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Native Storytelling Festival: The Real Story of the Quileute Wolves

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2012-03-12T17:54:44.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_hmfbQRclFf8

John Peabody Harrington papers

Creator:
Harrington, John Peabody, 1884-1961  Search this
Names:
Geronimo, 1829-1909  Search this
Extent:
683 Linear feet
Culture:
Indians of Central America  Search this
Indians of North America  Search this
Indians of South America  Search this
Type:
Collection descriptions
Archival materials
Sound recordings
Maps
Stats (copies)
Newspaper clippings
Printed material
Photographs
Botanical specimens
Field notes
Correspondence
Financial records
Personal records
Poetry
Writings
Date:
1907-1959 (some earlier)
Summary:
Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.
Arrangement:
(Some of the titles are tentative). Papers relating to Alaska/Northwest Coast, including (1) Aleut; (2) Tlingit/Eyak; (3) Northern Athapascan (Beaver, Carrier, Chipewyan, Sarsi, Sekani, Cree); (4) Nicola/Thompson; (5) Lummi/Nespelem; (6) Duwamish; (7) Chimakum/Clallam; (8) Makah/Quileute; (9) Quinault/Chehalis/Cowlit; (10) Chinook/Chinook Jargon; (11) "Kwalhioqua-Tlatskanai"; (12) Tillamook, (13) Alsea/Siuslaw/Coos; (14) Southwest Oregon Athapascan (Chasta Costa, Chetco, Upper Coquille, "Gold Beach", Smith River, Tolowa, Tutini, Upper Umpqua), (14) Galice/Applegate; (15) Takelma, general and miscellaneous; (16) Klamath; (17) Wiyot/Yurok/Mattole; (18) Coast Yuki/Northern and Central Pomo/Kato; (19) Coast Miwok; (20) Lake and Coast Miwok/Southeastern Pomo/Wappo; (21) Nisenan/Northern Sierra Miwok; (22) Southern Pomo/Central Sierra Miwok; (23) Karok/Shasta/Konomihu; (24) Chimariko/Hupo; (25) Achomawi/Atsugewi/Wintu/Yana; (26) Chamariko/Achomawi/Atsugewi/Wintu/Yana; (27) Costanoan (Chocheno, Mutsun, Tumsen); (28) Salinan (Antoinano, Migueleno); (29) Yokuts (Chunut, Tachi, Wikchamni, Yawdanchi, Yawelmani, Koyeti); (30) general and miscellaneous; papers relating to southern California and the Basin area,

including (31) Chumash (Barbareno, Cruzeno, Ineseno, Obispeno, Purisimeno, Ventureno); (32) Chauilla; (33) Chemehuevi; (34) Gabrielino; (35) Juaneno; (36) Kitanemuk; (37) Luiseno; (38) Serrano; (39) Tubatulabal; (40) Diegueno; (41) Mohave/Yuma; (42) general and miscellaneous; papers relating to the Southwest, including (43) Apache; (44) Hopi; (45) Jemez; (46) Acoma/Laguna; (47) Cochiti; (48) Navaho; (49) Pima/Papago; (50) Illeta; (51) Taos; (52) Picuris; (53) Tewa; (54) Zuni; (55) general and miscellaneous; papers relating to the Plains, including (56) Comanche; (57) Caddo/Pawnee/Wichita; (58) Dakota/Lakota; (59) Hidatso/Mandan/Crow;

(92) general and miscellaneous; notes and writings on special linguistic studies, including (93) correspondence; (94) financial records; (95) personal records; (96) poetry; (97) newspaper clippings; (98) printed material/reprints/photostats/microfilm; (99) maps; (100) photographs (101) sound recordings; (102) botanical specimens

Joseph S. Danner, Edward S. Davis, Ella C. Deloria, Frances Densmore, Paul Desiardins, Lydia Dornherr, Harry W. Dorsey, Frederick Huntington Douglas, David C. Dozi, Edward P. Dozi, Robert Drak Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucrlson Fenton, Jesse Walter Fewkes, Reginald G. Fisher, Barbara Freire-Marreco (see also Barbara Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, Ja Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, James A Geary, Otto William Geist,

Richard H. Geoghegan, Harold S. Gladwin, Pliny Earle Goddard, T. R. Goodwin, Howard W. Gorman, Blanche C. Grant, George Grasty, Louis H. Gray, Alexander Grigolia, Alexandra Gromoff, F. A. Gross, Ruther Gruber, Erwin G. Gudde, Grace Guest, Ralph Gustafson, Berard Haile, Alfred Irving Hallowell, Howard M. Hamblin, Lucile Hamner, Adelaide Harrington, Arthur Harrington, Awona Harrington, Edmund Ross Harrington, Elliot Harrington, Mark Raymond Harrington, Robert Fleming Heizer, Marta Herrera (Orozoco), Melville Jean Herskovits, Edgar Lee Hewett, George Gustave Heye,

Thomas Willing Hicks, Willard Williams Hill, William B. Hill, Philip K. Hitti, Hulda R. Hobbs (Heidel), Frederick Webb Hodge, Robert Hofsinde, W. C. Holden, Nils Homer, R. B. Horsefield, James Hovey, Grace Hudson, John W. Hudson, William Hughes, Edward P. Hunt, George Hunt, Wayne Henry (Wolf Robe) Hunt, Arnold J. Jacobins, Jean Allard Jge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf, uis Kroeber, Benjamin T. Kurtz, Walter and Hilda Kurze, Oliver LaFarge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf,

Boas Long, Ivan Alexis Lopatin, Robert Harry Lowie, Charles F. Lummis, Phoebe Maddux, Frank Marashulo, Frank Marr, John Marr, Edna P. Marsh, Gordon H. Marsh, William B. Marye, Elizabeth Mason, John Alden Mason, Anna P. Mattinger, Wayne L. Mauzy, William Ralph Maxon, Parker McKenzie, F. Romero Mendez, Clinton Hart Merriam, E. Vigo Mestres, Truman Michelson, Harry E. Miller, Ralph L. Milliken, William S. Mills, Willie Miranda, Albert Mohr, Dionisia Mondragon, Manuel Mondragon, Lucy Montgomery, Harriet Moore, Mildred C. Moore, R. E. Moore, Rosalind Moore, Carlos Morales, Marion Moreno, Sylvanus Griswold Morley, Philip A. Munz, O. J. Murie,

Roy Nash, Mrs. W. J. Nichols, Eugene A. Nida, Frans M. Olbrechts, Cornelius Osgood, Asbjorn P. Ousdal, Charles F. Outland, Henry E. Parmenter, Elsie Clews Parsons, A. W. Payne, Ellen Peace, Elizabeth Wells Pearce, Arthur B. Perkins, Mrs. Rodolphe Petter, Kenneth L. Pike, Arnold R. Pilling, Nellie B. Pipes, I. J. Pitman, J. O. Prescott, Erik Kellerman Reed, Nathaniel Julius Reich, Jane Richardson, Arthur Stanley Riggs, Frank Harold Hanna Roberts, Jr., Helen H. Roberts, Clarence M. Ruth, Everett Sanders, Edward Sapir, Charles F. Saunders, F. H. Saville, Paul Schumacher, Donald Scott, Blanche Seeley, Ettie Seeley, Elizabeth Shepley Sergeant,

A. W. Setychell, Jessie Shaw, Anna O. Shepard, Frank T. Siebert, Rita Siedenberg, Albion M. Sitton, Nich Sivonen, H. D. Skinner, Mrs. N. P. Sloan, Clement Smith, Stella Smith, Jack Snow, Maria Soto, Frank Gouldsmith Speck, Robert F. Spencer, Marjorie Spinks, Waldo C. Spraque, Winifred Stamm, Moses Steinberg Marian Stirling, Matthew Williams Stirling, William Duncan Strong, Edgar Howard Sturtevant, Georgianna Barbara Such, John R. Swanton, Turkey Tayac, Douglass Taylor, Lincoln Thompson, Morjorie L. Tichy, Janet Tietjins, Bennie Tilden, J. R. R. Tolkien, W. Cameron Townsend, George L. Trager, Lovell B. Triggs, Edwin H. Tuttle,

Ruth Underhill, Richard Fowler Van Valkenburgh, Rosendo Vargas, Charles Frederick Voegelin, Paul Vogenitz, James W. Waldo, Paul A. F. Walter, Althea Warren, Fred Washington, Thomas Talbot Waterman, Edith White, Joseph J. White, Leslie A. White, Grace T. Whiting, Robert B. Whitsett, Benjamin Lee Whorf, H. E. Williams, William L. Wonderly, Arthur Woodward, Robert W. Young, and Father Zephyrin of the Santa Barbara Mission.
Restrictions:
The John Peabody Harrington papers are open for research

Access to the John Peabody Harrington papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Linguistics  Search this
Indians of North America -- Languages  Search this
Ethnomusicology  Search this
Ethnobotany  Search this
Toponymy  Search this
Language and languages -- Documentation  Search this
Genre/Form:
Sound recordings
Maps
Stats (copies)
Newspaper clippings
Printed material
Photographs
Botanical specimens
Field notes
Correspondence -- 1930-1950
Financial records
Personal records
Poetry
Writings
Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95
See more items in:
John Peabody Harrington papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw31fe9575b-f7aa-4286-9787-0cfc495ab461
EDAN-URL:
ead_collection:sova-naa-1976-95
Online Media:

Philleo Nash papers

Creator:
Nash, Philleo, 1909-1987  Search this
Names:
American Anthropological Association  Search this
East Bay Area United Indian Council -- Oakland, California  Search this
DuBois, Cora -- Klamath notes (copies)  Search this
Correspondent:
Eggan, Fred, 1906-1991  Search this
Gower, Charlotte  Search this
Hill, W. W. (Willard Williams), 1902-1974  Search this
Opler, Morris Edward  Search this
Redfield, Robert, 1897-1958  Search this
Depicted:
Humphrey, Hubert  Search this
Kennedy, John F. (John Fitzgerald), 1917-1963  Search this
Extent:
12 Linear feet (24 boxes)
Culture:
Sahnish (Arikara)  Search this
Minnesota Chippewa [Red Lake, Minnesota]  Search this
Arctic peoples  Search this
Apsáalooke (Crow/Absaroke)  Search this
Cocopa  Search this
Colville  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Southwest, New  Search this
Hualapai (Walapai)  Search this
American Indians -- Religion  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Subarctic  Search this
Maya  Search this
Oneida  Search this
Jews -- Toronto, Ontario  Search this
Eskimos  Search this
Klamath  Search this
Piipaash (Maricopa)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Spokan  Search this
Walla Walla (Wallawalla)  Search this
Quechan (Yuma/Cuchan)  Search this
A:shiwi (Zuni)  Search this
Oraons  Search this
Puyallup  Search this
Akimel O'odham (Pima)  Search this
Samoan  Search this
Quileute  Search this
Shawnee  Search this
Samoans  Search this
Sioux  Search this
Hopi Pueblo  Search this
Havasupai (Coconino)  Search this
Modoc  Search this
Apache  Search this
Diné (Navajo)  Search this
Type:
Collection descriptions
Archival materials
Place:
Canada -- Ontario -- Lake Alymer -- archeology
Date:
1931-1986
Summary:
The Philleo Nash papers attest to Nash's interest in anthropology, not only research and teaching but also in its application to public service. His papers can be separated into four main areas: undergraduate and graduate education, research, teaching, and public service. Files contain class notes from Nash's undergraduate and graduate studies as well as papers by well-known professors lecturing at the University of Chicago including Ralph Linton, Robert Redfield, and R.A. Radcliffe-Brown. The bulk of his research was conducted in the Pacific Northwest where he studied the Klamath-Modoc culture on the reservation, focusing on revivalism and socio-political organization (1935-1937). Other research included archeology at two sites, a study of the Toronto Jewish community, and a continuing interest in minority issues. Nash taugh at the University of Toronto (1937- 1941) and at American University in Washington, D.C. (1971-1977). Teaching files contain lecture notes from his work at the University of Toronto. Public service files include correspondence from the period when he was Lieutenant Governor of Wisconsin (1959-1961) as well as reports and photos from the years as Commissioner of Indian Affairs (1961-1966). Other public service and business positions are not represented in these files.
Scope and Contents:
The Philleo Nash Papers attest to Nash's interest in anthropology, not only research and teaching but also in its application to public service. His papers can be separated into four main areas: undergraduate and graduate education, research, teaching, and public service. Files contain class notes from Nash's undergraduate and graduate studies as well as papers by well-known professors lecturing at the University of Chicago including Ralph Linton, Robert Redfield, and R.A. Radcliffe-Brown. The bulk of his research was conducted in the Pacific Northwest where he studied the Klamath-Modoc culture on the reservation, focusing on revivalism and socio-political organization (1935-1937). Other research included archeology at two sites, a study of the Toronto Jewish community, and a continuing interest in minority issues. Nash taugh at the University of Toronto (1937-1941) and at American University in Washington, D.C. (1971-1977). Teaching files contain lecture notes from his work at the University of Toronto. Public service files include correspondence from the period when he was Lieutenant Governor of Wisconsin (1959-1961) as well as reports and photos from the years as Commissioner of Indian Affairs (1961-1966). Other public service and business positions are not represented in these files.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
Arranged in 6 series: (I) Education (1931-1937), (II) Klamath-Modoc Culture (1930s), (III) Teaching (1937-1942, 1971-1977), (IV) Miscellaneous (1936-1986), (V) Non-Academic Positions (1939-1970), (VI) Photos (1931-1967).
Biographical Note:
Philleo Nash was born on October 25, 1909, in Wisconsin Rapids, Wisconsin. He studied at the University of Wisconsin, taking a year off to study music at the Curtis Institute in Philadelphia. On his return to the University of Wisconsin, Nash completed his undergraduate degree in anthropology (1932) and went on to the University of Chicago for a Ph.D. in anthropology (1937). His doctoral dissertation explored the concepts of revivalism and social change with a focus on the Klamath Ghost Dance activities of the 1870s.

Nash held positions in teaching as well as in government and his family business. He was a lecturer in anthropology at the University of Toronto (1937-1941). He also lectured at the University of Wisconsin (1941-1942) and at American University in Washington, D.C. (1971-1977).

From 1942 to 1953, Nash served in various positions in the federal government, first in the Office of War Information and later as Assistant to President Truman, focusing on minority affairs and as liaison to the Department of the Interior. During this period in Washington, Nash also acted as President of the Georgetown Day School (1945-1952), where he was one of the founders of this racially integrated cooperative school. In 1953, Nash returned to Wisconsin where his interest in politics continued, and he became Lieutenant Governor of Wisconsin from 1959 to 1961. In 1961, he returned to Washington, DC as U.S. Commissioner of Indian Affairs, a position he held until 1966.

Following his work as Commissioner, Nash remained in Washington where he acted as a consultant in applied anthropology and held offices in various associations including hte Society for Applied Anthropology (SfAA), the American Anthropological Association (AAA), and the American Association for the Advancement of Science (AAAS). During all the years of professional responsibilities, Nash also held positions in the family business, Biron Cranberry Company. He returned to Wisconsin in 1977 to be President and Manager of the Company.

Throughout his life Nash was active in various associations for science and anthropology. He was awarded the AAA's Distinguished Service Award in 1984. In 1986, the SfAA presented him with the Bronislaw Malinowski Award in recognition of outstanding scholarship and long term commitment in applying the social sciences to contemporary issues.

Philleo Nash died in 1987. Some years before his death Nash sent his archaeological research material from the Pound Village Site (1938-1939) to Toronto and his research material from the DuBay Village Site (1940) to the Milwaukee Public Museum. According to the terms of his will, his government and political papers are housed at the Harry S. Truman Library in Independence, Missouri.

Reference: Landman, Ruth H. and Katherine S. Halpern (eds.). Applied Anthropologist and Public Servant: the Life and Work of Philleo Nash. NAPA Bulletin #7. Washington, DC: American Anthropological Association, 1989.
Related Materials:
According to the terms of his will, Nash's government and political papers are housed at the Harry S. Truman Library in Independence, Missouri.
Restrictions:
The Philleo Nash papers are open for research.

Access to the Philleo Nash papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Ghost dance -- Klamath  Search this
Nativistic religions -- American Indians  Search this
Citation:
Philleo Nash papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1990-23
See more items in:
Philleo Nash papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ac739603-097f-4085-8ae3-6b4213d44974
EDAN-URL:
ead_collection:sova-naa-1990-23

Native Americans

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The continuing traditions of the original inhabitants of this nation were presented in the Native Americans area by representatives of the more than 200 Native American communities throughout the United States. Working with the Smithsonian, they had examined their traditions and created the programs, speaking to their way of life today and their hopes for the future.

The Native Americans area was designed with Native traditions in mind. The entire area lay within a circle that represented the wholeness of life, emphasizing that, in Native philosophy, everything is interrelated. A corn field formed the outlying circle; corn, the contribution of Native Americans to the peoples of the world, is regarded as the gift of Mother Earth. With squash and beans sharing the field, the entire area was thus surrounded by the three staple foods of the Southwest, the "three sisters" of the Iroquois. The Learning Center, designed by architect Dennis Sun Rhodes, Arapaho, faces East, the direction of sunrise and of life, and visitors were intended to proceed inside sunwise, in a circle. In its design and in its presentations of music, crafts, dance, and discussion, the Native Americans area honored the first Americans.

Building upon six years of programming during preceding Festivals, the Bicentennial presentations presented a region-by-region overview of American Indian folklife:

June 16-20, Northeast (Six Nations, Iroquois, Mohawk, Seneca, Onandaga, Tuscarora, Algonkian, Passamaquoddy, Penobscot, Shinnecock, Hassanamisco, Nanticoke, Susquehanna, Wampanoag, Narragansett, Gay Head, Mohegan, Schaghticoke)

June 23-27, Great Lakes (Oneida, Ojibwa)

July 1-5, Southeast (Cherokee, Chickasaw, Choctaw, Creek, Seminole, Tuscarora, Muskogee, Tunica-Biloxi of Louisiana, Mattaponi, Houma Tribe of Louisiana, Alabama Creek, Lumbee)

July 7-11, Southern Plains (Comanche, Kiowa, Kiowa Apache, Omaha, Pawnee, Ponca, Southern Cheyenne)

July 14-18, Prairie (Sac and Fox)

July 21-25, Northern Plains (Northern Cheyenne)

July 28-August 1, Northwest Coast (Alaska Federation of Natives, Confederated Tribes of Siletz, Confederated Tribes of the Warm Springs Indian Reservation)

August 4-8, Southwest (San Juan Pueblo, Navaho, White Mountain Apache, Comanche)

August 11-15, Plateau (Confederated Tribes of the Umatilla Indian Reservation, Confederated Tribes and Bands of the Yakima Indian Nation, Ute, Klamath)

August 18-22, Basin (Northern Paiute, Southern Paiute, Washo, Western Shoshone, Walker River Paiute)

August 25-29, Northern California (Miwok, Wintun, Pomo, Yurok, Karok, Tolowa, Hupa, Klamath, Tchinook, Confederated Tribes of the Umatilla, Quileute)

September 2-6, Arctic (Alaska Federation of Natives)

Lucille Dawson served as program coordinator, assisted by Thomas Kavanagh. The multi-year program was shaped by the Native Americans Advisory Group, including Louis Bruce, Rayna Green, Dell Hymes, Clydia Nahwooksy, Alfonso Ortiz, and William Sturtevant.
Participants:
Northeast

Six Nations, Iroquois

Mohawk

Mary Adams, basket maker

Mike Adams, basket maker

Sally Ann Adams, basket maker

Richard Hill, headdress maker

Stan Hill, bone carver

Tammy Hill, craft sales

Mary Longboat, cornhusk worker

Margaret Torrence, basket maker

Cam Wilson, silversmith

Mark Wilson, craft sales

Wanda Wilson, dancer

Oneida

Eula Chrisjohn, cornhusk worker

Irving Chrisjohn, cornhusk worker

Richard Chrisjohn, Sr., wood carver

Richard Chrisjohn, Jr., wood carver

Onondaga

Andrea Jimerson, dancer

Marty Jimerson, dancer

Huron Miller, project coordinator

James Skye, wood carver

Guy Williams, dancer

Ruby Williams, dancer

Tim Williams, dancer

Seneca

Helen Harris, dancer

Linda Harris, dancer

Philman Harris, drum and rattle maker

Steve Harris, dancer

Hazel Jimerson, dancer

Lester Jimerson, dancer

Mamie Jones, dancer

Paul Jones, dancer

Kevin Johnny John, dancer

Mike Johnny John, dancer

Vera Miller, beadworker

Rodney Pierce, dancer

Marlene Thomas, dancer

Hazel Thompson, gancer

Phillip Thompson, dancer

Natie Watt, basket maker

Ruth Watt, basket maker

Tuscarora

Louise Henry, beadworker

Oscar Moses, Lacrosse stick maker

Kevin Patterson, Lacrosse stick maker

Wes Patterson, Lacrosse stick maker

Edward Sayer, finger weaving

Wilmer Wilson, 1925-2002, craft sales manager

Algonkian

Chuck Comanda, canoe maker

Mary Comanda, canoe maker

William Comanda, canoe maker

Ojibwa

Audrey Pawis, quill worker

Discussants

Asenith D. Vogt, coordinator

Joseph A. Nicholas, discussant, Passamaquoddy

Andy Akins, discussant, Penobscot

Charles Jennings, discussant, Penobscot

Brian Miles, discussant, Pequot

Eva Smith, discussant, Shinnecock

Diane Bess, discussant, Shinnecock

Lois Wilcox, discussant, Hassanamisco

Kenneth Clark, discussant, Nanticoke

Kathy Clark, discussant, Nanticoke

Jody Hale, discussant, Susquehanna

Lydia Hale, discussant, Susquehanna

Edith Andrews, discussant, Wampanoag

Naomi Andrews, discussant, Wampanoag

Alberta Wilcox, discussant, Narragansett

Lloyd Wilcox, discussant, Narragansett

Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag

Mother Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag

Stilson Fands, discussant, Mohegan

Trudy Lamb, discussant, Schaghticoke

George Mitchell, Commissioner of Indian Affairs for the State of Maine

Southeast

Cherokee

Wanda Barr, dance leader

Mike Daniels, pottery

Cecil Hall, discussant

Don Mabray, discussant

Frank Mclemore, discussant

Eva Nordwell, discussant

Eunice Old Field, weaver

Knohovtee Scott, jewelry, silversmith

Ross Swimmer, discussant

Dick Spahr, head cook

Mary Lou Spahr, cook

Mrs. Ross Swimmer, discussant

Anicl Barr, dancer

Sheila Barr, dancer

Brenda Johnson, dancer

Jeanette Reese, dancer

Gina Pritchett, dancer

Michelle Ummtukee, dancer

Chickasaw

Aaron Christy, guide

Hazel Christy, dancer, beadwork

Overton James, discussant

Emma Mose, dancer

Buster Ned, dancer

Calvin Ned, dancer

Rhonda Ned, dancer

Wanda Ned, dancer, beadwork

Bienum Pickens, dancer, stickball, drummer

Adam Sampson, singer, dancer, stickball

Richard Sampson, dancer, stickball

Junior Thomas, dancer

Mary Wallace, dancer

Mrs. Overton James

Choctaw

Clelland Billy, stickball

Glendale Billy, food, cook

David Gardner, discussant

Lucinda Gibson, arts and crafts

Eula Goings, cook

Hugh Jefferson, stickball, discussant

Ray Jefferson, stickball

Louise Isscomer, beading

Myrtle Lowman, basket weaving

Sherrin Matlock, discussant

Mrs. David Gardner, discussant

Creek

Claude Cox, discussant

Paul Culley, 1925-, dancer

Wynena Evans, beadwork, singer

Brian Fife, dancer, discussant

Margaret Freeman, cook

Hepsey Gilroy, looming, dancer

Solomon McCombs, artist

Buddy Scott, silversmith, dancer

Genda Scott, basket weaving, dancer

Gene Timothy, discussant, food, Lacrosse

Mrs. Claude Cox, discussant

Seminole

Beulah Bemo, arts and crafts

Mallene Davis, singer, dancer; Miss Indian Oklahoma

Kelly Haney, artist, dancer, stickball

Samantha Hooper, education guide, dancer

Ida Little, food, shell shaker, dancer

Terry Little, cook

H. T. Miller, stomp dancer, stickball

Tom Palmer, stomp dancer, stickball

Ida Lee Redbird, shell shaker, dancer

Jennie Lee Rice, shell shaker, dancer

Ed Tanyan, discussant

Mrs. Ed Tonyan, discussant

Cherokee

William Crow, wood carver

Betty Crow, bead worker

Tuscarora

Ernest Carter, discussant

Benjamin Maynor, discussant

Muskogee

Angela Lyles, discussant

Ann Taylor Tate, discussant

Tunica-Biloxi of Louisiana

Rose Marie Gallardo, discussant

Mary Vercher, discussant

Mattaponi

Chief Curtis Custalow, discussant

Gertrude Custalow, discussant

Houma Tribe of Louisiana

Steve Cheramie, discussant

Randolph Francis, discussant

Alabama Creek

Connie S. Tullis, discussant

Buford L. Rolin, discussant

Lumbee

Donna Chavis

Sonya Allen

Southern Plains

Carla Allrunner, dancer

Richard Asenap, program coordinator

Joe Attocknie, 1911-1984, singer, flute player

Rosalie Attocknie, 1926-2011, artist

Bobbi Bradley, artist

Hawana Bradley, artist

Ronald Burless, artist

Ed Chappabitty, singer

Evelyn Chappabitty, singer

Florence Chasenah, beadworker

Gerald Chasenah, dancer

James Chasenah, singer

Kim Chasenah, dancer

Wallace Coffey, narrator, dancer

James Cox, narrator, tribal chairman

Marie Cox, craftsperson

Sam Devenney, historian, photographer

Jamie Franklin, dancer

Rita Franklin, dancer

Patty Hall

Carol Hall

Melvin Kerchee, singer, dancer

Melvin Kerchee, Jr., dancer

Nettie Kerchee, 1921-2003, dress maker, bead worker

Diane Motah, craftsperson

Lee Motah, historian, narrator

Haddan Nauni, singer

Rose Nauni, craftsperson

Leslie Niedo, bead worker

Frank Oberly, narrator

Mary Oberly, craftsperson

Sam "Doc" Peweardy, singer

Bill Poafpybitty, graphics, sculptor

Richard Ralph Poafpybitty, 1963-1996, actor

Sarah Pohosucut, historian

Henry Pratt, flute player, dancer, singer

Leonard Riddles, artist

Kenneth Saupitty, narrator

Gene Sovo, war dancer

Junior Sovo, war dancer

Margie Sovo, moccasin maker

Jerome Tahawah, singer

Edmond Tate, dancer

Joyce "Doc" Tate Nevaquaya, 1932-1996, flute player, dancer, artist

Jermone Tahawah, singer

May Tonips, beadworker, graphics, sculptor

Rick Tosee, dancer

George Wallace, singer

Juanita Wallace, singer

Eva Watchataker, beadworker

George "Woogee" Watchataker, dancer, flute player

Junior Weryackwe

Eva Weryackwe

Patricia Whitewolf, shawl maker

Sheryle Whitewolf, dancer

Elmer Winnerchy, 1917-1986, singer

Evelyn Winnerchy, 1917-1996, dancer

Prairie

Sac & Fox Tribe

Bill Grass

John Gakey

Shannon Franklin

Omer Jefferson, Jr.

Kate Walker

Winnie Gibson

Delphine Foreman

Sarah Riley

Sharon Byers

Bill Foreman

Jerry Nanaeto

Kimberly Nanaeto

Harriet Nanaeto

Barbara Hawkins

Kartherine Franklin

Ronnie Harris

Sandy Harris

R.J. Harris

Merle Boyd

Tammy Boyd

Pamela Boyd

Mabel Harris

George Harris

Leona Starr

Jimmy Starr

James L. Starr

Leota Black

Carl Butler

Cecil Littlehead

Clarissa Littlehead

Oma Patrick

Irene Harris

Georgianna LeClair

Teresa LeClair

Larry Blanchard

Linda Standing

Karen "Candy" Hunter

Henry O. Hunter

Douglas Franklin

Dino Riley

George Switch

Jessica Patterson

Muriel Patterson

Valerie Patterson

Carol Patterson

Frances Coker

Richard Mullake

Kay Kay Goodeagle

Mary Clark

Donald Marland

Mary Mack

Guy Wakalee

Huge Wakalee

Marilyn Thurman

Herschel Tiger

Jack Thorpe

Lee Bass, Jr.

Elmer Manatowa, Jr.

Northern Plains

Northern Cheyenne

Harry Littlebird, Sr., gourd dance, hand game, arts & crafts, singer

Annie Joyce Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Richard Littlebird, dancer, gourd dance, hand game

Serena Littlebird, dancer, gourd dance, hand game, arts & crafts

Limona Littlebird, dancer, gourd dance, hand game, arts & crafts

Rose Ann Littlebird, dancer, gourd dance, hand game, arts & crafts

Ginger Littlebird, dancer, gourd dance, hand game, arts & crafts

Theresa Brady, dancer, gourd dance, arts & crafts, cook

Curtis Brady, dancer, gourd dance, hand game

Steve Brady, dancer, gourd dance, hand game

Eggonn Brady, dancer, gourd dance, hand game

Elsie Wick, hand game, arts & crafts, cook

Donna Wick, dancer, gourd dance, hand game, arts & crafts, cook

Christine Wick, gourd dance, hand game, arts & crafts

James Wick, gourd dance, hand game, arts & crafts

Dennis Wick, gourd dance, hand game, arts & crafts

Ernest King, gourd dance, hand game, arts & crafts, singer

Grover Wolfvoice, 1890-1978, hand game, arts & crafts

Dale Brady, gourd dance, hand game, arts & crafts

Joe Lonewolf, dancer, gourd dance, arts & crafts, singer

Crawford Lonewolf, dancer, gourd dance, hand game, singer

Charles Brady, gourd dance, hand game, arts & crafts, singer

Arnie Brady, dancer, gourd dance, hand game, arts & crafts, cook

Hilda Manley, dance, gourd dance, hand game, arts & crafts, cook

James Littlebird, gourd dance, hand game, arts & crafts, singer

Harriet Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Geofredo Littlebird, dancer, gourd dance, hand game, singer

Clinton Birdhat, dancer, hand game, singer

Marlene Belly Mule, dancer, gourd dance, arts & crafts, cook

Ruth Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Stacey Gwen Littlebird, gourd dance, hand game, arts & crafts

Rose Medicine Elk, hand game, arts & crafts, cook

John Medicine Elk, Sr., gourd dance, hand game, arts & crafts, singer

John Killsontop, Sr., gourd dance, hand game, arts & crafts, singer

Rose Killsontop, dancer, gourd dance, hand game, arts & crafts, cook

Mike Bearcamesout, gourd dance, hand game, arts & crafts, singer

Robert Bearchum, gourd dance, hand game, arts & crafts, singer

Robert Redwoman, hand game, arts -- & -- crafts, singer

Mary Redwoman, hand game, arts & crafts, cook

Elmer Fightingbear, dancer, hand game, arts & crafts, singer

Tommy Rockroads, dancer, hand game, arts & crafts, singer

Dave Glenmora, dancer, gourd dance, hand game, arts & crafts, singer

Wilson Brady, dancer, gourd dance, hand game, arts & crafts, singer

Tim Littleboy, dancer, hand game, arts & crafts

Webby Runsabove, dancer, hand game, arts & crafts, singer

Billy Runsabove, dancer, hand game, arts & crafts, singer

Fernando Littlebird, dancer, gourd dance, hand game, arts & crafts, singer

Steve Littlebird, gourd dance, hand game, arts & crafts, singer, coordinator

Northwest Coast

Les Houck

Merle Holmes

Charles Rick

Charles McKnight

Edmund Ben

Delores Pigsley

Archie Ben

Paul Jackson

Shirley Walker

Raymond Ben

Judy McKnight

Melvin McKnight

Bunni Houck

Jerry Running Foxe

Paulene Rick

Joe McKnight

Randy Rick

Boby Dumont

Victoria Ben

Dave Harley

Carlene Easter

Delbert Bell

Caroline Easter

Alaska Federation of Natives

Judy Brady

Herman Davis

Ruth Farquhar

Sharon Frank

Larry Garrity

Laura Eliz Joseph

Larry Judy

Alice Kitka

Marla Kitka

Donna Lang

Dorothy Lord

Tim McGraw

Lillian Nielsen

Mike Spoon

Martin Strand, Jr.

Martina Strand

Marlene Thomas

Cynthia Williams

Ethel Williams

Karin Williams

Janice Williams

Isabella Brady

Ethel Makinen

George Ramos

Marie Thiemeyer

Margy Johnson

Southwest

Amos Beatty

Jimmy Thompson

Charles Henry

Ron Quay

Wilkie Dazen

John Chissay

Mike Cooley

Pat Cooley

Bruce Cooley

Theresa Truesdell

Myrna Tessay

Wilfred Peaches

Manuelita Early

Jerry Lupe

Mike Truesdell

Bernice Endfield

Lula Machuse

Azlie Lupe

Pheobe Gooday

Nelson Lupe, Sr.

Shirleen Bullock

Beverly Machuse

June Marie Dale

Ophelia Peaches

Maria Endfield

Umatilla

Traditional Long House Group from Pendleton, Oregon

Edith K. McCloud, narrator, bead worker

Lillian E. Hoptowit, craftsperson, bead worker

Terry L. Hoptowit, dancer

Rosie McCloud, dancer

Eliza B. Nez, dancer

Joseph P. Tias, dancer

Bernadette B. Nez, dancer

Anthony G. Hoptowit Sr., crafts

Anna Marie Brown, buckskin worker

James Hoptowit, dancer

Donna B. Nikolaide, dancer, assist.

Willard D. Showay, singer

Arthur Williams, singer, crafts-beadwork

Lonnie R. Selam Sr., singer

William A. Johnson Sr., feather worker

Mrs. Arthur Williams, bead worker

Phillip Jackson, dancer, assist.

Eliza Bill, coordinator

Norma June Mosquito, dancer

Beksee Mosquito, singer, drummer

John Willard Hoptowit, dancer

Maisie McCloud, dancer

David Dean McKay, dancer

Babette Cowapoo, dancer

Ellen Taylor, dancer

Julie Taylor, dancer

Alberta Taylor, dancer

Ellen Johnson, bead worker

Cidric Bill, dancer

Anthony G. Hoptowit Jr., dancer

Emile Bill, dancer

Robert Bill, dancer

Sheila Bill, dancer

Sonny Gail McCloud, dancer

Angie McCloud, dancer

Raphael Bill, dancer, assist.

Veva E. Bill, storyteller

Sylvester Selam, dancer

Gabriel Selam, singer

Sandy Sampson, dancer, narrator, sign language

The Confederated Tribes and Bands of the Yakima Indian Nation of Toppenash, Washington will also be featured. Simon Sampson is the coordinator.

We will feature the Ute Reservation led by Gwen Mojado, the Inter-Tribal Council of Nevada led by Harold Wyatt, and the Klamath Tribe of Oregon led by Leonard Norris.

Northern California

Miwok Tribe

William Franklin, dancer, lecturer, hand game player

Cora Franklin, dancer, lecturer, hand game player

Margaret Villa, dancer, lecturer, jewelry maker

Theresa Coy, dancer, lecturer, hand game player

Carl Mathiesen, dancer, lecturer, hand game player

Inez Mathiesen, dancer, lecturer, hand game player

David Franklin, dancer, lecturer, hand game player

Ronnie Franklin, dancer, lecturer, hand game player

James Franklin, dancer, lecturer, hand game player

Norman Franklin, dancer, lecturer, hand game player

Robert Coy, dancer, lecturer, hand game player

Elaine Barber, dancer, lecturer, hand game player

Dorothy Stanley, food demonstration, lecturer

Dwight Zutchke, dancer, lecturer

Wintun Tribe

Mary Norton, food sales

Frances McDaniel, basket maker

Pomo Tribe

Elsie Allen, 1899-1990, basket maker, Ukiah, California

Yurok Tribe

Elaine Glairy, jewelry maker

Mary Birchfield, food sales

Ollie Foseide, 1921-, basket maker, Hoopa, California

Warren Abbott, food sales, dancer

Lareta James, dancer, singer

Dewey George, 1899-1985, boat maker, dance leader, McKinleyville, California

Rosie Silva, dancer, singer

Julius Aubrey, boat making assistant, dancer

Oscar Taylor, net maker, singer, dancer

Eileen Figueroa, basket maker, singer

Sam Jones, 1913-1996, stick game player

Mark Sundberg, stick game player, dancer, canoe assistant

Lisa Sundberg, dancer, jewelry maker

Joy Sundberg, Northern California coordinator, lecturer

Karok Tribe

Charlie Tom, singer, drummer, dancer

Jo Peters, 1923-, jewelry maker, basket maker, lecturer, Hoopa, California

Tammy Peters, dancer, jewelry maker

Laura George, guide, assistant

Lorna Dodge, lecturer, guide, assistant

Tolowa Tribe

Billy Richards, dancer

Mark Richards, dancer

Nicole Richards, dancer

Loren Bommelyn, 1956-, lead singer, Fort Dick, California

Fred Moorehead, lead singer

Betty Green, dance assistant

Kim Richards, dancer

Tanya Richards, dancer

Ronnie Richards, dancer

Marvin Richards, dancer

Denise Lopez, dancer, guide

Denise Richards, dancer, guide

Pam Mattz, dancer

Joan Richards, food sales

Darlene Richards, food sales

Lorene Richards, dancer

William Richards, food sales

Viola Richards, food sales

Bill Bommelyn, dancer

Walter Richards, singer

Lila Moorehead, sand bread maker, cook

Hupa Tribe

Merve George, band leader, dancer

Eleanor Abbott, language class leader

Andy Andrioli, lecturer, guitar player, dancer

Kim Yerton, dancer, learning center assistant

Janice Yerton, learning center assistant

Endora Saxson, dancer

Mike Waterman, drummer

Doug Duncan, lead guitar player

George Disdy, guitar player

Ann Taylor, assistant

Pat Andrioli, assistant

Paiute Tribe

Joseph Saulque, lecturer, historian

Film and Video Presentation

Vern Korbe

Carol Korbe

Dick O'Rourke

Lorraine O'Rourke

Brian Tripp

Dolly Tripp

Daniel O'Rourke

Klamath Tribe

Leonard Norris, Jr., Coordinator

Cecil L. Gallagher

Nick Kimbal

Charlie Bates

Rhonda Jimenez

LaNell L. Jackson

Rose Mary Tree Top

Jean Tina Bates

Bill L. Jackson

Anna Marie Jackson

Valgene Teeman

Marc McNair

Tchinook Tribe of Oregon

Karleen F. McKenzie

Confederated Tribes of the Umatilla

Leslie Minthorn, Coordinator

Quileute Tribe

Robert Bojorcas, 1943-, Coordinator, Eugene, Oregon
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976, Series 6
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5faad8354-a427-4717-95e3-f0b878e67f3a
EDAN-URL:
ead_component:sova-cfch-sff-1976-ref44

Folk Music of the U.S.: Songs of the Nootka and Quileute

Recorder:
Densmore, Frances, 1867-1957  Search this
Performer:
Guy, Sarah  Search this
Swan, Charles  Search this
Irving, Helen  Search this
Guy, James  Search this
Holden, Gilbert, Mrs.  Search this
Wandahart, Chester  Search this
Tom, Annie Long  Search this
Parker, Wilson, Mrs.  Search this
Young Doctor  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Indians of North America  Search this
Americans  Search this
Nootka Indians  Search this
Type:
Archival materials
Phonograph records
Date:
1952
Contents:
Potlatch songs. Song in the canoes -- Young doctor's canoe song -- Song of the host at a potlatch -- Song before distribution of gifts -- Songs with contest of physical strength at a potlatch. Song challenging to contest of physical strength -- Klokali songs. Modern klokali song -- Wand dance song -- Song with impersonation of the wild white geese -- Song with impersonation of the deer -- Song with impersonation of a little fish -- Songs of social dances. Song of pintlachatl dance -- Song congratulating a rival musician -- Songs of social gatherings. Song of parting -- Song of a social custom. I cannot forget you -- Game songs. Game song (a) -- Game song (b) -- Dream songs. Song taught by the frog -- Young doctor's dream song -- Song of the four little shell animals -- A whale is singing -- Songs used in the treatment of the sick. A path on the mountain peaks -- Songs connected with stories. Song addressed to a shark -- Song of a little boy in search of his grandparents -- Songs for children. Beaver's song to bring rain -- My canoe is full of kelp fish -- My little son -- Miscellaneous songs. Breakers, roll more easily -- I will not have him.
Track Information:
101 Song in the Canoes / Young Doctor.

102 Young Doctor's Canoe Song (a) / Charles Swan.

103 Young Doctor's Canoe Song (b) / Charles Swan.

104 Song of the Host at a Potlach / Young Doctor.

105 Song Before Distribution of Gifts / Young Doctor.

106 Song Challenging to Contest of Physical Strength (a) / Young Doctor.

107 Song Challenging to Contest of Physical Strength (b) / Young Doctor.

108 Modern Klokali Song / Charles Swan.

109 Wand Dance Song / Charles Swan.

110 Song with Impersonation of the Wild White Geese / Helen Irving.

111 Song with Impersonation of the Deer / Helen Irving.

112 Song with Impersonation of a Little Fish / Helen Irving.

113 Song of Pintlachtl Dance / James Guy.

114 Song Congratulating a Rival Musician / Gilbert, Mrs. Holden.

115 Song at Parting / Chester Wandahart.

201 "I Cannot Forget You" / Young Doctor.

202 Game Song (a) / Young Doctor.

203 Game Song (b) / Young Doctor.

204 Song Taught by the Frog / Young Doctor.

205 Young Doctor's Dream Song / Young Doctor.

206 Song of the Four Little Shell Animals / Annie Long Tom.

207 A Whale is Singing / Gilbert, Mrs. Holden.

208 "A path on the mountain peaks" / James Guy.

209 Song Addressed to a Shark / Young Doctor.

210 Song of a Little Boy in Search of His Grandparents / Gilbert, Mrs. Holden.

211 Beaver's Song to Bring Rain / Wilson, Mrs. Parker.

212 "My Canoe Is Full of Kelp Fish" / Wilson, Mrs. Parker.

213 "My Little Son" / Young Doctor.

214 "Breakers, roll more easily" / Sarah Guy.

215 "I will not have him" / Annie Long Tom.
Local Numbers:
FW-ASCH-LP-3029

Library of Congress.AAFS L32
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1952
General:
Analytical notes by the editor, including English translations of the texts and an introd. by Duncan Emrich (20 p.) inserted and on container. Production notes: Copied from cylinders, recorded 1923 and 1926 by the editor, in the Smithsonian-Densmore Collection of the Archive of American Folk Song.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Potlach  Search this
American Indian  Search this
Klokali (Music)  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-3029
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk543abbeae-9e77-4930-a2b7-bfc5aa4f29c3
EDAN-URL:
ead_component:sova-cfch-asch-ref17585

American Indian recordings

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 10 in.)
Culture:
Pawnee Indians  Search this
Indians of North America  Search this
Americans  Search this
Type:
Archival materials
Sound recordings
Contents:
List on box
Local Numbers:
FW-ASCH-10RR-0173
General:
A collection of American Indian songs. Possibly from the Pawnee and Quileute tribes

CDR copy; sound file exists in the DAMS system
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Indians of North America  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-10RR-0173
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / RR
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk505b28dda-43b3-44ba-a93e-d6ebb9e62e31
EDAN-URL:
ead_component:sova-cfch-asch-ref18688

MS 1802 Ethnological Studies of the Hoh and Quileute Indians, the Sole Survivors of the Chimakuan Linguistic Family

Creator:
Reagan, Albert B., 1871-1936  Search this
Extent:
212 Pages
2 Maps
3 Items (musical score pages )
Culture:
Quileute  Search this
Type:
Collection descriptions
Archival materials
Pages
Maps
Drawings
Musical scores
Date:
undated
Scope and Contents:
Includes text and drawings, 2 sketch maps, 21 native drawings, 3 pages musical scores.
Contents: 1 [Introduction], page 1; and Ethnohistory and History, 22 pages. 2. Traditions and Myths..., pages 1-89. 3. Songs..., pages 52-56. 4. Games..., pages 45-51. 5. The Quileute Children's Pastime, pages [1]-4. 6. Native coloring Material..., pages 43-44. [text and drawings] 7. ...Methods of Hunting and Trapping [text and drawings] [10] 8. Native Medicines, 1 page. 9. ...Dances..., pages 57-65. 10. Shamanistic Performances, pages [1]-10. 11. Shakerism, pages [1]-18. 12. The Potlatch, pages [1]-8. 13. Marriage Ceremonies, pages [1]-2. 14. Birth Ceremonies, 1 page. 15. Puberty Customs, 1 page. 16. Mortuary Customs, pages [1]-4. page. 17. Miscellaneous Notes, pages [1]-15, [16]. 18. The Retarding Influence of the Chinook Jargon, 1 page. The Thunder Bird. (Copied from a grave slab at Quileute) [Illustration] 1 page. 212 pages total. Quileute Indian Village and Vicinity [sketch map, 20" x 28"] 1 page. James Island or Ah-Kah-Lot. [sketch map, 20" x 28"] 1 page. [Drawings by native artists; all or part by students at the Indian School, Lapush, Washington.] 21 pages. Music to Songs used at the Quileute Shaker Meetings, pages 6, 7, 11. 238 pages total.
Local Numbers:
NAA MS 1802
Topic:
Folklore -- Quileute  Search this
Games -- Quileute  Search this
Color and dyes -- Quileute  Search this
Hunting -- Quileute  Search this
Medicine -- Quileute  Search this
Dance -- Quileute  Search this
Potlatch -- Quileute  Search this
Marriage -- Quileute  Search this
Birth customs -- Quileute  Search this
Puberty customs -- Quileute  Search this
Mortuary customs -- Quileute  Search this
Thunderbird -- Quileute  Search this
Music -- Quileute  Search this
Shakerism -- Quileute  Search this
Language and languages -- Documentation  Search this
James Island -- map  Search this
Genre/Form:
Drawings
Maps
Musical scores
Citation:
Manuscript 1802, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1802
See more items in:
MS 1802 Ethnological Studies of the Hoh and Quileute Indians, the Sole Survivors of the Chimakuan Linguistic Family
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a81af35a-d364-4016-9f9a-9c10291ff2f8
EDAN-URL:
ead_collection:sova-naa-ms1802
Online Media:

Arrows, Knives, and Harpoon Drawing

Collection Creator:
Reagan, Albert B., 1871-1936  Search this
Extent:
1 Item (leaf )
Culture:
Quileute  Search this
Type:
Archival materials
Date:
n.d
Local Numbers:
NAA INV 08656200

NAA MS 1802
Local Note:
drawing
Topic:
Language and languages -- Documentation  Search this
Works of art  Search this
Collection Citation:
Manuscript 1802, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 1802 Ethnological Studies of the Hoh and Quileute Indians, the Sole Survivors of the Chimakuan Linguistic Family
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35f96e824-1ec9-4af2-bdd0-d16a55a34b6c
EDAN-URL:
ead_component:sova-naa-ms1802-ref13
Online Media:

Thunderbird Carrying a Whale in his Talons Drawing

Collection Creator:
Reagan, Albert B., 1871-1936  Search this
Extent:
1 Item (leaf )
Culture:
Quileute  Search this
Type:
Archival materials
Date:
n.d
Local Numbers:
NAA INV 08655300

NAA MS 1802
Local Note:
drawing
Topic:
Language and languages -- Documentation  Search this
Works of art  Search this
Collection Citation:
Manuscript 1802, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 1802 Ethnological Studies of the Hoh and Quileute Indians, the Sole Survivors of the Chimakuan Linguistic Family
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a8075d14-2453-414d-8ca2-e0ae74652124
EDAN-URL:
ead_component:sova-naa-ms1802-ref4
Online Media:

Letter to Henry Wetherbee Henshaw

Creator:
United States. Department of the Interior Bureau of Indian Affairs Quinault Agency Agent  Search this
Addressee:
Henshaw, Henry W. (Henry Wetherbee), 1850-1930  Search this
Collection Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Culture:
Hoh  Search this
Quileute  Search this
Type:
Archival materials
Date:
July 17, 1888
Scope and Contents:
Advising him about the place and possiblities of assistance in obtaining Hoh and Quileute vocabularies.
Local Numbers:
NAA MS 1647(21)
Collection Citation:
Manuscript 1647, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 1647 Miscellaneous materials by Hewitt and others
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw343612603-0d6b-45d6-b957-a862248f5e73
EDAN-URL:
ead_component:sova-naa-ms1647-ref19

Edward S. Curtis photogravure plates and proofs for The North American Indian

Photographer:
Curtis, Edward S., 1868-1952  Search this
Extent:
96 Photomechanical prints (photogravure proofs)
184 Printing plates (copper printing plates)
Culture:
Twana  Search this
Hoh  Search this
Walla Walla (Wallawalla)  Search this
Wishram  Search this
Suquamish  Search this
Skokomish  Search this
Quinault  Search this
Quileute  Search this
Apache  Search this
Tolowa  Search this
Hupa  Search this
Hopi Pueblo  Search this
Squaxon  Search this
Mewuk (Miwok)  Search this
Achomawi (Pit River)  Search this
Klamath  Search this
Yurok  Search this
Kumeyaay (Diegueño)  Search this
Cayuse  Search this
Northern Paiute (Paviotso)  Search this
Santa Ysabel (Santa Isabela) Diegueño  Search this
Kalispel (Pend d'Oreilles)  Search this
Salish (Flathead)  Search this
Spokan  Search this
Yakama (Yakima)  Search this
Sahnish (Arikara)  Search this
Numakiki (Mandan)  Search this
Pikuni Blackfeet (Piegan)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Niimíipuu (Nez Perce)  Search this
A'aninin (Gros Ventre)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Tsuu T'ina (Sarcee)  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Denésoliné (Chipewyan)  Search this
Cree  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
San Ildefonso Pueblo  Search this
Tewa Pueblos  Search this
A:shiwi (Zuni)  Search this
Kewa (Santo Domingo Pueblo)  Search this
K'apovi (Santa Clara Pueblo)  Search this
Laguna Pueblo  Search this
Jemez Pueblo  Search this
Serrano  Search this
Washoe (Washo)  Search this
Kutzadika'a (Mono Paiute)  Search this
Kupangaxwichem (Kupa/Cupeño)  Search this
Piipaash (Maricopa)  Search this
Diné (Navajo)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Quechan (Yuma/Cuchan)  Search this
Hualapai (Walapai)  Search this
Akimel O'odham (Pima)  Search this
Tohono O'odham (Papago)  Search this
Mojave (Mohave)  Search this
Niuam (Comanche)  Search this
Wichita  Search this
Ponca  Search this
Osage  Search this
Yokuts  Search this
Chukchansi Yokuts  Search this
Southern Mewuk (Southern Miwok)  Search this
Wailaki  Search this
Pomo  Search this
Wappo  Search this
Maidu  Search this
Type:
Collection descriptions
Archival materials
Photomechanical prints
Printing plates
Photogravures
Photographs
Date:
1899-1927
circa 1980
Summary:
The Edward S. Curtis photogravure plates and proofs for The North American Indian include photogravure printing plates and associated proofs made from Curtis photographs and used in the publication of The North American Indian volumes 1-9 and 12-19. The bulk of the images are portraits, though there are also images of everyday items, ceremonial artifacts, and camps.
Scope and Contents:
The collection comprises 183 photogravure plates (101 folio and 82 octavo) and 96 associated proofs used in the printing of The North American Indian volumes 1-9 and 12-19. The original photographs used to make the photogravures were made circa 1903-1926 and the photogravure plates were made in 1907-1930. The bulk are portraits, though there are also images of everyday items, ceremonial artifacts, and camps. About half of the proofs in the collection are originals used for Curtis's publication, though the collection also includes proofs made in the process of later publication by the Classic Gravure Company (circa 1980). Vintage proofs include handwritten notes, likely made by Curtis Studio employees in Seattle and Los Angeles. Many of the photogravure plates do not have matching proofs; in particular, there are no proofs for the octavo plates.
Arrangement:
The plates and proofs are arranged by the volume of The North American Indian in which they were published. They are described in this finding aid by the caption and plate number with which they were published.
Biographical / Historical:
Edward Sheriff Curtis (1868-1952) was an American photographer best known for his monumental and now-controversial project, the twenty-volume publication The North American Indian. Here he sought to document in words and pictures the "vanishing race" of American Indians.

Born in Wisconsin in 1868, Edward Curtis grew up on his family's farm in Le Sueur County, Minnesota, from 1874 to 1887. In 1887, he and his father Johnson Curtis settled on a plot near what is now Port Orchard, Washington, and the rest of the family joined them the following year. When Johnson Curtis died within a month of the family's arrival, the burden of providing for his mother and siblings fell to 20-year-old Edward, and Edward set out to do so through his photography. In 1891, Curtis moved to the booming city of Seattle and bought into a joint photo studio with Rasmus Rothi. Less than a year later, he formed "Curtis and Guptill, Photographers and Photoengravers" with Thomas Guptill; the enterprise quickly became a premier portrait studio for Seattle's elite. In 1895, Curtis made his first "Indian photograph" depicting Princess Angeline, daughter of the chief for whom Seattle had been named. The following year he earned his first medal from the National Photographic Convention for his "genre studies."

In 1899, Edward Curtis joined the Harriman Alaska Expedition as official photographer, a position which allowed him to learn from anthropologists C. Hart Merriam and George Bird Grinnell while documenting the landscapes and peoples of the Alaskan coast. This expedition and the resulting friendship with Grinnell helped to foster Curtis's ultimate goal to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, The North American Indian). Curtis made several trips to reservations from 1900 to 1904, including a trip with Grinnell to Montana in 1900 and multiple trips to the Southwest, including the Hopi Reservation. He also hired Adolph Muhr, former assistant to Omaha photographer Frank A. Rinehart, to manage the Curtis studio in his absence, a decision which would prove more and more fruitful as Curtis spent less and less time in Seattle.

In 1906, Curtis struck a deal with financier J. P. Morgan, whereby Morgan would support a company – The North American Indian, Inc. – with $15,000 for five years, by which time the project was expected to have ended. Systematic fieldwork for the publication began in earnest that summer season, with Curtis accompanied by a team of ethnological researchers and American Indian assistants. Arguably the most important member of Curtis' field team was William Myers, a former newspaperman who collected much of the ethnological data and completed most of the writing for the project. The first volume, covering Navajo and Apache peoples, was published at the end of 1907, but already Morgan's funding was incapable of meeting Curtis's needs. Despite heaping praise from society's elite, Curtis spent much of his time struggling to find people and institutions willing to subscribe to the expensive set of volumes. After the initial five years, only eight of the proposed twenty volumes had been completed. Fieldwork and publication continued with the support of J. P. Morgan, but Curtis's home life suffered because of his prolonged absences.

In 1919, Curtis's wife Clara was awarded a divorce settlement which included the entire Curtis studio in Seattle. Exhausted and bankrupt, Edward Curtis moved with his daughter Beth Magnuson to Los Angeles, where they operated a new Curtis Studio and continued work on the volumes; volume 12 was published in 1922. The constant financial strain forced Myers to leave the North American Indian team after volume 18 (fieldwork in 1926) and Curtis made his last trip to photograph and gather data for volume 20 in 1927. After the final volumes were published in 1930, Curtis almost completely faded from public notice until his work was "rediscovered" and popularized in the 1970s.

Curtis's "salvage ethnology," as scholar Mick Gidley describes it, was mildly controversial even during his life and has become ever more so as his legacy deepens. In his quest to photograph pre-colonial Indian life through a twentieth-century lens, he often manipulated and constructed history as much as he recorded it: he staged reenactments, added props, and removed evidence of twentieth-century influences on "primitive" life. Curtis's work continues to shape popular conceptions of American Indians and so, while problematic, his legacy--his vision of American Indian life--continues to be relevant.
Related Materials:
NMAI also holds Edward Curtis photographs documenting the Harriman Expedition (1899) as well as platinum prints and photogravures of the images published in The North American Indian.

The Smithsonian Institution, National Anthropological Archives holds Edward Curtis prints submitted for copyright (Photo Lot 59) as well as many of his original negatives, photographs, and papers.

Steve Kern donated photogravure plates to the Center for Creative Photography and the Seattle Art Museum at the same time that he donated this set to MAI.
Provenance:
This collection was donated by Steven and Arlene Kern to the Museum of the American Indian, Heye Foundation, in 1984.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Indians of North America -- Pictorial works  Search this
Genre/Form:
Photogravures
Photographs
Citation:
Identification of specific item; Date (if known); Edward S. Curtis photogravure plates and proofs for The North American Indian, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.080
See more items in:
Edward S. Curtis photogravure plates and proofs for The North American Indian
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv47bb7e1cf-cd0f-42a1-ac5b-8ee402c1ab8f
EDAN-URL:
ead_collection:sova-nmai-ac-080
Online Media:

Annual Reports

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Container:
Box 404, Folder 1
Type:
Archival materials
Date:
1917 - 1920
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 12: Publications / 12.1: Annual Reports
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv47d653f6c-cdf9-45cd-9231-bc116ffdeaea
EDAN-URL:
ead_component:sova-nmai-ac-001-ref15240
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Frances Densmore

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Type:
Archival materials
Biographical / Historical:
Frances Theresa Densmore (1867-1957) was born in Red Wing, Minnesota to Benjamin and Sarah Densmore. Densmore began piano lessons at an early age and became exposed to American Indian music when quite young, living close to Lakota people. Densmore attended the Oberlin Conservatory of Music where she studied the organ and harmony, in addition to the piano. After Oberlin, Densmore became a church organist and taught music. Around 1890, she move to Boston to continue her studies in music. There, she learnt about Alice Cunningham Fletcher's work among the Omaha Indians. Densmore wrote to Fletcher and Fletcher quickly became Densmore's mentor.

Densmore's first field work was among the Chippewa of Grande Portage, in 1905. In 1908 the Bureau of American Ethnology provided Densmore with a graphophone. Densmore's association with the BAE lasted fifty years. Densmore worked among the Cocopah, Makah, Winnebago, Lakota, Mandan and Hidatsa, Northern Ute, Nootka and Quileute, Ojibwa, Onondaga, Omaha, Apache and Navajo, Santo Domingo, Cheyenne and Arapaho, Maidu, Choctaw, Pawnee, Papago, Menominee, Chippewa, Yuma, Yaqui, Seminole, Acoma, Isleta, Cochiti, Zuni, Chitimacha and Alibamu Indian peoples. She also worked with the Tule Indians of Panama. Densmore served as a founding Officer and second Vice-President of the Society for Ethnomusicology in 1956. She recorded over 2,400 American Indian songs. She died at the age of 90.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 6: Collectors
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv40017d625-d859-402a-a7fb-9cfcb3326c6b
EDAN-URL:
ead_component:sova-nmai-ac-001-ref15733

Leo Frachtenberg

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Type:
Archival materials
Biographical / Historical:
Leo Joachim Frachtenberg (1883-1930) was born in Austria. He moved to the United States and became well respected as an anthropologist, publishing articles in scholarly journals including the American Anthropologist and Bureau of American Ethnology Bulletin. Frachtenburg worked mainly among the native peoples of Oregon. His interests were primarily linguistic. In 1907, Frachtenburg was working under the auspices of the Bureau of American Ethnology among the Tutelo on the Grand River Reservation in Ontario. Following in the footsteps of Edward Sapir, he collected what he could of Tutelo vocabulary. In 1909 Frachtenburg was the Assistant United States Commissioner of Immigration and in 1910 he was chief of the foreign population census of New York City. In 1911 Frachtenburg was again working under the auspices of the Bureau of American Ethnology and also of Columbia University. He was conducting a study of the Siuslawan language on Siletz reservation in Oregon. In the summer of 1915 and fall of 1916, Frachtenburg conducted ethnological and linguistic studies among the Quileute on the Quileute reservation at Lapush, Washington. During the latter part of the 1920s Frachtenburg was the national field director for the Palestinian Foundation Fund (later known as the United Jewish Appeal). The Palestinian Foundation Fund was an arm of the World Zionist Fund, whose purpose was to help build and develop a Jewish homeland. Frachtenberg died in Waterloo, Iowa at the age of 47.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 6: Collectors
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4fad2bf13-a547-4627-abf1-19c1b53b0598
EDAN-URL:
ead_component:sova-nmai-ac-001-ref15737

Native American History, Language, and Culture of Alaska and the Northwest Coast

Creator:
Harrington, John Peabody, 1884-1961  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
26.86 Linear feet (76 boxes)
Culture:
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Subarctic  Search this
Type:
Archival materials
Field notes
Place:
Alaska
Oregon
Washington (State)
Canada, Western
Northwest Coast of North America
Date:
1910, 1933-1957
Scope and Contents:
The arrangement of material in this section corresponds to Volume 4 of the microfilmed papers. The reel numbers of corresponding microfilm are listed where appropriate. "N/A" indicates material that was not included in microfilm.
This series within the John Peabody Harrington papers represents the results of Harrington's work on the native languages and cultures of Alaska, Western Canada, Washington, and Oregon which was undertaken just prior to and during his employment as ethnologist (1915-1954) by the Bureau of American Ethnology. The documents focus primarily on linguistic data, although there also include significant amounts of ethnographic and historical information.
Arrangement:
Series is arranged into 16 subseries: (1) Aleut; (2) Tlingit/Eyak; (3) Northern Athapascan; (4) Nicola/Thompson; (5) Lummi/Nespelem; (6) Duwamish; (7) Chimakum/Clallam/Makah/Quileute; (8) Quinault/Chehalis/Cowlitz/Yakima/Chinook/Chinook Jargon; (9) "Kwalhioqua-Tlatskanai"; (10) Tillamook; (11) Alsea/Siuslaw/Coos; (12) Southwest Oregon Athapascan; (13) Galice/Applegate; (14) Takelma; (15) General and Miscellaneous Materials
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Language and languages -- Documentation  Search this
Ethnology  Search this
Genre/Form:
Field notes
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Series 1
See more items in:
John Peabody Harrington papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw314e67b76-303a-47c3-b3b6-670aed1287fe
EDAN-URL:
ead_component:sova-naa-1976-95-ref12319

Comparative Vocabulary

Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Type:
Archival materials
Subseries Restrictions:
No restrictions on access.
Subseries Rights:
Contact the repository for terms of use.
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 1: Native American History, Language, and Culture of Alaska and the Northwest Coast / 1.7: Chimakim/Clallam/Makah/Quileute
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3604075d6-6719-4c05-817b-a7db0ad599b4
EDAN-URL:
ead_component:sova-naa-1976-95-ref12679

Astronomy

Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Container:
Box 38
Type:
Archival materials
Scope and Contents note:
Microfilm Reel: 16
Subseries Restrictions:
No restrictions on access.
Subseries Rights:
Contact the repository for terms of use.
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 1: Native American History, Language, and Culture of Alaska and the Northwest Coast / 1.7: Chimakim/Clallam/Makah/Quileute / Comparative Vocabulary
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35f2572d5-ce8e-4135-aa24-bd750225c885
EDAN-URL:
ead_component:sova-naa-1976-95-ref12680

Phenomena

Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Container:
Box 38
Type:
Archival materials
Scope and Contents note:
Microfilm Reel: 16
Subseries Restrictions:
No restrictions on access.
Subseries Rights:
Contact the repository for terms of use.
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 1: Native American History, Language, and Culture of Alaska and the Northwest Coast / 1.7: Chimakim/Clallam/Makah/Quileute / Comparative Vocabulary
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3904d8c92-dd99-4601-bb2d-574f6591e9aa
EDAN-URL:
ead_component:sova-naa-1976-95-ref12682

Cardinal Directions

Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Container:
Box 38
Type:
Archival materials
Scope and Contents note:
Microfilm Reel: 16
Subseries Restrictions:
No restrictions on access.
Subseries Rights:
Contact the repository for terms of use.
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 1: Native American History, Language, and Culture of Alaska and the Northwest Coast / 1.7: Chimakim/Clallam/Makah/Quileute / Comparative Vocabulary
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3891b8d6d-4050-4b53-abdf-3e56502389b5
EDAN-URL:
ead_component:sova-naa-1976-95-ref12684

Geographical Terms

Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Container:
Box 38
Type:
Archival materials
Scope and Contents note:
Microfilm Reel: 16
Subseries Restrictions:
No restrictions on access.
Subseries Rights:
Contact the repository for terms of use.
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 1: Native American History, Language, and Culture of Alaska and the Northwest Coast / 1.7: Chimakim/Clallam/Makah/Quileute / Comparative Vocabulary
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3c6082e32-4180-4eea-9cda-02e1b30d300d
EDAN-URL:
ead_component:sova-naa-1976-95-ref12686

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