This collection contains gelatin silver photographs shot by photographer David Grant Noble that depict Mohawk ironworkers constructing a building in New York City and Anishinaabe (Chippewa/Ojibwa) wild rice harvesting in Wisconsin and Minnesota, 1970-1971.
Scope and Contents:
This collection contains 140 gelatin silver prints shot by photographer David Grant Noble from 1970-1971. The photographs depict Mohawk ironworkers at a construction site at Park Avenue and 53rd Street in New York City; Lake Superior Chippewa band of Anishinaabe harvesting wild rice on the Bad River Reservation in Odanah, Wisconsin; Minnesota Chippewa [Bois Forte/Nett Lake, Minnesota] band of Anishinaabe harvesting wild rice on the Bois Forte Reservation in northern Minnesota; and Anishinaabe (Chippewa/Ojibwa) Pinery Indian Cemetery in L'Anse, Michigan.
Arrangement:
The photographs are arranged in folders and oversize boxes according to subject matter.
Biographical / Historical:
David Grant Noble is a professional photographer, author, and editor living in Santa Fe, New Mexico. After attending Yale University, Noble served in the U.S. Army in 1962 where he began his photography career.
In 1970, Noble was shooting street photography when he befriended Mohawk ironworkers constructing a building at Park Avenue and 53rd Street in New York City. They invited him to document their work including photographing them many stories above street level.
From 1971-1989, Noble worked at the School for Advanced Research (SAR) in Santa Fe where he photographed and studied American southwest archaeological ruins, cliff dwellings, rock art, and landscapes. His books include Ancient Ruins of the Southwest: an Archaeological Guide, Search of Chaco: New Approaches to an Archaeological Enigma, and In the Places of the Spirits.
Noble's photographs are in the collections of numerous public institutions including Yale University's Beinecke Library, Museum of New Mexico, and New York City Public Library. He is also the recipient of the 2011 Emil Haury Award from the Western National Parks Association and the 2003 Victor Stoner Award from the Arizona Archaeological and Historical Society.
Provenance:
The photographs in this collection were a Museum purchase and gift of David Grant Noble.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu.
Some photographs in this collection are RESTRICTED due to Cultural Sensitivity.
Topic:
Indians of North America -- Québec (Province) Search this
Identification of specific item; Date (if known); David Grant Noble photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
2.32 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1939-1983
Scope and Contents:
REEL N70-16: A typescript (42 p.) address delivered at the Corcoran Museum of Art, 1967, by Yunkers describing his student years in Russia, and later years in Germany, France, and Mexico, ca. 1917-1928, and relating political, social, and cultural events to the development of modern art. He describes Russia before and during the Revolution and Germany during the Weimar Republic. Also included are a resume; a critical bibliography of Yunkers work; typescripts of 2 articles; and clippings.
REEL D251: Printed material, 1941-1965, including newspaper clippings, magazine articles, reviews, exhibition catalogs and announcements, and press releases.
REEL 1023: "Prints in the Desert: New Mexico," 1950, a limited edition book of prints and poetry produced by a collaboration of artists under the leadership of Yunkers.
UNMICROFILMED: Biographical material, including naturalization papers and a passport; files of letters from Mikael Bjornstjerna (1977-1983), Cheryl Bowers (1978-1983), Morton and Chris Grossman (1979-1982), Donna Haley (1982-1983), Denis Wood (1978-1983), Yunker's daughters, including Nina (1979-1983); business and personal correspondence, 1960-1983; files on galleries handling Yunkers' work, including Smith Andersen Gallery (Palo Alto, Calif.), Alice Simsar Gallery (Ann Arbor, Mich.), and Impressions Gallery (Boston, Mass.) containing correspondence, price lists and receipts; a few sketches and a collage; 2 portfolios, "Creation" (1941) and "Ars: Tidskrift for Konst Litterature Och Veteskap" (1942) containing original prints and collages by Yunkers; 2 appointment books, 1980-1983; notes and writings; photographs of Yunkers, Yunkers at work, his family, friends, studio, and art work; photograph albums, including 2 of Yunkers' studios in Stockholm, Sweden, New Mexico, and New York City (1942-1980) and one of exhibition installations, undated; photographs by Denis Hare of the making of Octavio Paz's book BLANCO, illustrated by Yunkers, and slides of prints included in BLANCO; and printed material, including exhibition announcements, clippings and miscellany.
Biographical / Historical:
Abstract painter and printmaker, collagist, and art instructor; New York, N.Y. Died 1983. Born in Riga, Latvia. Studied in Leningrad, Paris, Berlin, and London. He moved to the United States in 1947. Faculty member of the New School for Social Research, 1947-1956; Cooper Union, 1956-1967.
Related Materials:
Adja Yunker papers also at Syracuse University.
Provenance:
Materials on reels D251, N70-16, and 1023 donated by Adja Yunkers, 1966-1970, and transferred to NMAA-NPG Library vertical files after microfilming, except "Prints in the Desert: New Mexico" (REEL 1023). Unmicrofilmed material donated 1984 by Marina and Alexandra Yunkers, Yunkers' daughters.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Unmicrofilmed: ACCESS RESTRICTED; written permission required.
Occupation:
Art teachers -- New York (State) -- New York Search this
Collagists -- New York (State) -- New York Search this
Painters -- New York (State) -- New York Search this
Printmakers -- New York (State) -- New York Search this
Topic:
Abstract expressionism -- New York (State) -- New York Search this
Painting, Abstract -- New York (State) -- New York Search this
Prints, Abstract -- New York (State) -- New York Search this
Photographic negatives and prints shot by and collected Kenneth C. Miller between 1926 and 1943. Miller served as a field assistant to Donald Cadzow on a 1926 trip to Northwestern, Canada and was later hired as an MAI staff member between 1935 and 1943.
Scope and Contents:
This collection includes photographic prints and negatives shot by Kenneth C. Miller as well as photographs and postcards collected and donated to the museum by Miller dating between 1926 and 1943.
The majority of the photographic negatives in this collection are from a 1926 collecting trip with Donald Cadzow to the Canadian Northwest where Miller served as a field assistant. Cadzow was collecting on behalf of the MAI and had taken previous trips to the same area in 1924 and 1925. Cadzow and Miller visited various locations in Saskatchewan and Alberta, Canada collecting among the Plains Cree (Prairie Cree), Assiniboine (Stoney), and Apatohsipipiikani (Northern Piegan) among other communities. These photographs include images of Native community members posing for photographs as well as images of the expedition members, such as Donald Cadzow. Some of these photographs are restricted due to cultural sensitivity. (N13144 - N13150, N23001 - N23047, P11460-P11462, P15351, P16103).
Photographs shot by Miller while he was an MAI staff member include: Negatives (N21568 - N21573) of a mahogany canoe found in an old mill near Brooklyn, NY in 1938; Negatives of Joseph Keppler in Rochester, New York in 1937 with a group of Seneca at an event in Ellison Park (N23115 - N23123); and photographic prints of MAI staff from 1938 (P13057-P13059).
Additional non-MAI photographs include: excavation photographs from the Seip Mound in Ohio in 1931 which was not an MAI sponsored excavation (P11944-P11948); 16 postcards donated by Miller in 1940 which are mostly images of objects from an Exhibition of Modern Art, held at the Museum of Modern Art (P15107 - P15120, P15174, P15205); other miscellaneous postcards and photographic prints from Florida, Michigan, Montana, Rhode Island, California (P13439-P13440, P15310 - P15317, P15323 - P15326, P15934-P15935, P16103, P16566, P21175).
Arrangement:
Arranged by catalog number.
Biographical / Historical:
Kenneth C. Miller (1901-1974) was born in New York in 1901. Miller joined the New York State National Guard in 1922 and eventually became a Major with the Seventh Regiment. In 1926, Miller accompanied Donald Cadzow as a field assistant on a collecting trip to Northwestern, Canada between May and September in 1926 sponsored by the Museum of the American Indian, Heye Foundation (MAI). Cadzow and Miller visited 23 reserves in Saskatchewan and Alberta. In 1935 Miller was hired as a general staff member of the MAI from where he assisted with field collecting and photography until 1943. Miller later became the superintendent of the Washington's Headquarters Historical site in Newburgh, NY in 1956 and served as Vice President of the Historical Society of Newburgh Bay and Highlands. He also sat on the committee of the Hudson River Historical Museum.
Related Materials:
For more photograph from Miller's 1926 trip to Canada see the Donald Cadzow photograph collection (NMAI.AC.001.004).
Provenance:
The photographs in this collection were gifted by Kenneth C. Miller to the MAI in various donations between 1927 and 1943.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu). Some photographs restricted due to cultural sensitivity.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Identification of specific item; Date (if known); Kenneth C. Miller photograph collection, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
Twelve digital photographic prints, from film negatives, taken by Costa Sakellariou, from his "In the Rust Belt" series, depicting cities in central New York State.
Content Description:
Twelve digital photographic prints, from film negatives, taken by Costa Sakellariou, from his "In the Rust Belt" series, depicting cities in central New York State.
Arrangement:
Collection is arranged into one series.
Provenance:
Collection donated to the Archives Center in in 2017 by Paul Ickovic.
Negatives and photographic prints made by Frederick P. Orchard in Port Washington on Long Island, New York in 1927 and at Pricer Mound near Chillicothe, Ohio in 1926.
Scope and Contents:
This collections contains 7 negatives and 5 photographic prints made by Frederick P. Orchard in Port Washington on Long Island, New York in 1927 (negatives) and at Pricer Mound near Chillicothe, Ohio in 1926 (photographic prints). The photographs include images of burial and mound sites as well as objects found at Port Washington. Most of these photographs are restricted due to cultural sensitivity.
N13457-N13462, N13481, P08369-P08373.
Arrangement:
Arranged by catalog number.
Biographical / Historical:
Frederick Preston Orchard (1891-1977) was an assistant curator of archaeology at the Peabody Museum. He was the son of William C. Orchard, who worked for George Heye and the Museum of the American Indian from 1908 to 1939. Frederick Orchard worked for the the MAI, Heye Foundation in 1926 and 1927 conducting excavations at Port Washington on Long Island, New York and Pricer Mound near Chillicothe, Ohio. He also published "A Matinecoc Site on Long Island" in "Indian Notes" Vol. V, No. 2, April 1928,
Related Materials:
Archaeological materials collected during these excavations can be found in NMAI's archaeology collections.
Provenance:
Field collections for the Museum of the American Indian, Heye Foundation by Frederick P. Orchard, 1926 and 1927.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu). Many of these photographs are restricted due to cultural sensitivity.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Identification of specific item; Date (if known); Frederick P. Orchard excavation photographs from Port Washington and Pricer Mound, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
