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Puyallup Fair Memorial

Collection Creator:
Tsutakawa, George  Search this
Container:
Box 1, Folder 22
Type:
Archival materials
Date:
circa 1980-1983
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Tsutakawa papers, 1963-1991. Archives of American Art, Smithsonian Institution.
See more items in:
George Tsutakawa papers
George Tsutakawa papers / Series 1: George Tsutakawa papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b13bfd78-a54d-4887-898b-5d50253d6218
EDAN-URL:
ead_component:sova-aaa-tsutgeor2-ref24

222, Matsushita Semiconductor of America (MASCA) (Puyallup, Washington)

Collection Creator:
Lockwood Greene Engineers, Incorporated  Search this
Lockwood-Greene Company  Search this
Whitman, David  Search this
Greene, Stephen  Search this
Lockwood, Amos  Search this
Container:
Box 155
Type:
Archival materials
Collection Restrictions:
The collection is open for research use. One film is tored at an off-site facility and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Lockwood Greene Records, Archives Center, National Museum of American History
See more items in:
Lockwood-Greene Records
Lockwood-Greene Records / Series 2: Photographs and Slides / 2.4: Spartanburg office photographic file
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b9d9d5dc-7953-41ab-b85f-fd4657912466
EDAN-URL:
ead_component:sova-nmah-ac-1113-ref7608

Bruce Wynne (Spokane) Good Samaritan Hospital Show

Collection Photographer:
Buxton, Warren F., 1929-  Search this
Extent:
1 Photographic print
Container:
Folder 1
Culture:
Spokan  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
circa 1967
Scope and Contents note:
Bruce Wynne (Spokane) and guest examining a painting at the Good Samaritan Hospital Show in Puyallup, Washington.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Warren Buxton photograph collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.104, Item P32267
See more items in:
Warren Buxton photograph collection
Warren Buxton photograph collection / Series 1: Bruce Wynne (Spokane) and Family
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv471de16be-61f2-4d19-8076-775bf095383f
EDAN-URL:
ead_component:sova-nmai-ac-104-ref12

Bruce Wynne (Spokane) Good Samaritan Hospital Show

Collection Photographer:
Buxton, Warren F., 1929-  Search this
Extent:
1 Photographic print
Container:
Folder 1
Culture:
Spokan  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
circa 1967
Scope and Contents note:
Two nurses kneeling with Bruce Wynne's painting "Coyote Creating the Indian" (BG990.118) at the Good Samaritan Hospital Show in Puyallup, Washington.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Warren Buxton photograph collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.104, Item P32268
See more items in:
Warren Buxton photograph collection
Warren Buxton photograph collection / Series 1: Bruce Wynne (Spokane) and Family
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4cd5cd5fa-f30d-4ca6-926b-58d80a11ad86
EDAN-URL:
ead_component:sova-nmai-ac-104-ref14

Bruce Wynne (Spokane) and Family

Collection Photographer:
Buxton, Warren F., 1929-  Search this
Extent:
7 Photographic prints
Type:
Archival materials
Photographic prints
Date:
1965-1981
Scope and Contents:
Series 1: Bruce Wynne (Spokane) and Family, 1965-1981, includes seven photographic prints featuring Bruce Wynne, an artist and leader from the Spokane Tribe of Washington, and his family in Wellpinit, Washington. This includes images of Wynne's children, Pheonix, Angela, Duane and Jena as well as Warren Buxton's wife Jo Buxton. Also included are images from the Good Samaritan Hospital Show in Puyallup, Washington, which include depictions of artistic work by Bruce Wynne. The majority of the photographs are from 1981.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Warren Buxton photograph collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.104, Series 1
See more items in:
Warren Buxton photograph collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv420e57f54-ac88-4ca5-ab60-5ceb0391dd6d
EDAN-URL:
ead_component:sova-nmai-ac-104-ref1

George Tsutakawa papers

Collection Creator:
Tsutakawa, George  Search this
Extent:
1 Linear foot (Box 1)
Type:
Archival materials
Date:
1963-1991
Scope and Contents:
Included are biographical materials, correspondence, exhibition records, exhibition announcements and catalogs, and other printed material. Correspondence, primarily letters received, often discusses Tsutakawa's outdoor fountain sculptures. Exhibition records consist of correspondence, loan forms, and lists. Project files include the Northwest Kitchen Cookbook illustrated by Tsutakawa, the Puyallup Fair Memorial Sculpture, and Tsutakawa's Alumnas Summa Laude Designatas award from the University of Washington. Printed material includes newsclippings, press releases, newsletters, journal articles, and calendars of events.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Tsutakawa papers, 1963-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tsutgeor2, Series 1
See more items in:
George Tsutakawa papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91cd8f6ba-9e03-48bf-9edc-3e2d6dbc94f3
EDAN-URL:
ead_component:sova-aaa-tsutgeor2-ref17

Kenjiro Nomura, American modernist an Issei artist's journey Barbara Johns ; foreword by Gail M. Nomura ; contribution by David F. Martin

Title:
American modernist
Issei artist's journey
Author:
Johns, Barbara 1942-  Search this
Artist:
Nomura, Kenjiro 1896-1956  Search this
Curator:
Martin, David F (David Francis) 1953-  Search this
Writer of foreword:
Nomura, Gail M  Search this
Host institution:
Cascadia Art Museum  Search this
Physical description:
xi, 171 pages color illustrations, portraits 29 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Place:
United States
États-Unis
Washington (State)
Date:
2021
20th century
Topic:
Modernism (Art)  Search this
Japanese American painting--History  Search this
Modernisme (Art)  Search this
Japanese American art  Search this
Japanese American painters  Search this
Painters  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156243

Bromus sitchensis Trin. in Bong.

Biogeographical Region:
73 - Northwestern U.S.A.  Search this
Collector:
Byron Hunter  Search this
Place:
Puyallup., Washington, United States, North America
Collection Date:
21 Jul 1904
Common name:
Alaska brome
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Pooideae
Published Name:
Bromus sitchensis Trin. in Bong.
Barcode:
04085683
USNM Number:
555980
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3edc226a4-d12c-4c59-9976-7514bca50985
EDAN-URL:
edanmdm:nmnhbotany_15909192

Bromus sitchensis Trin. in Bong.

Biogeographical Region:
73 - Northwestern U.S.A.  Search this
Collector:
Charles Vancouver Piper  Search this
Place:
Puyallup., Washington, United States, North America
Collection Date:
2 Sep 1899
Common name:
Alaska brome
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Pooideae
Published Name:
Bromus sitchensis Trin. in Bong.
Barcode:
04085685
USNM Number:
1007219
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/380c18822-05c5-4dcc-8baa-161dedbd4dc8
EDAN-URL:
edanmdm:nmnhbotany_15909196

Digitaria ischaemum (Schreber) Schreber ex Muhl.

Biogeographical Region:
73 - Northwestern U.S.A.  Search this
Collector:
M. S. Grunder  Search this
Place:
Puyallup, Pierce County., Washington, United States, North America
Collection Date:
1939
Common name:
small crab grass
smooth crabgrass
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Panicoideae
Published Name:
Digitaria ischaemum (Schreber) Schreber ex Muhl.
Barcode:
04249707
USNM Number:
2240367
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/390511d1c-8594-4e50-850c-bf1d041ab8e0
EDAN-URL:
edanmdm:nmnhbotany_16009373

Zelleria pyri

Biogeographical Region:
Nearctic  Search this
Collector:
P. M. Eide  Search this
Prep Count:
1
Preparation:
Frozen
Sex:
Female
Stage:
Adult
Place:
Puyallup, Pierce, Washington, United States
Collection Date:
23 Jun 1933
Taxonomy:
Animalia, Arthropoda, Insecta, Lepidoptera, Yponomeutidae, Yponomeutinae
Published Name:
Zelleria pyri Clarke
Barcode:
USNMENT01645521.1
Other Numbers:
Sample ID : CCDB-30824-E11
USNM Slide Number : 76649
USNM Paratype Number : 56276
USNM Number:
USNMENT1645521.1
See more items in:
Specimen Inventory
Data Source:
NMNH - Entomology Dept.
GUID:
http://n2t.net/ark:/65665/3fb297260-3d84-4829-a18e-d576875bffd0
EDAN-URL:
edanmdm:nmnhentomology_16240204

Zelleria pyri

Biogeographical Region:
Nearctic  Search this
Collector:
P. M. Eide  Search this
Prep Count:
1
Preparation:
Frozen
Sex:
Female
Stage:
Adult
Place:
Puyallup, Pierce, Washington, United States
Collection Date:
30 Jun 1933
Taxonomy:
Animalia, Arthropoda, Insecta, Lepidoptera, Yponomeutidae, Yponomeutinae
Published Name:
Zelleria pyri Clarke
Barcode:
USNMENT01644639.1
Other Numbers:
Sample ID : CCDB-30824-E10
USNM Paratype Number : 56276
USNM Number:
USNMENT1644639.1
See more items in:
Specimen Inventory
Data Source:
NMNH - Entomology Dept.
GUID:
http://n2t.net/ark:/65665/351f27de8-6cec-4613-818b-cc98a66cf7f4
EDAN-URL:
edanmdm:nmnhentomology_16237267

In the great fruit district--picking red rasberries, Puyallup. 9890 interpositive

Topic:
WASHINGTON
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Puyallup, Washington (State)
Washington (State)
Local Numbers:
RSN 27569
General:
Currently stored in box 3.2.56 [134].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fruit -- Washington  Search this
Orchards -- Washington  Search this
Rasberries -- Washington  Search this
Women laborers -- Washington  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 27530-27632
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep862e73553-af50-40d0-9e41-d658d0e6567b
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref25327

Kamekichi Tokita Papers

Creator:
Tokita, Kamekichi  Search this
Names:
Art Institute of Seattle  Search this
Group of Twelve (Seattle, Wash.)  Search this
Henry Art Gallery  Search this
Hotel Cadillac (Seattle, Wash.)  Search this
Minidoka Relocation Center  Search this
Public Works of Art Project  Search this
Seattle Art Museum  Search this
Callahan, Kenneth, 1905-1986  Search this
Tokita, Elsie  Search this
Tokita, Shokichi  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Photograph albums
Photographs
Sketches
Scrapbooks
Diaries
Date:
circa 1900-circa 2010
bulk 1900-1948
Summary:
The personal papers of Seattle area painter Kamekichi Tokita (1897-1948) measure 1.5 linear feet and date from circa 1900 to circa 2010 with the bulk of the material dating from circa 1910 to 1948. The papers include biographical materials, including documents about the closing of the War Relocation Authority's Minidoka Camp in Idaho; correspondence; three diaries written in Japanese documenting Tokita's war time experiences and forced relocation to Minidoka, two earlier notebooks, also written in Japanese, and scattered notes; a few personal business records; printed materials; one scrapbook; sketches; and one family photograph album.
Scope and Contents:
The personal papers of Seattle area painter Kamekichi Tokita (1897-1948) measure 1.5 linear feet and date from circa 1900 to circa 2010 with the bulk of the material dating from circa 1910 to 1948. The papers include biographical materials, including documents about the closing of the War Relocation Authority's Minidoka Camp in Idaho; correspondence; three diaries written in Japanese documenting Tokita's war time experiences and forced relocation to Minidoka, two earlier notebooks, also written in Japanese, and scattered notes; a few personal business records; printed materials; one scrapbook; sketches; and one family photograph album.

Biographical materials include a file on the Public Works of Art Project, a file on the War Relocation Authority and the closing of the Minidoka incarceration camp, an immigration document, and an essay on Tokita written by Shokichi and Elsie Tokita.

Correspondence is primarily professional in nature and concerns exhibitions at the Seattle Museum of Art (previously the Art Institute of Seattle) and other topics. Correspondents include Kenneth Callahan, Henry Gallery, the Seattle Art Museum, and others.

Tokita's writings consist of three diaries, two notebooks, and scattered general writings, most of which are in Japanese. The diaries were kept during World War II and document the family's incarceration at the Minidoka Relocation Camp in Idaho. Included is a transcript of the diaries which were translated from prewar to modern Japanese by Haruo Takasugi and from modern Japanese to English by Naomi Kusunoki-Martin.

Scattered business records include a patent application, records from the Cadillac Hotel, and a claim filed through the Department of Justice. A few published books in English and Japanese are about art and religion. Also found are exhibition catalogs for shows in which Tokita participated and clippings. There is one mixed media scrapbook about Tokita's exhibitions.

Artwork consists of unsigned pencil and watercolor sketches by Tokita. There is also a family photo album containing snapshots and portraits of the Tokita family and friends.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1934-1985 (Box 1; 5 folders)

Series 2: Correspondence, circa 1920-1944 (Box 1; 8 folders)

Series 3: Diaries and Writings, 1923-circa 1950 (Box 1; 0.2 linear feet)

Series 4: Personal Business Records, 1928-1950 (Box 1; 3 folders)

Series 5: Printed Material, circa 1910-1940 (Box 1-3; 0.5 linear feet)

Series 6: Scrapbook, 1929-1933 (Box 2-3; 0.2 linear feet)

Series 7: Artwork, circa 1910-1940s (Box 2-3; 0.1 linear feet)

Series 8: Photograph Album, circa 1900-1930 (Box 2; 0.2 linear feet)
Biographical / Historical:
Kamekichi Tokita (1897-1948) was a Japanese American painter and businessman who emigrated from Japan in 1919 and settled in Seattle, Washington. Tokita was a member of the Seattle area progressive artists' collective known as the "Group of Twelve" and widely exhibited his artwork throughout the Pacific Northwest.

Kamekichi Tokita was born in Shizouka City, Japan and immigrated to the United States at the age of twenty-two. He settled in the Japantown neighborhood of Seattle, Washington where he opened the Noto Sign Company with business partner Kenjiro Nomura. Nomura was also an artist and encouraged Tokita's interest in oil painting. They both used the sign shop as their studio after-hours. In 1936, the Noto Sign Company closed and Tokita took over management of the Cadillac Hotel, although he continued to paint commercial signs. Tokita married Haruko Suzuki in 1932 and together they had eight children.

As a child in Japan, Tokita studied calligraphy in China. Although he attended a few art school classes in in the U.S. and went on weekend painting trips with Nomura and other Seattle artists, Tokita is considered to be a largely self-trained artist. Support and recognition came from Dorothy V. Morrison of the Henry Gallery at the University of Washington who wrote to Tokita to inquire whether a "group of Japanese artists in the city" would be interested in exhibiting their work. Although the exhibition of Japanese artists did not happen, Tokita later loaned paintings to the gallery for inclusion in an exhibition sponsored by the American Federation of Arts. Throughout the late 1920s and 1930s Tokita exhibited widely in the Seattle area. In 1935, the Seattle Daily Times touted the work of Tokita and other painters in the "Group of Twelve" that also included Morris Graves, Kenneth Callahan, Walter F. Isaacs, and Ambrose and Viola Patterson, among others. In 1942, after the bombing of Pearl Harbor, Kamekichi Tokita and his family (five children at the time), along with the approximately 120,000 Japanese and Japanese American citizens living on the West Coast, were ordered under President Franklin Roosevelt's Executive Order 9066 to be forcibly removed to one of several incarceration camps. For the first six months of their imprisonment, the family lived at a temporary Civilian Assembly Center in Puyallup, Washington. They were transferred to the Minidoka Relocation Camp in Hunt, Idaho where they remained until their release in 1945. While incarcerated in Minidoka, Tokita worked as a sign painter and continued to privately paint, using whatever materials he could find, including beaver board. His work was featured in art shows at the camp. Many of his camp scenes are now lost or were given away.

At the end of World War II, Tokita and his family (now seven children) moved back to the Seattle-area. Unable to find housing, the Tokitas lived at a Japanese language school until Tokita was able to re-establish his business. During this period he painted very little. In 1946 Tokita and his wife purchased the New Lucky Hotel in the Chinatown area of Seattle. Shortly thereafter, Tokita fell ill and died in 1948. Many of his works are believed to have been destroyed or lost. Some of his work remains, however, and is among the permanent collections of the Seattle Art Museum, the Tacoma Art Museum, the Portland Art Museum.

Note: Much of this biographical note was taken from "A Biographical Resume" written by Shokichi and Elsie Y. Tokita.
Separated Materials:
A watercolor painting on paper by Kamekichi Tokita, Untitled (Still Life), 9 x 12 in. was transferred to the Smithsonian American Art Museum in 2012.
Provenance:
The Kamekichi Tokita papers were donated by his son, Shokichi Tokita in 1990. He donated a third and final diary in 2017. They were collected as part of the Archives of American Art Northwest Asian American project in Seattle, Washington.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
World War, 1939-1945 -- Japanese Americans  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Art, American -- Northwestern States  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Art, Modern -- 20th century -- Northwestern States  Search this
Japanese Americans -- Forced removal and internment, 1942-1945 -- Diaries  Search this
Genre/Form:
Photograph albums
Photographs
Sketches
Scrapbooks
Diaries
Citation:
Kamekichi Tokita papers, circa 1900-circa 2010, bulk circa 1910-1948. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tokikame
See more items in:
Kamekichi Tokita Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a680d2f9-94bf-4350-9f34-69068917ef42
EDAN-URL:
ead_collection:sova-aaa-tokikame
Online Media:

Annual Reports

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Container:
Box 404, Folder 1
Type:
Archival materials
Date:
1917 - 1920
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 12: Publications / 12.1: Annual Reports
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv47d653f6c-cdf9-45cd-9231-bc116ffdeaea
EDAN-URL:
ead_component:sova-nmai-ac-001-ref15240
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Carriers of Culture: Living Native Basket Traditions

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
Across North America and throughout the Hawaiian Islands, Native people are engaged in artistic activities deeply rooted in the everyday and ceremonial traditions of their communities. In the face of dwindling or inaccessible natural resources, loss of elders and their specialized knowledge, the profusion of cheap mass-produced goods, and the use-it-and-throw-away attitude of so many, Native artists are nevertheless gathering natural materials and weaving them into objects of beauty and profound meaning. The 2006 Festival program examined the contemporary state of Native weaving in the United States and the ways in which Native baskets - and their makers - are "carriers of culture."

One of the most important developments in indigenous basket weaving was the formation of Native weaving organizations over the previous fifteen years, bringing together weavers from diverse places to identify and examine problems, build a sense of shared experiences, foster communication and networking, share knowledge and skills, and begin to develop strategies to address some of the most critical issues they face. At local and regional gatherings held by these organizations and at workshops or symposia hosted by other supportive agencies, basket weavers began to find common voice as they articulated their concerns and experiences. At the Festival, visitors could listen to those voices while admiring the work of skilled eyes and hands.

The 2006 Festival program reflected the long-term involvement of numerous Native people and provided an unprecedented opportunity to examine contemporary issues across tribal and geographical lines. It also presented a timely opportunity to reflect on recent efforts by Native basket weavers and others to address these issues; the ways in which weaving traditions continue to be passed on; and the meaning weaving has for artists as people and as members of distinct tribal or Native communities. Most importantly, through demonstrations and discussions at the Festival and in the artists' own words, weavers themselves shared these perspectives first hand with Festival visitors.

For Native baskets to continue to be "carriers of culture" for Native traditions, there are still many challenges to overcome - challenges that were identified and discussed by the weavers themselves. The ever-changing natural and built landscape in the United States is leading to loss of plants essential to weaving. As more land moves into private ownership, weavers encounter increasingly limited access to traditional gathering sites. Non-native land management practices continue to affect the health of plant materials and of weavers themselves. Undoubtedly, other challenges to the continuity of the traditions of living Native basketry in the United States will also emerge. While much progress is being made to revitalize the basket traditions in many Native communities, there are other Native communities where basketry is in rapid decline. This means not just fewer baskets, but the irreplaceable loss of an array of indigenous knowledge linked to the art and a diminution of the diversity and richness of our American experience.

As Festival visitors learned, Native baskets were not antiquated containers or artifacts of a past life; they are very much a part of contemporary Native life and identity. Native baskets truly are "carriers of culture": they embody the knowledge of those who have gone before, those who have respect and reverence for the natural world and the plants that form their baskets, and those who have shared their knowledge with others to keep the chain of indigenous knowledge unbroken.

C. Kurt Dewhurst, Marjorie Hunt, and Marsha MacDowell were Curators, with Arlene Reiniger as Program Coordinator, Betty Belanus as Family Activities Area Coordinator, and Mary Monseur as Marketplace Native Basketry Consultant. Curatorial Advisors were: Jennifer Bates, Salli Benedict, Sally Black, Sheree Bonaparte, Peggy Sanders Brennan, Sue Coleman, Sue Ellen Herne, Sara Greensfelder, Elaine Grinnell, Terrol Dew Johnson, Sabra Kauka, Gloria Lomehaftewa, Fred Nahwooksy, Jennifer Neptune, Theresa Parker, Bernadine Phillips, Teri Rofkar, Robin McBride Scott, Theresa Secord, Tatiana Lomehaftewa Slock, and Laura Wong-Whitebear.

The program was produced in collaboration with the National Museum of the American Indian and Michigan State University Museum. Major support came from the National Museum of the American Indian, the W.K. Kellogg Foundation, the Institute of Museum and Library Services, the National Endowment for the Arts, and the Smithsonian Women's Committee on the occasion of its 40th anniversary. Additional Funding came from Alaska State Council on the Arts, the Mississippi Band of Choctaw Indians, Michigan State University All-University Research Initiation Grant, Michigan Council for the Arts and Cultural Affairs, Onaway Trust, Hawai'i State Foundation on Culture and the Arts, Fund for Folk Culture, Lila Wallace-Reader's Digest Fund, and the Cherokee Nation.
Researchers:
Researchers and consultants

Brian Bibby, Dawn Biddison, Deborah Boykin, Peggy Sanders Brennan, Tina Bucavalas, Vernon Chimegalrea, Sue Coleman, Marit Dewhurst, Betty DuPree, Carol Edison, Lynn Martin Graton, Sara Greensfelder, Theresa Harlan, Suzi Jones, Amy Kitchener, Jim Leary, Dayna Bowker Lee, Elizabeth Lee, Molly Lee, Richard March, Kathleen Mundell, Jennifer Neptune, Laura Quackenbush, Karen Reed, Teri Rofkar, Elaine Thatcher, Theresa Secord, Malia Villegas, Lois Whitney, Robin K. Wright

Research Assistants

Beth Donaldson, Marie Gile, Je'Keia Murphy
Presenters:
Howard Bass, Betty Belanus, Salli Benedict, Barry Bergey, Peggy Brennan, Schroeder Cherry, C. Kurt Dewhurst, Amy Echo-Hawk, Carol Edison, Rayna Green, Elaine Grinnell, Emil Her Many Horses, Marjorie Hunt, Sabra Kauka, Jared King, Keevin Lewis, Marsha MacDowell, Diana N'Diaye, Helen Maynor Scheirbeck, Pamela Woodis, Laura Wong-Whitebear
Participants:
Native Hawaiian

Gladys Grace, 1919-, Native Hawaiian, Honolulu, Hawai'i

Edwin T. Kaneko, 1930-, Japanese and Native Hawaiian descent, Holualoa, Kona, Hawai'i

Gwendolyn Kamisugi, 1944-, Native Hawaiian, Wahiawa, Oahu, Hawai'i

Sabra Kauka, Native Hawaiian, Lihu'e, Kauai, Hawai'i

Marques Hanalei Marzan, 1979-, Native Hawaiian, Kane'ohe, Hawai'i

Harriet Soong, 1927-, Native Hawaiian, Kailua Kona, Big Island, Hawai'i

Alaska Native

Sheldon Bogenrife, Iñupiaq, Anchorage, Alaska

Delores Churchill, Haida, Ketchikan, Alaska

Holly Joy Churchill, 1955-, Haida, Ketchikan, Alaska

Daisy Demientieff, 1935-, Athabascan, Anchorage, Alaska

Evelyn Douglas, 1947-, Yup'ik, Anchorage, Alaska

June Simeonoff Pardue, 1951-, Alutiiq and Suqpiaq, Wasilla, Alaska

Teri Rojkar, 1956-, Tlingit, Sitka, Alaska

Lisa Telford, 1957-, Haida, Everett, Washington

Northwest

Elaine Timentwa Emerson, 1941-, Colville, Omak, Washington

Pat Courtney Gold, Wasco and Tlingit, Scappoose, Oregon

Elaine Grinnell, 1936-, Jamestown S'Klallam and Lummi, Sequim, Washington

Khia Grinnell, 1985-, Jamestown S'Klallam and Lummi, Sequim, Washington

Nettie Kuneki Jackson, 1942-, Klickitat, White Swan, Washington

Robert Kentta, Siletz, Siletz, Oregon

Bud Lane, 1957-, Siletz, Siletz, Oregon

Theresa Mendoza, 1985-, Makah and Lummi, Neah Bay, Washington

June Parker, 1950-, Makah and Lummi, Neah Bay, Washington

Theresa Parker, 1956-, Makah and Lummi, Neah Bay, Washington

Bernadine Phillips, Colville, Omak, Washington

Craig Phillips, 1989-, Colville, Omak, Washington

Harold "Jimmi" Plaster, 1988-, Lummi, Bellingham, Washington

Lisa Plaster, 1972-, Lummi, Bellingham, Washington

Karen Reed, 1949-, Chinook and Puyallup, Puyallup, Washington

Lynda Squally, 1981-, Chinook and Puyallup, Milton, Washington

Laura Wong-Whitebear, Colville, Seattle, Washington

Great Basin

Elizabeth Brady, 1923-, Western Shoshone, Elko, Nevada

Leah Brady, 1955-, Western Shoshone, Elko, Nevada

Sue Coleman, 1950-, Washo, Carson City, Nevada

Rebecca Eagle, 1964-, Pyramid Lake Paiute, Wadsworth, Nevada

Sandra Eagle, 1961-, Pyramid Lake Paiute, Sutcliff Nevada

California

Jennifer D. Bates, 1951-, Northern Mewuk, Tuolumne, California

Leona Chepo, 1931-, Western Mono, North Fork, California

Lois Jean Conner, 1951-, Chuckchansi, Southern Miwok, and Western Mono, O'Neals, California

Ursula Jones, 1972-, Yosemite Miwok, Mono Lake Paiute, Kashaya Pomo, and Coast Miwok, Mammoth Lakes, California

Julia Parker, 1929-, Kashaya Pomo and Coast Miwok, Mariposa, California

Ruby Pomona, 1925-, Western Mono, North Fork, California

Wilverna Reece, 1946-, Karuk, Happy Camp, California

Eva Salazar, San Diego Kumeyaay, Alpine, California

Linda G. Yamane, 1949-, Ohlone, Seaside, California

Southwest - Navajo

Kayla Black, 1992-, Navajo, Mexican Hat, Utah

Lorraine Black, 1970-, Navajo, Mexican Hat, Utah

Mary Holiday Black, 1934-, Navajo, Mexican Hat, Utah

Sally Black, 1959-, Navajo, Mexican Hat, Utah

Southwest - Apache, Hopi, and Tohono O'odham

Evalena Henry, 1939-, San Carlos Apache, Peridot, Arizona

Esther Jaimes, 1947-, Tohono O'odham, Tucson, Arizona

Dorleen Gashweseoma Lalo, 1965-, Hopi, Hotevilla, Arizona

Joseph Lopez, 1978-, Tohono O'odham, Tucson, Arizona

Wa:k Tab Basket Dancers -- Wa:k Tab Basket DancersCecelia Encinas, 1988-, Tohono O'odham, San Xavier District, ArizonaKarlette Miguel, 1990-, Tohono O'odham, San Xavier District, ArizonaVerna E. Miguel, 1947-, Tohono O'odham, San Xavier District, ArizonaAngelique M. Moreno, 1996-, Tohono O'odham, San Xavier District, ArizonaCelestine Pablo, 1958-, Tohono O'odham, San Xavier District, ArizonaLien Pablo, 1991-, Tohono O'odham, San Xavier District, ArizonaVictoria M. Pablo, 1975-, Tohono O'odham, San Xavier District, ArizonaWynona Peters, 1989-, Tohono O'odham, San Xavier District, ArizonaCarolyn M. Reyes, Tohono O'odham, San Xavier District, ArizonaRhonalee Stone, 1995-, Tohono O'odham, San Xavier District, Arizona

Southeast - Choctaw and Chitimacha

Eleanor Ferris Chickaway, 1958-, Conehatta Choctaw, Conehatta, Mississippi

John Darden, 1960-, Chitimacha, Charenton, Louisiana

Scarlette Darden, 1963-, Chitimacha, Clarenton, Louisiana

Louise Wallace, 1949-, Choctaw, Bogue Homa, Mississippi

Southeast - Cherokee

Peggy Sanders Brennan, 1946-, Cherokee, Edmond, Oklahoma

Louise Goings, 1947-, Eastern Band of Cherokee, Cherokee, North Carolina

Lucille Lossiah, 1957-, Eastern Band of Cherokee, Cherokee, North Carolina

Robin McBride Scott, 1966-, Cherokee, New Castle, Indiana

Kathy VanBuskirk, 1961-, Cherokee, Tahlequah, Oklahoma

Perry VanBuskirk, Cherokee, Tahlequah, Oklahoma

Northeast - Maine

Ganessa Bryant, 1982-, Penobscot, Princeton, Maine

Jeremy Frey, 1978-, Passamaquoddy, Princeton, Maine

George Neptune, 1988-, Passamaquoddy, Princeton, Maine

Molly Neptune Parker, 1939-, Passamaquoddy, Indian Township, Maine

Northeast - Mohawk

Linda Cecilia Jackson, 1954-, St. Regis Mohawk, Akwesasne, New York

Sheila Ransom, 1954-, St. Regis Mohawk, Akwesasne, New York

Great Lakes

Kelly Church, 1967-, Grand Traverse Band of Chippewa and Ottawa, Hopkins, Michigan

Jacob Keshick, 1987-, Little Traverse Bay Bands of Odawa, Pellston, Michigan

Yvonne Walker Keshick, Little Traverse Bay Bands of Odawa, Pellston, Michigan

Cherish Nebeshanze Parrish, 1989-, Gun Lake Band of Potawatomi, Hopkins, Michigan

John Pigeon, 1957-, Pokagon Band of Potawatomi Indians, Dorr, Michigan

Johnny Pigeon, Pokagon Band of Potawatomi Indians, Dorr, Michigan

Kellogg Cultural Heritage Fellows

Kellogg Cultural Heritage Fellows are young Native people participating "behind-the-scenes" at the 2006 Smithsonian Folklife Festival and at the National Museum of the American Indian, made possible by a generous grant from the W.K. Kellogg Foundation to the Michigan State University Museum.

Samantha Jacobs, 1983-, Seneca Nation of Indians, Collins, New York

Crystal Marie Keta Mann, 1987-, Tsimshian and Tlingit, Ketchikan, Alaska

Vanessa Manuel, 1985-, Onk Akimel O'odham, Scottsdale, Arizona

Mary Mokihana Martin, 1985-, Native Hawaiian, Honolulu, Hawai'i

Elizabeth Ann Parker, 1988-, Makah, Neah Bay, Washington

Gabe Paul, 1985-, Penobscot, Indian Island, Maine

Laura Sanders, 1980-, Karuk and Yurok, Orleans, California

Ahtkwiroton Skidders, 1982-, Mohawk, Rooseveltown, New York

Lynda Squally, 1981-, Chinook and Puyallup, Milton, Washington

Tony Stevens, 1985-, Wasco, Confederated Tribes of Warm Springs, Warm Springs, Oregon

Carly Tex, 1984-, Western Mono, Rohnert Park, California

Kellogg Next Generation Weavers

Kellogg Next Generation Weavers are young Native people who have demonstrated a strong interest in basketry and will be weaving at the 2006 Smithsonian Folklife Festival alongside older mentor culture-bearers. Their participation in the Festival is made possible by a generous grant from the W.K. Kellogg Foundation to the Michigan State University Museum.

Kayla Black, 1992-, Navajo, Mexican Hat, New Mexico

Ganessa Bryant, 1982-, Penobscot, Princeton, Maine

Jeremy Frey, 1982-, Passamaquoddy, Princeton, Maine

Khia Grinnell, 1985-, Jamestown S'Klallam and Lummi, Sequim, Washington

Ursula Jones, 1972-, Yosemite Miwok, Mono Lake Paiute, Kashaya Pomo, and Coast Miwok, Mammoth Lakes, California

Jacob Keshick, 1987-, Little Traverse Bay Bands of Odawa, Pellston, Michigan

Joseph Lopez, 1978-, Tohono O'odham, Tucson, Arizona

Marques Hanalei Marzan, 1979-, Native Hawaiian, Kane'ohe, Hawai'i

Theresa Mendoza, 1985-, Makah, Neah Bay, Washington

George Neptune, 1988-, Passamaquoddy, Princeton, Maine

Cherish Nebeshanze Parrish, 1989-, Gun Lake Band of Potawatomi, Hopkins, Michigan

Craig Phillips, 1989-, Colville, Omak, Washington

Johnny Pigeon, Pokagon Band of Potawatomi Indians, Dorr, Michigan

Harold "Jimmi" Plaster, 1988-, Lummi, Bellingham, Washington

Lynda Squally, 1981-, Chinook and Puyallup, Milton, Washington
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2006 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2006, Series 3
See more items in:
Smithsonian Folklife Festival records: 2006 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53a0cdcf5-b4fd-4226-b3a8-44ddfc050e4b
EDAN-URL:
ead_component:sova-cfch-sff-2006-ref26

Sindlinger, Fred G. (Puyallup, WA)

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft S
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg290351edd-9abe-4a9f-a5cc-2cfda470e422
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref49419

Sindlinger HH-1 5/8th Scale Hawker Hurricane [Documents]

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Identifier:
NASM.XXXX.1183.A, File AS-423005-01
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft S / Sindlinger, Fred G. (Puyallup, WA)
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2ab5fafdc-12eb-444d-b211-f93ec7e5908b
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref49420

Crawford, Harvey (Puyallup, WA) (See also: Crawford All-Metal Airplane Co)

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft C
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2fb307e00-a474-4cbf-94d3-d569ce982464
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref67344

Crawford (Harvey) 1908 Biplane [**No File**]

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Identifier:
NASM.XXXX.1183.A, File AC-691702-NF
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft C / Crawford, Harvey (Puyallup, WA) (See also: Crawford All-Metal Airplane Co)
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg290ce6be5-4931-4866-a168-876a8311587b
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref73608

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