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Print Council of America records

Creator:
Print Council of America  Search this
Names:
Print Council of America. Newsletter  Search this
Degas, Edgar, 1834-1917  Search this
Fine, Ruth, 1941-  Search this
Haverkamp Begemann, Egbert  Search this
Ostrow, Stephen E.  Search this
Reed, Sue Welsh  Search this
Extent:
24.5 Linear feet
3.02 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Sound recordings
Transcripts
Date:
1951-2020
Summary:
The records of the Print Council of America measure 24.5 linear feet and 3.02 GB, and date from 1951 to 2020. The collection includes administrative files, correspondence and subject files, interviews, some in digital format, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists.
Scope and Contents:
The records of the Print Council of America measure 24.5 linear feet and 3.02 GB, and date from 1951 to 2020. The collection includes administrative files, correspondence and subject files, interviews, some in digital format, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists.

Administrative files consist of general administrative records and files for memberships, board of directors, trustees, committees, and digital photographs.

Correspondence and subject files contain a mixture of correspondence, writings, and printed material for various correspondents and topics.

The oral history project consists of twenty digital sound recordings and transcripts of interviews with council members Alan Fern, Ruth Fine, Egbert Haverkamp-Begemann, Stephen E. Ostrow, Sue Reed, Robert Waddell, and others.

Files for exhibitions include American Prints Today 1959 and 1962 , the VII São Paulo Biennial exhibition Eleven American Printmakers (1963), the New York World's Fair of 1964-1965, and 30 Contemporary American Prints (1964). Project files include documentation for the Index to Print Catalogues Raisonné database, other publishing and research projects, surveys, a print collection in India, the People-to-People Program, the sales of an Edgar Degas work, and project proposals.

Financial records consist of cash vouchers, check stub books, financial reports, disbursement and cash receipt ledgers, The Lessing and Edith Rosenwald Foundation grant information, paid bills, and tax information. In printed materials are issues of Print Council's Newsletter, press releases, print sales and exhibition catalogs, reprints of advertisements, informational flyers created by the council, and a booklet marking the council's 50th anniversary.
Arrangement:
The collection is arranged as seven series.

Series 1: Administrative Files, 1955-2016 (9.2 linear feet; Boxes 1-7, 24-28, OV 29; 0.26 gigabytes, ER01)

Series 2: Correspondence and Subject Files, 1953-2016 (5.9 linear feet; Boxes 7-12)

Series 3: Oral History Project, 2006-2016 (0.4 linear feet; Box 13; 2.76 gigabytes, ER02-ER20)

Series 4: Exhibition Files, 1956-2005 (3.0 linear feet; Boxes 13-16, OV 29)

Series 5: Project Files, 1956-2013 (3.4 linear feet; Boxes 16-19, OV 29)

Series 6: Financial Records, 1956-1995 (1.5 linear feet; Boxes 19-21)

Series 7: Printed Materials, 1951-2016 (1.1 linear feet; Boxes 21-22)
Biographical / Historical:
The Print Council of America (est. 1956- ) is a non-profit, professional organization of print specialists in Boston, Massachusetts.

The idea of a print council began in 1954 when a group of prominent art collectors, curators, and scholars gathered in New York to discuss creating a national organization that could promote prints and print collecting. After much discussion, by-laws and other legal documentation were drawn up by Joshua Binion Cahn, a legal advisor for the Print Council of America, to establish the organization. Some of the earliest members of the council, including Adelyn Breeskin, Gustav von Groschwitz, Una Johnson, William Lieberman, A. Hyatt Mayor, Elizabeth Mongan, Paul J. Sachs, and Carl Zigrosser, were led by Lessing J. Rosenwald, an art collector and son of Julius Rosenwald, who was part owner of Sears, Roebuck and Company.

Rosenwald's mission was to "foster the creation, dissemination, and appreciation of fine prints, old and new," and to encourage and professionalize the preservation, administration, and study of print collections in the United States and Canada. Eventually the organization evolved to become an authority on print standards, educating print professionals and collectors on how to prevent fraudulent practices by learning ways to identify authentic or "original" prints. As an authority on prints, the council published numerous guides and directories of print resources. One of the council's most notable accomplishments was the compilation of European, American, and Japanese print resources into the Index of Print Catalogues Raisonné online database. The council also aimed to provide its members with an avenue to share ideas through holding annual meetings. After the closing of the organization's New York office in 1973, annual and semi-annual meetings continued to be a valuable resource for members.

Today, the council continues to provide educational tools and resources for print professionals.
Provenance:
The Print Council of America records were donated in multiple installments from 1981 to 2020 via former council presidents Andrew Robinson, Sue Reed, Jay Fisher, Marjorie B. Cohn, and James A. Ganz and in 2020 via Jane Myers McNamara, Coordinator, Oral History Program.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of born-digital records with no duplicate copies requires advance notice.
Occupation:
Art dealers  Search this
Topic:
Art -- Societies, etc.  Search this
Curators -- United States  Search this
Printmakers  Search this
Prints  Search this
Prints -- societies, etc  Search this
Prints -- Technique -- United States  Search this
Genre/Form:
Interviews
Photographs
Sound recordings
Transcripts
Citation:
Print Council of America records, 1951-2020. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.princoun
See more items in:
Print Council of America records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-princoun

Sol Wilson papers, 1919-1975

Creator:
Wilson, Sol, 1896-1974  Search this
Wilson, Sol, 1896-1974  Search this
Subject:
Hopper, Edward  Search this
Bouché, Louis  Search this
Burliuk, David  Search this
Evergood, Philip  Search this
Babcock Galleries  Search this
Topic:
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9380
(DSI-AAA_SIRISBib)211577
AAA_collcode_wilssol
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211577

Oral history interview with Byron Randall, 1964 May 12

Interviewee:
Randall, Byron, 1918-1999  Search this
Randall, Byron, 1918-1999  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- California -- Tomales -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12541
(DSI-AAA_SIRISBib)213731
AAA_collcode_randal64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213731

Oral history interview with Anton Refregier, 1964 Nov. 5

Interviewee:
Refregier, Anton, 1905-1979  Search this
Refregier, Anton, 1905-1979  Search this
Interviewer:
Trovato, Joseph S., 1912-1983  Search this
Subject:
Federal Art Project (N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Mural painting and decoration -- New York (State)  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- Woodstock -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12689
(DSI-AAA_SIRISBib)213745
AAA_collcode_refreg64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213745
Online Media:

Kenjilo Nanao papers

Creator:
Nanao, Kenjirō, 1929-2013  Search this
Extent:
11.3 Linear feet
0.706 Gigabytes
11.3 Linear feet
0.706 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Date:
circa 1885-1887
circa 1949-2017
circa 1885-1887
circa 1949-2017
Summary:
The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.
Scope and Contents:
The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.
Arrangement:
The collection is arranged in 7 series:

Series 1: Biographical Material, circa 1960-circa 2017 (0.3 Linear Feet, .706 GB; Box 1, ER01)

Series 2: Correspondence, circa 1951-2013 (4.9 Linear Feet; Boxes 1-6)

Series 3: Journals, circa 1949-2013 (3.9 Linear Feet; Boxes 6-9, 12)

Series 4: Professional Files, circa 1967-2011 (1.0 Linear Feet; Box 10)

Series 5: Printed Material, circa 1885-1887, circa 1960-2010 (0.6 Linear Feet; Box 11)

Series 6: Photographic Material, circa 1960-2011 (0.1 Linear Feet; Box 11)

Series 7: Artwork, circa 1976-2010 (0.4 Linear Feet; Boxes 11-12)
Biographical / Historical:
Painter and printmaker Kenjilo Nanao (1929-2013), was born in Aomori, Japan, and graduated with a degree in economics in 1953 from Nihon University before immigrating to the United States to study art in the San Francisco Bay Area. He received a bachelor's degree from the California School of Fine Arts in 1963 as well as a masters of fine arts from the San Francisco Art Institute in 1971, where he studied under Nathan Oliveira and met his wife and fellow artist, Gail Chadell Nanao.

Kenjilo's primary artistic medium was lithography in which he became known for Surrealist minimal figurative compositions. Eventually he immersed himself in painting in an Abstract Expressionist style that became his main form of artistic production from the 1980s on. Nanao taught lithography and painting at California State University at Hayward from 1971-1990, and lectured at various other schools in the San Francisco Bay Area. His work is included in the collections of the Museum of Modern Art, in New York City, City of San Francisco, Pasadena Art Museum, Los Angeles County Museum, Cincinnati Museum of Art, Honolulu Academy of Art, Gruenwald (University of California, Los Angeles), the Achenbach Foundation, and others.

Kenjilo Nanao died in Berkeley, CA in 2013 and is survived by his wife and son Max.
Provenance:
The Kenjilo Nanao papers were donated to the Archives of American Art in 2016 and 2018 by Gail Nanao, Kenjilo Nanao's widow.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Lithographers -- California  Search this
Painters -- California -- San Francisco Bay Area  Search this
Educators -- California  Search this
Lithographers -- California  Search this
Topic:
Japanese Americans  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Asian American educators  Search this
Genre/Form:
Sketchbooks
Citation:
Kenjilo Nanao papers, circa 1885-1887, circa 1949-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nanakenj
See more items in:
Kenjilo Nanao papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nanakenj

Oral history interview with Seong Moy, 1971 Jan. 18-28

Interviewee:
Moy, Seong, 1921-  Search this
Moy, Seong, 1921-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Booth, Cameron  Search this
Hayter, Stanley William  Search this
Hofmann, Hans  Search this
Vytlacil, Vaclav  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Theme:
Asian American  Search this
Record number:
(DSI-AAA_CollID)12341
(DSI-AAA_SIRISBib)212912
AAA_collcode_moy71
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212912
Online Media:

Yasuo Kuniyoshi papers

Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Extent:
14.3 Linear feet
2.84 Gigabytes
14.3 Linear feet
2.84 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Photographs
Date:
1906-2016
bulk 1920-1990
1906-2016
bulk 1920-1990
Summary:
The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2016, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.
Scope and Content Note:
The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2013, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.

Biographical material consists of a wide range of records such as an address book, resumes, biographical summaries, vital records, citizenship applications, identification documents, travel records, and documentation regarding Kuniyoshi's death. There is some limited biographical material on the artist's widow, Sara Mazo Kuniyoshi, plus interviews with her talking about Kuniyoshi.

Correspondence is divided into correspondence with Yasuo Kuniyoshi and the correspondence with his second wife, Sara Mazo Kuniyoshi. The Yasuo Kuniyoshi correspondence discusses various topics including exhibits and his status as a Japanese American during World War II. The bulk of the series consists of correspondence with Sara after Yasuo's death and usually relates to exhibitions of his work, and reproduction requests for the inclusion of his work in publications. Of note is her correspondence with Alexander Brook, Ritsuko Ozawa, Tom Wolf, and the Yasuo Kuniyoshi Museum in Japan.

Writings and lectures include Kuniyoshi's writings and speeches about other artists, art and the art profession, lithography, and World War II. Also found are statements on his own work and extensive notes for his autobiography. There are two sound recordings of lectures by Kuniyoshi at art schools as well as writings by others, including Sara Mazo Kuniyoshi, about Yasuo Kuniyoshi.

Organization records document Kuniyoshi's involvement in social, political, and art organizations, including the East West Association and the Artists Equity Association. These records include correspondence, speeches, printed material and notes.

Gallery and professional records include material on Kuniyoshi's career and the sales of his work at galleries. Found herein are correspondence, printed material and notes. There are files on projects and commissions, transcripts of the radio broadcast "Japan Against Japan," appraisals of artwork, authentications of artwork, art inventories of his work at various galleries as well as private collections, and records of his participation in the Woodstock Art Conference. Also noteworthy are the records of Sara Mazo Kuniyoshi's dealings with the Downtown Gallery and Zabriskie Galleries.

Exhibition files include a few files on exhibitions while Yasuo Kuniyoshi was alive, but most of the series consists of files created by Sara Mazo Kuniyoshi about exhibitions of Kuniyoshi's works after his death in 1953. Files may include exhibition checklists and planning documents, loan agreements, correspondence, photographs of the exhibition, and press materials.

Printed material consists of books, newspaper, and magazine clippings about Kuniyoshi and about World War II. There are numerous exhibition catalogs and announcements and some magazines, posters, brochures, and bulletins.

There are four scrapbooks of printed material related to Kuniyoshi and his artwork. The scrapbooks contain press clippings, exhibition announcements, checklists, and a few catalogs.

Artwork consists of etchings, numerous sketches and drawings in graphite and ink, sketches painted onto clear acetate which Kuniyoshi used for catalogs, two zinc lithographic plates and their corresponding prints, and a sketchbook. Drawings that Yasuo Kuniyoshi created for the Office of War Information during World War II are in this series. There is one folder of pencil sketches by unidentified artists.

Photographic material are mostly photographs of Kuniyoshi in his studio, at various events and parties, teaching at Mills College and with his wife Sara Mazo Kuniyoshi. Also found are photographs of artists, including Francis Criss, Julian Levi, Doris and Russell Lee, and others, taken by Yasuo Kuniyoshi. Especially noteworthy, are photographs of the Artists Equity Testimonial Dinner held in honor of Kuniyoshi's 1948 retrospective at the Whitney Museum of American Art. There are some slides and snapshots of Sara Mazo Kuniyoshi's travels abroad and a the house in Woodstock she shared with Yasuo, along with other locations.

Artwork photograph records were created by Sara Mazo Kuniyoshi to document works of art created by her husband. Files mostly include photographs of artwork with annotations regarding title, date, sale, and provenance. Some files also include correspondence, notes by Sara Kuniyoshi, exhibition history, and published reproductions. There are also miscellaneous photographs and slides of artwork which mostly consist of duplicates of artwork that can be found in the rest of the series.
Arrangement:
This collection is arranged as 11 series.

Series 1: Biographical Material, 1906-1998 (Box 1, ER01; 0.3 linear feet)

Series 2: Correspondence, 1931-2007 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings and Lectures, 1939-2003 (Box 2; 0.5 linear feet)

Series 4: Organization Records, 1939-2003 (Box 3; 0.4 linear feet)

Series 5: Gallery and Professional Records, circa 1924-2009 (Boxes 3-5, OV 19; 2.1 linear feet)

Series 6: Exhibition Files, 1948-2004 (Boxes 5-6, OVs 19-20; 1.1 linear feet)

Series 7: Printed Material, 1921-2013 (Boxes 6-8, 14, OV 20 ; 2.1 linear feet)

Series 8: Scrapbooks, 1919-1978 (Boxes 8, 13, 15; 0.6 linear feet)

Series 9: Artwork, 1925-1991 (Boxes 8, 14, 16, OV 21-23; 0.8 linear feet)

Series 10: Photographic Material, circa 1920-2005 (Boxes 8-9, 16-17; 1.4 linear feet)

Series 11: Artwork Photograph Records, circa 1920s-2016 (Boxes 9-12, 17-18, OV 22; 3.8 linear feet)
Biographical Note:
Yasuo Kuniyoshi (1889-1953) was a Japanese-American painter, printmaker and photographer based in New York, N.Y.

Kuniyoshi was born in Okayama, Japan. In 1906 he came to the United States and a year later began studying at the Los Angeles School of Art and Design. In 1910 he moved to New York and took courses at the National Academy of Design, the Independent School of Art, and the Art Students League, where he studied with Kenneth Hayes Miller. He was married to fellow artist Katherine Schmidt from 1919 to 1932. After traveling throughout Europe, they moved to the Woodstock, New York, in 1927 and took part in the Woodstock Art Colony. Kuniyoshi studied and later taught at the Art Students League summer school there.

By 1930 Kuniyoshi had established himself as an internationally known painter and graphic artist. In 1935, he received a Guggenheim fellowship and married Sara Mazo. In New York City he taught at the Art Students League, the New School for Social Research, and served as the first president of the Artists Equity Association from 1947 to 1950. Kuniyoshi was active in social organizations, especially Japanese American organizations, such as the Japanese American Committee for Democracy. Although Kuniyoshi was barred from becoming a citizen due to American immgration laws at the time, he viewed himself as American and took an active role in the war effort during World War II, even working with the U.S. Office of War Information department to design posters.

The Whitney Museum of American Art held a retrospective for Kuniyoshi in 1948, making him the first living artist to be honored in such a fashion at the museum. Yasuo Kuniyoshi died of cancer in 1953 and was survived by his second wife Sara Mazo Kuniyoshi who preserved the legacy of his work.
Related Materials:
Also found at the Archives of American Art are the Yasuo Kuniyoshi photographs of artwork, a 1948 letter from Kuniyoshi to E. P. Richardson, and checklists of Yasuo Kuniyoshi prints.
Provenance:
The collection was donated in installments, from 1969 to 1995, by Sara Mazo Kuniyoshi, Yasuo Kuniyoshi's widow. Additional papers were donated in 2014 and 2018 by Stephen Diamond, Sara Mazo Kuniyoshi's nephew.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century  Search this
Asian American art  Search this
Asian American artists  Search this
Political clubs  Search this
World War, 1939-1945 -- Japanese Americans  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Asian American photographers  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuniyasu
See more items in:
Yasuo Kuniyoshi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuniyasu
Online Media:

Interview of Helen Boyer

Creator:
Boyer, Helen  Search this
Wright, Helena, 1946-  Search this
Boyer, Helen  Search this
Subject:
Boyer, Louise  Search this
Type:
Sound Recording
Date:
1984 November 13-14
Record number:
(DSI-AAA)13648
See more items in:
Interviews of Helen Boyer and Warrington Colescott, 1984 Nov. 13 - 1986 Mar. 20
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13648

Interview with Marion Woods conducted by Jean Gaede

Creator:
Woods, Marion Brown, 1900-1982  Search this
Gaede, Jean  Search this
Woods, Marion Brown, 1900-1982  Search this
Subject:
Brown, Bolton  Search this
McFee, Henry Lee  Search this
Type:
Sound Recording
Date:
1976 June
Topic:
Ceramicists  Search this
Printmaking  Search this
Women artists  Search this
Record number:
(DSI-AAA)19234
See more items in:
Marion Brown Woods interview, 1976 June
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19234

Interviews regarding the Cinque Gallery (New York, NY)

Creator:
Rolick, Esther G., 1922-2008  Search this
Rolick, Esther G., 1922-2008  Search this
Subject:
Reyes, Rolando  Search this
Sharp, Frank  Search this
Cinque Gallery  Search this
Type:
Sound Recording
Date:
1971
Record number:
(DSI-AAA)11750
See more items in:
Esther G. Rolick papers, 1940-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11750

Interview with William Meyerowitz and Theresa Bertstein

Creator:
Meyerowitz, William, 1887-1981  Search this
Bernstein, Theresa F. (Theresa Ferber), 1890-2002  Search this
Meyerowitz, William, 1887-1981  Search this
Subject:
Masters, David  Search this
Type:
Sound Recording
Date:
1978 January 23
Record number:
(DSI-AAA)12445
See more items in:
William Meyerowitz and Theresa Bernstein interview, 1978
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12445

Interview with Tatyana Grosman for the Stage, screen, and concert radio series

Creator:
Grosman, Tatyana, 1904-1982  Search this
Grosman, Tatyana, 1904-1982  Search this
Subject:
Grosman, Tatyana  Search this
Type:
Sound Recording
Date:
1971 Mar. 19
Topic:
Printmaking  Search this
Record number:
(DSI-AAA)15240
See more items in:
Gertrude Kasle Gallery records, 1949-1999, bulk 1964-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15240

Interview with Bill Tall for the Stage, Screen, and Concert radio series

Creator:
Tall, Bill  Search this
Tall, Bill  Search this
Type:
Sound Recording
Date:
1971 Mar. 19
Topic:
Printmaking  Search this
Record number:
(DSI-AAA)15241
See more items in:
Gertrude Kasle Gallery records, 1949-1999, bulk 1964-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15241

Interview with Leonard Edmondson

Creator:
Edmondson, Leonard, 1916-  Search this
Edmondson, Leonard, 1916-  Search this
Subject:
KPAL (Radio station : Palm Springs, California)  Search this
Type:
Sound Recording
Date:
1966-1967
Topic:
Printmakers  Search this
Record number:
(DSI-AAA)20851
See more items in:
Molly Saltman "Art and Artists" interviews, 1966-1967
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20851

Lasting impressions

Creator:
Jansen, Gail  Search this
Jansen, Gail  Search this
Subject:
Blackburn, Robert Hamilton  Search this
Type:
Videorecording
Date:
circa 1998
Topic:
Printmaking  Search this
Record number:
(DSI-AAA)11806
See more items in:
Will Barnet papers, 1897
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11806

Interview with Leonard Edmondson, episode 17 of the Dialogues in art television series

Creator:
Edmondson, Leonard, 1916-  Search this
Biberman, Edward, 1904-1986  Search this
Edmondson, Leonard, 1916-  Search this
Subject:
Edmondson, Leonard  Search this
Type:
Sound Recording
Date:
1967 or 1968
Topic:
Printmaking  Search this
Record number:
(DSI-AAA)15273
See more items in:
Edward Biberman papers, 1939-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15273

Interview with Letterio Calapai

Creator:
Calapai, Letterio, 1902-1993  Search this
Calapai, Letterio, 1902-1993  Search this
Subject:
Calapai, Letterio  Search this
Kendall College (Evanston, Ill.)  Search this
Type:
Sound Recording
Date:
circa 1966
Topic:
Art--Collectors and collecting  Search this
Printmaking  Search this
Record number:
(DSI-AAA)16072
See more items in:
Letterio Calapai papers, 1858, bulk 1920-1993
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16072

Ben Shahn interview, 1965 Jan. 17

Creator:
Shahn, Ben, 1898-1969  Search this
Goldman, Eric Frederick, 1915-  Search this
Shahn, Ben, 1898-1969  Search this
Type:
Interviews
Topic:
Painting, American  Search this
Record number:
(DSI-AAA_CollID)11513
(DSI-AAA_SIRISBib)208512
AAA_collcode_shahben2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208512

Hassel Smith papers, circa 1900-2004, bulk 1930-1995

Creator:
Smith, Hassel Wendell, 1915-2007  Search this
Smith, Hassel Wendell, 1915-2007  Search this
Subject:
Fitz Gibbon, John  Search this
Emmerich, André  Search this
Gimpel, Charles  Search this
Still, Patricia  Search this
Thiebaud, Wayne  Search this
Swanson, Kathryn  Search this
Wollard, Robert  Search this
Butterfield, Jan  Search this
Still, Clyfford  Search this
Bischoff, Elmer  Search this
Anglim, Paule  Search this
Gimpel Fils  Search this
New Arts (Art gallery)  Search this
San Francisco Art Institute  Search this
Type:
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Topic:
Art -- Study and teaching  Search this
Educators -- California -- Berkeley  Search this
Artists' studios -- Photographs  Search this
Abstract expressionism  Search this
Women artists  Search this
Art -- California -- San Francisco Bay Area  Search this
Art, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)5714
(DSI-AAA_SIRISBib)208552
AAA_collcode_smithass
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208552
Online Media:

Hank Virgona papers, 1953-1981

Creator:
Virgona, Hank, 1929-  Search this
Virgona, Hank, 1929-  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6918
(DSI-AAA_SIRISBib)209047
AAA_collcode_virghank
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209047

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