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Galerie Chalette records

Creator:
Galerie Chalette  Search this
Names:
Arp, Jean, 1887-1966  Search this
Bill, Max, 1908-1994  Search this
Diller, Burgoyne, 1906-1965  Search this
Fangor, Wojciech, 1922-  Search this
Fuller, Sue, 1914-  Search this
Gonzalez, Roberta  Search this
González, Julio, 1876-1942  Search this
Lejwa, Arthur  Search this
Lejwa, Madeleine Chalette, 1914-1996  Search this
Moholy-Nagy, László, 1895-1946  Search this
Reimann, William  Search this
Rickey, George  Search this
Smith, Leon Polk, 1906-1996  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
24.15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Date:
1916-1999
bulk 1939-1994
Summary:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.
Scope and Content Note:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.

Among the artists represented in the artists' files are Jean Arp, Max Bill, Burgoyne Diller, Wojciech Fangor, Sue Fuller, Julio Gonzalez, Roberta Gonzalez, Lazlo Moholy-Nagy, William Reimann, George Rickey, Leon Polk Smith, Victor Varsarely, Max Weber, and various Dada artists. Many artists are represented in the large collection of photographs as is the Lejwa's personal collection. Included in the business records are invoices, receipts for works sold, yearly sales and purchase ledgers, checks for artwork purchases, and index card files recording sales. Legal records include files related to litigation, primarily Lebenstein v. Lejwa. The collection includes film reels and audio recordings of lectures, broadcasts, and exhibits from the 1960s-1990s. It also includes two film reels from a French television program about Jean Arp.

Among the personal records are biographical information, correspondence, legal records mostly related to the settlement of Arthur Lejwa's estate, a significant quantity of snapshots, negatives and slides, and newspaper clippings chronicling Arthur Lejwa's work as a biochemist and the Robert Gould Research Foundation. Arthur Lejwa's scientific career is also represented in biographical information, publications, research notebooks, and photographs. Much of the personal correspondence is from 1939-1951 and is written in Polish, Yiddish and German. The Lejwa's philanthropic donations, especially in Israel, are documented in correspondence, papers, and photographs. Many of the photographs and photo albums record Madeleine Lejwa's travels in the 1970s-1990s.
Arrangement:
The collection is arranged as 8 series. The series are generally arranged alphabetically by type of material or subject, and chronologically thereafter.

Series 1: Correspondence, 1920-1995 (Boxes 1-2; 1.4 linear foot)

Series 2: Artists' Files, 1916-1996 (Boxes 2-6, 25; 4.3 linear feet)

Series 3: General Business Files, 1950-1994 (Boxes 6-8; 2.3 linear feet)

Series 4: Printed Materials, 1931-1996 (Boxes 9-10, 25; 1.2 linear feet)

Series 5: Photographs, circa 1920s-1994 (Boxes 10-16, 24-25; 7 linear feet)

Series 6: Legal Records, 1938, 1959-1988 (Box 17; 0.8 linear feet)

Series 7: Personal Papers of Arthur and Madeleine Chalette Lejwa, 1925-1999 (Boxes 17-21, 25; 3.7 linear feet)

Series 8: Motion Picture Film, Audio, and Video Recordings, circa 1950s-1995 (Boxes 21-23, FC 29-42; 4.3 linear feet)
Historical Note:
Art dealers and collectors Madeleine Chalette (1915-1996) and Arthur Lejwa (1895-1972) opened the Galerie Chalette in New York on 45 West 57th Street in February, 1954. The gallery originally specialized in contemporary French graphics and later shifted its focus to contemporary twentieth century European and American art, particularly the work of Jean Arp. Over the years, Galerie Chalette relocated twice. In 1957, the gallery moved to 1100 Madison Avenue and then to 9 East 88th Street in 1964.

Madeleine Chalette was born in 1915 in Paris and grew up in Poland. In 1940, after Madeleine's efforts to secure the release of her father, Leon Chalette, from Sachsenhausen concentration camp near Berlin were successful, father and daughter traveled by boat to Shanghai. They stayed in Shanghai throughout World War II, arriving in the United States in 1946. Arthur Lejwa, a Polish-born biochemist, immigrated to the United States in 1939 and taught at Long Island University. In 1947, Madeleine and Arthur Lejwa were married in Cincinnati, Ohio, where Arthur was the Director of the Robert Gould Institute for Nutritional Research.

The gallery was very active in the 1950s and 1960s, as evidenced by the numerous exhibitions. Many of the exhibitions in the 1950s were thematic. Exhibitions in the 1960s were mostly organized around the work of a particular artist, such as Wojciech Fangor and Leon Polk Smith. In 1972, the Metropolitan Museum of Art showcased Jean Arp's work from the Lejwa's collection and a few works lent by Arp's widow, Marguerite Arp. The exhibition was expanded and traveled as "Arp 1877-1966," first exhibited at the Solomon R. Guggenheim Museum and then shown in seven museums in the United States and six in Australia.

In the early 1970s, the Lejwas began supporting institutions in Jerusalem, including donating a 17th century Polish menorah to The Israel Museum and five sculptures to be displayed in public spaces: "The Threshold of Jerusalem" by Jean Arp, "The Loop" by Robert Engman, George Rickey's "Two Lines Oblique," "The Skedion Ekton" by Stephanie Scuris, and "Four Cubes Cut in Identical Halves" by Max Bill.

Following Arthur's death on October 27, 1972, Madeleine continued as an independent dealer and consultant and renamed the business Chalette International. In the 1980s, Madeleine Lejwa continued her philanthropic endeavors in Jerusalem, donating to a scholarship fund for Arab students. She was also a strong supporter of New York University's archeological site Aphrodisias, in southwestern Turkey. In the 1970s and 1980s, Lejwa traveled widely including Israel, Jordan, Egypt, Italy, Turkey, Japan, and China. Madeleine passed away at age 81 on June 9, 1996.
Related Material:
Addition papers related to Leon Chalette and Madeleine Chalette are located at Leo Baeck Institute, New York, N.Y.
Separated Material:
Papers related to Leon Chalette's imprisonment in Sachsenhausen concentration camp were transferred to the Leo Baeck Institute, New York, N.Y. in 2010.
Provenance:
The records were donated by Robert Warshaw, executor of the Madeleine Chalette Lejwa estate in two accessions in 1997 and 2005.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Biochemistry  Search this
Genre/Form:
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Citation:
Galerie Chalette records, 1916-1996, bulk 1939-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.galechal
See more items in:
Galerie Chalette records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-galechal
Online Media:

Reimann, William

Collection Creator:
Lipman, Howard, 1905-1992  Search this
Container:
Box 6, Folder 27
Type:
Archival materials
Date:
1962-1965
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Howard W. and Jean Lipman papers
Howard W. and Jean Lipman papers / Series 2: Howard and Jean Lipman Art Collection / 2.2: Sculpture Collection Purchases
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipmhowa-ref236

Galerie Chalette records, 1916-1999, bulk 1939-1994

Creator:
Galerie Chalette  Search this
Subject:
Arp, Jean  Search this
Bill, Max  Search this
Diller, Burgoyne  Search this
Fangor, Wojciech  Search this
Fuller, Sue  Search this
Smith, Leon Polk  Search this
Vasarely, Victor  Search this
Weber, Max  Search this
Gonzalez, Roberta  Search this
Lejwa, Arthur  Search this
González, Julio  Search this
Moholy-Nagy, László  Search this
Lejwa, Madeleine Chalette  Search this
Rickey, George  Search this
Reimann, William  Search this
Type:
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Biochemistry  Search this
Record number:
(DSI-AAA_CollID)6103
(DSI-AAA_SIRISBib)216297
AAA_collcode_galechal
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216297
Online Media:

Reimann, William P.

Collection Creator::
Hirshhorn, Joseph H.  Search this
Container:
Box 6 of 31
Type:
Archival materials
Collection Restrictions:
Box 31 contains materials restricted indefinitely; see finding aid; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Record Unit 7449, Joseph H. Hirshhorn Papers
See more items in:
Joseph H. Hirshhorn Papers
Joseph H. Hirshhorn Papers / Series 2: ARTIST'S CORRESPONDENCE. / Box 6
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7449-refidd1e3857

Untitled, (sculpture)

Title:
Sandblasted 6 Bollards, (sculpture)
Sandblasted Six Bollards, (sculpture)
Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Granite
Culture:
Indian  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Massachusetts Bay Transportation Authority Cambridge Massachusetts
Located Porter Square Station Plaza Cambridge Massachusetts
Date:
1983-1985
Topic:
Ethnic  Search this
Abstract--Geometric  Search this
Control number:
IAS 65710009
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294616

Judge's Bench, (sculpture)

Title:
Judges' Bench, (sculpture)
Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Sculpture: limestone
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Boston Bar Association Boston Massachusetts
Located Pemberton Square In front of the old Suffolk County Courthouse Boston Massachusetts
Date:
1983. Dedicated Oct. 25, 1983
Topic:
Architecture--Detail--Column  Search this
Control number:
IAS 87740031
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_299631

Sketch for Endo Project, (sculpture)

Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Plexiglas and steel cone
Type:
Sculptures
Owner/Location:
Newark Museum 49 Washington Street Newark New Jersey 07101 Accession Number: 77.226
Date:
1964
Topic:
Study  Search this
Control number:
IAS 31820166
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_296074

Untitled (Methyl methacrylate), (sculpture)

Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Plexiglas and stainless steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Harvard University Perkins Laboratory Courtyard Cambridge Massachusetts 02138
Date:
1972-73
Topic:
Undetermined  Search this
Control number:
IAS 87740143
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_299742

Mineral Structure, (sculpture)

Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Steel armature and acrylic vanes
Type:
Sculptures
Topic:
Abstract  Search this
Control number:
IAS 75008199
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_14443

Untitled, (sculpture)

Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Acrylic and stainless steel
Type:
Sculptures
Owner/Location:
Shell Oil Company Woodcreek 200 North Dairy-Ashford Road Houston Texas
Date:
Ca. 1980
Topic:
Undetermined  Search this
Control number:
IAS 76007601
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_18387

Icon, (sculpture)

Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Sculpture: opaque plexiglas; Base: plastic
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 67.61
Date:
1957
Topic:
Religion  Search this
Control number:
IAS 36240388
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_28768

White Study, (sculpture)

Sculptor:
Reimann, William P. 1935-  Search this
Medium:
Plexiglas
Type:
Sculptures
Owner/Location:
Whitney Museum of American Art 945 Madison Avenue New York New York 10021 Accession Number: 65.50
Date:
1965
Topic:
Study  Search this
Control number:
IAS 76003976
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_9760

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