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Leo Castelli Gallery records

Creator:
Leo Castelli Gallery  Search this
Names:
Amsterdam (Netherlands). Stedelijk Museum  Search this
Castelli Graphics (Firm)  Search this
Castelli-Sonnabend Tapes and Films, Inc.  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Ileana Sonnabend (Gallery)  Search this
Jewish Museum (New York, N.Y.)  Search this
Multiples, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Sidney Janis Gallery  Search this
Whitney Museum of American Art  Search this
Artschwager, Richard, 1923-  Search this
Barry, Robert, 1936-  Search this
Bloom, Barbara, 1951-  Search this
Castelli, Leo  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Daphnis, Nassos, 1914-  Search this
Darboven, Hanne  Search this
Epstein, Ethel Steuer  Search this
Flavin, Dan, 1933-  Search this
Gorgoni, Gianfranco  Search this
Heller, Ben, 1925-  Search this
Johns, Jasper, 1930-  Search this
Judd, Donald, 1928-  Search this
Kiesler, Frederick  Search this
Klapheck, Konrad, 1935-  Search this
Koons, Jeff  Search this
Landsman, Stanley, 1930-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Marisol, 1930-2016  Search this
Morris, Robert, 1931-2018  Search this
Namuth, Hans  Search this
Nauman, Bruce, 1941-  Search this
Paik, Nam June, 1932-  Search this
Panza, Giuseppe  Search this
Parker, Raymond, 1922-  Search this
Power, Alan  Search this
Powers, John, 1916-  Search this
Powers, Kimiko  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rosenquist, James, 1933-  Search this
Rowan, Carolyn  Search this
Rowan, Robert  Search this
Ruscha, Edward  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Serra, Richard, 1938-  Search this
Starn, Doug  Search this
Starn, Mike  Search this
Stella, Frank  Search this
Tremaine, Burton  Search this
Tremaine, Emily Hall, 1908-1987  Search this
Twombly, Cy, 1928-  Search this
Tworkov, Jack  Search this
Warhol, Andy, 1928-  Search this
Weiner, Lawrence  Search this
Extent:
215.9 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Video recordings
Sketches
Transcripts
Sound recordings
Notes
Visitors' books
Photographs
Notebooks
Awards
Date:
circa 1880-2000
bulk 1957-1999
Summary:
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.
Scope and Content Note:
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and audio and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

The records document the gallery's daily business operations, exhibitions, spaces/buildings, collaborations and joint ventures with other galleries and museums, and its relationship with many artists, dealers, and clients. Artists particularly well-represented throughout the collection include Hanne Darboven, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner.

Records pre-dating the gallery's establishment in 1957 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of works of art, and scattered personal business records of Leo Castelli.

General Correspondence is extensive at circa 25 linear feet and consists primarily of the gallery's and Leo Castelli's named and subject correspondence files concerning the gallery's daily operations, exhibitions, artwork installation and fabrication, appraisals, inquiries, loans, sales, consignments, personal and business relationships with artists, and other topics. The general correspondence is arranged either by name of correspondent or topic, and is with museums and galleries, collectors, business associates, artists, employees, and friends. Notes, scattered photographs and slides, and printed materials are often found as enclosures. Leo Castelli's personal correspondence is also found here and consists primarily of solicitations, requests for advice, notes of thanks, congratulations, and invitations.

Letters written by artists in the gallery's stable are somewhat limited. There are scattered letters from artists Christo, Chryssa, Nassos Daphnis, Hanne Darboven, Marisol, Dan Flavin, Jasper Johns, Frederick Kiesler, Robert Morris, Hans Namuth, Bruce Nauman, Nam June Paik, Ray Parker, James Rosenquist, Edward Ruscha, Salvatore Scarpitta, Frank Stella, Cy Twombly, and Jack Tworkov. There are also letters about artists in this series filed under the artists' name.

Collectors and dealers represented within the correspondence include the De Menil family, Mrs. Henry Epstein, Ben Heller, Giuseppe Panza, Alan Power, John and Kimiko Powers, Robert and Carolyn Rowan, Robert and Ethel Scull, and Burton and Emily Tremaine. Museums and galleries for which there is considerable correspondence includes the Dwan Gallery, Ferus Gallery, the Jewish Museum, Museum of Modern Art, Sidney Janis Gallery, Stedelijk Museum, Whitney Museum of American Art, and the Ileana Sonnabend Galerie.

The materials arranged in General Correspondence were originally marked by the gallery as "correspondence" files upon accessioning, and, are thus arranged into their own series. However, in some cases, there appears to be little difference between the General Correspondence and the Administrative Files. Thus, researchers are encouraged to reference both series.

Administrative Files document a wide variety of the gallery's activities and business. Essentially, these are files that were arranged by the gallery according to subject or topic and cover almost all activities except specific exhibitions. These files include records and correspondence about buildings and space, advertising, appraisals, auctions, consignments, loans, miscellaneous business correspondence, index cards, business arrangements with artists, information about artists, interviews with artists (transcripts), history of the gallery, mailings, photograph requests, shipping, and other topics. Few items are in digital format. There are staff notebooks and files and Leo Castelli's notebooks and notes from the late 1950s through the early 1990s. Extensive outgoing chronological correspondence filed in this series dates from 1964-1977. Also found are transcripts of interviews with Leo Castelli, biographical material, some of it in digital format, and scattered photographs.

Researchers should note that the Administrative Files often overlap and complement the General Correspondence. However, they focus slightly more distinctly on gallery business activities and are arranged mostly by subject or topic, except for the chronological business correspondence. Researchers are encouraged to reference both series. For example, correspondence with and about Jasper Johns may be found in both series, but the administrative files most likely focus on a specific loan, consignment, or business activity or transaction.

Exhibition files provide a thorough history of the gallery's exhibitions, as well as the fabrication and installation of artwork for exhibitions. These files include correspondence, exhibition catalogs, guest books, lists of exhibitions by artist and by year, press releases, sketches and notes, and scattered financial records. Photographs document over 650 exhibitions at Leo Castelli Gallery, including The Ninth Street Show organized by Castelli in 1951, and over 200 exhibitions at other galleries.

Extensive artists' files comprise approximately 40% of the records and are a rich resource of printed and compiled information about the careers of over 120 artists and their relationship with Leo Castelli and the gallery. There are exhibition announcements and catalogs, flyers, invitations, magazine articles and clippings, newspaper clippings, posters, press releases, photographs, and a handful of books. Nearly half of the series is comprised of black and white photographs of artwork, presumably handled by the Leo Castelli Gallery.

Additional printed materials include exhibition announcements, flyers, invitations, magazine articles and clippings, newspaper clippings, press releases, and exhibition posters. Exhibition catalogs are filed with the exhibitions files. The general archives files provide a chronological history of the gallery and its exhibitions. There are also files concerning Leo Castelli and numerous art-related topics. Exhibition posters are found here as well.

Artwork is limited and includes a few works of art and signed posters. Artists represented here include photographer Gianfranco Gorgoni, Robert Morris, Bruce Nauman, Richard Serra and Andy Warhol, as well as others.

The records of the subsidiary Castelli Graphics New York consist of correspondence and administrative files relating to general operations and the sale and loan of prints. Also found are exhibition files, sales records, and scattered financial records. The series provides a wealth of information about Castelli Graphics collaborations with Multiples Inc. in the 1970s.

Also found in the collection are records of Castelli/Sonnabend Tapes and Films, a joint business venture between Leo Castelli Gallery and Sonnabend Gallery from 1974-1985. Records include correspondence, administrative files, exhibition files, artists' files, printed materials, sales and rental records, photographs, and financial records.

The importance and stature of Leo Castelli and the Leo Castelli Gallery to the arts community in New York City and beyond is documented by numerous awards and recognitions, such as framed and unframed certificates, plaques, statues, medals, and scattered photographs.

Nearly seven linear feet of photographs include professional black and white original prints, scattered color photographs, color transparencies, slides and negatives, and disassembled photo albums. The photographs primarily depict social and art events and functions; family and friends of Leo Castelli; and portraits of Leo Castelli and artists and of Leo Castelli with artists, including Richard Artschwager, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Richard Serra, Frank Stella, and Andy Warhol. Photographs of exhibitions and exhibition installations are filed with the exhibition files.

Sound and video recordings include sound and video art, performances, interviews with artists and Leo Castelli, recordings from and of exhibitions, and television publicity recorded on sound cassettes, phonograph records (vinyl and lacquer), videocassettes (U-matic, VHS, Betamax), and videocartridges. Artists represented include Vito Acconci, Robert Barry, Barbara Bloom, Hannah Collins, Hanne Darboven, Dan Flavin, Laura Grisi, Jasper Johns, Jeff Koons, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Ed Ruscha, Salvatore Scarpitta, Doug and Mike Starn, and Lawrence Weiner, among others.

See Index for list of Exhibitions at the Leo Castelli Gallery and Castelli Graphics
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Correspondence, 1948-1999, bulk 1957-1997 (24.4 linear feet; Boxes 1-23, 191, OVs 233-236)

Series 2: Administrative Files, 1941-1999, bulk 1970s-1990s (17.3 linear feet; Boxes 24-39, 192-193, OVs 237-238, 0.001 GB; ER01-ER02)

Series 3: Exhibition Files, 1951-1999, bulk 1957-1998 (18.7 linear feet; Boxes 40-56, 192, 194-196, 308-309, OVs 239-241, 280)

Series 4: Artists Files, 1913-1999, bulk 1960s-1990s (80.8 linear feet; Boxes 57-133, 197-208, OVs 242-243)

Series 5: Printed Materials, 1949-1998 (23.5 linear feet; Boxes 134-153, 209-211, OVs 244-274, 276, 300, RDs 301-306)

Series 6: Artwork, circa 1960s-1990s (1.8 linear feet; Boxes 153, 212-213, OVs 275, 277-278, RD 307)

Series 7: Castelli Graphics, circa 1950-1999, bulk mid 1970s-early 1990s (16 linear feet; Boxes 154-169)

Series 8: Castelli/Sonnabend Tapes + Films, 1969-1998 (5.6 linear feet; Boxes 170-174, 214, OVs 279-281)

Series 9: Awards and Recognition, 1962-1998 (6.9 linear feet; Boxes 175-176, 215-228, OVs 282)

Series 10: Photographs, circa 1880-1997, bulk 1960s-1990s (6.6 linear feet; Boxes 177-180, 229-231, OVs 283-299)

Series 11: Sound and Video Recordings, 1959-2000 (9.7 linear feet; Boxes 181-190, 232)
Historical Note:
Leo Castelli (1907-1999) was one of America's most noted contemporary art dealers and opened the Leo Castelli Gallery in New York City in 1957. The gallery showcased cutting edge American contemporary art, including Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color Field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Conceptual Art, and Neo-expressionism, among other movements.

Leo Castelli was born as Leo Krauss on September 4, 1907 in Trieste, of Italian and Austro-Hungarian Jewish origin. He married art dealer Ileana Sonnabend in 1932 and the couple lived in Paris up until World War II. They had a daughter, Nina Castelli Sundell. In Paris, Castelli opened his first gallery in 1939. At that time, he was interested in the European Surrealists.

For years after Castelli moved to New York, he worked in his father-in-law's garment business. However, he organized his first American exhibition in 1951, the famous Ninth Street Show of 1951, a seminal event of Abstract Expressionism.

In 1957, he opened the Leo Castelli Gallery in his townhome on E. 77th Street between Madison and Fifth Avenues in New York City. Castelli initially featured European Surrealism, but also curated exhibitions of American Abstract painters, including Jackson Pollock, Willem de Kooning, Cy Twombly, Friedel Dzubas, and Norman Bluhm.

In 1958, Castelli discovered Pop artists Robert Rauschenberg and Jasper Johns and forged a life-long nurturing relationship with both artists. The gallery then began focusing more on Pop Art, Minimalism and Conceptual Art. Beginning in the early 1960s, Castelli's stable included Richard Artschwager, Lee Bontecou, Chryssa, John Chamberlain, Ronald Davis, Dan Flavin, Donald Judd, Ellsworth Kelly, Joseph Kosuth, Roy Lichtenstein, Robert Morris, Bruce Nauman, Larry Poons, James Rosenquist, Ed Ruscha, Salvatore Scarpitta, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner.

Leo and Ileana divorced in 1959, and Ileana returned to Europe. She later moved back to New York and opened a gallery close to Castelli's. The two remained close and together they established the joint venture of Castelli-Sonnabend Films and Tapes to accommodate artists interested in new media.

In the 1970s Leo Castelli opened a downtown SoHo branch of the Leo Castelli Gallery at 420 West Broadway. In the 1980s he opened a second larger downtown exhibition space on Greene Street also in SoHo.

Leo Castelli's second wife was Antoinette Castelli, with whom he also opened Castelli Graphics, an art gallery devoted to prints and photographs, mostly those by Castelli artists. The couple also had a son together, Jean-Christophe Castelli. In 1995 Leo Castelli married Italian art historian Barbara Bertozzi Castelli. She directs the Leo Castelli Gallery today, showing many of the same artists of the gallery's past.

Leo Castelli's unparalleled eye for quality, combined with his extraordinary skill for nurturing and promoting new art and artists, secured his position as one of the most respected and influential advocates of contemporary art for nearly five decades.
List of Exhibitions:
Below is a chronological listing of over 850 exhibitions and events held at the Leo Castelli Gallery from 1957 to 1999; included are exhibitions at 4 E 77 St (1957-1989), 65 Thompson (1989-1994), 108th St Warehouse (1968-1970), 142 Greene St (1980-1988), 420 W Broadway (1971-1999), and 578 Broadway (1988-1997). Castelli Graphics exhibitions from 1969-1996 and Castelli/Sonnabend Tapes and Films exhibitions from 1974-1984 are also included and are noted when known.

Note that this list is not comprehensive. In particular, Castelli Graphics exhibitions from the 1980s and early 1990s are incomplete. Sources used to compile this index include exhibition schedules and lists, installation photographs, announcements, clippings, and other printed materials from the Leo Castelli Gallery records, and the Leo Castelli Gallery website (www.castelligallery.com).

Exhibitions are listed in chronological order by title, if known, and gallery address.

1957 SeasonFeb. -- First Exhibition: de Kooning, Delaunay, Dubuffet, Giacometti, Hartley, Leger, Mondrian, Picabia, Pollock, David Smith, van Doesburg; 4 E 77 St

Mar. 4-23, 1957 -- Jon Schueler; 4 E 77 St

Mar. 25 - Apr. 13, 1957 -- Viseux; 4 E 77 St

Apr. 15 - May 4, 1957 -- Paul Brach; 4 E 77 St

May 6-25, 1957 -- New Work: Bluhm, Budd, Dzubas, Johns, Leslie, Louis, Marisol, Ortman, Rauschenberg, Savelli; 4 E 77 St

1957-1958 SeasonOct. 1-26, 1957 -- Norman Bluhm; 4 E 77 St

Oct. 28 - Nov. 16, 1957 -- Horia Damian; 4 E 77 St

Nov. 18 - Dec. 14, 1957 -- Marisol; 4 E 77 St

Dec. 17, 1957 - Jan. 18, 1958 -- Collector's Annual; 4 E 77 St

Jan. 20 - Feb. 8, 1958 -- Jasper Johns; 4 E 77 St

Feb. 10 - Mar. 1, 1958 -- Friedel Dzubas; 4 E 77 St

Mar. 4-29, 1958 -- Robert Rauschenberg; 4 E 77 St

Apr. 1-26, 1958 -- Giuseppe Capogrossi; 4 E 77 St

Apr. 29 - May 31, 1958 -- Pioneers 1910-1950: de Kooning, Delaunay, Domela, Dubuffet, Giacometti, Hartley, Kandinsky, Leger, Miro, Picabia, Pollock, Schwitters, Smith, van Doejburg; 4 E 77 St

1958-1959 SeasonSept. 30 - Oct. 25, 1958 -- Angelo Savelli; 4 E 77 St

Oct. 28 - Nov. 22, 1958 -- Group Exhibition: Bluhm, Brach, Dzubas, Johns, Marisol, Rauschenberg, Schueler; 4 E 77 St

Nov. 25 - Dec. 20, 1958 -- Esteban Vicente, Drawings; 4 E 77 St

Jan. 6-24, 1959 -- Nassos Daphnis; 4 E 77 St

Jan. 27 - Feb. 14, 1959 -- Salvatore Scarpitta, Extramurals; 4 E 77 St

Feb. 17 - Mar. 7, 1959 -- Al Newbill; 4 E 77 St

Mar. 10-28, 1959 -- Gabriel Kohn; 4 E 77 St

Mar. 31 - Apr. 18, 1959 -- Norman Bluhm, Jean Dubuffet, and Robert Rauschenberg; 4 E 77 St

Apr. 21 - May 9, 1959 -- Jon Schueler; 4 E 77 St

May 12-30, 1959 -- Group Exhibition: Brach, Dzubas, Johns, Sander, Twombly; 4 E 77 St

1959-1960 SeasonOct. 6-17, 1959 -- Opening Exhibition of the New Gallery: Bluhm, Brach, Daphnis, Johns, Kohn, Rauschenberg, Sander, Scarpitta, Stella, Twombly; 4 E 77 St

Oct. 20 - Nov. 7, 1959 -- Work in Three Dimensions: Chamberlain, Follet, Giles, Johns, Klein, Kohn, Marisol, Nevelson, Ortman, Rauschenberg, Scarpitta; 4 E 77 St

Nov. 10-28, 1959 -- Ludwig Sander; 4 E 77 St

Dec. 1-26, 1959 -- Paul Brach; 4 E 77 St

Jan. 5-23, 1960 -- William Giles; 4 E 77 St

Jan. 26 - Feb. 13, 1960 -- Norman Bluhm; 4 E 77 St

Feb. 15 - Mar. 5, 1960 -- Jasper Johns; 4 E 77 St

Mar. 8-26, 1960 -- Nassos Daphnis; 4 E 77 St

Mar. 29 - Apr. 16, 1960 -- Robert Rauschenberg; 4 E 77 St

Apr. 19 - May 7, 1960 -- Salvatore Scarpitta; 4 E 77 St

May 10-28, 1960 -- Edward Higgins; 4 E 77 St

May 31 - June 25, 1960 -- Summary 1959-1960: Bluhm, Bontecou, Daphnis, Higgins, Johns, Kohn, Langlais, Rauschenberg, Sander, Scarpitta, Stella, Twombly, Tworkov; 4 E 77 St

1960-1961 SeasonSept. 27 - Oct. 15, 1960 -- Frank Stella; 4 E 77 St

Oct. 18 - Nov. 5, 1960 -- Cy Twombly; 4 E 77 St

Nov. 9 - Dec. 3, 1960 -- Lee Bontecou; 4 E 77 St

Dec. 6, 1960 - Jan. 7, 1961 -- Robert Rauschenberg, 34 Illustrations for Dante's Inferno; 4 E 77 St

Jan. 10-28, 1961 -- Frederick Kiesler; 4 E 77 St

Jan. 31 - Feb. 25, 1961 -- Jasper Johns, Drawings and Sculpture; 4 E 77 St

Feb. 28 - Mar. 18, 1961 -- Jack Tworkov; 4 E 77 St

Mar. 21 - Apr. 8, 1961 -- Bernard Langlais; 4 E 77 St

Apr. 11-29, 1961 -- Yves Klein, Le Monochrome; 4 E 77 St

May 2-20, 1961 -- Ludwig Sander; 4 E 77 St

May 23 - June [10], 1961 -- Sculpture and Relief: Bontecou, Chamberlain, Higgins, Scarpitta; 4 E 77 St

1961-1962 SeasonSept. 22 - Oct. 14, 1961 -- An Exhibition in Progress: Bontecou, Chamberlain, Daphnis, Higgins, Johns, Langlais, Moskowitz, Rauschenberg, Scarpitta, Stella, Twombly, Tworkov; 4 E 77 St

Oct. 17 - Nov. 4, 1961 -- Nassos Daphnis; 4 E 77 St

Nov. 7 - Dec. 5, 1961 -- Robert Rauschenberg; 4 E 77 St

Dec. 8, 1961 - Jan. 10, 1962 -- Group Exhibition: Bontecou, Johns, Langlais, [Lichtenstein], Scarpitta, Tworkov; 4 E 77 St

Jan. 13 - Feb. 6, 1962 -- John Chamberlain; 4 E 77 St

Feb. 10 - Mar. 3, 1962 -- Roy Lichtenstein; 4 E 77 St

Mar. 10 - Apr. 5, 1962 -- Robert Moskowitz; 4 E 77 St

Apr. 7-21, 1962 -- Group Exhibition: Bontecou, Chamberlain, Daphnis, Higgins, Rauschenberg, Scarpitta, Stella; 4 E 77 St

Apr. 28 - May 19, 1962 -- Frank Stella; 4 E 77 St

May 26 - June 30, 1962 -- Drawings: Bontecou, Johns, Lichtenstein, Moskowitz, Rauschenberg, Stella, Tworkov; 4 E 77 St

1962-1963 SeasonSept. 22 - Oct. 13, 1962 -- Group Exhibition: Chamberlain, Higgins, Johns, Klapheck, Rauschenberg, Scarpitta, Stella, Tinguely, Tworkov; 4 E 77 St

Oct. 16 - Nov. 7, 1962 -- John Chamberlain and Frank Stella; 4 E 77 St

Nov. 10 - Dec. 6, 1962 -- Lee Bontecou; 4 E 77 St

Dec. 8, 1962 - Jan. 9, 1963 -- Gerald van de Wiele; 4 E 77 St

Jan. 12 - Feb. 7, 1963 -- Jasper Johns; 4 E 77 St

Feb. 9 - Mar. 7, 1963 -- Jack Tworkov; 4 E 77 St

Mar. 9-30, 1963 -- Nassos Daphnis; 4 E 77 St

Apr. 2-25, 1963 -- Group Exhibition: Chamberlain, Higgins, Kiesler, Lichtenstein, Moskowitz, Rauschenberg, Stella, Twombly; 4 E 77 St

Apr. 27 - May 16, 1963 -- Salvatore Scarpitta; 4 E 77 St

May 20 - June 30, 1963 -- Group Drawing Exhibition: Bontecou, Daphnis, Johns, Lichtenstein, Moskowitz, Rauschenberg, Stella, Tworkov, van de Wiele; 4 E 77 St

1963-1964 SeasonSept. 28 - Oct. 24, 1963 -- Roy Lichtenstein; 4 E 77 St

Oct. 26 - Nov. 21, 1963 -- Robert Rauschenberg; 4 E 77 St

Nov. 23, 1963 - Jan. 2, 1964 -- Edward Higgins; 4 E 77 St

Jan. 4 - Feb. 6, 1964 -- Frank Stella; 4 E 77 St

Feb. 8 - Mar. 12, 1964 -- Group Exhibition: Chamberlain, Johns, Lichtenstein, Rauschenberg, Stella; 4 E 77 St

Mar. 14 - Apr. 9, 1964 -- Cy Twombly; 4 E 77 St

Apr. 11-30, 1964 -- John Chamberlain; 4 E 77 St

May 2 - June 3, 1964 -- Introducing Artschwager, Christo, Hay, Watts; 4 E 77 St

June 6-30, 1964 -- Group Exhibition: Chamberlain, Lichtenstein, Rauschenberg, Scarpitta, Stella, Twombly, Tworkov; 4 E 77 St

1964-1965 SeasonSept. 26 - Oct. 22, 1964 -- Group Exhibition: Artschwager, Lichtenstein, Rosenquist, Stella, Warhol; 4 E 77 St

Oct. 24 - Nov. 19, 1964 -- Roy Lichtenstein, Landscapes; 4 E 77 St

Nov. 21 - Dec. 28, 1964 -- Andy Warhol, Flower Paintings; 4 E 77 St

Jan. 9-27, 1965 -- John Chamberlain, Paintings; 4 E 77 St

Jan. 30 - Feb. 24, 1965 -- Richard Artschwager; 4 E 77 St

Feb. 27 - Mar. 24, 1965 -- Nassos Daphnis; 4 E 77 St

Mar. 27 - Apr. 14, 1965 -- Salvatore Scarpitta, Racing Cars; 4 E 77 St

Apr. 17 - May 13, 1965 -- James Rosenquist, F-111; 4 E 77 St

May 15 - June 9, 1965 -- Robert Rauschenberg, Oracle; 4 E 77 St

1965-1966 SeasonOct. 2-21, 1965 -- Group Exhibition: [Chamberlain], Johns, Lichtenstein, Poons, Rauschenberg, Stella, [Warhol]; 4 E 77 St

Oct. 23 - Nov. 17, 1965 -- Robert Bart; 4 E 77 St

Nov. 20 - Dec. 11, 1965 -- Roy Lichtenstein, Brushstrokes and Ceramics; 4 E 77 St

Dec. 14, 1965 - Jan. 5, 1966 -- Benefit Drawing Exhibition for the Foundation for the Contemporary Performance Arts; 4 E 77 St

Dec. 14, 1965 - Jan. 5, 1966 -- Group Exhibition; 4 E 77 St

Jan. 8 - Feb. 2, 1966 -- Jasper Johns; 4 E 77 St

Feb. 5 - Mar. 2, 1966 -- Donald Judd; 4 E 77 St

Feb. 12 - Mar. 2, 1966 -- Cy Twombly, Drawings; 4 E 77 St

Mar. 5 - Apr. 2, 1966 -- Frank Stella; 4 E 77 St

Apr. 6-27, 1966 -- Andy Warhol, Wallpaper and Clouds; 4 E 77 St

Apr. 30 - May 25, 1966 -- James Rosenquist; 4 E 77 St

May 28 - June 13, 1966 -- Christo, Storefront; 4 E 77 St

June 14-30, 1966 -- Group Exhibition: Bontecou, Johns, Judd, Lichtenstein, Poons, Rauschenberg, Rosenquist, Stella, Warhol; 4 E 77 St

1966-1967 SeasonOct. 8 - Nov. 8, 1966 -- Lee Bontecou; 4 E 77 St

Nov. 12 - Dec. 3, 1966 -- Edward Higgins; 4 E 77 St

Dec. 6-10, 1966 -- Benefit Group Exhibition for Experiments in Art and Technology, Inc.; 4 E 77 St

Dec. 7, 1966 - Jan. 5, 1967 -- Stanley Landsman; 4 E 77 St

Dec. 14, 1966 - Jan. 5, 1967 -- Group Exhibition: Artschwager, Lichtenstein, Rosenquist, Warhol; 4 E 77 St

Jan. 7-31, 1967 -- Larry Poons; 4 E 77 St

Feb. 4-26, 1967 -- Tenth Anniversary Exhibition: Artschwager, Bontecou, Chamberlain, Daphnis, Higgins, Johns, Judd, Lichtenstein, Morris, Poons, Rauschenberg, Rosenquist, Scarpitta, Stella, Twombly, Warhol; 4 E 77 St

Mar. 4-28, 1967 -- Robert Morris; 4 E 77 St

Apr. 1967 -- New Work: Chamberlain, Lichtenstein, Stella; 4 E 77 St

May 1967 -- Robert Rauschenberg, Revolvers; 4 E 77 St

1967-1968 SeasonOct. 7-26, 1967 -- Cy Twombly; 4 E 77 St

Oct. 28 - Nov. 18, 1967 -- Roy Lichtenstein; 4 E 77 St

Nov. 25 - Dec. 23, 1967 -- Frank Stella; 4 E 77 St

Dec. 30, 1967 - Jan. 23, 1968 -- Richard Artschwager, Sculptures and Reliefs; 4 E 77 St

Jan. 27 - Feb. 17, 1968 -- Bruce Nauman; 4 E 77 St

Feb. 24 - Mar. 16, 1968 -- Jasper Johns; 4 E 77 St

Mar. 23 - Apr. 11, 1968 -- Ron Davis; 4 E 77 St

Apr. 20 - May 11, 1968 -- Robert Morris; 4 E 77 St

May 18 - June 8, 1968 -- Jack Krueger; 4 E 77 St

1968-1969 SeasonSept. 14-28, 1968 -- Nassos Daphnis; 4 E 77 St

Oct. 12-26, 1968 -- Robert Rauschenberg, White Paintings; 4 E 77 St

Nov. 2-23, 1968 -- Larry Poons; 4 E 77 St

Nov. 30 - Dec. 21, 1968 -- Cy Twombly; 4 E 77 St

Dec. 4-28, 1968 -- 9 at Leo Castelli: Anselmo, Bollinger, Hesse, Kaltenbach, Nauman, Saret, Serra, Sonnier, Zorio; 108th St Warehouse

Jan. 4-25, 1969 -- Donald Judd; 4 E 77 St

Feb. 1-22, 1969 -- John Chamberlain; 108th St Warehouse

Feb. 3-22, 1969 -- David Diao, Richard Pettibone, and Peter Young; 4 E 77 St

Mar. 1-22, 1969 -- Robert Morris; 4 E 77 St

Mar. 1-22, 1969 -- Robert Morris, A Continuous Project Altered Daily; 108th St Warehouse

Mar. 29 - Apr. 19, 1969 -- James Rosenquist, Horseblinders; 4 E 77 St

Mar. 29 - Apr. 19, 1969 -- Salvatore Scarpitta, Racing Cars; 108th St Warehouse

Apr. 26 - May 17, 1969 -- Robert Rauschenberg, Carnal Clocks; 4 E 77 St

Apr. 26 - May 17, 1969 -- Jack Krueger; 108th St Warehouse

May 24 - June 14, 1969 -- Bruce Nauman; 4 E 77 St

May 24 - June 21, 1969 -- 4 Painters for Spring: Bower, Cibula, Kalina, Roth, Yrisarry; 108th St Warehouse

June 21 - July 31, 1969 -- Group Exhibition: Chamberlain, Judd, Lichtenstein, Rauschenberg, Serra, Sonnier, Stella, Young; 4 E 77 St

1969-1970 SeasonSept. 20 - Oct. 11, 1969 -- Group Exhibition: Lichtenstein, Serra, Stella, Warhol; 4 E 77 St

Oct. 18 - Nov. 8, 1969 -- Ron Davis; 4 E 77 St

Oct. 18 - Nov. 8, 1969 -- Ron Davis; 108th St Warehouse

Nov. - Dec., 1969 -- Joseph Kosuth; 4 E 77 St

Nov. 13, 1969 -- Robert Rauschenberg, Moonshot Series (Castelli Graphics); 4 E 77 St

Nov. 18 - Dec. 6, 1969 -- Frank Stella; 4 E 77 St

Dec. 11-13, 1969 -- Benefit Exhibition, Art for the Moratorium; 4 E 77 St

Dec. 16, 1969 - Jan. 10, 1970 -- Richard Serra; 108th St Warehouse

Jan. 10-31, 1970 -- Jasper Johns, Drawings; 4 E 77 St

Jan. 17-24, 1970 -- Rafael Ferrer; 108th St Warehouse

Feb. 7-28, 1970 -- Dan Flavin, Tatlin Monuments; 4 E 77 St

Feb. 7-28, 1970 -- Robert Morris, Earthwork Projects (Castelli Graphics); 4 E 77 St

Mar. 7-28, 1970 -- Keith Sonnier; 4 E 77 St

Mar. 7-28, 1970 -- Keith Sonnier; 108th St Warehouse

Apr. 11 - May 9, 1970 -- Donald Judd; 4 E 77 St

Apr. 11 - May 9, 1970 -- Donald Judd; 108th St Warehouse

May 16-30, 1970 -- James Rosenquist; 4 E 77 St

June 11-27, 1970 -- Benefit Exhibition for the New York Studio School; 4 E 77 St

June 30 - Aug. 28, 1970 -- Group Exhibition: Chamberlain, Johns, Judd, Lichtenstein, Morris, Rauschenberg, Rosenquist, Stella, Twombly, Warhol; 4 E 77 St

1970-1971 SeasonSept. 19-26, 1970 -- Benefit Exhibition for Referendum '70: Daphnis, Flavin, Johns, Judd, Lichtenstein, Morris, Rauschenberg, Rosenquist, Stella, Twombly, Warhol; 4 E 77 St

Sept. 26 - Oct. 24, 1970 -- Roy Lichtenstein, New Editions: Lithographs, Sculpture, Reliefs (Castelli Graphics); 4 E 77 St

Oct. 3-18, 1970 -- Group Exhibition: Flavin, Judd, Lichtenstein, Rauschenberg, Stella, Twombly; 4 E 77 St

Oct. 24 - Nov. 14, 1970 -- James Rosenquist; 4 E 77 St

Nov. 21 - Dec. 12, 1970 -- Dan Flavin, Untitled (to Barnett Newman); 4 E 77 St

Dec. 19, 1970 - Jan. 9, 1971 -- Group Graphics Exhibition: Artschwager, Bontecou, Daphnis, Johns, Judd, Lichtenstein, Morris, Nauman, Rauschenberg, Rosenquist, Schlossberg, Stella, Twombly, Warhol (Castelli Graphics); 4 E 77 St

Jan. 16 - Feb. 6, 1971 -- Ron Davis; 4 E 77 St

Feb. 13 - Mar. 6, 1971 -- Bruce Nauman; 4 E 77 St

Mar. 13 - Apr. 9, 1971 -- Roy Lichtenstein, Mirror Paintings; 4 E 77 St

Apr. 17 - May 8, 1971 -- John Chamberlain; 4 E 77 St

Apr. 27 - May 8, 1971 -- Robert Barry; 4 E 77 St

May 8 - June 5, 1971 -- Douglas Huebler; 4 E 77 St

May 18 - June 12, 1971 -- Lee Bontecou; 4 E 77 St

June 26 - Sept. 24, 1971 -- Group Exhibition: Davis, Flavin, Kosuth, Lichtenstein, Rosenquist, Stella, Warhol; 4 E 77 St

1971-1972 SeasonSept. 25 - Oct. 9, 1971 -- Group Film Exhibition: Jonas, Morris, Nauman, Serra, Sonnier; 420 W Broadway

Oct. 2-16, 1971 -- Joseph Kosuth, The Eighth Investigation, Proposition Three; 4 E 77 St

Oct. 16 - Nov. 6, 1971 -- Robert Rauschenberg; 420 W Broadway

Oct. 23 - Nov. 13, 1971 -- Dan Flavin; 4 E 77 St

Nov. 20 - Dec. 11, 1971 -- Nassos Daphnis; 4 E 77 St

Nov. 20 - Dec. 11, 1971 -- Bruce Nauman; 420 W Broadway

Dec. 18, 1971 - Jan. [2], 1972 -- Group Film Exhibition; 420 W Broadway

Dec. 18, 1971 - Jan. 15, 1972 -- Lewis Baltz (Castelli Graphics); 4 E 77 St

Dec. 18, 1971 - Jan. 15, 1972 -- Richard Hamilton, Graphics (Castelli Graphics); 4 E 77 St

Jan. 15 - Feb. 5, 1972 -- Cy Twombly; 420 W Broadway

Jan. 22 - Feb. 12, 1972 -- Roy Lichtenstein, Entablature Drawings; 4 E 77 St

Jan. 22 - Feb. 12, 1972 -- Larry Stark (Castelli Graphics); 4 E 77 St

Feb. 12, 1972 -- Lawrence Weiner; 420 W Broadway

Feb. 19, 1972 -- Richard Landry, Concert; 420 W Broadway

Feb. 19 - Mar. 16, 1972 -- Object Show (Castelli Graphics); 4 E 77 St

Feb. 19 - Mar. 25, 1972 -- Group Exhibition: Flavin, Judd, Kosuth, Lichtenstein, Morris, Serra, Stella; 4 E 77 St

Feb. 26 - Mar. 18, 1972 -- Keith Sonnier, Films and Videotapes; 420 W Broadway

Mar. 18 - Apr. 13, 1972 -- Andy Warhol, Electric Chairs (Castelli Graphics); 4 E 77 St

Mar. 25 - Apr. 15, 1972 -- Michael Balog; 420 W Broadway

Apr. 1-15, 1972 -- Richard Artschwager; 4 E 77 St

Apr. 15-29, 1972 -- Robert Barry, Projections; 420 W Broadway

Apr. 15 - May 6, 1972 -- James Rosenquist (Castelli Graphics); 4 E 77 St

Apr. 18 - May 6, 1972 -- Robert Morris, Hearing; 420 W Broadway

Apr. 22 - May 13, 1972 -- Robert Morris, Projects; 4 E 77 St

May 6-20, 1972 -- Jasper Johns (Castelli Graphics); 4 E 77 St

May 6-20, 1972 -- Douglas Huebler; 420 W Broadway

May 13, 1972 -- Philip Glass, Concert; 420 W Broadway

May 20 - June 10, 1972 -- Frank Owen; 4 E 77 St

May 20 - June 10, 1972 -- Donald Judd and Richard Serra; 420 W Broadway

May 20 - June 12, 1972 -- Robert Rauschenberg, Tares (Castelli Graphics); 4 E 77 St

May 27 - June 17, 1972 -- Richard Serra, Drawings; 420 W Broadway

June 17 - Sept. 6, 1972 -- Summer Group Exhibition: Chamberlain, Judd, Lichtenstein, Morris, Stella, Twombly, Warhol; 420 W Broadway

June 17 - Sept. [23], 1972 -- Summer Group Exhibition: Chamberlain, Flavin, Judd, Lichtenstein, Morris, Rauschenberg, Rosenquist, Warhol; 4 E 77 St

1972-1973 SeasonSept. 7-23, 1972 -- Furniture Designed by Artists: Chamberlain, Judd, Lichtenstein, Morris, Stella, Twombly, Warhol; 420 W Broadway

Sept. 11-23, 1972 -- Larry Stark, Fifty States (Castelli Graphics); 4 E 77 St

Sept. 30 - Oct. 21, 1972 -- Group Drawing Exhibition: Barry, Bontecou, Daphnis, Flavin, Huebler, Johns, Judd, Kosuth, Lichtenstein, Morris, Nauman, Owen, Rauschenberg, Rosenquist, Ruscha, Serra, Sonnier, Stella, Twombly, Warhol; 4 E 77 St

Sept. 30 - Oct. 24, 1972 -- Satirical/Political Cartoons, Benefit for American Peace Action Coalition (Castelli Graphics); 4 E 77 St

Oct. 7-21, 1972 -- New Works: Judd, Morris, Nauman, Rauschenberg, Serra, Stella; Videotapes: Jonas, Landry, Mann, Morris, Nauman, Serra, Sonnier; 420 W Broadway

Oct. 27-28, 1972 -- Benefit Exhibition for the New York Collection for Stockholm; 420 W Broadway

Oct. 28 - Nov. 11, 1972 -- Frank Stella, Race Track (Castelli Graphics); 4 E 77 St

Oct. 28 - Nov. 15, 1972 -- Jasper Johns, From Robert Scull Collection (Castelli Graphics); 4 E 77 St

Nov. 4-25, 1972 -- Joseph Kosuth, The Ninth Investigation, Proposition One; 4 E 77 St

Nov. 4-25, 1972 -- Dan Flavin, an exposition of cool white and warm white circular fluorescent light; 420 W Broadway

Nov. 9-25, 1972 -- Andy Warhol, Mao Prints [Castelli Graphics]; 420 W Broadway

Nov. 18 - Dec. 9, 1972 -- Roy Lichtenstein, Mirrors (Castelli Graphics); 4 E 77 St

Dec. 2-23, 1972 -- Joseph Kosuth, Early Works: Protoinvestigations; 420 W Broadway

Dec. 2-24, 1972 -- Robert Rauschenberg, Made in Tampa [Castelli Graphics]; 4 E 77 St

Dec. 9-23, 1972 -- Gianfranco Gorgoni, Photographs from the book "The New Avant-Garde"; 420 W Broadway

Dec. 16-30, 1972 -- Cirrus Editions: Anderson, Balog, Card Celmins, Cooper, Goode, Nauman, Price, Ruscha (Castelli Graphics); 4 E 77 St

Jan. 4-6, 1973 -- Joan Jonas, Performance; 420 W Broadway

Jan. 6-27, 1973 -- Richard Serra, Prints from Gemini (Castelli Graphics); 4 E 77 St

Jan. 6-27, 1973 -- Frank Stella; 4 E 77 St

Jan. 13 - Feb. 3, 1973 -- Donald Judd; 420 W Broadway

Feb. 3-17, 1973 -- Edward Ruscha, Drawings; 4 E 77 St

Feb. 3-24, 1973 -- Group Show (Castelli Graphics); 4 E 77 St

Feb. 10 - Mar. 3, 1973 -- Jan Dibbets; 420 W Broadway

Feb. 24 - Mar. 10, 1973 -- Roy Lichtenstein, Still Lifes; 4 E 77 St

Mar. 3-23, 1973 -- Robert Rauschenberg, Horsefeathers XIII (Castelli Graphics); 4 E 77 St

Mar. 10-24, 1973 -- Nassos Daphnis, Retrospective 1958-1972; 420 W Broadway

Mar. 14-16, 1973 -- Lawrence Weiner, Film screening "A First Quarter"; 420 W Broadway

Mar. 17-31, 1973 -- Nassos Daphnis, Monoprints; 4 E 77 St

Mar. 17-31, 1973 -- Bruce Nauman, Floating Room; 4 E 77 St

Mar. 24 - Apr. 14, 1973 -- Bruce Nauman (Castelli Graphics); 4 E 77 St

Mar. 31 - Apr. 21, 1973 -- Dan Flavin, 40th Birthday Drawing Exhibition; 420 W Broadway

Mar. 31 - Apr. 21, 1973 -- Robert Rauschenberg, Venetian Series; 420 W Broadway

Apr. 7-28, 1973 -- Ellsworth Kelly, Curved Series; 4 E 77 St

Apr. 27 - May 19, 1973 -- Group Show, Mirrors (Castelli Graphics); 4 E 77 St

Apr. 28 - May 19, 1973 -- Hanne Darboven; 420 W Broadway

May 5-26, 1973 -- Paul Waldman, Recent Paintings; 4 E 77 St

May 19 - June 6, 1973 -- Laura Grisi, Pebbles; 420 W Broadway

May 26 - June 7, 1973 -- James Rosenquist, Horseblinders (Castelli Graphics); 4 E 77 St

May 26 - June 16, 1973 -- James Rosenquist; 420 W Broadway

June [3] - Sept. 15, 1973 -- Summer Group Exhibition: Darboven, Dibbets, Flavin, Huebler, Kosuth, Nauman, Rauschenberg, Rosenquist, Stella, Waldman, Warhol; 4 E 77 St

June 8-22, 1973 -- Don Judd, Woodcuts, Silkscreens (Castelli Graphics); 4 E 77 St

June 23 - Sept. 9, 1973 -- Roy Lichtenstein, Bulls (Castelli Graphics); 4 E 77 St

June 23 - Sept. 22, 1973 -- Summer Group Exhibition: Artschwager, Chamberlain, Davis, Kelly, Lichtenstein, Morris, Owen, Rauschenberg, Rosenquist, Stella; 420 W Broadway

1973-1974 SeasonSept. 10-28, 1973 -- Ellsworth Kelly, Black and White Prints from Gemini (Castelli Graphics); 4 E 77 St

Sept. 22 - Oct. 16, 1973 -- Group Exhibition: Flavin, Judd, Kelly, Lichtenstein, Rosenquist, Stella; 4 E 77 St

Sept. 29 - Oct. 20, 1973 -- Videotapes by Twelve Artists: Benglis, Chamberlain, Freed, Jonas, Kos, Landry, Mann, Morris, Nauman, Serra, Sonnier, Weiner; 420 W Broadway

Sept. 29 - Nov. 16, 1973 -- Stockholm Show (Castelli Graphics); 4 E 77 St

Oct. 18 - Nov. 10, 1973 -- Benefit Exhibition for the Committee to Save Venice: Cornell, Dine, Frankenthaler, Johns, Kelly, Lichtenstein, Louis, Noland, Oldenburg, Olitski, Rauschenberg, Stella; 4 E 77 St

Nov. 1-3, 1973 -- Group Film Exhibition: Chamberlain, Jonas, Ruscha, Weiner; 420 W Broadway

Nov. 1-14, 1973 -- Group Show: Artschwager, Lichtenstein, Rosenquist, Warhol; 420 W Broadway

Nov. 10 - Dec. 1, 1973 -- Douglas Huebler; 420 W Broadway

Nov. 15 - Dec. 1, 1973 -- Hans Namuth, Photographs; 420 W Broadway

Nov. 17 - Dec. 7, 1973 -- Lewis Baltz, Photographs (Castelli Graphics); 4 E 77 St

Nov. 17 - Dec. 15, 1973 -- Richard Artschwager; 4 E 77 St

Dec. 8, 1973 - Jan. 12, 1974 -- Group Show of New Prints: Balog, Petersen, Rauschenberg, Sonnier (Castelli Graphics); 4 E 77 St

Dec. 8, 1973 - Jan. 12, 1974 -- John Chamberlain; 420 W Broadway

Dec. 15, 1973 - Jan. 19, 1974 -- Edward Ruscha, Retrospective Show, Graphics from the Collection of Donald Marron (Castelli Graphics); 4 E 77 St (upstairs)

Jan. 12-26, 1974 -- [García] Uriburu (Castelli Graphics); 4 E 77 St

Jan. 19 - Feb. 9, 1974 -- Robert Barry; 420 W Broadway

Feb. 2-16, 1974 -- James Rosenquist (Castelli Graphics); 4 E 77 St

Feb. 2-23, 1974 -- Ron Davis; 4 E 77 St

Feb. 16 - Mar. 2, 1974 -- Group Drawing Exhibition: Artschwager, Bontecou, Chamberlain, Daphnis, Darboven, Davis, Flavin, Huebler, Johns, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Owen, Rauschenberg, Rosenquist, Ruscha, Serra, Stella, Twombly; 420 W Broadway

Feb. 23 - Mar. 9, 1974 -- Keith Sonnier, Video Still Screens (Castelli Graphics); 4 E 77 St

Mar. 2-23, 1974 -- Dan Flavin; 4 E 77 St

Mar. 9-30, 1974 -- Keith Sonnier, Amplified Local Time: Radio Installation; 420 W Broadway

Mar. 16 - Apr. 6, 1974 -- Bruce Nauman (Castelli Graphics); 4 E 77 St

Mar. 30 - Apr. 20, 1974 -- Edward Ruscha; 4 E 77 St

Apr. 6-20, 1974 -- Roy Lichtenstein (Castelli Graphics); 4 E 77 St

Apr. 6-27, 1974 -- Robert Morris, Voice; 420 W Broadway

Apr. 27 - May 11, 1974 -- Jasper Johns (Castelli Graphics); 4 E 77 St

Apr. 27 - May 18, 1974 -- Claes Oldenburg; 4 E 77 St

May 4-25, 1974 -- Robert Rauschenberg and Cy Twombly; 420 W Broadway

May 18 - June 1, 1974 -- Robert Rauschenberg, Pages and Fuses (Castelli Graphics); 4 E 77 St

May 28 - June 15, 1974 -- Lucia Wilcox; 4 E 77 St

June, 1974 -- Ron Davis (Castelli Graphics); 4 E 77 St

June, 1974 -- Richard Landry, Concert; 420 W Broadway

June 1-15, 1974 -- Group Video Exhibition: Acconci, Baldessari, Bell, Benglis, Campus, Gillette, Girouard, Haxton, Holt, Jonas, Kos, Landry, Mann, Morris, Oldenburg, Palestine, Serra, Smithson, Wegman (Castelli/Sonnabend Tapes + Films); 420 W Broadway

June 1-15, 1974 -- Richard Landry, Photographs (Castelli Graphics); 420 W Broadway

June 21 - Sept. 14, 1974 -- Group Exhibition: Darboven, Flavin, Judd, Lichtenstein, Morris, Oldenburg, Rauschenberg, Ruscha, Stella, Warhol; 4 E 77 St

June 21 - Sept. 14, 1974 -- Group Graphics Exhibition: Artschwager, Baltz, Bontecou, Daphnis, Huebler, Johns, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Petersen, Pistoletto, Rauschenberg, Rosenquist, Ruscha, Serra, Sonnier, Stella, Twombly, Warhol (Castelli Graphics); 420 W Broadway

1974-1975 SeasonSept. 21 - Oct. 4, 1974 -- Frank Stella, Eccentric Polygons (Castelli Graphics); 4 E 77 St

Sept. 21 - Oct. 5, 1974 -- Jasper Johns, Recent Four Panel Prints (Castelli Graphics); 4 E 77 St

Sept. 21 - Oct. 12, 1974 -- Group Sculpture Show, In Three Dimensions: Artschwager, Bontecou, Chamberlain, Daphnis, Flavin, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Scarpitta, Serra, Sonnier, Stella, Waldman; 420 W Broadway

Oct. 5-19, 1974 -- Peter Mauss, Recent Photographs (Castelli Graphics); 4 E 77 St

Oct. 12-26, 1974 -- Richard Serra, Drawings; 4 E 77 St

Oct. 19 - Nov. 9, 1974 -- Lawrence Weiner; 420 W Broadway

Oct. 26 - Nov. 9, 1974 -- Claes Oldenburg, Selected Show of Prints from 1968-1974 (Castelli Graphics); 4 E 77 St

Nov. 2 - 30, 1974 -- Roy Lichtenstein, Artist's Studio Paintings; 4 E 77 St

Nov. 12-30, 1974 -- James Rosenquist, Selected Show of Prints from 1965-1974 (Castelli Graphics); 4 E 77 St

Nov. 16-30, 1974 -- Hanne Darboven, 24 Songs; 420 W Broadway

Nov. 21, 1974 -- Philip Glass, Concert; 420 W Broadway

Dec. 7-21, 1975 -- Robert Rauschenberg, Hoarfrost Series; 420 W Broadway

Dec. 7, 1974 - [Jan. 4], 1974 -- Michelangelo Pistoletto, New Multiples (Castelli Graphics); 4 E 77 St

Dec. 7, 1974 - Jan. 4, 1975 -- Robert Rauschenberg, Hoarfrost Editions (Castelli Graphics); 4 E 77 St

Dec. 14, 1974 - Jan. 11, 1975 -- Andy Warhol, Hand Colored Flowers (Castelli Graphics); 420 W Broadway

Jan. 4-18, 1975 -- Bruce Nauman, Cones/Cojones; 420 W Broadway

Jan. 11-25, 1975 -- Edward Ruscha, Domestic Tranquility, Four New Lithographs (Castelli Graphics); 4 E 77 St

Jan. 11 - Feb. 2, 1975 -- Salvatore Scarpitta, Sleds; 4 E 77 St

Jan. 15-18, 1975 -- Peter Campus and Paul Kos, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Jan. 25 - Feb. 8, 1975 -- Joseph Kosuth, The Tenth Investigation, Proposition Four; 420 W Broadway

Feb. 1-15, 1975 -- Group Show: Huebler, Morris, Nauman, Sonnier (Castelli Graphics); 4 E 77 St

Feb. 8-22, 1975 -- Keith Sonnier, Air to Air; 4 E 77 St

Feb. 15 - Mar. 8, 1975 -- Nassos Daphnis, A Continuous Painting; 420 W Broadway

Feb. 26 - Mar. 1, 1975 -- Benefit Exhibition for the Merce Cunningham Portfolio: Cage, Johns, Morris, Nauman, Rauschenberg, Stella, Warhol; 4 E 77 St

Feb. 26 - Mar. 1, 1975 -- Joan Jonas and Charlemagne Palestine, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Mar. 5-8, 1975 -- Frank Gillette and William Wegman, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Mar. 8 - Apr. 5, 1975 -- Ellsworth Kelly, Sculptures; 4 E 77 St

Mar. 15-29, 1975 -- Richard Artschwager, Drawings; 420 W Broadway

Mar. 15-29, 1975 -- Larry Stark, Silkscreens on Canvas; 420 W Broadway

Mar. 15 - [Apr. 5], 1975 -- Richard Landry, "1, 2, 3, 4" from Videotapes (Castelli Graphics); 4 E 77 St

Apr. 2-5, 1975 -- Benefit Exhibition for the Allen Memorial Art Museum, Oberlin College; 420 W Broadway

Apr. 12-26, 1975 -- Ellsworth Kelly, New Prints (Castelli Graphics); 4 E 77 St

Apr. 12-26, 1975 -- Dan Flavin, Flourescent Light; 420 W Broadway

Apr. 12 - May 3, 1975 -- Ellsworth Kelly, Gray Series Paintings; 4 E 77 St

Apr. 19 - May 3, 1975 -- James Klosty, Around and About Merce Cunningham, Photographs 1968-1972; 420 W Broadway

May 3-17, 1975 -- Richmond Jones, Photographs (Castelli Graphics); 4 E 77 St

May 3-31, 1975 -- Frank Stella, Metal Reliefs; 420 W Broadway

May 10-31, 1975 -- Ron Davis, Paintings; 4 E 77 St

May 10-31, 1975 -- Laura Grisi, Stripes; 420 W Broadway

May 24 - June 7, 1975 -- Laura Grisi, New Graphics (Castelli Graphics); 4 E 77 St

June 7 - Sept. 5, 1975 -- Summer Group Exhibition: Artschwager, Chamberlain, Darboven, Grisi, Huebler, Judd, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Owen, Rauschenberg, Rosenquist, Warhol; 420 W Broadway

June 7 - Sept. 20, 1975 -- Summer Group Exhibition, Black and White: Kelly, Rauschenberg, Ad Reinhardt, Serra, Stella; 4 E 77 St

June 14-28, 1975 -- Bruce Nauman, New Graphics (Castelli Graphics); 4 E 77 St

July 7-25, 1975 -- Group Exhibition (Castelli Graphics); 4 E 77 St

1975-1976 SeasonSept. 13-27, 1975 -- Autumn Group Exhibition: Artschwager, Chamberlain, Davis, Lichtenstein, Nauman, Oldenburg, Rauschenberg, Rosenquist, Scarpitta; 420 W Broadway

Sept. 27 - Oct. 18, 1975 -- James Rosenquist, Drawings; 4 E 77 St

Oct. 4-18, 1975 -- Robert Rauschenberg, Bones and Unions (Castelli Graphics); 4 E 77 St

Oct. 4-25, 1975 -- Jan Dibbets; 420 W Broadway

Oct. 11-25, 1975 -- Frank Owen; 420 W Broadway

Oct. 25 - Nov. 15, 1975 -- Hans Namuth, Photographs (Castelli Graphics); 4 E 77 St

Nov. 1-15, 1975 -- Robert Rauschenberg, Bones and Unions (Castelli Graphics); 420 W Broadway

Nov. 1-22, 1975 -- Roy Lichtenstein, Recent Paintings; 420 W Broadway

Nov. 22 - Dec. 13, 1975 -- Group Exhibition: Flavin, Judd, Kelly, Morris, Stella; 4 E 77 St

Nov. 29 - Dec. 20, 1975 -- Lewis Baltz, The New Industrial Parks Near Irving, CA, 1974 (a portfolio of 51 photographs) (Castelli Graphics); 420 W Broadway

Nov. 29 - Dec. 20, 1975 -- Paul Waldman, Recent Paintings; 420 W Broadway

Jan. 3-17, 1976 -- Ralph Gibson, Photographs (Castelli Graphics); 4 E 77 St

Jan. 10-24, 1976 -- Robert Barry, Recent Drawings; 420 W Broadway

Jan. 10-24, 1976 -- Alan Charlton; 420 W Broadway

Jan. 24 - Feb. 14, 1976 -- Jasper Johns; 4 E 77 St

Jan. 31 - Feb. 14, 1976 -- Peter Campus; 420 W Broadway

Jan. 31 - Feb. 14, 1976 -- Peter Campus and Frank Gillette, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Feb. 10, 1976 -- Lawrence Weiner, Film screening, "A Second Quarter"; 420 W Broadway

Feb. 21 - Mar. 13, 1976 -- Robert Rauschenberg, Jammers; 420 W Broadway

Feb. 21 - Mar. 13, 1976 -- Keith Sonnier, Abaca Code; 420 W Broadway

Feb. 28 - Mar. 20, 1976 -- Joseph Cornell; 4 E 77 St

Mar. 20 - Apr. 10, 1976 -- Dan Flavin, Colored Fluorescent Light; 420 W Broadway

Mar. 20 - Apr. 10, 1976 -- Donald Judd; 420 W Broadway

Mar. 27 - Apr. 17, 1976 -- John Chamberlain; 4 E 77 St

Apr. 17 - May 8, 1976 -- Robert Morris; 420 W Broadway

Apr. 22-24, 1976 -- Benefit Drawing Exhibition for the New York Studio School; 4 E 77 St

Apr. 24 - May 15, 1976 -- Laura Grisi; 420 W Broadway

May 1-22, 1976 -- Hanne Darboven, For Jean-Paul Sartre; 4 E 77 St

May 15 - June 5, 1976 -- Douglas Huebler; 420 W Broadway

May 22 - June 12, 1976 -- Gianfranco Gorgoni, Photographs; 420 W Broadway

May 29 - June 12, 1976 -- Robert Adams, Photographs (Castelli Graphics); 4 E 77 St

June 19 - Sept. 10, 1976 -- Summer Group Exhibition: Artschwager, Chamberlain, Daphnis, Dibbets, Flavin, Judd, Kelly, Lichtenstein, Morris, Nauman, Noland, Oldenburg, Owen, Rauschenberg, Serra, Stella, Weiner; 420 W Broadway

June 26 - Sept. 10, 1976 -- Summer Group Drawing Exhibition: Artschwager, Barry, Bontecou, Darboven, Flavin, Morris, Ruscha; 4 E 77 St

1976-1977 SeasonSept. 11 - Oct. 2, 1976 -- Portraits: Cohen, Eggleston, Gibson, Gossage, Kelly, Namuth, Sonneman, Warhol (Castelli Graphics); 4 E 77 St

Sept. 15 - Oct. 2, 1976 -- Daniel Buren, To Transgress; 420 W Broadway

Sept. 25 - Oct. 16, 1976 -- Cy Twombly, Watercolors; 4 E 77 St

Oct. 9-30, 1976 -- Robert Morris, Black and White Felts; 420 W Broadway

Oct. 9-30, 1976 -- Paul Kos, Tokyo Rose (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Oct. 23 - Nov. 13, 1976 -- Kenneth Noland; 4 E 77 St

Nov. 2-27, 1976 -- Bruce Nauman; 420 W Broadway (back room)

Nov. 6 - Dec. 4, 1976 -- Claes Oldenburg; 420 W Broadway

Dec. 11-18, 1976 -- Poppy Johnson, Performance; 420 W Broadway (middle room)

Dec. 11-22, 1976 -- Group Exhibition: Chamberlain, Kelly, Lichtenstein, Noland, Oldenburg, Rauschenberg, Rosenquist, Stella, Warhol; 420 W Broadway

Jan. 8-29, 1977 -- Andy Warhol, Still Life Paintings and Drawings; 420 W Broadway

Feb. 5-26, 1977 -- Ellsworth Kelly; 420 W Broadway

Mar. 5-19, 1977 -- Robert Barry, Donald Judd, Robert Morris, and Keith Sonnier; 420 W Broadway

Mar. 5-26, 1977 -- Hans Namuth and Georg Reisner, Photographs from the Spanish Civil War; 4 E 77 St

Mar. 5-26, 1977 -- Beryl Korot, Text and Commentary (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Mar. 5 - Apr. 2, 1977 -- Robert Rauschenberg (Castelli Graphics); [4 E 77 St]

Mar. 26 - Apr. 16, 1977 -- Louis Cane; 420 W Broadway

Mar. 28, 1977 -- Brazos River: Videotape by Viola Farber, Robert Rauschenberg, and David Tudor; 420 W Broadway

Apr. 2-16, 1977 -- Frank Gillette, Mecox (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Apr. 23 - May 21, 1977 -- Robert Rauschenberg, Spreads and Scales; 420 W Broadway

Apr. 30 - May 21, 1977 -- Billy Apple, Extension of the Given; 420 W Broadway

May 7-28, 1977 -- Drawings: Artschwager, Flavin, Johns, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Twombly, Waldman, Warhol (Castelli Graphics); 4 E 77 St

May 7-28, 1977 -- Drawings - Castelli Uptown; 420 W Broadway

May 28 - June [18], 1977 -- Mia Westerlund Roosen; 420 W Broadway

May 28 - Sept. 17, 1977 -- Summer Group Exhibition: Flavin, Judd, Kelly, Kosuth, Lichtenstein, Rauschenberg, Ruscha, Warhol; 420 W Broadway

1977-1978 SeasonSept. 24 - Oct. 15, 1977 -- James Rosenquist, Recent Paintings; 420 W Broadway

Oct. 15 - Nov. 12, 1977 -- Jasper Johns (Castelli Graphics); 4 E 77 St

Oct. 22 - Nov. 12, 1977 -- Architecture I: Abraham, Ambasz, Meier, Pichler, Rossi, Stirling, Venturi and Rauch; 420 W Broadway

Nov. 19 - Dec. 17, 1977 -- Roy Lichtenstein, Sculptures; 420 W Broadway

Nov. 25 - Dec. 17, 1977 -- William Eggelston, Color Photographs, 1966-1977 (Castelli Graphics); 420 W Broadway (middle room)

Jan. 7-28, 1978 -- Numerals 1924-1977; 420 W Broadway

Feb. 4-25, 1978 -- Bruce Nauman; 420 W Broadway (front room)

Feb. 4-25, 1978 -- Billy Apple, Extension of the Given; 420 W Broadway (front office)

Feb. 4-25, 1978 -- Dan Flavin; 420 W Broadway (middle room)

Feb. 4-25, 1978 -- Robert Barry, A Wall Drawing; 420 W Broadway (back room)

Mar. 4-25, 1978 -- Donald Judd; 420 W Broadway

Mar. 4-25, 1978 -- Paul Waldman; 420 W Broadway

Apr. 1-15, 1978 -- Keith Sonnier, Black Ground Series Drawings; 420 W Broadway (middle room)

Apr. 1-29, 1978 -- Hanne Darboven, Card-Index, Filing Cabinet; 420 W Broadway

Apr. 22-29, 1978 -- Barbaralee Diamonstein, Inside New York's Art World; 420 W Broadway (middle room)

May 6 - June 24, 1978 -- Joseph Cornell, Collages 1931-1972; 420 W Broadway

June 10-24, 1978 -- Alan Sonfist; 420 W Broadway (middle room)

July 5 - Sept. 23, 1978 -- Summer Group Exhibition: Dibbets, Flavin, Judd, Lichtenstein, Morris, Noland, Oldenburg, Rauschenberg, Ruscha, Serra, Sonnier; 420 W Broadway

1978-1979 SeasonSept. 30 - Oct. 21, 1978 -- Jan Dibbets, Structure Panoramas 1977-78; 420 W Broadway (front room)

Sept. 30 - Oct. 21, 1978 -- Douglas Huebler, Mediations; 420 W Broadway (middle room)

Oct. 28 - Nov. 18, 1978 -- Group Exhibition: Chamberlain, Johns, Kelly, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Warhol; 420 W Broadway

Oct. 28 - Nov. 18, 1978 -- Laura Grisi; 420 W Broadway (middle room)

Dec. 2-20, 1978 -- Film/Video 1976-78: Baldessari, Benglis, Campus, Downey, Freed, Girouard, Haxton, Holt, Jonas, Kos, Rappaport, Wegman, Wiener (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Jan. 6-27, 1979 -- Frank Stella, Indian Birds, Painted Metal Reliefs; 420 W Broadway

Feb. 3-24, 1979 -- Donald Judd, Survey of Work; 420 W Broadway

Mar. 3-24, 1979 -- Robert Morris, 6 Mirror Works; 420 W Broadway (front room)

Mar. 3-24, 1979 -- Robert Barry and Carole Gallagher, Again and Again; 420 W Broadway (middle room)

Mar. 31 - Apr. 21, 1979 -- Hans Namuth, Todos Santos: Portraits (Castelli Graphics); 4 E 77 St

Mar. 31 - Apr. 21, 1979 -- Lawrence Weiner; 420 W Broadway (front room)

Mar. 31 - Apr. 21, 1979 -- Mia Westerlund Roosen; 420 W Broadway (middle room)

Apr. 28 - May 19, 1979 -- Roy Lichtenstein, Recent Paintings; 420 W Broadway

May 26 - June 16, 1979 -- Joseph Kosuth, Text/Context (New York); 420 W Broadway

May 26 - June 16, 1979 -- Keith Sonnier, Expanded Sel Series; 420 W Broadway

June 23 - Sept. 15, 1979 -- Summer Group Exhibition: Andre, Daphnis, Flavin, Judd, Kelly, Lichtenstein, Morris, Noland, Owen, Rauschenberg, Ruscha, Serra, Stella, Twombly; 420 W Broadway

1979-1980 SeasonSept. 22 - Oct. 13, 1979 -- Richard Artschwager; 420 W Broadway

Oct. 20 - Nov. 10, 1979 -- Dan Flavin, 1960's and 1970's Installations; 420 W Broadway

Nov. 17 - Dec. 15, 1979 -- Kenneth Noland; 420 W Broadway

Jan. 5-19, 1980 -- Michele Zaza; 420 W Broadway (middle room)

Jan. 5-26, 1980 -- Hanne Darboven; 420 W Broadway

Jan. 19 - Feb. 9, 1980 -- Jasper Johns; 4 E 77 St

Jan. 22-26, 1980 -- Barbaralee Diamonstein, Inside New York's Art World (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Feb. 2-23, 1980 -- Salvatore Scarpitta; 420 W Broadway

Feb. 2-23, 1980 -- Charles Gaines, Falling Leaves; 420 W Broadway (middle room)

Feb. 19 - [Mar. 15], 1980 -- Leo Castelli: A New Space: Judd, Lichtenstein, Morris, Nauman, Rauschenberg, Serra, Stella; 142 Greene St

Mar. 1-22, 1980 -- Nassos Daphnis, Paintings From the 50's; 420 W Broadway

Mar. 1-22, 1980 -- Robert Barry, Wall Piece; 420 W Broadway (back office)

Mar. 29 - Apr. 19, 1980 -- Robert Rauschenberg; 420 W Broadway

Apr. [5] - May 10, 1980 -- Ellsworth Kelly, "Color Panels for a Large Wall," 1978, from the Central Trust Company, Cincinnati; 142 Greene St

Apr. 12 - May 3, 1980 -- Ellsworth Kelly, Prints 1978-1980 (Castelli Graphics); 4 E 77 St

Apr. 26 - May 17, 1980 -- Bruce Nauman; 420 W Broadway

Apr. 26 - May 17, 1980 -- Cletus Johnson, Theaters; 420 W Broadway (middle room)

May 17 - June 21, 1980 -- James Rosenquist; 420 W Broadway

May 24 - June 14, 1980 -- Claes Oldenburg; 142 Greene St

May 24 - June 14, 1980 -- Claes Oldenburg; 420 W Broadway

1980-1981 SeasonSept. 13 - Oct. 18, 1980 -- Group Exhibition: Lichtenstein, Nauman, Stella, Judd, Warhol, Kelly; 142 Greene St

Sept. 20 - Oct. 11, 1980 -- Edward Ruscha, New Paintings; 420 W Broadway (front room)

Sept. 20 - Oct. 11, 1980 -- Peter Young, Homage to Agnes Martin; 420 W Broadway

Sept. 27 - Oct. 18, 1980 -- Roy Lichtenstein (Castelli Graphics); 4 E 77 St

Oct. 18 - Nov. 22, 1980 -- Architecture II Houses For Sale: Ambasz, Eisenman, Gregotti, Isozaki, Moore, Pelli, Price, Ungers; 420 W Broadway

Oct. 25 - Nov. 15, 1980 -- Hans Namuth, Pollock Painting, 1950-1951 (Castelli Graphics); 4 E 77 St

Oct. 25 - Nov. 15, 1980 -- Robert Morris; 142 Greene St

Nov. 1980 -- Group Exhibition; 420 W Broadway (rear office)

Nov. 29 - Dec. 6, 1980 -- Barbaralee Diamonstein, American Architecture Now (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Nov. 29 - Dec. 13, 1980 -- Benefit Exhibition for Foundation for Contemporary Performance Arts, Inc.; 420 W Broadway

Nov. 29 - Dec. 20, 1980 -- James Turrell; 142 Greene St

Dec. 13-20, 1980 -- Group Installation: Huebler, Kosuth, Nauman, Sonnier; 420 W Broadway (middle room)

Jan. 10 - Feb. 7, 1981 -- Jasper Johns, Drawings 1970-1980; 420 W Broadway

Jan. 17 - Feb. 21, 1981 -- James Rosenquist, Star Thief; 142 Greene St

Feb. 14-28, 1981 -- Lawrence Weiner; 420 W Broadway (front room)

Feb. 14-28, 1981 -- Edward Ruscha, Drawings; 420 W Broadway (middle room)

Feb. 28 - Apr. 4, 1981 -- Richard Serra, Slice; 142 Greene St

Mar. 7-28, 1981 -- Paul Waldman; 420 W Broadway

Mar. 7-28, 1981 -- Laura Grisi; 420 W Broadway (middle room)

Mar. 12 - Apr. 4, 1981 -- Richard Serra, Film screenings, "Railroad Turnbridge" and "Steelmill/Stahlwerk" (Castelli/Sonnabend Tapes + Films); 142 Greene St

Apr. 4 - May 2, 1981 -- Julian Schnabel; 420 W Broadway

Apr. 4 - May 2, 1981 -- Douglas Huebler, Crocodile Tears; 420 W Broadway (middle room)

Apr. 11 - May 9, 1981 -- Ellsworth Kelly; 142 Greene St

Apr. 18 - May 9, 1981 -- Michael Harvey, Film screenings, "Sub Rosa" and "Dead Letter" (Castelli/Sonnabend Tapes + Films); 142 Greene St

May 13, 1981 -- Joan Jonas, Upsidedown and Backwards (Castelli/Sonnabend Tapes + Films); 142 Greene St

May 16-30, 1981 -- Artists' Benefit For the Trisha Brown Dance Company; 142 Greene St

May 16 - Sept. 4, 1981 -- Dan Flavin, Barred Corridors; 420 W Broadway

1981-1982 SeasonSept. 15 - Oct. 31, 1981 -- Donald Judd; 142 Greene St (lower gallery)

Sept. 19 - Oct. 10, 1981 -- Richard Serra (Castelli Graphics); 4 E 77 St

Sept. 19 - Oct. 10, 1981 -- Robert Barry and Carole Gallagher, Collaboration; 420 W Broadway

Oct. 17 - Nov. 7, 1981 -- Charles Gaines, Landscape: Assorted Trees with Regressions; 420 W Broadway

Oct. 17 - Nov. 7, 1981 -- Roy Lichtenstein; 420 W Broadway

Nov. 14 - Dec. 19, 1981 -- Richard Artschwager; 420 W Broadway

Nov. 17-21, 1981 -- Barbaralee Diamonstein, Visions and Images - American Photographers on Photography (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Nov. 21 - Dec. 12, 1981 -- Hermine Freed, Beads + Marbles [Castelli/Sonnabend Tapes + Films]; 142 Greene St (lower gallery)

Nov. 21 - Dec. 19, 1981 -- Hanne Darboven; 142 Greene St

Nov. 28 - Dec. 19, 1981 -- Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc.; 420 W Broadway (middle room)

Nov. 28 - Dec. 23, 1981 -- Julian Schnabel; 142 Greene St

Jan. 9-30, 1982 -- Bruce Nauman, Violins, Violence, Silence; 142 Greene St

Jan. 9-30, 1982 -- Andy Warhol, Dollar Signs; 142 Greene St (lower gallery)

Jan. 9-30, 1982 -- Andy Warhol, Reversals; 420 W Broadway (front room)

Jan. 9 - Feb. 13, 1982 -- Hans Namuth, Portraits; 420 W Broadway (middle room)

Feb. 6-27, 1982 -- Claude Viallat; 142 Greene St

Feb. 6-27, 1982 -- Louis Cane; 420 W Broadway

Feb. 20 - Mar. 27, 1982 -- Dan Flavin, Donald Judd, Richard Serra; 420 W Broadway (middle room)

Mar. 6-27, 1982 -- Mia Westerlund Roosen; 142 Greene St

Mar. 6-27, 1982 -- David Salle; 420 W Broadway (front room)

Mar. 20-27, 1982 -- Sandro Chia; 142 Greene St (lower gallery)

Apr. 3-24, 1982 -- Richard Serra, "Marilyn Monroe-Greta Garbo," 1981,-(A Sculpture for Gallery-Goers.); 142 Greene St

Apr. 3-24, 1982 -- Joseph Kosuth; 420 W Broadway

Apr. 3-24, 1982 -- Richard Serra; 420 W Broadway

Apr. 3 - May 1, 1982 -- Frank Gillette; 142 Greene St

May 1-22, 1982 -- Keith Sonnier; 420 W Broadway

June 1 - Oct. 23, 1982 -- Summer Group Show: Chia, Johns, Kelly, Lichtenstein, Rauschenberg, Rosenquist, Ruscha, Salle, Schnabel, Stella, Warhol; 420 W Broadway

Summer 1982 -- Castelli and His Artists 25 Years; 420 W Broadway

1982-1983 SeasonSept. 11 - Oct. 9, 1982 -- 25th Anniversary Exhibition of Leo Castelli, Castelli and His Artists 25 Years: Artschwager, Barry, Bontecou, Chamberlain, Daphnis, Darboven, Dibbets, Flavin, Grisi, Huebler, Johns, Johnson, Judd, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Scarpitta, Schnabel, Serra, Sonnier, Stella, Twombly, Waldman, Warhol, Weiner, Westerlund Roosen; 142 Greene St

Oct. 16-23, 1982 -- Barbaralee Diamonstein, Interior Design: The New Freedom; 142 Greene St

Oct. 16-23, 1982 -- Architectural Drawings and Models: Skowhegan School of Painting and Sculpture Charrette Competition Entries; 420 W Broadway

Oct. 16 - Nov. 6, 1982 -- Group Show: Flavin, Nauman, Oldenburg, Serra, Stella; 142 Greene St

Oct. 30 - Nov. 20, 1982 -- Frank Stella; 420 W Broadway

[Nov. 20 - Dec. 12, 1982] -- Salvatore Scarpitta, American Cycle: 1958-1982; 142 Greene St

Nov. 27 - Dec. 18, 1982 -- John Chamberlain; 420 W Broadway

Dec. 31, 1982 - Jan. 29, 1983 -- Robert Rauschenberg; 142 Greene St

Jan. 8-29, 1983 -- Margrete Sørensen; 142 Greene St (lower gallery)

Jan. 8-29, 1983 -- Robert Morris, Psychomachia; 420 W Broadway

Feb. 3-24, 1983 -- Robert Morris; 142 Greene St

Feb. 3-26, 1983 -- Diane Blell; 142 Greene St (lower gallery)

Feb. 5-26, 1983 -- Robert Longo; 142 Greene St

Feb. 5-26, 1983 -- Gerard Garouste; 420 W Broadway

Mar. 5-26, 1983 -- Robert Mapplethorpe; 142 Greene St

Mar. 5-26, 1983 -- Douglas Huebler; 142 Greene St (lower gallery)

Mar. 5-26, 1983 -- Nassos Daphnis; 420 W Broadway

Mar. 5-26, 1983 -- Sandy Skoglund; 420 W Broadway (middle room)

Apr. 2-23, 1983 -- Julian Schnabel; 142 Greene St

Apr. 2-23, 1983 -- Jan Dibbets; 420 W Broadway

Apr. 2-23, 1983 -- Ellsworth Kelly, Robert Morris, and Bruce Nauman; 420 W Broadway (middle room)

Apr. 30 - June 3, 1983 -- Donald Judd; 420 W Broadway

Apr. 30 - June 4, 1983 -- Sandro Chia; 142 Greene St

Apr. 30 - June 4, 1983 -- Julian Schnabel; 142 Greene St (lower gallery)

May 11 - June 30, 1983 -- Michael Smith, Government Approved Home Fallout snack bar (Castelli Graphics); 43 West 61st St

June [11] - Aug. [4], 1983 -- Drawings/Photographs; 420 W Broadway

Summer 1983 -- Summer Show, Sculpture; 142 Greene St

1983-1984 SeasonSept. 17 - Oct. 8, 1983 -- Robert Rauschenberg, Photogravures (Castelli Graphics); 4 E 77 St

Sept. 24 - Oct. 15, 1983 -- Ken Price; 420 W Broadway (front room)

Sept. 24 - Oct. 15, 1983 -- Robert Barry; 420 W Broadway (middle room)

Oct. 1-[22], 1983 -- James Rosenquist; 142 Greene St

Oct. 22 - Nov. 19, 1983 -- Architectural "Follies": Drawings and Models; 420 W Broadway

Oct. 29 - Nov. 5, 1983 -- Barbaralee Diamonstein, Handmade in America; 142 Greene St (lower gallery)

Nov. 12-26, 1983 -- Marvin Torffield, Pandora's Tears; 142 Greene St (lower gallery)

Dec. 3-17, 1983 -- 8 x 8 to Celebrate the Temporary Contemporary; 142 Greene St (lower gallery)

Dec. 3, 1983 - Jan. 14, 1984 -- Roy Lichtenstein, Greene St Mural; 142 Greene St

Dec. 3, 1983 - Jan. 14, 1984 -- Roy Lichtenstein; 420 W Broadway

Jan. 21 - Feb. 18, 1984 -- Ellsworth Kelly, Corten Wall Sculptures; 420 W Broadway

Jan. 28 - Feb. 25, 1984 -- Jasper Johns, Paintings; 142 Greene St

Feb. 18 - Mar. 10, 1984 -- Richard Serra; 420 W Broadway

Mar. 3-17, 1984 -- Artists Call Against US Intervention in Central America; 142 Greene St (lower gallery)

Mar. 3-31, 1984 -- Edward Ruscha; 142 Greene St

Mar. 10-31, 1984 -- Castelli Graphics 15th Anniversary Exhibition: Graphics, Photographs, Drawings, and Multiples (Castelli Graphics); 4 E 77 St

Mar. 17 - Apr. 7, 1984 -- David Salle; 420 W Broadway

Mar. 31 - Apr. 21, 1984 -- Lucio Pozzi; 142 Greene St (lower gallery)

Apr. 3-28, 1984 -- Dan Flavin; 142 Greene St

Apr. 14 - May 12, 1984 -- Paul Waldman; 420 W Broadway

Apr. 28 - May 19, 1984 -- Eve Sonneman; 142 Greene St (lower gallery)

May 19 - June 9, 1984 -- Jean-Charles Blais; 420 W Broadway

June 6, 1984 -- Michael Smith, Video: Go For It Mike (Castelli/Sonnabend Tapes + Films); 142 Greene St

June 15 - July 27, 1984 -- Summer Group Exhibition: Flavin, Judd, Kelly, Morris, Rauschenberg, Serra, Stella; 142 Greene St

June 23 - Sept. 8, 1984 -- Summer Group Exhibition: Artschwager, Blell, Chia, Johns, Judd, Kelly, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Salle, Warhol; 420 W Broadway

1984-1985 SeasonSept. 15-29, 1984 -- Billy Apple, Survey: 1962-1974; 142 Greene St

Sept. 15 - Oct. 6, 1984 -- Hanne Darboven, Ansichten '82; 420 W Broadway

Oct. 6 - Nov. 3, 1984 -- Bruce Nauman; 142 Greene St

Oct. 13 - Nov. 10, 1984 -- Charles Simonds; 420 W Broadway

Oct. 19, [1984] -- Mitchell Kriegman, Video, "The Effect of Gravity on Dogs" (Castelli/Sonnabend Tapes + Films); 142 Greene St

Nov. 17 - Dec. 15, 1984 -- Donald Judd; 142 Greene St

Nov. 17 - Dec. 15, 1984 -- Keith Sonnier; 142 Greene St (lower gallery)

Nov. 17 - Dec. 15, 1984 -- Donald Judd; 420 W Broadway

Nov. 29 - Dec. 8, 1984 -- Cunningham Dance Foundation Benefit Art Sale; 420 W Broadway

Jan. 5-26, 1985 -- Sandro Chia; 420 W Broadway

Jan. 12 - Feb. 9, 1985 -- Robert Morris; 142 Greene St

Feb. 2-23, 1985 -- Richard Artschwager; 420 W Broadway

Feb. 16 - Mar. 23, 1985 -- Nassos Daphnis; 142 Greene St

Mar. 2-23, 1985 -- Joseph Kosuth; 420 W Broadway

Mar. 2-23, 1985 -- Ralph Gibson; 420 W Broadway (middle room)

Mar. 30 - Apr. 13, 1985 -- Group Exhibition: Flavin, Judd, Morris, Nauman, Serra, Warhol; 420 W Broadway (front room)

Mar. 30 - Apr. 13, 1985 -- Ellsworth Kelly, New Wall Reliefs; 420 W Broadway (middle room)

Mar. 30 - Apr. 20, 1985 -- Francesco Clemente; 142 Greene St

Apr. 20 - May 11, 1985 -- Gerard Garouste; 420 W Broadway (front room)

Apr. 20 - May 11, 1985 -- Charles Gaines; 420 W Broadway (middle room)

Apr. 27 - May 18, 1985 -- James Rosenquist; 142 Greene St

May 18 - June 15, 1985 -- Dan Flavin; 420 W Broadway (front room)

May 18 - June 15, 1985 -- Dianne Blell; 420 W Broadway (middle room)

June 22 - July 27, 1985 -- Summer Group Exhibition: Chia, Lichtenstein, Rosenquist, Serra, Sonnier, Warhol, Weiner, Westerlund Roosen; 142 Greene St

1985-1986 SeasonSept. 7-21, 1985 -- Group Exhibition: Artschwager, Ruscha, Salle, Scarpitta, Sonnier, Warhol, Weiner; 142 Greene St

Sept. 28 - Oct. 19, 1985 -- Keith Sonnier; 142 Greene St

Sept. 28 - Oct. 19, 1985 -- Jiri Georg Dokoupil; 420 W Broadway

Oct. 26 - Nov. 16, 1985 -- Keith Haring; 142 Greene St

Oct. 26 - Nov. 16, 1985 -- Bruce Nauman; 420 W Broadway (front room)

Oct. 26 - Nov. 16, 1985 -- Judy Tompkins; 420 W Broadway (middle room)

Nov. 15 - Dec. 7, 1985 -- Roy Lichtenstein, Landscapes (Castelli Graphics); 4 E 77 St

Nov. 23 - Dec. 21, 1985 -- Roy Lichtenstein; 420 W Broadway (front room)

Nov. 23 - Dec. 21, 1985 -- Gianfranco Gorgoni; 420 W Broadway (middle room)

Nov. 30 - Dec. 21, 1985 -- Mario Merz; 142 Greene St

Jan. 11 - Feb. 1, 1986 -- Hanne Darboven; 142 Greene St

Jan. 11 - Feb. 1, 1986 -- Group Exhibition: Chia, Judd, Nauman, Rauschenberg, Ruscha, Sonnier, Warhol, Westerlund Roosen; 142 Greene St (lower gallery)

Jan. 11 - Feb. 1, 1986 -- Robert Ryman; 420 W Broadway (front room)

Jan. 11 - Feb. 1, 1986 -- Douglas Huebler; 420 W Broadway (middle room)

Feb. 8 - Mar. 1, 1986 -- Laura Grisi; 142 Greene St

Feb. 8 - Mar. 1, 1986 -- Edward Ruscha; 420 W Broadway (front room)

Feb. 8 - Mar. 1, 1986 -- Nassos Daphnis; 420 W Broadway (middle room)

Mar. 8-29, 1986 -- Robert Combas; 420 W Broadway (front room)

Mar. 8-29, 1986 -- Dan Rodan; 420 W Broadway (middle room)

Mar. 8 - Apr. 5, 1986 -- Richard Serra, Prints; 142 Greene St

Apr. 5 - May 3, 1986 -- David Salle; 420 W Broadway

Apr. 5 - May 3, 1986 -- Jean Kallina; 420 W Broadway (office)

Apr. 12 - May 3, 1986 -- Miquel Barceló; 142 Greene St

May 10 - June 14, 1986 -- Robert Therrien; 420 W Broadway

May 17 - June 14, 1986 -- Joseph Kosuth, Selected Works, 1965-1986; 142 Greene St

June 14 - Sept. 13, 1986 -- Summer Group Exhibition: Barceló, Dokoupil, Kosuth, Morris, Moskowitz, Nauman, Oldenburg, Rauschenberg, Ruscha, Scarpitta, Serra, Stella, Warhol; 142 Greene St

June 14 - Sept. 13, 1986 -- Summer Group Exhibition: Artschwager, Blais, Blell, Brown, Chia, Combas, Gibson, Johns, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Rauschenberg, Rosenquist, Ruscha, Ryman, Salle, Serra, Therrien; 420 W Broadway

1986-1987 SeasonSept. 19-27, 1986 -- The Law and Order Show; 420 W Broadway

Sept. 20 - Oct. 11, 1986 -- Mia Westerlund Roosen, Sculpture and Drawings, 1983-1986; 142 Greene St

Oct. 4-11, 1986 -- Barbaralee Diamonstein, Color Video Selections; 142 Greene St (lower gallery)

Oct. 4-25, 1986 -- James Brown; 420 W Broadway

Oct. 18-25, 1986 -- Skowhegan: A Ten-Year Retrospective; 142 Greene St

Nov. 1-22, 1986 -- Lawrence Weiner; 142 Greene St

Nov. [1]-22, 1986 -- Robert Therrien, 1st Installation; 142 Greene St (lower gallery)

Nov. 1-22, 1986 -- Robert Rauschenberg, Gluts; 420 W Broadway

Dec. 13, 1986 - Jan. 24, 1987 -- Claes Oldenburg, Coosje van Bruggen, and Frank Gehry, The Course of the Knife; 142 Greene St

Dec. 13, 1986 - Jan. 24, 1987 -- Claes Oldenburg, Coosje van Bruggen, and Frank Gehry, The Course of the Knife; 420 W Broadway

Jan. 31 - Mar. 7, 1987 -- XXXth Anniversary, the first fifteen years, part 1: Artschwager, Bontecou, Chamberlain, Daphnis, Johns, Kelly, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Scarpitta, Stella, Twombly, Warhol; 142 Greene St

Jan. 31 - Mar. 7, 1987 -- Group Exhibition: Artschwager, Barceló, Flavin, Grisi, Simonds; 142 Greene St (lower gallery)

Jan. 31 - Mar. 7, 1987 -- Robert Therrien, 2nd Installation; 142 Greene St (lower gallery)

Jan. 31 - Mar. 7, 1987 -- Jasper Johns; 420 W Broadway

Mar. 7-28, 1987 -- Charles Gaines, Numbers + Trees; 142 Greene St

Mar. 14 - Apr. 4, 1987 -- XXXth Anniversary, the first fifteen years, part 2: Barry, Darboven, Dibbets, Flavin, Grisi, Huebler, Judd, Kosuth, Morris, Nauman, Serra, Sonnier, Waldman, Weiner; 142 Greene St

Mar. 14 - Apr. 4, 1987 -- Roy Lichtenstein; 420 W Broadway

Mar. 26 - May 2, 1987 -- Group Exhibition: Grisi, Nauman, Rauschenberg, Rosenquist, Warhol; 142 Greene St (lower gallery)

Apr. 18 - May 2, 1987 -- Jean-Charles Blais; 142 Greene St

Apr. 18 - May 9, 1987 -- Dan Flavin, A New Work; 420 W Broadway

Apr. 18 - May 9, 1987 -- Ti Shan Hsu; 420 W Broadway

May [9]-30, 1987 -- Group Show: Kosuth, Morris, Oldenburg, Serra, Stella, Therrien; 142 Greene St

May 12 - June 27, 1987 -- Robert Therrien, 3rd Installation; 142 Greene St (lower gallery)

May 16 - June 6, 1987 -- Richard Artschwager, Bruce Nauman, and Frank Stella; 420 W Broadway

June 4-13, 1987 -- Art Against Aids; 142 Greene St

June 20 - July 31, 1987 -- Andy Warhol; 142 Greene St

1987-1988 SeasonSept. 26 - Oct. 17, 1987 -- Richard Serra, Three Sculptures; 142 Greene St

Oct. 3-31, 1987 -- Miquel Barceló; 420 W Broadway

Oct. 24 - Nov. 14, 1987 -- Peter Schuyff; 142 Greene St

Nov. 7-28, 1987 -- Meyer Vaisman; 420 W Broadway

Nov. 21 - Dec. 19, 1987 -- Edward Ruscha; 142 Greene St

Nov. 21 - Dec. 19, 1987 -- Edward Ruscha; 420 W Broadway

Dec. 5-22, 1987 -- Similia/Dissimilia; 420 W Broadway

Jan. 9-30, 1988 -- Robert Morris; 142 Greene St

Jan. 9-30, 1988 -- Mike Bidlo, Picasso's Women; 142 Greene St (lower gallery)

Jan. 9-30, 1988 -- Richard Artschwager, Drawings; 420 W Broadway

Jan. 9-30, 1988 -- Group Exhibition: Artschwager, Kelly, Lichtenstein, Rosenquist, Ruscha, Warhol; 420 W Broadway

Feb. 6-27, 1988 -- Hanne Darboven; 142 Greene St

Feb. 6-27, 1988 -- Paul Waldman; 420 W Broadway (front room)

Feb. 6-27, 1988 -- Cletus Johnson; 420 W Broadway (middle room)

Mar. 5-12, 1988 -- School of Visual Arts Alumni Show, 1977-87; 142 Greene St

Mar. 5-26, 1988 -- Nassos Daphnis; 420 W Broadway

Mar. 26 - Apr. 16, 1988 -- Chryssa, Cityscapes 1980-88; 142 Greene St

Apr. 2-23, 1988 -- Gerard Garouste; 420 W Broadway

Apr. 23 - May 14, 1988 -- James Rosenquist; 142 Greene St

Apr. 30 - May 21, 1988 -- Robert Therrien; 420 W Broadway

May [28] - June 18, 1988 -- Richard Artschwager, His Peers and Persuasions, 1963-1988; 142 Greene St

May 28 - July 31, 1988 -- Frank O. Gehry, Furniture; 420 W Broadway

May 28 - July 31, 1988 -- Edward Ruscha, Drawings; 420 W Broadway

1988-1989 SeasonSept. 17 - Oct. 15, 1988 -- Joseph Kosuth; 578 Broadway

Sept. 17 - Oct. 22, 1988 -- The Last Show: Kelly, Lichtenstein, Serra, Stella; 142 Greene St

Sept. 24 - Oct. 15, 1988 -- Mike and Doug Starn; 420 W Broadway

Oct. 5 - Nov. 12, 1988 -- Jasper Johns, Bruce Nauman, and David Salle; 420 W Broadway

Oct. 22 - Nov. 19, 1988 -- Robert Cumming (Castelli Graphics); 578 Broadway

Oct. 22 - Nov. 19, 1988 -- Bruce Nauman and Richard Serra; 578 Broadway

Nov. 19 - Dec. 22, 1988 -- Robert Therrien; 420 W Broadway

Dec. 8-30, 1988 -- Benefit for Foundation for Contemporary Performing Arts, Inc.; 420 W Broadway

Circa 1989 -- Castelli Graphics 1969-1989 (Castelli Graphics); 4 E 77 St

Jan. 7-28, 1989 -- Keith Sonnier; 420 W Broadway

Jan. 7-28, 1989 -- Robert Barry; 578 Broadway

Feb. 4-25, 1989 -- Richard Artschwager; 420 W Broadway

Feb. 4-25, 1989 -- David Lynch; 578 Broadway

Mar. 4-25, 1989 -- James Rosenquist, Joseph Kosuth, and Meyer Vaisman; 420 W Broadway

Mar. 4-25, 1989 -- Dianne Blell; 578 Broadway

Apr. 1-22, 1989 -- James Brown; 578 Broadway

Apr. 1-29, 1989 -- Dan Flavin, To the Citizens of the Republic of France on the 200th Anniversary of their Revolution; 420 W Broadway

Apr. 8 - May 13, 1989 -- Walter De Maria; 65 Thompson

May 6-27, 1989 -- Edward Ruscha; 420 W Broadway (front room)

May 6-27, 1989 -- Charles Simonds, Wall Smears and Rocks; 420 W Broadway (middle room)

May 19 - July 1, 1989 -- Roy Lichtenstein, Bronze Sculpture 1976-1989; 65 Thompson

May 20 - June 10, 1989 -- Dan Flavin; 578 Broadway

June 3-24, 1989 -- Summer Group Show: Artschwager, Johns, Kosuth, Rosenquist, Ruscha, Salle, Sonnier, Starn Twins; 420 W Broadway (front room)

June 3-24, 1989 -- Mike and Doug Starn; 420 W Broadway (middle room)

1989-1990 SeasonSept. 16 - Oct. 14, 1989 -- Lewis Baltz (Castelli Graphics); 578 Broadway

Sept. 23 - Oct. 14, 1989 -- Richard Serra, 8 Drawings: Weights and Measures; 420 W Broadway

Oct. 14 - Nov. 30, 1989 -- Dan Flavin, (To Sabine) Fall, 1989; 65 Thompson

Oct. 21 - Nov. 11, 1989 -- Roy Lichtenstein, Reflections; 420 W Broadway

Oct. 21 - Nov. 11, 1989 -- Group Drawing Show: Artschwager, Barry, Brown, Flavin, Johns, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Starn Twins, Therrien, Vaisman, Weiner; 578 Broadway

Nov. 18 - Dec. 21, 1989 -- Miquel Barceló, Paintings; 420 W Broadway

Nov. 18 - Dec. 21, 1989 -- Miquel Barceló, Drawings from Mali; 578 Broadway

Nov. 18 - Dec. 21, 1989 -- Recent Prints (Castelli Graphics); 578 Broadway

Dec. 1, 1989 - Feb. 24, 1990 -- Dan Flavin, (To Sabine) Winter, 1989; 65 Thompson

Jan. 6-27, 1990 -- Roni Horn, Thicket No. 1; 420 W Broadway

Jan. 6-27, 1990 -- Hanne Darboven, Requiem For M. Oppenheimer; 420 W Broadway (front room)

Jan. 6-27, 1990 -- The 60's Revisited: New Concepts/New Materials; 578 Broadway

Jan. 6-27, 1990 -- Edward Ruscha, Selected Portfolios (Castelli Graphics); 578 Broadway

Feb. 3-24, 1990 -- Nassos Daphnis, Thirty Years With Leo Castelli; 420 W Broadway (front room)

Feb. 3-24, 1990 -- Robert Therrien; 420 W Broadway (middle room)

Feb. 3-24, 1990 -- Douglas Huebler; 578 Broadway

Feb. 3-24, 1990 -- Robert Petersen, Selected Works (Castelli Graphics); 578 Broadway

Mar. 3-24, 1990 -- Bruce Nauman; 65 Thompson

Mar. 3-31, 1990 -- Bruce Nauman; 420 W Broadway

Mar. 3-31, 1990 -- Ellsworth Kelly, Portraits: Recent Prints from Gemini G.E.L. (Castelli Graphics); 578 Broadway

Mar. 3-31, 1990 -- Bernar Venet, Drawings Scale: 1 (Castelli Graphics); 578 Broadway

Apr. 1990 -- John Gutmann, Talking Picture; 578 Broadway

Apr. 7-28, 1990 -- Robert Morris; 420 W Broadway

Apr. 7-28, 1990 -- Taking the Picture: Photography and Appropriation; 578 Broadway

Apr. 7 - May 12, 1990 -- Hiroshi Teshigahara, Echizen Ware; 65 Thompson

May 5-26, 1990 -- Robert Rauschenberg, Currents '70 (Castelli Graphics); 578 Broadway

May 5 - June 2, 1990 -- Jan Dibbets; 420 W Broadway

May 12 - July 28, 1990 -- Ellsworth Kelly; 65 Thompson

June 9 - Sept. 15, 1990 -- Group Exhibition of Gallery Artists: Artschwager, Johns, Kosuth, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Sonnier, Starn Twins, Stella, Vaisman, van Bruggen, Weiner; 420 W Broadway

1990-1991 SeasonSept. 22 - Oct. 13, 1990 -- Robert Barry; 420 W Broadway

Sept. 22 - Oct. 13, 1990 -- David Salle, Recent Prints (Castelli Graphics); 578 Broadway

Oct. 20 - Nov. 17, 1990 -- James Rosenquist; 420 W Broadway

Oct. 20 - Nov. 17, 1990 -- Cletus Johnson; 578 Broadway

Oct. 20 - Nov. 17, 1990 -- Roy Lichtenstein, Reflections Series (Castelli Graphics); 578 Broadway

Nov. 27, 1990 - Jan. 12, 1991 -- Claes Oldenburg and Coosje van Bruggen; 420 W Broadway

Nov. 27, 1990 - Jan. 12, 1991 -- Claes Oldenburg, Works from Gemini G.E.L., 1988-1990 (Castelli Graphics); 578 Broadway

Nov. 27, 1990 - Jan. 12, 1991 -- Robert Watts; 578 Broadway

Dec. 8, 1990 - Feb. 9, 1991 -- Frank Stella, New Work; 65 Thompson

Jan. 19 - Feb. 9, 1991 -- Lawrence Weiner; 420 W Broadway

Jan. 19 - Feb. 9, 1991 -- Chryssa; 420 W Broadway (middle room)

Jan. 19 - Feb. 9, 1991 -- Lewis Baltz, Rule without Exception (Castelli Graphics); 578 Broadway

Jan. 19 - Feb. 9, 1991 -- Hanne Darboven, Urzeit; 578 Broadway

Feb. 16 - Mar. 9, 1991 -- Jasper Johns; 420 W Broadway

[Feb. 16 - Mar. 9, 1991] -- [Robert Cumming; 578 Broadway]

Mar. 9 - Apr. 6, 1991 -- Robert Morris; 65 Thompson

Mar. 16 - Apr. 6, 1991 -- Richard Artschwager; 420 W Broadway

Mar. 16 - Apr. 6, 1991 -- James Brown, Prints (Castelli Graphics); 578 Broadway

Apr. 13 - May 4, 1991 -- Bertrand Lavier; 420 W Broadway

Apr. 13 - May 4, 1991 -- Roy Lichtenstein, Interior Series (Castelli Graphics); 578 Broadway

Apr. 13 - May 11, 1991 -- Group Drawing Show: Janie Lee Master Drawings; 65 Thompson

May 11-25, 1991 -- Edward Ruscha, Prints; 578 Broadway

May 11 - June 1, 1991 -- Edward Ruscha; 420 W Broadway

[May 11 - June 1, 1991] -- [Charles Simonds; 420 W Broadway (middle room)]

May 21 - [June 22], 1991 -- Robert Therrien; 65 Thompson

June 1-22, 1991 -- Charles Gaines; 578 Broadway

June 5-22, 1991 -- Group Drawings Exhibition; 578 Broadway

[July 16 - Nov. 9], 1991 -- Frank Stella; 65 Thompson

Summer 1991 -- Summer Group Exhibition: Artschwager, Flavin, Johns, Kelly, Lichtenstein, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Starn Twins, Stella, Therrien, Vaisman, Warhol, Weiner; 420 W Broadway

1991-1992 SeasonSept. 21 - Oct. 12, 1991 -- Dianne Blell, Wild Lives, Photographic Portraits Documenting Africa's Vanishing Wildlife; 420 W Broadway

Sept. 21 - Oct. 12, 1991 -- Group Exhibition: Johns, Kelly, Lavier, Lichtenstein, Starn Twins, Stella, Ruscha; 420 W Broadway (middle room)

Oct. 19 - Nov. 16, 1991 -- Paul Waldman; 420 W Broadway

Oct. 26 - Nov. 30, 1991 -- Robert Rauschenberg, Print Survey in Themes, 1952-1992; 578 Broadway

Nov. 23 - Dec. 14, 1991 -- Jean-Pierre Raynaud; 420 W Broadway

Dec. 14, 1991 - Feb. 1, 1992 -- Group Exhibition, Large Scale Prints: Kosuth, Morris, Nauman, Rauschenberg, Rosenquist, Serra, Starn Twins; 578 Broadway

Jan. 4-25, 1992 -- Pruitt-Early; 420 W Broadway

Feb. 1-29, 1992 -- Roy Lichtenstein, Interiors; 65 Thompson

Feb. 1-29, 1992 -- Roy Lichtenstein, Interiors; 420 W Broadway

Feb. 1-29, 1992 -- Leo Castelli XXXV Anniversary, Installation; 578 Broadway

Feb. 8-29, 1992 -- Salvatore Scarpitta, Early Works; 578 Broadway

Mar. 7-28, 1992 -- Laura Grisi; 420 W Broadway

Mar. 7-28, 1992 -- Hans Namuth; 578 Broadway

[Apr. - July], 1992 -- Elyn Zimmerman, Portals and Passages; 65 Thompson

Apr. 4-25, 1992 -- Keith Sonnier; 65 Thompson

Apr. 4-25, 1992 -- Charles Simonds, Stugg. Thebb?The Singing Monkey, 1992; 420 W Broadway

Apr. 4-25, 1992 -- Keith Sonnier; 420 W Broadway

Apr. 4-25, 1992 -- Keith Sonnier, Prints, Drawings and Multiples 1990-1992; 578 Broadway

May 2-23, 1992 -- Mike and Doug Starn; 420 W Broadway

May 9 - June 6, 1992 -- James Brown, Survey of Work 1986-1992; 578 Broadway

May 30 - June 13, 1992 -- Summer Group Exhibition: Flavin, Lichtenstein, Kosuth, Nauman, Rauschenberg, Warhol, Rosenquist, Ruscha, Salle, Starn Twins, Therrien; 420 W Broadway

June 6 - July 31, 1992 -- Group Exhibition, Drawings, Prints, Multiples, Photographs; 578 Broadway

June 23 - July 31, 1992 -- The Guggenheim in Europe: Architectural Models and Drawings; 420 W Broadway

Aug. 17 - Sept. 19, 1992 -- Summer Group Exhibition 1992, Part II: Artshwager, Lichtenstein, Kosuth, Nauman, Rauschenberg, Rosenquist, Ruscha, Salle, Starn Twins, Therrien, Warhol; 420 W Broadway

1992-1993 SeasonSept. 19 - Oct. 24, 1992 -- Dan Flavin, Donald Judd, Robert Morris, Minimalist Works; 578 Broadway

Sept. 26 - Oct. 17, 1992 -- Meyer Vaisman, Turkey; 420 W Broadway

Sept. 26 - Nov. 7, 1992 -- Group Architecture Exhibition, Angels and Franciscans: Innovative Architecture from Los Angeles and San Francisco; 65 Thompson

Oct. 24 - Nov. 14, 1992 -- Miquel Barceló; 420 W Broadway

Oct. 31 - Dec. 5, 1992 -- Bruce Nauman, Richard Serra, Keith Sonnier, Post-Minimal Works; 578 Broadway

Nov. 14, 1992 - Jan. 9, 1993 -- Andrew Lord, Modelling: A Sculpture of 27 Pieces and Related Works; 65 Thompson

Nov. 21 - Dec. 19, 1992 -- Ellsworth Kelly; 420 W Broadway (front room)

Nov. 21 - Dec. 19, 1992 -- Roy Lichtenstein, Waterlilies; 420 W Broadway (middle room)

Dec. 12, 1992 - Jan. 30, 1993 -- Group Sculpture Exhibit, Object Lessons; 578 Broadway

Jan. 9 - Feb. 6, 1993 -- Jasper Johns, 35 Years with Leo Castelli; 420 W Broadway

Jan. 16-23, 1993 -- Benefit for Cunningham Dance Foundation; 65 Thompson

Jan. 30 - Mar. 13, 1993 -- Richard Long; 65 Thompson

Feb. 6 - Mar. 6, 1993 -- Word Play: Darboven, Kosuth, Ruscha, Weiner; 578 Broadway

Feb. 13 - Mar. 13, 1993 -- Blind Color: Calle, Charlton, Klein, Manzoni, Rauschenberg, Richter, Rinehardt; 420 W Broadway

Feb. 13 - Mar. 13, 1993 -- Sophie Calle, Last Seen; 420 W Broadway

Mar. 20 - Apr. 17, 1993 -- Frank Stella and James Rosenquist, New Prints; 65 Thompson

Mar. 20 - Apr. 17, 1993 -- James Rosenquist; 420 W Broadway

Mar. 20 - Apr. 17, 1993 -- James Rosenquist, Prints from "Welcome to the Water Planet" and "House of Fire"; 578 Broadway

Mar. 20 - Apr. 17, 1993 -- Keith Sonnier, Robert Morris, and Robert Rauschenberg, Soft Ware; 578 Broadway

Apr. 24 - May 22, 1993 -- Hanne Darboven; 420 W Broadway

Apr. 24 - May 29, 1993 -- Group Exhibition, Graphic Works; 578 Broadway

May 15 - July 31, 1993 -- Summer Group Exhibition: Chamberlain, Long, Lord, Morris, Rauschenberg, Sonnier, Stella; 65 Thompson

May 29 - Oct. 2, 1993 -- British and American Sculpture: Cragg, Deacon, Kapoor, Long, Kelly, Nauman, Serra, Stella; 420 W Broadway

June 5 - July 24, 1993 -- Group Exhibition, Faces and Figures; 578 Broadway

1993-1994 SeasonSept. 25 - Oct. 23, 1993 -- Robert Morris; 65 Thompson

Sept. 25 - Oct. 23, 1993 -- Robert Morris, Blind Time Drawings; 578 Broadway

Sept. 25 - Nov. 27, 1993 -- Group Exhibition: Artschwager, Kosuth, Morris, Ruscha, Starn Twins, Vaisman; 578 Broadway

Oct. 16 - Nov. 6, 1993 -- Joseph Kosuth, The Thing-in-itself is found in its Truth through the loss of its immediacy; 420 W Broadway

Oct. 30 - Nov. 27, 1993 -- Charles Simonds, Retrospective; 578 Broadway

Nov. 12 - Dec. 4, 1993 -- Robert Therrien; 420 W Broadway

Dec. 3, 1993 - Jan. 15, 1994 -- Frank Stella, Moby Dick Deckle Edges (New Prints from Tyler Graphics); 578 Broadway

Dec. 4, 1993 - Jan. 15, 1994 -- Andrew Lord; 578 Broadway

Dec. 9, 1993 - Jan. 8, 1994 -- Benefit for Foundation for Contemporary Performance Arts; 420 W Broadway

Jan. 22 - Feb. 19, 1994 -- Bruce Nauman, Falls, Pratfalls, and Sleights of Hand; 420 W Broadway

Jan. 22 - Mar. 5, 1994 -- Robert Morris; 578 Broadway

Jan. 22 - Mar. 5, 1994 -- Bruce Nauman, Prints and Drawings; 578 Broadway

Feb. 26 - Apr. 2, 1994 -- Robert Rauschenberg, Scores (Off Kilter Keys); 65 Thompson

Feb. 26 - Apr. 2, 1994 -- Robert Rauschenberg, Scores (Off Kilter Keys); 420 W Broadway

Mar. 12 - Apr. 2, 1994 -- Barbaralee Diamonstein, Inside the New York Art World; 578 Broadway

Mar. 12 - Apr. 2, 1994 -- Group Exhibition: Lord, Nauman, Rauschenberg, Starn Twins, Stella, Therrien; 578 Broadway

Apr. 9 - May 7, 1994 -- Mike and Doug Starn, Spectroheliographs; 420 W Broadway

Apr. 9 - May 14, 1994 -- Lee Bontecou, Edward Higgins, and Robert Moskowitz, Sculpture and Painting from the Early 1960's; 578 Broadway

Apr. 30 - June 18, 1994 -- Sandro Chia, New Paintings; 65 Thompson

May 17 - June 11, 1994 -- Hannah Collins, Signs of Life; 420 W Broadway

May 21 - June 25, 1994 -- Jasper Johns, The Prints of Jasper John 1960-1993; 578 Broadway

June 18 - Sept. 10, 1994 -- Summer Group Exhibition; 420 W Broadway

July 5 - Oct. 8, 1994 -- Group Sculpture Exhibition, Major Works: Artschwager, Judd, Flavin, Lichtenstein, Nauman, Rauschenberg, Starn, Therrien; 578 Broadway

1994-1995 SeasonSept. 17 - Oct. 8, 1994 -- Richard Meier, Sculpture; 420 W Broadway

Oct. 8 - Nov. 12, 1994 -- Dan Flavin, Selected Works 1969-1990; 578 Broadway

Oct. 15 - Nov. 12, 1994 -- James Rosenquist; 420 W Broadway

Nov. 19 - Dec. 17, 1994 -- Roy Lichtenstein, Nudes; 420 W Broadway

Nov. 19 - Dec. 23, 1994 -- Roy Lichtenstein, Nudes: 9 Color Relief Prints; PACT 95 International America's Cup Class Yacht; 578 Broadway

Jan. 7-28, 1995 -- Lawrence Wiener, Stones + Stones + Stones; 420 W Broadway

Jan. 14 - Feb. 11, 1995 -- Robert Morris, Malaprops; The Fallen and the Saved; 578 Broadway

Feb. 4-25, 1995 -- James Brown; 420 W Broadway

Feb. 18 - Mar. 18, 1995 -- Richard Artshwager, Robert Therrien, and Edward Ruscha; 578 Broadway

Mar. 4-25, 1995 -- Kenneth Noland; 420 W Broadway

Mar. 25 - Apr. 29, 1995 -- Robert Rauschenberg, Tribute 21; 578 Broadway

Apr. 1-22, 1995 -- Hannah Collins; 420 W Broadway

Apr. 1-22, 1995 -- Edward Ruscha, Anamorphic Paintings; 420 W Broadway

Apr. 29 - May 20, 1995 -- Miquel Barceló; 420 W Broadway

May 6 - June 2, 1995 -- New Editions: Johns, Nauman, Rauschenberg, Ruscha; 578 Broadway

May 31 - June 30, 1995 -- Barbara Bloom, Pictures from the Floating World; 420 W Broadway

June 10 - July 8, 1995 -- Frank Stella, Imaginary Places (Castelli Graphics); 578 Broadway

June 10 - July 8, 1995 -- Summer Group Exhibition: Collins, Lichtenstein, Rauschenberg, Rosenquist, Ruscha, Vaisman; 578 Broadway

July 11 - Sept. 1, 1995 -- Summer Group Exhibition; 420 W Broadway

1995-1996 SeasonSept. 16 - Oct. 14, 1995 -- Group Sculpture Exhibition: Flavin, Judd, Kelly, Serra; 578 Broadway

Sept. 16 - Oct. 14, 1995 -- Edward Ruscha, Sayings, Puddinhead Wilson; 578 Broadway

Sept. 18 - Oct. 7, 1995 -- Hanne Darboven, South Korean Calendar; 420 W Broadway

Oct. 14 - Nov. 4, 1995 -- Nassos Daphnis, Energies in Outer Space; 420 W Broadway

Oct. 21 - Nov. 18, 1995 -- Joseph Kosuth, Editions The Past 10 Years; 578 Broadway

Nov. 11 - Dec. 16, 1995 -- Frank Stella, Free Standing Murals; 420 W Broadway

Dec. 2, 1995 - Jan. 13, 1996 -- Frank Stella, Editions; 578 Broadway

Jan. 13 - Feb. 3, 1996 -- Paul Waldman; 420 W Broadway

Jan. 30 - Feb. 10, 1996 -- Bailey House Auction; 578 Broadway

Feb. 10 - Mar. 9, 1996 -- Group Exhibition, New Works by Gallery Artists: Johns, Lichtenstein, Morris, Nauman, Rauschenberg, Rosenquist, Ruscha, Sonnier, Stella, Therrien; 420 W Broadway

Feb. 17 - Mar. 16, 1996 -- Collage - Gallery Artists: Brown, Darboven, Lichtenstein, Nauman, Rauschenberg, Ruscha, Starn Twins, Therrien, Vaisman; 578 Broadway

Mar. 16 - Apr. 13, 1996 -- Robert Therrien; 420 W Broadway

Mar. 23 - Apr. 20, 1996 -- Photography: Calle, Collins, Kosuth, Ruscha, Starn Twins, Therrien; 578 Broadway

Apr. 20 - May 18, 1996 -- James Rosenquist, Horizon Home Sweet Home; 420 W Broadway

Apr. 20 - May 24, 1996 -- Roy Lichtenstein, Eight New Prints; 578 Broadway

May 28 - July 26, 1996 -- Ralph Gibson, Infanta; 420 W Broadway

May 28 - July 26, 1996 -- Group Drawing Exhibition, Works on Paper: Chryssa, Daphnis, Darboven, Johns, Lichtenstein, Morris, Nauman, Rauschenberg, Ruscha, Serra, Stella, Sonnier, Therrien, Weiner; 420 W Broadway

June 1 - July 26, 1996 -- Summer Group Show: Johns, Kosuth, Lichtenstein, Ruscha, Stella, Therrien; 578 Broadway

1996-1997 SeasonSept. 14 - Oct. 12, 1996 -- Gianfranco Gorgoni, 25 Years of Artists Portraits; 578 Broadway

Sept. 14 - Oct. 12, 1996 -- Ellsworth Kelly, Prints; 578 Broadway

Sept. 28 - Oct. 26, 1996 -- Roy Lichtenstein, Landscapes in the Chinese Style; 420 W Broadway

Oct. 19 - Dec. 14, 1996 -- Jasper Johns, Prints 1960-1996 (Castelli Graphics); 578 Broadway

Nov. 2 - Dec. 14, 1996 -- Bruce Nauman, Bronze Heads and End of the World; 420 W Broadway

Jan. 11 - Feb. 8, 1997 -- Robert Morris, Horizons Cut Between Clio and Mnemosyne; 420 W Broadway

Jan. 18 - Feb. 22, 1997 -- Robert Therrien, Drawings; 578 Broadway

Jan. 18 - Feb. 22, 1997 -- Andy Warhol, Prints; 578 Broadway

Feb. 15 - Mar. 15, 1997 -- Lawrence Weiner, Then Now + Then; 420 W Broadway

Mar. 1-22, 1997 -- Dan Flavin; 578 Broadway

Mar. 22 - Apr. 26, 1997 -- Keith Sonnier, Alternating Currents; 420 W Broadway

Mar. 29 - Apr. 5, 1997 -- The Printmaking Workshop Benefit Exhibition and Auction; 420 W Broadway

Apr. 17 - May 17, 1997 -- Columbia University MFA Exhibition; 420 W Broadway

May 3 - June 7, 1997 -- Edward Ruscha, Cityscapes and "O" Books; 420 W Broadway

July - Sept., 1997 -- Summer Group Show: Kosuth, Morris, Serra; 420 W Broadway

1997-1998 SeasonSept. 27 - Oct. 18, 1997 -- Joseph Kosuth; 420 W Broadway

Oct. 25 - Nov. 15, 1997 -- 40 Years of Exploration and Innovation Part 1: Bontecou, Chryssa, Cornell, Johns, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Twombly, Warhol; 420 W Broadway

Nov. 22 - Dec. 13, 1997 -- 40 Years of Exploration and Innovation Part 2: Daphnis, Flavin, Judd, Kelly, Morris, Serra, Stella, Therrien, Waldman; 420 W Broadway

Jan. 10-31, 1998 -- 40 Years of Exploration and Innovation Part 3: Barry, Darboven, Dibbets, Grisi, Huebler, Kosuth, Nauman, Scarpitta, Sonnier, Starn Twins, Weiner; 420 W Broadway

Feb. 7 - Mar. 14, 1998 -- Dan Flavin, Some Drawings and Installations of Fluorescent Light; 420 W Broadway

Mar. 28 - Apr. 25, 1998 -- Hannah Collins, True Stories; 420 W Broadway

May 2 - June 6, 1998 -- Mike and Doug Starn, Black Hole Sun Burned; 420 W Broadway

June 24 - Aug. 29, 1998 -- Summer Show; 420 W Broadway

1998-1999 SeasonSept. 26 - Oct. 31, 1998 -- Robert Morris, The Rationed Years; 420 W Broadway

Nov. - Dec., 1998 -- Joseph Kosuth, Richard Serra, Keith Sonnier; 420 W Broadway

Jan. - Feb. 1999 -- Robert Rauschenberg, Arcadian Survey; 420 W Broadway
Related Material:
Available in the Archives of America Art are three oral history interviews with Leo Castelli. Paul Cummings interviewed Castelli between May 14, 1969 and June 8, 1973; Barbara Rose in July, 1969; and Andrew Decker on May 22, 1997.
Separated Materials:
The Archives of American Art also holds items lent for microfilming (reel N68) including printed material. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Leo Castelli loaned printed material for microfilming in 1968. Leo Castelli's wife, Barbara Bortuzzo Castelli, and his children, Nina Castelli Sundell and Jean-Christophe Castelli, donated the Leo Castelli Gallery records to the Archives of American Art in 2007.
Restrictions:
Use of original records requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- History -- New York (State)New York  Search this
Painting, Modern -- 20th century -- History -- New York (State)New York  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Interviews
Video recordings
Sketches
Transcripts
Sound recordings
Notes
Visitors' books
Photographs
Notebooks
Awards
Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.leocast
See more items in:
Leo Castelli Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a74e5e8f-9538-4152-8f10-6561763eb241
EDAN-URL:
ead_collection:sova-aaa-leocast
Online Media:

George Constant papers

Creator:
Constant, George  Search this
Names:
Art Institute of Chicago  Search this
Audubon Artists (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
Dayton Art Institute  Search this
Federation of Modern Painters and Sculptors  Search this
Ferargil Galleries  Search this
Heckscher Museum  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Parrish Art Museum  Search this
Spanish Refugee Aid (Organization)  Search this
United States. Works Progress Administration  Search this
Whitney Museum of American Art  Search this
Avery, Milton, 1885-1965  Search this
Avery, Sally  Search this
Burliuk, David, 1882-1967  Search this
Caparn, Rhys, 1909-1997  Search this
Carnell, Julia Shaw Patterson, 1863-1944  Search this
Davidson, Morris, 1898-1979  Search this
Eaton, Charles Warren, 1857-1937  Search this
Gecan, Vilko, 1894-1973  Search this
Kanaga, Consuelo, 1894-  Search this
Landgren, Marchal E.  Search this
Neuberger, Roy R.  Search this
Pach, Walter, 1883-1958  Search this
Perret, Nell, 1916-  Search this
Preston, Georgette  Search this
Putnam, Wallace, 1899-1989  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Date:
1912-2007
bulk 1932-1978
Summary:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.
Scope and Contents note:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work. A small portion of the correspondence and printed materials are written in Greek.

Biographical material includes artist statements written and recorded by Constant, two audio interview recordings discussing his philosophies on art and his work, inventories of artwork, personal property deeds and legal correspondence, and other miscellaneous material.

Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. These include correspondence from Constant's daughter, Georgette Preston, and extended family members. Other frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. Other business correspondence related to Constant's work with the WPA are also included in the series.

Printed material includes books and booklets on American and Greek art, including a limited print edition of George Constant by George Constant, clippings and articles reviewing Constant's work, exhibition announcements and catalogs of Constant's shows, periodicals profiling his artwork, and dance and theater related programs that Constant consulted on.

Photographs include black and white prints of Constant and his family and friends in St. Louis, Missouri, Dayton, Ohio, and in and around his studio in Shinnecock Hills, New York. The collection also includes photo stills from his 1965 exhibition at the Parrish Art Museum and a comprehensive set of black and white prints, a handful of color prints, and several color slide sheets of Constant's artwork from the 1920s to 1978.
Arrangement note:
The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1923-2007 (Box 1; 17 folders)

Series 2: Correspondence, 1930-1979 (Box 1-2; 1.4 linear feet)

Series 3: Printed Material, 1927-2005 (Box 2-3; 2 linear feet)

Series 4: Photographic Material, 1912-1978 (Box 4-6; 1 linear foot)
Biographical/Historical note:
Greek American George Zachary Constant (1892-1978) worked from his studios in Shinnecock Hills, and New York City, New York as a painter and printmaker. A founder and lifelong member of the Federation of Modern Painters and Sculptors, Constant worked for the Work Projects Administration (WPA) during the Depression and early years of World War II, and exhibited regularly at major galleries and museums from the 1920s to 1970s.

Born in Arahova, Greece, Constant was raised by his two uncles after the death of his parents in 1896. In school and at the monestary one of his uncles led, Constant showed an early interest in classical Greek aesthetics. At the age of eighteen, he immigrated to the United States and continued his art studies at Washington University before transferring to the Art Institute of Chicago. From 1918 to 1922, Constant taught at the Dayton Art Institute and continued to produce and exhibit his work locally. In 1922, he moved to New York, joined the Society of Independent Painters, and became close friends with Society founder and art critic Walter Pach. During the 1920s, his etchings were shown at the Valentine and Downtown Galleries, and at the New Art Circle of J.B. Neumann, where he presented his first one man gallery show in 1929.

From the 1930s to 1940s, Constant produced prints, watercolors, and oil paintings for the WPA, many of which were purchased by museums and public institutions, including the Metropolitan Museum of Art and the Philadelphia Museum. During this same period, Constant exhibited his work at the Boyer Gallery in the late 1930s, and at the Ferargil Gallery from the 1940s to early 1950s. In the decade between 1955 and 1965, Constant also worked on color and set design for seventeen dance productions created by the choreographer Alwin Nikolais. In the last two decades of his career, Constant produced works from his studio in Shinnecock Hills, New York and continued to exhibit at numerous galleries, including Grace Borgenicht Gallery, Guild Hall, Mari Galleries, Tirca Karlis Gallery, and Artium Gallery.
Provenance:
The papers of George Constant were donated by the artist in 1969 and 1978. Additional materials were donated in 2001 and 2007 by his daughter Georgette Preston.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consgeor
See more items in:
George Constant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec7527c-1946-423b-aab7-e7728da8a072
EDAN-URL:
ead_collection:sova-aaa-consgeor

Oral history interview with F. Wynn Graham

Interviewee:
Graham, F. Wynn  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Force, Juliana, 1876-1948  Search this
Extent:
1 Sound tape reel (Sound recordings (1 hour), 7 in.)
25 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1965 July 22
Scope and Contents:
An interview of F. Wynn Graham conducted 1965 July 22, by Sylvia Loomis, for the Archives of American Art. Graham speaks of her background and her education at the Art Students League; working on lithography at the Harlem Arts Center; joining the WPA Federal Art Project (FAP) in 1935; working on the easel painting project; the Artists' Union; the effects of the FAP on her career and on art; and her post-FAP career. She recalls Juliana Force.
Biographical / Historical:
F. Wynn Graham is a painter and printmaker in Queens, N.Y. She painted for the Federal Art Project.
General:
An unrelated interview of Donald B. Goodall (7/8/65) conducted by S. Loomis is also on this tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Printmakers -- New York (State) -- New York  Search this
Painters -- New York (State)  Search this
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.graham65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ebf3593-9efd-44ba-8ec0-34e100175f2c
EDAN-URL:
ead_collection:sova-aaa-graham65
Online Media:

Oral history interview with Peter Halley

Interviewee:
Halley, Peter  Search this
Interviewer:
Leddy, Annette  Search this
Names:
Yale University. School of Art  Search this
Extent:
13 Items ((3 hrs., 58 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
2021 September 29 - October 6
Scope and Contents:
An interview with Peter Halley conducted 2021 September 29 - October 6, by Annette C. Leddy for the Archives of American Art, at Halley's studio in New York City.­
Biographical / Historical:
Peter Halley (1953- ) emerged in the 1980s East Village art scene as a Neo-Conceptualist painter, where he was known for his geometric works in Day-Glo colors. Halley was the publisher of index Magazine and served as the director of graduate studies in painting and printmaking at the Yale School of Art.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Publishers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.halley21
See more items in:
Oral history interview with Peter Halley
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d97305de-d62d-43ad-84b2-86bb19dda7f8
EDAN-URL:
ead_collection:sova-aaa-halley21

Emma Amos papers

Creator:
Amos, Emma, 1937-2020  Search this
Names:
Antioch College  Search this
Mason Gross School of the Arts (Rutgers University)  Search this
Spiral (Group of artists)  Search this
Browne, Vivian E., 1929-1993  Search this
Roth, Moira  Search this
hooks, bell, 1952-2021  Search this
Extent:
37.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1900-2019
Summary:
The papers of African American painter and printmaker Emma Amos measure 37.1 linear feet and date from circa 1900 to 2019. The collection documents Amos's family history, her professional life, and the intersection of her heritage and artwork. Found in the collection are biographical materials, family and inherited papers, correspondence, writings, project and exhibition files, teaching files, other professional records, personal business records, printed and photographic materials, and artwork.
Scope and Contents:
The papers of African American painter and printmaker Emma Amos measure 37.1 linear feet and date from circa 1900 to 2019. The collection documents Amos's family history, her professional life, and the intersection of her heritage and artwork. Found in the collection are biographical materials, family and inherited papers, correspondence, writings, project and exhibition files, teaching files, other professional records, personal business records, printed and photographic materials, and artwork.

Biographical materials include Amos's student records from Antioch and New York Universities, her personal Bible, resumes, and video recordings of interviews with bell hooks and Moira Roth. The Amos family and inherited papers of close family friends contain photographs, scrapbooks, correspondence, and memorabilia from Fisk University.

Correspondence is with colleagues at galleries, museums, and arts organizations regarding exhibitions, the Spiral artist group, and Amos's other professional activities, as well as her personal letters with friends and family.

Also found in the collection are writings that include drafts, published copies of essays, autobiographical writings, lecture video recordings, mock-ups of book projects, and a few writings by others. Project and exhibition files are for the television show Show of Hands (1977), The Sky's the Limit installation at IS90, Emma Amos: Paintings and Prints 1982-1992 retrospective exhibition, and the Ralph David Abernathy Memorial Project. Teaching files are from Rutgers University where she served as Chair of Visual Arts at the Mason Gross School of the Arts.

Amos's files for her other professional activities document fellowships and residencies, memberships, presentations at conferences and workshops, travel, and exhibitions she curated such as Progressions: A Cultural Legacy (1986), also co-curated by Julia Hotton and Vivian Browne, and Resisting Categories: Finding Common Ground. Personal business records include gallery files, datebooks, donation and loan records, ledgers and sales books, invoices and receipts, and studio supply records.

Printed materials contain clippings, exhibition announcements and catalogs, magazines and journals, and video recordings of the documentary Emma Amos: Action Lines featuring Amos and her artwork. Photographic materials consist of photographic prints, negatives, transparencies, photographic digital prints, slides, photographs albums, and 1 electronic disc of Amos, family and friends, parties and events, art models, snapshots, and works of art. Artwork contains mainly preparatory and source materials created and collected by Amos for use in her work.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1937-2012 (1.2 linear feet; Boxes 1-2, 37)

Series 2: Family and Inherited Papers, circa 1900-2017 (3.5 linear feet; Boxes 2-4, 38, OV 43)

Series 3: Correspondence, 1952-2019 (3.2 linear feet; Boxes 4-7)

Series 4: Writings, 1948-2010s (1.5 linear feet; Boxes 7-8, 42)

Series 5: Project and Exhibition Files, 1950s-2019 (8.2 linear feet; Boxes 8-16, 37, OV 45)

Series 6: Teaching Files, 1948-2013 (3.5 linear feet; Boxes 16-20, 37, OV 44)

Series 7: Other Professional Activities, circa 1960s-2018 (4.0 linear feet; Boxes 20-24, 46)

Series 8: Personal Business Records, 1960-2019 (2.0 linear feet; Boxes 24-26, OV 43)

Series 9: Printed Materials, 1908-2019 (4.5linear feet; Boxes 26-30, 39, OV 43, OV 45)

Series 10: Photographic Materials, circa 1900-2010s (3.5 linear feet; Boxes 30-33, 40)

Series 11: Artwork, circa 1940s-2010s (2.0 linear feet; Boxes 33-36, 41)
Biographical / Historical:
Emma Amos (1937-2020) was an African American painter and printmaker in New York, N.Y.

Amos was born in Atlanta, Georgia to a prominent family that had connections to Hale Woodruff, Zora Neale Hurston, and W.E.B. DuBois. Her mother, India DeLaine Amos, received a degree in anthropology from Fisk University in Tennessee and her father, Miles Green Amos, was a pharmacist and graduate of Wilberforce University in Ohio. In 1923, Miles Amos, with his uncle Moses Amos, established the Amos Drug Store which became a social and intellectual center of the neighborhood.

Amos graduated from Booker T. Washington High School at 16. She enrolled at Antioch College where she received a Bachelor of Fine Arts in 1958. During her time at Antioch, Amos would spend part of the year attending classes and the rest of the year working in cities like Washington, D.C., New York, and Chicago where she frequented the local galleries and museums. During her fourth year, she traveled to study at the London Central School of Art with Anthony Harrison. After graduating from Antioch, she returned to London to get a degree in etching in 1960. She later received a Master of Art from New York University in 1966.

At the beginning of Amos's career, she went to New York because of the lack of opportunities in Atlanta. In New York, Amos began teaching art at the Dalton School. She started working with printmakers like Robert Blackburn eventually taking a job with designer Dorothy Liebes in 1961 who she worked for until 1969. Later, Amos taught textile design at Newark School of Art. In 1980, she began teaching at the Mason Gross School of Art at Rutgers University eventually becoming Chair of the Visual Arts department. Amos retired in 2008.

Amos was a member of the influential artist collectives Spiral, Heresies, and Guerilla Girls. She was the creator and host of the WGBH television program about crafts, Show of Hands (1977-1978). She has exhibited her work in numerous exhibitions including Emma Amos, Paintings and Prints, 1982–1992 and Soul of a Nation: Art in the Age of Black Power.

Amos died in Bedford, N.H. in 2020.
Related Materials:
Also in the Archives of American Art are: Oral history interview with Emma Amos, 1968 October 3 and Oral history interview of Emma Amos, 2011 November 19-26.
Provenance:
The collection was donated in 2020 by Emma Amos as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
Material regarding the Guerilla Girls is access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
African American painters  Search this
African American printmakers  Search this
Women painters  Search this
Women printmakers  Search this
African American artists  Search this
Women artists  Search this
Citation:
Emma Amos papers, circa 1900-2019. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.amosemma
See more items in:
Emma Amos papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw961ea519e-31d8-4638-9487-54641641d72a
EDAN-URL:
ead_collection:sova-aaa-amosemma
Online Media:

Rosa Esman Gallery and Tanglewood Press Inc. records

Creator:
Rosa Esman Gallery  Search this
Names:
Tanglewood Press  Search this
Darger, Henry, 1892-1972  Search this
Esman, Rosa  Search this
Gray, Eileen, 1878-1976  Search this
Rodchenko, Aleksandr, 1891-1956  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
13.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1922-1998
bulk 1972-1994
Summary:
The Rosa Esman Gallery and Tanglewood Press Inc. records measure 13.4 linear feet and date from circa 1922 to 1998, with the bulk of the records dating from 1972 to 1994. The records shed light on two businesses operated by Rosa Esman through administrative files, artist files, exhibition and event files, sales and financial records, printed material, photographic materials, and several objects.
Scope and Contents:
The Rosa Esman Gallery and Tanglewood Press Inc. records measure 13.4 linear feet and date from circa 1922 to 1998, with the bulk of the records dating from 1972 to 1994. The records shed light on two businesses operated by Rosa Esman through administrative files, artist files, exhibition and event files, sales and financial records, printed material, photographic materials, and several objects.

Administrative files contain correspondence files, printed material, and inventories; photos of the gallery, Rosa Esman, and others; a few gallery blueprints; and pins and magnets from a collaboration between the Esman Gallery and artists Roy Lichtenstein, Gustav Klutsis, Lazar "El" Lissitzky, and Sol LeWitt. Artist files consist of resumes and biographical summaries, correspondence, pricelists, exhibition material, press packets, photographic materials depicting artwork and artists, and more. Artists include Eileen Gray, Lev Nussberg, Pascal Verbena, Helen Frankenthaler, Alexander Rodchenko, Sol LeWitt, Peter Boynton, and Jan Muller. Exhibition and event files contain price lists, loan agreements, correspondence, printed materials, and photographic materials. Included in this series is one file for an exhibition held at Knoedler Gallery that was in collaboration with Rosa Esman after she had closed her gallery. Financial records consist of sales books, consignment records, receipts and invoices, ledgers, and some appraisals. Tanglewood Press Inc. files contain correspondence files, financial records, order forms and receipts, photographic materials, press packets, mailers, a certificate, and some exhibition materials.
Arrangement:
This collection is arranged as five series.

Series 1: Administrative Files, 1973-1997 (Box 1-2; 1.5 linear feet)

Series 2: Artist Files, 1920s, 1953-1998 (Box 2-8; 5.6 linear feet)

Series 3: Exhibition and Event Files, 1971-1994 (Box 8-12; 4.6 linear feet)

Series 4: Financial Records, 1977-1993 (Box 12-13; .8 linear feet)

Series 5: Tanglewood Press Inc. Records, 1964-1997 (Box 13-15; .9 linear feet)
Biographical / Historical:
Rosa Esman Gallery was established in 1972 in New York, New York by Rosa Esman. The gallery exhibited mostly twentieth-century American and European art in various mediums and styles, including pop art, European outsider art, Dada, constructivism, architecture, interior design, and Russian artists from the early twentieth century. Tanglewood Press Inc. was an art publishing company founded by Esman, and published thirteen limited-edition portfolios by a number of artists from 1965 to 1991.

With encouragement from Doris Freedman and Hans Kleinschmidt, Esman established Tanglewood Press Inc. in 1965 as a publisher of artists' portfolios. The first publication, New York Ten (1965), included artwork by Tom Wesselmann, George Segal, Claes Oldenburg, Roy Lichtenstein, Mon Levinson, Robert Kulicke, Nicholas Krushenick, Helen Frankenthaler, Jim Dine, and Richard Anuszkiewicz. Later publications included artwork by Andy Warhol, Mary Bauermeister, Ad Reinhardt, Robert Motherwell, Sol LeWitt, Jim Dine, and many others. The portfolio, "Ten Landscapes-Roy Lichtenstein (1967), was published in collaboration with Abrams Original Editions. Esman was contracted to work at Abrams Original Editions for a short period of time in the late 1970s. Esman and her Tanglewood Press Inc. were featured in the exhibition, The Great American Pop Art Store: Multiples of the sixties (1997-2000), University Art Museum, California State University, Long Beach, California.

Esman held a drawings exhibition of artwork borrowed from the Leo Castelli Gallery in 1972 in a space she rented for Tanglewood Press Inc.; she credited this as the beginning of Rosa Esman Gallery. Esman continued exhibiting in that location for the next several years, including a solo show of folded drawings by Sol LeWitt and Modern Master Drawings: Avery, Stuart Davis, De Kooning, Hoffman, Motherwell (1973). Esman moved her operation in 1975 to a building in midtown near the galleries of Tibor de Nagy and Virginia Zabriskie. Artists and printmakers shown at Esman Gallery during 1970s include Christo, Bill Fares, Tom Noskowski, Ursula Von Rydingsvard, Hannah Tierney, and Eileen Gray. In 1979, Esman began an exhibition series of Russian avant-garde art, The Russian Revolution in Art, 1-5 (1979-1983), featuring artwork by Kasmir Malevich, Alexander Rodchenko, Lyubov Popova, and many others of the Russian avant-garde. Esman moved the gallery to SoHo in 1980. In the 1980s, Esman began showing European outsider artists Pascal Verbena and Henry Darger and held a group exhibition of outsider artists in 1986, Outsiders: Art Beyond the Norm. Other exhibitions in the 1980s included Art by Architects (1980), Architecture by Artists (1981), Curator's Choice: A Tribute to Dorothy Miller (1982). Later exhibitions featured artists Joseph Zito, Sofia Dymshits-Tolstaya, Eric Snell, and Carl Goldhagen; and group shows of Dada art, twentieth-century photography, and constructivism. After closing Rosa Esman Gallery in 1992, Esman entered a partnership at Ubu Gallery with Adam Boxer and Alfred Jarry.

Rosa Mencher Esman was born in New York, New York in 1927. She studied government at Smith College in Northhampton, Massachusetts. She went abroad to Europe her junior year, visiting museums in Geneva, Florence, and Paris. After college, she worked several jobs including a position in the art book department of Harper and Brothers and as an office administrator for Rene d'Harnocourt at the Museum of Modern Art, New York. In 1957, she and a friend opened Tanglewood Gallery in Stockbridge, Massachusettes, showing artwork by artist-friends, utilizing the Museum of Modern Art lending service, and borrowing from the Downtown Gallery. The Tanglewood Gallery exhibited artists Milton Avery, Karl Schrag, Tom Wesselman, Alexander Calder, George Morrison, Robert Indiana, Richard Anuszkiewicz, Mervin Jules, and George L. K. Morris, among others. The gallery operated until circa 1960.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Rosa Esman conducted by James McElhinney, June 9-16, 2009.
Provenance:
The collection was donated by Rosa Esman in 2003 and 2014.
Restrictions:
Two folders comprised of Rosa Esman Gallery legal files, 1989-1991, in Box 15 are access restricted. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Women art dealers  Search this
Pop art  Search this
Art, Russian -- 20th century  Search this
Outsider art  Search this
Function:
Art galleries, Commercial -- New York (State)
Citation:
Rosa Esman Gallery and Tanglewood Press Inc records, circa 1922-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosaesmg
See more items in:
Rosa Esman Gallery and Tanglewood Press Inc. records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90b5afc25-4ac5-4700-9d90-a03c3ac29007
EDAN-URL:
ead_collection:sova-aaa-rosaesmg
Online Media:

Philip Evergood papers

Creator:
Evergood, Philip, 1901-1973  Search this
Names:
Kent, Rockwell, 1882-1971  Search this
Kleinholz, Frank, 1901-  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Miró, Joan, 1893-  Search this
Smith, Charles Edward, 1904-1970  Search this
Extent:
11.61 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sound recordings
Transcripts
Scrapbooks
Sketches
Oil paintings
Photographs
Interviews
Date:
1890-1971
Summary:
The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.
Scope and Contents:
The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.

Biographical materials include curriculum vitae, forms, memberships, and the contact information of friends and acquaintances. Correspondence is with business associates and artists, including Charles Edward Smith, Rockwell Kent, Frank Kleinholz, Leon Kroll, Joan Miro, and Yasuo Kuniyoshi. Writings consist primarily of Evergood's artist statements, essays, lectures and speeches, as well as notes, transcripts, and recordings of broadcast radio shows. Subject files focus on art institutions and organizations, funding opportunities, and political topics of personal interest.

Personal business records include artist lists, contracts with galleries, and banking and estate records. Printed materials include clippings, four clippings scrapbooks, exhibition catalogs, and periodicals with articles featuring Evergood. There are loose sketches and mixed media, including oils and watercolors, of Evergood's artwork. Photographs are of Evergood, his friends and family, and photographs and negatives of his artwork.
Arrangement:
The collection is arranged as 9 series.

Missing Title

Series 1: Biographical Materials, 1930-1971 (0.2 linear feet; Box 1, 24, OV 13)

Series 2: Correspondence, 1930-1970 (3.6 linear feet; Boxes 1-4, 24)

Series 3: Writings, 1905-1970 (1.8 linear feet; Boxes 4-5, 24)

Series 4: Subject Files, 1919-1971 (0.7 linear feet; Boxes 5-6)

Series 5: Personal Business Records, 1902-1970 (0.5 linear feet; Box 6)

Series 6: Printed Material, 1914-1970 (2.4 linear feet; Boxes 7-9, 11, 24)

Series 7: Scrapbooks, 1924-1954 (0.6 linear feet; Boxes 11-12)

Series 8: Artwork, 1905-1970 (1.5 linear feet; Box 9, OV 14-20, 24, OV 25, RD 23)

Series 9: Photographic Materials, 1890-1970 (1.2 linear feet; Boxes 9-10, 24, OV 21-22, 26-27)
Biographical / Historical:
Painter and printmaker Philip Evergood (1901-1973) lived and worked in New York City and Bridgewater, Connecticut and was known as an expressionist and social realist who incorporated elements of the fantastic into his works. A native New Yorker, Evergood's father, Miles Blashki, was a Polish-Australian artist, and his mother, Flora Jane Perry, was English. At his mother's insistence, Evergood attended boarding schools in England and graduated from Eton in 1919. He left Cambridge University to pursue art studies at London's Slade School of Fine Arts and returned to America in 1923 to study with George Luks at the Art Students League.

In 1927, Evergood held his first one man show at New York's Dudensing Gallery and continued to travel back and forth between France, Spain, and America throughout the 1920s. In 1931, he married dancer and actress Julia Cross and found work as a muralist and painter for the WPA Federal Arts Project in the early 1930s. From 1937-1938, he served as president of the New York Artists Union and, along with other social realist painters, joined Herman Baron's stable at the ACA (American Contemporary Art) Gallery, where he exhibited several one man shows during the late 1930s and 1940s.

During the 1940s and 1950s, Evergood was a popular lecturer and taught at art schools, including the Skowhegan School, and began producing large scale lithographs and etchings along with his paintings. While working as a picture framer for additional income, he met the art collector Joseph Hirshhorn who would purchase 10 artworks at their first meeting and become a life long patron. He continued to exhibit his work at the ACA Gallery and the annual contemporary shows of major museums, such as the Carnegie Institute and the Art Institute of Chicago. Evergood exhibited in over 35 exhibitions, including a retrospective at the Whitney Museum in 1960, and died in a house fire in Bridgewater in 1973.
Related Materials:
Also found in the Archives of American Art are Letters from Philip Evergood; Gael Hammer letters relating to Miles and Philip Evergood; an oral history interview with Philip Evergood by Forrest Selvig, December 3, 1968; and Philip Evergood interview with John I.H. Baur, June 1959.
Provenance:
Philip Evergood donated his papers to the Archives in 1971. Additional materials were donated in 1974 by Evergood's wife, Julia Cross Evergood. In 1977, two typescripts of essays were donated by Abram Lerner. A small addition was donated in 2018 by Kendall Taylor, who originally received the material from Julia Cross Evergood.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Artists -- Political activity  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Watercolors
Sound recordings
Transcripts
Scrapbooks
Sketches
Oil paintings
Photographs
Interviews
Citation:
Philip Evergood papers, 1890-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.everphil
See more items in:
Philip Evergood papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90fd247d3-1a9d-4af8-a185-38e866a5b436
EDAN-URL:
ead_collection:sova-aaa-everphil

Oral history interview with Bena Frank Mayer and Ralph Mayer, circa 1964

Interviewee:
Mayer, Ralph, 1895-1979  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Mayer, Bena Frank, 1898-1991  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Bena Frank Mayer and Ralph Mayer, circa 1964. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13096
(DSI-AAA_SIRISBib)213658
AAA_collcode_mayer64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213658
Online Media:

Oral history interview with Bena Frank Mayer and Ralph Mayer

Interviewee:
Mayer, Ralph, 1895-1979  Search this
Mayer, Bena Frank, 1898-1991  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
circa 1964
Scope and Contents:
An interview of Ralph and Bena Frank Mayer conducted circa 1964, by Harlan Phillips, for the Archives of American Art.
Biographical / Historical:
Bena Frank Mayer (1898-1991) and her husband, Ralph (1895-1979) were painters and educators in New York, N.Y. Bena Frank Mayer was also a printmaker.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 8 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Federal aid to the arts  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mayer64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a23e29e8-1c5e-43b7-b4b6-b94f4bd7aedb
EDAN-URL:
ead_collection:sova-aaa-mayer64
Online Media:

Oral history interview with Howardena Pindell

Interviewee:
Pindell, Howardena, 1943-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 July 10
Scope and Contents:
Interview of Howardena Pindell conducted 1972 July 10, by Paul Cummings, for the Archives of American Art. Pindell speaks of her childhood, Boston art scene in the 1960's, printmaking, teaching, the Museum of Modern Art, her painting methods, interest in photography, involvement with Women's Movement and her travels.
Biographical / Historical:
Howardena Pindell (1943- ) is a painter and educator from New York, N.Y.
General:
Originally recorded on 1 sound tape. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 2 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Use requires an appointment.
ACCESS RESTRICTED; written permission required.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Women artists  Search this
Women painters  Search this
African American painters  Search this
African American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pindel72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e9c92422-2b85-4a51-8c63-a94e252f9494
EDAN-URL:
ead_collection:sova-aaa-pindel72

Oral history interview with Emma Amos

Interviewee:
Amos, Emma, 1937-2020  Search this
Interviewer:
Murray, Albert  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1968 October 3
Scope and Contents:
An interview of Emma Amos conducted 1968 October 3, by Al Murray, for the Archives of American Art.
Amos speaks of the development of her interest in art and her early influences, her education at Antioch, black politics and the problems facing black artists, image problems among blacks, her travels in Europe, her interests in different media, and the effect of marriage and motherhood on her work.
Biographical / Historical:
Emma Amos (1937-2020) was a painter and printmaker in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for this interview provided by the New York State Council on the Arts.
Restrictions:
This interview transcript is open for research. No audio exists. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American printmakers  Search this
Art and race  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Interviews
Identifier:
AAA.amos68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bc2f9d2e-9ddc-48ae-b993-fe969590a253
EDAN-URL:
ead_collection:sova-aaa-amos68
Online Media:

Nanette Carter papers

Creator:
Carter, Nanette  Search this
Names:
Pratt Institute. Art School  Search this
Freeman, Bettye  Search this
Pindell, Howardena, 1943-  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1972-2009
Summary:
The papers of African American abstract artist and educator Nanette Carter measure 4.9 linear feet and date from 1972 to 2009. The collection documents Carter's education and career through biographical materials, correspondence with artists and others, writings including notebooks documenting Carter's studies, exhibition files for Carter's solo and group exhibitions, files documenting teaching and other professional activities, research material including sound recordings for a book project on Carter's mentors, personal business records, and printed material.
Scope and Contents:
The papers of African American abstract artist and educator Nanette Carter document Carter's education and career through 4.9 linear feet of papers dating from 1972 to 2009.

The collection includes biographical materials consisting of an address book, 11 appointment books, resumes, Carter's student records, and a sound recording of an interview with Carter and Vincent Smith for the radio program "Dialogues with Contemporary Artists." Correspondence is with Joan Digby, Bettye Freeman, Miriam Perlman, and various organizations regarding exhibitions, workshops, and employment. Carter's writings and notes include 13 notebooks documenting her studies and career activities, speech notes, and her student papers from Pratt Institute of Art.

Also found in the collection are exhibition files documenting Carter's solo and group exhibitions, and professional activity files consisting of Carter's teaching files, files regarding fellowships and grants, workshop records, and research material for a book project on female mentors that includes 5 sound recordings of Howardena Pindell and Marcia Lloyd. Carter's personal business records include consignment and sales records, contracts and agreements, and price lists; and printed materials consist of announcements and catalogs for Carter's exhibitions, event programs, posters, press releases, and other material relating to Carter's career as an artist.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1972-1998 (0.7 linear feet; Box 1)

Series 2: Correspondence, 1976-2009 (1.2 linear feet; Boxes 1-2, OV 7)

Series 3: Writings and Notes, 1975-2002 (0.5 linear feet; Box 3)

Series 4: Exhibition Files, 1976-2008 (0.7 linear feet; Boxes 3-4)

Series 5: Professional Activity Files, 1977-2008 (0.7 linear feet; Box 4, OV 7)

Series 6: Personal Business Records, 1979-2008 (0.4 linear feet; Boxes 4-5)

Series 7: Printed Materials, 1979-2009 (0.7 linear feet; Boxes 5-6, OV 7)
Biographical / Historical:
Nanette Carter (1954- ) is an African American abstract artist and educator in New York, New York.

Carter was born in Columbus, Ohio, to Frances Hill and Matthew G. Carter. In 1960, Carter and her family, including her sister Bettye Carter Freeman, moved from Ohio to Montclair, New Jersey where her father became the city's first African American mayor. After graduating from Montclair High School, Carter attended Oberlin College studying studio art and art history. She spent her junior year abroad studying in Perugia, Italy and traveling through Europe and North Africa. Carter graduated from Oberlin in 1976 and continued her education at the Pratt Institute of Art receiving a Master of Fine Arts in 1978.

In the 1970s, Carter spent time in Sag Harbor where her parents had a house. She became involved with the local art scene through her college job at the Guild Hall Museum where she met artist Al Loving. Loving became a mentor to Carter and later curated one of her earliest group exhibitions, Eastville Artists (1979), featuring African American artists working in eastern Long Island, New York. Carter has continued to exhibit her artwork frequently throughout the United States, as well as overseas. She has been the recipient of numerous fellowships and grants including Bob Blackburn's Printmaking Workshop, the Pollock-Krasner Foundation grant, and the New York State Council on the Arts residency at Cinque Gallery.

In addition to her career as an artist, Carter has held teaching positions at various institutions including Dwight-Englewood School, Guild Hall Museum, City College of New York, Rhode Island School of Design, and the Pratt Institute of Art where she is a tenured professor.
Provenance:
The collection was donated in 2019 by Nanette Carter as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
African American educators  Search this
African American painters  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Nanette Carter papers, 1972-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cartnane
See more items in:
Nanette Carter papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a28f9060-aa59-49a9-b48a-54b6b19866ba
EDAN-URL:
ead_collection:sova-aaa-cartnane
Online Media:

Oral history interview with Emma Amos

Interviewee:
Amos, Emma, 1937-2020  Search this
Interviewer:
Jones, Patricia Spears, 1951-  Search this
Extent:
5 Items (Sound recording: 5 sound files (3 hr., 27 min.))
52 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2011 November 19-26
Scope and Contents:
An interview of Emma Amos conducted 2011 November 19-26, by Patricia Spears Jones, for the Archives of American Art, at Amos' studio, in New York, New York.
Biographical / Historical:
Emma Amos (1937-2020) was a painter and printmaker in New York, New York. Patricia Spears Jones (1951- ) is a poet and writer in Brooklyn, New York.
General:
Originally recorded as 5 sound files. Duration is 3 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American printmakers  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.amos11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e317be3e-c555-40b3-94b3-c93d7e77b3fa
EDAN-URL:
ead_collection:sova-aaa-amos11
Online Media:

Oral history interview with Vivian Browne

Interviewee:
Browne, Vivian E., 1929-1993  Search this
Interviewer:
Ghent, Henri, 1926-  Search this
Extent:
20 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 July 1
Scope and Contents:
An interview of Vivian Browne conducted 1968 July 1, by Henri Ghent, for the Archives of American Art.
Browne speaks of her family background and education; the development of her interest in art; reactions to her work; being a Black artist; printmaking; her work as a supervisor to art instructors in public schools; government support for the arts; her future plans.
Biographical / Historical:
Vivian E. Brown (1929-1993) was a painter and art administrator in New York, New York.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 50 min.
Transferred from original acetate tape reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Collectors -- New York (State) -- New York  Search this
Topic:
Art and state  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women arts administrators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.browne68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97ff30ccb-f853-4cfe-94c7-3e00718725d2
EDAN-URL:
ead_collection:sova-aaa-browne68
Online Media:

Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson

Creator:
White, Charles, 1918-1979  Search this
Williamson, Mel  Search this
Names:
White, Frances Barrett  Search this
Williamson, Lorraine, 1926-2018  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1956-1961
Summary:
The Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson measure 0.2 linear feet and date from 1956 to 1961. The collection includes twenty-eight letters written by Charles and Frances White to Melvin (Mel) and Lorraine Williamson shortly after their arrival in California. Approximately half of the letters are written by Charles, the other half by Frances, and two letters are written jointly. Most are signed from "Chas & Fran." Also included in the collection are photographs that Charles and Frances sent the Williamsons of their home and Charles' studio, and printed material including clippings and exhibition brochures.
Scope and Contents:
The Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson measure 0.2 linear feet and date from 1956 to 1961. The collection includes twenty-eight letters written by Charles and Frances White to Melvin (Mel) and Lorraine Williamson shortly after their arrival in California. The letters refer to financial and personal struggles, as well career triumphs and current events. In addition to their shared Chicago background, both the Whites and Williamsons were interracial couples. The letters include references to racial and social dynamics, especially comparing California to New York. Approximately half of the letters are written by Charles, the other half by Frances, and two letters are written jointly. Most are signed from "Chas & Fran."

The collection also contains photographs, negatives, and slides depicting Charles and Frances with friends, their home, and Charles' studio. Many photographs include explanatory notes. Also included are clippings and exhibition brochures for Charles White's 1958 exhibition at ACA Gallery, as well as Anton Refregier's Recent Paintings exhibition.
Arrangement:
This collection is arranged as one series.
Biographical / Historical:
Painter, printmaker, and educator, Charles W. White (1918-1979) was a prominent figure in the Chicago Black Renaissance and became one of the most celebrated and influential African American artists of the twentieth century. Born and raised in Chicago, Illinois, White lived and worked throughout the country, settling in California in 1956. He taught at the Otis Art Institute from 1965 until his death. White's artwork was primarily figurative and depicted African American history, socio-economic struggles, and human relationships.

Charles and Frances Barrett White (1926-2000) married in 1950. They relocated to Los Angeles in 1956. Frances Barrett White was a social worker and educator who spent her early years in New York City. In 1994, she published a book, Reaches of the Heart: A Biography of Charles White.

Melvin Williamson (1923-1995) was an artist, author, and the art director of Viking Press. He attended the Art Institute of Chicago before moving to New York.

Lorraine Rosen Williamson (1926-2018) was an educator and a docent at the Jewish Heritage Museum in New York City.
Related Materials:
The Archives of American Art also holds the Charles W. White papers, the Lucinda H. Gedeon research material on Charles White, and an oral history interview with Charles W. White conducted by Betty Hoag, March 9, 1965.
Provenance:
The Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson were donated to the Archives of American Art in 2019 by Lisa Rosenburg, Melvin and Lorraine Williamson's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Printmakers -- California -- Los Angeles  Search this
Educators  Search this
Art directors -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American painters  Search this
Interracial marriage  Search this
Citation:
Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson, 1956-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.willimel
See more items in:
Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cada476b-1aa8-4a5b-af2e-eb0d4fe59b1b
EDAN-URL:
ead_collection:sova-aaa-willimel
Online Media:

Oral history interview with Robert Blackburn

Interviewee:
Blackburn, Robert Hamilton, 1920-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Barnet, Will, 1911-2012  Search this
Francis, Sam, 1923-1994  Search this
Grosman, Tatyana, 1904-1982  Search this
Harrison, Wallace, 1900-  Search this
Hartigan, Grace  Search this
Lawrence, Jacob, 1917-2000  Search this
Rauschenberg, Robert, 1925-2008  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
52 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 December 4
Scope and Contents:
An interview of Robert Blackburn conducted 1970 December 4, by Paul Cummings, for the Archives of American Art. Blackburn speaks of his early life in Jamaica and New York; the influences of his youth including school, gangs, religion, art, music, and culture; the Harlem Community Art Center; studying with Charles Alston; the difficulties suffered by Black artists trying to gain recognition in a white-dominated art world; attending the Art Students League and studying under Vaclav Vytlacil and Will Barnet; his work with children; his film work at the Harmon Foundation; financial problems; the Printmaking Workshop; attending New York University's School of Visual Arts and the Cooper Union School; blacks in the arts; and the influence of music on his paintings. He recalls Jacob Lawrence, Will Barnet, Vaclav Vytlacil, Wallace Harrison, Tatyana Grosman, Grace Hartigan, Sam Francis, and Robert Rauschenberg.
Biographical / Historical:
Robert Blackburn (1920-) was a printmaker from New York, New York.
General:
Originally recorded 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 28 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Printmakers -- New York (State) -- New York  Search this
Topic:
Prints -- Technique  Search this
Art and race  Search this
African American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.blackb70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95587be3c-ce7a-47a4-ae63-91dec62e6a45
EDAN-URL:
ead_collection:sova-aaa-blackb70
Online Media:

Rudolf Baranik papers, 1951-1982

Creator:
Baranik, Rudolf, 1920-1998  Search this
Subject:
Baranik, Steven  Search this
Guston, Philip  Search this
Soyer, Raphael  Search this
Canaday, John  Search this
Evergood, Philip  Search this
Type:
Interviews
Citation:
Rudolf Baranik papers, 1951-1982. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Abstract -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5851
(DSI-AAA_SIRISBib)208691
AAA_collcode_bararudo
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208691

The Zorach Family papers, 1900-1987

Creator:
Zorach family  Search this
Subject:
Zorach, Tessim  Search this
Ipcar, Dahlov  Search this
Cunningham, Imogen  Search this
Adams, Ansel  Search this
Zorach, Marguerite  Search this
Zorach, William  Search this
Partridge, Roi  Search this
Newman, Arnold  Search this
Brooklyn Museum  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Citation:
The Zorach Family papers, 1900-1987. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Artist couples  Search this
Artists' studios -- Photographs  Search this
Works of art  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6932
(DSI-AAA_SIRISBib)209061
AAA_collcode_zorazora
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209061
Online Media:

Lily Ente papers, 1946-1975

Creator:
Ente, Lily, 1905-1984  Search this
Citation:
Lily Ente papers, 1946-1975. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women printmakers  Search this
Women artists  Search this
Women sculptors  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7015
(DSI-AAA_SIRISBib)209148
AAA_collcode_entelily
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209148

Ruth Gikow papers, 1933-1982

Creator:
Gikow, Ruth Levine, 1915-1982  Search this
Subject:
Gross, Chaim  Search this
Lawrence, Jacob  Search this
Levine, Jack  Search this
Soyer, Raphael  Search this
Hopper, Jo N. (Josephine Nivison)  Search this
Nordness, Lee  Search this
Drewes, Werner  Search this
Fortess, Karl E. (Karl Eugene)  Search this
Type:
Interviews
Sound recordings
Citation:
Ruth Gikow papers, 1933-1982. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Social realism  Search this
Jewish artists  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Artists' studios -- Photographs  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7065
(DSI-AAA_SIRISBib)209198
AAA_collcode_gikoruth
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209198

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