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Katharine Milton on "Smithsonian World," 1984.

Creator:
Smithsonian Institution Archives  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-10T18:45:13.000Z
YouTube Category:
Education  Search this
Topic:
Museum administration  Search this
See more by:
SIArchives
Data Source:
Smithsonian Institution Archives
YouTube Channel:
SIArchives
EDAN-URL:
edanmdm:yt_5_QbLz7MZYg

S. Dillon Ripley on "Smithsonian World," 1984.

Creator:
Smithsonian Institution Archives  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2012-12-10T18:46:09.000Z
YouTube Category:
Education  Search this
Topic:
Museum administration  Search this
See more by:
SIArchives
Data Source:
Smithsonian Institution Archives
YouTube Channel:
SIArchives
EDAN-URL:
edanmdm:yt_YKhoRPAwXgM

Playbill for Def Poetry Jam on Broadway

Published by:
Playbill, American, founded 1884  Search this
Used by:
Longacre Theatre, American, founded 1913  Search this
Subject of:
Russell Wendell Simmons, American, born 1957  Search this
Stan Lathan, American, born 1945  Search this
Beau Sia, American, born 1976  Search this
Black Ice, American  Search this
Staceyann Chin, American, born 1972  Search this
Steve Colman, American  Search this
Mayda Del Valle, American, born 1978  Search this
Georgia Me, American  Search this
Suheir Hammad, Jordanian American, born 1973  Search this
Poetri, American, born 1974  Search this
Lemon, American, born 1975  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 3/4 x 5 3/4 in. (22.2 x 14.6 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
2002
Topic:
African American  Search this
Broadway Theatre  Search this
Hip hop (Music)  Search this
Spoken word (Poetry)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.22
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Movement:
Nuyorican Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd515f2d3dc-172d-48b6-83f8-8d20134623aa
EDAN-URL:
edanmdm:nmaahc_2011.45.22
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David McCullough on "Smithsonian World," 1984.

Creator:
Smithsonian Institution Archives  Search this
Type:
YouTube Videos
Uploaded:
2012-12-06T16:05:17.000Z
YouTube Category:
Education  Search this
Topic:
Museum administration  Search this
See more by:
SIArchives
Data Source:
Smithsonian Institution Archives
YouTube Channel:
SIArchives
EDAN-URL:
edanmdm:yt_a16zYwYWKww

Race Movies: The Popular Art of the Black Renaissance

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Ellington, Duke, 1899-1974  Search this
Foster, William D., 1884-  Search this
Johnson, James Weldon, 1871-1938  Search this
Micheaux, Oscar, 1884-1951  Search this
Smith, Bessie, 1894-1937  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 Sound recording (open reel, 1/2 inch)
1 Sound recording (open reel, 1/4 inch)
2 Video recordings (VHS)
1 Video recording (MiniDV)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Video recordings
Place:
Harlem (New York, N.Y.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1985
Scope and Contents:
Short film in which narrator provided the history of African American contributions to the film industry and portrayal of African Americans in film from the silent film era through the Harlem Renaissance. Includes images and clips from The Birth of a Nation, The Birth of a Race, By Right of Birth, The Homesteader, and The Scar of Shame. Includes work and contributions of Bessie Smith, Duke Ellington, James Weldon Johnson, Oscar Micheaux, and Bill Foster, also known as William D. Foster, to the film industry.
Short film. Part of The Renaissance: Black Arts of the Twenties Audiovisual Records. AV003253-1 and AV003253-2: music only, no sound and/or very low volume sound between songs. AV003253-3: narraton only. AV003253-4: repetitious sound. AV003253-5: narration and music. Dated 19850906. AV003452: narration only, undated. AV002130 and AV002141: image and sound (narration and music) including movie clips, undated. AV005152: image and sound, original Dub from 3/4" [U-Matic] tape - remastered version, dated 19850905.
Biographical / Historical:
The exhibition - The Renaissance: Black Arts of the Twenties - showcased the evolution and achievements of the Renaissance, which was the explosion of literary, visual, performance, and cinematic creativity generated by black artists between the end of World War I and the early days of the Great Depression. Represented is the creativity of Marian Anderson, Richard Barthe, Countee Cullen, Aaron Douglas, Duke Ellington, Meta Warrick Fuller, Roland Hayes, Zora Neale Hurston, Malvin Gray Johnson, Alain Locke, "Jelly Roll" Morton, Paul Robeson, George Schuyler, and Wallace Thurman, among others. The exhibition, held at the Anacostia Neighborhood Museum, ran from September 1985 - December 1986.
Local Numbers:
ACMA AV003253-2

ACMA AV003253-3

ACMA AV003253-4

ACMA AV003253-5

ACMA AV003452

ACMA AV002130

ACMA AV005152

ACMA AV002141
General:
Title transcribed from contents of recording.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Harlem Renaissance  Search this
African Americans in the performing arts  Search this
Motion picture producers and directors  Search this
African American motion picture producers and directors  Search this
African American musicians  Search this
Musicians  Search this
Race films  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Race Movies: The Popular Art of the Black Renaissance, Exhibition Records AV03-024, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-024, Item ACMA AV003253-1
See more items in:
The Renaissance: Black arts of the Twenties exhibition records
The Renaissance: Black arts of the Twenties exhibition records / Series ACMA AV03-024: The Renaissance: Black arts of the Twenties audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-024-ref505

Devra Kleiman on "Smithsonian World," 1984.

Creator:
Smithsonian Institution Archives  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-06T16:06:11.000Z
YouTube Category:
Education  Search this
Topic:
Museum administration  Search this
See more by:
SIArchives
Data Source:
Smithsonian Institution Archives
YouTube Channel:
SIArchives
EDAN-URL:
edanmdm:yt_2CRZ8MEdyZI

Nike Advertising Oral History and Documentation Collection

Interviewer:
Center for Advertising History, Archives Center  Search this
Ellsworth, Scott, Dr.  Search this
Creator:
Nike, Inc.  Search this
Names:
Adidas  Search this
Asics  Search this
Nike, Inc.  Search this
Wieden & Kennedy  Search this
Interviewee:
Onitsuka  Search this
Bedbury, Scott  Search this
Bowerman, William  Search this
Brown, John A.  Search this
Champ, Janet  Search this
Clarke, Tom  Search this
Clow, Lee  Search this
Conlon, Jerry  Search this
Davenport, Bill  Search this
Dolan, Liz  Search this
Donohue, Richard  Search this
Farris, Nelson  Search this
Hale, Cindy  Search this
Hoffman, Susan  Search this
Jackson, Bo  Search this
Jaqua, John  Search this
Johnson, Jeff  Search this
Kitami, Shoji  Search this
Knight, Phillip  Search this
McConnell, Pam  Search this
Moore, Charlotte  Search this
Moore, Kenny  Search this
Moore, Peter  Search this
Onitsuka, Kimachiro  Search this
Parker, Mark  Search this
Riswold, Jim  Search this
Robinson, Charles  Search this
Sakaguchi, Tokio  Search this
Stobie, Patsy Mest  Search this
Strasser, Robert (marketing executive)  Search this
Thomashow, Mark  Search this
Wieden, Dan  Search this
Extent:
12 Cubic feet (25 boxes)
Type:
Collection descriptions
Archival materials
Oral history
Videotapes
Tear sheets
Clippings
Audiotapes
Fliers (printed matter)
Advertising fliers
Commercials
Interviews
Place:
Beaverton (Or.)
Portland (Oregon)
Date:
1958 - 1992
Summary:
The Nike Advertising Oral History and Documentation Collection is the result of a two-year study of advertising of Nike athletic shoes. The effort was supported in part by a grant from Nike, Inc. Thirty-one oral history interviews were conducted with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy. A variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that documents, in print and electronic media, the history and development of the company and its advertising campaigns.
Scope and Contents:
This collection consists of thirty-one oral history interviews conducted by historian Scott Ellsworth with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy and related materials collected by the Center for Advertising History staff. There are audiocassettes (original and reference), 1/4" open reel audiotape (master), 3/4" videotapes, and VHS videotapes.
Arrangement:
The collection is rganized into seven series.

Series 1, Research Files, 1979-1992

Subseries 1.1, Materials Compiled by the Center for Advertising History, 1979-1992

Subseries 1.2, Material Compiled by Nike, 1982-1992

Series 2, Interviewee Files, 1990-1992

Series 3, Oral History Interviews, 1990-1992

Subseries 3.1, Original Audiotapes (audio cassette), 1990-1992

Subseries 3.2, Researcher copies (audio cassette), 1990-1992

Subseries 3.3, Preservation masters (1/4 inch audiotape), 1990-1992

Series 4, Television Commercials, 1977-1990 and undated

Subseries 4.1, Master Copies, 1977-1990 and undated

Subseries 4.2, Researcher copies, 1977-1990 and undated

Series 5, Print Advertisements, 1985-1993

Subseries 5.1, Ad Slicks, 1985-1993

Subseries 5.2, Slides, 1989 and undated

Series 6, Trade Catalogues and Photographs, 1958-1982

Series 7, Administrative Files, 1982-1990
Biographical / Historical:
The Nike Advertising Oral History and Documentation Collection is the result of a two-year study of advertising of Nike athletic shoes. The effort was supported in part by a grant from Nike, Inc. Thirty-one oral history interviews were conducted with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy. A variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that documents, in print and electronic media, the history and development of the company and its advertising campaigns.

The consistently high quality of this advertising, its award-winning artistic and creative innovations, and its contribution to the fitness movement in America combine to make this a significant chapter in the history of contemporary American advertising.

One aim of the project was to record the process of decision-making in the creation of successful ad campaigns, a process not often documented in the surviving records. Topics addressed in the oral history interviews include the origins of Nike and Nike advertising, the relationship between corporate culture and advertising, the place of advertising in overall marketing strategy, the development of brand image and identity, the nature of the creative process in producing effective advertising images, the use of athletes as endorsers, and Nikes'simpact on the popular culture. Well-known campaigns are examined in depth, including Nikes's, use of the Beatles tune "Revolution", the "I Love L.A Spots" produced in conjunction with the 1984 Olympics, the controversial billboards campaign, the award-winning "Bo Knows" spots, and a series of commercials directed by African-American filmmaker Spike Lee. The collection is also a rich source of visual imagery for researchers interested in the portrayal of athletes, women and African-Americans.
Related Materials:
Materials in the Archives Center

Alka-Seltzer Documentation and Oral History Collection, 1953-1986 (AC0184)

N. W. Ayer Advertising Agency Records, 1849-1851, 1869-1996 (AC0059)

Campbell Soup Advertising Oral History and Documentation Project, 1904-1989 (AC0367)

Cover Girl Make-Up Advertising Oral History and Documentation Project, 1959-1990 (AC04374)

Federal Express Oral History and Documentation Project Collection, 1972-1987 (AC0306)

Caroline R. Jones Collection, circa 1942-1996 (AC0552)

Marlboro Oral History and Documentation Project, circa 1926-1986 (AC0198)

Pepsi Generation Oral History and Documentation Collection, 1938-1986 (AC0092)

Rob and Julie Strasser Collection, 1970-1990 (AC0525)
Provenance:
The collection was donated by Nike, Inc. in 1991 and 1992.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women in the advertising industry  Search this
Sports for women  Search this
Sports  Search this
Women in advertising  Search this
Television advertising  Search this
Signs and signboards -- 1970-2000  Search this
Slogans  Search this
Marketing  Search this
Music in advertising  Search this
Commercial art  Search this
Endorsements in advertising  Search this
Broadcast advertising  Search this
Business -- History  Search this
Basketball  Search this
advertising -- History  Search this
Track and field  Search this
Copy writers  Search this
Athletes  Search this
Shoes -- 1970-2000  Search this
Motion picture producers and directors  Search this
African American athletes  Search this
Running -- 1970-2000  Search this
Running shoes -- 1970-2000  Search this
Athletic shoes -- 1970-2000  Search this
Shoe industry -- 1970-2000  Search this
Genre/Form:
Oral history
Videotapes
Tear sheets
Clippings
Audiotapes
Fliers (printed matter)
Advertising fliers
Commercials
Interviews -- 1970-1990
Citation:
Nike Advertising Oral History and Documentation Collection, 1958-1992, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0448
See more items in:
Nike Advertising Oral History and Documentation Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0448
Online Media:

Oral history interview with Cheech Marin, 2017 October 16-17

Interviewee:
Marin, Cheech, 1946-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Subject:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- California -- Interviews  Search this
Actors -- California -- Interviews  Search this
Authors -- California -- Interviews  Search this
Motion picture producers and directors -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17519
(DSI-AAA_SIRISBib)391020
AAA_collcode_marin17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391020

Playbill for Look to the Lilies

Published by:
Playbill, American, founded 1884  Search this
Used by:
Lunt-Fontanne Theatre, American, founded 1910  Search this
Subject of:
Titos Vandis, Greek, 1917 - 2003  Search this
Taina Elg, Finnish, born 1930  Search this
Carmen Alvarez, American, born 1934  Search this
Patti Karr, American, born 1932  Search this
Maggie Task, American, 1924 - 2000  Search this
Linda Andrews  Search this
Richard Graham, British, born 1960  Search this
Anita Sheer, American, 1935 - 1996  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 6 in. (22.9 x 15.2 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1970
Topic:
African American  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.55
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5792ff34d-728f-469c-a203-01776b1c730a
EDAN-URL:
edanmdm:nmaahc_2011.45.55
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Online Media:

Playbill for Pippin

Published by:
Playbill, American, founded 1884  Search this
Used by:
Imperial Theatre, American, founded 1923  Search this
Subject of:
Eric Berry, British, 1913 - 1993  Search this
Betty Buckley, American, born 1947  Search this
Priscilla Lopez, American, born 1948  Search this
Dorothy Stickney, American, 1896 - 1998  Search this
Ben Vereen, American, born 1946  Search this
John Rubinstein, American, born 1946  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 5 5/8 in. (22.9 x 14.3 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1974
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.78
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b9c9837b-50d6-4eaa-ad11-32eefa7651b0
EDAN-URL:
edanmdm:nmaahc_2011.45.78
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Playbill for A Raisin in the Sun

Published by:
Playbill, American, founded 1884  Search this
Used by:
Royale Theatre, American, founded 1927  Search this
Subject of:
Lorraine Hansberry, American, 1930 - 1965  Search this
Sean Combs, American, born 1969  Search this
Audra McDonald, German-American, born 1970  Search this
Phylicia Rashad, American, born 1948  Search this
Sanaa Lathan, American, born 1971  Search this
David Aaron Baker, American, born 1963  Search this
Laurence Ballard, American  Search this
Teagle F. Bougere  Search this
Frank Harts, American, born 1979  Search this
Billy Eugene Jones  Search this
Kenneth Alexander Mitchell, Canadian, born 1974  Search this
Bill Nunn, American, 1952 - 2016  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 3/8 in. (21.6 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
2004
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Drama (Theatre)  Search this
Tragedy (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.85
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Exhibition:
Taking the Stage
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd57203016c-cd70-42aa-951d-4ea58e167511
EDAN-URL:
edanmdm:nmaahc_2011.45.85
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  • View Playbill for A Raisin in the Sun digital asset number 1

Playbill for The Song of Jacob Zulu

Published by:
Playbill, American, founded 1884  Search this
Used by:
Gerald Schoenfeld Theatre, American, founded 1918  Search this
Subject of:
Ladysmith Black Mambazo, South African, founded 1960  Search this
Gerry Becker, American, born 1951  Search this
Pat Bowie  Search this
Robert Breuler, American  Search this
David Connelly, American  Search this
Leelai Demoz, American, born 1968  Search this
K. Todd Freeman, American, born 1965  Search this
Erika L. Heard, American, born 1967  Search this
Danny Johnson, American  Search this
Gary DeWitt Marshall, American  Search this
Zakes Mokae, South African, 1934 - 2009  Search this
Tania Richard, American  Search this
Seth Sibanda  Search this
Alan Wilder  Search this
Nicholas Cross Wodtke  Search this
Cedric Young, American  Search this
Created by:
Daniel Oreskes, American  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 3/8 in. (21.6 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1993
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.90
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b322f5c1-fb3b-4532-868e-c6460aa3cbbe
EDAN-URL:
edanmdm:nmaahc_2011.45.90
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The Show-Down vol. 1 no. 5

Published by:
Show-Down Publishing Company, American, founded 1935  Search this
Edited by:
Sally J. Cathrell Jr., American, 1913 - 1981  Search this
Written by:
Theodore C. Jenkins  Search this
Subject of:
Lucretia Williams, American  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D (Closed): 11 5/16 × 8 3/4 × 1/16 in. (28.7 × 22.3 × 0.2 cm)
H x W x D (Open): 11 5/16 × 17 1/2 × 3/8 in. (28.7 × 44.5 × 0.9 cm)
Type:
magazines (periodicals)
Place printed:
Saint Louis, Missouri, United States, North and Central America
Date:
April 1936
Topic:
African American  Search this
Dance  Search this
Entertainers  Search this
Jazz (Music)  Search this
Mass media  Search this
Musicians  Search this
Nightlife  Search this
Photography  Search this
Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.46.25.74
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Collection title:
The Laura Cathrell Show-Down Magazine Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd51851e799-66f8-4a29-850a-7ecff464cb25
EDAN-URL:
edanmdm:nmaahc_2013.46.25.74
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Douglas Cramer papers

Creator:
Cramer, Douglas S.  Search this
Names:
Boone, Mary  Search this
Castelli, Leo  Search this
Kelly, Ellsworth, 1923-  Search this
Ruscha, Edward  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Photographs
Date:
circa 1970-2014
Summary:
The papers of New York art collector Douglas Cramer measure 1.3 linear feet and date from circa 1970-2014. Papers include letters from artists, four guest books signed by visitors to Cramer's art collection and attendees of his parties, printed material documenting Cramer's career in television as well as his prominence as an art collector, and photographs of people and artists who attended his parties including Ellsworth Kelly, Ed Ruscha, Mary Boone, Leo Castelli, and others.
Scope and Contents:
The papers of New York art collector Douglas Cramer measure 1.3 linear feet and date from circa 1970-2014. Papers include letters from artists, four guest books signed by visitors to Cramer's art collection and attendees of his parties, printed material documenting Cramer's career in television as well as his prominence as an art collector, and photographs of people and artists who attended his parties including Ellsworth Kelly, Ed Ruscha, Mary Boone, Leo Castelli, and others.
Arrangement:
The collection is arranged as four series

Series 1: Letters, 1972-2014 (2 folders; Box 1)

Series 2: Guest Books, 1990-1997 (0.5 linear feet; Box 1-2)

Series 3: Printed Material, circa 1972-2012 (0.7 linear feet; Box 1)

Series 4: Photographs, circa 1970, circa 1985 (1 folder; Box 1)
Biographical / Historical:
Douglas Cramer (1931- ) is an art collector and television producer in New York, New York and Miami, Florida. A producer of noted television series including The Love Boat, Dynasty, and The Brady Bunch, Cramer is also an avid art collector and was a founding member of the Board of Trustees of the Museum of Contemporary Art in Los Angeles.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Douglas Cramer conducted by Avis Berman in 2013.
Provenance:
Donated to the Archives of American Art in 2016 by Douglas S. Cramer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Douglas Cramer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- Florida -- Miami  Search this
Television producers and directors -- Florida -- Miami  Search this
Television producers and directors -- New York -- New York  Search this
Genre/Form:
Visitors' books
Photographs
Citation:
Douglas Cramer papers, circa 1970-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cramdoug
See more items in:
Douglas Cramer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cramdoug

Dewey Michaels Burlesque Collection

Photographer:
Garbo (Chicago)  Search this
Laverne, Gene (Buffalo, NY)  Search this
Kriegsmann, James J.  Search this
Maurice (Chicago)  Search this
Seymour, Mamie ((New York))  Search this
Bruno ((Bernard?) of Hollywood (New York City))  Search this
Bakchy, Boris ((New York))  Search this
Collector:
Community Life, Div. of, NMAH, SI  Search this
Michaels, Dewey, 1898- (theater owner, director, producer)  Search this
Names:
Palace Burlesque Theatre (Buffalo, N.Y.)  Search this
Extent:
0.33 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Clippings
Photographs
Place:
Buffalo (N.Y.) -- photographs -- 1920-1970
Date:
late 1920's-1967
Scope and Contents:
Newspaper clippings; advertising brochures; and photoprints of performers at the Palace Theatre (including studio publicity portraits). The majority of the items are silver gelatin photoprints. Some photographers are listed below as index terms. Subjects of photographs include strippers and comedians; photographs of women include portraits as well as full-length figures, nude or in costume.
Arrangement:
The collection is arranged into one series. Arranged alphabetically by subjects' names within categories.
Biographical / Historical:
George Dewey Michaels (1898-1982) was owner, director, general manager and producer of the Palace Burlesque Theater in Buffalo, New York until it closed on September 29, 1977, when Michaels was 79 years old. Michaels started in the business when he was 19 years old. Through the years, he featured Abbott and Costello, Phil Silvers, Jerry Lewis, Red Buttons, and Sammy Davis, Jr. who was then a dancer with the Will Master Trio which included his father and uncle. The Palace Burlesque was part of a 40-city circuit. Michaels was married in 1920 to Phyllis Boasberg. She died in 1969, leaving two sons and one daughter. On December 4, 1980, Michaels donated a backdrop, used in the theatre, to the Smithsonian. The backdrop had a musical theme with a clarinetist and notes rendered in extravagant art nouveau. Michaels was then 83 years old. Other backdrops were distributed to other theatres and collectors. They were 60-100 years old, painted in Diamond Dye, and worth about $1,000 apiece.
Related Materials:
Theatrical backdrops and director's chair located inthe Division of Home and Community Life.
Provenance:
Collection donated by Mr. Dewey Michaels, January 31, 1981.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Glamour photography -- 1920-1970  Search this
Striptease -- 1920-1970  Search this
Stripteasers -- 1920-1970  Search this
Nudity in the performing arts  Search this
Theatrical producers and directors -- 1920-1970  Search this
Comedians -- 1920-1970  Search this
Entertainers -- 1920-1970  Search this
Musicians -- 20th century  Search this
Burlesque shows -- 1920-1970  Search this
Burlesque (Theater) -- 1920-1970  Search this
Entertainment -- Photographs -- 1920-1970  Search this
Genre/Form:
Clippings -- 20th century
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
Dewey Michaels Burlesque Collection, circa 1920s-1967, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0065
See more items in:
Dewey Michaels Burlesque Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0065
Online Media:

100 Years of Black Film: Imaging African American Life, History, and Culture

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 24, Folder 15
Type:
Archival materials
Date:
1995 February 1-4
Scope and Contents:
Program in African American Culture and the Ethnic Imagery Project of the Archives Center of the National Museum of American History, Smithsonian Instituion; the Black Film Institute of the University of the District of Columbia; and the Black Film Review sponsored this program. Program held from Wednesday, February 1, through Saturday, February 4, 1995, in the Carmichael Auditorium and the Taylor Gallery. The symposium included panel discussions, film screenings, lectures, presentations of papers, and performances. The participants included:

Orlando Bagwell, film maker, producer, and director

Toni Cade Bambara, Black film historian; professor of film,Temple University

Steven Torriano Berry, cinematographer and director of photography

Camille Billops, film maker and sculptor

Jaqueline Bobo, Ph.D., associate professor, film and television studies, University of North Carolina at Chapel Hill

Donald Bogle, author, critic, and leading authority on African Americans in American popular culture

India Cooke, violinist, composer, and educator

Thomas Cripps, Ph.D., University Distinguished Professor of History, Morgan State University, Baltimore, Maryland

Manthia Diawara, Ph.D., professor of comparative literature and film, director of Africana Studies Program and the Institute of Afro-American Affairs, NYU

Carl Erikson, Boston based community activist and developer of Roxbury Cinema Multimedia Center

Gloria J. Gibson-Hudson, Ph.D., assistant director, Black Center/Archive; assistant professor, Department of Afro-American Studies, Indiana University

William Greaves, film maker, director, producer, actor

Frederick Dennis Greene, J.D., president of New York-based Lenox/Greene Films

Ed Guerrero, Ph.D., professor of film and literature, University of Delaware

George Hill, Ph.D., author, journalist, publicist, and entrepreneur

George Jackson and Doug McHenry, producers and partners in Jackson/McHenry Company

Clarence Lusane is an author, activist, lecturer, and freelance journalist in DC

Michelle Parkerson, writer and independent film maker from DC

Mark A. Reid, Ph.D., associate professor, African American and African Studies Program and the English Department, University of California, Davis

Jesse Algernon Rhines, Ph.D., assistant professor of political economy in the African American Studies Department, Rutgers University

Program number AC408.92.
Collection Restrictions:
Collection is open for research. Use of reference audio and video cassette copies only.
Collection Rights:
Reproduction fees for commercial use. Copyright restrictions. Contact staff for information.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1298

Fred/Alan MTV Network Advertising Collection

Creator:
Ha! Comedy Network.  Search this
Goodman, Alan  Search this
VH-1.  Search this
Nickelodeon.  Search this
Seibert, Fred  Search this
MTV Network.  Search this
Fred/Alan, Inc.  Search this
Extent:
4 Cubic feet (15 boxes)
Container:
Box 7
Box 8
Type:
Collection descriptions
Archival materials
Photographs
Tear sheets
Slides (photographs)
Date:
1981-1992
Summary:
Collection contains advertsing and promotional materials primarily created by the Fred/Alan Advertising Agency, 1981-1992, for the MTV Network. Also advertising and promotional materials for Nickelodeon, Nick at Nite, VH-1 and Ha! Comedy Networks.
Scope and Contents:
The collection consists of advertising and promotional materials created by the Fred/Alan advertising agency between 1981 and 1992 for the MTV network, which includes Music Television, Nickelodeon, Nick at Nite, VH-1, and Ha! Comedy Network. Also included are advertising and promotional material for the Disney Channel, the Movie Channel, Showtime, Home Box Office and other Fred/Alan clients including Miller Beer, General Foods and Myers Rum. The materials demonstrate the intersection between American popular culture and advertising in several ways. First, because many of the advertisements were designed for trade publications of the cable television and advertising industries, they reveal some of the thinking behind the cable television industry's attempts to establish and stabilize its market during the 1980s, a decade which witnessed the emergence and spectacular rise of cable programming. Secondly, because MTV Networks began as a commercial proposition to attract a difficult-to-reach teenage audience and later, to capture the baby boom generation, the collection also provides evidence of the 1980s trend toward market segmentation. Finally, both in content and style, MTV Networks pioneered a new aesthetic which has had repercussions throughout American popular culture, and particularly in television programming and advertising.
Arrangement:
the collection is arranged into three series.

Series 1: Print Advertising and Promotional Material

Subseries 1.1: Music Television, 1981-1991

Subseries 1.2: Nickelodeon, 1988-1992

Subseries 1.3: Nick at Nite, 1987-1991

Subseries 1.4: Video Hits-1, 1987-1991

Subseries 1.5: Ha! Comedy Network, 1990-1991

Subseries 1.6: The Disney Channel, 1981

Subseries 1.7: The Movie Channel, 1982

Subseries 1.8: Fred/Alan and other clients, 1987-1989

Series 2: Videotaped Commercials

Series 3: Photographic Materials

Subseries 3.1: 2x2 color slides

Subseries 3.2: Still photos
Provenance:
Collection donated by Fred Seibert, President of the Fred/Alan advertising agency in New York City, February 15, 1992.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music in advertising -- 1980-2000  Search this
Motion picture producers and directors  Search this
Marketing -- 1980-2000  Search this
Humor in advertising -- 1980-2000  Search this
Copywriters  Search this
advertising -- 1980-2000  Search this
Television advertising -- 1980-2000  Search this
Sex in advertising -- 1980-2000  Search this
Genre/Form:
Photographs -- 1980-2000
Tear sheets -- 1980-2000
Slides (photographs) -- 1980-2000
Citation:
Fred/Alan MTV Network Collection, 1981-1982, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0453
See more items in:
Fred/Alan MTV Network Advertising Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0453
Online Media:

Ellis B. Haizlip Papers

Producer:
Haizlip, Ellis B., 1929-1991  Search this
Musician:
Asford & Simpson. Asford, Nickolas. Simpson, Valerie, 1946  Search this
Monk, Thelonious  Search this
Author:
Baldwin, James, 1924-1987  Search this
Giovanni, Nikki  Search this
Extent:
63.64 Linear feet (82 boxes)
Type:
Collection descriptions
Archival materials
Date:
circa 1945-1991
bulk 1965-1990
Summary:
The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.
Scope and Contents n ote:
This collection, consisting of materials which date from 1945 --1991 (bulk dates 1965-1990), contains personal and business documents accrued by Ellis B. Haizlip over the course of his adult life. The papers do not include many documents relating to Haizlip's family or childhood. Included are instances of personal and business correspondence, paperwork and notes relating to the productions with which Haizlip was involved, and documentation of his political, community, and artistic activist work. Also included are photographs and slides both personal and event-related, and videotapes of various television and film projects, including Soul! and Watch Your Mouth!
Arrangement note:
The collection is divided into 7 series.

Series 1: Biographical, 1941-1990; undated

Series 2: Career, 1950-1990; undated

Series 3: Organizations, 1948-1990; undated

Series 4: Scripts, 1942-1988; undated

Series 5: Printed Materials, 1950-1990; undated

Series 6: Photographs, undated

Series 7: Videotapes, undated
Biographical/Historical note:
Born September 21, 1929 in Washington, D.C., Ellis Benjamin Haizlip was the son of Ellis M. and Sarah Corbett Haizlip. Haizlip began his production career during his days at Howard University, where he produced the Howard Players in addition to majoring in sociology and economics. He moved to New York after graduation and began his involvement in professional production, including both productions at the Harlem YMCA of plays such as Dark of the Moon and international tours of James Baldwin's The Amen Corner and the dance show Black New World. Haizlip is best known for the television series Soul!, a program that aired on public television WNET during the late 1960s and early 1970s, then resurfaced in the early 1980s. Soul! was a variety show focused on African-American experience, featuring music, dance, poetry, and interviews by and with black performers. Haizlip produced and occasionally hosted the program. He also created the educational series Watch Your Mouth!, a sitcom-style program featuring a diverse cast of characters who all struggled with Standard English. In addition to his career, Haizlip was involved with a plethora of organizations of all sorts, from political campaigns to arts organizations to a variety of African American groups such as Black Convention, Inc. and the Delta Sigma Theta sorority. Haizlip had a complex relationship with these organizations, serving as a board member on some, a hired event producer on others, and in some cases playing multiple roles within a single organization, such as the Alvin Ailey American Dance Theater. Haizlip was openly gay, and was active in several LGBT rights groups during his life. His personal life was filled with a social circle of devoted and notable friends, among them Betty Shabazz, Novella Nelson, and Nikki Giovanni. Haizlip died of lung cancer on January 25, 1991. He was 61 years old.
Related Materials:
This collection contains artifacts catalogued in theACM Ojects collection.
Provenance:
The Ellis B. Haizlip papers were donated to the Anacostia Museum and Center for African American History and Culture on November 12, 1995, by Doris (Haizlip) Sanders.
Restrictions:
The collection is open for research. Medical documents, financial materials and some correspondence in Career series are restricted. Use requires an appointment.
Rights:
The Ellis B. Haizlip papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American celebrities  Search this
African Americans on television  Search this
Television producers and directors  Search this
African American dance  Search this
African American theater  Search this
Citation:
Ellis B. Haizlip papers, Anacostia Communityh Museum Archives, Smithsonian Institution, gift of Doris Sanders.
Identifier:
ACMA.06-005
See more items in:
Ellis B. Haizlip Papers
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-06-005
Online Media:

Oral history interview with Cheech Marin

Interviewee:
Marin, Cheech  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Extent:
7 Items (sound files (3 hr., 27 min.) Audio, digital, wav)
141 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2017 October 16-17
Scope and Contents:
An interview with Cheech Marin conducted 2017 October 17-18, by Josh T. Franco, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Marin's home, in Pacific Palisades, California.
Mr. Marin discusses growing up as a young Chicano in South Central Los Angeles and Granada Hills, California, and his early exposure to the liturgical art of the Catholic Church; his family's use of altars in their homes; his cousins and their independent studies as schoolchildren and his particular focus on art history and classical music; the discouragement by a teacher at at young age to pursue doing art work himself; his early collections of sports memorabilia and ephemera; his wife Natasha Rubin, the pianist, and his former wife Patti Heid, the painter, and his children; his initial interests in Chicano art and the beginnings of his art collecting in this field; the concept of rasquache, especially how it applies to Chicano art; the paintings of Carlos Almaraz; his time working with clay and pottery in college, and as an assistant to the ceramist Ed Drahanchuk. Mr. Marin also describes the work being done to create The Cheech Marin Center for Chicano Art, Culture and Industry in Riverside, California; the importance of the early centers around the country for Chicano art, including Corpus Christi and San Antonio, Texas; his work in film and television; his comedy partner Tommy Chong's interest in New Guinea art; his lecture tours about Chicano art; his assistant Melissa Richardson Banks; the organization of the touring exhibition Chicano Visions [2001-2007]; the potential of Riverside, California as a new mecca for art; the club scene in Hollywood, California in the '70s; his time living in Kennett Square, Pennsylvania and his exposure to the equestrian world; and the salons he and his wife Natasha have conducted in their home as a way to create interaction between Chicano artists and classical musicians. Mr. Marin also recalls Vincent Valdez; Steve Martin; Paul Thiebaud; George Yepes; Robert Berman; Alice Walton; Adán Hernández; Sonya Fe, as well as Stacy King; Belkis Ayón; John Russo; and Luis and Daniel Valdez, among others.
Biographical / Historical:
Cheech Marin (1946- ) is an actor, writer, director, and art collector in Pacific Palisades, California. Josh T. Franco (1985- ) is the National Collector, Archives of American Art, Smithsonian Institution, Washington, D.C.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is access restricted; written permission is required. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting -- California -- Interviews  Search this
Actors -- California -- Interviews  Search this
Authors -- California -- Interviews  Search this
Motion picture producers and directors -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.marin17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marin17

George Sidney Collection

Collector:
Music, Sports and Entertainment, Division of, NMAH, SI  Search this
Sidney, George, 1916-2002  Search this
Music, Sports and Entertainment, Division of, NMAH, SI  Search this
Donor:
Sidney, Corinne Entratter  Search this
Sidney, Corinne Entratter  Search this
Names:
Columbia Pictures  Search this
Metro-Goldwyn-Mayer Pictures  Search this
Paramount Pictures  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
Margret, Ann-, 1941-  Search this
Robinson, Edward G., 1893-1973  Search this
Sidney, George, 1877-1945  Search this
Sidney, Hazel Mooney  Search this
Sidney, Louis K.  Search this
Sullivan, Ed, 1901-1974  Search this
Extent:
54 Film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Type:
Collection descriptions
Archival materials
Film reels
Photographs
Place:
Hollywood (Los Angeles, Calif.)
Date:
1885-2002
bulk 1940-1967
Summary:
George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.
Scope and Contents:
The George Sidney Collection consists of approximately eighty-eight cubic feet of photographs and materials from the Hollywood director George Sidney, most dealing with his career in motion pictures. Sidney was an avid photographer and collector of photographs documenting extremely well the Hollywood film community during the Studio Era (1927-1954) of filmmaking. The bulk of the collection is from Sidney's most productive years, circa 1937-1968.

MGM's motto was "More Stars than there are in Heaven" and the researcher would be advised that the extent of this collection is such that it is impossible to list and identify all of the celebrities and personalities photographed, both behind and in front of the camera. There are stills from Sidney's many productions as well as his on-set personal photographs. There are photographs from dinner parties, and many studio and film community functions. Productions are dated to their generally accepted first theatrical release date (Los Angeles and New York) and in the case of a Broadway show to their opening date.
Arrangement:
The collection is arranged into six series.

Series 1: Photographs, Photographic Negatives, and Slides, 1914-1996, undated.

Subseries 1.1: The Camera Eye of George Sidney, undated.

Subseries 1.2: Productions (Motion Picture, Stage, and Radio), 1921-1968. Subseries 1.3: Personalities and People, 1932-1996, undated.

Subseries 1.4: Personal and Family, 1914-1992, undated.

Subseries 1.5: Family Photograph Albums and Scrapbooks, 1918-1950, undated.

Subseries 1.6: Travel and Locations, 1940-1981, undated.

Subseries 1.7: Studio, Entertainment, and Public Events, 1949-1995, undated.

Subseries 1.8: Tests, 1938-1967, undated.

Subseries 1.9: Photographic Negatives, 1937-1979, undated

Series 2: Production Ephemera, Posters, Scripts, 1930-1991, undated.

Subseries 2.1: Production Posters, 1943-1964, undated

Subseries 2.2: Production Ephemera and Scripts, 1930-1991, undated

Series 3: Office Files and Personal Material, 1903-2002, undated

Subseries 3.1: Personal Material, 1944-2002, undated

Subseries 3.2: Correspondence, Random Files, Indices, and Inventories, 1903-2002, undated

Series 4: Music Manuscripts, Sheet Music, and Music Related Material, 1885-1992, undated

Subseries 4.1: Music Manuscripts, 1937-1960, undated

Subseries 4.2: Sheet Music, 1885-1990

Subseries 4.3: Music Related Material, 1971-1992, undated

Series 5: Audiovisual, 1933-2001, undated

Subseries 5.1: Film, 1940-1960, undated

Subseries 5.2: Audio, 1933-2001, undated

Subseries 5.3: Video, 1989-2001, undated

Series 6: George Sidney (1877-1945), 1909-1945, undated
Biographical / Historical:
George E. Sidney was born in New York, New York on October 4th, 1916 into a show business family. His father Louis K. Sidney (birth surname Kronowith) (1891-1958) was a Broadway producer, actor-manager, and one of the vice-presidents of Loew's Incorporated. Sidney's mother, Hazael Mooney (?-1969), was a vaudeville performer, part of a sister act known as The Mooney Sisters. She was a native New Yorker, daughter of prominent New York City attorney Henry Mooney. She and Louis were married at her home, 12 West 109th Street, New York. Another residence was 179 West 63rd Street.

Louis K. Sidney began working for Loew's Incorporated in 1923. He managed theatres in Denver, Pittsburgh, Toledo, Dayton, and New York. Later he was in charge of stage productions for the theatre circuit. He was in charge of MGM's East Coast film production facility in New York. He and Hazael followed son George to Los Angeles in 1937. Louis produced two motion pictures at MGM, The Big Store with the Marx Brothers and Hullabaloo. After February 1951, he was a member of the four man executive committee in charge of MGM. At his retirement in 1955, Louis K. had risen to the position of vice-president of Loew's, Incorporated. He served as vice-president and director of the Motion Picture Producers Association, as a director of the Motion Picture Relief Fund, and the Hollywood Coordinating Committee.

George Sidney had two uncles in show business, Jack Sidney, known as "Jack of Spades" a black-face comedian, and Sidney's half-uncle, George Sidney (1877-1945) (real name Samuel Greenfield), a vaudeville comic. George had a successful Broadway and screen career, most notably as the bum, Busy Izzy, a character that lasted on the vaudeville circuit from 1901-1915. His initial Broadway success was in a show entitled Welcome Stranger that ran for 309 performances. Welcome Stranger had an extensive touring schedule across the United States. In conjunction with Charlie Murray, he developed a comedy act known as Cohen and Kelly that was not only a vaudeville success but easily made the transition to motion pictures. The Cohens and Kellys films became a motion picture franchise for Universal Studios in 1924. He was married to Carrie Weber (?-1940). George was a member of the Friars Club and an avid sports fan. He owned a racehorse named Kibbitzer.

George Sidney made his on-screen debut in The Littlest Cowboy (1921) starring Tom Mix. He moved to Los Angeles in 1930. Sidney went to work as a messenger at MGM. Louis B. Mayer's nickname for Sidney was "boy". Sidney flourished at the studio and by the time he was twenty he was directing screen tests and one-reel shorts. He directed installments in the Our Gang and Little Rascals series, as well as the Pete Smith and the Crime Does Not Pay series. He won back-to-back Oscars for two of his shorts, Quicker'n a Wink (1940) and Of Pups and Puzzles (1941). His feature film directing debut was Free and Easy (1941) starring Robert Cummings. His first major film musical was the all-star, war time musical, Thousands Cheer (1943), starring Kathryn Grayson and Gene Kelly. Sidney always indicated he viewed films as entertainment and seems to have rejected the auteur theory of directing embraced by some of his well known colleagues such as John Ford and Vincent Minnelli. His film, The Three Musketeers (1948), starring Gene Kelly and Lana Turner, was one of MGM's highest grossing films in the post World War Two period. He won his third Oscar for the short, Overture to 'The Merry Wives of Windsor, in 1954. Jupiter's Darling (1955) with Esther Williams was Sidney's last film for MGM. He was loaned to Columbia Pictures to direct The Eddy Duchin Story (1956), after which his contract at MGM ended.

Sidney went on to become an independent producer and director at Columbia Pictures where he directed such films as Pal Joey (1957), starring Frank Sinatra, and Bye Bye Birdie (1963) starring Ann-Margret. He returned to MGM in the 1960s to make A Ticklish Affair (1963), starring Shirley Jones and Viva Las Vegas (1964), starring Ann-Margret and Elvis Presley. His last film was the musical Half a Sixpence (1967) starring Tommy Steele for Paramount Pictures. Sidney also directed and produced for television most notably Who Has Seen the Wind (1964). He financed and founded Hanna-Barbera Productions in 1944. He was a two-term president, 1951-1959 and 1961-1967, of the Directors Guild of America (DGA), earlier known as the Screen Directors Guild (SDG).

In his personal life, Sidney was married in 1942 to legendary MGM drama coach, Lillian "Burnsie" Burns Salzer (1903-1998). He was eight years her junior. They lived at the Sidney home (1140 Tower Road) in Beverly Hills. They divorced in the mid 1970s. For a brief time Sidney maintained a penthouse apartment for George Sidney Productions at 144 South Beverly Drive, Beverly Hills. He maintained a suite (301) in the Palm Wilshire Building, 9201 Wilshire Boulevard in the 1970s. He married his second wife, Jane Adler Robinson (?-1991), second wife and widow of actor Edward G. Robinson (1893-1974), around 1978. The house at 1140 Tower Road was sold and Sidney moved to the Robinson home at 910 Rexford Drive in Beverly Hills. Sidney married his third wife, Corinne Kegley Entratter (1937-?), widow of showman and Las Vegas entrepreneur John Entratter, in 1991. Sidney was a prolific photographer. He collected art and was apparently an avid gardener. He was a member of the Royal Horticultural Society. He died in Las Vegas, Nevada in May 2002.
Related Materials:
The Harry Warren Collection, AC0750

The Groucho Marx Collection, AC0269

Sidney related artifacts from Sidney's films are housed in the Division of Culture and the Arts, National Museum of American History, Smithsonian. There are scrapbooks donated by the Sidney Estate in the collection of the Cinema-Television Library, Doheny Library, University of Southern California, consisting of eleven volumes containing photographs, correspondence, publicity documents, and other materials, circa 1933-1963.
Provenance:
This collection was donated to the Archives Center in 2005 by Corinne Entratter Sidney, widow of George Sidney.
Restrictions:
This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
The Archives Center does not own exclusive rights to these materials. All requests for permission to use these materials for non-museum purposes must be addressed directly to the Archives Center, and the Archives Center will forward the request to the copyright holder. Collection items are available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
Motion picture production and direction  Search this
Motion picture producers and directors  Search this
Motion pictures  Search this
Vaudeville  Search this
Musicals  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
George Sidney Collection, Archives Center, National Museum of American History, gift of Corinne Entratter Sidney
Identifier:
NMAH.AC.0867
See more items in:
George Sidney Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0867

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