Search Results

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37000 Slides (photographs) (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides (photographs)

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47

EDAN-URL:

ead_collection:sova-aag-gca

Collector:

Whitehead, Henry Preston, 1917-2002  Search this

Extent:

156.91 Linear feet (178 boxes)

Type:

Collection descriptions

Archival materials

Pamphlets

Sound recordings

Clippings

Memorabilia

Newspapers

Photographs

Books

Brochures

Date:

1843-2010

bulk 1940-1986

Summary:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.

Scope and Contents note:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.

Arrangement note:

This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney

Biographical/Historical note:

Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.

Provenance:

The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Howard Theatre (Washington, D.C.)  Search this

African Americans  Search this

National Negro Congress (U.S.)  Search this

National Council of Negro Women  Search this

Radio broadcasting  Search this

African American neighborhoods  Search this

African American musicians  Search this

Genre/Form:

Pamphlets

Sound recordings

Clippings

Memorabilia -- 20th century

Newspapers

Photographs

Books

Brochures

Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

Identifier:

ACMA.06-042

See more items in:

Henry P. Whitehead collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46

EDAN-URL:

ead_collection:sova-acma-06-042

Author:

Garrett, John W. (John Work), 1820-1884  Search this

Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this

Creator:

Baltimore and Ohio Railroad Company  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

Extent:

33 Cubic feet (76 boxes, 46 map-folders)

Type:

Collection descriptions

Archival materials

Tracings

Correspondence

Drawings

Date:

1827-1987

Summary:

The collection consists of correspondence, invoices, drawings, photographs, and negatives and other printed literature documenting the Baltimore and Ohio Railroad from its inception in 1827 to its merger with the Chesapeake and Ohio Railroad in the 1960s.

Scope and Contents:

The collection consists of correspondence, engineering drawings, notes, photographs, transparencies, negatives, glass plate negatives, printed materials, and newspaper clippings documenting the Baltimore and Ohio railroad from its inception in 1827 to its merger with the Chesapeake and Ohio in the 1960s.

Arrangement:

The records are arranged into ten series.

Series 1, Historical Background, 1827-1987

Series 2, Bridge Histories, 1867-1966

Series 3, President's Office, 1826-1880

Series 4, Correspondence, 1826-1859

Series 5, Business Records, 1894-1914, and undated

Series 6, Agreement, 1870

Series 7, Drawings, 1858-1957, and undated

Subseries 7.1, Indices and Lists, 1924-1943, undated

Subseries 7.2, Bailey's Station, 1887; 1899; 1901

Subseries 7.3, Baltimore Belt Railroad, 1895, undated

Subseries 7.4, Bay View and Canton Bridges, 1884-1885

Subseries 7.5, Big Seneca Creek Viaduct, 1905

Subseries 7.6, Bollman Bridges, undated

Subseries 7.7, Boyds, Maryland Station, 1886; 1927

Subseries 7.8, Bridewell Station, undated

Subseries 7.9, Bridges (general), 1893-1917

Subseries 7.10, Brunswick, Maryland, 1890-1907

Subseries 7.11, Building Materials List, undated

Subseries 7.12, Building Signs, 1911-1912

Subseries 7.13, Camden Station, 1881-1942 (not inclusive)

Subseries 7.14, Camden Station (related), 1881-1915

Subseries 7.15, Centenary Bridge Models, 1927

Subseries 7.16, Central Office Building, undated

Subseries 7.17, Chestnut Street Station, 1925-1952

Subseries 7.18, Coaling facilities, water tanks, turntables, and miscellaneous structures, 1888-1912

Subseries 7.19, Cumberland Station, 1910-1955

Subseries 7.20, Curtis Bay Branch, 1900-1911

Subseries 7.21, Frederick Station, 1908-1915

Subseries 7.22, Hyattsville Station, 1913

Subseries 7.23, Keedysville Station, undated

Subseries 7.24, Laurel Station, undated

Subseries 7.25, Ledger, undated

Subseries 7.26, Lieperville Station, 1889

Subseries 7.27, Locust Point, 1881-1957

Subseries 7.28, Maps, 1862; 1918

Subseries 7.29, Martinsburg, West Virginia, 1913-1927

Subseries 7.30, Miscellaneous Buildings, 1875-1956

Subseries 7.31, Miscellaneous Large Photographs, undated

Subseries 7.32, Miscellaneous Structures, 1890-1916

Subseries 7.33: Mt. Clare (general)

Subseries 7.34, Mt. Clare New Blue Line Stable, 1899; 1905

Subseries 7.35, Mt. Clare New Car Shops, undated

Subseries 7.36, Mt. Royal Station, undated

Subseries 7.37, Newton Falls and Fairpoint, Ohio, 1909

Subseries 7.38, Patapsco River Bridge, 1883

Subseries 7.39, Plans for house no. 1846 (N. Gay Street, Baltimore, Maryland), undated

Subseries 7.40, Point of Rocks Station, 1951

Subseries 7.41, Scales, 1903

Subseries 7.42, Signal towers, 1900-1908

Subseries 7.43, Stations (general), 1866-1907

Subseries 7.44, Sykesville Station, undated

Subseries 7.45, Untitled, undated

Subseries 7.46, Warnings, 1894-1911

Subseries 7.47, Woodstock Station, undated

Subseries 7.48, Miscellaneous (rolled), 1858-1930 (not inclusive)

Series 8, Photographs and Copy Prints, 1872-1980s (not inclusive)

Subseries 8.1, Photographs, 1872-1980s

Subseries 8.2, Copy prints, 1901-1931, undated

Subseries 8.3, Indices and Lists, 1909-1920

Series 9, Negatives, 1850-1983 (bulk 1920s-1930s)

Subseries 9.1, Glass plate negatives (unidentified), undated

Subseries 9.2, Glass plate negatives (numbered), 1850-1957 (bulk 1920s-1930s)

Subseries 9.3, Negatives by number, undated

Subseries 9.4, Negatives by location, 1870; 1978-1983

Subseries 9.5, Negatives by subject, 1922-1930s, undated

Series 10, Stations and Buildings, 1884-1982

Biographical / Historical:

The Baltimore and Ohio Railroad (B&O) was the nation's first extensive steam powered railroad. It was founded by Baltimore merchants in 1827 as a means of promoting trade and making Baltimore competitive with other east coast ports. The original intent of the founders was to provide direct and fast access to the Ohio River, and the markets that the river reached. The railroad, however, went beyond the Ohio River and its lines went as far west as St. Louis and Chicago. The B&O was also known for its use of an electric locomotive in the mid 1890s. It also had a completely air conditioned train, and it was a forerunner in the use of diesel-electric locomotives. Company activities paralleled those of other American railroads and over the course of its life included expansion, near bankruptcy, innovations, regulations, and finally buy out. In February 1963, the Chesapeake and Ohio (C&O) completed its purchase of the B&O. Today, B&O is part of the CSX Transportation (CSX) network.

John Work Garrett president of the Baltimore and Ohio Railroad 1858-1884, was born in Baltimore, Maryland July 31, 1820. He was the second son of Elizabeth Stouffer and Robert Garrett. He married Rachel Ann Harrison, the daughter of Thomas Harrison, a Baltimore merchant. They had one daughter, Mary and two sons Robert and Thomas Harrison Garrett.

After attending Lafayette College (Pennsylvania) for two years John W. Garrett left in 1836 to become associated with his father's commission business in Baltimore. The commission house which dealt in wholesale groceries, produce, forwarding and a commission business expanded to establish direct connections with Latin America, seek outlets in Europe and develop its own banking operations. In time its financial operations overshadowed the commission and shipping business.

When John W. Garrett began to invest heavily in Baltimore and Ohio Railroad stock, the road was in competition with the Chesapeake and Ohio Canal and the stock was not popular. Its value rose steadily over the years. Mr. Garrett was elected a director of the railroad in 1855. His report as chairman of a subcommittee on the need for additional funds to complete the line to the Ohio River led to his election to the presidency of the road on November 17, 1858, a position he held for 26 years. New policies with emphasis on economy, personal supervision and gradual expansion were inaugurated and consistently maintained, in spite of a general financial crisis, Mr. Garrett's first year in office showed a net gain in earnings.

Sympathetic to his southern friends during the Civil War, Mr. Garrett nevertheless supported the Union. He recognized the inevitability of Confederate defeat by superior northern resources. Confederate leaders blamed him for their inability to seize Washington and he received warm appreciation for his services to the Union cause from President Lincoln. The railroad stretched along the theater of war and twice crossed Confederate territory. It was, therefore, a main objective for southern attack. Branches were frequently damaged by Confederate raids, but the main line to Washington became important for the transport of troops and supplies. The Baltimore and Ohio carried out the first military rail transport in history and the transfer of 20,000 men from the Potomac to Chattanooga in 1863 was a major triumph for its president.

With the advent of peace Mr. Garrett turned to rebuilding and strengthening the railroad. He replaced equipment and track damaged by the war, then extended the system by securing direct routes to Pittsburgh and Chicago and arranging an independent line into New York. Wharves were built at Locust Point for ocean liners and a system of elevators erected. The B&O. built its own sleeping and dining cars, established hotels in the mountains and created its own express company. By 1880, after battles over rates with other trunk lines, a costly rivalry with the Pennsylvania Railroad over the eastern route and charges of discrimination against local shippers Mr. Garrett was at the height of his success. He cooperated in establishing the B. and 0. Employees Relief Association for accident and life insurance, a hospital system, saving and building funds, and arrangements for improving sanitation in the work place. He was on friendly terms with Johns Hopkins, a trustee of John Hopkins Hospital, and with George Peabody, founder of the Peabody institute of which he was also a trustee. Garrett County, Maryland was named in his honor.

John W. Garrett died on September 26, 1884 within a year of his wife's death in a carriage accident. During his connection with the railroad the stock increased from $57 to $200; at the outbreak of the Civil War the railroad was operating 514 miles of rail, gross earnings were $4,000,097 and net per mile was $4246.1 By 1864 gross earnings were $10,138,876 and net per mile, $7113.2 By the end of his presidency mileage had increased to 1711 miles and net earnings were $4535 per mile.3

References

1 -- National Cyclopedia of American Biography -- Vol. 18:3

2 -- National Cyclopedia of American Biography -- Vol. 18:3

3 -- National Cyclopedia of American Biography -- Vol. 18:3

Related Materials:

Materials at Other Organizations

Maryland Historical Society

Baltimore and Ohio Museum

Provenance:

This collection was donated to the National Museum of American History by the Baltimore and Ohio Railroad in the 1960s.

Restrictions:

The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Railroads  Search this

Engineering -- 19th century  Search this

Repairing -- Railroads  Search this

Railway engineering -- 1860-1890  Search this

Bridges  Search this

Construction  Search this

Genre/Form:

Tracings

Correspondence -- 19th century

Drawings -- 1860-1890

Citation:

Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1086

See more items in:

Baltimore and Ohio Railroad Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e652d903-bb57-46a8-a205-c7cbfe89f444

EDAN-URL:

ead_collection:sova-nmah-ac-1086

Creator:

Anacostia Community Museum  Search this

Names:

Anacostia Community Museum  Search this

Anacostia Neighborhood Museum  Search this

Extent:

6 Linear feet (3 record boxes, 2 legal size clamshell boxes)

Type:

Collection descriptions

Archival materials

Exhibition catalogs

Contact sheets

Correspondence

Clippings

Photographic prints

Negatives

Exhibition records

Oral histories (document genres)

Place:

Anacostia (Washington, D.C.)

Date:

1898-1988

Scope and Contents:

The records of the Evolution of a Community: 1972 Exhibition presented by the Anacostia Community Museum measure 6 linear feet and date from 1898 to 1988. Included are exhibit administrative files, lists of images, press releases for the promotion of the exhibit, oral history transcripts and permission forms, and extensive research files into the Anacostia community in southeast Washington D.C.

The Research Files series contains news clippings, publications, unpublished articles, project files, and research material for the exhibitions. Subjects include local figures and the Barry's Farm neighborhood, unpublished historical narratives, and project records related to archaeological investigations and neighborhood development programs.

The Interview series consists of transcripts of the audio collected in 1970-1971 for the "Evolution of a Community" exhibits. This series also incliudes interview notes and thank you letters from the museum to the interviewees.

Exhibit File series includes an outline for exhibit themes and proposed layouts, drafts of the exhibit scripts, lists of exhibit objects, promotional press releases, and related correspondence.

Arrangement:

Evolution of a Community: 1972 exhibition records is arranged in 4 series.

Series 1: Research Files

Series 2: Interviews

Series 3: Exhibit Files

Series 4: Audiovisual Materials

Historical Note:

Three exhibitions were done by the Anacostia Neighborhood Museum between 1972 and 1975. The first exhibition was The Evolution of a Community, Part 1: 1608-1955 and was held from February 27, 1972 – August 31, 1972. This exhibition centered on the history of Anacostia from 1608 until shortly after World War II, drawing from the 1970 oral histories interviews with longtime residents. The second exhibition was The Evolution of a Community, Part 2: 1955-Present and was held from September 1, 1972 – December 31, 1972. This exhibition showcased Anacostia's history from 1955 to 1972 and was organized into five major topics: housing, unemployment, education, crime, and drugs. The last exhibition was Anacostia Today: The Evolution of a Community, Part 2: Continued and was held from March 1, 1973 – July 31, 1973. This exhibition was the same exhibition as The Evolution of a Community, Part 2: 1955-Present but brought back for the museum's fifth anniversary and continued its focus on its five major topics.

Related Materials:

Anacostia Story: 1608-1930 Exhibition Records, M03-039.

Anacostia Oral History Project, 1975

Provenance:

Records of the Evolution of a Community: 1972 Exhibition were created by the Anacostia Community Museum.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Museum exhibits  Search this

African American neighborhoods  Search this

African Americans  Search this

Genre/Form:

Exhibition catalogs

Contact sheets

Correspondence

Clippings

Photographic prints

Negatives

Exhibition records -- 1967-1989

Oral histories (document genres)

Citation:

Evolution of a Community: 1972 Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

ACMA.03-040

See more items in:

Evolution of a Community: 1972 Exhibition Records

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa75cac2f00-94cc-479a-bf58-1c9a3dd1ced4

EDAN-URL:

ead_collection:sova-acma-03-040

Collection Author:

Garrett, John W. (John Work), 1820-1884  Search this

Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this

Collection Creator:

Baltimore and Ohio Railroad Company  Search this

Container:

Box 32, Item 2495

Type:

Archival materials

Negatives

Date:

circa 1864

Collection Restrictions:

The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History

See more items in:

Baltimore and Ohio Railroad Records

Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.3: Small film negatives (#1993-#2315), 35mm to post card size

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8879709c7-9be0-4fac-8ecf-c34a6c57a147

EDAN-URL:

ead_component:sova-nmah-ac-1086-ref5143

Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Names:

Dickinson College  Search this

United States Indian School (Carlisle, Pa.)  Search this

Extent:

1200 Negatives (photographic) (circa, glass)

16 Printing plates (copper)

Culture:

Indians of North America  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Printing plates

Photographs

Date:

circa 1879-1902

Scope and Contents note:

Photographs by John N. Choate mostly documenting the United States Indian School in Carlisle, Pennsylvania. The images include portraits of students, parents, staff and other visitors, as well as interior and exterior images of the school, buildings, and classrooms. Choate also had a thriving commercial practice outside of the Indian School, producing studio portraiture as well many photographs of buildings, farms and industry in and around the town of Carlisle, as well as images of Dickinson College. Some of the photographs in the collection were made by other photographers and perhaps collected by Choate. A few copper plates prepared for publications are also included in the collection.

Biographical/Historical note:

John N. Choate (1848-1902) was a commercial photographer in Carlisle, Pennsylvania. The United States opened its first non-reservation government-supported school there in 1879 under the supervision of Lt. Richard Henry Pratt. Choate photographed almost every student upon arrival and during their school career, as well as school activities, staff, and visiting chiefs and families. Choate remained the primary photographer for the Carlisle Indian School until his death in 1902.

Local Call Number(s):

NAA Photo Lot 81-12

Reproduction Note:

Contact prints made by Smithsonian Institution, 1981.

Location of Other Archival Materials:

Additional Choate photographs held in National Anthropological Archives MS 4241, MS 4537, MS 4544, MS 4574, MS 4988, Photo Lot 73-8, and Photo Lot 90-1.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.81-12

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32a2d810e-9d1c-4c90-ac99-cc05b0622505

EDAN-URL:

ead_collection:sova-naa-photolot-81-12

Creator:

Glick, Leonard B.  Search this

Glick, Nansi Swayze  Search this

Extent:

5.6 Linear feet

Type:

Collection descriptions

Archival materials

Place:

Papua New Guinea

Caribbean Area

Australasia

St. Lucia

Date:

1960-2002

Summary:

Leonard and Nansi Glick are cultural anthropologists who conducted research among the Gimi peoples of Eastern Highlands Papua New Guinea as well as on the Caribbean island of Saint Lucia. The collection contains field notes, writings, drawings, photographs, sound recordings, and other material.

Scope and Contents:

The papers document Leonard and Nansi Glick's early anthropological research and later professional activities. The bulk of the collection relates to the Glick's fieldwork among the Gimi in the eastern highlands of Papua New Guinea and includes typed and handwritten field notes, drafts of papers, photographs, drawings, index cards with botanical information, and sound recordings, as well as one reel of 8mm film. A copy of Glick's dissertation, based on this research, is also included.

The Glick's Saint Lucia research is documented in field notes, reports, and photographs. Professional activities are documented to a small degree with syllabi for courses taught, notes and newsclippings, and writings.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

The collection is arranged into three series: 1. Papua New Guinea research, 2. St. Lucia research, and 3. Other professional papers.

Biographical Note:

Leonard Glick was born in Baltimore, Maryland in 1929 and grew up in the house of a dedicated pediatrician who encouraged him to become a physician. Following a pre-medical focus in college, he began medical studies at age 19 and became an M.D. at age 23. Early in his medical career, however, Glick came to realize that he was more interested in social science, particularly anthropology and related fields. At age 27 he enrolled as a graduate student in anthropology at the University of Pennsylvania.

In 1959 Glick married Nansi Swayze, a graduate student in anthropology at Bryn Mawr College. Though she did not pursue a career in academia, Nansi was a major contributor to Len's research, in data collection and analysis. In 1960 the two undertook ethnographic research among the Gimi, a community in the eastern highlands of Papua New Guinea. While focusing on Gimi medical beliefs and practices, Glick aimed for comprehensive understanding of Gimi culture and society. His dissertation, "Foundations of a Primitive Medical System: The Gimi of the New Guinea Highlands," was accepted in 1963.

Glick taught for one year at Bryn Mawr College as instructor, and in 1965 joined the faculty at the University of Wisconsin at Madison as assistant and then associate professor. In 1967 he was invited to participate in a Rockefeller Foundation-sponsored project analyzing the economic effects of bilharzia (schistosomiasis) on the Caribbean Island of Saint Lucia. Nansi and Leonard collected a great deal of data on the culture, history, politics, and medical status of St. Lucians, however their work contradicted some basic assumptions of the economists in charge of the study, and was omitted from their final publication.

In 1972 Glick joined the faculty at Hampshire College as full professor of anthropology. He remained at Hampshire College for the rest of his career, retiring in 2002. The many topics Glick taught included history of anthropology; human behavioral evolution; island peoples: Pacific and Caribbean; ethnographic film; ethnicity and ethnic conflict; anthropology of religion, and European Jewish history in anthropological perspective.

In 2018, Nansi and Leonard published a book on their time in Papua New Guinea, Among the Gimi: Fieldwork as Personal Experience that reflects on their time in the field.

Provenance:

The collection was donated to the National Anthropological Archives by Leonard and Nansi Glick in 2022.

Restrictions:

The Leonard and Nansi Glick papers are open for research. Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Gimi (Papua New Guinean people)  Search this

Citation:

Leonard and Nansi Glick papers, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.2022-20

See more items in:

Leonard and Nansi Glick papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a10088a1-4641-474e-af21-fa7992105384

EDAN-URL:

ead_collection:sova-naa-2022-20

Collector:

Watkins, J. Elfreth (John Elfreth), 1852-1903  Search this

National Museum of American History (U.S.). Division of Transportation  Search this

Creator:

White, John H., 1933-  Search this

Extent:

31.33 Cubic feet (94 boxes)

Type:

Collection descriptions

Archival materials

Articles

Color slides

Correspondence

Ephemera

Magazines (periodicals)

Manuscripts

Negatives

Newsclippings

Patents

Photocopies

Photographs

Research

Writings

Date:

1880s-1990

Scope and Contents:

The archivist has arranged the collection into five series. The collections consists of orginal photographs, brochures, advertisements, correspondence, and trade literature as wells as photcopies of same and assembled by John White for many of his books about railroads.

Series 1: Car Builders, arranged alphabetically by company or individual.

Series 2: Equipment, Rolling Stock, arranged in two sections: alphabetically by White's heading: Articles in Progress and alphabetical by type of railroad car under White's heading: Research Files for Book in Progress.

Series 3: Locomotives, arranged alphabetically by Locomotive builders in two sections, first by individual company and second by individuals.

Series 4: Railroad Companies and Lines, arranged alphabetically by railroad companies and railroad lines.

Series 5: Publications, White's files for his book The American Railroad Freight Car, which are arranged into two sections, Illustrations and Text. Both sections are arranged numerically by chapters or sections of the book.

Series 6: Freight Cars

Series 7: Passenger Cars

Arrangement:

The collection is divided into seven series. Most material arranged alphabetically and then chronologically.

Series 1: Car Builders

Series 2: Equipment--Rolling Stock

Subseries 2.1: Articles in progress

Subseries 2.2: Research Files for Books in Progress

Series 3: Locomotives

Series 4: Railroad Companies and Lines

Series 5: Publications

Series 6: Freights Cars

Series 7; Passenger Cars

Historical:

John H. White, Jr., (1933- ), historian and museum curator, was born in Cincinnati, Ohio. He graduated with a B.A. in history from Miami University, Ohio, in 1958. Shortly after receiving his degree, White joined the staff of the Smithsonian Institution as Assistant Curator of the Division of Transportation, Department of Science and Technology, National Museum of History and Technology (NMHT). White became Associate Curator of the Division, 1961-1966, Curator, 1967-1985, and Senior Historian, 1986-1989. White specialized in land transportation, particularly the history of railroads. He retired in 1990. His papers, the John H. White, Jr., Papers, circa 1959-1989 are at the Smithsonian Institution Archives.

This collection of railroad materials was begun many years ago by employees of the Smithsonian Institution, and maintained later by curators and museum specialists working in the Division of Transportation, NMHT, later named the National Museum of American History (NMAH).

Some of the clippings date back to the time of J. Elfreth Watkins in the 1880-1890s. In 1885 Watkins was appointed Curator of the Section of Steam Transportation, which was successively known as Transportation and Engineering, and Technological Collections. Other portions of White's collection were clearly from Carl Mitman, author of several hundred entries on inventors and engineers in the Dictionary of American Biography and a Smithsonian employee who served as Curator of Mechanical Technology in 1919. In 1921 Mitman took the title of Curator of the Divisions of Mineral and Mechanical Technology, serving in this capacity until 1931. In 1931 the Division of Engineering was established. Mitman served as Curator of the Division and in charge of Mineral Technology, 1931-1938, Head Curator of the Department of Arts and Industries, 1932-1938, and Head Curator of the Department of Engineering and Industries, 1938-1948.

Some portions of this collection were acquired under the time of Frank A. Taylor (Mitman's protégé) who was Assistant Curator, 1928-1931, Assistant Curator for Mechanical Technology, 1932, Curator of the Division and in charge of Mechanical Technology, 1932-1948, Head Curator of the Division of Engineering and Industry, 1948-1957. In 1955 Taylor was appointed Assistant Director, United States National Museum (USNM), with special responsibility for planning the new NMHT, and in 1958 was appointed the first Director of the new museum. In 1962 Taylor became Director of the USNM with responsibility for both the National Museum of Natural History and NMHT.

Smith Hempstone Oliver of the Division of Transportation also kept up the files to a degree, though his main interest was in automobiles.

When White started employment at the Museum in June, 1958, there were, perhaps, two file cabinets on railroads. As Mr. White mentions in a letter to the archivist in March of 2002, "It was and is a great mix of odds and ends -- photos, news clippings, small prints, manufacturing catalogs, post cards, etc. Some junk and some treasure."

White found the material very useful for research and greatly expanded the collection. It more than doubled in size during his years in the Division, 1958-1990. The collection was White's working file and was set up to meet his needs. According to White, the collections greatest lack was cross referencing -- which was mostly in his head. He could usually find things but the organization might be confusing to other users. It was not intended for public use.

White is the author of many books on railroads, including:

American Locomotives: An Engineering History, 1830-1880. Baltimore: Johns Hopkins Press, 1968; 1997.

Early American Locomotives, with 147 engraving. New York: Dover Publications, 1972.

American Single Locomotives and the "Pioneer". Washington: Smithsonian Institution Press, 1973.

The Pioneer, Chicago's First Locomotive. Chicago: Chicago Historical Society, 1976.

The American Railroad Passenger Car. Baltimore: Johns Hopkins University Press, 1978.

The John Bull, 150 Years a Locomotive. Washington, D.C.: Smithsonian Institution Press, 1981.

A Short History of American Locomotive Builders in the Steam Era. Washington, D.C.: Bass, 1982.

Great Yellow Fleet: A History of American Railroad Refrigerator Cars. Golden West Books, 1986

The American Railroad Freight Car: From the Wood-Car Era to the Coming of Steel. Baltimore: Johns Hopkins University Press, 1993.

Provenance:

Collection materials donated by Jack White in 1995.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Freight cars  Search this

Locomotives  Search this

Railroads -- History  Search this

Railroad passenger cars  Search this

Transportation  Search this

Genre/Form:

Articles

Color slides

Correspondence

Ephemera

Magazines (periodicals)

Manuscripts

Negatives

Newsclippings

Patents

Photocopies

Photographs -- 19th century

Photographs -- 20th century

Research

Writings

Citation:

Division of Transportation Railroad Reference Files, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0523

See more items in:

Division of Transportation Railroad Reference Files

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83b50b7ee-ab37-4b18-b17c-cffb2543738e

EDAN-URL:

ead_collection:sova-nmah-ac-0523

Landscape architect:

Wheeler, Perry H., 1914-1989  Search this

Photographer:

Stengle, James M., Dr.  Search this

Creator:

University of Georgia  Search this

Garden Club of America  Search this

Emory University  Search this

American Society of Landscape Architects  Search this

Names:

Arlington National Cemetery (Arlington, Va.)  Search this

National Arboretum (U.S.)  Search this

Washington National Cathedral (Washington, D.C.)  Search this

Bonnet, Henri, Ambassador  Search this

Bonnet, Henri, Madam  Search this

Estes, Billie Sol  Search this

Harriman, Pamela Digby Churchill Hayward, 1920-1997  Search this

Johnson, Lady Bird, 1912-2007  Search this

Mellon, Paul  Search this

Mellon, Rachel Lambert  Search this

Mesta, Perle, 1889-1975  Search this

Onassis, Jacqueline Kennedy, 1929-1994  Search this

Palmer, Bertha Honoré, 1849-1918  Search this

Truman, Margaret  Search this

Extent:

25.75 Cubic feet

3,958 Photographs

Type:

Collection descriptions

Archival materials

Photographs

Lists

Awards

Certificates

Invoices

Negatives

Correspondence

Clippings

Invitations

Slides (photographs)

Photographic prints

Plans (drawings)

Place:

Canada

White House (Washington, D.C.)

Africa

Europe

Caribbean

South America

West (U.S.)

Georgetown (Washington, D.C.)

Date:

1880-1984

bulk 1950-1965

Summary:

The Perry H. Wheeler Collection includes the design, client and business records of Perry H. Wheeler, a landscape architect best known for his work on numerous townhouse gardens in the Georgetown neighborhood of Washington, D.C., during the 1960s as well as the redesign of the White House Rose Garden in collaboration with Rachel Lambert ('Bunny') Mellon during the Kennedy administration.

Scope and Contents note:

The Perry H. Wheeler Collection includes the design, client and business records of Perry H. Wheeler, a landscape architect best known for his work on numerous townhouse gardens in the Georgetown neighborhood of Washington, D.C. during the 1960s as well as the redesign of the White House Rose Garen in collaboration with Rachel ('Bunny') Lambert Mellon during the Kennedy adminstration. The collection includes photographic images, plans, drawings, client correspondence, plant lists, invoices, newspaper and magazine clippings, certificates, awards, and invitations. The bulk of the collection and most of the professional papers date from about 1950 to 1965 and relate to various garden design projects by Wheeler, many of them located in the Georgetown neighborhood of Washington, D.C. Of particular note are documents for Wheeler's public design work including the White House grounds, Washington National Cathedral, U. S. National Arboretum, President John F. Kennedy's gravesite in Arlington National Cemetery, and the British and Cambodian Embassies in Washington, D.C. Noteworthy correspondents include President and Mrs. John F. Kennedy, Ladybird Johnson, Mr. and Mrs. Paul Mellon, and Margaret Truman.

There are also over 3,000 35mm slides dating from the 1950s and 1960s that document Wheeler's personal travels to Europe, Africa, South America, the Caribbean, Canada, and the American West.

Biographical/Historical note:

Perry Hunt Wheeler (1913-1989), a Georgia native, began his higher education at Emory University, going on to graduate from the University of Georgia with a Bachelor of Fine Arts degree in 1937. Immediately afterward Wheeler enrolled in Harvard University from which he earned a graduate degree in Landscape Architecture in 1938. After graduation, Wheeler collaborated on garden projects in Atlanta, Georgia with fellow landscape architect Helen Hawkins Clarke. During World War II, Wheeler moved to Washington, D.C. to serve under the Office of Civilian Defense and the Office of Strategic Services Camouflage Division. Following the war, Wheeler worked at Garden House a Georgetown shop where he advised homeowners on tasteful garden design, accessories, and furnishings. By 1948 Wheeler had established a landscape architecture practice in Washington, D.C. His practice grew via word of mouth through Washington's social circles and through a shared office with landscape architect Rose Ishbel Greely, and later with architect Gertrude Sawyer.

In 1947, he formed a 'bachelor household' in Georgetown with James Snitzler. Later, at the invitation of Rachel Lambert "Bunny" Mellon, he and Snitzler created a second home outside of Washington called "Spring Hill" on property owned by Mellon. Shortly after Snitzler's death in 1968, Wheeler moved permanently to Middleburg, Virginia and continued to travel, lecture, and consult with clients. Wheeler semi-retired in 1981 to 'Budfield,' a property in Rectortown, Virginia where he passed away in 1989, leaving his estate to his partner, James M. Stengle.

Wheeler is best known for his work on private gardens in Washington's Georgetown neighborhood. He frequently employed the use of intricate brickwork, low-maintenance planting, and simple water features in creating his charming and functional designs. His most noteworthy commissions outside the private realm include collaboration with Bunny Mellon on the White House Rose Garden, designing a Garden Club of America-commissioned gazebo and its surroundings for the U.S. National Arboretum, and plantings for the National Cathedral and President John F. Kennedy's gravesite in Arlington National Cemetery.

Provenance:

Gift from the estate of James M. Stengle, 1993.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Presidents -- United States  Search this

Landscape architects  Search this

Presidents' spouses -- United States  Search this

Gardens -- Washington (D.C.)  Search this

Genre/Form:

Lists

Awards

Certificates

Invoices

Negatives

Correspondence

Clippings

Photographs

Invitations

Slides (photographs)

Photographic prints

Plans (drawings)

Citation:

Smithsonian Institution, Archives of American Gardens, Perry H. Wheeler collection.

Identifier:

AAG.WHE

See more items in:

Perry H. Wheeler collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb62b29cd93-c01c-4a8c-ae82-fdd6e8499072

EDAN-URL:

ead_collection:sova-aag-whe

Landscape architect:

Wheeler, Perry H., 1914-1989  Search this

Former owner:

Phillips, Neill Admiral  Search this

Phillips, Grace Hendrick, d. 1966  Search this

Collection Landscape architect:

Wheeler, Perry H., 1914-1989  Search this

Collection Photographer:

Stengle, James M., Dr.  Search this

Collection Creator:

University of Georgia  Search this

Garden Club of America  Search this

Emory University  Search this

American Society of Landscape Architects  Search this

Type:

Archival materials

Place:

Phillips Garden (Washington, D.C.)

United States of America -- District of Columbia -- Washington

Scope and Contents:

The folders include worksheets, copies of magazine and newspaper articles featuring the garden, and other information.

General:

The Georgetown garden of Admiral Neill Phillips and his wife Grace Hendrick Phillips (for whom a boxwood cultivar was named) was designed by Perry Wheeler in 1952, with construction and installation moving forward in that year. By April 1953 the garden was featured on the annual Georgetown Garden Tour. Wheeler's design for the small space included a brick wall for privacy, brick paving of most of the garden area, and an unusually shaped pool with twin fountain spouts and a striking sculpture. A variety of shrubs and small trees lined the perimeter, with emphasis on boxwood. Seating was provided throughout the garden. Duplicates of many of the images, the originals of which are in the Perry Wheeler Collection, may be found in the Garden Club of America Collection. The prints originated with Condé Nast Publications and appear to have been associated with a magazine article about the garden.

Persons associated with the garden include Perry H. Wheeler (landscape architect, 1952-1953) and Admiral Neill Phillips and Grace Hendrick Phillips (former owners, 1951-1966).

Related Materials:

Phillips Garden related holdings consist of 3 folders (28 slides (photographs); 1 film transparency; 7 photographic prints; 7 plans)

See others in:

Garden Club of America Collection, ca. 1920-[ongoing].

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (D.C.)  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Perry H. Wheeler collection.

Identifier:

AAG.WHE, File DC026

See more items in:

Perry H. Wheeler collection

Perry H. Wheeler collection / Project Files / District of Columbia / DC026: Washington -- Neill Phillips Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb66d2a8ac7-96d2-488d-958b-25af38397ad2

EDAN-URL:

ead_component:sova-aag-whe-ref1025

Photographer:

Condé Nast Publications  Search this

Collection Landscape architect:

Wheeler, Perry H., 1914-1989  Search this

Collection Photographer:

Stengle, James M., Dr.  Search this

Collection Creator:

University of Georgia  Search this

Garden Club of America  Search this

Emory University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Film transparency (col., 4 x 5 in.)

1 Slides (photographs) (col., 35 mm.)

Type:

Archival materials

Film transparency

Slides (photographs)

Film transparencies

Place:

Phillips Garden (Washington, D.C.)

United States of America -- District of Columbia -- Washington

Date:

1953.

General:

The slide (photograph) was made from the transparency and is in the Garden Club of America Collection.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (D.C.)  Search this

Walls, brick  Search this

Sculpture  Search this

Trees  Search this

Ponds  Search this

Genre/Form:

Slides (photographs)

Film transparencies

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Perry H. Wheeler collection.

Identifier:

AAG.WHE, Item DC026001

See more items in:

Perry H. Wheeler collection

Perry H. Wheeler collection / Project Files / District of Columbia / DC026: Washington -- Neill Phillips Garden / DC026: Phillips Garden, Garden Images

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb66f41fc23-631c-44bf-80b1-61a7d72fc6a8

EDAN-URL:

ead_component:sova-aag-whe-ref1026

Creator:

Curtiss-Gould, Leah, 1893-1979  Search this

Names:

Curtiss Gallery  Search this

Stone, Arthur J., 1847-1938  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Date:

1918-1985

Summary:

The scattered papers of Leah Curtiss-Gould measure 0.2 linear feet and date from 1918 to 1985. Primarily, the papers relate to silversmith Arthur J. Stone, his company of silversmiths, Stone Associates, and their business relationship with the Curtiss Gallery. Found are biographical materials, correspondence, drawings by Stone and his associates, printed material, and photographs.

Scope and Contents:

The scattered papers of Leah Curtiss-Gould measure 0.2 linear feet and date from 1918 to 1985. Primarily, the papers relate to silversmith Arthur J. Stone, his company of silversmiths, Stone Associates, and their business relationship with the Curtiss Gallery. Found are biographical materials, correspondence, drawings by Stone and his associates, printed material, and photographs.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Leah Curtiss-Gould (1893-1979) was an art dealer in New York City, New York and Connecticut and was a dealer in Arthur J. Stone silver from 1936-1975. During the period 1936-1950 Curtiss-Gould worked at Portraits, Inc., a shop in New York City where Stone's silver was sold. Eventually, she opened Curtiss Gallery in Connecticut, which she operated until it was sold in 1970.

Provenance:

Nicole Meek, one of the investors in Curtiss-Gould's business, donated the papers in 1982.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art dealers -- Connecticut  Search this

Art dealers -- New York (State) -- New York  Search this

Topic:

Silverwork  Search this

Women art dealers  Search this

Genre/Form:

Drawings

Citation:

Leah Curtiss-Gould papers, 1918-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.curtleah

See more items in:

Leah Curtiss-Gould papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9476d5254-44ea-4ae7-973f-2c19d83f7af3

EDAN-URL:

ead_collection:sova-aaa-curtleah

Collection Creator:

Curtiss-Gould, Leah, 1893-1979  Search this

Extent:

0.2 Linear feet (Box 1)

Type:

Archival materials

Date:

1918-1985

Scope and Contents:

Biographical materials consist of timelines including one of Curtiss-Gould's life and a second of assistants for Arthur Stone. Three letters written to Curtiss-Gould concern silverworks sold, requesting further information. Drawings are by Arthur Stone and his associates for silver serving pieces and Erickson Holloware. Printed materials include clippings about Arthur Stone and an exhibition catalog published by Leah K. Curtiss which includes photographs and a price list. Photographs are of Arthur Stone in his workshop and his pieces of silver including flatware, serving dishes, and holloware.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leah Curtiss-Gould papers, 1918-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.curtleah, Series 1

See more items in:

Leah Curtiss-Gould papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e5dfc86a-cbf3-4cfc-9434-b8b6f801b0c3

EDAN-URL:

ead_component:sova-aaa-curtleah-ref3

Collection Creator:

Curtiss-Gould, Leah, 1893-1979  Search this

Container:

Box 1, Folder 1

Type:

Archival materials

Date:

1985

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leah Curtiss-Gould papers, 1918-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

See more items in:

Leah Curtiss-Gould papers

Leah Curtiss-Gould papers / Series 1: Leah Curtiss-Gould Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e09ddf89-e08e-4ae5-9624-642adca2bf93

EDAN-URL:

ead_component:sova-aaa-curtleah-ref4

Collection Creator:

Curtiss-Gould, Leah, 1893-1979  Search this

Container:

Box 1, Folder 2

Type:

Archival materials

Date:

1973-1977

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leah Curtiss-Gould papers, 1918-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

See more items in:

Leah Curtiss-Gould papers

Leah Curtiss-Gould papers / Series 1: Leah Curtiss-Gould Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d4e306a5-b21c-4abb-947e-8d021fb7556c

EDAN-URL:

ead_component:sova-aaa-curtleah-ref5

Collection Creator:

Curtiss-Gould, Leah, 1893-1979  Search this

Container:

Box 1, Folder 3-4

Type:

Archival materials

Date:

circa 1930-circa 1960

Scope and Contents:

Items fragile due to water damage.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leah Curtiss-Gould papers, 1918-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

See more items in:

Leah Curtiss-Gould papers

Leah Curtiss-Gould papers / Series 1: Leah Curtiss-Gould Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9823b7a67-df34-4cf9-8683-c501e0e9b7e2

EDAN-URL:

ead_component:sova-aaa-curtleah-ref6

Collection Creator:

Curtiss-Gould, Leah, 1893-1979  Search this

Container:

Box 1, Folder 5-7

Type:

Archival materials

Date:

circa 1920-1973

Scope and Contents:

Items fragile due to water damage.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leah Curtiss-Gould papers, 1918-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

See more items in:

Leah Curtiss-Gould papers

Leah Curtiss-Gould papers / Series 1: Leah Curtiss-Gould Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ea507c81-c0c0-4f43-a440-b2452d85998c

EDAN-URL:

ead_component:sova-aaa-curtleah-ref7

Collection Creator:

Curtiss-Gould, Leah, 1893-1979  Search this

Container:

Box 1, Folder 8

Type:

Archival materials

Date:

1918-1973

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leah Curtiss-Gould papers, 1918-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

See more items in:

Leah Curtiss-Gould papers

Leah Curtiss-Gould papers / Series 1: Leah Curtiss-Gould Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d62817a7-510d-41ab-b51a-3f3daf01273f

EDAN-URL:

ead_component:sova-aaa-curtleah-ref8

Creator:

Eliasoph, Paula  Search this

Names:

Hassam, Childe, 1859-1935  Search this

Walkowitz, Abraham, 1880-1965  Search this

Extent:

0.9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1917-1980

Summary:

The papers of painter, printmaker, and educator, Paula Eliasoph measure 0.9 linear feet and date from 1917 to 1980. While focusing on Eliasoph's later career in arts education and exhibitions, the papers also include sketches from 1917. Found are biographical materials, correspondence, drawings by Eliasoph and one by Abraham Walkowitz, photographs, printed material, a teaching file, and writings.

Scope and Contents:

The papers of painter, printmaker, and educator, Paula Eliasoph measure 0.9 linear feet and date from 1917 to 1980. While focusing on Eliasoph's later career in arts education and exhibitions, the papers also include sketches from 1917. Found are biographical materials, correspondence, drawings by Eliasoph and one by Abraham Walkowitz, photographs, printed material, a teaching file, and writings.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Paula Eliasoph (1895-1983) was a painter, printmaker, and educator in New York City, New York. She studied at the Pratt Institute and had an adjoining studio with Childe Hassam. With Hassam, she edited his catalog raisonne of etchings. She taught courses in art to adults and children and exhibited her artwork around New York City.

Provenance:

Paula Eliasoph donated her papers to the Archives of American Art in multiple accretions between 1971 and 1980.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Women educators  Search this

Citation:

Paula Eliasoph papers, 1917-1930. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.eliapaul

See more items in:

Paula Eliasoph papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9931da0a7-ad88-4e6c-b169-242437359143

EDAN-URL:

ead_collection:sova-aaa-eliapaul

Collection Creator:

Eliasoph, Paula  Search this

Extent:

0.9 Linear feet (Boxes 1-2, OV 3)

Type:

Archival materials

Date:

1917-1980

Scope and Contents:

Biographical materials include artist statements, awards, and material concerning Eliasoph's service with the Air Warden Service United States Cititzens Defense Corps. Correspondence is with friends, art institutions, and business associates, and mainly concerns exhibitions and includes scattered letters from John Howard Griffin and Abraham Walkowitz.

The majority of drawings are by Eliasoph and include sketches of the Pratt Institute building, people, and a mock-up of an advertisement for one of her art classes. Photographs depict Paula Eliasoph taken by G. Maillard Kesslere, her husband Joseph Eliasoph, and her works of art. Printed materials consist of books and publications featuring writings or artwork by Eliasoph, clippings, and exhibition announcements and catalogs. Of note is a copy of Childe Hassam: Handbook of the Complete Set of Etchings and Drypoints published by Leonard Clayton Gallery, Inc., N.Y., in 1933; the publication is annotated by Childe Hassam, with a statement by Eliasoph. A teaching file includes advertisements, outlines, and statements regarding Eliasoph's art courses. Also found are handwritten and typescript poems and writings on artwork by Eliasoph.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Paula Eliasoph papers, 1917-1930. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.eliapaul, Series 1

See more items in:

Paula Eliasoph papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9490e9399-05ba-4224-b34e-1c93dd5a4d69

EDAN-URL:

ead_component:sova-aaa-eliapaul-ref10