sova-cfch-asch-ref16339

Othello

Author:
Shakespeare, William, 1564-1616  Search this
Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Type:
Archival materials
Phonograph records
Date:
1953
Local Numbers:
FW-ASCH-LP-4021

Columbia.153
Publication, Distribution, Etc. (Imprint):
New York Columbia 1953
General:
Abridged, including the elimination of "the minor sub-plot which involved Cassio's amorous adventures with the loose-moraled Bianca." Program notes ([5] p.) by Theodore Spender and Goddard Lieberson on outer container and on two of the three inner liners. Performer(s): Play; starring Paul Robeson, Uta Hagen, Joser Ferrer, and Edith King.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Spoken word  Search this
Theater  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-4021
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b4b49e45-9696-40c5-825f-e0f1262ea934
EDAN-URL:
ead_component:sova-cfch-asch-ref18035

Battle Hymn of '48

Performer:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Contents:
Battle Hymn of '48
Local Numbers:
FW-ASCH-LP-4852

FLP.45110
Publication, Distribution, Etc. (Imprint):
People's Songs
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folksong revival  Search this
Working class -- Songs and music  Search this
Popular music -- United States  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-4852
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55fd2e0d3-4fbc-4091-b95c-7daa5d0a023e
EDAN-URL:
ead_component:sova-cfch-asch-ref18481

Freedom Songs

Performer:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 45 rpm, 7 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Track Information:
101 Joe Hill.

102 The Wilno Ghetto Song.

201 Jersusalem.

202 Whirlwinds of Danger.

203 Chi Lai.
Local Numbers:
FW-ASCH-45-4888

Topic.TOP62
Publication, Distribution, Etc. (Imprint):
London, England Topic
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folksong revival  Search this
Topical songs  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-45-4888
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 45 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk54ce4fcfd-1bee-46c5-9993-d01d35673423
EDAN-URL:
ead_component:sova-cfch-asch-ref18500

Robeson Sings

Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
3 Phonograph records (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-0043

Othello.R-101
Publication, Distribution, Etc. (Imprint):
Othello
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-0043
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk583536807-ff7e-4992-adf9-925414c72916
EDAN-URL:
ead_component:sova-cfch-asch-ref21503

King Joe, parts 1 & 2

Artist:
Basie, Count, 1904-1984  Search this
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-0903

Okeh.6475
Publication, Distribution, Etc. (Imprint):
Okeh
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-0903
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5414d90e5-7ab9-4021-8aa6-19d4168b1958
EDAN-URL:
ead_component:sova-cfch-asch-ref22162

Ballad For Americans

Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
2 Phonograph records (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-1128

Victor.P-20
Publication, Distribution, Etc. (Imprint):
Camden, NJ Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-1128
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk542199d40-f6be-4867-83be-741b29f12e91
EDAN-URL:
ead_component:sova-cfch-asch-ref22357

The Peekskill Story

Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-1200

Charter.C-502
Publication, Distribution, Etc. (Imprint):
Charter
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-1200
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk520a245e0-637a-4456-adea-0990bd31e94c
EDAN-URL:
ead_component:sova-cfch-asch-ref22416

Ezekiel Saw De Wheel/Hear, De Lam's A-Cryin'

Artist:
Robeson, Paul, 1898-1976  Search this
Brown, Lawrence  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-2865

Victor.20604
Publication, Distribution, Etc. (Imprint):
Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-2865
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5bc8815ca-ec92-448a-a9f5-be7de6b9d2d5
EDAN-URL:
ead_component:sova-cfch-asch-ref23747

Take Me Away From the River/'Round the Bend of the Road

Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-2866

Victor.24318
Publication, Distribution, Etc. (Imprint):
Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-2866
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ba77037f-cab6-4e2a-b38d-9a48160cec4b
EDAN-URL:
ead_component:sova-cfch-asch-ref23748

Weepin' Mary; I Want to be Ready/Git On Board, Lil' Chillun

Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-2867

Victor.22225
Publication, Distribution, Etc. (Imprint):
Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-2867
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk54173bfb4-dc2c-4f04-901e-e5efa666756a
EDAN-URL:
ead_component:sova-cfch-asch-ref23749

It Ain't Necessarily So/A Woman is a Sometime Thing

Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-2868

Victor.26358
Publication, Distribution, Etc. (Imprint):
Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-2868
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f0e3c3e8-c754-4213-b826-adca73104071
EDAN-URL:
ead_component:sova-cfch-asch-ref23750

Witness/I Got a Home In-A Dat Rock

Artist:
Robeson, Paul, 1898-1976  Search this
Brown, Lawrence  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-2869

Victor.21109
Publication, Distribution, Etc. (Imprint):
Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-2869
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk584653db5-a891-4c0c-b0ec-7c309858f436
EDAN-URL:
ead_component:sova-cfch-asch-ref23751

Jerusalem/The Blind Ploughman

Artist:
Robeson, Paul, 1898-1976  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 78 rpm, 10 in.)
Type:
Archival materials
Phonograph records
Local Numbers:
FW-ASCH-78-3425

Victor.27348
Publication, Distribution, Etc. (Imprint):
Victor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-78-3425
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / 78 RPM
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5296a0523-d1d9-4754-933b-0cdce7579da6
EDAN-URL:
ead_component:sova-cfch-asch-ref24149

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