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William John Eck: First Pan American Airlines Transatlantic Flight Scrapbook

Extent:
0.33 Cubic feet (1 scrapbook)
Type:
Collection descriptions
Archival materials
Place:
Azores
New York, New York
Date:
June 12, 1939, through April 22, 1940
bulk June 28, 1939, through July 4, 1939
Summary:
This collection consists of a scrapbook, "To Europe By Air," assembled by railroad executive William J. Eck to document his trip June 28 to July 4, 1939, on Pan American Airways' (PAA) first transatlantic passenger flight on the Boeing Model 314 Clipper "Dixie Clipper" flying boat and containing information on its crew, passengers, and ports of call.
Scope and Contents:
This collection consists of a scrapbook, "To Europe By Air," assembled by William J. Eck to document his trip on Pan American Airways' (PAA) first transatlantic passenger flight, and containing information on the Boeing Model 314 Clipper "Dixie Clipper" (r/n NC-18605) flying boat and its crew, passengers, and ports of call. The scrapbook is particularly rich in ephemera, with many illustrations trimmed from brochures used to embellish the black paper album pages. Contents include ephemera from the Pennsylvania Railroad (on which Eck started and ended his trip from his home in Washington, D. C.), Pan American Airways (PAA), Air France, Hotel Aviz (Lisbon), Splendide Hotel (Marseille), Hotel Plaza-Athenée (Paris), and various tourist sites; photographs; telegrams; greeting cards; maps; menus; post cards; postage stamps; a first day cover; newspaper clippings (predominantly in English, but also in Portuguese and French); PAA receipts and press releases; copy photographs of Eck's PAA tickets, ticket folder, and baggage claim check; photographs of commemorative cigarette cases presented to Eck and PAA pilot R. O. D. Sullivan; and clippings and ephemera relating fellow passengers' stories: Russell Sabor, James McVittie (who continued on to Chicago immediately after landing in New York on the return trip), Gwladys Whitney (Mrs. Cornelius Vanderbilt Whitney), Anne Lyon Haight (Mrs. Sherman Post Haight, who also flew aboard the Clipper that inaugurated the mail route between North and South America in 1931). Also included is a transcript of interviews with the passengers recorded on board the "Dixie Clipper" during the eastbound flight: Russell Sabor, William J. Eck, Mrs. Sherman Haight, Captain Torkild Rieber, Clara Adams, C. V. Whitney, Mrs. Juan Trippe, Mr. and Mrs. Graham B. Grosvenor, Mr. and Mrs. E. O. McDonnell, Roger Lapham, James McVittie, and Louis Gimbel; and on the westbound flight: J. Carroll Cone (Manager of the Atlantic Division of Pan American Airways Company).
Arrangement:
The scrapbook is arranged chronologically.
Biographical / Historical:
William John Eck (1876-1957) graduated from Iowa State University in 1895 with a degree in electrical engineering and went to work in the telephone industry. In 1898, at the outbreak of the Spanish-American War, Eck joined the United States Army and was sent to the Philippines; after a year Eck transferred to the U.S. Quartermaster Department and spent his next three years at sea, eventually making a trip around the world. After leaving the Army, Eck switched to the railroad business, joining the Southern Railway in 1905. Over time, travel—particularly air travel—became a serious hobby for Eck, and by the early 1930s, he had become a pioneer passenger on several early airline routes. In 1931, after chatting to Pan American Airways (PAA) pilots on a flight to Santiago, Chile, Eck contacted PAA to apply for a ticket on PAA's first transatlantic passenger flight, whenever that might occur. Eight years later, Eck was delighted to be contacted by PAA with the news that he had been designated Passenger No. 1 on the historic flight, departing Port Washington, New York, on Wednesday, June 28, 1939, aboard the Boeing Model 314 "Dixie Clipper." The flight, carrying 22 passengers, was made via Horta, Azores, with an overnight stay at Lisbon, Portugal, on June 29, finishing at Marseille, France, on June 30. Eck continued on to Paris via a land-based Air France flight. Eck and many of the outbound passengers were also on the return flight of the "Dixie Clipper," departing Marseilles on Sunday, July 2, and following the same route to return to New York on Tuesday, July 4, 1939. At the time of the flight Eck, a resident of Washington, D. C., was Assistant to the Vice President, Southern Railway Company. The newspapers noted that Eck, a widower who had recently married his second wife, Emily Magdalene Kleb, three months earlier on March 20, 1939, was unable to take her along on the flight as he had only the single ticket bought well before their marriage.
Provenance:
Unknown gift, circa 1940-1967.
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Aeronautics, Commercial  Search this
Airlines  Search this
Pan American World Airways, Inc. -- Memorabilia  Search this
Boeing Model 314 Clipper Family  Search this
Citation:
William John Eck: First Pan American Airlines Transatlantic Flight Scrapbook, Acc. XXXX.0309, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0309
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0309
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Online Media:

Speeches

Collection Creator:
Gorrell, Edgar S. (Edgar Staley), 1891-1945  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Text
Date:
1939
Scope and Contents:
The Civil Aeronautics Act of 1938 And Self Government in the Industries, Address delivered at the Annual Convention of the National Aeronautic Association, St. Louis, MO, Jan. 17, 1939 (2 copies)

Shall Air Transport be Stifled?, Address delivered at the National Aviation Forum, Washington, DC, Feb. 21, 1939 (2 copies)

The Civil Aeronautics Act of 1938 And The Postal Service, Address delivered before the Young Men's Business Club, New Orleans, LA, Mar. 8, 1939 (2 copies)

Shall America's Aviation Set the Pace?, Address delivered before the National Petroleum Association, Cleveland, OH, Apr. 14, 1939 (2 copies)

Aeronautical Research and Air Transportation, Address delivered before the students at the Massachusetts Institute of Technology, May 4, 1939 (2 copies)

Address delivered at the ceremony of the opening of the Aviation Exhibit in the New York World's Fair, May 20, 1939

Progress Ratified; Lethargy Rejected, Address delivered at the dedication of the Civil Aeronautics Authority's Experimental Station, Indianapolis, IN, May 29, 1939 (2 copies)

The Civil Aeronautics Authority, Address delivered before the Kiwanis Club of Dallas, Dallas, TX, July 18, 1939

The Civil Aeronautics Authority: A Successful Agency of Government, Address delivered before the Southwest Chamber of Commerce Secretaries' School, Dallas, TX, July 19, 1939 (2 copies)
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Edgar S. Gorrell Collection, Acc. XXXX-0057, National Air and Space Museum, Smithsonian Institution.
See more items in:
Edgar S. Gorrell Collection
Edgar S. Gorrell Collection / Series 1: GENERAL
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0057-ref582
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Climate Change Committees /Speeches [including a few by RIde]

Collection Creator:
Ride, Sally, 1951-2012  Search this
Container:
Box 39, Folder 1
Type:
Archival materials
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
See more items in:
Sally K. Ride Papers
Sally K. Ride Papers / Series 6: Space and Stem Education Advocacy / 6.2: STEM Advocacy, Committees and Conferences
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2014-0025-ref536
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United States Army, Orders and Official Correspondence

Collection Creator:
Stanton, Charles Ingram, 1893-1986  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Text
Date:
1917-1918
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Charles Ingram Stanton, Sr., Papers, Acc. NASM.1987.0076, National Air and Space Museum, Smithsonian Institution.
See more items in:
Charles Ingram Stanton, Sr., Papers
Charles Ingram Stanton, Sr., Papers / Series 1: Professional Life / 1.1: Military Career
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1987-0076-ref20
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Washington Aqueduct, tunnel leading to reservoir

Maker:
Peale, Titian Ramsay  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 7 3/4 in x 9 1/4 in; 19.685 cm x 23.495 cm
Object Name:
photograph
Place made:
United States: District of Columbia, Washington
Subject:
Washington D.C.  Search this
ID Number:
PG.66.25.40
Accession number:
263090
Catalog number:
66.25.40
See more items in:
Work and Industry: Photographic History
Titian Ramsey Peale Collection
Photography
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-6b72-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1840608

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Sigma Phi Rho Fraternity, American, founded 1978  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
Association of Black Women Attorneys, American, founded 1976  Search this
National Urban Affairs Council, American, founded 1971  Search this
Raymond A. Jordan Jr., American, born 1943  Search this
National Association of Market Developers, American, founded 1953  Search this
The Links, Incorporated, American, founded 1946  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Medical Association, American, founded 1895  Search this
Dr. Leslie L. Alexander, Jamaican American, 1917 - 2002  Search this
Smithsonian Institution, American, founded 1846  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906  Search this
Morehouse College, American, founded 1867  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Count Basie, American, 1904 - 1984  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
National Bankers Association, American, founded 1927  Search this
369th Veterans Association, American  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
Signed by:
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Date:
1985
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.19
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ee110782-b949-43b4-bbec-56a00d4f086e
EDAN-URL:
edanmdm:nmaahc_2012.167.19
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Arpee Album: Photograph of the Entrance to Maydan-I Tupkhana from Almasiyya Avenue, in Tehran (Iran)

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Sevruguin, Antoin, 1851-1933  Search this
Collection Creator:
Sevruguin, Antoin, 1851-1933  Search this
Extent:
1 Albumen print (b&w, 17.4 cm. x 11.4 cm.)
Type:
Archival materials
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Scope and Contents:
"The new Canons' square and the two storey buildings surrounding it were built between 1867 and 1877 on the north side of the old Canons' square or Maydan-i Arg. The two-storey building in the background of the image surrounding the square was initially planned as a reservoir of military equipment and a meeting and living place of military officials. A large and shallow pool, surrounded by trees and greenery and a railing around the whole area was constructed in the middle of the square. Adjacent to the railing, the canons of the military surrounded the central pool. The main gate to the square is visible in the image." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "'The Ark' Public Square Teheran."
Arrangement:
Page nine of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
FSA A2011.03 A.09b
General:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Architecture  Search this
Genre/Form:
Albumen prints
Photograph albums
Photographic prints
Collection Citation:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C.
Identifier:
FSA.A2011.03, Item FSA A2011.03 A.09b
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a2011-03-ref72

MS 4851 Frank Harold Hanna Roberts, Jr., papers and photographs

Creator:
Roberts, Frank H. H. (Frank Harold Hanna), 1897-1966  Search this
Greenwood, Walter B.  Search this
Hill, Ernest H. Jr  Search this
Kyte, Dorothy  Search this
Leonard, Jane  Search this
Morgan, Dorothy  Search this
Smith, George Hubert  Search this
Stern, Theodore, 1917-  Search this
Stewart, T. D. (Thomas Dale), 1901-1997  Search this
United States. Federal Civil Works Administration  Search this
Correspondent:
Allyn, Harriet M.  Search this
Antevs, Ernst V.  Search this
Baker, Frank C.  Search this
Chaney, Ralph W.  Search this
Eiseley, Loren C., 1907-1977  Search this
Figgins, J.D.  Search this
Gazin, C. Lewis (Charles Lewis), 1904-1996  Search this
Guthe, Carl E. (Carl Eugen), 1893-1974  Search this
Hall, Marion  Search this
Harcus, John  Search this
Haury, Emil W. (Emil Walter), 1904-1992  Search this
Hitchcock, Virginia Beth  Search this
Hooton, Earnest Albert, 1887-1954  Search this
Howard, Edgar B.  Search this
Hrdlička, Aleš, 1869-1943  Search this
Judd, Neil Merton, 1887-1976  Search this
Judson, Sheldon  Search this
Kellogg, A. Remington  Search this
Krieger, Alex D. (Alex Dony), 1911-1991  Search this
Leonard, Jane  Search this
McCarty, Oscar  Search this
Miller, Carl F.  Search this
Moomaw, Jack C.  Search this
Ray, Cyrus N.  Search this
Reiter, Paul David  Search this
Richards, Horace G.  Search this
Shapiro, Harry L. (Harry Lionel), 1902-1990  Search this
Shepard, Anna O.  Search this
Van Devanter, D.W.  Search this
Van Riet, Clarence  Search this
Wheat, Joe Ben  Search this
Woodbury, George  Search this
Author:
Judd, Neil Merton, 1887-1976  Search this
Anderson, Jack C.  Search this
Baby, Raymond S.  Search this
Atkins, Ruth  Search this
Deacon, John C.  Search this
Extent:
1 Item (Papers : 5.4 linear feet (16 boxes)
1 Item (Photographs : ca 3100 prints and negatives)
1 Item (Maps and illustrations )
Type:
Collection descriptions
Archival materials
Place:
United States -- Archeology
Bc53, Chaco Canyon, New Mexico -- Archeology
Chaco Canyon (N.M.) -- Archeology
Colorado -- Archeology
Arizona -- Archeology
New Mexico -- Archeology
Agate Basin, Wyoming -- Archeology
Date:
undated
Scope and Contents:
This collection of Rober's papers and photographs is almost excluvely concerned with his scientific fieldwork and resulting publications. It is not complete; for example, there is little in the photographs concerning his work at Agate Basin in Wyoming (though some related site forms are part of the records of the River Basin Surveys). Apparently, some of the series that form the records of the RBS began as Roberts's own files and were simply continued once his interest turned to the administration of the RBS. For instance, there is correspondence concerning Robert's work in New Mexico among the RBS correspondence series. The file of correspondence in manuscript 4851 is a miscellany with few letters from any one correspondent.
Biographical / Historical:
Frank H.H. Roberts, Jr. studied history and English at the University of Denver and after receiving his B.A.worked briefly as a journalist. Entering graduate school at Denver he was influenced by Etienne Bernadeau Renaud and, later, Jean Allard Jeacon. Although his studies toward a master's degree were in political science, he carried out archeological work among ruins in the Piedra-Pagosa region of the San Juan River valley in southwestern Colorado and became an instructor in archeology at the University of Denver. In 1923, he became an assistant curator at the Colorado State Museum.
Robert's formal training in archeology came through subsequent studies at Harvard University, where he received a Ph.D. in 1927. While a student, he worked during the summers of 1925 and 1926 for Neil Merton Judd on expeditions to Chaco Canyon. Judd offered him the opportunity to study pottery sequences, expanding upon work already carried out successfully for the Piedra region. From his work under Judd, Roberts produced his dissertation. The work also led to a permanent appointment as an archeologist with the Smithsonian's Bureau of American Ethnology in 1926.
For some time after this, Roberts continued to work primarily among ruins in the Southwest. In 1927, he conducted excavations at Shabik'esche Village in Chaco Canyon and carried on excavations at Kiathuthlunna on the Long H Ranch in eastern Arizona. In 1930, he excavated in the Village of the Great Kivas on the Zuni reservation and, in 1931-1933, worked along the Whitewater River in eastern Arizona and at a site near Allantown, Arizona. For the University of New Mexico Field School in 1940-1941, Roberts directed expeditions to the Bc-53 site in Chaco Canyon.
Throughout this work Roberts's primary interest was "the early structure and sequences of Southwestern culture." This led to Roberts's ultimate interest in the problem of early man in America. He was asked to inspect the discoveries at the original Fosom site in 1927, and over time became convinced of an error in contemporary thinking about the relatively recent arrival of humans in the New World. He was increasingly drawn to study the problem and particuarly after 1933, devoted most of his field work to it. Between 1934 and 1940, he worked at Lindenmeier, a Folsom campsite in northern Colorado. In 1941, he excavated the Mons site near the Peaks of Otter in Virginia, though failing to find expected remains of early man. In the same year, he worked at a Folsom site at San Jon, New Mexico, and, in 1942, another Folsom site in the Agate Basin in Wyoming. In 1943--again in connection with this interest in early man--he carried out a reconnaissance of the Clear Fork of the Brazos River in Texas. In addition, Roberts inspected other sites in Colorado, Arizona, Wyoming, Nebraska, and Saskatchewan.
Roberts also worked briefly with other interests. In 1932, he served as an advisor to the Carnegie Institution of Washington, D.C., in its excavation at Chichen Itza and Uxmal in the Yucatan. In 1933-1934, he conducted a Civil Works Administration expedition to excavate mounds in the Shiloh National Military Park in Tennessee. In 1956-1960, he was on the advisory council for the National Park Service's Wetherill Mesa Project.
In the administration of the Bureau of American Ethnology, Roberts became the assistant chief under Matthew Williams Stirling in 1944. In 1946, he became, in addition, the director of the BAE's River Basin Surveys, a salvage archeological program concerned with areas where the federal government was planning dams and reservoirs. In 1947, he became the associate director of the BAE and, in 1958, its director. In addition to these duties and his scientific work, Roberts served as American representative to the League of Nations' International Conference of Archeologists at Cairo in 1937 and as representative on the International Commission for Sites and Monuments in 1939-1942. During World War II, he was involved with the Ethnogeographic Board, an organization that provided liaison between federal war agencies and the scientific community. For the board, Roberts prepared a survival manual and a volume on Egypt and the Suez Canal that was issued as one of the Smithsonian's War Background Studies. For several years later in his life, Roberts was also on the National Council for Historical Sites and Buildings. He also served the Smithsonian on committees concerned primarily with personnel.
Outside official duties, Roberts represented the American Anthropological Association on the National Research Council in 1935-1949. In 1936, he was president of the Anthropological Society of Washington and, in 1944, vice president of the AAA. In 1949, he became president of the Washington Academy of Sciences. A founding member of the Society for American Archaeology and a member of the committee that drafts its constitution and bylaws, Roberts served that organization as president in 1950. In 1952, he became a vice president of the American Association for the Advancement of Science.
Local Numbers:
MS 4851
Restrictions:
The photographic negatives are in special storage and require advance notice to view.
Topic:
Early man -- in America  Search this
Shiloh National Military Park  Search this
Lindenmeier site, Colorado -- Archeology  Search this
Shiloh Mound, Tennessee -- Archeology  Search this
San Jon, New Mexico -- Archeology  Search this
Piedra District, Colorado -- Archeology  Search this
Kiathuthlanna, Arizona -- Archeology  Search this
Village of the Great Kivas, New Mexico -- Archeology  Search this
Whitewater District, Arizona -- Archeology  Search this
Wyoming -- Archeology  Search this
Clear Fork site, Texas -- Archeology  Search this
Texas -- Archeology  Search this
Pagosa Springs, Colorado -- archeolgoy  Search this
Peaks of Otter -- Virginia -- Archeology  Search this
Virginia -- Archeology  Search this
Citation:
MS 4851, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4851
See more items in:
MS 4851 Frank Harold Hanna Roberts, Jr., papers and photographs
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4851
Online Media:

Section through Howard Place looking north [copy negative of architectural drawings by Albert I. Cassell, 1932 : cellulose acetate photonegative, banquet camera format]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Defender (film manufacturer)  Search this
Names:
Howard University -- 1930-1940  Search this
Cassell, Albert Irvin, 1895-1969  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., [10" x 20"].)
Container:
Box 14, Folder 51
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Banquet camera photographs
Panoramas
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
1932
Scope and Contents:
Scan Number: AC0618.004.0001341.tif
Framed architectural drawing labelling features depicted: Georgia Avenue; combined auditorium, music building and union; Sixth Street; end elevation of administration building (gable of education building showing above); stadium; existing gymnasium; liberal arts building (end elev); Reservoir Road; and McMillan Park. Ink on negative: "C". "DEFENDER SAFETY BASE" edge imprint.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architectural Blueprints  Search this
African American universities and colleges -- 1930-1940 -- Washington (D.C.)  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Banquet camera photographs -- 1930-1940
Panoramas
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock Studio Records, Subseries 4.12: Banquet Negatives / 4.12: Banquet Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-12-ref855

Picture Reservoir, Foliage Dense with Form

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 68
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref321

Picture Reservoir, Foliage Openings-Light Effects

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 69
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref322

Picture Reservoir, Letter Forms

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 70
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref323

Picture Reservoir, Roads-Surfaces

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 71
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref324

Picture Reservoir, Shoes

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 72
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref325

Picture Reservoir, Suspension-Flight-Movement

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 73
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref326

Picture Reservoir, Transparency-Glass

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 74
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref327

Picture Reservoir, Transparency-Pale Landscapes

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 75
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref328

Picture Reservoir, Transparency-Sky-Air

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 76
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref329

Picture Reservoir, Vertical-Linear

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 9, Folder 77
Type:
Archival materials
Date:
circa 1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref330

Oversized Material, Picture Reservoir and Clippings for Reading

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 26
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 6: Reference Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref741

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