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Burnside and his Staff

Artist:
Moses Wight, 1827 - 1895  Search this
Sitter:
Ambrose Everett Burnside, 23 May 1824 - 13 Sep 1881  Search this
William Ames, 1842 - 1914  Search this
Medium:
Oil on canvas
Dimensions:
81.3cm x 118.1cm (32" x 46 1/2"), Accurate
Type:
Painting
Date:
c. 1861-65
Topic:
William Ames: Male  Search this
William Ames: Military and Intelligence\Army\Officer\Civil War army officer\Union army officer  Search this
Ambrose Everett Burnside: Male  Search this
Ambrose Everett Burnside: Business and Finance\Businessperson\Business executive\Railroad  Search this
Ambrose Everett Burnside: Military and Intelligence\Army\Officer\Civil War army officer\Union army officer  Search this
Ambrose Everett Burnside: Politics and Government\US Senator\Rhode Island  Search this
Ambrose Everett Burnside: Politics and Government\Governor\Rhode Island  Search this
Portrait  Search this
Credit Line:
Owner: Rhode Island Historical Society
Object number:
1957.211
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4210f1e77-816e-4d9e-bb49-28a254ef0372
EDAN-URL:
edanmdm:npg_1957.211

Dom Flemons - "Steel Pony Blues" [Official Music Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-04-24T13:06:50.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_tGI4r2zgq0o

John H. White, Jr. Railroad Reference Collection

Collector:
Watkins, J. Elfreth (John Elfreth), 1852-1903  Search this
National Museum of American History (U.S.). Division of Transportation  Search this
Creator:
White, John H., 1933-  Search this
Extent:
31.33 Cubic feet (94 boxes)
Type:
Collection descriptions
Archival materials
Articles
Color slides
Correspondence
Ephemera
Magazines (periodicals)
Manuscripts
Negatives
Newsclippings
Patents
Photocopies
Photographs
Research
Writings
Date:
1880s-1990
Scope and Contents:
The archivist has arranged the collection into five series. The collections consists of orginal photographs, brochures, advertisements, correspondence, and trade literature as wells as photcopies of same and assembled by John White for many of his books about railroads.

Series 1: Car Builders, arranged alphabetically by company or individual.

Series 2: Equipment, Rolling Stock, arranged in two sections: alphabetically by White's heading: Articles in Progress and alphabetical by type of railroad car under White's heading: Research Files for Book in Progress.

Series 3: Locomotives, arranged alphabetically by Locomotive builders in two sections, first by individual company and second by individuals.

Series 4: Railroad Companies and Lines, arranged alphabetically by railroad companies and railroad lines.

Series 5: Publications, White's files for his book The American Railroad Freight Car, which are arranged into two sections, Illustrations and Text. Both sections are arranged numerically by chapters or sections of the book.

Series 6: Freight Cars

Series 7: Passenger Cars
Arrangement:
The collection is divided into seven series. Most material arranged alphabetically and then chronologically.

Series 1: Car Builders

Series 2: Equipment--Rolling Stock

Subseries 2.1: Articles in progress

Subseries 2.2: Research Files for Books in Progress

Series 3: Locomotives

Series 4: Railroad Companies and Lines

Series 5: Publications

Series 6: Freights Cars

Series 7; Passenger Cars
Historical:
John H. White, Jr., (1933- ), historian and museum curator, was born in Cincinnati, Ohio. He graduated with a B.A. in history from Miami University, Ohio, in 1958. Shortly after receiving his degree, White joined the staff of the Smithsonian Institution as Assistant Curator of the Division of Transportation, Department of Science and Technology, National Museum of History and Technology (NMHT). White became Associate Curator of the Division, 1961-1966, Curator, 1967-1985, and Senior Historian, 1986-1989. White specialized in land transportation, particularly the history of railroads. He retired in 1990. His papers, the John H. White, Jr., Papers, circa 1959-1989 are at the Smithsonian Institution Archives.

This collection of railroad materials was begun many years ago by employees of the Smithsonian Institution, and maintained later by curators and museum specialists working in the Division of Transportation, NMHT, later named the National Museum of American History (NMAH).

Some of the clippings date back to the time of J. Elfreth Watkins in the 1880-1890s. In 1885 Watkins was appointed Curator of the Section of Steam Transportation, which was successively known as Transportation and Engineering, and Technological Collections. Other portions of White's collection were clearly from Carl Mitman, author of several hundred entries on inventors and engineers in the Dictionary of American Biography and a Smithsonian employee who served as Curator of Mechanical Technology in 1919. In 1921 Mitman took the title of Curator of the Divisions of Mineral and Mechanical Technology, serving in this capacity until 1931. In 1931 the Division of Engineering was established. Mitman served as Curator of the Division and in charge of Mineral Technology, 1931-1938, Head Curator of the Department of Arts and Industries, 1932-1938, and Head Curator of the Department of Engineering and Industries, 1938-1948.

Some portions of this collection were acquired under the time of Frank A. Taylor (Mitman's protégé) who was Assistant Curator, 1928-1931, Assistant Curator for Mechanical Technology, 1932, Curator of the Division and in charge of Mechanical Technology, 1932-1948, Head Curator of the Division of Engineering and Industry, 1948-1957. In 1955 Taylor was appointed Assistant Director, United States National Museum (USNM), with special responsibility for planning the new NMHT, and in 1958 was appointed the first Director of the new museum. In 1962 Taylor became Director of the USNM with responsibility for both the National Museum of Natural History and NMHT.

Smith Hempstone Oliver of the Division of Transportation also kept up the files to a degree, though his main interest was in automobiles.

When White started employment at the Museum in June, 1958, there were, perhaps, two file cabinets on railroads. As Mr. White mentions in a letter to the archivist in March of 2002, "It was and is a great mix of odds and ends -- photos, news clippings, small prints, manufacturing catalogs, post cards, etc. Some junk and some treasure."

White found the material very useful for research and greatly expanded the collection. It more than doubled in size during his years in the Division, 1958-1990. The collection was White's working file and was set up to meet his needs. According to White, the collections greatest lack was cross referencing -- which was mostly in his head. He could usually find things but the organization might be confusing to other users. It was not intended for public use.

White is the author of many books on railroads, including:

American Locomotives: An Engineering History, 1830-1880. Baltimore: Johns Hopkins Press, 1968; 1997.

Early American Locomotives, with 147 engraving. New York: Dover Publications, 1972.

American Single Locomotives and the "Pioneer". Washington: Smithsonian Institution Press, 1973.

The Pioneer, Chicago's First Locomotive. Chicago: Chicago Historical Society, 1976.

The American Railroad Passenger Car. Baltimore: Johns Hopkins University Press, 1978.

The John Bull, 150 Years a Locomotive. Washington, D.C.: Smithsonian Institution Press, 1981.

A Short History of American Locomotive Builders in the Steam Era. Washington, D.C.: Bass, 1982.

Great Yellow Fleet: A History of American Railroad Refrigerator Cars. Golden West Books, 1986

The American Railroad Freight Car: From the Wood-Car Era to the Coming of Steel. Baltimore: Johns Hopkins University Press, 1993.
Provenance:
Collection materials donated by Jack White in 1995.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Freight cars  Search this
Locomotives  Search this
Railroads -- History  Search this
Railroad passenger cars  Search this
Transportation  Search this
Genre/Form:
Articles
Color slides
Correspondence
Ephemera
Magazines (periodicals)
Manuscripts
Negatives
Newsclippings
Patents
Photocopies
Photographs -- 19th century
Photographs -- 20th century
Research
Writings
Citation:
John H. White, Jr. Railroad Reference Collection, ca. 1830-1980, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0523
See more items in:
John H. White, Jr. Railroad Reference Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83b50b7ee-ab37-4b18-b17c-cffb2543738e
EDAN-URL:
ead_collection:sova-nmah-ac-0523
Online Media:

[Unidentified Sites]: an unidentified street scene in an urban location in the United States of America.

Photographer:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Extent:
1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)
Type:
Archival materials
Negatives (photographic)
Negatives
Reproductions
Place:
United States
Date:
[between 1900 and 1920]
General:
Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7121.
The sign on the left in the streetscape reads: "Jacob J. George; Eagle Saloon." Another view of the same location is SRS080033.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Streetscapes  Search this
Row houses  Search this
Railroads  Search this
Carriages and carts  Search this
Fences -- wooden  Search this
Genre/Form:
Negatives
Reproductions
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SRS047102
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS047: Unidentified Views
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6baa1d34a-68f5-4a75-8fc3-f3960078fd44
EDAN-URL:
ead_component:sova-aag-srs-ref3559

Unidentified Garden

Creator:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Extent:
1 Slides (photographs) (glass lantern, col., 3 x 5 in.)
Type:
Archival materials
Slides (photographs)
Date:
1930.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Railroad tracks  Search this
Hedges  Search this
Utility poles  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SRS080009
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS080: Unidentified Gardens and Streetscapes
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6d384795b-2eef-4903-9c07-73585f1e2650
EDAN-URL:
ead_component:sova-aag-srs-ref3874

Unidentified Streetscape

Creator:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Extent:
1 Slides (photographs) (glass lantern, col., 3 x 5 in.)
Type:
Archival materials
Slides (photographs)
Date:
1930.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Summer  Search this
Railroad tracks  Search this
Row houses  Search this
Sidewalks  Search this
Fences -- wooden  Search this
Railroads  Search this
Children  Search this
Utility poles  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SRS080033
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS080: Unidentified Gardens and Streetscapes
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6735290bd-7534-4432-bbba-2cc28e24fe89
EDAN-URL:
ead_component:sova-aag-srs-ref3882

Unidentified Streetscape

Creator:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Extent:
1 Slides (photographs) (glass lantern, col., 3 x 5 in.)
Type:
Archival materials
Slides (photographs)
Date:
1930.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Summer  Search this
Railroad tracks  Search this
Row houses  Search this
People  Search this
Carriages and carts  Search this
Utility poles  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SRS080046
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS080: Unidentified Gardens and Streetscapes
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6102c9a85-c2e9-49bc-acb3-1638350737cf
EDAN-URL:
ead_component:sova-aag-srs-ref3891

Unidentified Streetscape

Creator:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Extent:
1 Slides (photographs) (glass lantern, col., 3 x 5 in.)
Type:
Archival materials
Slides (photographs)
Date:
1930.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Railroad tracks  Search this
Billboards  Search this
Urban areas  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SRS080050
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS080: Unidentified Gardens and Streetscapes
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb669cb28cf-f658-49f7-9aba-a7c3027314d3
EDAN-URL:
ead_component:sova-aag-srs-ref3894

Unidentified Garden

Creator:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Extent:
1 Slides (photographs) (glass lantern, col., 3 x 5 in.)
Type:
Archival materials
Slides (photographs)
Date:
1930.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Summer  Search this
Railroads  Search this
Railroad tracks  Search this
Pavilions  Search this
Bridges -- wooden  Search this
Lampposts  Search this
Loading platforms  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SRS080052
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS080: Unidentified Gardens and Streetscapes
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb62a93bac7-6b32-43f7-8041-2cb19c214f34
EDAN-URL:
ead_component:sova-aag-srs-ref3895

Louis Armstrong and Sidney Bechet in New York, 1923-1925

Performer:
Armstrong, Louis, 1901-1971  Search this
Bechet, Sidney, 1897-1959  Search this
Artist:
Bechet, Sidney, 1897-1959  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Louisiana
New Orleans (La.)
Date:
1981
Contents:
Wild cat blues; Kansas City man blues; New Orleans hop scop blues; Shreveport blues; Old fashioned love; Texas moaner blues; Of all the wrongs you done to me; Everybody loves my baby (Clarence Williams' Blue Five) -- Everybody loves my baby (Alberta Hunter with Red Onion Jazz Babies) -- Of all the wrongs you done to me (Red Onion Jazz Babies) -- Everybody loves my baby; Mandy, make up your mind (Fletcher Henderson Orchestra) -- Anybody here want to try my cabbage?; Screamin' the blues; Good time flat blues (Maggie Jones) -- Mandy, make up your mind; I'm a little blackbird looking for a bluebird (Clarence Williams' Blue Five) -- Early every morn; Cake walking babies from home (Alberta Hunter with Red Onion Jazz Babies) -- Cake walking babies from home; Pickin' on your baby (Clarence William's blue five) -- Alabamy bound (Fletcher Henderson's Orchestra) -- Papa de-da-da (Clarence William's Blue Five) -- The world's jazz crazy and so am I; Railroad blues (Trixie Smith and her Down Home Syncopators) -- Money blues (Fletcher Henderson's Orchestra) -- Come on, Coot do that thing (Grant and Wilson) -- Livin' high; Coal cart blues; Santa Claus blues (Clarence William's Blue Five) -- Lucy Long; I ain't gonna play no second fiddle (Perry Bradford's Jazz Phools).
Local Numbers:
FP-RINZ-LP-2141

Smithsonian Collection of Recordings.026
Publication, Distribution, Etc. (Imprint):
United States Smithsonian Collection of Recordings 1981
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Program notes by Lewis Porter (8 p.) bound in container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
New Orleans jazz  Search this
Trumpet  Search this
Clarinet  Search this
African Americans  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-2141
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e3a67dac-2ae9-42f3-9d50-c3259928d1c3
EDAN-URL:
ead_component:sova-cfch-rinz-ref7440

American Folksay, Vols. 3 and 4: Ballads and Dances

Creator:
Goldstein, Kenneth S., 1927-1995  Search this
Recorder:
Asch, Moses  Search this
Producer:
Asch, Moses  Search this
Performer:
Leadbelly, 1885-1949  Search this
Houston, Cisco  Search this
Guthrie, Woody, 1912-1967  Search this
Terry, Sonny  Search this
Seeger, Pete, 1919-2014  Search this
White, Josh  Search this
Lieberman, Ernie, 1930-  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Oklahoma
Louisiana
Shreveport (La.)
Contents:
Yellow gal (Leadbelly, Cisco & Woody) -- Hard traveling (Woody Guthrie) -- The roving gambler (Cisco Houston) -- Lost John (Sonny & Woody) -- Casey Jones (Pete Seeger) -- Railroad whistle (Woody, Sonny & Cisco) -- I've a pretty flower (Leadbelly & Josh White) -- Bile dem cabbage down (Woody, Cisco & Sonny) -- Shenandoah (Ernie Lieberman) -- Cumberland Mountain bear chase (Pete Seeger) -- Stewball (Leadbelly, Woody & Cisco) -- Sowing on the mountain (Woody & Cisco) -- Bennington rifleman (Ernie Lieberman) -- Down in the willow garden (Cisco Houston) -- For Texas (Pete Seeger) -- Cripple Creek (Woody & Cisco).
Track Information:
101 Yellow Gal / Lead Belly, Cisco Houston, Woody Guthrie. Guitar.

102 Hard Traveling / Woody Guthrie. Guitar.

103 Roving Gambler / Cisco Houston. Guitar.

104 Lost John / Woody Guthrie, Sonny Terry. Guitar,Harmonica.

105 Casey Jones / Pete Seeger. Banjo.

106 Railroad Whistle / Cisco Houston, Woody Guthrie, Sonny Terry. Guitar,Harmonica.

107 Pretty Flower / Lead Belly, Josh White. Guitar.

108 Bile Them Cabbage Down / Cisco Houston, Woody Guthrie, Sonny Terry. Guitar,Harmonica.

201 Shenandoah / Ernie Lieberman.

202 Cumberland Mountain Bear Chase / Pete Seeger. Banjo.

203 Stewball / Lead Belly, Cisco Houston, Woody Guthrie. Guitar.

204 Sowing on the Mountain / Cisco Houston, Woody Guthrie. Guitar.

205 Bennington Rifleman / Ernie Lieberman.

206 Down in the Willow Garden (Willow Garden) / Cisco Houston. Guitar.

207 Blue Yodel #1 (T for Texas) / Pete Seeger. Banjo.

208 Cripple Creek / Cisco Houston, Woody Guthrie. Guitar.
Local Numbers:
FP-RINZ-LP-0775

Stinson.9
Publication, Distribution, Etc. (Imprint):
Granada Hills, Calif. Stinson
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Title from container. Notes by Ken Goldstein and texts on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk songs -- United States  Search this
Blues (Music)  Search this
Guitar  Search this
Harmonica  Search this
Banjo  Search this
African Americans  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0775
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b02fd2c2-f227-44b2-87d3-3d11d6e0fe96
EDAN-URL:
ead_component:sova-cfch-rinz-ref6218

Mississippi Blues, Vol. 1

Performer:
White, Bukka  Search this
Producer:
Fahey, John, 1939-2001  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Mississippi
Date:
196x
Contents:
Aberdeen Mississippi blues -- Baby please don't go -- New Orleans streamline -- Parchman Farm blues -- Poor boy long ways from home -- Remembrance of Charlie Patton -- Shake 'em on down -- I am in the heavenly way -- The Atlanta special -- Drunk man blues -- Army blues.
Track Information:
101 Aberdeen Mississippi Blues / Guitar.

102 Baby Please Don't Go / Guitar.

103 New Orleans Streamline / Guitar.

104 Parchman Farm Blues / Guitar.

105 Poor Boy a Long Way from Home / Guitar.

106 Rememberance of Charlie Patton / Guitar.

201 Shake 'Em on Down / Guitar.

202 I Am in the Heavenly Way / Guitar.

203 The Atlanta Special / Guitar.

204 Drunk Man Blues / Piano.

205 Army Blues / Guitar.
Local Numbers:
FP-RINZ-LP-0149

Takoma.1001
Publication, Distribution, Etc. (Imprint):
Takoma 196x
Date/Time and Place of an Event Note:
Recorded in: Mississippi, United States.
General:
Program and biographical notes by John Fahey on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Blues (Music)  Search this
Oral history  Search this
Gospel music  Search this
Guitar  Search this
Piano  Search this
Railroads  Search this
Prisons  Search this
African Americans  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0149
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f50d386f-24af-472f-b3e9-72189f496da7
EDAN-URL:
ead_component:sova-cfch-rinz-ref6232

Casey collection of lantern slides of the southwestern United States

Publisher:
Detroit Publishing Co.  Search this
National Geographic Society (U.S.)  Search this
United States. Bureau of Reclamation  Search this
Bond, George W.  Search this
Collector:
Casey  Search this
Cooper, John M. (John Montgomery), 1881-1949  Search this
Donor:
Cooper, John M. (John Montgomery), 1881-1949  Search this
Names:
Judd, Neil Merton, 1887-1976  Search this
Extent:
81 Lantern slides
Culture:
Indians of North America -- Southwest, New  Search this
A:shiwi (Zuni)  Search this
Apache  Search this
Akimel O'odham (Pima)  Search this
Diné (Navajo)  Search this
White Mountain Apache  Search this
Acoma Pueblo  Search this
Tewa Pueblos  Search this
Hopi Pueblo  Search this
Laguna Indians  Search this
Jemez Pueblo  Search this
Taos Indians  Search this
Type:
Collection descriptions
Archival materials
Lantern slides
Place:
Carlsbad Caverns (N.M.)
Santa Fe (N.M.)
Date:
circa 1920s
Scope and Contents note:
Lantern slides depicting the people and landscape of the American Southwest. Images include those of Puebloan people, dwellings, churches, dances and ceremonies, archaeological excavations (including Pueblo Bonito and Neil M. Judd with his excavation party), pictographs, and landscapes. Tribes represented include Acoma, White Mountain Apache, Hopi (Mishongnovi), Laguna, Navajo, Taos, and Santa Clara. The slides were largely commercially distributed by the George W. Bond, Chicago Slide Company, Chicago Transparency Company (for the Santa Fe Railroad), Detroit Slide Company, Edward H. Kemp, National Geographic Society, and United States Bureau of Reclamation. The collection was listed as the "Casey collection" by Father John Montgomery Cooper when it was brought to the museum.
Local Call Number(s):
NAA Photo Lot 32, USNM ACC 211312
Location of Other Archival Materials:
Artifacts donated by the Department of Anthropology, Catholic University of America in accession 211312 held in the anthropology collections of the National Museum of Natural History. Additional photographs donated by Catholic University of America can be found in Photo Lot 20 in the National Anthropological Archives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Excavations (Archaeology)  Search this
Pueblos  Search this
Dwellings  Search this
Citation:
Photo lot 32, Casey collection of lantern slides of the southwestern United States, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.32
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw374851650-163b-4607-bd62-8692ea73bbc7
EDAN-URL:
ead_collection:sova-naa-photolot-32
Online Media:

Photographs of Mexico and Latin America

Creator:
Holmes, William Henry, 1846-1933  Search this
Photographer:
Parker  Search this
Doty, Charles Edward, 1862-1921  Search this
Jackson, William Henry, 1843-1942  Search this
Kildare, Edward James  Search this
Matteson, Sumner W., 1867-1920  Search this
Waite, C. B. (Charles Betts), 1861-1927  Search this
Extent:
150 Prints (circa, silver gelatin and albumen)
1 Print (halftone)
Culture:
Mexicans  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Cuba
Mexico
Guatemala
Chile
Date:
circa 1895-1907
Scope and Contents note:
Photographs documenting Mexican people in built and natural environments, as well as industries, markets, and agriculture. The photographs were originally contained in envelopes labeled by William Henry Holmes, who may have collected them during his travels to Mexico. The collection also includes some photographs made in Cuba, Guatemala, and Chile, as well as Holmes's notes on Argentina. The bulk of the photographs were made by William Henry Jackson; additional photographs were made by Charles Edward Doty, E. J. Kildare, Sumner W. Matteson, C. B. Waite, and Corral and Parker studios.
Biographical/Historical note:
William Henry Holmes (1846-1933) was an artist, geologist, and archeologist who spent most of his career with the United States Geological Survey of the Territories, United States Geological Survey, Bureau of American Ethnology, and Department of Anthropology of the Smithsonian. From 1894-1897, he was the head of anthropology at the Field Columbian Museum (Field Museum of Natural History) and on the staff of the University of Chicago. During this time, he carried out investigations of ancient ruins in the Yucatan and other areas of Mesoamerica as a member of an expedition of Allison V. Armour. Holmes served as head curator for the US National Museum Department of Anthropology from 1897-1902 and head of the BAE from 1902-1909.

William Henry Jackson was a photographer for the US Geological and Geographical Surveys (1870-1878) before he opened a studio in Denver, Colorado, and began making official photographs for various railroad companies. In 1883, he made his first trip to Mexico under the sponsorship of the Mexican Central Railway. On one of his subsequent trips, he was accompanied by William Henry Holmes, who may have collected Jackson's photographs because of this trip.
Local Call Number(s):
NAA Photo Lot 87-20
Location of Other Archival Materials:
Manuscripts and notes by Holmes can be found throughout the National Anthropological Archives in MS 4698, MS 2125, MS 7112, and MS 7570.
The Smithsonian Institution Archives holds the William Henry Holmes Papers, 1870-1931 (SIA RU007084).
Additional photographs by Jackson can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Agriculture  Search this
Markets  Search this
Cities and towns  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 87-20, Photographs of Mexico and Latin America, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.87-20
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a7153716-1c66-43c7-9ff5-16769f2fec20
EDAN-URL:
ead_collection:sova-naa-photolot-87-20

William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians

Creator:
Jackson, William Henry, 1843-1942  Search this
Photographer:
Geological Survey (U.S.)  Search this
J. Gurney & Son  Search this
Savage & Ottinger  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Carter, C. W., 1832-1918  Search this
Chamberlain, W. G. (William Gunnison)  Search this
Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
M'Clees, Jas. E. (James E.)  Search this
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Ulke, Henry, 1821-1910  Search this
Vannerson, Julian, 1827-  Search this
Westmann, Orloff R.  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Names:
Geological Survey of the Territories (U.S.) (1862-1872) (Hayden Survey)  Search this
Powell-Thompson Survey  Search this
Extent:
9 Albums (circa 4000 prints, albumen (some copies))
Culture:
White Mountain Apache  Search this
Warm Springs Chiricahua Apache (New Mexico)  Search this
Wahpetonwan Dakota (Wahpeton Sioux)  Search this
Waco Indians  Search this
White River Ute (Yampa)  Search this
Wyandot  Search this
Ho-Chunk (Winnebago)  Search this
Wichita  Search this
Tewa Pueblos  Search this
Taos Indians  Search this
Stockbridge Indians  Search this
Sisitonwan Dakota (Sisseton Sioux)  Search this
Ute  Search this
Uintah Ute  Search this
Tonkawa  Search this
Pueblo  Search this
Tohono O'odham (Papago)  Search this
Akimel O'odham (Pima)  Search this
A:shiwi (Zuni)  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Montauk  Search this
Bannock  Search this
Diné (Navajo)  Search this
Brotherton Indians  Search this
Modoc  Search this
Inunaina (Arapaho)  Search this
Mojave (Mohave)  Search this
Sahnish (Arikara)  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Missouria (Missouri)  Search this
Apache  Search this
Numakiki (Mandan)  Search this
Chiricahua Apache  Search this
Miami  Search this
Oto  Search this
Kitchai Wichita  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Kiowa  Search this
Osage  Search this
Chickasaw  Search this
Odawa (Ottawa)  Search this
Jicarilla Apache  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Cherokee  Search this
Omaha  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Niimíipuu (Nez Perce)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Caddo  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Iowa  Search this
Sauk  Search this
Seminole  Search this
Dakota (Eastern Sioux)  Search this
Shawnee  Search this
Potawatomi  Search this
Shoshone  Search this
Indians of North America -- Southwest, New  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Choctaw  Search this
Cochiti Pueblo  Search this
Niuam (Comanche)  Search this
Muskogee (Creek)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sioux  Search this
Lenape (Delaware)  Search this
Fox  Search this
Hopi Pueblo  Search this
Seneca  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Date:
circa 1877
Scope and Contents note:
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.

The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Northeast  Search this
Pueblos  Search this
Indians of North America -- Southern states  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4420
See more items in:
William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3579a455e-5931-4e6e-9659-42bb7718b6fd
EDAN-URL:
ead_collection:sova-naa-photolot-4420
Online Media:

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Korin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the Estate of Charles Lang Freer.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3f1a0e3e0-630c-48d4-ba28-485946b1d615
EDAN-URL:
ead_collection:sova-fsa-a-01
Online Media:

Southern Journey, Vol. 9: Bad Man Ballads

Recorder:
Lomax, Alan, 1915-2002  Search this
Performer:
Carter, James  Search this
Ball, E.C. (Estil Cortez), 1913-1978  Search this
Smith, Hobart, 1897-1965  Search this
Riddle, Almeda  Search this
Moore, Johnny Lee  Search this
Birns, Roy  Search this
Moore, Spence  Search this
Batts, Floyd  Search this
Helmes, Carolyn Mainer  Search this
Mainer, J. E. (Joseph E.), 1898-1971  Search this
Mainer, Mary  Search this
Morris, Neil, folk singer  Search this
Bright Light Quartet  Search this
Producer:
Goldstein, Kenneth S., 1927-1995  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Date:
1961
Contents:
Pretty Polly (Estil C. Ball, vocal & guitar) -- Po' Laz'rus (Bright Light Quartet) -- Claude Allen (Hobart Smith, vocal & guitar) -- Hangman tree (Almeda Riddle, vocals) -- Early in the mornin' (Johnny Lee Moore, lead vocal, with prisoners from Camp B, Mississippi State Penitentiary at Lambert) -- Lawson murder (Spencer Moore, vocal & guitar; and Roy Everett Birns, mandolin) --Dangerous blues (Floyd Batts, vocals) --Railroad Bill (Hobart Smith, vocal & guitar) --Columbus stockade (Carolyn Mainer Helmes, Mary Mainer, vocals & guitars; J.E. Mainer, fiddle; Glen Mainer, banjo; Floyd Overcash, bass) -- Willie Brennan (Neil Morris, vocal & guitar) -- Hawkins County jail (Hobart Smith, vocal & 5-string banjo) -- Po' Laz'rus (James Carter, lead vocal, with prisoners from Camp B, Mississippi State Penitentiary at Lambert). Pretty Polly -- Po' Laz'rus -- Claude Allen -- Hangman tree --Early in the mornin' -- The Lawson murder -- Dangerous blues -- Railroad Bill -- Columbus Stockade -- Willie Brennan -- Hawkins County Jail -- Po' Laz'rus.
Track Information:
101 Pretty Polly / E.C. Ball. Guitar.

102 Po' Laz'Rus / Bright Light Quartet.

103 Claude Allen / Hobart Smith. Guitar.

104 Hangman Tree (Child No. 95)/ Almeda Riddle.

105 Early In the Mornin' / Johnny Lee Moore.

106 The Lawson Murder / Roy Birns, Spence Moore. Guitar,Mandolin.

201 Dangerous Blues / Floyd Batts.

202 Railroad Bill / Hobart Smith. Guitar.

203 Columbus Stockade / Carolyn Mainer Helmes, J. E. (Joseph E.) Mainer, Mary Mainer. Guitar,Fiddle,Banjo,Bass.

204 Willie Brennan / Neil Morris. Guitar.

205 Hawkins County Jail / Hobart Smith. Banjo.

206 Po' Laz'Rus / James Carter.
Local Numbers:
FW-ASCH-LP-1690

Prestige/International.25009
Publication, Distribution, Etc. (Imprint):
Bergenfield, N.J. Prestige International 1961
General:
Additional imprint on container: Prestige International. Program notes by Alan Lomax on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk songs -- United States  Search this
Ballads  Search this
Spirituals (Songs)  Search this
Gospel music  Search this
Prisoners' songs  Search this
Blues (Music)  Search this
Guitar  Search this
Mandolin  Search this
Violin  Search this
Banjo  Search this
Bass  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-1690
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55ec3a562-7335-4217-8ca6-41bebb9c62f2
EDAN-URL:
ead_component:sova-cfch-asch-ref16938

Anthology of American Folk Music, Vol. 1: Ballads

Creator:
Smith, Harry Everett, 1923-1991  Search this
Performer:
Patton, Charley, 1891-1934  Search this
Justice, Dick, 1906-1962  Search this
Ashley, Clarence, 1895-1967  Search this
Jones, Coley  Search this
Reed, Belle  Search this
Reed, Bill  Search this
Kazee, Buell, 1900-1976  Search this
Parker, Chubby  Search this
Dunford, Uncle Eck, 1878-1953  Search this
Burnett, Dick  Search this
Rutherford, Leonard  Search this
Foster, Garley  Search this
Grayson, G.B.  Search this
Harrell, Kelly, 1889-1942  Search this
Crain, Edward L.  Search this
Hutchison, Frank, 1897-1945  Search this
Poole, Charlie, 1892-1931  Search this
Lewis, Furry, 1893-1981  Search this
Smith, Versey  Search this
Smith, William  Search this
Carter, Buster  Search this
Young, Preston, 1907-  Search this
Hurt, Mississippi John, 1894-1966  Search this
Nelstone's Hawaiians (Musical group)  Search this
Burnett and Rutherford (Musical group)  Search this
Carolina Tar Heels  Search this
Texas Cowboy  Search this
Virginia String Band  Search this
Carter Family (Musical group)  Search this
North Carolina Ramblers  Search this
Bently Boys  Search this
Williamson Brothers & Curry (Musical group)  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
2 Phonograph records (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
Appalachian Region, Southern -- Songs and music
Texas
United States
Dallas (Tex.)
Tennessee
United States--West
Maryland
Kentucky
North Carolina
Virginia
West Virginia
Memphis (Tenn.)
Mississippi
Avalon (Miss.)
United States--South
Date:
1952
Contents:
Henry Lee -- Fatal flower garden -- House carpenter -- Drunkards special -- Old lady and the devil -- The butcher's boy -- The wagoner's lad -- King kong kitchie kitchie ki-me-o -- Old shoes and leggins -- Willie Moore -- Lazy farmer boy -- Peg and awl -- Ommie Wise -- My name is John Johanna -- Bandit Cole Younger -- Charles Giteau -- John Hardy was a desperate little man -- Gonna die with my hammer in my hand -- Stackalee -- White House blues -- Frankie -- When that great ship went down -- Engine 143 -- Kassie Jones -- Down on Penny's farm -- Mississippi boweavil blues -- Got the farm land blues.
Track Information:
101 Henry Lee (Child No. 68) / Dick Justice. Guitar.

102 Fatal Flower Garden / Nelstone's Hawaiians (Musical group). Guitar.

103 House Carpenter (Child No. 243)/ Clarence Ashley. Banjo.

104 Drunkards Special (Child No. 274) / Coley Jones. Guitar.

105 The Old Lady and the Devil (Child No. 278)/ Belle Reed, Bill Reed. Guitar.

106 The Butcher Boy, The - Railroad Boy / Buell Kazee. Banjo.

107 Wagoners Lad, The - Loving Nancy / Buell Kazee. Banjo.

201 King Kong Kitchie Kitchie Ki-Me-O / Chubby Parker. Banjo.

202 Old Shoes and Leggins / Uncle Eck Dunford. Guitar,Banjo,Harmonica,Violin,Autoharp.

203 Willie Moore / Burnett and Rutherford (Musical group), Dick Burnett, Leonard Rutherford. Banjo,Fiddle.

205 Peg and Awl / Clarence Ashley, Carolina Tar Heels, Garley Foster. Guitar,Banjo,Harmonica.

206 Omie Wise / G. B. Grayson. Fiddle.

207 My Name is John Johanna (John Johanna) / Kelly Harrell. Guitar,Banjo,Fiddle.

301 Cole Younger / Texas Cowboy, Edward L. Crain. Guitar.

302 Charles Giteau / Kelly Harrell, Virginia String Band. Guitar,Banjo,Fiddle.

303 John Hardy / Carter Family. Guitar,Autoharp.

305 Stackalee (Stagger Lee) / Frank Hutchison. Guitar,Harmonica.

306 White House Blues / North Carolina Ramblers, Charlie Poole. Guitar,Banjo,Fiddle.

403 Kassie Jones (Casey Jones) / Furry Lewis. Guitar.

401 When That Great Ship Went Down (The Titanic) / Versey Smith, William Smith. Guitar,Tambourine (Drum).

402 Engine One-Forty-Three / Carter Family. Guitar,Autoharp.

404 Down on Penny's Farm / Bently Boys. Guitar,Banjo.

204 A Lazy Farmer Boy / Buster Carter, Preston Young. Guitar,Violin.

304 Gonna Die With My Hammer in My Hand (John Henry) / Williamson Brothers & Curry (Musical group). Guitar.

307 Frankie (Frankie and Johnny) / Mississippi John Hurt. Guitar.

405 Mississipi Boweavil Blues (Boweavil Blues)(Boll Weevil) / Charley Patton. Guitar.

406 Got the Farm Land Blues / Clarence Ashley, Carolina Tar Heels, Garley Foster. Guitar,Banjo,Harmonica.
Local Numbers:
Folkways.2951; Folkways.251

FW-ASCH-LP-02951
Publication, Distribution, Etc. (Imprint):
New York Folkways 1952
Date/Time and Place of an Event Note:
Recorded in: Dallas (Tex.), United States, Texas.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Old-time music  Search this
Ballads  Search this
Folk songs -- United States  Search this
Murder  Search this
Maritime  Search this
Disasters  Search this
Wit and humor  Search this
Marriage  Search this
love songs  Search this
Animals  Search this
String band  Search this
Working class -- Songs and music  Search this
Crime  Search this
Outlaw songs  Search this
Topical songs  Search this
Blues (Music)  Search this
Protest songs  Search this
Railroads  Search this
Agriculture  Search this
Courtship  Search this
Adunke  Search this
Guitar  Search this
Banjo  Search this
Harmonica  Search this
Violin  Search this
Autoharp  Search this
Violin  Search this
Tambourine (Drum)  Search this
Labor  Search this
Industrial revolution  Search this
Railroads  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-02951
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5569933a9-9fc7-4d0f-b251-9b38d937c9b2
EDAN-URL:
ead_component:sova-cfch-asch-ref24607

Anthology of American Folk Music, Vol. 3: Songs

Creator:
Smith, Harry Everett, 1923-1991  Search this
Performer:
Thomas, Henry, 1874-1952  Search this
Ashley, Clarence, 1895-1967  Search this
Kazee, Buell, 1900-1976  Search this
Thompson, Ashley  Search this
Lewis, Noah, 1895-1961  Search this
Herbert, Didier  Search this
Brown, Richard, -1937  Search this
Boggs, Dock, 1898-1971  Search this
Mahaffey, Hub  Search this
Lunsford, Bascom Lamar, 1882-1973  Search this
Stoneman, Ernest V.  Search this
Stoneman, Hattie  Search this
Breaux, Cleoma, d. 1940  Search this
Falcon, Joe, 1900-1965  Search this
Jefferson, Blind Lemon, 1897-1929  Search this
Estes, Sleepy John, 1899-1977  Search this
Thomas, Willard  Search this
Cannon, Gus, 1883-1979  Search this
Daniels, Julius  Search this
Breaux, Ophy  Search this
McGee, Sam, 1894-1975  Search this
Macon, Uncle Dave, 1870-1952  Search this
Hurt, Mississippi John, 1894-1966  Search this
Nestor, J.P. (J. Preston), 1876-1967  Search this
Maynard, Ken, 1895-1973  Search this
Cannon's Jug Stompers  Search this
Memphis Jug Band  Search this
Carter Family (Musical group)  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
2 Phonograph records (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Cajuns  Search this
Type:
Archival materials
Phonograph records
Place:
Tennessee
United States
Memphis (Tenn.)
Louisiana
New Orleans (La.)
Virginia
Maces Springs (Va.)
Kentucky
Texas
Brownsville (Tenn.)
United States--South
Mississippi
Date:
1952
Contents:
The coo coo bird (Clarence Ashley) -- East Virginia (Buell Kazee) -- Minglewood blues (Cannon's Jug Stompers) -- One morning in May (Didier Herbert) -- James Alley (Richard Brown) -- Sugar baby ("Dock" Boggs) -- I wish I was a mole (Bascom Lunsford) -- Mountaineer's courtship (Mr. & Mrs. Stoneman) -- Merchant's daughter (Stoneman Family) -- Bob Lee Junior blues (Memphis Jug Band) -- Single girl (The Carter Family) -- Le vieux soulard (C. Breaux & J. Falcon) -- Rabbit foot blues (Blind Lemon Jefferson) -- Expressman blues (John Estes) -- Poor boy blues (Ramblin' Thomas) -- Feather bed (Cannon's Jug Stompers) -- Country blues ("Dock" Boggs) -- Ninety-nine year blues (Julius Daniels) -- Prison cell blues (Blind Lemon Jefferson) -- Two white horses (Blind Lemon Jefferson) -- C'est si triste (C. & O. Breaux & Falcon) -- Way down the old plank road (Uncle Dave Macon) -- Roll down the line (Uncle Dave Macon) -- Spike driver blues (John Hurt) -- K.C. Moan (Memphis Jug Band) -- Train on the island (J.P. Nestor) -- Lone star trail (Ken Maynard) -- Fishing blues (Henry Thomas).
Track Information:
101 The Coo Coo Bird / Clarence Ashley. Banjo. English language.

102 East Virginia / Buell Kazee. Banjo. English language.

103 Minglewood Blues / Cannon's Jug Stompers, Ashley Thompson, Noah Lewis. Banjo,Harmonica,Guitar,Jug. English language.

104 I Woke Up One Morning in May / Didier Herbert. Guitar. French language,Cajun French dialect.

105 James Alley Blues / Richard (Richard "Rabbit") Brown. Guitar. English language.

106 Sugar Baby / Dock Boggs, Hub Mahaffey. Banjo,Guitar. English language.

107 I Wish I Was a Mole in the Ground / Bascom Lamar Lunsford. Banjo. English language.

201 The Mountaineer's Courtship / Ernest V. Stoneman, Hattie Stoneman. Harmonica,Guitar. English language.

202 The Spanish Merchants Daughter / Ernest V. Stoneman, Hattie Stoneman. Harmonica,Guitar,Fiddle. English language.

203 Bob Lee Junior Blues / Memphis Jug Band. Guitar,Jug,Kazoo,Banjo-mandolin. English language.

204 Single Girl, Married Girl / Carter Family. Guitar,Autoharp. English language.

205 The Vieux Soulard Et Sa Femme, Le - Old Drunkard and His Wife / Cleoma Breaux, Joe Falcon. Guitar,Accordion. French language,Cajun French dialect.

206 Rabbit Foot Blues / Blind Lemon Jefferson. Guitar. English language.

207 Expressman Blues / Sleepy John Estes. Guitar,Piano,Mandolin. English language.

301 Poor Boy Blues / Willard Thomas. Guitar. English language.

302 Feather Bed - Lost John / Cannon's Jug Stompers, Gus Cannon. Banjo,Harmonica,Guitar,Jug. English language.

303 Country Blues / Dock Boggs. Banjo. English language.

304 Ninety-Nine Year Blues / Julius Daniels. Guitar. English language.

305 Prison Cell Blues / Blind Lemon Jefferson. Guitar. English language.

306 See That My Grave is Kept Clean - Two White Horses / Blind Lemon Jefferson. Guitar. English language.

307 C'Est Si Triste Sans Lui -It Is So Blue without Him / Cleoma Breaux, Joe Falcon, Ophy Breaux. Guitar,Accordion. French language,Cajun French dialect.

401 Way Down the Old Plank Road - Down Plank Road / Sam McGee, Uncle Dave Macon. Banjo,Guitar. English language.

402 Buddy Won't You Roll Down the Line / Sam McGee, Uncle Dave Macon. Banjo. English language.

403 Spike Driver Blues / Mississippi John Hurt. Guitar. English language.

404 K. C. Moan / Memphis Jug Band. Banjo,Harmonica,Guitar,Jug,Kazoo. English language.

405 Train on the Island / J. P. Nestor. Banjo,Violin. English language.

406 The Lone Star Trail / Ken Maynard. Guitar. English language.

407 Fishing Blues / Henry Thomas. Guitar,Quills (Musical instrument). English language.
Local Numbers:
Folkways.2953; Folkways.253

FW-ASCH-LP-02953
Publication, Distribution, Etc. (Imprint):
New York Folkways 1952
General:
Title of vol. 3: Songs. Booklet by Harry Smith containing program notes and bibliographical and discographical references (28 p. : ill.) laid in. Cannon's Jug Band: Noah Lewis: Harmonica Gus Cannon: Jug and Banjo Ashley Thompson: Guitar (Thompson sings on "Minglewood Blues.")
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Animals  Search this
Nonsense literature  Search this
Folk songs -- United States  Search this
love songs  Search this
Jug band music  Search this
Blues (Music)  Search this
Wit and humor  Search this
Courtship  Search this
Marriage  Search this
Prisoners' songs  Search this
Old-time music  Search this
Railroads  Search this
Work songs  Search this
Railroads -- Songs and music  Search this
Cowboys -- Songs and music  Search this
Banjo  Search this
Harmonica  Search this
Guitar  Search this
Jug  Search this
Violin  Search this
Kazoo  Search this
Banjo-mandolin  Search this
Autoharp  Search this
Accordion  Search this
Piano  Search this
Mandolin  Search this
Violin  Search this
Quills (Musical instrument)  Search this
Industrial revolution  Search this
Motion pictures  Search this
African Americans  Search this
Function:
Labor unions
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-02953
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a20a1e73-6c4c-44dc-9382-cb39b6be4ca6
EDAN-URL:
ead_component:sova-cfch-asch-ref24609

His Folkways Years, 1963-1968

Performer:
Boggs, Dock, 1898-1971  Search this
Creator:
O'Connell, Barry, 1943-  Search this
Recorder:
Seeger, Mike, 1933-2009  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound discs
Place:
Appalachian Region, Southern -- Songs and music
Virginia
United States
Norton (Va.)
Date:
1998
Contents:
Down South blues (2:08) -- Country blues (3:48) -- Pretty Polly (2:52) -- Coal Creek march (1:53) -- My old horse died (1:43) -- Wild Bill Jones (2:08) -- Rowan County crew (6:06) -- New prisoner's song (2:51) -- Oh, death (3:15) -- Prodigal son (3:52) -- Mother's advice (3:38) -- Drunkard's lone child (4:04) -- Bright sunny South (3:36) -- Mistreated mama blues (1:49) -- Harvey Logan (3:24) -- Mixed blues (3:49) -- Old Joe's barroom (2:46) -- Danville girl (2:33) -- Cole Younger (1:48) -- Schottische time (1:13) -- Papa, build me a boat (2:40) -- Little black train (2:51) -- No disappointment in heaven (2:28) -- Glory land (4:00) -- Banjo clog (1:47) -- Wise County jail (1:48) -- Sugar baby (2:50) -- The death of Jerry Damron (4:13) -- Railroad tramp (3:10) -- Poor boy in jail (2:54) -- Brother Jim got shot (1:56) -- John Henry (3:27) -- Davenport (1:41) -- Dying ranger (3:25) -- Little Omie Wise (3:23) -- Sugar blues (1:22) -- Loving Nancy (2:26) -- Cuba (1:26) -- John Hardy (2:02) -- Peggy Walker (2:52) -- I hope I live a few more days (4:07) -- Turkey in the straw (:47) -- Calvary (3:30) -- Roses while I'm living (3:21) -- Leave it there (3:20) -- Prayer of a miner's child (3:17) -- Coke oven march (1:00) -- Ruben's train (2:19) -- Cumberland Gap (2:26) -- Careless love (4:05).
Track Information:
101 Down South Blues / Banjo.

102 Country Blues / Banjo.

103 Pretty Polly / Banjo.

104 Coal Creek March / Banjo.

105 My Old Horse Died / Banjo.

106 Wild Bill Jones / Banjo.

107 Rowan County Crew / Banjo.

108 New Prisoner's Song / Banjo.

109 Oh, Death / Banjo.

110 Prodigal Son / Banjo.

111 Mother's Advise / Banjo.

112 Drunkard's Lone Child / Banjo.

113 Bright Sunny South / Banjo.

114 Mistreated Mama Blues / Banjo.

115 Harvey Logan / Banjo.

116 Mixed Blues / Banjo.

117 Old Joe's Barroom / Banjo.

118 Danville Girl / Banjo.

119 Cole Younger / Banjo.

120 Schottische Time / Banjo.

121 Papa, Build Me a Boat / Banjo.

122 Little Black Train / Banjo.

123 No Disappointment in Heaven / Banjo.

124 Glory Land / Banjo.

201 Banjo Clog / Banjo.

202 Wise County Jail / Banjo.

203 Sugar Baby / Banjo.

204 The Death of Jerry Damron / Banjo.

205 Railroad Tramp / Banjo.

206 Poor Boy in Jail / Banjo.

207 Brother Jim Got Shot / Banjo.

208 John Henry / Banjo.

209 Davenport / Banjo.

210 Dying Ranger / Banjo.

211 Little Omie Wise / Banjo.

212 Sugar Blues / Banjo.

213 Loving Nancy / Banjo.

214 Cuba / Banjo.

215 John Hardy / Banjo.

216 Peggy Walker / Banjo.

217 I Hope I Live a Few More Days / Banjo.

218 Turkey in the Straw / Banjo.

219 Calvary / Banjo.

220 Roses While I'm Living / Banjo.

221 Leave it There / Banjo.

222 Prayer of a Miner's Child / Banjo.

223 Coke Oven March / Banjo.

224 Ruben's Train / Banjo.

225 Cumberland Gap / Banjo.

226 Careless Love / Banjo.
Local Numbers:
FW-COMM-CD-40108-7

FLP.125949

FLP.125949 ;.Smithsonian Folkways.40108
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Smithsonian Folkways 1998
Date/Time and Place of an Event Note:
Recorded in: Norton (Va.), United States, Virginia.
General:
Commercial

Smithsonian Folkways: SFW 40108 (on container: SF 40108). Blues, instrumentals, regional, and religious songs. Originally released as analog discs in 1963 (Folkways [FA] 2351), 1965 (Folkways [FA] 2392), and 1970 (Folkways [i.e. Asch Recordings AH] 3903). Compact disc. Program and biographical notes by Barry O'Connell and Mike Seeger, including bibliography and discography (34 p. : ports.) inserted in container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Old-time music  Search this
Folk songs -- United States  Search this
Banjo  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-COMM-CD-40108-7
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / Commercial / COMM CD
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
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