United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
Date:
1995 Aug.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Philadelphia Search this
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund
Recorded in: Washington (D.C.), United States, October 6, 1977.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, September 9, 1977.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Wiregrass Sacred Harp Singers--Amazing grace--Now is time to serve the Lord--Marilla's blessing--How long--My mother is gone--Sign of the Judgement--Mercy in the sky--Give me just a little more time; La Familia Cepeda--Intro--Carnival--Bomba
Local Numbers:
FP-1983-7RR-0359
General:
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1983.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, June 25, 1983.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Dub of Audio track from television show "Imagenes Latinas", an Hispanic show: Puerto Rican string music in NYC area: music by Jomo Toro, Cuatro and (probably) Ruben Figueroa, guitar and guiro(player unknown). Interviews with Diomedes--Maters, Sr., Cuat...
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
1983
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Musica Jibaro (trio): Diomedes Matos-Cuatro, Ruben Figerroa-guitar, guiro=name unknown, he's a Puerto Rican from Newark, New Jersey. Submitted by Arturo Lopez, Rutgers University. One channel only.
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
1983
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
A concern for the continued existence of folk traditions motivated the Festival project since it began in 1967. It also served as the basis of the Smithsonian's cooperation with the Folk Arts Program of the National Endowment for the Arts, a cooperation that resulted in 1982 in a Festival program honoring the recipients of NEA's National Heritage Fellowships. The 1983 Festival saw a similar program, and organizers hoped that future years would as well.
When the Folk Arts Program presented the fellowships, they were signalled by a certificate of honor hailing each of the laureates as "a Master Traditional Artist who has contributed to the shaping of our artistic traditions and to preserving the cultural diversity of the United States."
Sixteen artists were awarded Heritage Fellowships in 1983 during the Festival. Behind each stood a phalanx of other creative Americans, reaching across neighborhoods and back through time. They were the ones from whom the honorees learned, the ones who made the mistakes, tested the limits, confirmed the aesthetic centers. In honoring these sixteen artists, the NEA also honored their forebears, and each one represented not a single creative genius but a linkage of people joined together to produce beauty and truth and meaning, each in their own special way.
The week-long series of events surrounding the awarding of the Arts Endowment's 1983 National Heritage Fellowships were made possible through the generous support of Continental Telecom Inc. In addition, from June 23 through September 5, 1983, an exhibition honoring the 1983 National Heritage Fellowship recipients was on display in the National Museum of American History.
Marjorie Hunt served as National Endowment Exhibit Coordinator and Meg Glaser as NEA Program Assistant.
Participants:
Fellowship Recipients
Sister Mildred Barker, Shaker hymn singing, Poland Spring, Maine
Rafael Cepeda, Afro-Puerto Rican music and dance, Santurce, Puerto Rico
Ray Hicks, 1922-2003, Appalachian storytelling, Banner Elk, North Carolina
Stanley Hicks, 1911-1989, Appalachian instrument making, music and storytelling, Vilas, North Carolina
John Lee Hooker, blues guitar and singing, San Carlos, California
Mike "Papa" Manteo, Sicilian-American puppetry, Staten Island, New York
Narciso Martinez, Texas-Mexican -- conjunto -- accordion, San Benito, Texas
La Familia Cepeda: Afro-Puerto Rican Music and Dance Group -- La Familia Cepeda: Afro-Puerto Rican Music and Dance GroupAlba Rosario CepedaCaridad Brenes CepedaCarlos CepedaJesus CepedaJulia Caridad CepedaLuis CepedaMargarita Sanchez CepedaMario CepedaOrlando CepedaPetra CepedaJosé Lopez, 1959-Milagros MojicaJosé Calderon Pou
Wiregrass Sacred Harp Singers -- Wiregrass Sacred Harp SingersAnnie Joy Belcher, Ozark, AlabamaGladys Bivins, 1933-1992, Ozark, AlabamaPauline Griggs, Dothan, AlabamaBernice Williams Harvey, Ozark, AlabamaHenry Jackson, Ozark, AlabamaWillie Nell Lewis, Winterhaven, FloridaRobert Reynolds, Jr., Abbeyville, AlabamaAlice Williams, Ozark, Alabama
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Fair-skinned woman overlooking port with U.S. flag.
Local Numbers:
AC Scan: AC0060-0001949.tif (formerly 040060154.tif)
Publication:
New York., O.L. Schwencke
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Tobacco Trade and Industry, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
The collection documents the work of the Sosa, Bromley and Aguilar and Associates advertising agency of San Antonio, Texas.
Scope and Contents:
The collection documents the work of the Sosa, Bromley and Aguilar and Associates advertising agency of San Antonio, Texas. They created advertising for large corporations such as Western Union, American Airlines, Coca-Cola, Mars, Procter and Gamble, Anheuser-Busch, and Burger King. Additionally, they worked on political campaigns for Republican candidates including George W. Bush and Ronald Reagan. Works created for local institutions such as the San Antonio Symphony and Incarnate Word High School are also represented in the collection. Sosa, Bromley and Aguilar were pioneers in developing advertising strategies to appeal to Latino consumers.
This collection includes internal corporate documentation such as awards, financial reports, marketing strategies, advertisement samples and newsletters, as well as newspaper and magazine articles. The majority of the collection consists of audiovisual materials in D2, BetacamSP, 3/4" U-Matic and 1" videotape formats. The audiovisual materials contain commercials, casting calls/auditions, director reels, public service announcements, focus groups sessions and more. Six hours of oral histories with the principals and transcriptions of the interviews are also included in the collection. Prominent sections of the collection include advertisements created for the Center for Disease Control to address misconceptions about AIDS in Latino communities, as well as photographs, an audiocassette, and public service announcements pertaining to the life and death of singer Selena Quintanilla-Pérez.
Arrangement:
This collection is divided into five series:
Series 1: Background Materials, 1980-2015
Series 2: Financial Materials, 1983-1989
Series 3: Clippings, 1988-1999
Series 4: Advertisements, 1988-1995
Series 5: Audiovisual Materials, 1988-1997
Biographical / Historical:
Lionel Sosa (b. 1939) is from San Antonio, Texas and is of Mexican descent. His first venture as an entrepreneur was starting a graphic design studio called Sosart which later developed into an advertising agency. Ernest Bromley (b.1951), of Puerto Rican and Canadian descent, joined the company in 1981 while employed at the University of Texas, San Antonio as a researcher. Bromley's background in acculturation, advertising and consumer research provided a unique perspective for the newly developed Sosa and Associates. Adolfo "Al" Aguilar (b. 1955), also of Mexican descent, studied advertising and marketing at the University of Texas, Austin. Aguilar worked for Coca-Cola's first Hispanic Marketing Department when he began meeting with Sosa and Bromley. Eventually, Aguilar helped bring the Coca-Cola account to Sosa Bromley and Associates. This successful transfer ultimately led to the development of Sosa, Bromley and Aguilar and Associates.
Spanish Language Television Collection (NMAH.AC.1404)
Goya Foods, Inc. Collection, 1960-2000 (NMAH.AC.0694)
Separated Materials:
Items relating to this collection were donated to the Division of Numismatics and Division of Work and Industry. See accessions: 2002.0007.0517 (Tetradrachm coin); 2015.0080.01 (1988 Clio Award Trophy Hispanic Advertising AIDS Campaign); 2015.0080.02 (Promotional Mug); 2015.0080.05 (Promotional Watch); 2016.3049.02 (1993 Clio Award for Hispanic Market Coca Cola Classic); 2015.0080.06 (1990 Adweek Plaque); 2015.0080.03 (1995 Selena Commemorative Pin).
Provenance:
Donated to the Archives Center in 2015, by Lionel Sosa, Ernest Bromley and Adolfo Aguilar.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The WKAQ portion includes photographs of performers, reporters and on-air personalities; photographs of the construction of the station, of the inside of the studios; stills from a telenovela; stills from variety shows and specials; stills of WKAQ staff at work; motion picture films, a script for a telenovela; floor plans for the studio; ratings statistics; a script for a telenovela; print advertisements for the station, for its programming, and for Telemundo.
Biographical / Historical:
A television station owned and operated by Spanish-language network Telemundo, located in San Juan, Puerto Rico. In 1954, WKAQ-TV was the first Television station in Puerto Rico. The station was founded by Ángel Ramos, founder of El Mundo (The World) and Puerto Rico's first and third-licensed radio station in the world, WKAQ. In 1987, the station started branding itself as "Telemundo Puerto Rico". Since then, WKAQ-TV has since become one of Telemundo's flagship stations, as well as the recognized original "Telemundo". To the general population, WKAQ-TV is still known simply as "Telemundo", and it is branded as such to this day. In 2005, WKAQ-TV became a superstation when NBCUniversal reformatted its entertainment-based cable channel Telemundo Internacional into Telemundo Puerto Rico. The channel aired WKAQ-produced programs such as the station's news program, Telenoticias. Telemundo Puerto Rico was aimed at Puerto Ricans and other Caribbean communities living in the mainland United States. The superstation feed, however, was discontinued in early 2008. In 2008, WKAQ-TV, in co-production with the Telemundo network, launched the morning news and lifestyle show Levantate from its San Juan studios. The station also began to air a local teen drama series, which achieved success in the Puerto Rican teen market.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Spanish Language Broadcasting Collection, Archives Center, National Museum of American History
Sponsor:
This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Spanish Language Broadcasting Collection, Archives Center, National Museum of American History
Sponsor:
This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Spanish Language Broadcasting Collection, Archives Center, National Museum of American History
Sponsor:
This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
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