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Oral history interview with Delilah Montoya

Interviewee:
Montoya, Delilah, 1955-  Search this
Interviewer:
Zavala, Adriana, 1964-  Search this
Extent:
14 Items (sound files (6 hrs., 53 min.) Audio, digital, wav)
164 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2019 August 1-4
Scope and Contents:
An interview with Delilah Montoya conducted 2019 August 1-4, by Adriana Zavala, for the Archives of American Art, at Sanitary Tortilla Factory (Montoya's studio), in Albuquerque, New Mexico.
Biographical / Historical:
Interviewee Delilah Montoya (1955- ) is a photographic printmaker and educator in Albuquerque, New Mexico. Interviewer Adriana Zavala (1964- ) is an Associate Professor in the Department of History of Art and Architecture at Tufts University in Medford, Massachusetts.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.montoy19
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-montoy19

Oral history interview with Delilah Montoya, 2019 August 1-4

Interviewee:
Montoya, Delilah, 1955-  Search this
Montoya, Delilah, 1955-  Search this
Interviewer:
Zavala, Adriana, 1964-  Search this
Type:
Sound recordings
Interviews
Record number:
(DSI-AAA_CollID)21704
(DSI-AAA_SIRISBib)398512
AAA_collcode_montoy19
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_398512
Online Media:

Oral history interview with Clinton Adams, 1995 August 2-3

Interviewee:
Adams, Clinton, 1918-2002  Search this
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Altoon, John  Search this
Delano, Annita  Search this
Edmondson, Leonard  Search this
Feitelson, Lorser  Search this
Johnston, Ynez  Search this
Kistler, Lynton R.  Search this
Langsner, Jules  Search this
Lebrun, Rico  Search this
Macdonald-Wright, Stanton  Search this
Price, Vincent  Search this
Scholder, Fritz  Search this
Tamarind Lithography Workshop  Search this
Tamarind Institute  Search this
University of California, Los Angeles  Search this
Type:
Sound recordings
Interviews
Topic:
Modernism (Art)  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Record number:
(DSI-AAA_CollID)12197
(DSI-AAA_SIRISBib)215892
AAA_collcode_adams95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215892
Online Media:

Oral history interview with Mary and Clinton Adams, 1998 April 24

Interviewee:
Adams, Mary E., 1920-  Search this
Adams, Mary E., 1920-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Valentiner, Wilhelm Reinhold  Search this
J. Paul Getty Museum  Search this
Gallery of Modern Art Including the Huntington Hartford Collection  Search this
Type:
Sound recordings
Interviews
Record number:
(DSI-AAA_CollID)11783
(DSI-AAA_SIRISBib)216441
AAA_collcode_adams98
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216441
Online Media:

Oral history interview with Clinton Adams, 1974 March 29

Interviewee:
Adams, Clinton, 1918-2002  Search this
Adams, Clinton, 1918-2002  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Adams, Kenneth M.  Search this
Antreasian, Garo Z.  Search this
Berman, Eugene  Search this
Charlow, Jean  Search this
Funk, Joseph  Search this
Grosman, Tatyana  Search this
Hollander, Irwin  Search this
Horak, Bohuslav  Search this
Kistler, Lynton R.  Search this
Macdonald-Wright, Stanton  Search this
Ray, Man  Search this
Sommers, John  Search this
Tyler, Kenneth E.  Search this
Viesulas, Romas  Search this
Wayne, June  Search this
Tamarind Lithography Workshop  Search this
University of New Mexico. College of Fine Arts  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Art -- Study and teaching -- New Mexico -- Albuquerque  Search this
Record number:
(DSI-AAA_CollID)11669
(DSI-AAA_SIRISBib)216442
AAA_collcode_adams74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216442
Online Media:

Reginald Gammon papers, 1927-2007, bulk 1960-2005

Creator:
Gammon, Reginald A. (Reginald Adolphus), 1921-2005  Search this
Gammon, Reginald A. (Reginald Adolphus), 1921-2005  Search this
Subject:
Andrews, Benny  Search this
Wynberg, Jonathan  Search this
Overton, Harry  Search this
Lee-Smith, Hughie  Search this
Greenberg, Joseph J.  Search this
Fray, Thomas  Search this
Browne, Vivian E.  Search this
Bearden, Romare  Search this
King, Patrick  Search this
Spiral (Group of artists)  Search this
Western Michigan University  Search this
New Mexico African American Artists' Guild  Search this
Anacostia Community Museum  Search this
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Midtown Galleries (New York, N.Y.)  Search this
National Afro-American Museum and Cultural Center (U.S.)  Search this
Harwood Art Center (Albuquerque, N.M.)  Search this
Type:
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Educators -- Michigan  Search this
African American artists  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)13635
(DSI-AAA_SIRISBib)272096
AAA_collcode_gammreg
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_272096
Online Media:

Garo Z. Antreasian papers, 1923-1984

Creator:
Antreasian, Garo Z. (Garo Zareh), 1922-2018  Search this
Antreasian, Garo Z. (Garo Zareh), 1922-2018  Search this
Topic:
Painting, American  Search this
Mural painting and decoration  Search this
Prints -- Technique  Search this
Theme:
Art Materials, Techniques, and Studio Art Education  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10493
(DSI-AAA_SIRISBib)213917
AAA_collcode_antrgaro
Theme:
Art Materials, Techniques, and Studio Art Education
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213917

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Tamarind Institute  Search this
Tamarind Lithography Workshop  Search this
University of California, Los Angeles -- Faculty  Search this
Altoon, John, 1925-  Search this
Delano, Annita, 1894-  Search this
Edmondson, Leonard, 1916-  Search this
Feitelson, Lorser, 1898-1978  Search this
Johnston, Ynez, 1920-  Search this
Kistler, Lynton R., , 1897-1993  Search this
Langsner, Jules, 1911-1967  Search this
Lebrun, Rico, 1900-1964  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Price, Vincent, 1911-1993  Search this
Scholder, Fritz, 1937-2005  Search this
Extent:
149 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1995 August 2-3
Scope and Contents:
An interview of Clinton Adams conducted 1995 August 2-3, by Paul Karlstrom, for the Archives of American Art, at his home, in Albuquerque, New Mexico.
Adams discusses his family background; involvement in Hollywood "industry"; teaching at University of California, Los Angeles; service during WWII; first contact with New York's Museum of Modern Art; his decision to return to California; teaching painting at UCLA from 1946-1954, and friends and colleagues at that time including Lorser Feitelson, Stanton Macdonald-Wright, Lynton R. Kistler and Annita Delano; the difficult political situation at UCLA and the "modernist" conflicts; his views on modernist and conservative groups; Stanton Macdonald-Wright; Adams' own work; his relationship to the ideas and nature of modernism; the Sanity in Art group and other art groups in Los Angeles; his opinion on which artists should have been included in the exhibition/catalogue "Turning the Tide: Early Los Angeles Modernists"; his observations on art historical constructs; the history of New Mexican art; the idea of regionalism; the mythology of Santa Fe, New Mexico.; Southwestern art; the Tamarind Lithography Workshop during its New Mexico phase, its background and changes after the move from Los Angeles to the University of New Mexico, his fifteen years as director, major artists involved, and his desire to publish overlooked artists. Adams recalls Fritz Scholder, John Altoon, Leonard Edmondson, Ynez Johnston, Vincent Price, Jules Langsner, and Rico Lebrun.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator of Los Angeles, California and Albuquerque, New Mexico.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 16 digital wav files. Duration is 3 hrs., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the transcription provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Modernism (Art)  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams95
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adams95

Albert Christ-Janer papers

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Names:
Michigan State University -- Faculty  Search this
New York University -- Faculty  Search this
Pennsylvania State University -- Faculty  Search this
Pratt Institute -- Faculty  Search this
Stephens College  Search this
University of Chicago -- Faculty  Search this
University of Georgia -- Faculty  Search this
Bingham, George Caleb, 1811-1879  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
Robinson, Boardman, 1876-1952  Search this
Saarinen, Eliel, 1873-1950  Search this
Zoller, Edwin W., 1900-1967  Search this
Extent:
54.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Date:
1915-circa 1993
bulk 1930-1981
Summary:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.
Scope and Contents:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.

Biographical material includes address books; awards, certificates and diplomas; chronologies, biographies, and resumes; material relating to Albert Christ-Janer's death, including memorial services and a sound tape reel memorial; and information and blueprints for residences, among other materials.

Correspondence includes Christmas cards from other artists and professional correspondence, much of it relating to his work at various institutions, including Michigan State University, New York University, Pennsylvania State University, Pratt Institution, and foundations. Also included is Virginia Christ-Janer's correspondence regarding Christ-Janer's artwork and career, his death in Italy, as well as general correspondence and letters between Virginia and Albert. Additional correspondence is found within the Professional Files, Project Files, and Teaching Files.

Writings by Christ-Janer include articles, book reviews, essays, notes, and eleven notebooks. There are also a few miscellaneous articles and writings about Christ-Janer written by others. There are 38 annotated appointment notebooks and five of Virginia Christ-Janer's annotated appointment books. Annotations are about meetings, travel, and general thoughts.

Albert Christ-Janer's book projects are documented in the Project Files series. There are drafts, manuscripts, research, and correspondence relating to the research, writing, and publication of five of his books, including George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962), and Modern Hymns (1980). Project files also include files regarding proposed projects.

Professional files document Christ-Janer's work at various institutions, as a consultant, on juried art exhibitions, memberships in arts associations, activities at conferences and committees, and the development of art centers in cities and educational institutions. There is significant documentation of his work planning and developing an arts center in New York City and at New York University, as well as his positions at Pennsylvania State University, Pratt Institute, University of Chicago, and University of Georgia. Also found are materials relating to professional trips taken to El Paso, Italy, Scandinavia, and other parts of Europe.

Teaching files consist of syllabi, lecture notes and course materials, class record books, and other documents for positions at New York University, Pennsylvania State University, Stephens College, University of Georgia, and other institutions. Exhibition files are comprised of lists, prizes and awards, and other scattered documentation of Christ-Janer's solo and group exhibitions.

Financial and estate records include five account books, miscellaneous bills and receipts, a will and estate taxes and financial papers, and files for gallery transactions, lists of galleries representing Christ-Janer, lists of museum and private collectors of Christ-Janer's artwork. Printed materials include exhibition catalogs and announcements, published versions of Christ-Janer's books, books written by others and annotated by Christ-Janer, clippings, magazines, reviews, and printed material relating to Pratt Institute. There is one bound scrapbook and several files of loose scrapbook materials.

The scrapbooks series consists of one completed scrapbook concerning Christ-Janer's book on George Caleb Bingham, as well as several folders of general scrapbook files.

Photographs and slides depict Albert Christ-Janer, family, friends, artists, colleagues, exhibitions, and also include photographs compiled for published books.

Artwork includes numerous drawings, sketches, one sketchbook, and 111 lithographs by Albert Christ-Janer. There are also sketches and drawings by Charles Massey, John D. Whiting, Edwin Zoller, and others. Miscellaneous artifacts include a business card die, exhibition medals and trophy, handmade paperweight, a block-printed piece of fabric, and three graduation hoods.
Arrangement:
This collection is arranged as 14 series:

Series 1: Biographical Material, circa 1930-circa 1986 (Boxes 1-2, 51, 53, 67, OV 54, OV 57; 2.1 linear feet)

Series 2: Correspondence, circa 1937-1990 (Boxes 2-16, 51, 67, OV 55; 15.1 linear feet)

Series 3: Writings, circa 1930s-1972 (Boxes 16-18, 51; 1.5 linear feet)

Series 4: Appointment Books, 1939-1973 (Boxes 18-21; 2.9 linear feet)

Series 5: Professional Files, circa 1933-circa 1986 (Boxes 21-28, 51-52, 67-69; 10 linear feet)

Series 6: Project Files, 1937-circa 1981 (Boxes 28-34, 51, 69; 6.1 linear feet)

Series 7: Teaching Files, circa 1939-circa 1973 (Boxes 34-35; 0.6 linear feet)

Series 8: Exhibition Files, circa 1938-circa 1992 (Boxes 35-38; 2.7 linear feet)

Series 9: Financial and Estate Records, circa 1947-1992 (Boxes 38-40; 2.4 linear feet)

Series 10: Printed Material, 1915-circa 1993 (Boxes 40-49, 51-52, 69; 8.7 linear feet)

Series 11: Scrapbooks, circa 1936-circa 1952 (Boxes 49, 51; 0.5 linear feet)

Series 12: Photographs, circa 1937-circa 1986 (Boxes 49-51, OV 56; 0.7 linear feet)

Series 13: Artwork, circa 1933-circa 1970s (Boxes 50-52, 69, OV 58-66; 1.1 linear feet)

Series 14: Artifacts, 1923-circa 1986 (Boxes 50, 53; 0.9 linear feet)
Biographical / Historical:
Albert Christ-Janer (1910-1973) was a painter, printmaker, art historian, writer, and educator active at colleges and universities across the U.S.

Albert Christ-Janer was born in Appleton, Minnesota in 1910 and studied at the Art Institute of Chicago, Yale University, and Harvard University. Christ-Janer wrote about American artists Boardman Robinson and John Caleb Bingham, and taught at a variety of institutions, including Stephens College, Cranbrook Academy, Pratt Institute Art School, and the University of Georgia. He was also an artist-in-residence at Tamarind Lithography Workshop in 1972.

Christ-Janer began his teaching career at Stephens College in Columbia, Missouri in 1934, and soon became head of the art department. He moved to Michigan to accept the position of head of the art department and professor of art at Michigan State University in 1942. In 1945, he began working for the Cranbrook Academy in Bloomfield Hills, Michigan, serving as director of the educational program, director of the museum and library, and professor of art history.

In 1947, Christ-Janer moved to Chicago and worked at the University of Chicago and the Arts Center Association, Inc. In the 1950s, he served as director of Arts Center Development at New York University, director of the School of Arts at Pennsylvania State University, and on the Lake Erie College Board of Trustees. In 1958, he moved to New York and become dean of the School of Art and Design at the Pratt Institute in Brooklyn, later becoming director. He left Pratt in 1970 to accept the position of Fuller E. Callaway Professor of Art at the University of Georgia, where he remained until his tragic death in 1973.

Christ-Janer was the author of several books: Art in Child Life (University of Iowa Press, 1938), George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962).

Albert Christ-Janer was a Guggenheim Fellow in 1950, awarded the Rockefeller Award in 1954, and the Guggenheim Award in 1960. He was also awarded multiple grants from the American Philosophical Society and the J. M. Kaplan Fund for research and work in lithography, as well as multiple Arthur Judson grants. In 1972 Christ-Janer was the Tamarind artist-in-residence at the University of New Mexico in Albuquerque.

Christ-Janer traveled often. In 1962 he was a guest of the Bonn government for two months to visit museums and schools of design in Germany. And in 1964, he was a guest of the governments of Denmark, Norway, Finland, and Sweden for two months to study schools, museums, and cultural centers. In July of 1973, Christ-Janer was the official NASA artist for the Skylab III launch, and in October of 1973, he was the studio guest of the Norway-America Association and the Norwegian government in Oslo. From November to December of 1973, Christ-Janer was the scholar-in-residence at the Study and Conference Center of the Rockefeller Foundation (Centro Culturale delle Fondazione Rockefeller), at the Villa Serbelloni in Bellagio (Como), Italy.

Albert Christ-Janer was killed in an automobile accident in Bellagio (Como), Italy on December 12, 1973.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Albert Christ-Janer conducted by Dorothy Seckler, March 21, 1964.

Albert Christ-Janer's research materials for his book American Hymns Old and New (1980) are found at the St Olaf College in Northfield, Minnesota, a center for the study of hymns.
Provenance:
The Albert Christ-Janer papers were donated by Virginia Christ-Janer in 1980-1981 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- Georgia  Search this
Painters -- Georgia  Search this
Art historians -- Georgia  Search this
Topic:
Art -- Study and teaching  Search this
Genre/Form:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chrialbe

Garo Z. Antreasian papers

Creator:
Antreasian, Garo Z., 1922-2018  Search this
Extent:
8 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1923-1984
Scope and Contents:
The microfilmed Garo Z. Antreasian papers contain biographical information; and files on mural projects, printmakers, print collections, and art organizations. Also included are materials related to Antreasian's lectures, workshops, art juries, conferences, and his print sales. Exhibition announcements; catalogs; invitations; writings and lectures on printmaking; clippings; sketches and a lithograph (Christmas card); and photographs of Antreasian and his works (undated and 1948-1979) are also included in the collection.
Biographical / Historical:
Garo Z. Antreasian (1922-2018) was a painter, lithographer, and educator in Albuquerque, New Mexico. He studied at the Herron School of Art in Indianapolis, Indiana. Antreasian was closely associated with the Tamarind Lithography Workshop, serving as its first technical director and master printer in 1960. He wrote extensively on the technical and aesthetic aspects of printmaking.
Related Materials:
The Archives of American Art also holds the oral history interview with Garo Zareh Antreasian, 1974 March 29 and the microfilmed Tamarind Lithography Workshop records, 1954-1984.

The University of New Mexico University Libraries, Center for Southwest Research holds the Garo Z. Antreasian papers, 1942-2005 (bulk 1950-1990).
Provenance:
Lent for microfilming 1984 by Garo Z. Antreasian. Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New Mexico -- Albuquerque  Search this
Printmakers -- New Mexico -- Albuquerque  Search this
Topic:
Painting, American  Search this
Mural painting and decoration  Search this
Prints -- Technique  Search this
Identifier:
AAA.antrgaro
See more items in:
Garo Z. Antreasian papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-antrgaro

Reginald Gammon papers

Creator:
Gammon, Reginald, 1921-2005  Search this
Names:
Anacostia Community Museum  Search this
Harwood Art Center (Albuquerque, N.M.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
National Afro-American Museum and Cultural Center (U.S.)  Search this
New Mexico African American Artists' Guild  Search this
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Spiral (Group of artists)  Search this
Western Michigan University -- Faculty  Search this
Andrews, Benny, 1930-2006  Search this
Bearden, Romare, 1911-1988  Search this
Browne, Vivian E., 1929-1993  Search this
Fray, Thomas  Search this
Greenberg, Joseph J., 1915-1991  Search this
King, Patrick  Search this
Lee-Smith, Hughie  Search this
Overton, Harry  Search this
Wynberg, Jonathan  Search this
Extent:
2.4 Linear feet
5.3 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Date:
1927-2007
bulk 1960-2005
Summary:
The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.
Scope and Contents:
The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

Biographical materials include Gammon's academic records and diplomas, certificates, military records, an address book, and information about his memorial service. There is a folder on The Spiral Group which includes an exhibition catalog and photographs. There are video interviews, a conversation video, and two TV advertisements, all digital; one analog and one digital audio interview.

Approximately one-half of the collection consists of correspondence with other artists, museums, galleries and arts organizations. Correspondents include Benny Andrews, Romare Bearden, Vivian Browne, Thomas Frey, Joseph Greenberg, Harwood Art Center, Patrick King, Hughie Lee-Smith, Midtown Galleries, National Afro-American Museum & Cultural Center, New Mexico African American Artists Guild, Harvey Overton, Schomberg Center, Smithsonian Institution's Anacostia Museum, Western Michigan University, and Jonathan Wynberg, among many others.

Writings by Gammon consists of essays, a research proposal, notes, grant applications, and notebooks wherein Gammon jotted down thoughts and drafted letters.

Teaching files are related to Reginald Gammon's tenure at Western Michigan University. There are teaching certifications, lecture notes, one sound recording (sound cassette) of a lecture, student recommendations, and grade books, among other items.

Printed materials primarily consist of exhibition catalogs and announcements, including the catalog Ida Y Vuelta on Gammon's 1998 exhibition in Rodez, France. Other materials found in this series are clippings that feature Gammon and his work, periodicals, posters designed by Gammon, and source materials related to jazz. and limited subject files.

Photographic materials include prints, slides, digital photographs, and negatives depicting Reginald Gammon and his artwork, friends and family, and various studios and events.

Artwork includes pencil and ink sketches, drawings, and paint sketches. The series also contains storyboards for children's books as well as mockups for advertisements.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1936-2006 (0.2 linear feet; Box 1, 3, 5.29 GB; ER01-ER03)

Series 2: Correspondence, 1964-2005 (0.8 linear feet; Box 1-3)

Series 3: Writings and Notebooks, 1948-circa 2000 (0.1 linear feet; Box 2)

Series 4: Teaching Files, 1969-1991 (0.1 linear feet; Box 2)

Series 5: Printed Material, 1955-2005 (0.4 linear feet; Box 2, OV 4)

Series 6: Photographic Material, 1927-2007 (0.2 linear feet; Box 2-3, 0.010 GB; ER04)

Series 7: Artwork, 1937-circa 1999 (0.5 linear feet; Box 2-3)
Biographical / Historical:
Reginald A. Gammon (1921-2005) was a painter and art educator who worked in New York City, Michigan, and Albuquerque, New Mexico. He was a member of Spiral, an African American artist's collective based in New York City, as well as a member of the New Mexico Afro-American Artist Guild. He taught in the New York public schools and at Western Michigan University.

Gammon was born and raised in Philadelphia, Pennsylvania. In 1941, he received a scholarship to study art at the Philadelphia Museum College of Arts (then the Philadelphia Museum School of Industrial Arts) and the following summer worked in the Philadelphia Naval Shipyard refurbishing battleships for the war effort. While working, he also attended school at night. He was drafted and served in the Navy from 1944-1946 with an African-American unit stationed in Guam. He lived in Philadelphia briefly after the war and moved to New York City in 1948. During his early years in New York City, Gammon worked at various jobs such as sorting mail for the post office and designing advertising copy. Around this time, he first met his future wife Janice Goldberger whom he married in 1972.

In 1963, Gammon was invited to join Spiral, a group of African American artists which included Charles Alston, Romare Bearden, Alvin Hollingsworth, Norman Lewis, Richard Mayhew, and Hale Woodruff. As a member of this group, Gammon participated in the 1965 exhibition First Group Showing: Works in Black and White. Spiral disbanded later that same year. In 1969, Gammon and Benny Andrews formed the Black Emergency Cultural Coalition. This politically active group of artists picketed the Metropolitan Museum of Art and the Whitney Museum of Modern Art to protest the exclusion of black artists and curators.

Gammon also taught at the Saturday Academy Program for New York public schools. He set up an informal studio so that children from Harlem could work with resident artists. This position and a recommendation from Hughie Lee-Smith led to an offer from Western Michigan University for a visiting lectureship that turned into a full-time teaching position in which Gammon served until 1991, when he retired as Full Professor Emeritus of Fine Arts and Humanities.

After his retirement from Western Michigan University, Gammon and his wife moved to Albuquerque, New Mexico and he became involved in the New Mexico Afro-American Artist Guild and the Albuquerque United Artists, among other civic organizations. He regularly participated in exhibitions and art fairs sponsored by the Guild and served as their treasurer from 1999 until his death. He was artist-in-residence from 1992-2005 at the Harwood Art Center where he also maintained a studio.

Gammon was also one of the founding members of the New Grounds Print Workshop, where he completed his final collection of artworks - a collection of over 100 prints of historically significant gospel singers and jazz musicians. Gammon died on November 4, 2005.
Provenance:
The collection was donated in 2007 and 2008 by Reginald Gammon's widow Janice Gammon.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Mexico  Search this
Painters -- New Mexico -- Albuquerque  Search this
Educators -- New Mexico -- Albuquerque  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Educators -- Michigan  Search this
African American artists  Search this
Genre/Form:
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Citation:
Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gammreg
See more items in:
Reginald Gammon papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gammreg
Online Media:

Oral history interview with Mary and Clinton Adams

Interviewee:
Adams, Mary E., 1920-  Search this
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Gallery of Modern Art Including the Huntington Hartford Collection  Search this
J. Paul Getty Museum  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 April 24
Scope and Contents:
An interview of Mary and Clinton Adams conducted 1998 April 24, by Paul Karlstrom, for the Archives of American Art, in the Adams' home, in Albuquerque, New Mexico.
Mary recalls the early years at the Getty as assistant to Wilhelm Reinhold Valentiner, being hired by him in 1954, her responsibilities, such as driving Valentiner to the Malibu ranch location, and the property at the time the museum was established. She described the difficulties Valentiner faced in setting up the museum, and his views of J. Paul Getty. Clinton Adams enters into the conversation late and discusses the art scene in Los Angeles, where, at the time, the Huntington Hartford was regarded as the best hope for a local museum.
Biographical / Historical:
Mary E. Adams (1920- ) is an art administrator from Albuquerque, New Mexico. Her husband, Clinton Adams is a printmaker, painter, and educator. Clinton Adams (1918-2002)
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Pasadena Art Alliance
Restrictions:
Transcript available on the Archives of American Art website.
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adams98

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Tamarind Lithography Workshop  Search this
University of New Mexico. College of Fine Arts  Search this
Adams, Kenneth M.  Search this
Antreasian, Garo Z., 1922-2018  Search this
Berman, Eugene, 1899-1972  Search this
Charlow, Jean  Search this
Funk, Joseph, 1917-1981  Search this
Grosman, Tatyana, 1904-1982  Search this
Hollander, Irwin  Search this
Horak, Bohuslav, 1914-2004  Search this
Kistler, Lynton R., , 1897-1993  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Ray, Man, 1890-1976  Search this
Sommers, John, 1927-  Search this
Tyler, Kenneth E.  Search this
Viesulas, Romas, 1918-  Search this
Wayne, June, 1918-2011  Search this
Extent:
49 Pages (Transcription)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 March 29
Scope and Contents:
An interview of Clinton Adams conducted 1974 March 29, by Paul Cummings, for the Archives of American Art.
Adams speaks of how he got involved with the Tamarind Lithography Workshop; how and why Tamarind came about; the lack of artists doing lithographs; the need for the artist to collaborate with the printmaker in order to make a good print; writing a book about the workshop; how in order to interest American Artists into making lithographs, there needs to be a market for it; how it was difficult collecting works of art for the University of New Mexico (UNM); the current art scene in Albuquerque; the arts programs at UNM; moving the workshop to UNM in order to make Tamarind a permanent institute and get more funding; and how more women are becoming printers. He recalls June Wayne, Lynton R. Kistler, Man Ray, Jean Charlow, Eugene Berman, Stanton Macdonald-Wright, Garo Antreasian, Joe Funk, Romas Viesulas, Tatyana Grosman, Irwin Hollander, Ken Tyler, Julie Duristo, Bohuslav Horak, Kenneth Adams, John Sommers, and many others.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator from Albuquerque, New Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Art -- Study and teaching -- New Mexico -- Albuquerque  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams74
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adams74

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