Minneconjou Lakota (Minniconjou Sioux) Search this
Type:
Collection descriptions
Archival materials
Cabinet photographs
Date:
circa 1889
Summary:
This collection includes 11 colored cabinet cards that were part of a series called "Colored Cabinets of Noted Indians" published by F. Jay Haynes and Brothers in St. Paul, Minnesota around 1889. The photographs include images of Apsáalooke (Crow/Absaroke), Hunkpapa Lakota (Hunkpapa Sioux), and Niimíipuu (Nez Perce) leaders.
Scope and Contents:
This collection includes 11 of the 12 colored cabinet cards published by F. Jay Haynes and Brothers, circa 1889, in the series "Colored Cabinets of Noted Indians." Published in Saint Paul, Minnesota, the cabinet cards have rounded edges and include a listing of the full series printed on the back. The portraits include— Running Deer, Apsáalooke (Crow/Absaroke); Chief Sitting Bull (Tatanka Iyotanka/Tatanka Yotanka), Hunkpapa Lakota; Jessie Iron Bull, Apsáalooke (Crow/Absaroke); Lewis Sitting Bull (Louie Sitting Bull/Sitting Bull, Jr.), Hunkpapa Lakota; Chief Rain In The Face (Iromagaja), Hunkpapa Lakota; Chief Joseph (Hinmuuttu-yalatlat[Thunder Rolling Down the Mountain]), Niimíipuu (Nez Perce); Big Medicine Man, Apsáalooke (Crow/Absaroke); Curley (Ashishishe), Apsáalooke (Crow/Absaroke); Chief Little Head, Apsáalooke (Crow/Absaroke); Yellow Dog, Apsáalooke (Crow/Absaroke); Chief White Bull (Joseph White Bull/Pte san Hunka), Hunkpapa Lakota/Minneconjou Lakota. Some of the portraits, though later published by Haynes, were originally made by other photographers such as David Barry and Orlando Scott Goff.
Catalog numbers include P19431-P19441.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.
Biographical / Historical:
F. Jay Haynes was a photographer who traveled extensively in the West and who was best known for his early photographs of Yellowstone National Park. He was also the official photographer for the Northern Pacific Railroad, and for a time he even maintained a special railroad car equipped as a mobile photography studio which was called the "Haynes Palace Studio." He opened his first studio in 1876 in Moorhead, Minnesota, and in 1879 opened a larger studio in Fargo, North Dakota. In 1889 he began operating out of St. Paul, Minnesota, where he published his series of "Colored Cabinets of Noted Indians," among many other subjects. His photographs were widely published in articles, journals, books and turned into stereographs, and postcards in the late 19th and early 20th century.
Provenance:
Provenance information is still unknown, though the collection may have been part of an acquisition by the Museum of the American Indian, Heye Foundation from the Winchester Historical Society in 1962.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Genre/Form:
Cabinet photographs
Citation:
dentification of specific item; Date (if known); F. Jay Haynes and Brothers colored cabinet cards , image #, NMAI.AC.317; National Museum of the American Indian Archives Center, Smithsonian Institution.
This collection includes 40 copy prints of David F. Barry photographs which had been held by David Barry's sister, Matie (Barry) Moore. These were later copied by her brother-in-law Herbert O. Petersen. The copy prints include many of Barry's most famous portraits of Lakota leaders from at the end of the 19th century such as Tatanka Iyotanka (Sitting Bull) [Hunkpapa Lakota (Hunkpapa Sioux)], Rain in the Face (Iromagaja/Ito-na-gaju/Ite-Mahazhu/I-Te-Amaghazhu/Exa-ma-gozua) [Hunkpapa Lakota (Hunkpapa Sioux)], and Chief Gall (Pizi) [Oglala Lakota (Oglala Sioux)], among others.
Scope and Contents:
This collection includes 40 copy prints of David F. Barry photographs which had been held by David Barry's sister, Matie Barry Moore. It is likely that some of the photographs were originally shot by Orlando Scott Goff and later attributed to Barry, who may have printed them at a later date. The studio portraits of Native leaders include—Tatanka Iyotanka (Sitting Bull) [Hunkpapa Lakota (Hunkpapa Sioux)], Rain in the Face (Iromagaja/Ito-na-gaju/Ite-Mahazhu/I-Te-Amaghazhu/Exa-ma-gozua) [Hunkpapa Lakota (Hunkpapa Sioux)], Chief Gall (Pizi) [Oglala Lakota (Oglala Sioux)], Chief John Grass (Charging Bear/Mato-Wata-Kpe/Pah-zhe/Matowatakpe/Pehzi/Pe-ji/Used As A Shield), [Sihasapa Lakota (Blackfoot Sioux)], Chief Joseph (Hinmuuttu-yalatlat [Thunder Rolling Down the Mountain]/In Mut Too Yah Lat Lat) [Niimíipuu (Nez Perce)], Chief Goose (Goos) [Ihanktonwan Nakota (Yankton Sioux)], Curley (Ashishishe) [Apsáalooke (Crow/Absaroke)], Red Cloud (Makhpiya-luta [Scarlet Cloud]/Mahpina Luta) [Oglala Lakota (Oglala Sioux)], Crow King (Kangi-yatapi/Ka-Ge-Tou-Cha) [Hunkpapa Lakota (Hunkpapa Sioux)], Chief Wild Horse [Oglala Lakota (Oglala Sioux)], and Good Horse with his wife [Hunkpapa Lakota (Hunkpapa Sioux)].
Additional non-Native portraits include—Lt. Col. George Armstrong Custer, General F.W. Bentun, Captain Tom McDougal, Col. William F. Cody ("Buffalo Bill"), Matie Barry Moore, and Judge Kenshaw Landis. There are also a number of outdoor shots made in Dakota territory which include views of Sitting Bull's log cabin, Sitting Bull's camp, census taking on the Standing Rock reservation, Reno Crossing and Fort Lincoln in the snow. There is also an image of Barry's studio set up in Fort Buford. One image has been restricted due to cultural sensitivity.
Prints include catalog numbers P23561 - P23599.
Arrangement:
Arranged by catalog number.
Biographical / Historical:
David Frances Barry (1854-1934) was a photographer who is most noted for his photographs of famous Native American leaders at the end of the 19th century. Growing up in Columbus, Wisconsin, Barry was hired by photographer Orlando Scott Goff, with whom he eventually partnered. From 1878 to 1883, Barry traversed Dakota Territory and Montana making many of his most widely known photographs of Native American leaders, such as Sitting Bull, Rain in the Face, and Chief Gall, as well as photographing forts and battlefields, military officers, and other people in the region. In 1883, Barry opened a new studio in Bismarck, where he began photographing members of Cody's Wild West Show. In 1890, Barry returned to Wisconsin where he operated a successful gallery in the city of Superior until his death in 1934.
Barry's sister, Matie (Barry) Moore, retained a collection of photographs made by her brother which were eventually copied and donated to the National Museum of the American Indian.
Separated Materials:
A folder of newspaper clippings regarding the life and work of David F. Barry were donated by Herbert Petersen along with the photographic prints. These are in the Museum of the American Indian, Heye Foundation records (NMAI.AC.001) in Box 289, Folder 1.
Provenance:
Donated by Herbert O. Petersen, brother-in-law to Matie Barry Moore, in 1991. Matie Barry Moore was sister to the photographer David F. Barry.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Matie Barry Moore collection of David F. Barry copy prints, image #, NMAI.AC.334; National Museum of the American Indian Archives Center, Smithsonian Institution.
The collection is largely composed of photographs depicting Plains Indians, many of whom took part in the Battle of the Little Bighorn. Depicted individuals include Young Man Afraid of His Horse, Low Dog, Good Horse, Clear Eyes, Rain in the Face, Crow Flies High, Trail Hunter, Sitting Bull, Crow King, Red Cloud, White Faces, Running Antelope, Red Girl, Curly, John Grass, Gall, Spotted Tail, and a group of Ghost Dancers. There are also images of Barry, General Custer, the horse Comanche, and Buffalo Bill.
Biographical/Historical note:
David Frances Barry (1854-1934) was a photographer based in Bismarck, Dakota Territory, who is most noted for his photographs of famous American Indians. In 1878, he was hired by itinerant photographer O. S. Goff, with whom he eventually partnered. From 1878 to 1883, Barry traversed the Dakota Territory, making many of his most widely known photographs of American Indians, forts and battlefields, military officers, and other people in the region. In 1883, Barry opened a new studio in Bismarck, where he began photographing members of Cody's Wild West Show.
Local Call Number(s):
NAA Photo Lot R81-71
Reproduction Note:
Copy prints made by Smithsonian Institution, 1981.
Location of Other Archival Materials:
Additional photographs by Barry, as well as originals of images in this collection, can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, MS 4559, and the BAE historical negatives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
undated
Scope and Contents:
From a collection of approximately 3,5000 negatives made by Frank Fiske and others on the Standing Rock Reservation, ca. 1890-1950, and now in the possession of the State Historical Society of North Dakota.
Catalog 4602: (1) Tribe: Dakota Description: Rain in the Face, sitting in horse-drawn wagon Photographer: Frank Fiske Date: 1905 S. I. Negative Number BAE Negative 3196-a-2-j. (2) Dakota Rain in the Face, sitting, half-length, wearing buffalo horn headdress Frank Fiske (3) Dakota Rain in the Face, standing, half-length, wearing feather headdress and bear-claw necklace, and carrying painted shield (4) Dakota Boarding school classroom, Fort Yates, Standing Rock Reservation (5) Dakota Boarding school carpenter shop, Fort Yates, Standing Rock Reservation (6) Dakota Boarding school laundry, Fort Yates, Standing Rock Reservation.
