United States of America -- Texas -- Travis -- West Lake Hills
Date:
1990s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, Ken Druse garden photography collection
Sponsor:
Cataloging of this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Texas -- Travis -- West Lake Hills
Date:
1990s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, Ken Druse garden photography collection
Sponsor:
Cataloging of this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Eight conference programs, seventeen videotapes, and eighty-six cassette audio tapes documenting the proceedings of the International Conference of the Duke Ellington Study Group.
Arrangement:
Collection is unarranged.
Biographical / Historical:
Collector, president and board member of the New York chapter of the Duke Ellington Society (TDES).
Provenance:
Collection donated by Morris Hodora, July 16, 1990.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Videohistory contains original and reference videos and photographs documenting a lecture program for children by Patsy Sherman, inventor of Scotchgard.
Arrangement:
The collection is divided into four series.
Series 1: Original Videos
Series 2: Master Videos
Series 3: Reference Videos
Series 4: Photographs
Biographical / Historical:
Patsy Sherman was born in Minnesota. After graduating from Gustavus Adolphus College in 1952, Sherman was employed by 3M Company. At 3M, Sherman and a fellow researcher, Samuel Smith attempted to create a new synthetic material to use with jet fuel. During their experiments, Patsy accidentally spilled some of the compound on her tennis shoe and noticed that the shoe remained clean. This discovery led to the development of Scotchguard. Scotchguard is a compound used worldwide to repel soil on sofas, chairs, tablecloths, clothing, and other objects that are used daily. Patsy Sherman's name appears on 16 patents awarded to 3M for their inventions. She has been awarded numerous honors for her achievements and was inducted into the Minnesota Inventors Hall of Fame in 1989. She retired from 3M in 1992.
Provenance:
Created by the Jerome and Dorothy Lemelson Center for the Study of Innovation and Invention, National Museum of American History, 1997.
Restrictions:
Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Signed releases on file.
This collection consists of approximately 5 hours of original, master and reference video footage and photographs, documenting Thomas H. Massie and James McLurkin in 1995 and 1997. Massie invented the Phantom Haptic Interface, an electronic device giving existing computer technology the ability to simulate the sense of touch. James McLurkin invented a community of microrobotic ants that detect food, pass messages, and pick up small objects. Both inventors discuss their inventions and potential applications, as well as their backgrounds and experience as student inventors.
Arrangement:
The collection is divided into four series.
Series 1: Orginal Videos
Series 2: Master Videos
Series 3: Reference Videos
Series 4: Photographs
Biographical / Historical:
Thomas Massie was born in West Virginia in 1969 and grew up in Vanceburg, Kentucky. He graduated from Massachusetts Institute of Technology (MIT) in 1993 with a Bachelors of Science in Electrical Engineering and a masters in Mechanical Engineering in 1995. AT MIT's Artificial Intelligence (AI) Laboratory Massie developed, with his adviser J. Kenneth Salisbury, a principal research scientist at the AI Lab, and later built, a prototype system that provides users with surprisingly vivid tactile impressions of nonexistent virtual objects. Massie's invention is called the Phantom Haptic Interface. In August of 1993, Massie and Salisbury established SensAble Devices Inc., in Cambridge, MA to manufacture the arm. Massie later changed the name of the company to SensAble Technologies.
James McLurkin was raised in Baldwin, New York and graduated from the Massachusetts Institute of Technology (MIT) in 1995 with a Bachelors degree in Electrical Engineering and Computer Science. McLurkin built upon the earlier work of robot communities. Each robot is essentially identical to Cleo, a micro-robot he designed that was once considered as a basis for a remote-controlled colon surgery device. Each robot ant has a pair of tiny treads powered by a battery and two motors taken from vibrating beepers. The robots are guided away from the objects they hit and toward illumination sources by antennae and light sensors, and they also have mandibles powered by a third motor to pick up bits of food--quarter inch balls of crumpled brass.
Provenance:
This collection was created by the Innovative Lives Program of The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on October 27, 1995. The Innovative Lives series brings young people and American inventors together to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product.
Restrictions:
Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Signed releases on file, but releases not available for Western School students.
Original and reference videos documenting an NMAH children's program by David Gittens, the inventor of the Ikenga 5302 gyroplane.
Arrangement:
The collection is divided into four series.
Series 1: Original videos, 1997
Series 2: Master videos, 1997
Series 3: Reference Videos, 1997
Series 4; Photographs, 1997
Biographical / Historical:
Gittens's Ikenga 5302 has several applications--aerial photography, aerial surveying, air courier, border patrol, cattle herding, commuting, crop spraying, flying doctors, intelligence gathering, pipe line inspection, postal service, reconnaissance, and search and rescue. The name Ikenga is derived from Ibomythology in Eastern Nigeria and refers to the creative life forces of humanity.
Related Materials:
The Ikenga 5302 gyroplane is part of National Air and Space Museum's collections, housed at the Garber facility, Silver Hill, Maryland.
Provenance:
Made for the National Museum of American History, Smithsonian Institution, Lemelson Center for the Study of Invention and Innovation.
Restrictions:
Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
United States of America -- Arizona -- Maricopa County -- Paradise Valley
Date:
1990s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Arizona -- Maricopa County -- Paradise Valley
Date:
1990s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Arizona -- Maricopa County -- Paradise Valley
Date:
1990s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Hartford County -- Avon
Scope and Contents:
The folder includes worksheets, features map, and supplemental booklet of garden photographs.
General:
Located on three acres in Avon, Connecticut, the Peg Atkinson's Garden was originally part of a 300-plus acre property dating back to the 1800s. The house was built in 1931, possibly by architect Robert Schutz. Ravines create natural borders to the north and south of the property. A large meadow lies to the west. When Marguerite (Peg) and Tracy Atkinson made the property their home in 1977, Peg was inspired by the region's natural beauty and long growing season. Over the next 35 years, she worked to add garden elements to complement the New England landscape and enhance property vistas.
The property includes woodlands with mature pines and sugar maples. Peg Atkinson planted annuals and the London Planetree in the meadow. Striking trees and shrubs were emphasized in the garden design. Ornamentals such as Kousa dogwood, Eastern redbud, Japanese cherry tree and Mountain Cloud plum provide color year-round. Shrubs and perennials include hellebores, roses, Japanese barberry hydrangea, forsythia, peonies, German iris, Purple Cloud bushes, Rose of Sharon and Carolina silverbells. Curved brick walkways and stepping stone paths lead through the gardens and past eye-catching ornaments such as a "Victorian lady" sculpture, antique urn, bird feeders, stone gargoyles and iron benches.
Persons associated with the garden include: Charles Tracy & Marguerite Atkinson (former owners, 1977-2012); and David Hernandez (gardener, 1990s-2000?).
Related Materials:
Peg Atkinson's Garden related holdings consist of 1 folder (17 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Dr. Patricia Bath was born in 1942 in New York. She conceived of the Laserphaco Probe in 1981 and patented it in 1988 (US Patent # 4,744,360 for an "Apparatus for ablating and removing cataract lenses"). The collection contains original and reference video footage of Dr. Bath's Innovative Lives Presentation documenting her work in the field of ophthalmology and her work creating and patenting the LaserPhaco Probe, an instrument to remove cataracts. Also included is an interview with Dr. Bath at her home in Los Angeles and an interview with her daughter, Eraka Bath and supplemental documentation assembled by Dr. Bath. The documentation includes photocopies of articles, patents, biographical sketch material, and selected publications and references to related to lasers and surgery of Dr. Bath
Scope and Contents:
This collection consists of 8.5 hours of original (BetaCam SP) video recordings and reference (viewing) copies (VHS) documenting the life and career of Dr. Patricia Bath. The recordings include a presentation by Dr. Bath for the Lemelson Center's Innovative Lives Program and interviews at her home and laboratory in Los Angeles. The collection also includes an interview with Dr. Bath's daughter, Eraka Bath, and copies of footage from other sources about Dr. Bath's work. Additionally, there is supplemental documentation assembled by Dr. Bath. The documentation includes photocopies of articles, patents, biographical sketch material, and selected publications and references to related to lasers and surgery of Dr. Bath.
Arrangement:
This collection is arranged into three series.
Series 1, Original Videos, 2000
Series 2, Reference Videos, 2000
Series 3, Supplemental Documentation
Biographical / Historical:
Dr. Patricia Bath (1942-) was born in New York. She attended Charles Evans Hughes High School, Hunter College (B.A. 1964), and Howard University College of Medicine (M.D. 1968). Bath held a fellowship in ophthalmology at Columbia University (1969-1970) and an internship at New York University (1970-1973) where she was the first African American resident in ophthalmology. Dr. Bath later joined the faculty of UCLA and Charles R. Drew University in surgery and ophthalmology and later the Department of Ophthalmology at UCLA's Jules Stein Eye Institute. In 1976, Dr. Bath and other colleagues formed the American Institute for the Prevention of Blindness (AIPB). Dr. Bath conceived of the Laserphaco, an instrument to remove cataracts in 1981. She received US patent #4,744,360 for an "Apparatus for ablating and removing cataract lenses" on May 17, 1988. Later patents include a method and apparatus for ablating and removing cataract lenses; laser apparatus for surgery of cataractous lenses; and pulsed ultrasound method for fragmenting/emulsifying and removing cataractous lenses. Dr. Bath retired from the UCLA Medical Center in 1993 to work in telemedicine, the use of electronic communication to provide medical services to remote areas where healthcare is limited.
The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is: to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation play in the history of the United States. The Innovative Lives series brings together Museum visitors and especially, school age children, and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Related Materials:
An anatomical eye (accession # 2000.0038.01) was donated to the Division of Medicine and Science in 2000 by Dr. Patricia Bath.
Provenance:
This collection was recorded by the Innovative Lives Program of The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on March 1, 2000. The Innovative Lives series brings Museum visitors and American inventors together to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product.
Restrictions:
Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
The addition to the Will Barnet papers received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material. Measuring 19.7 linear feet and 7.24 gigabytes, the addition greatly expands on the original donation, particularly in the diaries and daybooks, which include entries from over five decades. Barnet's long career and professional activities are also well documented in the gallery, exhibition, project, and professional files.
Additional biographical material includes over twenty interview transcripts, address books, mailings lists, mementos from birthdays and Barnet's memorial, and dozens of resumes and chronologies.
Correspondence in the addition is similar in scope to that received in the original donation and is primarily with Barnet's family, friends, fellow artists, and business associates. Birthday, congratulation, and sympathy cards are also included here.
Writings include dozens of artist and biographical statements, essays, lectures, memorials, condolences, notes, speeches, talks, statements, tributes, and writings about other artists, some of which are duplicates or alternate drafts of writings from the original donation.
Forty-four diaries and daybooks capture Barnet's daily agenda, activities, and reflections.
Gallery and exhibition files contain a wide variety of material that relates to Barnet's exhibition activities both in galleries and museums. Material includes correspondence, checklists, price lists, loan and consignment agreements, shipping receipts, announcements, press releases, wall text, and other writings.
Project and professional files include documentation of a wide variety of printing and publishing projects, professional activities, as well as administrative and business activities.
The additional printed material includes announcements and exhibition catalogs, Art Students League publications, clippings, newsletters, periodicals, press releases, programs, publications related to Barnet's teaching activities, published illustrations, and assorted other printed matter.
Additional photographic material is primarily color photographic prints, along with a few negatives and transparencies. One folder includes photographs of Will Barnet with family, friends, and colleagues. Several dozen packets of photographs from the 1990s-2000s were taken as source photographs that Barnet used to create his paintings. Other photographs document Barnet's artwork in the later part of his career.
Arrangement:
The series is arranged as 8 subseries.
Missing Title
8.1: Biographical Material, circa 1960-2013
8.2: Correspondence, 1949-2016
8.3: Writings, circa 1940-2011
8.4: Diaries and Daybooks, 1952-2010
8.5: Gallery and Exhibition Files, 1942-2014
8.6: Project and Professional Files, 1897, 1952-2013
8.7: Printed Material, 1929-2013
8.8: Photographic Material, circa 1940-2010
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Funding for the preservation and transfer of motion picture film was provided by the Smithsonian Women's Committee.
This video history consists of original, master and reference videos documenting a children's lecture program by George R. Carruthers, a physicist and inventor. Carruthers invented the Far Ultra-Violet Camera (FUVCAM).
Scope and Contents note:
This collection contains original, master, and reference videos documenting Dr. George Carruthers. Dr. Carruthers discusses his invention, the Far Ultra-Violet Camera (FUVCAM), as well his background, and experience working with the space program.
Arrangement:
Divided into 3 series: 1) Original Videos; 2) Master Videos; 3) Reference Videos.
Biographical / Historical:
Dr. George Carruthers was born in 1939 and grew up in Milford, Ohio and Chicago's South Side. Carruthers received his B.S. in Physics from the University of Illinois in 1961, M.S. Physics in 1962, and his Ph.D in aeronautical and astronomical engineering in 1964. After receiving his Ph.D in 1964, Carruthers joined the Naval Research Laboratory (NRL), Space Science Division where he is now Senior Astrophysicist. Along with William Conway, another scientist, Carruthers developed the lunar surface ultraviolet camera and spectrograph used on the moon by Apollo 16 in 1972. The camera was used to take ultraviolet pictures of the Earth during the Apollo 16 space mission. It was the first camera to take pictures of the upper levels of the earth's atmosphere and to show that hydrogen exists in outer space.
Provenance:
This videohistory was created by the Innovative Lives Program of The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on February 22, 1996. The Innovative Lives series brings young people and American inventors together to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product.
Restrictions:
Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This collection consists of two and one half hours of original (BetaCam SP), master (BetaCam SP) and reference (viewing) copies (VHS), documenting a lecture program for children on March 25, 1996 by Stephanie Kwolek, inventor of Kevlar. Kwolek discusses her invention of Kevlar as well as her background and life experiences.
Scope and Contents:
This collection consists of two and one half hours of original (betaCam SP), master (BetaCam SP) and reference (viewing) copies (VHS), documenting a lecture program for children on March 25, 1996 by Stephanie Kwolek, inventor of Kevlar. Kwolek discusses her invention of Kevlar as well as her background and life experiences.
Arrangement:
The collection is divided into three series.
Series 1, Reference Videos, 1996
Series 2, Master Videos, 1996
Series 3, Original Videos, 1996
Biographical / Historical:
Stephanie L. Kwolek was born in 1923 in New Kensington, Pennsylvania. She earned a bachelors degree in chemistry from Margaret Morrison Carnegie College, now known as Carnegie Mellon University, in 1946. Upon graduating 1946, Kwolek joined the DuPont Company in Buffalo, New York, where she worked in the Textile Fibers Pioneering Research Laboratory. In the laboratory she researched and developed new synthetic fibers. Kwolek's specialty at DuPont was low-temperature polymerization. She discovered the first liquid crystal polymers, which created an entire branch of research and invention. In 1964, Kwolek began searching for new high-performance chemical compounds. By 1965, she had discovered a compound that, when spun into fiber, was very strong and stiff. She found that the rigidness of this fiber nearly doubled when exposed to heat. The final product resulted in Kevlar (US Patent 3,819,587; RE 30,352) a high-performance aramid fiber used in bullet-resistant vests, crash helmets, boat shells, and radial tires.
Kevlar provides low stretch or elongation, improved cut resistance, better heat resistance, increased strength, reduced weight, and better impact resistance. Kwolek received a patent for Kevlar in 1971. During her forty year career, Kwolek received twenty-eight patents. She retired from DuPont in 1986.
Kwolek has received various awards for her invention, including the American Society of Metals Award in 1978, and both the American Chemical Society Creative Invention Award and the American Institute of Chemists Chemical Pioneer Ward in 1980. In July of 1995, Kwolek was inducted into the National Inventors Hall of Fame. In 1996 she received the National Medal of Technology, and in 1997 the Perkin Medal was presented by the American Section of the Society of Chemical Industry to Kwolek. Both honors are rarely awarded to women. Kwolek received the 1999 Lemelson-MIT Lifetime Achievement Award for her innovations in the polymers industry, most notably her invention of Kevlar®.
References
Howell, Caitlan. Innovative Lives, Stephanie Kwolek and Kevlar, the Wonder Fiber, 1996.
Provenance:
Created by the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation, National Museum of American History, Smithsonian Institution, March 25, 1996.
Restrictions:
The collection is open for research use. Series 3, Original Videos (BetaCam SP) is stored off-site. Arrangements must be made with the Archives Center two weeks prior to a scheduled visit.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions. Release forms exist.
Darby, S. Newman, 1928-2016 (inventor) Search this
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation. Search this
Extent:
18 Videocassettes
1 Electronic discs (CD)
Type:
Collection descriptions
Archival materials
Videocassettes
Electronic discs (cd)
Oral history
Videotapes
Interviews
Date:
April 9, 1999
Scope and Contents:
Presentation by Newman Darby discussing windsurfing and his invention and development of the sailboard. Materials include original, master and reference videotapes and photographs.
Biographical/Historical note:
Newman Darby, born in West Pittston, Pennsylvania, invented windsurfing in 1964 when he connected a sail to a board by means of a universal rope joint. The windsurfer was ultimately patented by Hoyle Schweitzer and Jim Drake in 1970 and became known as windsurfer.
Provenance:
Collection transferred by Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation
Restrictions:
Unrestricted research access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
