Search Results

Interviewee:

Choo, Chunghi, 1938-  Search this

Interviewer:

Milosch, Jane, 1964-  Search this

Subject:

Thomas, Richard C.  Search this

Bush, Cody  Search this

Chateauvert, Jocelyn  Search this

Kaufman, Glen  Search this

Fujio, Yuho  Search this

Grotell, Maija  Search this

McFadden, David Revere  Search this

Kao, Ruth  Search this

Lechtzin, Stanley  Search this

Lee, Sang-Bong  Search this

Larsen, Jack Lenor  Search this

Mayer-VanderMey, Sandra  Search this

Saarinen, Loja  Search this

Raab, Rosanne  Search this

Merkel-Hess, Mary  Search this

Park, No Soo  Search this

Smith, Paul J.  Search this

Yeun, Kee-ho  Search this

Cranbrook Academy of Art  Search this

University of Iowa  Search this

Haystack Mountain School of Crafts  Search this

Penland School of Handicrafts  Search this

Museum of Modern Art (New York, N.Y.)  Search this

University of Northern Iowa  Search this

Victoria and Albert Museum  Search this

Ihwa Yŏja Taehakkyo  Search this

Museum für Kunsthandwerk Frankfurt am Main  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Sound recordings

Interviews

Place:

Korea (South) -- History -- April Revolution, 1960

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Chunghi Choo, 2007 July 30-2008 July 26. Archives of American Art, Smithsonian Institution.

Topic:

Decorative arts  Search this

Metal-work  Search this

Jewelers -- Interviews  Search this

Asian American art  Search this

Asian American artists  Search this

Korean War, 1950-1953  Search this

Korean American art  Search this

Korean American artists  Search this

Asian American jewelers  Search this

Asian American metal-workers  Search this

Women artists  Search this

Women textile artists  Search this

Jewelry making  Search this

Theme:

Asian American  Search this

Women  Search this

Craft  Search this

Record number:

(DSI-AAA_CollID)13621

(DSI-AAA_SIRISBib)271722

AAA_collcode_choo07

Theme:

Asian American

Women

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_271722

Interviewee:

Choo, Chunghi  Search this

Interviewer:

Milosch, Jane  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Cranbrook Academy of Art -- Students  Search this

Haystack Mountain School of Crafts -- Faculty  Search this

Ihwa Yŏja Taehakkyo  Search this

Museum für Kunsthandwerk Frankfurt am Main  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Penland School of Handicrafts -- Students  Search this

University of Iowa -- Faculty  Search this

University of Northern Iowa  Search this

Victoria and Albert Museum  Search this

Bush, Cody  Search this

Chateauvert, Jocelyn  Search this

Fujio, Yuho  Search this

Grotell, Maija  Search this

Kao, Ruth  Search this

Kaufman, Glen  Search this

Larsen, Jack Lenor  Search this

Lechtzin, Stanley, 1936-  Search this

Lee, Sang-Bong  Search this

Mayer-VanderMey, Sandra  Search this

McFadden, David Revere  Search this

Merkel-Hess, Mary  Search this

Park, No Soo  Search this

Raab, Rosanne  Search this

Saarinen, Loja  Search this

Smith, Paul J.  Search this

Thomas, Richard C., 1917-1988  Search this

Yeun, Kee-ho  Search this

Extent:

75 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Place:

Korea (South) -- History -- April Revolution, 1960

Date:

2007 July 30-2008 July 26

Scope and Contents:

An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.

Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.

Biographical / Historical:

Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.

General:

Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.

Occupation:

Metal-workers -- Iowa -- Iowa City  Search this

Jewelers -- Iowa -- Iowa City  Search this

Textile designers -- Iowa -- Iowa City  Search this

Mixed-media artists -- Iowa -- Iowa City  Search this

Topic:

Decorative arts  Search this

Metal-work  Search this

Jewelers -- Interviews  Search this

Asian American art  Search this

Asian American artists  Search this

Korean War, 1950-1953  Search this

Korean American art  Search this

Korean American Artists  Search this

Asian American jewelers  Search this

Asian American metal-workers  Search this

Women artists  Search this

Women textile artists  Search this

Jewelry making  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.choo07

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91d0f3d3d-e648-47b2-9282-e395b73f635f

EDAN-URL:

ead_collection:sova-aaa-choo07

Interviewee:

Bally, Boris, 1961-  Search this

Interviewer:

Riedel, Mija, 1958-  Search this

Subject:

Agro, Elisabeth R.  Search this

Ballay, Joe  Search this

Bonner, Jonathan  Search this

Cianci, Vincent Albert, Jr.  Search this

Dahm, Johanna  Search this

Ebendorf, Robert  Search this

Fuller, R. Buckminster (Richard Buckminster)  Search this

Gialamas, Rosemary  Search this

Greenbaum, Toni  Search this

Holt, Steven  Search this

Ilse-Neuman, Ursula  Search this

Kangas, Matthew  Search this

Kington, L. Brent (Louis Brent)  Search this

Kowal, Dennis  Search this

Kumata, Carol  Search this

Künzli, Otto  Search this

Lechtzin, Stanley  Search this

Metcalf, Bruce  Search this

Nasher, Patsy  Search this

Nasher, Raymond  Search this

Raab, Rosanne  Search this

Schaffner, Alexander  Search this

Simon, Marjorie  Search this

Skov, Mara Holt  Search this

Warhola, Paul  Search this

Wood, Joe  Search this

Carnegie-Mellon University (Pittsburgh, Pennsylvania)  Search this

Snyderman Gallery  Search this

Comedy Central (Firm)  Search this

Massachusetts College of Art  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Penland School of Crafts  Search this

Society of Arts and Crafts (Boston, Mass.)  Search this

Society of North American Goldsmiths  Search this

Tyler School of Art  Search this

Velvet da Vinci Gallery  Search this

Works Gallery  Search this

Type:

Interviews

Sound recordings

Place:

Haiti -- description and travel

Switzerland -- description and travel

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Boris Bally, 2009 May 26-27. Archives of American Art, Smithsonian Institution.

Topic:

Art and computers  Search this

Decorative arts  Search this

Designers -- Rhode Island -- Interviews  Search this

Jewelry making  Search this

Metal-workers -- Rhode Island -- Interviews  Search this

Models and modelmaking  Search this

Metal-work  Search this

Theme:

Craft  Search this

Record number:

(DSI-AAA_CollID)15682

(DSI-AAA_SIRISBib)282774

AAA_collcode_bally09

Theme:

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_282774

Interviewee:

Bally, Boris  Search this

Interviewer:

Riedel, Mija, 1958-  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Faculty  Search this

Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Students  Search this

Comedy Central (Firm)  Search this

Massachusetts College of Art -- Faculty  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Penland School of Crafts -- Faculty  Search this

Snyderman Gallery  Search this

Society of Arts and Crafts (Boston, Mass.)  Search this

Society of North American Goldsmiths  Search this

Tyler School of Art -- Students  Search this

Velvet da Vinci Gallery  Search this

Works Gallery  Search this

Agro, Elisabeth R.  Search this

Ballay, Joe, 1938-  Search this

Bonner, Jonathan, 1947-  Search this

Cianci, Vincent Albert, Jr., 1941-2016  Search this

Dahm, Johanna  Search this

Ebendorf, Robert, 1938-  Search this

Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this

Gialamas, Rosemary, 1962-  Search this

Greenbaum, Toni  Search this

Holt, Steven, 1957-  Search this

Ilse-Neuman, Ursula  Search this

Kangas, Matthew  Search this

Kington, L. Brent (Louis Brent), 1934-2013  Search this

Kowal, Dennis  Search this

Kumata, Carol  Search this

Künzli, Otto, 1948-  Search this

Lechtzin, Stanley, 1936-  Search this

Metcalf, Bruce, 1949-  Search this

Nasher, Patsy  Search this

Nasher, Raymond  Search this

Raab, Rosanne  Search this

Schaffner, Alexander  Search this

Simon, Marjorie  Search this

Skov, Mara Holt  Search this

Warhola, Paul  Search this

Wood, Joe, 1954-  Search this

Extent:

4 Sound discs (Sound recording (5 hr., 55 min.), digital)

109 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound discs

Pages

Interviews

Sound recordings

Place:

Haiti -- description and travel

Switzerland -- description and travel

Date:

2009 May 26-27

Scope and Contents:

An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.

The artists speaks of his current studio in Providence, Rhode Island; working without a studio assistant; the benefits of working with studio assistants without an art-school background; apprenticing with Swiss metalsmith Alexander Schaffner when Bally was 19; his own de facto apprenticeship program with his studio assistants; his parents as role models; his vision at age 19 for his career plan; his early interest in CAD; growing up with Swiss-born parents, both with art/design backgrounds; visiting Switzerland as a child; his father's studies with Buckminster Fuller in the late 1950s; his mother's class with L. Brent Kington, whom Bally later studied with; growing up in Pittsburgh, Pennsylvania; his first home metal shop at nine years old; his first formal metal class at about 14 years old; making and selling jewelry throughout his teens; informal apprenticeship with Jeff Whisner; his father's design firm, launched in his last year of high school; summer studying at the Pennsylvania Governor's School for the Arts; year-long apprenticeship in Switzerland; watching Schaffner make and sell a wide variety of objects, which later informed Bally's own perspective; his continuing relationship with Schaffner; undergraduate studies at Tyler School of Art, Philadelphia, Pennsylvania; studying with Daniella Kerner and Vickie Sedman at Tyler; transferring to Carnegie Mellon University, Pittsburgh, Pennsylvania, to study with Carol Kumata; making a "happiness machine"; transition from jewelry to larger sculptures; using found and scavenged materials; meeting Rosemary Gialamas (Roy) and their eventual elopement; moving to the Boston area; work as an industrial design model-maker; the New York art scene of the 1980s; representation with Archetype Gallery, New York, New York; slow but steady artistic recognition and commercial success of his functional objects; Sliding Perfections, flatware; teaching Gialamas metalsmithing and collaborative works by the two; early teaching experience in adult education classes in Cambridge, Massachusetts, then at Massachusetts College of Art, Boston; return to Pittsburgh in 1989, where Bally took a teaching position at Carnegie Mellon in the design department; studio on Bigelow Boulevard; difficulties in his marriage; a commission from the Society of Arts and Crafts, Boston, Massachusetts, and the beginnings of his traffic sign pieces in a collaborative piece with Gialamas; starting his platters series; the dissolution of his marriage to Gialamas in 1993; meeting Lynn, whom he later married; his love of teaching and his teaching philosophy; teaching at Penland School of Crafts, Penland, North Carolina; move to Providence, Rhode Island, to devote his time to studio work; the pros and cons of craft and arts schools versus university settings; the intersection of art, design, and industry: his Humanufactured line of products; functional work in the late '80s, and the influence of a trip to Haiti in the 1980s; bottle cork pieces; Trirod vessels; "More than One: Contemporary Studio Production" exhibition, American Craft Museum, New York, New York, 1992-94; philosophy of making; working in series form; truss pieces; perforation pieces and Vessel with a Silver Heart (1993); armform series; "Jewelries, Epiphanies" exhibition, Artists Foundation Gallery at Cityplace, Boston, Massachusetts, 1990; inclusion in One of a Kind: American Art Jewelry Today, by Susan Grant Lewin. (New York, NY: Harry N. Abrams, 1994); series Dig Wear and Eat Wear bracelets; Calimbo vessel and the Fortunoff prize; gold Tread Wear brooches in the mid-1990s; creating his first chair; moving from hand-made solo work to furniture and a design and production focus; starting to patent his designs in the mid-1990s; further exploration of design and technique in his chairs; "GlassWear: Glass in Contemporary Jewelry," Museum of Arts and Design, New York, New York, 2009; Pistol Chalice and work with the Pittsburgh gun buyback program; traveling exhibition for the project; Gun Totem; Brave necklace; BroadWay armchair; Subway chair; new techniques for graphics on the furniture; his relationship with former scrapyard Paul Warhola, brother to Andy Warhol; commission work, and the importance of commerce in his career and worldview; commission for Comedy Central television network; the changing craft market and the boom times of the 1980s; work with galleries, including: Patina, Santa Fe, New Mexico; Velvet da Vinci, San Francisco, California; Snyderman-Works, Philadelphia, Pennsylvania; Nancy Sachs Gallery, St. Louis, Missouri; the Society of Arts and Crafts, Boston, Massachusetts; seeing one of his pieces used on a set for a daytime television soap opera and in the movie Sex and the City ; the recent "green" (environmentally conscious) trend; blurring boundaries of design and art and craft; growing acceptance of artist-made and -designed multiples; pros and cons of computer technology in art and craft; the pros and cons of the DIY (do-it-yourself) craft movement; influential writers, including Rosanne Raab, Marjorie Simon, Steven Skov Holt and Mara Holt Skov, Bruce Metcalf, Toni Greenbaum, Matthew Kangas, Gail Brown; his involvement in the Society of North American Goldsmiths; making metal benches for his children. He also recalls Heather Guidero, Julian Jetten, Pam Moloughney, Dennis Kowal, Ursula Ilse-Neuman, Bob Ebendorf, Jason Spencer, Rob Brandegee and Ava DeMarco, Stefan Gougherty, Flo Delgado, L. Brent Kington, Curtis Aric, Ralph Düby, Steve Korpa, Joe Wood, Joe Ballay, Yves Thomann, Andy Caderas, James Thurman, Nicholas (Nico) Bally, Elena Gialamas, James Gialamas, Elvira Peake, Ronald McNeish, Johanna Dahm, Jerry Bennet, Kathleen Mulcahy, Nelson Maniscalco, Tom Mann, Otto Künzli, Stanley Lechtzin, Christopher Shellhammer, David Tisdale, Dean Powell, Daniel Carner, Donald Brecker, Robert Schroeder Phil Carrizzi, Lucy Stewart, Elisabeth Agro, Rachel Layton, Sarah Nichols, Peter Nassoit, Dan Niebels, Mary Carothers, Ward Wallau, Ivan Barnett and Alison Buchsbaum, Jonathan Bonner, Raymond and Patsy Nasher, Beth Gerstein, George Summers Jr., Pavel Opocensky, Buddy Cianci, David Cicilline.

Biographical / Historical:

Boris Bally (1961- ) is a metalsmith and designer who lives and works in Providence, Rhode Island. Bally was educated at Carnegie Mellon University and Tyler School of Art.

General:

Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 56 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Sculptors  Search this

Topic:

Art and computers  Search this

Decorative arts  Search this

Designers -- Rhode Island -- Interviews  Search this

Jewelry making  Search this

Metal-workers -- Rhode Island -- Interviews  Search this

Models and modelmaking  Search this

Metal-work  Search this

Function:

Artists' studios

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.bally09

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9254c25f1-255e-47a7-b4db-21ae1609db8f

EDAN-URL:

ead_collection:sova-aaa-bally09

Author:

Raab, Rosanne  Search this

Physical description:

73 p. : ill. ; 21 cm

Type:

Books

Place:

New York Metropolitan Area

Date:

1982

C1982

Topic:

Decorative arts--Directories  Search this

Art galleries, Commercial--Directories  Search this

Call number:

NK1127 .R33 1982

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_506386