Photographs documenting Mexican people in built and natural environments, as well as industries, markets, and agriculture. The photographs were originally contained in envelopes labeled by William Henry Holmes, who may have collected them during his travels to Mexico. The collection also includes some photographs made in Cuba, Guatemala, and Chile, as well as Holmes's notes on Argentina. The bulk of the photographs were made by William Henry Jackson; additional photographs were made by Charles Edward Doty, E. J. Kildare, Sumner W. Matteson, C. B. Waite, and Corral and Parker studios.
Biographical/Historical note:
William Henry Holmes (1846-1933) was an artist, geologist, and archeologist who spent most of his career with the United States Geological Survey of the Territories, United States Geological Survey, Bureau of American Ethnology, and Department of Anthropology of the Smithsonian. From 1894-1897, he was the head of anthropology at the Field Columbian Museum (Field Museum of Natural History) and on the staff of the University of Chicago. During this time, he carried out investigations of ancient ruins in the Yucatan and other areas of Mesoamerica as a member of an expedition of Allison V. Armour. Holmes served as head curator for the US National Museum Department of Anthropology from 1897-1902 and head of the BAE from 1902-1909.
William Henry Jackson was a photographer for the US Geological and Geographical Surveys (1870-1878) before he opened a studio in Denver, Colorado, and began making official photographs for various railroad companies. In 1883, he made his first trip to Mexico under the sponsorship of the Mexican Central Railway. On one of his subsequent trips, he was accompanied by William Henry Holmes, who may have collected Jackson's photographs because of this trip.
Local Call Number(s):
NAA Photo Lot 87-20
Location of Other Archival Materials:
Manuscripts and notes by Holmes can be found throughout the National Anthropological Archives in MS 4698, MS 2125, MS 7112, and MS 7570.
The Smithsonian Institution Archives holds the William Henry Holmes Papers, 1870-1931 (SIA RU007084).
Additional photographs by Jackson can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Date:
circa 1877
Scope and Contents note:
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.
The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Indians of North America -- Southern states Search this
Genre/Form:
Photographs
Citation:
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Date:
circa 1870-1871
Scope and Contents note:
Photographs collected by John Warren Beaman during Ferdinand Hayden's 1870 or 1871 geological surveys of the Yellowstone region. The photographs, probably made by William Henry Jackson, depict Plains people, possibly Wichita, as well as grass houses, a fence, and a dancer.
Biographical/Historical note:
John Warren Beaman (1845-1903) completed a three-year course at the Troy Polytechnic Institute in Civil and Mining Engineering and soon afterward began work as a meteorologist with Hayden's 1870 and 1871 surveys in Wyoming Territory, for which William Henry Jackson was the official photographer. After the 1871 Yellowstone Survey, Beaman began teaching at the Red Wing Collegiate Institute in Red Wing, Minnesota, after which he spent much of 1872 visiting Henry Elliott in the Pribilof Islands with his wife, Libby Beaman.
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. He was photographer for the US Geological and Geographical Surveys (1870-1878), documenting the American west and publishing the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies.
Local Call Number(s):
NAA Photo Lot 95-20
Location of Other Archival Materials:
Additional Jackson photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot 87-2P, Photo Lot 87-20, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
The National Museum of the American Indian Archives holds the William Henry Jackson photographs and negatives, circa 1860-1910.
Photographs made by William R. Pywell documenting the Yellowstone Expedition of 1873. They comprise images of the expedition's camps, transportation, and members including George Armstrong Custer and Bloody Knife. The collection contains images of human remains.
Scope and Contents note:
Stereoscopic photographs made by William R. Pywell documenting the Yellowstone Expedition of 1873. They comprise images of the expedition's camps, transportation, and members including George Armstrong Custer and Bloody Knife.
Biographical/Historical note:
William Redish Pywell (1843-1886) received photographic training from Alexander Gardner and worked as a photographer in a Washington, D.C., studio owned by Matthew Brady during and after the Civil War. After opening his own studio in Washington, Pywell became official photographer for the Yellowstone Expedition in 1873.
Historical Note:
Comprised primarily of US Army cavalry and infantry, the Yellowstone Expedition of 1873 was organized to escort and protect the Northern Pacific Railroad Survey. Colonel David S. Stanley led the expedition, with Lieutenant Commander George Armstrong Custer second in command. The War Department also charged Stanley with exploring the region and reporting back on the natural features and resources. As such, a small scientific corps consisting of a paleontologist, geologist, mineralogist, zoologist, botanist, photographer (Pywell), and artist accompanied the expedition. The party set out to Yellowstone from Fort Rice in Dakota Territory in June of 1873, returning in September.
Location of Other Archival Materials:
The National Archives holds Pywell negatives transferred by the BAE circa 1948 (Record Group 106) and the E. Marshall Pywell Photographic Collection, circa 1874 - circa 1975. Additional records of the Yellowstone Expedition can be found in Record Group 391 and 393.
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Copy prints
Place:
Yosemite National Park (Calif.)
Washington (D.C.)
Florida
Yellowstone National Park
Colorado
Date:
mid-19th - early 20th century
Scope and Contents note:
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans; pueblos; dances; and an encampment during the Modoc War and Plains Indian prisoners at Fort Marion, Florida (1870s).
Expedition photos in the collection were made on T. O. Selfridgeʹs Darien Expedition (1870-1871), the Wheeler surveys (1871-1874), and the Hayden Geological Survey (1871). The collection also includes portraits of Frederick Douglass, Sitting Bull, and John A. Logan; and images from Buffalo Bill's Wild West Show; Company F of New York's 140th Volunteer Infantry; and the Smithsonian in Washington, DC.
Local Call Number(s):
NAA Photo Lot R79
Reproduction Note:
Copy negatives made by George Eastman House, 1962.
Copy prints made by the Smithsonian, 1962-1963.
Location of Other Archival Materials:
The National Anthropological Archives holds vintage prints for many of the photographs copied in this collection, including in Photo lot 4501, Photo Lot 4605, and Photo Lot 90-1.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
The images were acquired for reference purposes and cannot be reproduced. Copies may be obtained from George Eastman House, International Museum of Photography and Film.
Portraits of Leon Palliday and "Nick" Jenise, two American Indian language interpreters for the United States Geological Survey of the Territories. Notation on the verso incorrectly identifies the photographer as Charles Milton Bell.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. He was photographer for the US Geological and Geographical Surveys (1870-1878), documenting the American west and publishing the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies.
Local Call Number(s):
NAA Photo Lot R82-10
Reproduction Note:
Copy prints made by the Amon Carter Museum of American Art, circa 1981.
Location of Other Archival Materials:
Additional photographs by Jackson can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot 87-2P, Photo Lot 87-20, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
The National Museum of the American Indian Archives holds the William Henry Jackson photographs and negatives, circa 1860-1910.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Genre/Form:
Studio portraits
Photographs
Citation:
Photo lot R82-10, Copies of William Henry Jackson photographs of Nick Jenise and Leon Palliday, National Anthropological Archives, Smithsonian Institution
1,195 Prints (albumen, silver gelatin, and platinum)
Type:
Collection descriptions
Archival materials
Prints
Photomechanical prints
Photographs
Stereographs
Postcards
Place:
Wyoming
Virginia
New York
New Mexico
Vermont
South Carolina
Maine
Louisiana
Massachusetts
Maryland
Montana
Nebraska
Alaska
British Columbia
Arizona
Colorado
California
Date:
1871-1912
Scope and Contents note:
Photographs of geologic features and the natural environment of the American West, Alaska, and Mexico, most of which were created during government surveys and the expansion of railroads during the 1800s. There are also photographs collected and made by individuals who worked or traveled in the west. Depicted locales include Alaska, Arizona, British Columbia, California, Colorado, Louisiana, Maine, Maryland, Massachusetts, Montana, Nebraska, New Mexico, New York, South Carolina, Vermont, Virginia, and Wyoming, and there are some additional images of artifacts, artwork, and portraits. Photographers represented include William Henry Jackson, John K. Hillers, Timothy H. O'Sullivan, E. O. Beaman, James Fennemore, William Bell, and other professional and amateur photographers.
Local Call Number(s):
NAA Photo Lot 37
Varying Form of Title:
Scenic Views of North America
Location of Other Archival Materials:
Charles Savage photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 156.
Bourne & May photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 159.
The National Anthropological Archives holds additional photographs by photographers or from accessions represented in this collection in Photo Lot 24, Photo Lot 40, and other photo lots.
See others in:
Photographs of North American geology and scenery, 1871-1912
