United States of America -- Florida -- Sarasota County -- Sarasota
Scope and Contents:
1 folder and 36 digital images. The folder includes worksheets and historic information about land development in the Florida Keys.
General:
The Italianate Revival house built in 1937 has been expanded by the current owners who are descended from the original owners, on a property of approximately one acre. Many specimen plants that were collected between 1950 and 1990 have been retained and rearranged to accommodate expansions to the house. With new plantings added the gardens emphasize the colors, specimen variety and textures in subtropical trees, shrubs, vines and flowering plants. There are eleven different varieties of palms, including the mature royal palms that tower over the street front of the property, and shorter pygmy date palms used as foundation plants under balconies. Bromeliads grow in enormous urns on either side of the original front door. Flowering vines that add color year round include Mexican flame vine, bougainvillea, stephanotis, Confederate jasmine and angel's trumpet. Dense growth for a jungle-like effect is encouraged and minimizes water usage.
The property was purchased from the John Ringling Estates, and references to the involvement of family members in the circus and carnivals is found in garden features. A mobile sculpture "Circus" by Frederick Prescott is sited outside the dining room window. A mosaic on the wall of one of the additions depicts Ringling Brothers clown Emmet Kelly and family member, plant collector, puppeteer and previous owner Marion McKennon. Her husband Joseph McKennon initiated the grassroots campaign Save Our Bays to prevent dredging to create more building sites in the Florida Keys. A park and bird sanctuary was established on some of the new ground rather than housing. In 1991 this property was designated a historic landmark by the City of Sarasota.
Persons associated with the garden include John Ringling and Owen Burns of John Ringling Estates (former owners 1917-1927); Mr. and Mrs. Charles Leigh (former owners, 1927-1969); Mr. and Mrs. Joseph McKennon (former owners, 1969-2002); Dwayne Henderson (former owner, 2002-2003); Paul Bergman (builder, 1936-1937); Wm. Thorning Little (architect for renovation and additions, 2004-2007 and 2003-2008); Daniel Patrick Ball (builder, 2003-2008); Michael L. Gilkey, Jr. (landscape architect, 2005-2007); Brian K. Desormier (landscape installation and maintenance (2005- ); Frederick Prescott (sculptor); Dimitar Kasabov (mosaic artist).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Florida -- Sarasota County -- Sarasota
Date:
2017 Jun.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
Scope and Contents:
The folder includes a worksheet and site plans.
General:
In 1929, the Levis family commissioned architect Edmund B. Gilchrist to build two connected Norman style houses on approximately one acre for its extended family. Only one house remains today with a large garden designed by past and current owners which has evolved into an extensive series of garden rooms.
Upon entering the front courtyard flanked by a pair of watchful dragons under planted with sweet autumn clematis, there is a Japanese weeping maple and a border of Carefree Delight roses accentuating a holly hedge. Along the pathway to the front door are garden beds containing dwarf crabapples and sedum autumn joy edged with crimson pygmy barberry. Climbing hydrangea is on either side of the front door, and a dolphin fountain is to the right of an espaliered magnolia tree. Opposite the front door is a walkway through an arbor created by espaliered apple trees and climbing hydrangeas which leads one to a grassy field with massed borders of perennials and cutting gardens.
A doorway in the stone wall to the left of the front door opens to the rear yard featuring an azalea room and brick terrace edged with Japanese lilac trees, dwarf boxwood, allium, tulips, hosta and Knockoff roses. Wisteria is trained around the back of the house and there is a magnificent magnolia grandiflora. A woodland area room is filled with crocus and bleeding hearts in the spring followed by hosta, astilbe, Solomon seal and mayapples. Beyond this is the first of several gardens framed by yew hedges. The fishpond garden is a sunny perennial and rugosa rose border. Beyond the fishpond is a shade garden called the "mount" anchored by large birch trees with shrubs, ferns, geraniums and heuchera also planted. To the left of the fishpond garden is a stepped walkway edged with daylilies, leading to a swimming pool surrounded by endless summer hydrangeas and carefree Wonder roses. Opposite the pool is a garden area with Hawthorne trees under planted with cherry laurels, spirea and deutzia. Exiting through the garden door across from the "mount" there is a view of the kitchen garden filled with David Austin roses.
Persons associated with the garden include: Charles H. Gale (landscape architect, 1989 to date); Mr. and Mrs. Mrs. F. Hemsley Levis (former owners, 1933-before 1985); Mr. and Mrs. Peter McCausland (former owners, 1985-1995); and Edmund B. Gilchrist (architect, 1933).
Related Materials:
Waterman Garden related holdings consist of 1 folder (21 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Pennsylvania -- Philadelphia Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Delaware -- New Castle County -- Hockessin
Date:
1980.
Local Call Number(s):
12040
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Delaware -- New Castle County -- Hockessin
Date:
1980.
Local Call Number(s):
12044
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Ape, man, apeman changing views since 1600 : evaluative proceedings of the Symposium ... Leiden, the Netherlands, 28 June-July, 1993 edited by Raymond Corbey and Bert Theunissen
Indonesia : music from west Java -- Laos : traditional music of the south -- Viet Nam : Ca Tru & Quan Ho, traditional music -- Hong Kong : instrumental music -- China : Chuida wind and percussive ensembles -- Mongolia : traditional music -- Japan : Shomyo Buddhist ritual ; O-Suwa-Daiko drums -- Cameroon : Baka pygmy music -- Côte d'Ivoire : a Senufo-Fodonon funerary vigil -- Central African Republic : Banda polyphony -- Switzerland : Zäuerli, yodel of Appenzell -- Sicily : music for the Holy Week -- France : bagpipes of central France -- Ukraine : traditional music -- Argentina : tritonic music of the north-west -- Brazil : the Bororo world of sound -- Canada : Inuit games and songs. (cont) Pakistan : the music of the Qawal -- North India : instrumental music of mediaeval India -- India : North Indian folk music -- Tibetan ritual -- Azerbaijan : Azerbaijani Mugam -- Turkey : the Turkish ney -- Iraq : Iqa'at, traditional rhythmic structures -- Syrian Orthodox Church : Antioch liturgy -- Egypt : Taqāsīm & Layālī, Cairo tradition -- Algeria : Sahara, music of Gourara -- Solomon Islands : Fataleka and Baegu music from Malaita -- Australia : aboriginal music.
Track Information:
101 Kacapi Suling: Semarang and Banjapan / Uking Sukri, Ono Sukarna, Lim Ibrahim. Kacapi (Lute),Suling (Musical instrument),Zither.
102 Lot Fay Tay Lang / Theo Salilath. Khene-Calebass.
103 Coi-Gau / Ba Manh, Tu Van, Son Ma, Van Tich. Flute,Violin. Vietnamese language.
104 Pu Pu Chiao.
105 Taizi You / Chinese language.
106 Music for the Horse-Veile / D. Zhantsanchoy.
107 Dai Hannaya Tendoku E / Japanese language.
108 Suwa-Ikazuchi / O-Suwa-Daiko (Musical group). Japanese language.
109 The Water Drum / Water-drum.
110 Li Fugo Nyige / Bolonyen Orchestra.
111 Eci Ameya.
112 Zauerli: Sung in the Inn / Swahili language.
113 La Quarta Spada / Italian language.
114 Le Retour du Jardinier / Jean Blanchard. Bagpipe. French language.
115 Arcan, The Lasso / Ukrainian language.
116 Toque Abrapampeno / Mario Mendoza. Clarinet.
117 The Bororo World of Sound / Portuguese language.
118 Inuit Games and Songs.
119 Ghazal / Sabri Brothers.
120 Raga Darbari Kanada / Asad Ali Khan, Gopal Das, Mohamed Sakalain. Vina,Pakhavaj (Drum),Lute.
101 Mukhalif- Maqam Iraqi / Muhammed Jrifani, Mullah Adnan Ensemble.
126 Communion Chant.
127 Sama'I El Aryan / Suleiman Takhalov.
128 Song of the Meherza with Tebel Drum / Drum.
129 Faa Ta Gwouna.
130 Morning Star/ Pigeon and Rain Songs / Didjeridu.
Local Numbers:
UN-COMM-CD-08100-7
UNESCO.8100
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis 1971
General:
Commercial
"This compact-disc proposes a selection of 10 new recordings and extracts from 20 reissues [in] the collection, in three series: "Music and Musicians of the world", "Anthology of Traditional Music" and "Traditional Music of Today"--Insert. Compact disc. Description of the Unesco collection with discography (32 p.: ill.) inserted in container.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
108 The Red Mountain Ash / Rosa Jouk, Lioudmilla Tchijouk, Maria Dorodko. Ukrainian language.
109 Round: Spring Dance / Tatiana Orlenin, Nadeshda Shogol.
110 Slow melody from Thrace / Ianka Rupkina. Bulgarian language.
111 Zauerl (sung in the Inn) / Ernst Pfa.ndler.
112 Three katajjait from Baffin Land / Elijah Pudloo Mageeta, Quanak Martha Meekeega, Napache Samaejuk Pootogook, Napache Etidloie Toonoo.
113 Roiroa (women's song).
114 Buyeni: Kamwana kamwani (Somebody's little child)/ Kaya wiyo / Chewa dialect.
115 Nagara- Music of the Blue Nile Province / Lyre,Gourd.
116 Dikoboda sombe (Hut song).
117 Ulepa.
118 Ye zame andero (war chant).
119 Song for grinding millet.
Local Numbers:
UN-COMM-CD-08102-9
UNESCO.8104
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis 1972
General:
Commercial
Compact disc. Compilation of songs recorded worldwide, sung in their original languages. Previously released. Program notes in English and French (15 p.) inserted in container.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Previously released material, p1971-1999. Program notes and song texts in English and French (19 p.) inserted in container. Compact disc.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.
Scope and Contents:
These papers reflect the anthropological interests of Ethel Cutler Freeman. The papers in this collection include her notes and diaries, published articles, unfinished manuscripts, and source materials. The bulk of the collection is material relating to the Seminole Indians of Florida.
Mrs. Freeman also made several trips to the Southwest and Mexico to study such tribes as the Arapaho, Shoshone, Navajo, Pueblo, and Hopi. There is substantial information from these studies included in this collection. She also made less extensive studies of various other cultures in the Virgin Islands, the Bahamas, and Haiti. In 1950, she studied tribal music and chants of several African tribes and the material from these studies forms the major portion of Series 7.
The collection also contains several sound recordings made by Freeman and numerous photographs, negatives, and slides. During rehousing, additional materials including index cards and notebooks from field trips were located and incorporated into the collection. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member.
Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History as well as Dean Amadon, Richard Archbold, Conrad M. Arensberg, Dana W. Atchley, Jacques Barzun, Ruth Benedict, Leonard J. Brass, Louis Capron, Frances Densmore, Margery S. Douglas, John W. Griffin, A.J. Hanna, Ronald F. Lee, Margaret Mead, Robert Cushman Murphy, Kenneth W. Porter, Harry L. Shapiro, Howard Sharp, Frank Speck, Charlton W. Tebean, and Clark Wissler.
Although the majority of the collection spans the years 1934 to 1972, there are some items with dates that fall outside of this range. Some published materials are dated as early as 1822 and one note is dated 1975 and was added to the collection after Freeman's death in 1972. The folders containing these items have been dated accordingly, but these outlier dates have not affected the dates of the sub-series or series.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged into 15 series: (1) Biographical information and miscellaneous personal papers, 1939-1971; (2) Correspondence, 1936-1972; (3) Manuscripts, 1936-1971; (4) Source Material, 1934-1970; (5) Seminole Indians, 1934-1972; (6) North American Indians, 1936-1971; (7) Cultures other than North American Indian, 1943-1970; (8) Meetings, 1956-1968; (9) Printed materials, 1936-1972; (10) Pamphlets, 1935-1970; (11) Population and Material Culture, 1939, 1951-1963; (12) Sound recordings, 1940-1958, 1969-1970; (13) Lists of Photographs, 1939-1970; (14) Photographs, 1936-1971; (15) Index Cards, undated
Biographical Note:
Ethel Cutler Freeman was born in 1886 in Morristown, New Jersey. Freeman was the daughter of a prosperous family, which gave her the opportunity to study abroad in England at Mademoiselle Marie Souvestre's Academy for girls. After studying in England, Freeman returned to the United States and was married to Leon S. Freeman, a New York broker, in 1909.
By 1934, Freeman had become bored with the typical social activities available to her; while discussing the matter with a friend, Marcellus Hartley Dodge, she described herself as having a "brain full of cobwebs." Dodge, a former trustee at Columbia University, suggested that Freeman enroll in some courses at Columbia. Acting on Dodge's advice, Freeman started taking graduate courses in psychology and sociology at Columbia University, but soon became fascinated with anthropology. During her studies at Columbia, Freeman spent time in the western United States studying the Arapaho and Shoshone while her husband recuperated from a horse riding accident; it was at this point that she developed a taste for field work and an interest in Native American cultures. After completing her studies, Freeman decided that she wanted to study the Seminole people of Florida, near whom she and her family owned a winter home in Naples.
Back on the East Coast, Freeman met Dr. Clark Wissler, then Curator of the Indian Division of the American Museum of Natural History. Wissler was supportive of Freeman's aspirations to continue her anthropological studies, but balked at her expressed interest in the Seminole, whom at that time had a reputation for not being open to contact with outsiders. Undaunted, Freeman contacted W. Stanley Hansen, the man in charge of Seminole settlement; after repeated correspondence with Hansen convinced him she was no mere hobbyist, he agreed to help her make connections within the Seminole community.
Freeman made two visits to the Big Cypress Reservation for the American Museum of Natural History with a government representative before taking her 14-year-old daughter, Condict, and 12-year-old son, Leon Jr., for an extended stay with a group of Seminoles at the heart of the Everglades in February of 1940. After that first winter stay with the Seminoles, Freeman spent virtually every winter living within their remote communities and studying their culture. Over time, Dr. Wissler became impressed by Freeman's thorough and insightful reports and analysis of her findings among the Seminoles and got the American Museum of Natural History to back her winter field studies. Eventually Freeman's work gained her a reputation for being an expert on Seminole culture, which often placed her in the role of consultant to government agencies on issues dealing with Seminole and broader Native American concerns.
As a result of her long acquaintance with the Seminoles, Freeman also became interested in how different groups of Native Americans and other cultures adapted to changes brought about by contact with modern society. Freeman made several trips to the Southwestern United States and Mexico to study such tribes as the Arapaho, Shoshone, Navajo, Pueblo, Choctaw, and Hopi; she also made less extensive studies of various other cultures in the Virgin Islands, the Bahamas, and Haiti. In 1950, Freeman went to Africa to study tribal music and chants of several tribes. Much later, in 1968, the American Museum of Natural History sent Freeman to Portugal to study local costumes.
In the 1940s, Freeman took part in publishing studies for the Department of Agriculture about the Seminoles and worked as an advocate for the Navajo, who at that time were in tense relations with the United States government over their living conditions. From 1947 to 1957, Freeman worked as a representative for the American Civil Liberties Union on the National Coordinating Committee for Indian Affairs; she also was a member of the Indian Rights Committee for the American Civil Liberties Union from 1946 to 1966. From 1948 to 1950, Freeman served as a member of the Hoover Commission for Reorganization of Government within the Bureau of Indian Affairs.
Throughout her studies in the field and her activities as an advocate for Native American rights, Freeman published her work frequently and gave many talks at a variety of conferences and special events. In 1964, Freeman traveled to Moscow to deliver her paper, "The Correlation between Directed Culture Change and Self Determination," at the 7th International Congress of Anthropological and Ethnological Sciences; she attended the same conference series the following year in Japan to deliver another paper, entitled "Lawlessness in an Indian Tribe as a Microcosm of a World Trend." Freeman continued visiting and studying the Seminoles in Florida late into her career, making her last visit the year before her death.
Ethel Cutler Freeman died on July 14th, 1972.
Sources Consulted
Letter to Mrs. Margaret Blaker, Archivist at the Smithsonian Institution's Anthropological Archives; Washington, D.C. from Ethel Cutler Freeman. Dated April 24, 1972. Located in vertical files, folders on Ethel Cutler Freeman, in the reading room of the National Anthropological Archives.
"Morristown Anthropologist; Mrs. Leon Freeman Likes Seminole Indians." Newark Sunday News, February 16, 1947.
"New Vernon Woman, Indian Authority." The Morris Observer, October 13, 1955.
"She's 'Hooked' On Seminole Indians: Leading Authority On That World." Daily Record, March 6, 1970.
"The Sentinel Visits--Indian Authority Mrs. Leon Freeman: Who Is Now Working To Rescue A Nation." Sunday Sentinel, February 2, 1947.
Chronology
1886 -- Born in Morristown, New Jersey.
1909 -- Married Leon S. Freeman.
1934 -- Began taking graduate courses at Columbia University in philosophy before changing to anthropology.
1936 -- Field work with the Arapaho and Shoshone.
1938 -- Joined American Anthropological Association. First became associated with American Museum of Natural History.
1939-1943 -- Winter field work with Florida Seminoles.
1940-1948 -- Special Field Assistant, American Museum of Natural History.
1943 -- Joined American Ethnological Society.
1944 -- Field work in Mexico searching for a lost tribe of Seminoles; studied the Mascogas, Papagos, and Kickapoo.
1945 -- Field work in New Mexico, studying the Pueblo and Navajo.
1946 -- Joined the Society of Women Geographers. Field work with the Navajo, Papago, and Hopi.
1946-1948 -- Winter field work with Florida Seminoles.
1947 -- Field work with the Navajo, Papago, and Pueblo.
1947-1957 -- Represented the American Civil Liberties Union on the National Coordinating Committee for Indian Affairs.
1947-1966 -- Member Indian Rights Committee, American Civil Liberties Union.
1948 -- Appointed first female trustee of the American Institute of Anthropology. Became Field Associate, American Museum of Natural History.
1948-1950 -- Member Hoover Commission for Reorganization of Government – Bureau of Indian Affairs.
1949 -- Field work in the Bahamas, studying native culture.
1950 -- Field work in Africa, studying the Zulu, Masai, and pygmy peoples.
1951 -- Winter field work with Florida Seminoles.
1952 -- Field work studying native cultures of the Virgin Islands and Haiti.
1953-1955 -- Winter field work with Florida Seminoles.
1955-1957 -- Acting Chairman, American Civil Liberties Union.
1957 -- Field work studying Mexican Seminoles.
1957-1958 -- Winter field work with Florida Seminoles.
1959 -- Attended annual meeting of American Anthropological Association in Mexico City.
1960-1965 -- Winter field work with Florida Seminoles.
1963 -- Field work in Oklahoma, studying Seminoles.
1964 -- Presented paper, "The Correlation between Directed Culture Change and Self Determination" VII International Congress of Anthropological and Ethnological Sciences, Moscow.
1968 -- Studied costumes of Portugal for American Museum of Natural History.
1965 -- Presented paper, "Lawlessness in an Indian Tribe as a Microcosm of a World Trend" VIII International Congress of Anthropological and Ethnological Sciences, Tokyo and Kyoto, Japan.
1970-1971 -- Winter field work with Florida Seminoles.
1972 -- Field work in Portugal and the Azores. Died, July 14.
Selected Bibliography
1942 -- Freeman, Ethel Cutler. "We Live with the Seminoles," Natural History 49, no. 4 (April 1942): 226-236.
1944 -- Freeman, Ethel Cutler. "The Seminole Woman of the Big Cypress and Her Influence in Modern Life," América Indígena 4, no. 2 (April 1944), 123-128.
1960 -- Freeman, Ethel Cutler. "Culture Stability and Change among the Seminoles of Florida." In Men and Cultures: Selected Papers of the Fifth International Congress of Anthropological and Ethnological Sciences, Philadelphia, September 1-9, 1956, edited by Anthony F.C. Wallace, 249-254. Philadelphia: University of Pennsylvania Press, 1960. Freeman, Ethel Cutler. "Directed Culture-Change and Selfdetermination in Superordinate and Subordinate Societies," Proceedings of the 7th International Congress of Anthropological and Ethnological Sciences 4, Moscow (August 1964), 85-90.
1961 -- Freeman, Ethel Cutler. "The Happy Life in the City of Ghosts: An Analysis of a Mikasuki Myth," The Florida Anthropologist 14, nos. 1-2 (March-June 1961), 23-36.
1964 -- Freeman, Ethel Cutler. "Directed Culture-Change and Selfdetermination in Superordinate and Subordinate Societies," Proceedings of the 7th International Congress of Anthropological and Ethnological Sciences 4, Moscow (August 1964), 85-90.
1965 -- Freeman, Ethel Cutler. "Two Types of Cultural Response to External Pressures Among the Florida Seminoles," Anthropological Quarterly 38, no. 2 (April 1965), 55-61.
1968 -- Freeman, Ethel Cutler. "Lawlessness in an Indian Tribe as a Microcosm of a World Trend," Proceedings of the VIIIth International Congress of Anthropological and Ethnological Sciences, 1968, Tokyo and Kyoto (Tokyo: Science Council of Japan, 1968) 191-193.
Related Materials:
Photo lot 62, W. Stanley Hanson photographs of Seminole Indians in Florida, National Anthropological Archives, Smithsonian Institution.
Objects donated by Ethel Cutler Freeman held in Department of Anthropology collections in accession 319549.
The Ah-Tah-Thi-Ki Museum on the Big Cypress Seminole Indian Reservation also holds an Ethel Cutler Freeman collection.
Separated Materials:
Film materials were transfered to the Human Studies Film Archive under the accession numbers HSFA 1986.11.8 (African footage) and HSFA 1986.11.9 (Seminole footage).
Provenance:
The papers of Ethel Cutler Freeman were left to the National Anthropological Archives by the terms of her will. Her son, Leon Freeman, Jr., donated the collection to NAA in August 1972.
Restrictions:
By Ethel Freeman's instructions, the collection was restricted for ten years dating from the receipt and signing of the release forms on October 12, 1972. Literary property rights to the unpublished materials in the collection were donated to the National Anthropological Archives.
Access to the Ethel Cutler Freeman papers requires an appointment.
Seminole recordings cannot be accessed without the permission of the Seminole Tribe.
Principally vocal music. Recorded in 1971. Unesco collection; Musical sources. 1, The primeval cultures, 2
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Pennsylvania State University. Audio-Visual Services Search this
Extent:
Film reels (12 minutes, color silent)
Type:
Archival materials
Film reels
Date:
undated
Scope and Contents:
Edited film documents public performances of the Tutsi Royal Drums and the Hutu and Noore Dances. Scenes include men drumming, Batwa Pygmy Musicians, dancers in elaborate costumes and headdresses, and musical performances on a variety of instruments.
Legacy Keywords: Tracy, Hugh photographer ; Performances Africa ; Exhibitions Africa ; Festivals Africa ; Celebrations Africa ; Drums as musical instruments Africa ; Adornment Africa ; Costumes native dress Africa ; Costumes headdresses Africa ; Costumes feather Africa ; Dancing Africa ; Africa ;Tutsi (African people) ; Hutu (African people) ; Noore
General:
Local Number: HSFA 1994.19.38
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Penn State educational film collection, Human Studies Film Archives, Smithsonian Institution
The film follows the Bandibutu tribe as they moved south into the Ituri River basin and lived with them for 80 days. Filmed are the hunt, killing, slaughter and preparation of a young male elephant for food; a quarrel between a husband and wife which engages the entire village; migration due to scarcity of food; building shelters; hunting antelopes and other animals; catching honeybees; preparing bark for making loincloth; and a Pygmy woman giving birth to a baby.
Legacy Keywords: Nomads ; Hunting ; Hunting antelope ; Elephants ; Cookery ; Honeybee ; Childbirth ; Language and culture ; Africa ; Congo (Democratic Republic) ; Zaire ; Ituri Rainforest, Belgian Congo (Zaire)
General:
Local Number: HSFA 2004.10.25
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Man TV, Human Studies Film Archives, Smithsonian Institution
