Audiotapes, CDs and digital files: an ongoing project to interview and preserve the memories of people important in the jazz world, including jazz musicians, singers, dancers, producers, arrangers, and others. A list of interviewees and interviewers follows.
The following is a list of the individuals who conducted the interviews.
1. Brown, Anthony
2. Baker, Lida
3. Burstein, Julie
Interviewer
2. Bluiett, Hamiet
Arrangement:
This collection is arranged into six series.
Series 1, DAT and CD Original Interview Recordings, 1992-2012
Series 2, Cassette Reference and Master Interview Tapes, 1992-2012
Series 3, Audio CD Reference Copies, 2000-2012
Series 4, Video/CD, 1994-2012
Series 5, Transcripts and Abstracts, 1992-2014
Series 6, Supplemental Documentation, 1992-2012
Biographical / Historical:
The Smithsonian Jazz Oral History Program, a project of "America's Jazz Heritage, A Partnership of the Lila Wallace-Reader's Digest Fund and the Smithsonian Institution" initiative was created in 1992. More than 150 in-depth oral history interviews were conducted from 1992 through 2002. The collection was transferred to the Archives Center of the National Museum of American History in 2000. Now part of the National Museum of American History's American Music History Initiatives, the Smithsonian Jazz Oral History Program continues to conduct interviews as funding is available.
The Smithsonian Jazz Oral History Program was established to document significant jazz musicians, performers, producers, and business associates in their own words and voices. Program staff contacted and worked with potential interviewees to arrange for interviews. Each interview was conducted by a jazz authority and was recorded on digital audiotape by a professional audio engineer. The interviews averaged 6 hours in length and covered a wide range of topics including early years, initial involvement in music, generally, and jazz specifically, as well as experiences in the jazz music world, including relationships to musicians. The original DAT interview tapes were then dubbed to audiocassettes and CD to create protection and access copies. More recent interviews have been recorded using fully digital technology and the interviews are preserved and made availbel as digital files.
A number of the interviews were conducted as part of the Ella Fitzgerald Oral History Project of the Jazz Oral History Program. Funded by the Ella Fitzgerald Charitable Foundation, these interviews focus on the life and work of Ella Fitzgerald. The National Endowments for the Arts Jazz Masters Oral Histories Program continues to support new interviews with NEA Jazz Masters.
For more information about jazz concerts, education, collections, Jazz Appreciation Month, and the Jazz Master orchestra, visit Smithsonian Jazz.
Provenance:
The interviews were made for the Smithsonian Institution under the auspices of the Smithsonian Jazz Oral History Program supported by America's Jazz Heritage, funded by the Lila Wallace-Reader's Digest Fund, the Smithsonian Institution, and the National Endowment for the Arts Jazz Masters Oral Histories Program. Additional interviews were conducted with support from the Ella Fitzgerald Charitable Foundation.
Restrictions:
Collection is open for research. Researchers must use reference copies.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Release forms exist for most interviews.
[Interviewee name] Interview, Smithsonian Jazz Oral History Program Collection, 1992-2014, Archives Center, National Museum of American History.
Sponsor:
The interviews were made for the Smithsonian Institution under the auspices of the Smithsonian Jazz Oral History Program and supported by America's Jazz Heritage, funded by the Lila Wallace-Reader's Digest Fund, the Smithsonian Institution, and the National Endowment for the Arts Jazz Masters Oral Histories Program. Additional interviews were conducted with support from the Ella Fitzgerald Charitable Foundation.
Collection is open for research. Researchers must use reference copies.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Release forms exist for most interviews.
Collection Citation:
[Interviewee name] Interview, Smithsonian Jazz Oral History Program Collection, 1992-2014, Archives Center, National Museum of American History.
Sponsor:
The interviews were made for the Smithsonian Institution under the auspices of the Smithsonian Jazz Oral History Program and supported by America's Jazz Heritage, funded by the Lila Wallace-Reader's Digest Fund, the Smithsonian Institution, and the National Endowment for the Arts Jazz Masters Oral Histories Program. Additional interviews were conducted with support from the Ella Fitzgerald Charitable Foundation.
101 Blues Workshop / Arthur Crudup - Keep Your Hands Off That Woman. Guitar.
102 Blues Workshop / Arthur Crudup - Look on Yonder Wall. Guitar.
103 Blues Workshop / Arthur Crudup, Yank Rachel - I Almost Lost My Mind. Guitar, drums, and mandolin.
104 Blues Workshop / John Estes, Yank Rachel, and Hammie Nixon - Mailman Blues. Guitar, mandolin, and harmonica.
105 Blues Workshop / John Estes, Yank Rachel, and Hammie Nixon - I Ain't Gonna Sell It. Guitar, drums, and mandolin.
General note:
DPA number 70.101.16
Local Numbers:
FP-1970-10RR2-0016
General:
70.101.16
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Texas Tony --Girl of my dreams --Do the boogie Mama, take 3 --Starvation in my kitchen --I'm gonna get up in the morning --Lonesome blues --Shout baby shout --Rocky Mountain blues --Do the boogie Mama, take 2 --Stop knocking on my door --Doorbell blues --Move your hand -- Get your morning exercise
Track Information:
101 Texas Tony / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
102 Up and Down the Line / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
103 Shout Baby Shout / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
104 Bye Bye Baby / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
105 Stop Knocking on My Door / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
201 Move Your Hand / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
202 Doorbell Blues / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
203 Lonesome Blues / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
204 I'm Gonna Get Up in the Morning / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
205 Get Your Morning Exercise / Big Joe Williams, Sleepy John Estes, Yank Rachell. Mandolin.
Local Numbers:
FP-RINZ-LP-0151
Delmark.606
Publication, Distribution, Etc. (Imprint):
Chicago, Ill. Delmark
General:
Program notes by Bob Koester inserted in container. Performer(s): Yank Rachell, vocals, mandolin, guitar ; with the Tennessee Jug-Busters : Sleepy John Estes, guitar and vocals ; Hammie Nixon, harmonica, jug, vocals ; Big Joe Williams, 9-string guitar, vocals ; Mike Bloomfield, guitar. Production notes: Songs 1-9 recorded March 6, 1963 ; songs 10-16 recorded March 31, 1963.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Love is a song (Lonnie Johnson)--That's all right, baby (Mose "Clear Rock" Platt)--Two Menominee flute songs (John Okimase)--Little Sarah (James Rachel, John Estes)-Going to Richmond (Jimmie Strothers)--Come back to me in my dreams (Bill Monroe)--Marira, Marira (Lydia Mendoza y Cuarteto Mendoza)--If one won't, another one will (Carter Family)--Joe Bowers (J. C. White)--Renewed love blues (Little Buddy Doyle)--Your small and sweet (Segura and Herbert)--You are a little too small (Carolina Tar Heels)--Lily Monroe (Uncle Alex Dunford)--Midnight on the stormy deep (Blue Sky Boys)--The married man (Emry Arthur)--Emily (Sam Manning)--Three nights in a bar room (Wade Mainer)
Track Information:
103 Two Menominee Flute Songs / John Okimase. Flute.
102 That's All Right / Moses Platt. English language.
101 Love Is a Song / Lonnie Johnson. Guitar. English language.
208 Three Nights in a Bar Room / Mountaineers (Musical group), Lost John Ray, Wade Mainer. Guitar,Fiddle,Banjo. English language.
Local Numbers:
FP-RINZ-LP-0921
Library of Congress.LBC2
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1976
Date/Time and Place of an Event Note:
Recorded in: Wilkesboro (N.C.), North Carolina, Grafton (Wis.), Champagne (Ill.), Galax (Va.), Atlanta (Ga.), Georgia, New Orleans (La.), Louisiana, Fayetteville (Ark.), Arkansas, Camden (N.J.), New Jersey, Chicago (Ill.), Illinois, State Farm (Va.), Virginia, Memphis (Tenn.), Tennessee, San Antonio (Tex.), New York (N.Y.), New York, Sugarland Prison (Tex.), Texas, Keshena (Wis.), United States, Wisconsin.
General:
"A bicentennial project: Library of Congress, Archive of Folk Song"; includes recordings from field and commercial sources. Program notes, including words of the songs, and bibliographical and discographical references (10 p. ill.) inserted in container. Edited by Richard K. Spottswood.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Oh Mary don't you weep ; Never wed an old man (Pete Seeger) -- Corinna (Sleepy John Estes) -- Melora ; Cod'ine (Buffy Sainte-Marie) -- La bamba ; El pastor ; I'm satisfied with my babe (Joser Feliciano) -- Yo soy negro (Rodriguez Brothers) -- The power and the glory ; Draft dodger rag (Phil Ochs) -- Tom Dooley ; Moonshine still (Frank Proffitt) -- I'm a woman ; Sadie Green ; My gal (Jim Kweskin and the Jug Band).
Track Information:
101 Oh, Mary Don't You Weep / Pete Seeger. Banjo.
102 Maids When You're Young Never Wed an Old Man / Pete Seeger. Banjo.
108 I'm Satisfied with My Babe / José Feliciano. Guitar.
201 Yo Soy Negro / Rodriguez Brothers (Musical group). Guitar.
202 The Power and the Glory / Phil Ochs. Guitar.
203 The Draft Dodger Rag / Phil Ochs. Guitar.
204 Tom Dooley / Frank Proffitt. Banjo.
205 Moonshine Still / Frank Proffitt. Banjo.
206 I'm a Woman / Jug Band.
207 Sadie Green / Jug Band.
208 My Gal / Jug Band.
Local Numbers:
FP-RINZ-LP-0356
Vanguard.9184
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1965
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), Rhode Island, United States.
General:
Program notes on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
New State Street rag -- Nothing in this world for me -- That'll never happen no more -- Ted's stomp -- My four reasons -- Barushka -- 38 pistol blues -- Darktown strutter's ball -- When He calls me I will answer -- Vine Street drag -- My gal Sal medley -- State Street rag -- Du, du liegst mir im Herzen -- Railroad blues -- Cacklin' hen -- Wrap your troubles in dreams -- Vine Street drag (Tennessee Chocolate Drops) -- The girl I love ; Milk cow blues (Sleepy John Estes with Yank Rachell) -- When you feel down and out (Yank Rachell).
Track Information:
101 New State Steet Rag / Howard Armstrong. Fiddle,Guitar,Mandolin.
102 Nothing In This Wide World for Me / Howard Armstrong. Fiddle,Guitar,Mandolin.
103 That'll Never Happen No More / Howard Armstrong. Fiddle,Guitar,Mandolin.
104 Ted's Stomp / Howard Armstrong. Fiddle,Guitar,Mandolin.
105 My Four Reasons / Howard Armstrong. Fiddle,Guitar,Mandolin.
106 Barushka / Howard Armstrong. Fiddle,Guitar,Mandolin.
107 38 Pistol Blues / Howard Armstrong. Fiddle,Guitar,Mandolin.
108 Darktown Strutter's Ball / Howard Armstrong. Fiddle,Guitar,Mandolin.
109 When He Calls Me I Will Answer / Howard Armstrong. Fiddle,Guitar,Mandolin.
110 Vine Street Drag / Howard Armstrong. Fiddle,Guitar,Mandolin.
111 My Gal Sal Medley / Howard Armstrong. Fiddle,Guitar,Mandolin.
112 State Street Rag / Howard Armstrong. Fiddle,Guitar,Mandolin.
113 Du, Du Liechst Mir Im Herzen / Howard Armstrong. Fiddle,Guitar,Mandolin.
114 Railroad Blues / Howard Armstrong. Fiddle,Guitar,Mandolin.
115 Cacklin' Hen / Howard Armstrong. Fiddle,Guitar,Mandolin.
116 Wrap Your Troubles In Dreams / Howard Armstrong. Fiddle,Guitar,Mandolin.
117 Vine Street Drag / Tennessee Chocolate Drops. Fiddle,Guitar,Mandolin.
118 The Girl I Love / Howard Armstrong, Sleepy John Estes, Yank Rachell. Fiddle,Guitar,Mandolin.
119 Milk Cow Blues / Howard Armstrong, Sleepy John Estes, Yank Rachell. Fiddle,Guitar,Mandolin.
120 When You Feel Down and Out / Howard Armstrong, Yank Rachell. Fiddle,Guitar,Mandolin.
Local Numbers:
Arhoolie.470; Arhoolie.1095
FP-ARH-CD-470
Publication, Distribution, Etc. (Imprint):
El Cerrito, Calif. Arhoolie 1985
General:
Country and blues music, featured in the soundtrack of the film Louie Bluie. Reissue of: Arhoolie 1095 (1985). With additional material. Biographical and program notes by Marty Pahls on container insert.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
38 pistol -- The girl I love -- City Hall blues -- Time is drawing near -- God can use me -- Government money -- Working man blues -- Mailman blues -- Mary, come on home -- I'd been well warned -- Pat Mann -- Drop down mama -- Vassie Williams -- Young lawyer -- Al Rawls -- Lawyer Clark -- Martha Hardin -- Rats in my kitchen.
Track Information:
101 The Girl I Love / Sleepy John Estes. Guitar.
102 City Hall Blues / Sleepy John Estes, Ed Wilkenson, Hammie Nixon. Guitar.
103 Government Money / Sleepy John Estes, Ransom Knowling, Yank Rachell. Guitar.
104 Working Man Blues / Sleepy John Estes. Guitar.
105 Mailman Blues / Sleepy John Estes. Guitar.
106 Mary Come On Home / Sleepy John Estes. Guitar.
201 Pat Mann / Sleepy John Estes, Ed Wilkenson, Hammie Nixon. Guitar.
202 Vassie Williams / Sleepy John Estes. Guitar.
203 Young Lawyer / Sleepy John Estes, Hammie Nixon. Guitar.
204 Al Rawls / Sleepy John Estes. Guitar.
205 Lawyer Clark / Sleepy John Estes. Guitar.
206 Martha Hardin / Sleepy John Estes, Hammie Nixon. Guitar.
Local Numbers:
RA-RAMS-LP-0217
Delmark.613
Publication, Distribution, Etc. (Imprint):
Chicago, Ill. Delmark
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Broke and hungry (4:27) -- Black Mattie (4:20) -- 3:00 morning blues (4:44) -- Beale Street sugar (3:49) -- Olie blues (4:21) -- So glad I'm livin' (2:33) -- Freedom loan (4:42) -- The girl I love (3:53) -- Electric chair (4:10) -- Sleepy John's twist (2:44).
Track Information:
101 Broke and Hungry / Hammie Nixon, Sleepy John Estes, Yank Rachell. Guitar.
102 Black Mattie / Hammie Nixon, Sleepy John Estes, Yank Rachell. Guitar.
103 3:00 Morning Blues / Hammie Nixon, Sleepy John Estes, Yank Rachell. Guitar.
104 Beale Street Sugar / Hammie Nixon, Sleepy John Estes, Yank Rachell. Guitar.
105 Olie Blues / Hammie Nixon, Sleepy John Estes, Yank Rachell. Guitar.
201 So Glad I'm Livin' / Hammie Nixon, Sleepy John Estes, Yank Rachell. Guitar.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 3, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Southern Harmony Singers (shape-note); Spiritual Way Quartet; Yank Rachel, Sleepy John Estes, Hammie Nixon, Ira Tillman family, Elizabeth Cotten, Bessie Jones and Georgia Sea Island Singers, Loving Sisters
Creator:
Smithsonian Institution. Festival of American Folklife (1970) Search this
Southern Harmony Singers--New Jerusalem; Spiritual Way Quartet--Stormy waters; Streets of Gold--Its alright--Some Morning I see you--Precious memories--God walks on a dark hill
Track Information:
101 Blues Singer / Yank Rachell. Mandolin.
102 Blues Singer / Sleepy John Estes. Guitar.
103 Blues Singer / Hammie Nixon. Guitar.
104 Shape Note Singers / Ira Tillman.
105 Country Songster and Guitarist / Elizabeth Cotten. Guitar.
106 Sea Island Singers / Davis Family, Jones Family, Bessie Jones.
CDR copy-The Loving Sisters include: G. McFadden, J. Dumas, A. James, L. Leeks, L. Givens
70.101.44
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Bobo Jenkins--Watergate blues--Share cropper blues--Shak 'em on down--Yank Rachel et. al. --Intro--Tuning--Pack my things and go--Diving duck--I ain't got changing clothes--Don't spank your baby in the face--Bugle blues
General note:
DPA number 77.105.02
Local Numbers:
FP-1976-7RR-0139-7
General:
CDR copy
77.105.02
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Stars of Faith--Introduction--Living to live--Steal away (I ain;'t got long to stay here)
General note:
DPA number 77.105.03
Local Numbers:
FP-1976-7RR-0140-7
General:
CDR copy
77.105.03
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Instr.--Walk the dog--Jimmy's boogie (JW); Intro--Diving duck (YR)
General note:
DPA number 77.105.10
Local Numbers:
FP-1976-7RR-0147-7
General:
77.105.10
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Intro--She caught the Katy--Don't throw your love on me so strong--Good morning, little schoolgirl--Bugle blues--Girl I love, she got long dark curly hair
General note:
DPA number 77.105.11
Local Numbers:
FP-1976-7RR-0148-7
General:
77.105.11
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, June 24, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Bobo Jenkins--Share cropper blues--Shake 'em on down; Yank Rachell--Intro--Lend me your love--Diving duck blues (frag)
General note:
DPA number 77.105.21
Local Numbers:
FP-1976-7RR-0158-7
General:
CDR copy
77.105.21
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, June 25, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, June 25, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
