Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Extent:
1.1 Linear feet ((partially microfilmed on two reels))
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Date:
1916-1981
Scope and Contents:
Correspondence (1916-1981); business records (1922-1971); notes (undated and 1929); interview transcript (1978); printed material (1929-1981); and photographs (1920-1945).
REELS 3612-3613: Correspondence concerning work done by the Continis for sculptors, including letters from Bryant Baker, A. Stirling Calder, Rudolph Evans, James Earle Fraser, John Gregory, Walker Hancock, Anna Hyatt Huntington, Gaston Lachaise, Bruce Moore, A. Phimister Proctor, Richard Recchia, David Rubins, and Adolph Weinman; photographs of the Contini family and of works of art, including "End of the Trail" by James Earle Fraser and works by Rudolph Evans, Anna Hyatt Huntington, and Richard Recchia (1920-1945); Attilio Contini's address book; and a notebook listing works of art.
Also, receipts and invoices addressed to various sculptors (1922-1971) and a contract for work on Frederic Remington's sculpture "Coming Through the Rye" for the National Cowboy Hall of Fame; a transcript of an interview with Cesare Contini conducted by George Gurney on August 26, 1978; clippings (1950-1981), exhibition catalogs (1929-1939), and 2 programs for the unveiling of the Martin Luther monument in Baltimore, Maryland (1936) and the Bing Crosby statue in Spokane, Washington (1981).
UNMICROFILMED: Three undated photographs mounted on board of historical panels at the West Point Library executed by Laura Gardin Fraser.
Biographical / Historical:
Plaster casting firm; New York, N.Y. Following training in Italy, Attilio (1884-1960) and his son Cesare (b. 1907) came to America and operated A. Contini and Son, New York, N.Y, making plaster molds for sculptures by wide group of artists, including James Earle Fraser, Ivan Mestrovic, Herbert Haseltine, A. Stirling Calder, Adolph Weinman, Gaston Lachaise, and Gertrude Vanderbilt Whitney.
Provenance:
Donated 1984 by Cesare Contini.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used in the scrapbooks. Also included is one volume compiled in 1947 outlining the contents of the scrapbooks.
REELS 1124-1125: 16 vol. of scrapbooks, 1864-1930, relating to artists represented in Shaw's collection, containing letters, many from artists, photographs of artists and their work, biographical data, clippings and articles, and comments on their work; and 1 v., "Notes: Edwin C. Shaw Collection of Paintings," compiled in 1947, and annotated "Used at Women's Art League Meeting at Miss Shaw's in 1947 by Mrs. [Jane S.] Barnhardt, who compiled it, and then given to the Art Institute Library," containing an outline of the contents of the 16 v. of scrapbooks.
Artists represented in the scrapbooks include J. Carroll Beckwith, Frank W. Benson, Ralph Blakelock, Emil Carlsen, William Merritt Chase, Timothy Cole, Elliott Daingerfield, Cyrus B. Dallin, Charles Davis, Warren Davis, Gleb Derujinsky, Charles M. Dewey, Thomas W. Dewing, Paul Dougherty, Frank Duveneck, Charles Eaton, Frederick Frieseke, George Fuller, Lillian Genth, Childe Hassam, Charles Hawthorne, William Morris Hunt, George Inness, John Johansen, Isidore Konti, John La Farge, William Lathrop, Frederick MacMonnies, Hermon A. MacNeil, Willard Metcalf, Herman Dudley Murphy, J. Francis Murphy, A. Phimister Proctor, Henry Ward Ranger, William Ritschel, Felix Russmann, Albert P. Ryder, Eugenie F. Shonnard, Lars Gustaf Sellstedt, Elliot Torrey, Dwight Tryon, Helen M. Turner, John Twachtman, Elihu Vedder, Bessie P. Vonnoh, Robert Vonnoh, Horatio Walker, J. Alden Weir, Frederick Ballard Williams, Henry Wolf and "The Ten."
REEL 4597: Correspondence, ca. 1916-1941, concerning art acquisitions with dealers Erwin S. Barrie of Grand Central Art Galleries; Thomas Whipple Dunbar; Frederic Newlin Price and T.H. Russell of Ferargil Galleries; W. Frank Purdy of the Gorham Co. Dept. of Sculpture and later the School of American Sculpture; D.H. Hatfield of Hatfield & Clark; Thomas Gerrity of M. Knoedler & Co.; Robert Macbeth, Robert McIntyre and Henry Miller of the Macbeth Gallery; Albert Milch of E.& A. Milch, Inc.; Newman Montross of Montross Gallery; J.E. Batts of the Thurber Art Galleries; Robert C. Vose of R.C. & N.M. Vose and Vose Galleries, and their frame shop, Carrig-Rohane; Howard Young of Howard Young Galleries; and J.W. Young; correspondence with artists and/or their families requesting the artist's portrait, biographical information and background, including letters from Elliot Daingerfield, Charles Dewey, Thomas Wilmer Dewing, John C. Johansen, Willard Leroy Metcalf, Hervey W. Minns, Hermann Dudley Murphy, A.P. Proctor, Eugenie Shonnard, Elliot Torrey, Dwight W. Tryon, Helen M. Turner, and Horatio Walker, and the families of J. Carroll Beckwith, George Inness, Lars Gustaf Sellstedt, John Henry Twachtman and J. Alden Weir; correspondence with the Dayton Art Museum and the Metropolitan Museum of Art regarding works lent for exhibition; with publisher Frederic Fairchild Sherman; with photography studios; and other miscellaneous correspondence.
Biographical / Historical:
Art collector; Akron, Ohio. Shaw, a BF Goodrich executive and avid collector of post-Civil War American art, was one of the founders of the Akron Art Institute, now the Akron Art Museum.
Provenance:
Lent for microfilming 1976 and 1992 by the Akron Art Museum. Shaw bequethed his art collection and papers to the Museum, then named the Akron Art Institute.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, American -- Collectors and collecting Search this
Ten American Painters (New York, N.Y.) Search this
Alexander Phimister Proctor printed material and photographs
Creator:
Proctor, Alexander Phimister, 1862-1950 Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1908-1949
Scope and Contents:
Mainly newspapers and clippings, 1910-1949, relating to Proctor and his work, principally from California and Oregon newspapers. Also included are 47 photographs of Proctor, his wife and family, and his sculpture, ca. 1911-1939, and a 1908 exhibition catalog.
Biographical / Historical:
Sculptor; Wilton, Conn.; Palo Alto and Hollywood, Calif.
Provenance:
Donated 1966 by Dr. Phimister B. Proctor, son of A. Phimister Proctor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Papers concerning Proctor's bronze statue THE PIONEER MOTHER, commissioned by Howard Vanderslice in 1924 and presented to the city of Kansas City, Mo. in 1927. The figures depicted in the sculpture are Vanderslice family members, including Major Daniel Vanderslice, a veteran of Indian wars and an appointed agent to tribes in Missouri; his son Thomas J. Vanderslice with his wife and infant son, Howard Vanderslice, ca. 1853. Included are: a letter to Proctor from Maria Wulff, the model for the statue, and Elizabeth Ewing regarding their impressions of the sculpture, 1924; a letter to "My dear Howard" from Wulff and Ewing, Nov. 11, 1927, the day the sculpture was dedicated 1927; 2 annotated calling cards from Proctor mentioning it; clippings, 1926-1935, regarding THE PIONEER MOTHER and other works by Proctor; photographs of Proctor, his family, home and studio, undated and 1925; a photograph of Vanderslice, 1927; 5 photographs of Maria Wulff "in the dress of the Pioneer Mother," 1925; and photographs of THE PIONEER MOTHER and other works. Also included are an eulogy to Proctor by the Camp Fire Club of America, 1950; a watercolor by Jean Proctor; an etching by William Proctor, 1937.
Biographical / Historical:
Proctor was a sculptor; Wilton, Conn.; Palo Alto and Hollywood, Calif.
Provenance:
Donated 1989 by the Bowers Museum, Santa Ana, California, who received the papers from a friend of the museum, who stated only that they came from "an old house."
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Walters, W. T. (William Thompson), 1820-1894 Search this
Extent:
1 Reel (ca. 800 items (on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Reels
Date:
1875-1930
Scope and Contents:
Correspondence, business records, printed matter, photographs and miscellany.
A statement of purpose of the fund; a volume of Rinehart Committee meeting minutes, including Rinehart's will; abstracts of minutes and reports of the Rinehart Committtee; a ledger recording Rinehart Fund expenditures, including cash paid for scholarships, instructors' salaries, models, shipment of works from Rome and Paris to Baltimore, and sculpture acquisitions; William T. Walters and B. F. Newcomer's account with Rinehart's estate; bills and receipts; printed material, including regulations for scholarships; clippings; and miscellany.
Correspondence includes ca. 200 letters from Rome and Paris, from Rinehart scholars including letters from J. Edgar Stouffer, with one letter containing 5 photographs of his sculpture, C. Percival Dietsch, Alexander Phimister Proctor, Hermon Atkins MacNeil, Hans Schuler, Charles Keck, J. Maxwell Miller and others; correspondence and indexed abstracts of letters of the Rinehart Advisory Committee, including letters from Augustus Saint-Gaudens, Daniel Chester French, Edwin Howland Blashfield and Charles K. McKim; correspondence of the Rinehart Fund Committee and Peabody Institute officials, including letters from Daniel Coit Gilman, Faris C. Pitt, Lawrason Riggs, Henry Walters, and P.R. Uhler; and a letterpress book.
Biographical / Historical:
The American neo-classical sculptor, Willam Henry Rinehart, established this fund through a bequest to provide scholarships for young artists to study in Paris and at the American Academy in Rome. Administered through the Peabody Institute, Baltimore, Md.
Provenance:
Lent for microfilming 1984 by the Peabody Institute.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Letters to Brauner, mainly from artists invited to participate in exhibitions arranged by Brauner at Cornell University. Prominent correspondents include: Giffford Beal, George Bellows, Frank Benson, Karl Bitter, Edith Burroughs, Emil Carlson, John Carlson, Charles Caffin, Arthur Crisp, Randall Davey, Paul Dougherty, Daniel Garber, Lillian Genth, William Glackens, Childe Hassam, Robert Henri, Charles Hopkinson, Henry Hubbell, John Johansen, William Sargent Kendall; Leon Kroll, Jonas Lie, William Macbeth, William Mason, Gari Melchers, Willard Metcalf, Leonard Ochtman, Bela Lyon Pratt, Maurice Prendergast, A. Phimister Proctor, Edward Redfield, William Ritschel, Walter Sargent, Eugene Speicher, Robert Spencer, D. W. Tryon, C. Howard Walker, Booker T. Washington, Frederick Judd Waugh, and others.
Arrangement:
Arranged chronologically.
Biographical / Historical:
Olaf Brauner (1869-1947) was a portrait painter, occasional sculptor, and first professor of art at Cornell University.
Provenance:
The donor, Erling Brauner, is Olaf Brauner's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
