Skip to main content Smithsonian Institution

Search Results

Collections Search Center
2 documents - page 1 of 1

Oral history interview with Mary Frank

Interviewee:
Frank, Mary, 1933-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Martha Graham Dance Company  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Queens College (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Cadmus, Paul, 1904-1999  Search this
De Kooning, Willem, 1904-1997  Search this
Kaprow, Allan  Search this
Nakian, Reuben, 1897-1986  Search this
Snyder, Joan, 1940-  Search this
Extent:
8 Items (Sound recording: 8 memory cards (6 hr., 43 min.), secure digital, 1.25 in.)
135 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 Jan. 10- Feb. 3
Scope and Contents:
An interview interview with Mary Frank conducted 2010 Jan. 10, 11, and Feb. 3, by Judith Olch Richards, for the Archives of American Art, at Frank's home and studio, in New York, N.Y.
Ms. Frank speaks of her childhood in England and her evacuation to Brooklyn during WWII; her initial intention of becoming a professional dancer and studying with the Martha Graham Dance Company; her marriage and travels with photographer Robert Frank; the difficulties of women teaching art; teaching methods; her time at The New School and Queens College; western and non-Western influences; mushroom hunting; solar cookers; her works in clay, sculpture, painting, drawing, monoprint, and triptych installations; her relationships with the galleries Zabriskie, Midtown Payton and DC Moore; Frank also recalls Willem de Kooning, Ruben Nakian, Allan Kaprow, Marjorie Ponce Israel, Joe Chaikin, Paul Cadmus, Henrietta Mantooth Bagley, Joan Snyder, Elanor Munro, Jean-Louise Bourgeois, and others.
Biographical / Historical:
Interviewee Mary Frank (1933- ) is a figurative sculptor and painter in New York, N.Y. She is married to musicologist Leo Treitler. Interviewer Judith Olch Richards (1947- ) is former Executive director of iCI in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New York (State) -- New York  Search this
Ceramicists -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Women artists  Search this
Women painters  Search this
Women ceramicists  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.frank10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw908cff2b8-513d-4494-b12b-b5fbfbfea826
EDAN-URL:
ead_collection:sova-aaa-frank10
Online Media:

Robert John Goldwater papers

Creator:
Goldwater, Robert John, 1907-1973  Search this
Names:
Museum of Primitive Art  Search this
New York University -- Faculty  Search this
Queens College (New York, N.Y.) -- Faculty  Search this
Gauguin, Paul, 1848-1903  Search this
Goldwater, S. S. (Sigismund Schulz), 1873-1942  Search this
Lipchitz, Jacques, 1891-1973  Search this
Tamayo, Rufino, 1899-  Search this
Extent:
5.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1902-1974
Summary:
The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974. Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a nationally recognized expert in the fields of public health, hospital administration, and hospital design and construction.
Scope and Content Note:
The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974. Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a nationally recognized expert in the fields of public health, hospital administration, and hospital design and construction.

The bulk of Robert John Goldwater's correspondence focuses on his writings and editing work, including his work for Magazine of Art and the Museum of Primitive Art. It is with academic colleagues, art museums, colleges and universities, publishers, former students, and family. There is also scattered correspondence with artists. A list of correspondents is found at the end of this finding aid.

Subject files concern topics of interest to Goldwater as well as exhibitions and organizations with which he was involved, and include correspondence, printed material, and notes. Teaching records are from Goldwater's work at both Queens College and New York Universtity and consist mainly of course syllabi, bibliographies, and notes, as well as some administrative records.

The largest series in the collection consists of Goldwater's writings, including drafts, manuscripts, and notes for several books, reviews, and talks and lectures. Found here are complete and partial manuscript versions of his books Artists on Art; From David to Delacroix; Jacques Lipchitz; Paul Gaugin; Rufino Tamayo; and Symbolism. Printed material includes many items about or mentioning Goldwater, as well as printed or published articles and reviews written by him.

The papers of S. S. Goldwater, M. D. (1873-1942) consist primarily of correspondence documenting his work as a hospital administrator, public health expert, and New York City's Commissioner of Hospitals. They also include biographical information, legal documents, photographs, printed material, and writings.
Arrangement:
The collection is arranged as 6 series.

Missing Title

Series 1: Correspondence, 1934-1973 (Box 1; 0.5 linear ft.)

Series 2: Subject Files, 1931-1973 (Box 1; 0.3 linear ft.)

Series 3: Teaching Records, 1935-1973 (Boxes 1-2; 1.2 linear ft.)

Series 4: Writings, 1932-1973 (Boxes 3-5; 2.2 linear ft.)

Series 5: Printed Material, 1931-1974 (Box 5; 0.3 linear ft.)

Series 6: Papers of S. S. Goldwater, M.D., 1902-1956 (Boxes 5-6; 0.9 linear ft.)
Biographical Note:
Robert John Goldwater (1907-1973), a native New Yorker, studied art history at Columbia College (B.A., 1929), Harvard University (M.A., 1931), and New York University (Ph.D., 1937). Goldwater was a Carnegie Corporation Fellow, 1930-31, a Guggenheim Fellow, 1944-45, and a Fulbright Fellow in France, 1944-45. He was especially interested in primitive art, primitivism and symbolism in modern art, and the history of art criticism.

His teaching career began at New York University in 1934. Five years later, Goldwater moved to Queens College. In 1957, he joined the faculty of the Institute of Fine Arts, New York University, where he remained until his death in 1973.

Goldwater wrote a large number of articles, books, and reviews on a variety of art topics. His books include: Primitivism in Modern Painting (1938), Artists on Art from the XIV to the XX Century (1945), Rufino Tamayo (1947), Modern Art in Your Life (1949), Vincent van Gogh (1954), Jacques Lipchitz (1954), Paul Gauguin (1957), Senufo Sculpture from West Africa (1964), Space and Dream (1968), What Is Modern Sculpture (1969), and Symbolism (1979).

From 1957-1963 Goldwater was Director of the Museum of Primitive Art, and for the next decade was Chairman of its administrative committee. In addition, Goldwater served as book review editor of the College Art Association's Art Bulletin from 1944-1947, and from 1947-1953 he was editor of the American Federation of Art's Magazine of Art.
Provenance:
The Robert John Goldwater papers were donated to the Archives of American Art in 1976 by Goldwater's widow, Louise Bourgeois.
Restrictions:
This material is ACCESS RESTRICTED; permission; written permission is required. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Editors -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Symbolism  Search this
Museum directors -- New York (State) -- New York  Search this
Citation:
Robert John Goldwater papers, 1902-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goldrobe
See more items in:
Robert John Goldwater papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98183ee31-01c6-4876-97f9-c9dcaa0632d0
EDAN-URL:
ead_collection:sova-aaa-goldrobe

Modify Your Search







or


Narrow By
  • Archives of American Art