Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
This series is comprised of Polly Thayer's drafts of papers, articles, letters to the editor, and speeches. Although the bulk of material consists of typescript drafts, folders often contain multiple drafts of writing, some of which are handwritten. Polly Thayer wrote on a range of topics such as art, religion, and politics, as well as several memorial tributes to friends. There is a draft of Looking At Animals, an anthology of poems by various writers for which Thayer selected the contents and wrote the introduction. Also included are writings by friends and relatives which are about Thayer or reference her.
Arrangement:
This subseries is arranged chronologically. Writings by others are grouped together at the end.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Polly Thayer (Starr) papers, 1846-2008, bulk 1921-2008. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Polly Thayer Starr Charitable Trust
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
This refence collection was assembled to assist in writing a biography of the Reverend Mr. Charles E. Coughlin. The collection contains books, booklets, published sermons, published lectures, pamphlets and other printed materials. Of these, 57 were written by Coughlin. The remainder of the materials relate to him directly or have chapters or passages relating to him. Additionally, there are periodicals, including newspaper and magazine articles, and a full set of Coughlin's weekly publication, Social Justice, 1936-1942; other periodicals such as William Dudley Pelley's weekly Liberation Journal, 1938-1948; copies of Henry Ford's Dearborn Independent; original photographs, including images of Coughlin and of his church; letters; copies of the FBI's files on Coughlin; and (non-original) recordings of his broadcasts.
Arrangement:
The collection is arranged in four series.
Series 1: Coughlin, Charles E., Writings and Speeches, 1930-1972, undated
Series 2: Photographs and Ephemera, 1927-1979, undated
Series 3: Periodicals and Publications, 1919-2012
Series 4: Reference Materials, 1933-2015, undated
Biographical / Historical:
Charles Edward Coughlin was born on October 25, 1891 in Hamilton, Ontario, Canada to Thomas J. and Amelia Mahoney Coughlin. He was educated in Canada and attended St. Michael's College, Toronto. After graduation he prepared for Holy Orders within the Basilian Fathers at St. Basil's Seminary. He was ordained to the Roman Catholic priesthood in 1916. Coughlin left the Basilian order after 1923 and moved to Detroit, Michigan.
Coughlin was accepted into the Roman Catholic Archidiocese of Detroit in 1923. He was eventually assigned to the Shrine of the Little Flower in Royal Oak, Michigan, a suburb of Detroit. His reputation for formidable preaching led to the growth of his congregation, and in 1926 Coughlin began broadcasting after a Klu Klux Klan cross burning on the lawn of the church.
He eventually expanded the topics of his broadcast to the political arena. It was with this programmatic change that Coughlin became one of the most controversial figures in the first half of the twentieth century. Described as the "Radio Priest," "The Fighting Priest," and the "Angel of the Airways," Coughlin broadcast weekly from a radio studio in Royal Oak from 1926-1940. Taking a strident and nationalistic tone, he lambasted immigrants, bankers, Communists and other groups. Breaching the line between religion and politics he also lectured and sermonized on government policy. While initially favoring the presidency of Franklin D. Roosevelt, he eventually became one of the president's harshest critics.
In 1936 he began publishing Social Justice a weekly paper. Coughlin's broadcasts were so successful that between 1931-1936 a new Shrine of the Little Flower was built. The zig-zag Art Deco style of the Shrine became a tourist destination for Coughlin's fans. His increasingly harsh rehtoric coincided with the outbreak of World War II. While stating he was not antisemitic, he professed support for some of the governmental policies of Adolf Hitler and Benito Mussolini in part because they were a check on Communist Russia. The Vatican and many Roman Catholic American bishops disagreed and wanted Coughlin to leave the airwaves. Eventually he was forced off the air and publication of Social Justice was halted.
Coughlin remained parish priest at the Shrine of the Little Flower until his retirment in 1966. He spent his retirement publishing and giving the occasional interview. Coughlin died on October 27, 1979. He is buried in the Holy Sepulchre Cemetery in Southfield, Michigan.
Separated Materials:
Objects related to Father Charles E. Coughlin are held in the Division of Cultural and Community Life (now Division of Cultural and Community Life).
Provenance:
The collection was purchased by the National Museum of American History from Todd Moriarty. Moriarty had acquired the collection from an individual who amassed the materials with plans to write a book on Coughlin.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Anti-communist movements -- United States Search this
