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Nan Rosenthal papers

Creator:
Rosenthal, Nan  Search this
Names:
Hodgkin, Howard, 1932-2017  Search this
Im, Sangbin  Search this
Kiefer, Anselm, 1945-  Search this
Klein, Yves, 1928-1962  Search this
Oldenburg, Claes, 1929-  Search this
Piene, Otto, 1928-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rickey, George  Search this
Extent:
17.1 Gigabytes
26.6 Linear feet
Type:
Collection descriptions
Archival materials
Gigabytes
Slides (photographs)
Interviews
Video recordings
Transcripts
Sound recordings
Date:
circa 1940-2013
Summary:
The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.
Scope and Contents:
The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.
Arrangement:
The collection is arranged as five series.

Missing Title

Series 1: Biographical Material, circa 1950-2010 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1965-2012 (0.7 linear feet)

Series 3: Project and Research Files, circa 1940-2013 (20 linear feet; Box 1-21; 17.1 gigabytes; ER01-ER14)

Series 4: Teaching Files, 1973-2002 (2.2 linear feet; Box 21-24)

Series 5: Slides, 1970s-1990s (3.3 linear feet; Box 24-27)
Biographical / Historical:
Nan Rosenthal (1927-2014) was a curator and art historian in New York City and Washington, D.C. who specialized in twentieth-century modern and contemporary art. Born in New York, Rosenthal attended Smith College before earning her bachelor's degree from Sarah Lawrence College in 1959. After college, she worked as a journalist for a number of publications including Art in America and the New York Post.

Rosenthal received her PhD from Harvard University in 1976, completing her dissertation titled, "The Blue World of Yves Klein." After her graduate studies, Rosenthal taught at Princeton University, New York University, and University of California, Santa Cruz.

In 1985, Rosenthal became a curator of twentieth-century art at the National Gallery of Art. She organized several important exhibitions including The Drawings of Jasper Johns (1990), acquired works by Alberto Giacometti and Barnett Newman, and began the lecture series "Conversations with Artists."

Rosenthal then joined the staff of the Metropolitan Museum of Art in 1993 as senior consultant of modern and contemporary art, where she organized a number of other important exhibitions including Anselm Kiefer: Works on Paper 1969-1993 (1998), Robert Rauschenberg: Combines (2005), Jasper Johns: Gray (2008), and others featuring Willem de Kooning, Jackson Pollack, and Judith Rothschild. She retired from the Metropolitan Museum in 2008.

In addition to her curatorial activities, Rosenthal authored several books and catalogs including George Rickey (1977), Robert Rauschenberg (1990), and Terry Winters: Printed Works (2001).

Rosenthal was married to the German artist Otto Piene from 1965-1973 and went by Nan R. Piene or Nan Rosenthal Piene. She remarried in 1990 to her second husband, Henry Benning Cortesi.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Nan Rosenthal conducted by Judith Olch Richards in 2010.
Provenance:
The collections was donated to the Archives of American Art in 2016 by the Nan Rosenthal and Henry B. Cortesi Estate via executor Katherine C. Armstrong.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Curators -- New York (State) -- New York  Search this
Art, Modern  Search this
Art -- Study and teaching  Search this
Genre/Form:
Slides (photographs)
Interviews
Video recordings
Transcripts
Sound recordings
Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosenan
See more items in:
Nan Rosenthal papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9981cf43a-465e-470c-bba6-6b7542c9d304
EDAN-URL:
ead_collection:sova-aaa-rosenan
Online Media:

George Rickey

Collection Creator:
Rosenthal, Nan  Search this
Extent:
2.69 Gigabytes (ER10-ER12)
1 Linear foot (Box 17-18)
Type:
Archival materials
Gigabytes
Date:
circa 1970-2009
Scope and Contents:
The subseries relating to George Rickey includes a sound recording of an artist talk, book project files, correspondence, exhibition files, an interview with Rickey by Rosenthal, a lecture, photographs of artwork, published sound and video recordings, research articles, and one file pertaining to the George Rickey Foundation which includes digital photographs of Nora Rickey. Also found here is material relating to a symposium on Rickey, at which Rosenthal presented a lecture. The lecture and images are in born digital form.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosenan, Subseries 3.9
See more items in:
Nan Rosenthal papers
Nan Rosenthal papers / Series 3: Project and Research Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a1a9178-967e-4785-89b5-08f8a2ba68b6
EDAN-URL:
ead_component:sova-aaa-rosenan-ref14

Project and Research Files

Collection Creator:
Rosenthal, Nan  Search this
Extent:
20 Linear feet (Box 1-21)
17.1 Gigabytes (ER01-ER14)
Type:
Archival materials
Gigabytes
Scope and Contents:
Project and research files comprise the bulk of the collection and encompass a vast array of Rosenthal's projects, including book projects, curatorial projects, acquisitions, catalog essays, lectures, interviews, as well as supporting logistical documentation and research material. Among the files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material. While many of the project files contain photographic material, additional slides of artworks can be found series 5.
Arrangement:
The series consists of ten subseries. Artists with five or more file headings are arranged in subseries 1-9. Subseries 10 includes all other projects and subjects.

Missing Title

3.1: Alberto Giacometti, -- On Ne Joue Plus -- , circa 1967-2000

3.2: Howard Hodgkin, circa 1979-2010

3.3: Jasper Johns, circa 1980-2013

3.4: Anselm Kiefer, 1986-1999

3.5: Yves Klein, circa 1970-1983

3.6: László Moholy-Nagy, circa 1940-2009

3.7: Barnett Newman, 1949-2004

3.8: Robert Rauschenberg, 1965-2009

3.9: George Rickey, circa 1970-2009

3.10: General Project and Research Files, circa 1960-2012
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosenan, Series 3
See more items in:
Nan Rosenthal papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96a1b1bfb-bb21-4c8c-9259-d0cb63e0cd9f
EDAN-URL:
ead_component:sova-aaa-rosenan-ref3

William Anderson Coffin papers, 1886-1924

Creator:
Coffin, William A. (William Anderson), 1855-1925  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Subject:
Stella, Joseph  Search this
Warren, Whitney  Search this
Mauer, Alfred  Search this
Benson, Frank Weston  Search this
Blashfield, Edwin Howland  Search this
Zorach, William  Search this
Gay, Walter  Search this
Gussow, Bernard  Search this
Bouché, Louis  Search this
Cortissoz, Royal  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Société des artistes français  Search this
Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this
American Rights Committee  Search this
American Artists' Committee of One Hundred  Search this
Lotos Club (New York, N.Y.)  Search this
Musée d'histoire et d'art (Luxembourg)  Search this
Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this
Type:
Scrapbooks
Photographs
Topic:
Harper's Weekly  Search this
New York Post  Search this
Art Exhibitions France Paris  Search this
Landscape painters -- New York (State) -- New York  Search this
Art, American  Search this
World War, 1914-1918  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7476
(DSI-AAA_SIRISBib)209634
AAA_collcode_coffwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209634
Online Media:

Ash Grove

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 1 (Series 6)
Type:
Archival materials
Date:
1961-1966, 1987, 1994
undated
Scope and Contents note:
File consists predominantly of correspondence with Ed Pearl. File includes correspondence from Mike Seeger about travel funds bouncing with an airline, correspondence from Ed Pearl referencing a Chuck Berry performance, that Berry should be at Newport, and an Ash Grove TV project. File also includes pamphlet "Edwin M. Pearl presents Folk Music on Your Campus".
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_001_030
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.1: General Meetings and Organizations
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f59a9dd2-bd87-4ae0-894d-e074fa80e02a
EDAN-URL:
ead_component:sova-cfch-rinz-ref2826

AFC Tennessee-Tombigbee 1

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 8 (Series 6)
Type:
Archival materials
Date:
1978-1979
Scope and Contents note:
File consists of correspondence regarding Tennessee-Tombigbee Waterway Project. File includes correspondence regarding differences of opinion between Archie Green, Alan Jabbour, Raye Virginia Allen, and others.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_008_003
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.2: American Folklife Center
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5937e1c37-e726-497b-a6a2-9ad27a069ea6
EDAN-URL:
ead_component:sova-cfch-rinz-ref3324

Carawan, Guy and Candie

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 11 (Series 6)
Type:
Archival materials
Date:
undated
1976, 1981-1982, 1988
Scope and Contents note:
File consists of lists of publications, brochure, correspondence with Guy and Candie Carawan, flier for The Moving Stars Singers, correspondence regarding application to and acceptance into the Mina Shaughnessy Scholars Program, proposals and work projections. File includes correspondence regarding the republication of Ain't You Got a Right to the Tree of Life.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_06_011_001
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 6: Meetings and Organizations / 6.3: Highlander Research and Education Center
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk594a31963-810d-4fc3-b82d-ea808ca4fe04
EDAN-URL:
ead_component:sova-cfch-rinz-ref3454

General Project File

Collection Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Container:
Box 29, Folder 1-7
Box 27, Folder 5-19
Box 28, Folder 1-17
Type:
Archival materials
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 1: Henry P. Whitehead Papers / 1.4: Government Files / 1.4.4: Office of Human Resources
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa74aa300d2-a190-4b40-9d16-1742a88f55c2
EDAN-URL:
ead_component:sova-acma-06-042-ref309

Dimitri Hadzi papers, 1910s-2007

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Hadzi, Dimitri, 1921-2006  Search this
Subject:
Foundry, Nicci  Search this
Harvard University  Search this
Type:
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Topic:
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9532
(DSI-AAA_SIRISBib)211731
AAA_collcode_hadzdimi
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211731

Dimitri Hadzi papers

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Names:
Harvard University -- Faculty  Search this
Foundry, Nicci  Search this
Extent:
37.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Date:
1910s-2007
Summary:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material such as education records, World War II files, and some interviews; correspondence with family, artists, art historians, architects, and professional organizations; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; clippings, exhibition ephemera, invitations, and other printed material; photographs of Hadzi, events and exhibitions, installations, foundries, and studios; some artwork; and audio recordings and motion picture films.
Scope and Contents:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material; correspondence; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; printed material; photographs, some artwork, audio recordings, and motion picture films.

Biographical material includes files pertaining to Hadzi's education at Cooper Union (1946-1950) and Polytechnion in Athens, Greece (1950-1951) as well as his high school years at Brooklyn Technical High School (1936-1940); years enlisted in the Army Air Force (1942-1946); and his hobbies of music, mineral collecting, and geology. Also found are address books, honors and awards, interviews, and resumes. Hadzi's professional correspondents include artists, art historians, architects, and professional organizations. Also found is personal correspondence with family, friends, and acquaintances, most extensively during his years in the military.

Diaries and notebooks consist of memoranda books, travel logs, and annotated calendars. Writings include drafts, correspondence, and some printed material from Dimitri Hadzi (1996) by Peter Selz. Material gathered for his incomplete memoir, artist statements, and writings about Hadzi are also present.

Exhibition files shed light on various group and solo exhibitions of Hadzi's work. The files mostly consist of shipping records, correspondence, press releases and other printed matter, photographs, and loan documents. Gallery and museum files include loan and sale agreements, price lists, clippings, newsletters, shipping information, and some papers related to exhibitions.

Project files include sketches and blueprints, correspondence, legal documents, shipping information, and some audiovisual material regarding the installation of Hadzi's sculptures. The files also pertain to recasted sculptures, small-scale projects, and unexecuted commissions. Teaching Files include administrative correspondence, clippings, lecture and discussion notes, course descriptions, and correspondence from Hadzi's tenure as Visual and Environmental Studies professor at Harvard University. Papers related to instructor positions, employment opportunities, and lectures outside of Harvard are also present. Personal business records include sales, inventories, and other financial material; correspondence, shipping information, and price lists from foundries and material distributors; studio logs, correspondence, and notes.

Printed materials consist of exhibition invitations, announcements, post cards, and books; news clippings and articles; printed matter from special events, exhibitions of other artists, press releases, and newsletters. Photographs include portraits and snapshots of Hadzi, depicting him working in studios and foundries, at installation sites and events, and with his family. Also included are photographs of other artists, Hadzi's travel in Japan, and his artwork. Artwork found in this collection consists of six sketchbooks, several small drawings, and one woodblock.

Audiovisual material is extensive and includes documentation of the creation, installation, and exhibition of some of Hadzi's work. The majority of the footage centers on the creation and installation of the Thermopylae sculpture in front of the JFK Federal Building in Boston, Massachusetts in 1968.
Arrangement:
The collection is arranged as 13 series.

Series 1: Biographical Material, 1910s, bulk 1936-2004 (Box 1-3, 33; 2.7 linear feet)

Series 2: Correspondence, 1943-2007 (Box 3-6; 3 linear feet)

Series 3: Diaries and Notebooks, 1939-2006 (Box 6-9; 3 linear feet)

Series 4: Writing Files, 1945-2003 (Box 9; 10 folders)

Series 5: Exhibition Files, 1958-2002 (Box 9-10; 1.2 linear feet)

Series 6: Project Files, 1957-2002 (Box 11-15, 33; 4.7 linear feet)

Series 7: Teaching Files, 1955-2000 (Box 15-16; 12 folders)

Series 8: Museum and Gallery Files, 1947-2008 (Box 16-17; 1.8 linear feet)

Series 9: Personal Business Records, 1949-2007 (Box 17-20; 2.5 linear feet)

Series 10: Printed Material, 1949-2007 (Box 20-24, 33; 3.7 linear feet)

Series 11: Photographs, circa 1930s-2006 (Box 24-25, 33; 1.5 linear feet)

Series 12: Artwork, circa 1939-1998 (Box 25; 11 folders)

Series 13: Audiovisual Material (Box 26-40; 11.1 linear feet)
Biographical / Historical:
Dimitri Hadzi (1921-2006) was an Greek American sculptor who lived and worked in Rome from the 1950s to 1975, and then in Cambridge, Massachusetts from 1975 to 2006. Born to Greek immigrants, Hadzi attended Brooklyn Technical High School before enlisting in the Army Air Force in 1942. After the World War II, Hadzi studied painting and sculpture at Cooper Union and graduated with honors in 1950. He was awarded a Fulbright fellowship to study at the Polytechnion, Athens, Greece, and subsequently moved to Rome where he remained until the mid-1970s. Hadzi worked mostly with stone and bronze, from which he created semi-abstract shapes and structures drawn from his Greek heritage. His work was selected for the Venice Biennale in 1956, and and his first solo-exhibition came two years later at the Galeria Schneider, Rome, Italy. Throughout his career, Hadzi held solo exhibitions at the Massachusetts Institute of Technology, The Philips Collection, Athens Gallery in Greece, Rikugie Gallery in Japan, and many others. His group exhibitions include Recent Sculptor USA (1959), Museum of Modern Art, New York; Annual Exhibition, The Whitney Museum (1961); Seven Sculptors at Harvard, Harvard University (1983); and American Academy of Arts & Letters Centennial Portfolio, Pace Prints, New York (1998). Hadzi's public commissions include those at the Massachusetts Institute of Technology (1963), St. Paul's Church, Rome, Italy (1966-1976), Dallas Center, Texas (1980). His artwork is held in permanent collections of the Hirshhorn Museum and Scultpure Garden, Solomon R. Guggenheim Museum, Hakone Museum of Sculpture in Japan, and the Montreal Museum of Art, among others. Hadzi was professor of Visual and Environmental Studies at Harvard University from 1975-1989, and was named Professor Emeritus in 1989.
Provenance:
Donated 1989 and 1998 by Dimitri Hadzi and in 2008 and 2011 by Cynthia Hadzi, Dimitri Hadzi's widow.
Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Massachusetts -- Cambridge  Search this
Sculptors -- Italy -- Rome  Search this
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hadzdimi
See more items in:
Dimitri Hadzi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cee20746-bba7-4f55-9b4d-68aa26f19cc0
EDAN-URL:
ead_collection:sova-aaa-hadzdimi

Project Files

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Extent:
4.7 Linear feet (Box 11-15)
Type:
Archival materials
Date:
1957-2002
Scope and Contents:
Project files include correspondence, sketches and blueprints, architectural plans, legal documents, photographs, printed material, and some audiovisual material. Several folders relate to Hadzi's projects as set designer and book illustrator.
Arrangement:
This series is divided into two sub-series. Selected Public Commissions include Hadzi's more well-known outdoor sculptures, while Other Commissions and Projects consist of recasted sculpture installations, unexecuted projects, and Hadzi's less-known endeavors.
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hadzdimi, Series 6
See more items in:
Dimitri Hadzi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f1d5dad4-be36-4369-a729-e02eaa5220d5
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref178

Selected Public Commissions

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Type:
Archival materials
Scope and Contents:
Files include correspondence with architects, companies, municipalities, and organizations that commissioned Hadzi; printed material such as press releases, clippings, and books; some photographs of sites, models, installations, and events; legal documents; and some audio recordings. Almost all of Hadzi's sculptures from this series were installed in the United States, one exception being Hadzi's Bronze Doors, commissioned by the St. Paul Within-the-Walls church in Rome, Italy.
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hadzdimi, Subseries 6.1
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bc3d0d4a-7914-4d64-b61d-3c3220dd5a57
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref179

Elmo (1963), Massachusetts Institute of Technology, Cambridge, MA

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 11, Folder 1
Type:
Archival materials
Date:
1962-1963
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw954254ba1-f125-46c7-bfcc-43f19fa7459d
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref180

Helios (1965), Sun Life Insurance Company, Baltimore, Maryland

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 11, Folder 2-4
Type:
Archival materials
Date:
1963-1966
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw985477a98-2e0b-4ece-82bd-ee8ffe2f79cd
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref181

Bronze Doors (1966-1976), St. Paul Within-the-Walls Church, Rome, Italy

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 11, Folder 5-8
Type:
Archival materials
Date:
1963-2001
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97e5f5449-a8c2-422f-a768-03f327b22b51
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref182

K 458 - The Hunt (1966), Lincoln Center, New York, New York

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 11, Folder 9-10
Type:
Archival materials
Date:
1959-1965
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988b5ae87-0729-4da8-810d-da2ffc8cd87a
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref183

Thermopylae (1968), JFK Federal Office Building, Boston, Massachusetts

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 11, Folder 11-15
Type:
Archival materials
Date:
1961-1970
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928e27a19-db23-41bd-9210-7fb72c00722c
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref184

Arcturus (1973), Federal Reserve Bank, Minneapolis, Minnesota

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 11, Folder 16-17
Type:
Archival materials
Date:
1969-1973
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928534a3f-f8db-4770-8ce9-2a7dcaebe705
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref185

Williamette River Oracle (1974), Oregon International Sculpture Symposium, Eugene, Oregon

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 11, Folder 18-20
Type:
Archival materials
Date:
1972-1977
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9746b753c-a5e8-47d2-85ef-0723f1471a08
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref186

Williamette River Oracle (1974), Oregon International Sculpture Symposium, Eugene, Oregon

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 12, Folder 1
Type:
Archival materials
Date:
1974
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 6: Project Files / 6.1: Selected Public Commissions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c6c72ce-8926-4a88-8a7b-dfc5d1174a3f
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref187

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