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Dewey Michaels Burlesque Collection

Photographer:
Garbo (Chicago)  Search this
Laverne, Gene (Buffalo, NY)  Search this
Kriegsmann, James J.  Search this
Maurice (Chicago)  Search this
Seymour, Mamie (New York)  Search this
Bruno (Bernard? of Hollywood New York City)  Search this
Bakchy, Boris (New York)  Search this
Collector:
National Museum of American History (U.S.). Division of Community Life  Search this
Michaels, Dewey, 1898- (theater owner, director, producer)  Search this
Names:
Palace Burlesque Theatre (Buffalo, N.Y.)  Search this
Extent:
0.33 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Clippings
Photographs
Place:
Buffalo (N.Y.) -- photographs -- 1920-1970
Date:
late 1920's-1967
Scope and Contents:
Newspaper clippings; advertising brochures; and photoprints of performers at the Palace Theatre (including studio publicity portraits). The majority of the items are silver gelatin photoprints. Some photographers are listed below as index terms. Subjects of photographs include strippers and comedians; photographs of women include portraits as well as full-length figures, nude or in costume.
Arrangement:
The collection is arranged into one series. Arranged alphabetically by subjects' names within categories.
Biographical / Historical:
George Dewey Michaels (1898-1982) was owner, director, general manager and producer of the Palace Burlesque Theater in Buffalo, New York until it closed on September 29, 1977, when Michaels was 79 years old. Michaels started in the business when he was 19 years old. Through the years, he featured Abbott and Costello, Phil Silvers, Jerry Lewis, Red Buttons, and Sammy Davis, Jr. who was then a dancer with the Will Master Trio which included his father and uncle. The Palace Burlesque was part of a 40-city circuit. Michaels was married in 1920 to Phyllis Boasberg. She died in 1969, leaving two sons and one daughter. On December 4, 1980, Michaels donated a backdrop, used in the theatre, to the Smithsonian. The backdrop had a musical theme with a clarinetist and notes rendered in extravagant art nouveau. Michaels was then 83 years old. Other backdrops were distributed to other theatres and collectors. They were 60-100 years old, painted in Diamond Dye, and worth about $1,000 apiece.
Related Materials:
Theatrical backdrops and director's chair located in the Division of Home and Community Life (now Division of Cultural and Community Life).
Provenance:
Collection donated by Mr. Dewey Michaels, January 31, 1981.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Glamour photography -- 1920-1970  Search this
Striptease -- 1920-1970  Search this
Stripteasers -- 1920-1970  Search this
Nudity in the performing arts  Search this
Theatrical producers and directors -- 1920-1970  Search this
Comedians -- 1920-1970  Search this
Entertainers -- 1920-1970  Search this
Musicians -- 20th century  Search this
Burlesque shows -- 1920-1970  Search this
Burlesque (Theater) -- 1920-1970  Search this
Entertainment -- Photographs -- 1920-1970  Search this
Genre/Form:
Clippings -- 20th century
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
Dewey Michaels Burlesque Collection, circa 1920s-1967, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0065
See more items in:
Dewey Michaels Burlesque Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep896ac7af6-87c2-4acc-9b9c-9fc959e4fa84
EDAN-URL:
ead_collection:sova-nmah-ac-0065
Online Media:

Ellis B. Haizlip Papers

Producer:
Haizlip, Ellis B., 1929-1991  Search this
Musician:
Asford & Simpson. Asford, Nickolas. Simpson, Valerie, 1946  Search this
Monk, Thelonious  Search this
Author:
Baldwin, James, 1924-1987  Search this
Giovanni, Nikki  Search this
Extent:
63.64 Linear feet (82 boxes)
Type:
Collection descriptions
Archival materials
Date:
circa 1945-1991
bulk 1965-1990
Summary:
The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.
Scope and Contents n ote:
This collection, consisting of materials which date from 1945 --1991 (bulk dates 1965-1990), contains personal and business documents accrued by Ellis B. Haizlip over the course of his adult life. The papers do not include many documents relating to Haizlip's family or childhood. Included are instances of personal and business correspondence, paperwork and notes relating to the productions with which Haizlip was involved, and documentation of his political, community, and artistic activist work. Also included are photographs and slides both personal and event-related, and videotapes of various television and film projects, including Soul! and Watch Your Mouth!
Arrangement note:
The collection is divided into 7 series.

Series 1: Biographical, 1941-1990; undated

Series 2: Career, 1950-1990; undated

Series 3: Organizations, 1948-1990; undated

Series 4: Scripts, 1942-1988; undated

Series 5: Printed Materials, 1950-1990; undated

Series 6: Photographs, undated

Series 7: Videotapes, undated
Biographical/Historical note:
Born September 21, 1929 in Washington, D.C., Ellis Benjamin Haizlip was the son of Ellis M. and Sarah Corbett Haizlip. Haizlip began his production career during his days at Howard University, where he produced the Howard Players in addition to majoring in sociology and economics. He moved to New York after graduation and began his involvement in professional production, including both productions at the Harlem YMCA of plays such as Dark of the Moon and international tours of James Baldwin's The Amen Corner and the dance show Black New World. Haizlip is best known for the television series Soul!, a program that aired on public television WNET during the late 1960s and early 1970s, then resurfaced in the early 1980s. Soul! was a variety show focused on African-American experience, featuring music, dance, poetry, and interviews by and with black performers. Haizlip produced and occasionally hosted the program. He also created the educational series Watch Your Mouth!, a sitcom-style program featuring a diverse cast of characters who all struggled with Standard English. In addition to his career, Haizlip was involved with a plethora of organizations of all sorts, from political campaigns to arts organizations to a variety of African American groups such as Black Convention, Inc. and the Delta Sigma Theta sorority. Haizlip had a complex relationship with these organizations, serving as a board member on some, a hired event producer on others, and in some cases playing multiple roles within a single organization, such as the Alvin Ailey American Dance Theater. Haizlip was openly gay, and was active in several LGBT rights groups during his life. His personal life was filled with a social circle of devoted and notable friends, among them Betty Shabazz, Novella Nelson, and Nikki Giovanni. Haizlip died of lung cancer on January 25, 1991. He was 61 years old.
Related Materials:
This collection contains artifacts catalogued in theACM Ojects collection.
Provenance:
The Ellis B. Haizlip papers were donated to the Anacostia Museum and Center for African American History and Culture on November 12, 1995, by Doris (Haizlip) Sanders.
Restrictions:
The collection is open for research. Medical documents, financial materials and some correspondence in Career series are restricted. Use requires an appointment.
Rights:
The Ellis B. Haizlip papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American celebrities  Search this
African Americans on television  Search this
Television producers and directors  Search this
African American dance  Search this
African American theater  Search this
Citation:
Ellis B. Haizlip papers, Anacostia Communityh Museum Archives, Smithsonian Institution, gift of Doris Sanders.
Identifier:
ACMA.06-005
See more items in:
Ellis B. Haizlip Papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa75522bb2c-e821-4966-ae45-21ae9bce2b62
EDAN-URL:
ead_collection:sova-acma-06-005
Online Media:

Interview with Anthony Anderson

Creator:
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Extent:
1 Video recording (MiniDV)
Type:
Archival materials
Video recordings
Interviews
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
2011
Scope and Contents:
Filmmaker Anthony Anderson lived in Anacostia in southeast Washington, D.C. until he entered high school when he moved to Montgomery County, Maryland. Anderson started creating and writing stories at a young age, and involved himself in the performing arts, including stage plays in high school. After several unsuccessful attempts to secure a role on 'The Wire,' Anderson was inspired by Spike Lee interview in which Lee stated you have to create your chance. Anderson explains this inspiration lead him to revisit his previously written scripts and start making films. He talks about his first film 'The Ties that Binds,' and his web series 'Anacostia.' Anderson explains his inspiration comes from people in Washington, D.C. and what success means to him. He talks about his creative process, where his ideas come from, trusting people he works with, and his biggest struggles creating the web series. Anderson provides advice to aspiring Anacostians.
Interview. Dated 20110210.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Motion picture producers and directors  Search this
African American motion picture producers and directors  Search this
Civic leaders  Search this
Communities  Search this
Genre/Form:
Video recordings
Interviews
Citation:
Interview with Anthony Anderson, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.01-007.16, Item ACMA AV005206
See more items in:
Community and Creativity Project Records
Community and Creativity Project Records / Series 2: Oral History Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7db5449e6-7121-464b-991f-8646c11bdb34
EDAN-URL:
ead_component:sova-acma-01-007-16-ref101

Douglas Cramer papers

Creator:
Cramer, Douglas S.  Search this
Names:
Boone, Mary  Search this
Castelli, Leo  Search this
Kelly, Ellsworth, 1923-  Search this
Ruscha, Edward  Search this
Extent:
1.41 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Photographs
Date:
circa 1970-2014
Summary:
The papers of New York art collector Douglas Cramer measure 1.41 linear feet and date from circa 1970-2014. Papers include letters from artists, four guest books signed by visitors to Cramer's art collection and attendees of his parties, printed material documenting Cramer's career in television as well as his prominence as an art collector, and photographs of people and artists who attended his parties including Ellsworth Kelly, Ed Ruscha, Mary Boone, Leo Castelli, and others.

There is an unprocessed addition to this collection of nine items donated in 2022 that include correspondence and works of art to Douglas Cramer consisting of handmade Christmas cards by Bryan Hunt, David Hockney, and Harland Miller; a sketch by Ellsworth Kelly; a postcard from Sol Lewitt; a sketch in oil on cardstock by Eric Fischl; and a collage by Richard Meier. Materials date from circa 1986-1994 and undated.
Scope and Contents:
The papers of New York art collector Douglas Cramer measure 1.41 linear feet and date from circa 1970-2014. Papers include letters from artists, four guest books signed by visitors to Cramer's art collection and attendees of his parties, printed material documenting Cramer's career in television as well as his prominence as an art collector, and photographs of people and artists who attended his parties including Ellsworth Kelly, Ed Ruscha, Mary Boone, Leo Castelli, and others.

There is an unprocessed addition to this collection of nine items donated in 2022 that include correspondence and works of art to Douglas Cramer consisting of handmade Christmas cards by Bryan Hunt, David Hockney, and Harland Miller; a sketch by Ellsworth Kelly; a postcard from Sol Lewitt; a sketch in oil on cardstock by Eric Fischl; and a collage by Richard Meier. Materials date from circa 1986-1994 and undated.
Arrangement:
The collection is arranged as five series

Missing Title

Series 1: Letters, 1972-2014 (2 folders; Box 1)

Series 2: Guest Books, 1990-1997 (0.5 linear feet; Box 1-2)

Series 3: Printed Material, circa 1972-2012 (0.7 linear feet; Box 1)

Series 4: Photographs, circa 1970, circa 1985 (1 folder; Box 1)

Series 5: Unprocessed Addition, circa 1986-1994 and undated (0.3 linear feet; folder 3, OV 4)
Biographical / Historical:
Douglas Cramer (1931- ) is an art collector and television producer in New York, New York and Miami, Florida. A producer of noted television series including The Love Boat, Dynasty, and The Brady Bunch, Cramer is also an avid art collector and was a founding member of the Board of Trustees of the Museum of Contemporary Art in Los Angeles.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Douglas Cramer conducted by Avis Berman in 2013.
Provenance:
Donated to the Archives of American Art in 2016 by Douglas S. Cramer. 9 additional documents were donated by the Douglas S. Cramer Jr. Revocable Trust in 2022 via Herbert Bush III, Cramer's spouse and trustee.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- Florida -- Miami  Search this
Television producers and directors -- Florida -- Miami  Search this
Television producers and directors -- New York -- New York  Search this
Genre/Form:
Visitors' books
Photographs
Citation:
Douglas Cramer papers, circa 1970-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cramdoug
See more items in:
Douglas Cramer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a244071d-1c55-417e-a894-8a26fef783ca
EDAN-URL:
ead_collection:sova-aaa-cramdoug

Autobiography Manuscript, Chapters 6-8

Collection Creator:
Liebes, Dorothy  Search this
Container:
Box 4, Folder 9
Type:
Archival materials
Date:
circa 1950s-circa 1960s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Liebes papers
Dorothy Liebes papers / Series 4: Writings / 4.1: Writings by Dorothy Liebes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96b6d5421-cb98-4309-8e43-68ad11633fb6
EDAN-URL:
ead_component:sova-aaa-liebdoro-ref1049
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Wooster Enterprises

Collection Creator:
Davidovich, Jaime, 1936-2016  Search this
Container:
Box 2, Folder 17
Type:
Archival materials
Date:
1989
circa 2012
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Jaime Davidovich papers
Jaime Davidovich papers / Series 5: Project and Source Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ec67c6e8-1b2a-4586-bcdd-c2d83871532f
EDAN-URL:
ead_component:sova-aaa-davijaim-ref94
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Iowa Fieldwork: Interview with Chris Denney; Interview with Male-Winnebago & Yankton Sioux

Creator:
Smithsonian Institution. Festival of American Folklife. Iowa Program 1996 Washington, D.C.  Search this
Wood, Larry V., 1947- (field worker)  Search this
Artist:
Denney, Chris  Search this
Performer:
Denney, Chris  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Santee Sioux Tribe  Search this
Winnebago Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
Iowa
United States
Sioux City (Iowa)
Date:
1995 December 27
Track Information:
101 Interview with Chris Denney.

102 Interview with Unidentified Winnebago.
Local Numbers:
FP-1996-CT-0601-7
Date/Time and Place of an Event Note:
Recorded in: Sioux City (Iowa), United States, Iowa, December 27, 1995.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Alcohol  Search this
Drugs  Search this
Alcoholism  Search this
Motion picture producers and directors  Search this
Addicitions  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1996, Item FP-1996-CT-0601
See more items in:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Smithsonian Folklife Festival records: 1996 Festival of American Folklife / Series 3: Iowa - Community Style / Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b2f28fcd-935a-4589-ade6-d19c7fb82906
EDAN-URL:
ead_component:sova-cfch-sff-1996-ref3176

Playbill for Look to the Lilies

Published by:
Playbill, American, founded 1884  Search this
Used by:
Lunt-Fontanne Theatre, American, founded 1910  Search this
Subject of:
Titos Vandis, Greek, 1917 - 2003  Search this
Taina Elg, Finnish, born 1930  Search this
Carmen Alvarez, American, born 1934  Search this
Patti Karr, American, born 1932  Search this
Maggie Task, American, 1924 - 2000  Search this
Linda Andrews  Search this
Richard Graham, British, born 1960  Search this
Anita Sheer, American, 1935 - 1996  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 6 in. (22.9 x 15.2 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1970
Topic:
African American  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.55
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5792ff34d-728f-469c-a203-01776b1c730a
EDAN-URL:
edanmdm:nmaahc_2011.45.55
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Online Media:

Playbill for Pippin

Published by:
Playbill, American, founded 1884  Search this
Used by:
Imperial Theatre, American, founded 1923  Search this
Subject of:
Eric Berry, British, 1913 - 1993  Search this
Betty Buckley, American, born 1947  Search this
Priscilla Lopez, American, born 1948  Search this
Dorothy Stickney, American, 1896 - 1998  Search this
Ben Vereen, American, born 1946  Search this
John Rubinstein, American, born 1946  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 5 5/8 in. (22.9 x 14.3 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1974
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.78
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b9c9837b-50d6-4eaa-ad11-32eefa7651b0
EDAN-URL:
edanmdm:nmaahc_2011.45.78
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Playbill for A Raisin in the Sun

Published by:
Playbill, American, founded 1884  Search this
Used by:
Royale Theatre, American, founded 1927  Search this
Subject of:
Lorraine Hansberry, American, 1930 - 1965  Search this
Sean Combs, American, born 1969  Search this
Audra McDonald, American, born 1970  Search this
Phylicia Rashad, American, born 1948  Search this
Sanaa Lathan, American, born 1971  Search this
David Aaron Baker, American, born 1963  Search this
Laurence Ballard, American  Search this
Teagle F. Bougere  Search this
Frank Harts, American, born 1979  Search this
Billy Eugene Jones  Search this
Kenneth Alexander Mitchell, Canadian, born 1974  Search this
Bill Nunn, American, 1952 - 2016  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 3/8 in. (21.6 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
2004
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Drama (Theatre)  Search this
Tragedy (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.85
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Exhibition:
Taking the Stage
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd57203016c-cd70-42aa-951d-4ea58e167511
EDAN-URL:
edanmdm:nmaahc_2011.45.85
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Playbill for The Song of Jacob Zulu

Published by:
Playbill, American, founded 1884  Search this
Used by:
Gerald Schoenfeld Theatre, American, founded 1918  Search this
Subject of:
Ladysmith Black Mambazo, South African, founded 1960  Search this
Gerry Becker, American, born 1951  Search this
Pat Bowie  Search this
Robert Breuler, American  Search this
David Connelly, American  Search this
Leelai Demoz, American, born 1968  Search this
K. Todd Freeman, American, born 1965  Search this
Erika L. Heard, American, born 1967  Search this
Danny Johnson, American  Search this
Gary DeWitt Marshall, American  Search this
Zakes Mokae, South African, 1934 - 2009  Search this
Tania Richard, American  Search this
Seth Sibanda  Search this
Alan Wilder  Search this
Nicholas Cross Wodtke  Search this
Cedric Young, American  Search this
Created by:
Daniel Oreskes, American  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 3/8 in. (21.6 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1993
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.90
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b322f5c1-fb3b-4532-868e-c6460aa3cbbe
EDAN-URL:
edanmdm:nmaahc_2011.45.90
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Online Media:

The Show-Down vol. 1 no. 5

Published by:
Show-Down Publishing Company, American, founded 1935  Search this
Edited by:
Sally J. Cathrell Jr., American, 1913 - 1981  Search this
Written by:
Theodore C. Jenkins  Search this
Subject of:
Lucretia Williams, American  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D (Closed): 11 5/16 Ɨ 8 3/4 Ɨ 1/16 in. (28.7 Ɨ 22.3 Ɨ 0.2 cm)
H x W x D (Open): 11 5/16 Ɨ 17 1/2 Ɨ 3/8 in. (28.7 Ɨ 44.5 Ɨ 0.9 cm)
Type:
magazines (periodicals)
Place printed:
Saint Louis, Missouri, United States, North and Central America
Date:
April 1936
Topic:
African American  Search this
Black Press  Search this
Dance  Search this
Entertainers  Search this
Jazz (Music)  Search this
Mass media  Search this
Musicians  Search this
Nightlife  Search this
Photography  Search this
Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.46.25.74
Restrictions & Rights:
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
The Laura Cathrell Show-Down Magazine Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd51851e799-66f8-4a29-850a-7ecff464cb25
EDAN-URL:
edanmdm:nmaahc_2013.46.25.74
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  • View <I>The Show-Down vol. 1 no. 5</I> digital asset number 1

Minutes

Extent:
8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1846-1995
Descriptive Entry:
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Topic:
Museums -- Administration  Search this
Museum trustees  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes
Identifier:
Record Unit 1
See more items in:
Minutes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0001

Race Movies: The Popular Art of the Black Renaissance

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Ellington, Duke, 1899-1974  Search this
Foster, William D., 1884-  Search this
Johnson, James Weldon, 1871-1938  Search this
Micheaux, Oscar, 1884-1951  Search this
Smith, Bessie, 1894-1937  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 Sound recording (open reel, 1/2 inch)
1 Sound recording (open reel, 1/4 inch)
2 Video recordings (VHS)
1 Video recording (MiniDV)
Type:
Archival materials
Sound recordings
Video recordings
Place:
Harlem (New York, N.Y.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1985
Scope and Contents:
Short film in which narrator provided the history of African American contributions to the film industry and portrayal of African Americans in film from the silent film era through the Harlem Renaissance. Includes images and clips from The Birth of a Nation, The Birth of a Race, By Right of Birth, The Homesteader, and The Scar of Shame. Includes work and contributions of Bessie Smith, Duke Ellington, James Weldon Johnson, Oscar Micheaux, and Bill Foster, also known as William D. Foster, to the film industry.
Short film. Part of The Renaissance: Black Arts of the Twenties Audiovisual Records. AV003253-1 and AV003253-2: music only, no sound and/or very low volume sound between songs. AV003253-3: narraton only. AV003253-4: repetitious sound. AV003253-5: narration and music. Dated 19850906. AV003452: narration only, undated. AV002130 and AV002141: image and sound (narration and music) including movie clips, undated. AV005152: image and sound, original Dub from 3/4" [U-Matic] tape - remastered version, dated 19850905.
Biographical / Historical:
The exhibition - The Renaissance: Black Arts of the Twenties - showcased the evolution and achievements of the Renaissance, which was the explosion of literary, visual, performance, and cinematic creativity generated by black artists between the end of World War I and the early days of the Great Depression. Represented is the creativity of Marian Anderson, Richard Barthe, Countee Cullen, Aaron Douglas, Duke Ellington, Meta Warrick Fuller, Roland Hayes, Zora Neale Hurston, Malvin Gray Johnson, Alain Locke, "Jelly Roll" Morton, Paul Robeson, George Schuyler, and Wallace Thurman, among others. The exhibition, held at the Anacostia Neighborhood Museum, ran from September 1985 - December 1986.
Local Numbers:
ACMA AV003253-2

ACMA AV003253-3

ACMA AV003253-4

ACMA AV003253-5

ACMA AV003452

ACMA AV002130

ACMA AV005152

ACMA AV002141
General:
Title transcribed from contents of recording.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Harlem Renaissance  Search this
African Americans in the performing arts  Search this
Motion picture producers and directors  Search this
African American motion picture producers and directors  Search this
African American musicians  Search this
Musicians  Search this
Race films  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Race Movies: The Popular Art of the Black Renaissance, Exhibition Records AV03-024, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-024, Item ACMA AV003253-1
See more items in:
The Renaissance: Black arts of the Twenties exhibition records
The Renaissance: Black arts of the Twenties exhibition records / Series ACMA AV03-024: The Renaissance: Black arts of the Twenties audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa71b1b718f-fa04-4b60-8420-4d7bb50a977b
EDAN-URL:
ead_component:sova-acma-03-024-ref505

Oral history interview with Douglas S. Cramer

Interviewee:
Cramer, Douglas S.  Search this
Interviewer:
Berman, Avis  Search this
Extent:
79 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2013 October 23-December 13
Scope and Contents:
An interview of Douglas S. Cramer conducted 2013 October 23-December 13, by Avis Berman, for the Archives of American Art, at Cramer's homes in Miami Beach, Florida and New York, New York.
Cramer speaks of growing up in Kentucky and Cincinnati; his mother's career as a writer and interior designer; his interest in collecting objects as a young boy; growing up under his parents and his family history; racism and prejudices in society and Hollywood; the impact of the Depression on his family; his early interest in theater and art; his involvement with Hollywood and production work; his early art and real estate purchases; his friendship since high school with Jim Dine; reactions from dealers and artists when selling artwork; his belief in the importance of artists' drawings; his college career and his desire to go to Princeton; his desire to live in New York City; working for Proctor & Gamble; his early foray into collecting; his first collection of 20th century works on paper; meeting Leo Castelli and Jasper Johns; guidance of Dan Melnick in collecting; living and collecting in California; his desire to own a Joseph Cornell box; his divorce from Joyce Haber and their California collection; buying from Leo Castelli; getting to know and collecting Julian Schnabel; getting a protrait painted by Schnabel; donating works of art to museums; art dealers and customer service; working on the Love Boat (series); Andy Warhol's involvement with the Love Boat; his involvement with the MOCA board; the creation of the Douglas Cramer Foundation; Batman (series) and Roy Lichtenstein; meeting, collecting, and friendship with Roy Lichtenstein; meeting, collecting, and friendship with Ellsworth Kelly; Andy Warhol's persona. Cramer also recalls Larry Gagosian, Jeffrey Deitch, Eli Broad, David Hockney, Jasper Johns, Margo Leavin, Dorothy Lichtenstein, Robert Rauschenberg, Mark Rothko, Charles and Doris Saatchi, Paul Schimmel, Richard Serra, Marcia and Fred Weisman, and others.
Biographical / Historical:
Douglas S. Cramer (1931-2021) was an American television producer and contemporary art collector in New York, New York. Avis Berman (1949- ) is an art historian and author in New York, New York.
General:
Originally recorded as 4 sound files. Duration is 5 hr., 8 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Producers and directors  Search this
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cramer13
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9da665d48-d28f-4cc1-a8f2-3d05ced515b1
EDAN-URL:
ead_collection:sova-aaa-cramer13
Online Media:

Phil Lucas videotape collection

Creator:
Lucas, Phil, 1942-2007  Search this
Producer:
Phil Lucas Productions  Search this
Donor:
Lucas, Mary Lou, Mrs.  Search this
Extent:
710 Items (312 Betacams, 135 BetacamSPs, 146 Umatics, 50 1inch open reels, 39 MiniDVs, 9 16 mms, 6 DVCams 3 Digibetas 3 16 mm mag tracks 1 2 inch quad, 1 D2, 1 Video8, 2 archival boxes of production materials )
Additional Preservation of film required.
Culture:
Indians of North America  Search this
Type:
Collection descriptions
Archival materials
Date:
1977-2006
Summary:
The Phil Lucas collection contains film and video from Lucas's prolific career as a Native American filmaker. Spanning from the late 1970's until 2006, this collection mostly contains videotapes of various formats as well as a small amount of film and manuscript material.
Scope and Contents:
The Phil Lucas Collection consists of recordings made by Phil Lucas Productions, Inc. These include Umatic, Betacam, Digital Betacam, DVCam, MiniDV, 1-inch Type C, and 2-inch Quad video formats, as well as 16mm and 16mm mag-track motion picture film. The collection also includes one archival box of containing related production materials from Looking Good, Walking with Grandfather, Hamilton's Quest, and other works, and ten floppy disks, and a notebook of production materials from Restoring the Sacred Circle.
Arrangement:
This collection is arranged into seventy series, based on specific productions or bodies of work. Some series are further divided into subseries. The series are arranged alphabetically with the miscellaneous videos and manuscript material at the end of the collection.
Biographical / Historical:
Phil Lucas (Choctaw) is known as a leading Native American filmmaker, and has over 100 films to his credit, playing the roles of writer, director, producer, actor, and cultural content advisor. Born in Phoenix, Arizona in 1942, Lucas was a musician in New York in the early 1960's before attending Western Washington University in 1967, graduating in 1970 with his degree in visual communications. In 1980, he formed Phil Lucas Productions, beginning a prolific film career.

Lucas's films have been honored with multiple awards and honored at several film festivals. Images of Indians, a five-part PBS series hosted by Will Sampson that explores Indian stereotypes portrayed in Hollywood westerns, won the Special Achievement Award in Documentary Film in 1980 from the American Indian Film Institute, and the Prix Italia Award in 1981. His documentaries Allan Houser/Haozous: The Lifetime Works of an American Master, an hour-long documentary on the life and work of Apache artist Allan Houser, and The Honour of All, a two part documentary on the successful rehabilitation from alcoholism by the Alkali Lake Band of British Columbia, were both official selections of the Sundance Film Festival's Native Forum in 1999, where he was also honored for his body of work. The Houser documentary was also awarded the Best Documentary Award at the Santa Fe Film Festival, the Taos Mountain Award at the Taos Talking Pictures Film Festival in 1999, and the Red Earth Film Festival's Best Long-Form Documentary award in 1998. In 1993, American Indian Dance Theatre: Dances for the New Generation, a one-hour documentary part of WNET's Great Performances Series, won the Red Earth Film Festival's "Best of Show" award, and received a National Emmy nomination. The following year, Lucas directed a two-hour episode of the three-part The Native American Series for Turner Broadcasting System, which was awarded the National Emmy for Series. In 1999, Lucas was given the Taos Mountain Award for Lifetime Achievement by the Taos Talking Picture Festival.

His other awards include Best Animated Short Subject Award from the American Indian Film Institute for The Great Wolf and Little Mouse Sister and Walking with Grandfather (1984), Best Short Documentary from the Two Rivers Film Festival for I'm Not Afraid of Me (1990), Best Long Documentary from the Two Rivers Film Festival for Voyage of Rediscovery (1990), Best of Festival Award from the Dream Speakers International Film Festival for Story Tellers of the Pacific (1996), and Best Public Service Award from the American Indian Film Festival in San Francisco for Restoring the Sacred Circle (2002).

In addition to his success as a producer and a director of documentaries, Lucas also worked as a producer, writer, advisor, and actor for several television and stage productions. In 1984 he co-wrote Night of the First Americans, a stage presentation by the Council of Energy Resource Tribes, which was performed at the Kennedy Center in Washington, D.C. In 1993, he co-produced Broken Chain, a feature-length film for Turner Network Television based on the history of the Iroquois Confederacy starring Graham Green, Buffy St. Marie, and Pierce Brosnan, a film which he also appeared in as an actor in the role of Iroquois Sachem. He also served as an advisor of cultural content on television shows such as MacGyver and Northern Exposure, on which he appeared in small roles in the early 1990's.

Lucas also taught throughout much of his career. He has taught at the United Indians of All Tribes Foundation in Seattle, WA; the Institute of American Indian Arts in Santa Fe, NM, where he also served as the head of the Department of Communication Arts; the University of Lethbridge in Alberta, Canada; and Bellevue Community College in Bellevue, WA, where he was the driving force in coordinating an American Indian Film Festival in 2003, and continued to teach until his death in 2007.
Provenance:
The collection was donated by Mrs. Mary Lou Lucas in 2010.
Restrictions:
This collection is closed to researchers until the films have been digitized.
Rights:
Researchers must contact copyright holders directly for permission to reproduce published materials. The National Museum of the American Indian cannot grant permission to use or reproduce copyrighted materials.
Topic:
Indians in motion pictures -- Social conditions  Search this
Motion pictures  Search this
Indian motion picture producers and directors -- United States  Search this
Identifier:
NMAI.AC.020
See more items in:
Phil Lucas videotape collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4eaa2eb6e-3147-4523-8db3-c59f03c72262
EDAN-URL:
ead_collection:sova-nmai-ac-020

OĢ„ru abauto Suzuki Toshio = All about Suzuki Toshio Nagatsuka Akiko hen

Title:
ć‚Ŗćƒ¼ćƒ«ć‚¢ćƒć‚¦ćƒˆéˆ“ęœØę•å¤« = All about Suzuki Toshio / ę°øå”šć‚ćå­ē·Ø
All about Suzuki Toshio
Artist:
Suzuki, Toshio 1948 August 19-  Search this
Editor:
Nagatsuka, Akiko  Search this
Physical description:
286 pages illustrations (chiefly color) 26 cm
Type:
Biography
Place:
Japan
Date:
2020
Topic:
Motion picture producers and directors  Search this
Call number:
PN1998.3.S893 O7 2020
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1146576

Early race filmmaking in America edited by Barbara Tepa Lupack

Ditor:
Lupack, Barbara Tepa  Search this
Physical description:
xii, 250 pages illustrations 33 cm
Type:
Books
Place:
United States
Date:
2019
Topic:
African Americans in motion pictures  Search this
African Americans in the motion picture industry  Search this
African American motion picture producers and directors  Search this
Motion pictures--History  Search this
Racism in motion pictures  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1153567

Lloyd Richards : the griot wears a watch

Author:
Fitzgerald, Sharon  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Richards, Lloyd  Search this
Type:
Articles
Date:
1998
Topic:
African American theatrical producers and directors  Search this
Call number:
E185.5 .A512
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_558279

American Indian image makers of Hollywood Frank Javier Garcia Berumen

Author:
Berumen, Frank Javier Garcia  Search this
Physical description:
1 online resource (xii, 275 pages) illustrations
Type:
Electronic resources
Electronic books
History
Place:
United States
EĢtats-Unis
Date:
2020
Topic:
Indians in motion pictures  Search this
Indian motion pictures--History  Search this
Indian motion picture actors and actresses  Search this
Indian motion picture producers and directors  Search this
Motion pictures--History  Search this
Indiens d'AmeĢrique au cineĢma  Search this
CineĢma indien d'AmeĢrique--Histoire  Search this
Producteurs et reĢalisateurs de cineĢma indiens d'AmeĢrique  Search this
CineĢma--Histoire  Search this
Indian motion pictures  Search this
Motion pictures  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156942

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