Search Results

Creator:

National Museum of the American Indian  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2016-06-21T21:01:05.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_2HVxE_r-9h8

Creator:

Smithsonian Gardens  Search this

Type:

YouTube Videos

Uploaded:

2023-05-03T13:15:02.000Z

YouTube Category:

Education  Search this

Topic:

Gardens  Search this

See more by:

SmithsonianGardens

Data Source:

Smithsonian Gardens

YouTube Channel:

SmithsonianGardens

EDAN-URL:

edanmdm:yt_i3Fl8w2HALc

Creator:

Smithsonian Asian Pacific American Program  Search this

Type:

YouTube Videos

Uploaded:

2020-04-07T05:18:37.000Z

YouTube Category:

Education  Search this

Topic:

Asian Americans  Search this

See more by:

apacenter

Data Source:

Smithsonian Asian Pacific American Program

YouTube Channel:

apacenter

EDAN-URL:

edanmdm:yt_OpHEEXLnZEs

Creator:

Smithsonian American Art Museum  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2013-11-06T15:07:29.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_YfZInL_X4wk

Creator:

Wiegand, Robert, 1934-1993  Search this

Names:

Hirshhorn Museum and Sculpture Garden  Search this

Phoenix Gallery (New York, N.Y.)  Search this

Brown, Trisha, 1936-  Search this

Browne, Vivian E., 1929-1993  Search this

Chernow, Burt  Search this

Foreman, Laura, 1936-2001  Search this

Horowitz, Leonard  Search this

Larson, Susan  Search this

McLeon, James  Search this

Rose, Alexandra, 1946-  Search this

Schneemann, Carolee, 1939-  Search this

Stockwell, Pamela  Search this

Extent:

10.9 Linear feet

0.001 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Photographs

Video recordings

Date:

1953-1994

Summary:

The papers of New York video artist and painter Robert Wiegand measure 10.9 linear feet and 0.001 GB and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed abd digital materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.

Scope and Contents:

The papers of New York video artist and painter Robert Wiegand measure 10.9 linear feet and 0.001 GB and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed and digital materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.

Biographical materials include school yearbooks, video and paper documentation from his 1991 wedding, and photograph and video documentation of his funeral and memorial service in 1994. Also found are resumes and Wiegand's SoHo live/work artist permit from 1976.

Correspondence is comprised primarily of letters written by Wiegand, some in digital format, and a handful of letters received. Outgoing letters mainly concern Wiegand's video production work for hire and other personal financial matters. Letters received relate primarily to Wiegand's painting sales, and are from James McLeon, Vivian Browne, Susan Larson, Burt Chernow, and Alexandra Rose. Additional correspondence can be found in the project files.

Project files include documentation of the 1968 inagural "10 Downtown" exhibition, the City Walls mural project, a multimedia art work created through the Experiments in Art and Technology (EAT) project called Changes, the products of the 1978 trip to India, including the video work Snapshots of an Indian Day, the "Madama Butterfly" video production produced by Wiegand, and the artist panel series ArtistsTalkonArt. The files contain a wide variety of documentation, such as correspondence, event flyers and press materials, photographs, slides, and videos.

Printed materials include exhibition and event announcements and catalogs, clippings and reviews, magazine publications, and published books that contain Wiegand's work. There is also one scrapbook compiled by Wiegand for his 5th One Man Show of Paintings at the Phoenix Gallery in New York City.

Video artworks created by Wiegand, often made in collaboration with his wife Ingrid, include Georges, Julie, Moran, Omar is El Uno, Nat, Walking (interstices), Face-Off, and How to tell an artist with Dr. Sheldon Cholst. Photographs include a combination of personal and professional photographs, although most of the materials are slides of artworks and events. Of note are slides from the "Bicentennial Banners" exhibition that Wiegand was invited to participate in and that was on display at the Smithsonian's Hirshhorn Museum in 1976.

The last series contains over 4 linear feet of all other video recordings and includes industry productions, independent projects, performance documentation, work samples, and works by others. Notable among these productions are documentation of Pamela Stockwell's reenactment of the Tomkins Square Park riots of 1988 and footage of performers Carolee Schneemann, Trisha Brown, Laura Foreman, and Leonard Horowitz, among others.

Arrangement:

The collection is arranged as seven series.

Missing Title

Series 1: Biographical Material, 1953-1994 (Boxes 1-2, 11; 1.5 linear feet)

Series 2: Correspondence and Letters, 1962-1990 (Box 2; .3 linear feet, ER01; 0.001 GB)

Series 3: Project Files, 1968-1992 (Boxes 2-3, 11; 1.1 linear feet)

Series 4: Printed Materials, 1959-1990 (Boxes 3-4, 11; .7 linear feet)

Series 5: Video Art, 1970-1982 (Boxes 4-5; 1 linear feet)

Series 6: Photographs, 1953-1994 (Boxes 5-6; 1 linear feet)

Series 7: Other Video Recordings, 1968-1992 (Boxes 6-10; 4.7 linear feet)

Biographical / Historical:

Robert Nelson Wiegand (1934-1994) was a painter and video artist who worked and lived in New York City. Robert Wiegand's interest in art extended well beyond the point of creation, and throughout his life he worked not only as painter, but also as a teacher, advocate, and documentarian of the arts in New York City.

Born in Long Island in 1934, Wiegand attended the State University of New York, College of Buffalo and received a degree in arts education. He returned to New York City and became active in the artist community in SoHo. He was one of the co-founders of the SoHo Artists Association, an artists' organization formed to advocate for legalizing artist loft live/work spaces in lower Manhattan in the 1960s.

Wiegand married his first wife Ingrid in 1964, and they collaborated on many creative endeavors. They adopted two children from India, Indira and Pratap (also known as Peter), and separated in 1990. He married painter Lynn Braswell in 1991.

As a painter, Wiegand's work was highly geometric and influenced by the Abstract Expressionist movement. He exhibited paintings in one-man shows in New York City at the Phoenix Gallery and at the Levitan Gallery. In 1968, Wiegand participated in the first "10 Downtown" exhibition, where artists exhibited in their own studios in a move to overcome exclusive gallery representation practices. After painting a few exterior house murals, Wiegand co-founded City Walls, a New York City mural project that was funded by the National Endowment for the Arts. Through this project he became responsible for a handful of the murals in lower Manhattan. In 1968, Wiegand collaborated with Lloyed Kreutzer, a Bell Labs physicist specializing in lasers, to create the installation work Changes as part of Experiments In Art and Technology's (EAT) 1968 competition bringing together artists and engineers. It was then shown at Wiegand's studio in 1969. Wiegand was also one of the co-founders of ArtistsTalkOnArt, an artist run non-profit organization that continues to program weekly artist panel discussions in Soho, NY. It was co-founded in 1974 by Wiegand, Lori Antonacci, and Douglas Sheer, with Irving Sandler, Cynthia Navaretta, Bruce Barton and Corinne Robins joining the first board of directors in early 1975.

Wiegand became interested in video in the 1960s after using it as a documentary tool in the successful effort to legalize loft living in lower Manhattan. He then began creating video artworks, many of which were collaborations with his wife Ingrid. They received a grant from the Rockefeller Foundation in 1977 to produce a documentary on middle class life in India called Snapshots of an Indian Day. It was shown at The Kitchen and Anthology Film Archives before being acquired by the Everson Museum of Art in Syracuse, NY. In 1980, with the help of his students from the Global Village Intensive Video Workshop, Wiegand directed, shot, and edited the Brooklyn Opera Society's production Madama Butterfly at the Brooklyn Botanical Gardens and Tea House, and the production aired on WNYC-TV 13 as part of its Other Voices: New York series.

From 1971 to 1980, Wiegand ran his own commercial video company, Wiegand Video, where he produced corporate and industry training films. From 1980 to 1987, he worked as a project manager and producer for Square Twelve Productions, continuing to produce commercial work. His clients included the American Society for Mechanical Engineers and International Business Machines.

Wiegand also taught art and video production at the Staten Island Academy from 1961-1971, studio and television production at the New School for Social Research from 1980 to 1984, and field production at the Lehman College City University of NY. He also taught in the New York City C.E.T.A. program in media training and was a visiting media production instructor at the University of North Carolina at Greensboro.

Towards the end of his life, Wiegand changed careers and became a social worker. Robert Wiegand died in New York City in 1994, just after his 60th birthday.

Separated Materials:

Twenty sound cassettes of interviews and lectures were removed from the collection and returned to the organization that created them, ArtistsTalkOnArt. A few video cassettes are still found in the collection from that series.

Provenance:

The collection was donated by Lynn Braswell, Robert Wiegand's widow, in 1998 and 2000.

Restrictions:

Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Use of original papers requires an appointment.

Rights:

The donor has retained all intellectual property rights, including copyright, that they may own.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Video artists -- New York (State) -- New York  Search this

Topic:

Video art  Search this

Painters -- New York (State) -- New York  Search this

Genre/Form:

Photographs

Video recordings

Citation:

Robert Wiegand papers and video art, 1953-1994. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by by a grant from the Mellon Foundation through the Council of Library and Information Resources' Hidden Collections grant program.

Identifier:

AAA.wiegrobe

See more items in:

Robert Wiegand papers and video art, 1953-1994

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f44a4d66-1e33-4735-80b1-f77cbdc9fc1f

EDAN-URL:

ead_collection:sova-aaa-wiegrobe

Manufacturer:

Naval Research Laboratory  Search this

Materials:

Magnesium-aluminum frame; silicon monoxide solar cells

Dimensions:

3-D (As Displayed): 76 × 46 × 30cm (29 15/16 × 18 1/8 × 11 13/16 in.)

3-D (Body, Open): 25 × 19 × 19cm (9 13/16 × 7 1/2 × 7 1/2 in.)

3-D (Arms, Each): 31 × 0.5cm (12 3/16 × 3/16 in.)

Type:

SPACECRAFT-Uncrewed

Country of Origin:

United States of America

Credit Line:

Gift of Dr. John P. Hagan

Inventory Number:

A19761857000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv92fe153d3-04bb-421a-bde8-4f84ba83b9f2

EDAN-URL:

edanmdm:nasm_A19761857000

Manufacturer:

Lippisch Flugzuegbau G.m.b.H.  Search this

Materials:

Steel tubing covered with plywood.

Dimensions:

Wingspan: 5.9 m (19 ft 5 in)

Length: 6.6 m (21 ft 7 in)

Height: 3.2 m (10 ft 5 in)

Weights: Empty, 297 kg (655 lb)

Gross, 460 kg (1,017 lb)

Type:

CRAFT-Aircraft

Country of Origin:

Germany

Credit Line:

Transferred from the U. S. Air Force.

Inventory Number:

A19590098000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Location:

Steven F. Udvar-Hazy Center in Chantilly, VA

Exhibit Station:

World War II German Aviation

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9ce9e7236-4a14-4e7c-b08d-c9a69b0ab610

EDAN-URL:

edanmdm:nasm_A19590098000

Manufacturer:

American Aerolights Inc.  Search this

Dimensions:

Wingspan: 10.7 m (35 ft)

Length: 4.6 m (15 ft)

Height: 3.1 m (10 ft)

Weight: Empty, 141 kg (310 lb)

Gross, 299 kg (660 lb)

Engine: Cuyuna 430RR air-cooled two-cylinder inline, 35 horsepower

Type:

CRAFT-Aircraft

Country of Origin:

United States of America

Date:

1982-1983

Credit Line:

Gift of the Monterey Park City Council.

Inventory Number:

A19850407000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Location:

Steven F. Udvar-Hazy Center in Chantilly, VA

Exhibit Station:

Ultralight Aircraft

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv963c1ad50-71d6-4c3d-bc49-d02388273b21

EDAN-URL:

edanmdm:nasm_A19850407000

Publisher:

Strohmeyer & Wyman  Search this

Underwood & Underwood  Search this

American Stereoscopic Co.  Search this

H. C. White Co.  Search this

Photographer:

Young, R.Y.  Search this

Clarke, Edw.  Search this

Collector:

Peterson, Anne E. (photographic historian)  Search this

Names:

Vatican Library (Rome, Italy)  Search this

McKinley, William, 1843-1901  Search this

Extent:

0.15 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Tissue stereographs

Pamphlets

Photographs

Stereographs

Place:

Rome (Italy) -- 1890-1910

New Orleans (La.)

Brussels (Belgium) -- 1890-1910

Chartres (France) -- 1890-1910

Bavaria (Germany) -- 1890-1910

Berlin (Germany) -- 1890-1910

New York (N.Y.) -- 1890-1910

Central Park (New York, N.Y.) -- 1890-1910

Germany -- 1890-1910

Date:

circa 1893-1904

Scope and Contents:

This collection is composed of two series: (1) 22 stereographs by several publishers, many of which relate to or were actually printed from negatives in the Underwood & Underwood Glass Stereograph Collection; and (2) a pamphlet. The fourth group of cards illustrates certain aspects of how stereographs were used by various companies, including two variant images taken on the sugar levee in New Orleans, apparently in 1893 by a Strohmeyer & Wyman photographer, which later appeared in different versions by other publishers. This demonstrates how two negatives, apparently taken by the same photographer minutes apart, were published by four different publishers, although a nearly identical caption was retained for all five versions of the published photographs.

The other stereographs include comic and genre scenes (posed or staged), travel views, etc. Included is a tinted French tissue published by American Stereoscopic Co.

The pamphlet, published by Underwood & Underwood in 1902, illustrates one of the company's marketing techniques.

Most of these items are in fair to good condition.

Arrangement:

The collection is arranged into two series.

Series 1: Stereographs

Series 2: Pamphlet

Biographical / Historical:

Anne E. Peterson, the donor of this material, is a photographic historian who served as project manager for the Underwood & Underwood Videodisc Project in 1990-1992.

Ms. Peterson earned a B.A. in art history at the University of Texas (Austin) in 1970 and an M.A. in American civilization from George Washington University (Washington, D.C.) in 1980, with a concentration in history of photography and American arts. Working for the National Trust for Historic Preservation, Decatur House, and Wilson House from 1975-1980, she was a guest curator at Wilson House for the exhibition and catalogue, Hornblower & Marshall, Architects (1976-1978). From 1978 to 1980 she worked for the Prints and Photographs Division at the Library of Congress, cataloging the Frances Benjamin Johnston photographic collections, and later served as a guest curator at the Library. She was Curator of Photography for the Louisiana State Museum in New Orleans from 1981 1982, and later worked on exhibitions and publications for the Albin O. Kuhn Library and Gallery (University of Maryland Baltimore County) and Lousiana State University (Baton Rouge).

Ms. Peterson became associated with the Archives Center in 1985, working on the Donald Sultner Welles Collection, especially the manuscript material, then worked on the Underwood & Underwood Collection from 1990, during which time she also prepared the Sultner Welles Collection brochure and assisted with the final editing and preparation of the register.

She has lectured and participated in seminars and symposia widely. Her most recent publication at this writing is the book, Frances Benjamin Johnston: The Woman and Her Work.

Provenance:

Collection donated by Anne E. Peterson, 1990, December 31.

Restrictions:

Unrestricted research use on site. Photographs must be handled with white cotton gloves, unless they are housed in plastic sleeves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Cotton -- 1890-1910  Search this

Sugar trade -- 1900-1910 -- New Orleans  Search this

Courtship -- 1890-1910  Search this

Racism -- 1890-1910  Search this

Ethnic imagery  Search this

Genre/Form:

Tissue stereographs

Pamphlets -- 1900-1910

Photographs -- Black-and-white photoprints -- 1890-1910

Stereographs -- 1890-1910

Citation:

Anne E. Peterson Stereograph Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0402

See more items in:

Anne E. Peterson Stereograph Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81a2c5b20-44a5-41d2-9293-acefb9279d25

EDAN-URL:

ead_collection:sova-nmah-ac-0402

Author:

Piacente, Maria  Search this

Physical description:

1 online resource (xiii, 462 pages) illustrations (chiefly color)

Type:

Handbooks, manuals, etc

Handbooks and manuals

Date:

2022

Topic:

Museum exhibits  Search this

Museum exhibits--Planning  Search this

Call number:

AM151 .M34 2022 (Internet)

Restrictions & Rights:

1-user

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160928

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Interviews

YouTube Videos

Uploaded:

2020-07-02T13:14:46.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_P9kZ9Pjv7es

Collector:

National Museum of American History (U.S.)  Search this

Stag's Leap Wine Cellars (Napa, California)  Search this

Interviewee:

Bazán, Mario  Search this

Cline, Diane Hardigree  Search this

Fay Turnball, Mary Jane, 1924-2020  Search this

Fay, Nathan, 1914-2001  Search this

McPherson, Daniel  Search this

Ocho-Aylala, Benjamin  Search this

Painter, Brooks  Search this

Shapleigh, Terri  Search this

Silacci, Michael  Search this

Winiarski, Barbara, 1933-2021  Search this

Winiarski, Julia  Search this

Winiarski, Stephen  Search this

Winiarski, Warren, 1928-  Search this

Extent:

3 Cubic feet (11 boxes)

Type:

Collection descriptions

Archival materials

Audiotapes

Business records

Clippings

Interviews

Newsletters

Oral history

Photographs

Videotapes

Date:

1960-2006, 2019

Summary:

The collections documents the growth and development of the American wine industry, 1996-2002, using the Stag's Leap Wine Cellars as a case study. Materials include oral and video histories, photographs, business records, and printed materials.

Scope and Contents:

The Stag's Leap Wine Cellars (SLWC) Documentation Project was conducted by an inter-disciplinary team at the National Museum of American History. It is a part of a larger effort by the Museum's American Food and Wine team to document and interpret the changing ways in which Americans have produced, prepared, and consumed their food and drink, especially in the years after World War II. Team members are Nanci Edwards (Office of Project Management and former Collections Manager of the Museum's Agriculture Collection), John Fleckner (Senior Archivist, Archives Center), Rayna Green (Curator, Division of Home and Community Life), and Paula Johnson (Curator, Division of Work and Industry). Jeff Tinsley of the Smithsonian's Office of Photographic Services accompanied the team and shot many of the slides and color photographs.

This collection chronicles the growth and development of American viticulture and viniculture from its revival in the 1960s to the present. It offers a case study in the art and business of making fine wine from the bud to the bottle. Warren Winiarski, founder of SLWC in California's Napa Valley, is deeply interested in the legacy of American winemaking and his winery's place within its broader history. The Winiarski family has generously participated and financially supported the creation of this collection.

The documentation touches on all aspects of the wine business, including picking grapes in the vineyards, making wine in the cellar, marketing it from the business office, and promoting its sales in the tasting room and around the globe. SLWC employees describe the land, the work, the tools, the technical processes, the passions, and the motivations that create SLWC's world famous wines. The collection also provides insights into wider patterns of American immigration history, agricultural and environmental history, ethnic community development, land use in the West, product marketing, and consumerism.

The archival collection is mainly comprised of recorded oral history interviews, documentary photographs, and video footage created by the documentation team in 1997. It also includes company newsletters, vineyard and winery production data sheets, wine labels, and related printed materials collected in 1997 with additional materials added occasionally.

It is divided into seven series, including interviews and abstracts, audiotapes, photographs and slides, videotapes, business records, and printed materials.

Arrangement:

Series 1: Interview Transcripts and Abstracts, 1997, 2003

Series 2: Oral History Interview Sound and Video Recordings, 1996-1997

Subseries 2.1: Sound Recordings, 1997

Subseries 2.2: Video Tapes, 1996-1997

Series 3: Photographs, circa 1960-2000

Series 4: Video Tapes, undated

Subseries 3.1: Family Photographs: circa 1960-1980

Subseries 3.2: Smithsonian Documentary Photographs: 1997, 2000

Series 5: Business Records, 1974-1998

Series 6: Printed Materials, 1994-2005

Series 7: Stag's Leap Wine Cellars Thirtieth Anniversary, 2003

Biographical / Historical:

The history of Stag's Leap Wine Cellars is a family history. It is also a story, in microcosm, of the development of Napa Valley, California as an international wine region and of the rising global acclaim for California wines. Building on the skills and knowledge of earlier Napa winemakers, Warren Winiarski became one of the most influential vintners in the region and his premium wines some of the most prized.

Winiarski arrived in Napa Valley in 1964 with his wife, Barbara, and their children. Like many Napa winemakers of this era, he left behind another career, in his case, an academic position at the University of Chicago to create a family business in a rural setting. At the time, Napa was just beginning to rebuild its reputation after Prohibition, a devastating vine disease, and the widespread production of cheap wines had soured the image of California wines. After apprenticing with several local winemakers, including Lee Stewart and Robert Mondavi, he purchased the land and winery that would become Stag's Leap Wine Cellars (SLWC) in 1972. Winiarski's choice of land was based, in part, Nathan Fay's success in growing Cabernet Sauvignon grapes in an adjoining vineyard; Winiarski later added Fay's property to SLWC.

To commemorate the American bicentennial in 1976, a blind wine tasting at L'Academie du Vin in Paris pitted the best of America's new wines against French classics. Stunning the international wine community, many American wines outscored their French counterparts, with SLWC's 1973 Cabernet Sauvignon taking first place in its division. The accomplishment brought SLWC and Napa Valley worldwide recognition. It excited a great demand for California wines and a new appreciation for American winemaking techniques, which combined new scientific methods with Old World traditions.

The Paris Tasting added momentum to changes already underway in the cultural, financial, and physical landscape of the Napa Valley. It spurred the development of many new wineries, the expansion of acreage under grape cultivation, and the growth of the region's tourism industry. Stag's Leap Wine Cellars was an integral part of these transformations. It continues to play a vital role in the region and the wine industry.

Related Materials:

Materials in the Archives Center

American Wine History Documentation Project Records, 1976-2002, Archives Center collection # 817, has recorded interviews, photographs, and other documentary materials created and collected by the American Food and Wine History team.

Separated Materials:

The Division of Work and Industry holds many artifacts from SLWC, including a wine barrel, grape picking knives, shovels, and other vineyard tools; lab equipment used in winemaking; wine bottles, labels, glasses, and other consumer products; and a bottle of the award winning 1973 Cabernet Sauvignon. See accessions: 1998.0181 and 1998.3058.

Restrictions:

Collection is open for research. Only reference copies of audiovisual materials may be used.

Topic:

Wine industry  Search this

Wine and wine making  Search this

Genre/Form:

Audiotapes -- 1990-2000

Business records -- 20th century

Clippings -- 1950-2000

Interviews -- 2000-2010

Newsletters -- 20th century

Oral history -- 1990-2000

Photographs -- 20th century

Videotapes -- 1990-2000

Citation:

Stag's Leap Wine Cellars Documentation Project, 1960-2002, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0816

See more items in:

Stag's Leap Wine Cellars Documentation Project

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b66d3155-9c39-46df-abf0-c60cec0ba74b

EDAN-URL:

ead_collection:sova-nmah-ac-0816

Container:

Box 5 of 9

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 10-184, National Museum of the American Indian (U.S.), Office of the Deputy Director, Departmental Records

See more items in:

Departmental Records

Departmental Records / Box 5

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa10-184-refidd1e2460

Container:

Box 21 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files

See more items in:

Subject Files

Subject Files / Box 21

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-091-refidd1e10491

Container:

Box 21 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files

See more items in:

Subject Files

Subject Files / Box 21

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-091-refidd1e10503

Container:

Box 23 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files

See more items in:

Subject Files

Subject Files / Box 23

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-091-refidd1e11572

Container:

Box 8 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files

See more items in:

Subject Files

Subject Files / Box 8

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-091-refidd1e3411

Container:

Box 1 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files

See more items in:

Subject Files

Subject Files / Box 1

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-091-refidd1e525

Container:

Box 1 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files

See more items in:

Subject Files

Subject Files / Box 1

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-091-refidd1e536

Container:

Box 14 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files

See more items in:

Subject Files

Subject Files / Box 14

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-091-refidd1e6166