Interview of Peggy Bacon conducted 1973 May 8, by Paul Cummings, for the Archives of American Art, in Cape Porpoise, Maine. Bacon speaks of her family and educational background; summer art classes in Provincetown, Massachusetts and Woodstock, New York; the Art Students League; the Provincetown Players; working in black and white; her drawings, drypoints, etchings, and caricatures; her illustrated books including, "Off With Their Heards"; cats as subjects; and her husband Alexander Brook. She recalls George Bellows, Andrew Dasburg, Edith Gregor Halpert, Charles Webster Hawthorne, Jonas Lie, Kenneth Hayes Miller, and others.
Biographical / Historical:
Peggy Bacon (1895-1987) was a printmaker from Cape Porpoise, Maine.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 9 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Printmakers -- New York (State) -- Woodstock Search this
Illustrators -- New York (State) -- Woodstock Search this
Caricaturists -- New York (State) -- Woodstock Search this
Authors -- New York (State) -- Woodstock Search this
An interview of Marion Brown Woods conducted by Jean Gaede. Woods discusses her father, the printmaker Bolton Brown, their family, and his work. She also discusses her acquaintance with the painter Henry McFee.
Biographical / Historical:
Painter, ceramist, printmaker; Woodstock, N.Y.
Provenance:
Donated 1985 by Marion S. Sweeney.
Restrictions:
Untranscribed; use requires an appointment.
Occupation:
Ceramicists -- New York (State) -- Woodstock Search this
Painters -- New York (State) -- Woodstock Search this
This small collection of the papers of illustrator Earle B. Winslow measures 0.6 linear feet and dates from 1898-1977. The papers consist primarily of 9 sketchbooks and printed materials, such as clippings, exhibition announcements and catalogs, and reproductions of Winslow's artwork. Additional scattered materials include biographical material, letters concerning Winslow's art-related activities during World War II, notes and writings, and photographs of art work.
Scope and Content Note:
This small collection of the papers of illustrator Earle B. Winslow measures 0.6 linear feet and dates from 1898-1977. Most of the collection consists of nine sketchbooks and printed materials, such as clippings, exhibition announcements and catalogs, and reproductions of Winslow's artwork. Additional scattered materials include biographical material, including chronologies and military certificates of appreciation; one folder of letters concerning Winslow's art-related activities during World War II; notes and writings primarily concerning Winslow's views on art and a biographical typescript written by his granddaughter, and photographs of miscellaneous art work.
Arrangement:
The collection has been arranged into 6 series:
Missing Title
Series 1: Biographical Material, circa 1944-1969 (Box 1; 1 folder)
Series 2: Letters, circa 1943-1977 (Box 1; 2 folders)
Series 3: Sketchbooks, circa 1898-1925 (Box 1; 9 folders)
Series 4: Notes and Writings, circa 1969 (Box 1; 4 folders)
Series 5: Printed Material, circa 1928-1976 (Box 2; 17 folders)
Series 6: Photographs, circa 1959-1964 (Box 2; 5 folders)
Biographical Note:
Earle B. Winslow was born on February 21, 1884 in Northville, Michigan, and several years later his family moved to Grand Rapids. After graduating from Union High School in Grand Rapids, Winslow studied at the Art Institute of Chicago until 1906 when he served a two-year apprenticeship at the Cargills Newspaper Engraving Plant.
In 1909, Winslow married Zenna Pearl, the former model of his Grand Rapids art instructor Mathais J. Alten. He moved his family to Detroit in 1913 where he was employed by the Franklin Press Company, and he attended the Detroit School of Fine Arts.
By 1917, the Winslows had two children, Marshall Ladd and Zenna Mae, and the family moved to Chicago where he continued his studies at the Art Institute of Chicago. The family moved again the following year to New York City, where Winslow studied at the Art Students league with George Bellows and John Sloan. Beginning in 1919, summers were spent in Woodstock where his tutors were John Sloan, Andrew Dasburg, and George Bellows. Classmates in Bellows' classes included Peggy Bacon and Dorothy Varian.
In 1921, Winslow created the "Bingville Bugle" comic strip at the Invisible Ink Studios of Woodstock, New York. It was from this popular publication that singer Bing Crosby took his nickname. When the publication was discontinued in 1924, Winslow was employed at Art Services in New York City. In 1929, he established his own studio at 219 West 14th Street in New York City, and executed the Exide Battery Account for which he won an Art directors Award. He had a solo exhibition at the Macbeth Gallery in April of the same year.
He was a member of the Society of Illustrators, the Artists Guild, the Art Directors Club of New York, and the Salmagundi Club, and did illustrations for The Saturday Evening Post, Cosmopolitan, Women's Home Companion, Liberty, and Outdoor Life. In 1935, Winslow was honored by the Linweave Paper Company of Springfield, Massachusetts, when they named "Winslow Texture" watercolor paper after him.
During World War II, he was commissioned to do posters and instructional material for the U. S. Marines and the Forestry Service. He also painted 30-minute portraits at the Stage Door Canteen and Seamen's Institute.
In 1948, Winslow became an instructor at Pratt Institute, and at Visual Arts and Cartoon Schools. He gave up his New York City Studio and moved permanently to Woodstock, New York, in 1953.
Earle B. Winslow died on June 21, 1969 in Woodstock, New York.
Provenance:
The Earle B. Winslow papers were donated in 1978 by Mrs. Marsden London, the artist's daughter.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- Woodstock Search this
Printmakers -- New York (State) -- Woodstock Search this
World War, 1939-1945 -- Art and the war Search this
Genre/Form:
Photographs
Sketchbooks
Citation:
Earle B. Winslow papers, 1898-1977. Archives of American Art, Smithsonian Institution.
Correspondence, sketchbooks, diaries, writings, printed material, photographs, and scrapbooks.
REEL 1033: Letters, including 2 from George Bellows and 17 from Eugene Speicher.
REELS 1118-1119: Biographical data and certificates; correspondence with many American artists; a European diary, 1909; writings, lectures and notes by and about Rosen; records of his paintings; sketches and sketchbooks; scrapbooks; exhibition catalogs, clippings and art school catalogs; and reproductions of portraits of Rosen.
REEL 1130: Photographs of Rosen as a young man, teaching and working, and with friends. Other photographs include the Carnegie Institute Jury, 1931; Rosen's friends, many of whom are American artists at Woodstock; Seminole Indians and a mural in Florida; and people and houses in Texas.
Photographs of artists include George Bellows, Ernest Blumenschein, Dennis Burlingame, Jo Cantine, John Carroll, Konrad Cramer, Andrew Dasburg, Randall Davey, Buckminster Fuller, Wendell Jones, Yasuo Kuniyoshi, Henri E. Le Sidaner, Jonas Lie, Eugene D. Ludins, Ethel Magafan, Henry Mattson, Henry McFee, Paul Nash, Homer Saint-Gaudens, Judson Smith, Eugene Speicher, John Striebel, and Carl Walters.
Biographical / Historical:
Landscape painter, printmaker, instructor; Woodstock, N.Y. Studied at the National Academy of Design with Chase and DuMond. Associate Member and Academician, National Academy of Design. Painted murals for the United States Post Offices in Beacon and Poughkeepsie, N.Y. and Palm Beach, Fla.
Provenance:
Material on reel 1033 lent for microfilming by Katherine Rosen Warner, Rosen's daughter, 1975. Other material donated by Warner, 1975.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Landscape painters -- New York -- Woodstock Search this
Topic:
Artists -- United States -- Photographs Search this
Landscape painting -- New York (State) Search this
Mural painting and decoration -- 20th century -- Florida -- Palm Beach -- Photographs Search this
Painting, Modern -- 20th century -- New York (State) -- Woodstock Search this
Biographical material, correspondence, diaries and other writings, personal busiess records, photographs and printed material relating to artist Alfred H. Hutty.
Biographical / Historical:
Alfred H. Hutty (1877-1954) was a printmaker and painter in both Woodstock, New York and Charleston, South Carolina.
Provenance:
Donated 2008 by Alfred H. Hutty estate via Johnson Hagood, Executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- Woodstock Search this
Biographical material, correspondence, writings, business records, printed material, photographs, sketches and notebooks.
REEL D343: Files kept by Gottlieb on the Works Progress Administration, 3rd Woodstock Art Conference, American Artists' Congress, American Society of Painters, Sculptors and Gravers and the Artists Union, N.Y.; newsletters, correspondence and minutes from Artists Equity Association; issues of "Art Front", "Art Project Reporter" and "ALA News" of the Artists League of America; correspondence, 1928-1951; clippings, exhibition catalogs and announcements; silk screen prints; notes and an autobiographical sketch. Photographs include: one of Gottlieb and Joseph Solomon, ca. 1950; one of Gottlieb in his studio, 1939; 4 of the Carnegie Institute International exhibit, 1931, showing Gottlieb's work; and a group photograph of the Artists Equity Testimonial Dinner honoring Yasuo Kuniyoshi, 1948.
REEL 3889-3890: Biographical information; correspondence, including letters from Rockwell Kent; records of the Summit Gallery, business records and price lists for art work; 1 charcoal drawing, 2 ink drawings and 3 sketches; notes, layouts and a contract for Gottlieb's book, THE ART OF HARRY GOTTLIEB; notebooks; material on the Artists Equity Association, the Artists Union, N.Y., Public Art Preservation Committee, and New York WPA Artists, Inc.; exhibition announcements, catalogs, clippings and press releases; and photographs, 1935-1953, of Gottlieb and his art work.
Biographical / Historical:
Painter, printmaker; New York, N.Y. b. 1895; d. 1992. Born in Bucharest, Romania. Member of N.Y. Artists' Union, American Society of Painters, Sculptors and Gravers, and the American Artists Congress. Served as a WPA artist. Pioneer in the development of silk screen process as a fine art form.
Provenance:
Material donated by Harry Gottlieb, 1968 and 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Serigraphers -- New York (State) -- New York Search this
Correspondence, clippings, and photographs of Ganso and his work. Among the photographers are Peter A. Juley & Son and Adrian Siegel.
Biographical / Historical:
Painter, printmaker; Woodstock, N.Y.
Provenance:
The donor, Fanny Ganso, is the widow of Emil Ganso.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The Jacques Joseph Camins films and posters measure 0.5 linear feet and date to circa 1965. The collection is comprised of ten 16 mm motion picture films by Camins, including artists and scenes from Provincetown, Rockport, and Gloucester, Massachusetts, and other unidentified locations. Nine of the reels were compiled into a single reel to transfer to video, including eight color, silent reels containing footage of the Art Students League Summer School in Woodstock, N.Y., Arnold Blanch and his students, Anton Refregier, Marion Greenwood, Howard Mandel, Julio de Diego, N. Dirk, Hans Hofmann, Morris Davidson, George Yeter, Seong Moy, and Karl Knaths. The ninth reel transferred to video contains black and white, silent home movies with family and beach scenes. A tenth reel, not transferred, is an edited film of Provincetown artists with music and narration, with footage of artists Seong Moy, Karl Knaths, Lily Harmon, Anne Brigadier, Sabina Teichman, Umberto Romano, Yeffe Kimball, Bruce McKain, Philip Malcoat, and others. Although it is an edited work, the film lacks a formal title. Also included are two original posters by Seong Moy and Anne Brigadier done for a screening of Camins's film on Provincetown; a sound tape reel (7") of an interview with Henry Botkin, Umberto Romano, Joseph Kaplan, Irving Marantz, Sol Wilson, Anne Brigadier, and Sabina Teichman, and a sound tape reel (7") of an interview of Karl Knaths, both conducted by Camins and untranscribed.
Scope and Contents:
The Jacques Joseph Camins films and posters measure 0.5 linear feet and date to circa 1965. The collection is comprised of ten 16 mm motion picture films by Camins, including artists and scenes from Provincetown, Rockport, Gloucester, Mass, and other unidentified locations. Nine of the reels were compiled into a single reel to transfer to video, including eight color, silent reels containing footage of the Art Students League Summer School in Woodstock, N.Y., Arnold Blanch and his students, Anton Refregier, Marion Greenwood, Howard Mandel, Julio de Diego, N. Dirk, Hans Hofmann, Morris Davidson, George Yeter, Seong Moy, and Karl Knaths. The ninth reel transferred to video contains black and white, silent home movies with family and beach scenes. A tenth reel, not transferred, is an edited film of Provincetown artists with music and narration, with footage of artists Seong Moy, Karl Knaths, Lily Harmon, Anne Brigadier, Sabina Teichman, Umberto Romano, Yeffe Kimball, Bruce McKain, Philip Malcoat, and others. Although it is an edited work, the film lacks a formal title. Also included are two original posters by Seong Moy and Anne Brigadier done for a screening of Camins's film on Provincetown, Mass; a sound tape reel (7") of an interview with Henry Botkin, Umberto Romano, Joseph Kaplan, Irving Marantz, Sol Wilson, Anne Brigadier, and Sabina Teichman, and a sound tape reel (7") of an interview of Karl Knaths, both conducted by Camins and untranscribed.
Arrangement:
The collection is arranged as one series.
Biographical / Historical:
Jacques Joseph Camins (1904-1988) was a Russian-born american painter and printmaker who primarily lived and worked in the New York, New York area. He studied art in Paris and at the Art Students League.
Provenance:
The collection was donated to the archives in installments between 1975 and 1980 by Joseph Camins.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Printmakers -- New York (State) -- New York Search this
Topic:
Painting, Modern -- 20th century -- History -- United States Search this
Art, American -- Massachusetts -- Provincetown Search this
Genre/Form:
Interviews
Motion pictures
Sound recordings
Video recordings
Citation:
Jacques Joseph Camins films and posters, circa 1965. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
12 volumes of journals (1915-1933), documenting the technical aspects of his artistic career including drawing, printing, and lithography. They include accounts of experiments and work for other artists, including George Bellows, as well as definitions and excerpts of the writings of others.
A typescript of the manuscript, "Lithography Since Whistler," (1935) includes a history of lithography and a chapter on Joseph Pennell.
Two etching notebooks (1917-1918) contain sketches and notes on prints. Another notebook (1907-1910) contains sketches and notes on painting and pigments.
Also included are correspondence with some biographical information, a catalog of Brown's lithographs (1908), and loose lithographs.
Biographical / Historical:
Lithographer, writer, inventor and explorer; Woodstock, N.Y.
Provenance:
Lent for microfilming 1990 by Bryn Mawr College, as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The Lucile Blanch papers measure 0.5 linear feet and date from circa 1905-1972. Included is correspondence and photographs of Lucile and family members and a sketch by Lucille Blanch.
Biographical / Historical:
Lucile Blanch (1895-1981) was painter and lithographer in Woodstock, N.Y.
Separated Materials:
Also in the Archives is material lent for microfilming on reel 1003 and includes a sketchbook; 46 drawings, prints and reproductions of Blanch's work; illustrations fom W. H. Hudson's GREEN MANSIONS; 3 scrapbooks containing clippings, reproductions of her work, exhibition material, photographs, and letters; miscellaneous printed material. This material was returned to the lender after microfilming.
Provenance:
Material on reel 1033 lent for microfilming in 1975 by Lucile Blanch. Correspondence on frames 297-410 was subsequently donated in 1976 by Blanch. Additional correspondence, photographs and a sketch donated in 2021 by Nancy Lundquist, a relative of Lucile Blanch.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- Woodstock Search this
Etchers -- New York (State) -- Woodstock Search this
