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In the Valley of Delight, (painting)

Painter:
Pyle, Howard 1853-1911  Search this
Medium:
Watercolor on paper
Type:
Paintings
Paintings-Illustration
Date:
1902
Topic:
Literature--St. Nicholas  Search this
Landscape--Valley  Search this
Control number:
IAP 8C110023
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_420085

The White Champion, (painting)

Painter:
Pyle, Howard 1853-1911  Search this
Medium:
Watercolor on paper
Type:
Paintings
Paintings-Illustration
Date:
1903
Topic:
Literature--St. Nicholas  Search this
Landscape  Search this
Figure  Search this
Control number:
IAP 8C110024
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_420086

Sir Gawaine, (painting)

Painter:
Pyle, Howard 1853-1911  Search this
Medium:
Watercolor on paper
Type:
Paintings
Paintings-Illustration
Date:
1903
Topic:
Literature--St. Nicholas  Search this
Control number:
IAP 8C110025
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_420087

The Connecticut Settlers, (painting)

Painter:
Pyle, Howard 1853-1911  Search this
Medium:
Oil on canvas
Type:
Paintings
Paintings-Illustration
Date:
Ca. 1902
Topic:
Literature--Scribner's Magazine  Search this
Landscape  Search this
Figure group  Search this
Control number:
IAP 8C110026
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_420089

Then the Real Fight Began, (painting)

Painter:
Pyle, Howard 1853-1911  Search this
Medium:
Oil on canvas
Type:
Paintings
Paintings-Illustration
Date:
1908
Topic:
Literature--Harper's Monthly Magazine  Search this
Architecture--Boat  Search this
Figure group  Search this
Control number:
IAP 8C110027
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_420091

Howard Pyle letters, 1894 Aug. 19-1899 Nov. 14

Creator:
Pyle, Howard, 1853-1911  Search this
Subject:
Turner, Ross  Search this
Type:
Drawings
Citation:
Howard Pyle letters, 1894 Aug. 19-1899 Nov. 14. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10328
(DSI-AAA_SIRISBib)213530
AAA_collcode_pylehowa
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213530

Players Club letters

Creator:
Players (Club)  Search this
Names:
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Blum, Robert Frederick, 1857-1903  Search this
Booth, Edwin, 1833-1893  Search this
Borglum, Gutzon, 1867-1941  Search this
Brunner, Arnold W. (Arnold William), 1857-1925  Search this
Buel, Clarence Clough, 1850-1933  Search this
Burgess, Gelett, 1866-1951  Search this
Coleman, Charles Caryl, 1840-1928  Search this
Cortissoz, Royal, 1869-1948  Search this
Geddes, Norman Bel, 1893-1958  Search this
Hutton, Lawrence  Search this
Mansfield, Richard, 1857-1907  Search this
Nast, Thomas, 1840-1902  Search this
Parrish, Maxfield, 1870-1966  Search this
Pyle, Howard, 1853-1911  Search this
Smith, Francis Hopkinson, 1838-1915  Search this
Weir, Julian Alden, 1852-1919  Search this
White, Stanford, 1853-1906  Search this
Extent:
1 Reel (ca. 50 items (on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Reels
Date:
1848-1941
Scope and Contents:
Letters, mostly from distinguished club members in behalf of candidates for membership, and some membership forms.
Correspondents are: James C. Beckwith, Norman Bel Geddes, Karl Bitter, Robert Blum, Gutzon Borglum, Arnold W. Brunner, Clarence C. Buel, Gelett Burgess, Charles C. Coleman, Royal Cortissoz, Lawrence Hutton, Richard Mansfield, Thomas Nast, Maxfield Parrish, Howard Pyle, F. Hopkinson, J. Alden Weir, and Stanford White.
Biographical / Historical:
New York City. Founded by Edwin Booth in 1888, the club had among its members many prominent actors, artists and writers.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Arts organizations -- New York (State)
Identifier:
AAA.players
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94772f310-59a5-4b3a-a235-b9f88938c118
EDAN-URL:
ead_collection:sova-aaa-players

Albert and Marie Sterner letters received

Creator:
Sterner, Albert, 1863-1946  Search this
Sterner, Marie, 1880-1953  Search this
Names:
Barbirolli, John, Sir, 1899-1970  Search this
Barnard, George Grey, 1863-1938  Search this
Beaux, Cecilia, 1855-1942  Search this
Bellows, George, 1882-1925  Search this
Bigelow, Poultney, b. 1855  Search this
Bourdelle, Emile Antoine, 1861-1929  Search this
Calvé, Emma, 1858-1942  Search this
Chase, William Merritt, 1849-1916  Search this
Churchill, Winston, Sir, 1874-1965  Search this
Collier, Constance, 1878-1955  Search this
Dewey, John, 1859-1952  Search this
Du Maurier, Gerald, Sir, 1873-1934  Search this
Dunn, James Nicol  Search this
Duveen, Joseph Duveen, Baron, 1869-1939  Search this
Ferguson, Elsie  Search this
Genthe, Arnold, 1869-1942  Search this
Gibson, Charles Dana, 1867-1944  Search this
Hampden, Walter, 1879-1955  Search this
Harding, Warren G. (Warren Gamaliel), 1865-1923  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Herford, Oliver, 1863-1935  Search this
Howard, Leslie, 1893-1943  Search this
Irving, Henry, Sir, 1838-1905  Search this
Le Gallienne, Eva, 1899-  Search this
Marlowe, Julia, 1865-1950  Search this
Merivale, Philip, 1886-1946  Search this
Mozkowski, Maurice  Search this
Nazimova, 1879-1945  Search this
Pennell, Joseph, 1857-1926  Search this
Pompelli, Raphael  Search this
Pyle, Howard, 1853-1911  Search this
Roosevelt, Theodore, 1858-1919  Search this
Sargent, John Singer, 1856-1925  Search this
Shaw, Bernard, 1856-1950  Search this
Tree, Herbert Beerbohm, Sir, 1853-1917  Search this
Ward, Humphry, Mrs., 1851-1920  Search this
Weir, Julian Alden, 1852-1919  Search this
Wharton, Edith, 1862-1937  Search this
Wilson, Francis Vaux, 1874-1938  Search this
Zangwill, Israel, 1864-1926  Search this
Extent:
87 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1899-1945
Scope and Contents:
Letters to the Sterners, primarily regarding art and cultural matters.
Letters are from: John Barbirolli, George G. Barnard, Cecelia Beaux, George Bellows, Emile Bourdelle, Poultney Bigelow, Emma Calve, William M. Chase, Winston Churchill, Constance Collier, John Dewey, Gerald du Maurier, John Drew, James N. Dunn, Joseph Duveen, Elsie Ferguson, Arnold Genthe, Charles D. Gibson, Warren G. Harding, Charles W. Hawthorne, Robert Henri, Walter Hampden, Oliver Herford, Leslie Howard, Sir Henry Irving, Eva Le Gallienne, Julie Marlow, Philip Merivale, Maurice Mozkowski, Alla Nazimova, Joseph Pennell, Raphael Pompelli, Howard Pyle, Theodore Roosevelt, John S. Sargent, G. Bernard Shaw, Sir Herbert B. Tree, Mary A. Ward, J. Alden Weir, Edith Wharton, Francis Wilson, and Israel Zangwill.
Biographical / Historical:
Illustrator and painter; New York City. Sterner's wife, Marie, was an art dealer.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Identifier:
AAA.steralbm
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac638fd2-f3ba-45c7-965b-087ac4350c8a
EDAN-URL:
ead_collection:sova-aaa-steralbm

Amerikan irasutorēshun-ten : kogane jidai no gaka tachi = The great American illustrators / curated by Judy Goffman ; exhibition coordinator, Brain Trust Inc., Tokyo

Title:
Great American illustrators
Author:
Cutler, Judy Goffman  Search this
Odakyū Bijutsukan  Search this
Fukushima Kenritsu Bijutsukan  Search this
Daimaru Myūjiamu (Osaka, Japan)  Search this
American Illustrators Gallery  Search this
Burēn Torasuto (Firm)  Search this
Subject:
Pyle, Howard 1853-1911  Search this
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Parrish, Maxfield 1870-1966  Search this
Christy, Howard Chandler 1873-1952  Search this
Leyendecker, J. C. 1874-1951  Search this
Rockwell, Norman 1894-1978  Search this
Physical description:
137 p. : ill. (some col.) ; 30 cm
Type:
Exhibitions
Biography
Place:
United States
Date:
1993
[1993]
20th century
Topic:
Illustration of books  Search this
Magazine illustration  Search this
Illustrators  Search this
Call number:
NC975 .A52 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_464716

Mysterious Guest [art work] / (photographed by Peter A. Juley & Son)

Artist:
Pyle, Howard 1853-1911  Search this
Type:
Photograph
Image number:
JUL J0107749
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_107750

Burning Ship [photomechanical print]

Artist:
Pyle, Howard 1853-1911  Search this
Physical description:
1 photomechanical print black and white
Type:
Photomechanical prints
Date:
Copyrighted 1907
Topic:
Waterscape  Search this
Architecture--Boat--Sailing Ship  Search this
Disaster--Fire  Search this
Image number:
LOC LC001676
See more items in:
Photograph Study Collection
Library of Congress Copyright Deposit Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_139895

The Deacon's One-Horse Shay [photomechanical print]

Artist:
Pyle, Howard 1853-1911  Search this
Photographic firm:
Curtis & Cameron  Search this
Houghton Mifflin & Co.  Search this
Physical description:
1 photomechanical print black and white
Type:
Photomechanical prints
Date:
Copyrighted 1892, 1903
Topic:
Cityscape--Town  Search this
Figure group  Search this
Travel--Land--Cart  Search this
Animal--Horse  Search this
Architecture--Vehicle--Cart  Search this
Image number:
LOC LC001677
See more items in:
Photograph Study Collection
Library of Congress Copyright Deposit Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_139896

The Old Violin [photomechanical print]

Artist:
Pyle, Howard 1853-1911  Search this
Photographic firm:
Curtis & Cameron  Search this
Houghton Mifflin & Co.  Search this
Physical description:
1 photomechanical print black and white
Type:
Photomechanical prints
Date:
Copyrighted 1893, 1903
Topic:
Figure male--Bust  Search this
Performing Arts--Music--Violin  Search this
Object--Musical Instrument--Violin  Search this
Object--Written Matter--Sheet Music  Search this
Architecture--Detail--Roof  Search this
Architecture--Detail--Window  Search this
Animal--Bird--Pigeon  Search this
Image number:
LOC LC001678
See more items in:
Photograph Study Collection
Library of Congress Copyright Deposit Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_139897

Howard Pyle: artist file, [photographs]

Artist:
Pyle, Howard 1853-1911  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002383
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141037

Frederic Remington papers

Creator:
Remington, Frederic, 1861-1909  Search this
Names:
Beveridge, Albert Jeremiah, 1862-1927  Search this
Bigelow, Poultney, b. 1855  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Clarke, Powhatan Henry, 1862-1893  Search this
Clemens, Samuel Langhorne, 1835-1910  Search this
Cortissoz, Royal, 1869-1948  Search this
Davenport, Homer, 1867-1912  Search this
Davis, Richard Harding, 1864-1916  Search this
Forsyth, George A.  Search this
Hassam, Childe, 1859-1935  Search this
Hepburn, A. Barton (Alonzo Barton), 1846-1922  Search this
Hoeber, Arthur, 1854-1915  Search this
Howells, William Dean, 1837-1920  Search this
Johnson, Carter Page  Search this
Kipling, Rudyard, 1865-1936  Search this
Lamont, Daniel Scott, 1851-1905  Search this
Miles, Nelson Appleton, 1839-1925  Search this
Pyle, Howard, 1853-1911  Search this
Ralph, Julian, 1853-1903  Search this
Roosevelt, Theodore, 1858-1919  Search this
Wister, Owen, 1860-1938  Search this
Wood, Leonard, 1860-1927  Search this
Extent:
320 Items (on 3 partial microfilm reels)
Type:
Collection descriptions
Archival materials
Date:
1880-1908
Scope and Contents:
Correspondence, printed material, and writings.
REEL NOR 1: Correspondence, including letters and cards from Remington to his wife, Eva Adele Caten Remington, and with admirers and associates, including Edwin Austin Abbey, Albert J. Beveridge, Poultney Bigelow, Frederick Stuart Church, Powhatan Clark, Samuel L. Clemens, Royal Cortissoz, Homer Davenport, Richard H. Davis, Gen. George A.Forsyth, Childe Hassam, John Hay, A. Barton Hepburn, Arthur Hoeber, W. D. Howells, Carter P. Johnson, Rudyard Kipling, Daniel S. Lamont, Nelson A. Miles,W.L. Palmer, Howard Pyle, Julian Ralph, Theodore Roosevelt, Owen Wister, Gen. Leonard Wood, admirers and associates; and catalogs.
REEL 902: 11 brief letters from Remington to his friend Julian Ralph, and 1 letter from Theodore Roosevelt to Daniel W. Lord regarding Lord's apparent interest in New Mexico; a poem in Remington's hand; an autographed menu from a dinner of the Authors Club, New York City; and dedications in books written by Remington.
REEL 3470: A photocopy of a letter from Remington to "My Dear Colonel," March 21, 1903.
Biographical / Historical:
Painter, sculptor, etcher, and illustrator New Rochelle, New York and Ridgefield, Connecticut.
Provenance:
Material on reel NOR 1 lent for microfilming by the Ogdenburg Public Library and Remington Memorial, 1956. Material on reel 902 lent for microfilming by Mr. & Mrs. Robert Benkert and Louis Fisher, 1974. Material on reel 3470 donated by Mrs. Miles Reber, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- West (U.S.)  Search this
Sculptors -- West (U.S.)  Search this
Topic:
Painting, Modern -- 19th century -- West (U.S.)  Search this
Sculpture, Modern -- 19th century -- West (U.S.)  Search this
Identifier:
AAA.remifrep
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93030771c-7e05-477a-9fe9-1132844cf30b
EDAN-URL:
ead_collection:sova-aaa-remifrep

Rose Lamb papers

Creator:
Lamb, Rose  Search this
Names:
Deland, Margaret Wade Campbell, 1857-1945  Search this
Fiske, John  Search this
Hart, Albert Bushnell, 1854-1943  Search this
Hunt, William Morris, 1824-1879  Search this
Lamb, Aimée, 1893-1989  Search this
Noyes, Alfred, 1880-1958  Search this
Pyle, Howard, 1853-1911  Search this
Ritchie, Anne Thackeray, 1837-1919  Search this
Sterner, Albert, 1863-1946  Search this
Turner, Ross, 1847-1915  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Oil paintings
Sketchbooks
Watercolor paintings
Photographs
Charcoal drawings
Date:
circa 1870-1961
bulk 1870-1900
Summary:
The papers of Boston area portrait painter Rose Lamb date from circa 1870 to 1961, with the bulk of the material dating from circa 1870 to 1900, and measure 0.8 linear feet. The collection contains a diploma; letters from artists, writers, historians, and others, including nine letters from former teacher and friend William Morris Hunt; photographs of unidentified people and artwork by Lamb; and original artwork, including a sketchbook, charcoal drawings, watercolors, and two oil paintings.
Scope and Content Note:
The papers of Boston area portrait painter and drawing instructor Rose Lamb date from circa 1870 to 1961, with the bulk of the material dating from circa 1870 to 1900, and measure 0.8 linear feet. The collection contains a diploma; letters from artists, writers, historians, and others, including nine letters from former teacher and friend William Morris Hunt; photographs of unidentified people and artwork by Lamb; and original artwork, including a sketchbook from circa 1870, charcoal drawings, two watercolors, and two oil paintings. Artwork depicts landscapes, children, and other figure studies.

Correspondence within the the collection includes 19 letters from artists, such as Albert Sterner, Ross Turner, Howard Pyle, and Charles H. Woodbury; writers Anne Thackeray Ritchie, Margaret Deland, and Alfred Noyes; and historians John Fiske and Albert Bushnell Hart. Also found are nine letters from former teacher and friend William Morris Hunt. Eight of his letters describe in detail his work on the painting of murals in the Capitol building in Albany, New York, and one letter discusses his painting of portraits in North Easton, Massachusetts. Also among the correspondence are four letters to Aimée Lamb, Rose's niece.
Arrangement:
The collection is arranged into 4 series:

Missing Title

Series 1: Diploma, 1881 (Box 1, OV 3; 1 folder)

Series 2: Correspondence, 1878-1914, 1952-1961 (Box 1; 5 folders)

Series 3: Photographs, circa late 1800s (Boxes 1-2; 0.2 linear feet)

Series 4: Artwork, circa 1870-late 1800s (Box 1-2, OV 3; 0.3 linear feet)
Biographical Note:
Rose Lamb (1843-1927) was a portrait painter and drawing instructor of Boston, Massachusetts. Lamb was born in Boston to a prominent family and was a student of William Morris Hunt and Helen Knowlton during the 1870s. Though she did not exhibit often during her lifetime, she was a successful portraitist specializing in portraits of children. Lamb was an active member of Boston society, befriending many artists, writers, and other cultural figures, and her portraits were in great demand among prominent Boston families. She traveled to Europe in 1881, 1890, and 1914, perhaps taking art classes while there in 1881. In 1884, and possibly later, she assisted George Bartlett as a drawing instructor at the South Boston School of Art. In 1900 she suffered a severe illness and stopped painting. For the remainder of her life she instead pursued travel and social activities. Rose Lamb died in 1927.
Related Material:
Also available at the Archives of American Art are the Aimée Lamb (niece of Rose Lamb) papers, 1888-1991. Original letters to Rose Lamb from Mary Cassatt and Childe Hassam are available at the Museum of Fine Arts, Boston.
Provenance:
This collection was donated by Aimée and Rosamond Lamb, nieces of Rose Lamb in installments, primarily from 1980 to 1985. They donated the nine letters to Lamb from William Morris Hunt in 1976.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- Massachusetts -- Boston  Search this
Portrait painters -- Massachusetts -- Boston  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Genre/Form:
Oil paintings
Sketchbooks
Watercolor paintings
Photographs
Charcoal drawings
Citation:
Rose Lamb papers, circa 1870-1961, bulk circa 1870-1900. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lambrose
See more items in:
Rose Lamb papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989ce8f83-9cbd-4f70-b31c-19c222a9825a
EDAN-URL:
ead_collection:sova-aaa-lambrose
Online Media:

Alice Barber Stephens papers

Creator:
Stephens, Alice Barber, 1858-1932  Search this
Names:
Laessle, Albert, 1877-1954  Search this
Oakley, Thornton, 1881-1953  Search this
Pyle, Howard, 1853-1911  Search this
Smith, Jessie Willcox, 1863-1935  Search this
Stephens, Charles H., 1851-1931  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1884-1986
Summary:
The papers of engraver and illustrator Alice Barber Stephens measure 0.3 linear feet and date from 1884 to 1986. The collection includes letters, photographs, printed material, and miscellaneous items.
Scope and Contents:
The papers of engraver and illustrator Alice Barber Stephens measure 0.3 linear feet and date from 1884 to 1986. The collection includes letters, photographs, printed material, and miscellaneous items.

Letters are from publishers discussing projects and fees, and by writers complimenting her work. Correspondents include Edward Bok, Sir Arthur Conan Doyle, Hamlin Garland, Ella Higginson, Herbert Hoover, Thornton Oakley, Howard Pyle, and Jessie Willcox Smith.

Photographs contain pictures of Stephens, her husband, and their house Thunderbird Lodge in Rose Valley, Pennsylvania. There are also photographs of amateur theatrical productions and of the dedication ceremony for Albert Laessle's monument "The Beaver."

Printed material consists of clippings concerning Stephens' work and her husband's collection of Native American artifacts, reproductions of Stephens' illustrations, exhibition catalogs, and a booklet about Stephens.

Miscellaneous items includes a manuscript "The Artist's Masque" by Charles H. Stephens, various notes, an inventory of furniture, Library of Congress receipts for works of art, and award certificates.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Alice Barber Stephens (1858-1931) was an engraver and illustrator active in the arts and crafts community established by William Price in 1901. She studied at the Pennsylvania Academy of Fine Arts under Thomas Eakins, the Drexel Academy under Howard Pyle, the Pennsylvania Academy of Design for Women, and at the Julian and Colarossi Academies in Paris. Stephens is primarily known for her illustrations in Harper's, Century, and Scribner's magazines. She was married to the illustrator Charles H. Stephens and lived in a barn remodeled by William Price in Rose Valley, Pennsylvania.
Provenance:
The Alice Barber Stephens papers were donated in 1988 by Stephen's granddaughter and her husband, Mr. and Mrs. Samuel Starr.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Illustrators -- Pennsylvania -- Rose Valley  Search this
Topic:
Arts and crafts movement  Search this
Women artists  Search this
Women illustrators  Search this
Citation:
Alice Barber Stephens papers, 1884-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stepalic
See more items in:
Alice Barber Stephens papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f6674dea-74bf-4557-b50e-fe25df53e91a
EDAN-URL:
ead_collection:sova-aaa-stepalic
Online Media:

Allen Tupper True and True family papers

Creator:
True, Allen Tupper, 1881-1955  Search this
Names:
Borglum, Gutzon, 1867-1941  Search this
Brangwyn, Frank, Sir, 1867-1956  Search this
Pyle, Howard, 1853-1911  Search this
Wyeth, N. C. (Newell Convers), 1882-1945  Search this
Extent:
8.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Diaries
Drawings
Christmas cards
Illustrated letters
Cartoons (working drawings)
Sketchbooks
Date:
1841-1987
Summary:
The Allen Tupper True and True family papers date from 1841 to 1987 and measure 8.2 linear feet. The collection presents a good overview of True's personal life and and his career as mural painter and illustrator specializing in Western themes.
Scope and Content Note:
The Allen Tupper True and True family papers date from 1841 to 1987 and measure 8.2 linear feet. The collection presents a good overview of True's personal life and and his career as mural painter and illustrator specializing in Western themes. Through art work, project files, photographs, and printed material, the collection offers a rich resource, both textually and visually of True's research and work on documenting early twentieth century Native Americans cultural traditions. The papers also document True's childhood and his relationship with his family through various family papers, such as correspondence, genealogies, subject files, photographs, and a scrapbook. The collection is a particularly rich resource for the study of Allen Tupper True's work, as well as original documentation of the American West and Native American culture.
Arrangement:
The collection is arranged into thirteen series according to material type. The contents of each series have been arranged chronologically. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1895-1964, undated (box 1, 7 folders)

Series 2: Subject Files, 1873-1955 (box 1, 23 folders)

Series 3: Correspondence, 1841-1956 (boxes 1-4, 3.5 linear ft.)

Series 4: Business Records, 1903-1951 (box 4, 4 folders)

Series 5: Notes, 1902-1920 (box 5, 10 folders)

Series 6: Writings, 1896-1926 (box 5, 5 folders)

Series 7: Artwork, 1897-1923 (boxes 5, 10, and OV 11, 0.5 linear ft.)

Series 8: Project Files, 1912-1987 (boxes 5-6 and 10, 0.75 linear ft.)

Series 9: Photographs, 1859-1950 (boxes 6-7, 1.5 linear ft.)

Series 10: Scrapbook, 1934 (box 7, 1 volume)

Series 11: Printed Material, 1875-1981 (box 7, 21 folders)

Series 12: Artifacts, ca. 1863 (boxes 7 and 10, 9 items)

Series 13: Glass Plate Negatives, undated (boxes 8-9, 0.8 linear ft.)
Biographical Note:
Allen Tupper True (1881-1955) was born in Colorado Springs, Colorado in 1881. He was a student at the University of Denver, and studied at the Corcoran School of Art, Washington, D.C. between 1901 and 1902. In 1902, he was accepted into Howard Pyle's classes in Chadd's Ford, Pennsylvania, and studied there until 1908, befriending classmates George Harding, Gordon McCouch, Thornton Oakley, and N.C. Wyeth. Through Pyle, True began his career as a magazine illustrator.

From approximately 1913-1915, True worked with British muralist Frank Brangwyn, assisting Brangwyn in the execution of murals at the Panama-Pacific Exposition in San Francisco, California.

After marrying Emma Goodman Eaton in 1915 (divorced 1934), True launched his career as a mural painter. His most notable works include the mural decorations in the state capitol buildings of Colorado, Missouri, Nebraska, and Wyoming, as well as murals for the Mountain States Telephone and Telegraph Company Building and the Civic Center in Denver, Colorado. True specialized in depicting Western and Native American themes.

From 1934-1945, True acted as consultant for the U.S. Bureau of Reclamation, in charge of and designing all decoration and color schemes for the Boulder Dam power plant, Grand Coulee Dam, and the Shasta Dam, among others.

True was a Unitarian Mason, and a member of the Mural Painters of America, Beta Theta Pi, Cactus Club of Denver, and the Author's Club, London. He died in 1955.
Provenance:
The Allen Tupper True and True family papers were donated in February and April 1988 by True's daughter Jane True Mueller and his son, Frank True.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- Colorado -- Denver  Search this
Topic:
Indians of North America -- Portraits  Search this
Mural painting and decoration, American  Search this
Works of art  Search this
Artists' studios -- Photographs  Search this
Illustrators -- Colorado -- Denver  Search this
Genre/Form:
Photographs
Sketches
Diaries
Drawings
Christmas cards
Illustrated letters
Cartoons (working drawings)
Sketchbooks
Citation:
The Allen Tupper True and True family papers, 1841-1987
Identifier:
AAA.truealle
See more items in:
Allen Tupper True and True family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a202f3af-f0c4-4644-80c5-4909a6724102
EDAN-URL:
ead_collection:sova-aaa-truealle
Online Media:

Catalogue of pictures by Howard Pyle, in the permanent collection of the Wilmington society of the fine arts, Public library building, Wilmington, Delaware

Author:
Wilmington Society of the Fine Arts (Wilmington, Del.)  Search this
Morse, Willard S (Willard Samuel) 1856-1935  Search this
Brincklé, Gertrude  Search this
Subject:
Pyle, Howard 1853-1911  Search this
Wilmington Society of the Fine Arts (Wilmington, Del.)  Search this
Physical description:
31, [1] p., 1 l. 26 cm
Type:
Books
Date:
1926
1926]
Call number:
N40.1.P99 W74 1926
N40.1.P99W74 1926
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_387874

Swamp, (painting)

Painter:
Pyle, Howard 1853-1911  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Adam A. Weschler & Son Washington District of Columbia 20004
Topic:
Figure group  Search this
Landscape--Time--Night  Search this
Landscape--Marsh  Search this
Control number:
IAP 80045617
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_178830

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