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George Constant papers

Creator:
Constant, George  Search this
Names:
Art Institute of Chicago  Search this
Audubon Artists (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
Dayton Art Institute  Search this
Federation of Modern Painters and Sculptors  Search this
Ferargil Galleries  Search this
Heckscher Museum  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Parrish Art Museum  Search this
Spanish Refugee Aid (Organization)  Search this
United States. Works Progress Administration  Search this
Whitney Museum of American Art  Search this
Avery, Milton, 1885-1965  Search this
Avery, Sally  Search this
Burliuk, David, 1882-1967  Search this
Caparn, Rhys, 1909-1997  Search this
Carnell, Julia Shaw Patterson, 1863-1944  Search this
Davidson, Morris, 1898-1979  Search this
Eaton, Charles Warren, 1857-1937  Search this
Gecan, Vilko, 1894-1973  Search this
Kanaga, Consuelo, 1894-  Search this
Landgren, Marchal E.  Search this
Neuberger, Roy R.  Search this
Pach, Walter, 1883-1958  Search this
Perret, Nell, 1916-  Search this
Preston, Georgette  Search this
Putnam, Wallace, 1899-1989  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Date:
1912-2007
bulk 1932-1978
Summary:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.
Scope and Contents note:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work. A small portion of the correspondence and printed materials are written in Greek.

Biographical material includes artist statements written and recorded by Constant, two audio interview recordings discussing his philosophies on art and his work, inventories of artwork, personal property deeds and legal correspondence, and other miscellaneous material.

Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. These include correspondence from Constant's daughter, Georgette Preston, and extended family members. Other frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. Other business correspondence related to Constant's work with the WPA are also included in the series.

Printed material includes books and booklets on American and Greek art, including a limited print edition of George Constant by George Constant, clippings and articles reviewing Constant's work, exhibition announcements and catalogs of Constant's shows, periodicals profiling his artwork, and dance and theater related programs that Constant consulted on.

Photographs include black and white prints of Constant and his family and friends in St. Louis, Missouri, Dayton, Ohio, and in and around his studio in Shinnecock Hills, New York. The collection also includes photo stills from his 1965 exhibition at the Parrish Art Museum and a comprehensive set of black and white prints, a handful of color prints, and several color slide sheets of Constant's artwork from the 1920s to 1978.
Arrangement note:
The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1923-2007 (Box 1; 17 folders)

Series 2: Correspondence, 1930-1979 (Box 1-2; 1.4 linear feet)

Series 3: Printed Material, 1927-2005 (Box 2-3; 2 linear feet)

Series 4: Photographic Material, 1912-1978 (Box 4-6; 1 linear foot)
Biographical/Historical note:
Greek American George Zachary Constant (1892-1978) worked from his studios in Shinnecock Hills, and New York City, New York as a painter and printmaker. A founder and lifelong member of the Federation of Modern Painters and Sculptors, Constant worked for the Work Projects Administration (WPA) during the Depression and early years of World War II, and exhibited regularly at major galleries and museums from the 1920s to 1970s.

Born in Arahova, Greece, Constant was raised by his two uncles after the death of his parents in 1896. In school and at the monestary one of his uncles led, Constant showed an early interest in classical Greek aesthetics. At the age of eighteen, he immigrated to the United States and continued his art studies at Washington University before transferring to the Art Institute of Chicago. From 1918 to 1922, Constant taught at the Dayton Art Institute and continued to produce and exhibit his work locally. In 1922, he moved to New York, joined the Society of Independent Painters, and became close friends with Society founder and art critic Walter Pach. During the 1920s, his etchings were shown at the Valentine and Downtown Galleries, and at the New Art Circle of J.B. Neumann, where he presented his first one man gallery show in 1929.

From the 1930s to 1940s, Constant produced prints, watercolors, and oil paintings for the WPA, many of which were purchased by museums and public institutions, including the Metropolitan Museum of Art and the Philadelphia Museum. During this same period, Constant exhibited his work at the Boyer Gallery in the late 1930s, and at the Ferargil Gallery from the 1940s to early 1950s. In the decade between 1955 and 1965, Constant also worked on color and set design for seventeen dance productions created by the choreographer Alwin Nikolais. In the last two decades of his career, Constant produced works from his studio in Shinnecock Hills, New York and continued to exhibit at numerous galleries, including Grace Borgenicht Gallery, Guild Hall, Mari Galleries, Tirca Karlis Gallery, and Artium Gallery.
Provenance:
The papers of George Constant were donated by the artist in 1969 and 1978. Additional materials were donated in 2001 and 2007 by his daughter Georgette Preston.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consgeor
See more items in:
George Constant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec7527c-1946-423b-aab7-e7728da8a072
EDAN-URL:
ead_collection:sova-aaa-consgeor

Dane Chanase papers

Creator:
Chanase, Dane, 1894-1975  Search this
Names:
United States. Works Progress Administration  Search this
Ausubel, Sheva, , 1896-1957  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
circa 1916-1976
Summary:
The Dane Chanase papers measure 2.4 linear feet and date from circa 1916-1976. The papers document Chanase's career as a Works Progress Administration (WPA) muralist in New York through biographical material; correspondence; writings including a travel diary to Palestine and extensive notes on art, color and expressionism as well as notes on topics of personal interest; and subject files on art related theories and concepts as well as research pertaining to mural locations. Also found are subject files on Sheva Ausubel who was an American painter, textile artist and Chanase's wife; printed materials which include reference clippings, information on other artists and document a number of Chanase's interests in science and society; transparencies of paintings by the artist and photographs of other artist's murals as well as topics of interest such as early computers and industrial labor. Also included are large preperatory drawings for a WPA mural in Columbus High School, Washington D.C. as well as other pencil, pen and watercolor sketches.
Scope and Contents:
The papers of Works Progress Administration (WPA) muralist Dane Chanase measure 2.4 linear feet and date from circa 1916-1976. Included are drafts and completed biographical summaries and an illustrated letter from Chanase to a W. Dee and a letter from Chanase to Charmion von Wiegand regarding his participation in the Federal Arts Program. The writing series consists primarily of extensive notes on various subjects of scientific and artistic interest to Chanase such as physics, color, expressionism and mechanical technology. Also found are artist statements and notes on art including a notebook that contains writings on various mediums of art including etching, fresco and ceramics. Subject files reflect topics of interest or research for mural projects in New York and subjects such as the history of the post office, kinetic color, optics, lights and vision as well as document Chanase's wife Sheva Ausubel's career as an artist. Printed Material are mostly comprised of newspaper and magazine clippings related to mural research and reference, other artists and scientific and social topics of interest. Also included are post cards, booklets and photographic reproductions. Photographic material contains two slides of paintings by Chanase as well as photographs of murals by other artists, people performing industrial labor, early computers, and various bridges. The Artwork series contains large prepratory drawings for a WPA mural at Columbus high school in Washington D.C., as well as smaller prepratory sketches for unnamed murals, and assorted sketches in pencil, pen and watercolor.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1974 (1 Folder; Box 1)

Series 2: Correspondence, circa 1933-1943 (2 Folders; Box 1)

Series 3: Writings, circa 1920-1965 (0.5 Linear feet; Box 1)

Series 4: Subject Files, circa 1924-1974 (0.3 Linear feet; Box 1)

Series 6: Printed Material, circa 1916-1974 (0.7 Linear feet; Box 2)

Series 7: Photographic Material, circa 1916-1956 (0.2 Linear feet; Box 2)

Series 8: Artwork, circa 1921-1974 (0.6 Linear feet; Box 2, Rolls 1-3)
Biographical / Historical:
Dane Chanase (1894-1975) was a Works Progress Administration (WPA) muralist, printmaker and sculptor from Palermo, Italy who moved to New York City in 1932 where he began working for the New York division of the Works Progress Administration. His wife Sheva Ausubel (1896-1957), was also a New York WPA artist known for her weavings and tapastry designs. Some locations of Chanase's WPA murals include the Welfare Island Hospital, New York, Baron de Hirsch Trade School, New York, and Columbus High School, Washington, D.C. In addition to his murals, Chanase exhibited at the 1930 Salon d'Automne in Paris, France and his work is in the collections of the Los Angeles Museum of Art; Bezalel National Museum; Brooklyn Museum; Library of Congress; and the New York Public Library.
Provenance:
Donated in 1977 by Genie and Moshe Szajngarten who occupied Chanase's former residence.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Citation:
Dane Chanase papers, circa 1916-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chandane
See more items in:
Dane Chanase papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw977896924-31b0-4286-a692-56660037e052
EDAN-URL:
ead_collection:sova-aaa-chandane

Chaim and Dorothy Koppelman papers

Creator:
Koppelman, Chaim, 1920-2009  Search this
Names:
American Federation of Arts  Search this
Associated American Artists  Search this
Audubon Artists (New York, N.Y.)  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Print Council of America  Search this
School of Visual Arts (New York, N.Y.)  Search this
Solomon R. Guggenheim Foundation  Search this
Terrain Gallery  Search this
Anuszkiewicz, Richard  Search this
Dienes, Sari  Search this
Herz, Nat, 1920-1964  Search this
Kandinsky, Wassily, 1866-1944  Search this
Koppelman, Dorothy  Search this
Kranz, Sheldon  Search this
Lichtenstein, Roy, 1923-1997  Search this
Ozenfant, Amédée, 1886-1966  Search this
Picasso, Pablo, 1881-1973  Search this
Pond, Clayton, 1941-  Search this
Rebay, Hilla, 1890-1967  Search this
Siegel, Eli, 1902-  Search this
Stamos, Theodoros, 1922-1997  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Date:
circa 1930s-2006
bulk 1942-2005
Summary:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.
Scope and Content Note:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

Scattered biographical material includes resumes, artist's statements, copies of entries in Who's Who directories, and miscellaneous items.

Correspondence includes personal correspondence and general correspondence. Personal correspondence mostly consists of Chaim Koppelman's letters written to Dorothy while he was serving in the U.S. Army during World War II. He describes his daily activities, observations on army life, and his travels while stationed in England, France, and Germany. Of interest is Chaim Koppelman's letter to Dorothy describing his meeting Picasso and visiting the artist's studio. Personal correspondence also includes Chaim and Dorothy Koppelman's letters with family and friends. Notable correspondents include Sari Dienes, Nat Herz, Sheldon Kranz, Amédée Ozenfant, Hilla Rebay, and Theodoros Stamos. Hilla Rebay's letters to Chaim Koppelman discuss museum-related activities at the Solomon R. Guggenheim Foundation, including the Guggenheim's memorial exhibition for Wassily Kandinsky. There is also a file of letters from Eli Siegel to Chaim Koppelman. General correspondence includes mostly incoming letters to Chaim Koppelman from collectors, colleagues, students, and arts institutions. Frequent correspondents include: Associated American Artists, American Federation of the Arts, Audubon Artists, DeCordova and Dana Museum and Park, Pratt Graphics Center and Print Council of America.

Writings and notes contain annotated typescripts and handwritten drafts by Chaim and Dorothy Koppelman. Chaim Koppelman's writings include essays and talks on art, artists, and printmaking based on Aesthetic Realism; also found are some poems. Dorothy Koppelman's writings consist of artist's statements and essay-length pieces that were prepared for Aesthetic Realism talks on the work and lives of artists, held at the Terrain Gallery of the Aesthetic Realism Foundation and other venues. Also found is a sound recording of Chaim Koppelman's 1968 conversation with Richard Anuszkiewicz, Roy Lichtenstein, and Clayton Pond; the artists discuss the influence of the Siegel Theory of Opposites on their work.

Subject files document the activities, projects, and professional affiliations of Chaim and Dorothy Koppelman. Included are materials on exhibitions, applications for fellowships and grants, awards, drafts of writings, donations and acquisitions of artwork by museums. Teaching files provide an overview of the faculty positions held by Chaim and Dorothy Koppelman over the course of their careers. Found are extensive files on Chaim Koppelman's tenure at the School of Visual Arts. Exhibition files chronicle the Koppelmans' solo and group shows at the Terrain and other venues; substantive files contain Chaim Koppelman's correspondence with museums and arts institutions and sales information.

Two scrapbooks contain exhibition-related materials, such as artists' statements, press releases, awards, printed material, and photographs of artwork. Artwork includes sketches and illustrated letters by Chaim Koppelman. There are twenty annotated sketchbooks by Chaim Koppelman and a sketchbook by Dorothy Koppelman. Photographs and snapshots are of Chaim and Dorothy Koppelman; many of the snapshots of Chaim Koppelman and others document his army service while stationed in the United States and Europe. Four photograph albums include black and white photographs of Chaim and Dorothy Koppelman in their studio; included are snapshots of the Koppelmans with family and friends at exhibition openings, gatherings, and on their travels. There are photographs of Regina Dienes, Gerson Lieber, Bernard Olshan, Joseph Solman, and Theodoros Stamos.
Arrangement:
The collection is arranged as 12 series:

Missing Title

Series 1: Biographical Material, 1940-2001 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1942-2003 (Box 1; 0.6 linear feet)

Series 3: Writings and Notes, 1930s-1989, 2005 (Box 1; 0.2 linear feet)

Series 4: Subject Files, 1942-2004 (Boxes 1-2; 0.8 linear feet)

Series 5: Teaching Files, 1940s-2006 (Box 2; 0.4 linear feet)

Series 6: Exhibition Files, 1940s-2005 (Boxes 2-3; 0.6 linear feet)

Series 7: Personal Business Records, 1944-1969 (Box 3; 3 folders)

Series 8: Scrapbooks, 1942-2003 (Box 3; 2 folders)

Series 9: Printed Material, 1937-1971, 2004 (Box 3; 0.25 linear feet)

Series 10: Artwork, 1933-1949, 1980-2000 (Box 3; 3 folders)

Series 11: Sketchbooks, 1944-2005 (Boxes 3-4; 0.8 linear feet)

Series 12: Photographs, 1930-circa 2004 (Box 4; 0.25 linear feet)
Biographical Note:
Chaim Koppelman (1920-2009) lived and worked in New York as a printmaker, educator, and Aesthetic Realism consultant. Painter, gallery director, Aesthetic Realism consultant, and educator Dorothy Koppelman (1920-) resides and works in New York City.

Chaim Koppelman was born in Brooklyn in 1920. Koppelman studied at the American Artists School with Carl Holty and at the Art Students League with Jose De Creeft and Will Barnet. Simultaneously, he began to study in classes taught by Eli Siegel, critic, poet, and founder of the philosophy Aesthetic Realism. In 1942, Koppelman was drafted in the U.S. Army. Before going overseas in 1943, he married Dorothy Myers. In the army, Koppelman continued his studies in painting and sculpture, where he attended the Art College in Western England, Bristol, and the Beaux Arts School in Reims, France. Chaim Koppelman took part in the Normandy invasion and was awarded the Bronze Star for his service.

After Koppelman returned to New York in 1944, he studied at the Amédée Ozenfant School, where he eventually became Ozenfant's assistant. Around this time, Koppelman turned from painting and sculpture to printmaking. In 1955, Chaim Koppelman, his wife, Dorothy, and other artists and poets studying Aesthetic Realism established the Terrain Gallery. For many years, Koppelman was the head of the gallery's Print Division and then later became an advisory director.

Chaim Koppelman held a number of teaching positions in universities and arts institutions. He lectured at Brooklyn College, the Art Education Department from 1950-1960. In 1959, Koppelman founded the Printmaking Division at the School of Visual Arts, where he served on the school's faculty until 2007. At the Aesthetic Realism Foundation, he taught artists how to relate their artwork and their everyday lives. He wrote: "After having tested his aesthetic concepts in literally thousands of works of different periods, in different styles, in different media, I say that Eli Siegel's Theory of Opposites is the key to what is good or beautiful in art….When Eli Siegel showed that what makes a work of art beautiful—the oneness of opposites—is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind."

Among the awards Chaim Koppelman received were: two Tiffany Grants, 1956, 1959; New York Artists Equity Annual Awards Honoring Will Barnet, Robert Blackburn, Chaim Koppelman, 1992; and the Purchase Prize, Art Students League in 2005. Koppelman was a member of the National Academy and a member of the Society of American Graphic Artists (SAGA). In 2004, SAGA presented him with the Lifetime Achievement Award. In addition to his solo and group exhibitions at the Terrain Gallery, Chaim Koppelman's work was featured at the Beatrice Conde Gallery, International Print Center (New York), Library of Congress, and Minneapolis Institute of Arts. His prints are in the collections of the Guggenheim Museum, Museum of Modern Art (New York), Metropolitan Museum of Art, Victoria and Albert Museum in London, and the National Gallery.

In December 2009, Koppelman died at age 89 in New York City.

Born in 1920, Dorothy Koppelman attended Brooklyn College, the Art Students League, and American Artists School where she trained under Joseph Solman. During this time, she began to study poetry, and the relation of art and the self in classes with Eli Siegel, the founder of Aesthetic Realism.

Dorothy Koppelman has had a number of solo and group exhibitions at the Terrain Gallery. She has also shown her paintings at the Atlantic Gallery, Art Gallery of Binghamton, New York, Beatrice Conde Gallery, the Broome Street Gallery, and at MoMA, Brooklyn Museum, Newark Museum, the Whitney Biennial 2006 Peace Tower, the National Academy, and the Butler Art Institute.

Dorothy Koppelman has served on the faculty at several arts institutions: the National Academy, Brooklyn College School of Education, and the School of Visual Arts. She has given presentations on Aesthetic Realism at the Fondazione Piero della Francesa in Italy, and with Carrie Wilson at the 31st World Congress of the International Society for Education through Art (InSEA). On August 16, 2002, in a talk given on Eli Siegel Day in Baltimore, she said, "Eli Siegel explained the true meaning of art for our lives. No one—no scholar, no artist, no person—in all the centuries ever saw this before: that we can learn about ourselves from the very technique of art!...He showed that far from being in a separate world, art has the answer to the trouble in this one."

She is a member of several professional organizations including the American Society of Contemporary Artists and New York Artists Equity. She has received an Honorable Mention from the Brooklyn Society of Artists, 1957; a Tiffany Grant for painting, 1965; and awards from the American Society of Contemporary Artists, 1996, 1999. Dorothy Koppelman's work has been included in the collections of Hampton University, Virginia; Rosenzweig Museum, Durham, North Carolina; New-York Historical Society; Yale University; the National Museum of Women in the Arts, as well as other institutions.

Dorothy Koppelman lives in New York City. She is a consultant on the faculty of the Aesthetic Realism Foundation, where she also teaches the Critical Inquiry, a workshop for artists. She serves on the Board of Directors of the Aesthetic Realism Foundation, and is President of the Eli Siegel/Martha Baird Foundation. She continues her study in classes with Ellen Reiss, Aesthetic Realism Chairman of Education.
Related Materials:
The Archives of American Art also holds the Terrain Gallery records of which Dorothy Koppelman is the director.
Provenance:
The collection was donated by Chaim and Dorothy Koppelman in 2006.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios  Search this
Gallery owners -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Citation:
Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koppchai
See more items in:
Chaim and Dorothy Koppelman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988e54036-6f92-4d0d-89e9-c638ba3bf216
EDAN-URL:
ead_collection:sova-aaa-koppchai
Online Media:

Oral history interview with Emma Amos

Interviewee:
Amos, Emma, 1937-2020  Search this
Interviewer:
Jones, Patricia Spears, 1951-  Search this
Extent:
5 Items (Sound recording: 5 sound files (3 hr., 27 min.))
52 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2011 November 19-26
Scope and Contents:
An interview of Emma Amos conducted 2011 November 19-26, by Patricia Spears Jones, for the Archives of American Art, at Amos' studio, in New York, New York.
Biographical / Historical:
Emma Amos (1937-2020) was a painter and printmaker in New York, New York. Patricia Spears Jones (1951- ) is a poet and writer in Brooklyn, New York.
General:
Originally recorded as 5 sound files. Duration is 3 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American printmakers  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.amos11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e317be3e-c555-40b3-94b3-c93d7e77b3fa
EDAN-URL:
ead_collection:sova-aaa-amos11
Online Media:

Betty Blayton-Taylor papers

Creator:
Taylor, Betty Blayton, 1937-2016  Search this
Names:
Children's Art Carnival (New York, N.Y.)  Search this
Harlem Textile Works (New York, N.Y.)  Search this
Printmaking Workshop  Search this
Extent:
7.1 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1929-2016
bulk 1970s-2000s
Summary:
The papers of African American painter and art administrator Betty Blayton-Taylor measure 7.1 linear feet and date from 1929 to 2016, with the bulk of the material dating from the 1970s to the 2000s. The collection contains biographical material including resumes, awards, family papers, autograph books from her time in school, and mix tapes; correspondence with colleagues, friends, and other artists including Frank Wimberley, Howardina Pindell, and Eugene Grigsby; and writings including artist statements and notes. Also included are files related to the Children's Art Carnival, an arts education organization co-founded by Blayton-Taylor, for which she served as executive director for many years. These files include board and committee files, budget and financial documents, correspondence, and reports. Files related to the Harlem Textile Works, another organization co-founded by Blayton-Taylor, include board and committee files, correspondence, business plans, and reports. The collection also includes material related to professional activities including exhibition files, committee files, consignment and sale agreements, financial documents, and property files; printed material including exhibition announcements, catalogs and programs, newspaper clippings, published books, and recorded conference proceedings; a scrapbook containing primarily clippings, as well as some correspondence and other printed material; and photographic material including photographs, negatives, slides, and digital images.
Scope and Contents:
The papers of African American painter and art administrator Betty Blayton-Taylor measure 7.1 linear feet and date from 1929 to 2016, with the bulk of the material dating from the 1970s to the 2000s. The collection contains biographical material including resumes, awards, family papers, autograph books from her time in school, and mix tapes; correspondence with colleagues, friends, and other artists including Frank Wimberley, Howardina Pindell, and Eugene Grigsby; and writings including artist statements and notes. Also included are files related to the Children's Art Carnival, an arts education organization co-founded by Blayton-Taylor, for which she served as executive director for many years. These files include board and committee files, budget and financial documents, correspondence, and reports. Files related to the Harlem Textile Works, another organization co-founded by Blayton-Taylor, include board and committee files, correspondence, business plans, and reports. The collection also includes material related to professional activities including exhibition files, committee files, consignment and sale agreements, financial documents, and property files; printed material including exhibition announcements, catalogs and programs, newspaper clippings, published books, and recorded conference proceedings; a scrapbook containing primarily clippings, as well as some correspondence and other printed material; and photographic material including photographs, negatives, slides, and digital images.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material, 1929, 1937-1938, 1951-2014 (Box 1, OV 8; 0.6 linear feet)

Series 2: Correspondence, 1952, 1968-2016 (Boxes 1-2, 0.7 linear feet)

Series 3: Writings, 1978, circa 1990s-2000s (Box 2, 0.2 linear feet)

Series 4: Children's Art Carnival, 1968-2011 (Boxes 2-3, 1.1 linear feet)

Series 5: Harlem Textile Works, 1983-2012 (Box 3, 0.3 linear feet)

Series 6: Professional Activities, 1967-2013 (Boxes 3-4, 0.4 linear feet)

Series 7: Printed Material, 1967-2015 (Boxes 4-5, OV 8; 1.3 linear feet)

Series 8: Scrapbook, 1965-2009 (Box 5, 1 folder)

Series 9: Photographic Material, 1954-2000s (Boxes 5-7, OV 8; 2.5 linear feet)
Biographical / Historical:
Betty Blayton-Taylor (1937-2016) was an African American artist and art administrator in New York, New York.

Born and raised in Virginia, Blayton-Taylor attended Palmer Memorial Institute, a private boarding school in North Carolina. She earned a bachelor's degree in fine art from Syracuse University and continued her studies at the Art Students League of New York and the Brooklyn Museum School.

Betty Blayton-Taylor was a founding member of the Studio Museum in Harlem and served on the board from 1965 to 1977. She co-founded the Children's Art Carnival, an organization designed to engage disadvantaged youth in the arts, and served as executive director from 1969 until 1998. Blayton-Taylor also co-founded and served on the board of Harlem Textile Works, which grew out of the Children's Art Carnival and offered fabric design workshops and other arts education. She also served on boards of other organizations, including the Robert Blackburn Printmaking Workshop and the Arts and Business Council in New York City, and worked as an arts education consultant.

In addition to her dedication to arts education organizations, Blayton-Taylor exhibited in both solo and group shows across the country. Her work is included in collections of institutions such as the Metropolitan Museum of Art, the Museum of Modern Art, and the Studio Museum in Harlem. She died in 2016 in the Bronx, New York.
Related Materials:
The Schomburg Center for Research in Black Culture, The New York Public Library also holds the Children's Art Carnival Records, 1971-1995.
Provenance:
The Betty Blayton-Taylor papers were donated in 2018 by Oscar Blayton, Betty Blayton-Taylor's brother and executor.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Citation:
Betty Blayton-Taylor papers, 1929-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blaybett
See more items in:
Betty Blayton-Taylor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9282dd626-e847-40e1-860c-9931bcfe6320
EDAN-URL:
ead_collection:sova-aaa-blaybett

The Zorach Family papers, 1900-1987

Creator:
Zorach family  Search this
Subject:
Zorach, Tessim  Search this
Ipcar, Dahlov  Search this
Cunningham, Imogen  Search this
Adams, Ansel  Search this
Zorach, Marguerite  Search this
Zorach, William  Search this
Partridge, Roi  Search this
Newman, Arnold  Search this
Brooklyn Museum  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Citation:
The Zorach Family papers, 1900-1987. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Artist couples  Search this
Artists' studios -- Photographs  Search this
Works of art  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6932
(DSI-AAA_SIRISBib)209061
AAA_collcode_zorazora
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209061
Online Media:

Lena Gurr papers, 1908-1979

Creator:
Gurr, Lena, 1897-1992  Search this
Subject:
Model, Elisabeth D. (Elisabeth Dittmann)  Search this
Lozowick, Louis  Search this
Lawrence, Jacob  Search this
Kent, Rockwell  Search this
Jones, Joe  Search this
Ward, Lynd  Search this
Von Wicht, John  Search this
Soyer, Raphael  Search this
Norman, Maria  Search this
Ehrenreich, Emma  Search this
Block, Dorothy  Search this
Biel, Joseph  Search this
Baron, Herman  Search this
Harkavy, Minna  Search this
Grosz, George  Search this
Force, Juliana  Search this
Fabri, Ralph  Search this
Ascher, Mary G. (Mary Goldman)  Search this
Allen, Mary Cecil  Search this
Knaths, Karl  Search this
John Reed Club  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Art Students League (New York, N.Y.)  Search this
ACA Galleries  Search this
Type:
Photographs
Prints
Interviews
Christmas cards
Sketchbooks
Phonograph records
Place:
New York (N.Y.) -- Pictorial works
Citation:
Lena Gurr papers, 1908-1979. Archives of American Art, Smithsonian Institution.
Topic:
Works of art  Search this
Painting, American -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Women photographers  Search this
Women printmakers  Search this
Women painters  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Photography  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8997
(DSI-AAA_SIRISBib)211186
AAA_collcode_gurrlena
Theme:
Sketches & Sketchbooks
Women
Photography
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211186
Online Media:

Stuyvesant Van Veen papers, circa 1926-1988

Creator:
Van Veen, Stuyvesant, 1910-1988  Search this
Subject:
Avery, Frances  Search this
United States Information Agency  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Type:
Scrapbooks
Sketchbooks
Citation:
Stuyvesant Van Veen papers, circa 1926-1988. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Caricatures and cartoons  Search this
Graphic arts -- New York (State) -- New York  Search this
Mural painting and decoration -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9250
(DSI-AAA_SIRISBib)211445
AAA_collcode_vanveen
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211445

Abraham Walkowitz papers, 1904-1969

Creator:
Walkowitz, Abraham, 1880-1965  Search this
Subject:
Valente, Alfredo  Search this
Weber, Max  Search this
White, Clarence H.  Search this
Genthe, Arnold  Search this
Kleinholz, Frank  Search this
Maria-Theresa  Search this
Van Vechten, Carl  Search this
Olinsky, Ivan G. (Ivan Gregorewitch)  Search this
Biddle, George  Search this
Pach, Walter  Search this
Stieglitz, Alfred  Search this
Traubel, Horace  Search this
Jacobi, Lotte  Search this
Haldeman-Julius, E. (Emanuel)  Search this
Eliasoph, Paula  Search this
Duncan, Elizabeth  Search this
Arms, John Taylor  Search this
Dunaif, George M.  Search this
Newman, Arnold  Search this
Schapiro, Louis  Search this
Type:
Photographs
Transcripts
Interviews
Citation:
Abraham Walkowitz papers, 1904-1969. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Art -- Collectors and collecting  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9263
(DSI-AAA_SIRISBib)211458
AAA_collcode_walkabra
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211458
Online Media:

George Constant papers, 1912-2007, bulk 1932-1978

Creator:
Constant, George, 1892-1978  Search this
Subject:
Eaton, Charles Warren  Search this
Preston, Georgette  Search this
Perret, Nell  Search this
Pach, Walter  Search this
Neuberger, Roy R.  Search this
Kanaga, Consuelo  Search this
Landgren, Marchal E.  Search this
Gecan, Vilko  Search this
Davidson, Morris  Search this
Caparn, Rhys  Search this
Burliuk, David  Search this
Carnell, Julia Shaw Patterson  Search this
Avery, Milton  Search this
Avery, Sally  Search this
Putnam, Wallace  Search this
Whitney Museum of American Art  Search this
Brooklyn Museum  Search this
United States. Works Progress Administration  Search this
Spanish Refugee Aid (Organization)  Search this
Parrish Art Museum  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Federation of Modern Painters and Sculptors  Search this
Dayton Art Institute  Search this
Carnegie Institute  Search this
Heckscher Museum  Search this
Audubon Artists (New York, N.Y.)  Search this
Art Institute of Chicago  Search this
Type:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9389
(DSI-AAA_SIRISBib)211586
AAA_collcode_consgeor
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211586
Online Media:

Raphael Soyer papers, 1933-1989

Creator:
Soyer, Raphael, 1899-1987  Search this
Subject:
De Francia, Peter  Search this
Burliuk, David  Search this
Bratby, John  Search this
Baranik, Rudolf  Search this
Ahlas, Lambro  Search this
Biddle, George  Search this
Singer, Isaac Bashevis  Search this
Poor, Henry Varnum  Search this
Lasker, Joe  Search this
Hirsch, Joseph  Search this
Hopper, Edward  Search this
Hirshhorn, Joseph H.  Search this
Goodrich, Lloyd  Search this
Type:
Interviews
Writings
Photographs
Sketchbooks
Citation:
Raphael Soyer papers, 1933-1989. Archives of American Art, Smithsonian Institution.
Topic:
Printmakers -- New York (State) -- New York  Search this
Social realism  Search this
Realism  Search this
Painting, American  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9465
(DSI-AAA_SIRISBib)211663
AAA_collcode_soyeraph
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211663
Online Media:

Ted Egri photographs of work for the Federal Art Project, 1938

Creator:
Egri, Ted, 1913-2010  Search this
Subject:
Federal Art Project (New York, N.Y.)  Search this
Brooklyn College  Search this
Citation:
Ted Egri photographs of work for the Federal Art Project, 1938. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts -- New York N.Y. -- Photographs  Search this
Federal aid to the public welfare -- New York N.Y. -- Photographs  Search this
Art and state -- New York (State) -- New York -- Photographs  Search this
Mural painting and decoration, American -- Photographs  Search this
Theme:
New Deal  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9835
(DSI-AAA_SIRISBib)212310
AAA_collcode_egritedp
Theme:
New Deal
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212310

Karl E. Fortess interviews with artists, circa 1963-1985

Creator:
Fortess, Karl E. (Karl Eugene), 1907-1993  Search this
Type:
Interviews
Sound recordings
Citation:
Karl E. Fortess interviews with artists, circa 1963-1985. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13399
(DSI-AAA_SIRISBib)216518
AAA_collcode_fortkarl
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216518

Downtown Gallery records, 1824-1974, bulk 1926-1969

Creator:
Downtown Gallery (New York, N.Y.)  Search this
Subject:
Stella, Joseph  Search this
Stieglitz, Alfred  Search this
Storrs, John Henry Bradley  Search this
Sunami, Soichi  Search this
Spencer, Niles  Search this
Stasack, Edward  Search this
Steichen, Edward  Search this
Steig, William  Search this
Van Vechten, Carl  Search this
Varian, Dorothy  Search this
Walters, Carl  Search this
Webb, Electra Havemeyer  Search this
Tam, Reuben  Search this
Tannahill, Robert Hudson  Search this
Tseng, Yu-ho  Search this
Valente, Alfredo  Search this
Pippin, Horace  Search this
Pattison, Abbott L. (Abbott Lawrence)  Search this
Rattner, Abraham  Search this
Pollet, Joseph C.  Search this
Osborn, Robert Chesley  Search this
Pascin, Jules  Search this
Crawford, Ralston  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Siporin, Mitchell  Search this
Siegel, Adrian  Search this
Reynal, Kay Bell  Search this
Ray, Man  Search this
Saklatwalla, Beram K.  Search this
Rockefeller, Abby Aldrich  Search this
O'Keeffe, Georgia  Search this
Zorach, William  Search this
Zorach, Marguerite  Search this
Zerbe, Karl  Search this
Zajac, Jack  Search this
Yavno, Max  Search this
Wilde, Isabel Carleton  Search this
Weber, Max  Search this
Adams, Ansel  Search this
Breinin, Raymond  Search this
Broderson, Morris  Search this
Laurent, Robert  Search this
Brook, Alexander  Search this
Bry, Doris  Search this
Burlin, Paul  Search this
Carlen, Robert  Search this
Cikovsky, Nicolai  Search this
Coleman, Glenn O.  Search this
Klein, Carl  Search this
Kuniyoshi, Yasuo  Search this
Karfiol, George  Search this
Karolik, Maxim  Search this
Lawrence, Jacob  Search this
Lea, Wesley  Search this
Lane, William H.  Search this
Lewandowski, Edmund  Search this
Marin, John  Search this
Levi, Julian E. (Julian Edwin)  Search this
Levine, Jack  Search this
Nakian, Reuben  Search this
Newman, Arnold  Search this
Maya, Otto  Search this
Morris, George L. K.  Search this
Dove, Arthur Garfield  Search this
Dole, William  Search this
Doi, Isami  Search this
Davis, Stuart  Search this
Fredenthal, David  Search this
Felix Landau Gallery  Search this
Halpert, Samuel  Search this
Halpert, Edith Gregor  Search this
Guglielmi, Louis  Search this
Garbisch, Edgar  Search this
Karfiol, Bernard  Search this
Demuth, Charles  Search this
Hartley, Marsden  Search this
Cahill, Holger  Search this
Hart, George Overbury  Search this
Harnett, William Michael  Search this
Our Gallery (New York, N.Y.)  Search this
American Folk Art Gallery  Search this
Boris Mirski Gallery (Boston, Mass.)  Search this
Ernest Brown & Phillips  Search this
Type:
Video recordings
Photographs
Motion pictures (visual works)
Citation:
Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution.
Topic:
Fraktur art  Search this
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Printmakers -- United States  Search this
Sculptors -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Artists -- United States  Search this
Weather vanes  Search this
Chalkware  Search this
Figureheads of ships  Search this
Folk art  Search this
Theme:
African American  Search this
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6293
(DSI-AAA_SIRISBib)221206
AAA_collcode_downgall
Theme:
African American
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_221206
Online Media:

iliana emilia garcia papers, 1987-2014

Creator:
garcia, iliana emilia, 1970-  Search this
Subject:
García, Scherezade  Search this
Type:
Photographs
Place:
Altos de Chavón (Dominican Republic)
Citation:
iliana emilia garcia papers, 1987-2014. Archives of American Art, Smithsonian Institution.
Topic:
Designers -- New York (State) -- New York  Search this
Multimedia (Art)  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16286
(DSI-AAA_SIRISBib)373514
AAA_collcode_garcilia
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_373514
Online Media:

Nell Choate Jones papers

Creator:
Jones, Nell Choate, 1879-1981  Search this
Names:
National Association of Women Artists (U.S.)  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1893-1977
Summary:
The papers of painter Nell Choate Jones measure 0.5 linear feet and date from 1893 to 1977. Found are artworks, biographical material, correspondence, exhibition lists of the National Association of Women Artists, photographs of works of art, printed material, and two mixed-media scrapbooks, one of which is a fragment.
Scope and Contents:
The papers of painter Nell Choate Jones measure 0.5 linear feet and date from 1893 to 1977. Found are artworks, biographical material, correspondence, exhibition lists of the National Association of Women Artists, photographs of works of art, printed material, and two mixed-media scrapbooks, one of which is a fragment.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Nell Choate Jones (1879–1981) was a painter and printmaker in Brooklyn, New York. She served as president of the Brooklyn Society of Artists and the National Association of Women Artists.
Provenance:
Nell Choate Jones donated her papers to the Archives of American Art in 1972.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Citation:
Nell Choate Jones papers, 1893-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jonenell
See more items in:
Nell Choate Jones papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96b9d0bf0-829f-489e-8fca-698a2f222409
EDAN-URL:
ead_collection:sova-aaa-jonenell

Oral history interview with George McNeil

Interviewee:
McNeil, George, 1908-1995  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
American Abstract Artists  Search this
Art Students League (New York, N.Y.) -- Students  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Pratt Institute. Art School -- Students  Search this
United States. Work Projects Administration  Search this
Cavallon, Giorgio, 1904-1989  Search this
De Kooning, Willem, 1904-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Gorky, Arshile, 1904-1948  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Kline, Franz, 1910-1962  Search this
Levy, Edgar  Search this
Manso, Leo  Search this
Matulka, Jan, 1890-1972  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Pollock, Jackson, 1912-1956  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Smith, David, 1906-1965  Search this
Tworkov, Jack  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
18 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 June 3
Scope and Contents:
An interview of George McNeil conducted by Dorothy Seckler for the Archives of American Art. McNeil speaks of his childhood and his family; becoming interested in art during high school; attending Pratt Institute, and not being satisfied there; deciding to drop out of Pratt after attending a lecture from Vaclav Vytlacil; going to the Metropolitan Museum every day drawing and analyzing paintings; meeting Arshile Gorky while at the Metropolitan Museum; attending the Art Students League; studying with Hans Hofmann; the start of the American Abstract Artists; his involvement in the WPA's mural project; attending Teachers College at Columbia before joining the Navy; re-entering the New York art scene during the forties and liking it very much; meeting and being influenced by Pollock; his views on the state of painting; how his work has evolved; the various stages in the way a painting developed for him; how The Club and the Eighth Street Club has influenced him; the ideas discussed at The Club, and how he feels surrealism was not a big influence on them; Jackson Pollock's influence on abstract expressionism; artists he admires or has admired; and his thoughts on the contemporary art scene. He recalls Vaclav Vytlacil, Arshile Gorky, Jan Matulka, David Smith, Dorothy Dehner, Edgar Levy, Leo Manso, Burgoyne Diller, Irene Rice Pereira, Hans Hofmann, Jo Hopper, Giorgio Cavallon, Linda Lindaberg (Cavallon), Mercedes Kahls, George Byron Brown, Albert Swinden, Willem de Kooning, Jackson Pollack, Franz Kline, Jack Tworkov, Ad Reinhardt, Mark Rothko, and many others.
Biographical / Historical:
George McNeil (1908-1995) was a painter and a printmaker in Brooklyn, N.Y.
General:
Originally recorded on 2 sound tapes. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 49 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Painting  Search this
Surrealism  Search this
Mural painting and decoration  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mcneil65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b6fc63b-c3c0-47b0-b1df-174fd019ac4e
EDAN-URL:
ead_collection:sova-aaa-mcneil65
Online Media:

Reuben Kadish papers

Creator:
Kadish, Reuben, 1913-1992  Search this
Names:
Ashton, Dore  Search this
Cherry, Herman  Search this
Conant, Howard  Search this
De Kooning, Willem, 1904-1997  Search this
Guston, Philip, 1913-1980  Search this
Hiler, Hilaire, 1898-1966  Search this
Langsner, Jules, 1911-1967  Search this
Neininger, Urban  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pollock, Charles C.  Search this
Pollock, Jackson, 1912-1956  Search this
Siqueiros, David Alfaro  Search this
Tully, Judd  Search this
Extent:
7.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Date:
1851-1995
bulk 1913-1995
Summary:
This collection, which measures 7.9 linear feet and dates from 1851 to 1995 (bulk 1913-1995), documents the life and career of muralist, sculptor, and educator Reuben Kadish. The papers contain biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.
Scope and Content Note:
The Reuben Kadish papers measure 7.9 linear feet and date from 1851 to 1995 with the bulk of the material dating from 1913 to 1995. The collection documents the life and career of muralist, sculptor, and educator Reuben Kadish and contains biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.

Biographical material, 1938-1992, includes résumés and personal identification items. Letters are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe.

Personal business records, 1952-1995, consist of legal documents, including estate papers for Ida and Reuben Kadish, and financial records. The only specific exhibition file documents the 1990 exhibition Reuben Kadish: Works from 1930 to the Present at the New Jersey State Museum in 1990.

Notes include unbound notes on mural painting, printmaking, sculpture, and other art-related topics, and handwritten translations by William H. Thomson of thirty classic texts by Homer, Horace, and Demosthenes. Writings, 1975-1992, consist of an autobiographical manuscript by Kadish, and typescripts concerning Kadish and other art-related topics by other authors including Dore Ashton, Herman Cherry, Howard Conant, and Judd Tully.

Artwork, undated and 1981-1992, includes a hundred sketches and seventeen watercolors by Kadish, and a drawing for DIG (Archeology) by Barbara Kadish. Printed material relates primarily to exhibitions for Kadish and others but also includes a baseball program autographed by Darryl Strawberry. Photographs include prints of Kadish and other artists working on murals, and photographs picturing family and friends.
Arrangement:
The collection is arranged into ten series, based on type of material. Although acquired as a gift before the rest of the collection was loaned to the Archives of American Art in 1998, eight photographs are described in Series 9: Photographs, with those included in the 1998 loan.

Each series is arranged chronologically, except Series 2: Letters and Series 6: Writings, which are arranged alphabetically according to the surname of the writer.

Missing Title

Series 1: Biographical Material, 1938-1992 (box 1, 3 folders)

Series 2: Letters, 1934-1995, undated (boxes 1-3, 2.5 linear ft.)

Series 3: Personal Business Records, 1952-1995 (boxes 3-4, 37 folders)

Series 4: Exhibition File, 1989-1991 (box 4, 1 folder)

Series 5: Notes, 1851-1853, 1937-1992, undated (boxes 4-5, 35 folders)

Series 6: Writings, 1963-1992, undated (box 5, 14 folders)

Series 7: Artwork, 1981-1992, undated (boxes 5, 10, 8 folders)

Series 8: Printed Material, 1934-1993, undated (boxes 5-7, 76 folders)

Series 9: Photographs, 1913-1992, undated (boxes 7-9, sol 10, 2.0 linear ft.)

Series 10: Artifacts, undated (box 9, 1 folder)
Biographical Note:
Reuben Kadish was born in Chicago on January 29, 1913. His father and mother were from Latvia and the Ukraine respectively.

In 1921, the family moved to East Los Angeles, California, where Kadish studied painting under Lorser Feitelson. During this time, he befriended Jackson Pollock and Philip Guston, who attended the Manual Arts High School.

During a trip to New York City in 1930, Kadish was impressed with the modern art, especially the work of the Surrealists, which he saw there. Upon his return to Los Angeles the following year, Kadish attended the Otis Art School, the Stickney School of Art in Pasadena, and Los Angeles City College. He also shared a studio with Philip Guston.

In 1933, Kadish, Guston and Jules Langsner were apprenticed to Mexican muralist, David Alfaro Siqueiros. Their most notable work being the mural "Triumph of Good Over Evil", at the University of Morelia in Mexico. During the next three years, the three young artists collaborated on painting murals in California and Mexico. After another visit to New York, Kadish was invited to San Francisco by Bill Gaskin to head the art division of the WPA project there, a position he occupied until 1940.

From 1940, Kadish worked as a coppersmith and welder at the Bethlehem Steel Works in San Francisco until 1942, when he joined the Army as a member of the War Artist Unit, serving in India and Southeast Asia during World War II. In 1944, he rejoined his wife Barbara in the Bay Area, but they soon returned to New York City, where Kadish worked for Stanley William Hayter at Atelier 17. In the summer of 1945, the Kadish painted with Jackson Pollock and Lee Krasner in a shared Long Island house on Slow's Point in Amagansett.

In 1946, the Kadishes moved to a dairy farm in Vernon, New Jersey, where they supported themselves by farming until 1957. A catastrophic fire in the studio destroyed most of Kadish's paintings in 1947, causing him to turn his interest to creating sculpture.

After teaching art and design at the Newark School of Fine and Industrial Art in 1957, Kadish taught sculpture at the Brooklyn Museum Art School from 1958-1959. In 1960, he began his thirty-year teaching career at Cooper Union, which ended only a few months before his death on September 20, 1992 in Manhattan.
Related Material:
Other resources relating to Reuben Kadish in the Archives of American Art include an oral history interview with Kadish, April 15, 1992.
Provenance:
The eight photographs on Reel 5660 were donated to the Archives of American Art in 1984 by Reuben Kadish. The other material on Reels 5655-5660 was lent for filming in 1998 by Morris and Ruth Kadish, brother and sister-in-law of Reuben Kadish, and executors of his estate, and subsequently donated to the Archives of American Art in 2002.
Restrictions:
The collection is open for research. Use requires an appointment. Microfilmed portion must be consulted on microfilm.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- California  Search this
Sculptors -- California  Search this
Genre/Form:
Drawings
Photographs
Citation:
Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kadireub
See more items in:
Reuben Kadish papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974482335-aae0-4e72-8e41-8c2fb3fe28f8
EDAN-URL:
ead_collection:sova-aaa-kadireub
Online Media:

Maryette Charlton papers

Creator:
Charlton, Maryette  Search this
Names:
American University of Beirut -- Faculty  Search this
Art Institute of Chicago -- Faculty  Search this
Chicago Public School Art Society  Search this
Container Corporation of America  Search this
University of Iowa, Museum of Art  Search this
Andres, Jo  Search this
Bishop, Elizabeth, 1911-1979  Search this
Cage, Xenia  Search this
Calder, Alexander, 1898-1976  Search this
Court, Paula  Search this
Elliott, Leone  Search this
Elliott, Owen  Search this
Fujitomi, Yasuo, 1928-  Search this
Habachy, Nimet  Search this
Hadzi, Dimitri, 1921-2006  Search this
Haskins, Sylvia Shaw Judson, 1897-  Search this
Hoff, Margo  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lubar, Cindy  Search this
MacIver, Loren, 1909-  Search this
Matisse, Pierre, 1900-1989  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Nevelson, Louise, 1899-1988  Search this
Purdy, James  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Kiki, 1954-  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Von Brockdorff, Louise Medbery  Search this
Extent:
80.6 Linear feet
0.34 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Date:
circa 1890-2013
Summary:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Scope and Contents:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and 0.34 gigabytes and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and video recordings, motion picture film, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

Biographical materials consist of material on Maryette Charlton and her family. The subseries on Maryette Charlton includes a biographical chronology, passports, records of her marriage to Hall Winslow, information on studio spaces, school transcripts, and other material. Family files include genealogical charts and files of family members containing correspondence, writings, printed material, sound and video recordings, and photographs. The bulk of the family files are for Charlton's parents, Etna and Shannon, and her husband and son, Hall and Kirk Winslow.

Extensive correspondence is with family, friends, artists, and colleagues. Family correspondence is with her husband and son, parents, and extended family. Personal correspondence is with friends and colleagues, many of whom were famous artists. Named correspondence files and chonological correspondence files contain exchanges with Jo Andres, Elizabeth Bishop, Xenia Cage, Paula Court, Yasuo Fujitomi, Dimitri Hadzi, Margo Hoff, Sylvia Shaw Judson, Lillian Kiesler, Cindy Lubar, Loren MacIver, Pierre Matisse, Nimet (Saba Habachy), Henri Seyrig, Robert Wilson, and many others. There is also correspondence with colleges, museums, and universities.

Writings include academic papers and college class notes, titled essays, a notebook with sketches, and miscellaneous notes. Thirty diaries cover the period 1943 - 2001 and document a wide variety of topics, from film projects to travels to the art world in New York City. Some diaries are illustrated, including one illustrated by Alexander Calder at a party with Maryette, Ellsworth Kelly, and actress Delphine Seyrig. Journals from 1978-1979 tell of Charlton's experiences while appearing in films made by avant-garde director Richard Foreman. There is also one diary of Maryette's mother Etna Barr Charlton.

Teaching files document Charlton's career as an instructor at the Art Institute of Chicago and as the founder of and instructor at the American University of Beirut's art department. Files include appointment calendars, schedules, notes, lectures, news releases, printed material, and photographs.

Professional and project files consist of material related to Maryette Charlton's professional work at the University of Iowa Museum of Art, as a lecturer at the Chicago Public School Art Society, color analyst at the Container Corporation of America, executor of the estate of artist Louise Medbery von Brockdorff, fellowships, conferences, organizations, and the filming industry in general. There are files for the screening of Zen in Ryoko-In. The University of Iowa Museum of Art subseries consists of correspondence with fellow co-founders Leone and Owen Elliott, files on art donations, museum administration, annual reports, printed material, photographs, and sound and video recordings.

Artist research files consist of books, articles, and clippings collected by Charlton for research. Notable artists chronicled include Alexander Calder, James Purdy, Louise Nevelson, Kiki Smith, and Toshiko Takaezu.

Major film project files document Maryette Charlton's films about or with artists Frederick Kiesler (Trienniale, The Universal Theater and Kiesler on Kieseler), Lenore Tawney, Dorothy Miller, Loren MacIver, and Jeanne Reynal. The files for Frederick Kiesler also contain materials about his wife Lillian Kiesler, with whom Charlton had a long relationship and collaborated with on film projects. Individual film project files contain a wide variety of research and production documentation, including correspondence, writings, printed material, research files, exhibition catalogs, photographic materials, sound recordings of interviews and lectures, and Charlton's documentation about the creation and producation of each film, such as contracts, scripts, and distribution information. The film project files for Kiesler and Dorothy Miller are particularly rich, containing substantial amounts of primary source materials not found elsewhere. Sound and video recordings are found throughout the series, as well as 4 film reels.

Files documenting Maryette Charlton's group and solo exhibitions include catalogs and announcements, publicity, printed material, mailing lists, art inventory, sales lists, correspondence, and other material.

Printed materials include other exhibition catalogs, books, posters, magazines, and clippings. There are many books on color theory from Maryette Charlton's job as a color analyst and substanial printed material on Frederick Kiesler. Scrapbooks document Maryette Charlton's personal life from high school, college, and summer camp, as well as exhibitions of her own work, and miscellaneous subjects.

Artwork includes sketches and drawings by Maryette Charlton, some drawings by Lillian Kiesler and others, and mail art created by various artists. There are also 22 sketchbooks filled with pencil, ink, and crayon drawings and sketches, with occasional annotations.

Photographic materials include photographs, slides, negatives, and photograph albums. There are photographs of Maryette Charlton, her travels, family, friends, and artists. Photographs are also found throughout other series.

Sound and video recordings which could not be merged with other series were arranged in an audiovisual series. There are recordings of radio programs and performances Maryette Charlton attended or participated in as well as miscellaneous recordings of artists and events.

The 2014 addition to the Maryette Charlton papers consists of biographical materials, journals, correspondence, subject files, printed materials, and a small number of photographs.
Arrangement:
This collection is arranged as 16 series.

Missing Title

Series 1: Biographical Material, 1896-2005 (3.4 linear feet; Boxes 1-4, 80)

Series 2: Correspondence, 1930-2010 (23.3 linear feet; Boxes 4-27, 80)

Series 3: Writings, 1942-1999 (1 linear feet; Boxes 27-28)

Series 4: Diaries, 1943-2001 (2.1 linear feet; Boxes 28-30)

Series 5: Teaching Files, 1946-1997 (3.6 linear feet; Boxes 30-33, 80)

Series 6: Professional and Project Files, 1923-1998 (7.6 linear feet; Boxes 34-41, 81, OV 87)

Series 7: Artist Research Files, 1949-circa 2000 (1.8 linear feet; Boxes 41-43, FCs 88-89)

Series 8: Major Film Projects, 1904-2007 (18.8 linear feet, 0.34 GB; Boxes 43-61, 81-82, OV 87, FC 90-91, ER01)

Series 9: Exhibition Files, 1950-2000 (0.8 linear feet; Boxes 61-62)

Series 10: Printed Material, 1924-2000 (3.2 linear feet; Boxes 62-65, 82, OV 87)

Series 11: Scrapbooks, 1939-2010 (0.8 linear feet; Box 65, 82-83)

Series 12: Artwork, 1950-1998 (0.9 linear feet; Boxes 65-66, 84)

Series 13: Sketchbooks, 1949-1996 (0.5 linear feet; Box 66)

Series 14: Photographic Materials, circa 1890-circa 2010 (7.8 linear feet; Boxes 67-74, 84-86)

Series 15: Sound and Video Recordings, circa 1953-2008 (1.2 linear feet; Boxes 74-75, 86)

Series 16: Addition to Maryette Charlton papers, 1951-2013 (3.7 linear feet; Boxes 75-79, 86)
Biographical / Historical:
Maryette Charlton (1924-2013) was a painter, printmaker, photographer, filmmaker and arts advocate based in Chicago, Illinois, and New York, New York.

Maryette Charlton was born in Manchester, Iowa on May 18, 1924. Her parents were Shannon and Etna Charlton and she had 2 siblings. Charlton pursued her undergraduate studies at Monticello College and Northwestern University in Illinois, Antioch College in Ohio, and the University of Colorado before receiving a B.F.A. from Pratt Institute in Brooklyn, New York in 1947. She continued her studies in Chicago, Illinois with Laszlo Moholy-Nagy and Hugo Weber at the Institute of Design and Art Institute of Chicago. From 1948 to 1952, she was a Department of Education lecturer at the Art Institute of Chicago museum galleries and also gave talks at schools for the Chicago Public School Art Society.

Between 1942-1951, Maryette Charlton worked as a color analyst for the Container Corporation of America. In 1952, Charlton founded the Art Department of the American University of Beirut and taught there as an assistant professor until 1956. While in Beirut, Charlton married photographer Hall Winslow in 1953 and their only child Kirk Winslow was born in 1955. Winslow and Charlton later divorced in 1973.

Charlton moved to New York City in 1955. She began a master's program at Columbia University and graduated with a M.F.A in film and printmaking in 1958.

Charlton made numerous documentary films, mostly about American artists including Alexander Calder, e. e. cummings, Jeanne Reynal, Dorothy Miller, Pierre Matisse, Lenore Tawney, and Loren MacIver. She also worked tirelessly to promote the work of sculptor, architect, and set designer Frederick Kiesler. She was the camera woman for Kiesler's Kiesler's Universal Theater which aired on CBS in 1962. She became close friends with Kiesler's widow, Lillian, and they collaborated on the film Kiesler on Kiesler and numerous other film and art projects, supporting the work of young artists. Charlton also worked on commissioned films, including The Mosaics of Jeanne Reynal and Zen in Ryoko-in. Charlton befriended many artists in the visual, literary, and film worlds, including Elizabeth Bishop, Dimitri Hadzi, Margo Hoff, James Purdy, and Delphine Seyrig.

A performer in her own right, Charlton appeared in the works of Richard Foreman, Jo Andres, and others. She also played the part of Helen Keller in the film Ghostlight (2003).

An Iowa native, Charlton founded the University of Iowa Museum of Art together with Leone and Owen Elliott. She maintained a close relationship with the Iowa Museum over many years as a donor and chronicler.

Charlton died in New York City on November 25, 2013.
Related Materials:
The Houghton Library at Harvard University and the University of Iowa Museum of Art also hold papers and artwork by Maryette Charlton. The Museum of Modern Art, New York, houses the film Kiesler on Kiesler, created by Maryette Charlton.

The Archives of American Art also has the papers of Frederick and Lillian Kiesler, a portion of which was donated by Charlton.
Provenance:
The Maryette Charlton papers were donated in multiple accretions from 1998-2011 by Maryette Charlton, and in 2013-2014 by the Maryette Charlton estate via Jo Andres, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Filmmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Museums -- Administration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women printmakers  Search this
Women educators  Search this
Art -- Study and teaching  Search this
Color  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Citation:
Maryette Charlton papers, circa 1890-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.charmary
See more items in:
Maryette Charlton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914a42bb1-d069-466f-8948-94f4bf257230
EDAN-URL:
ead_collection:sova-aaa-charmary
Online Media:

Oral history interview with George McNeil, 1965 June 3

Interviewee:
McNeil, George, 1908-1995  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Smith, David  Search this
Gorky, Arshile  Search this
De Kooning, Willem  Search this
Matulka, Jan  Search this
Pereira, I. Rice (Irene Rice)  Search this
Dlugoszewski, Lucia  Search this
Manso, Leo  Search this
Vytlacil, Vaclav  Search this
Hofmann, Hans  Search this
Rothko, Mark  Search this
Levy, Edgar  Search this
Hopper, Jo N. (Josephine Nivison)  Search this
Reinhardt, Ad  Search this
Pollock, Jackson  Search this
Tworkov, Jack  Search this
Dehner, Dorothy  Search this
Cavallon, Giorgio  Search this
Kline, Franz  Search this
Diller, Burgoyne  Search this
Art Students League (New York, N.Y.)  Search this
Pratt Institute. Art School  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
United States. Work Projects Administration  Search this
American Abstract Artists  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George McNeil, 1965 June 3. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Painting  Search this
Surrealism  Search this
Mural painting and decoration  Search this
Record number:
(DSI-AAA_CollID)13160
(DSI-AAA_SIRISBib)214125
AAA_collcode_mcneil65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214125

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