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Oral history interview with Harvey K. Littleton, 2001 March 15

Interviewee:
Littleton, Harvey K.  Search this
Interviewer:
Byrd, Joan Falconer, 1939-  Search this
Subject:
Braden, Norah  Search this
Brown, William J. (William Joseph)  Search this
Dreisbach, Fritz  Search this
Eames, Charles  Search this
Eisch, Erwin  Search this
Fredericks, Marshall M.  Search this
Hamada, Shōji  Search this
Marioni, Dante  Search this
Milles, Carl  Search this
Turner, Robert Chapman  Search this
Voulkos, Peter  Search this
American Craft Council  Search this
Ann Arbor Potters Guild  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Corning Glass Works  Search this
Cranbrook Academy of Art  Search this
Haystack Mountain School of Crafts  Search this
Midwest Designer-Craftsmen  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Penland School of Handicrafts  Search this
Pilchuck School  Search this
Renwick Gallery  Search this
University of Michigan  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass artists -- North Carolina -- Interviews  Search this
Potters -- Interviews  Search this
Pottery -- Study and teaching -- United States.  Search this
Printmakers -- North Carolina -- Interviews  Search this
Prints -- Technique  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11795
(DSI-AAA_SIRISBib)226975
AAA_collcode_little01
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_226975
Online Media:

Oral history interview with Harvey K. Littleton

Interviewee:
Littleton, Harvey K.  Search this
Interviewer:
Byrd, Joan Falconer  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Ann Arbor Potters Guild  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Corning Glass Works  Search this
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts  Search this
Midwest Designer-Craftsmen  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts  Search this
Pilchuck School  Search this
Renwick Gallery  Search this
University of Michigan -- Students  Search this
Braden, Norah, 1901-  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Dreisbach, Fritz  Search this
Eames, Charles  Search this
Eisch, Erwin, 1927-  Search this
Fredericks, Marshall M., 1908-1998  Search this
Hamada, Shōji, 1894-1978  Search this
Marioni, Dante, 1964-  Search this
Milles, Carl, 1875-1955  Search this
Turner, Robert Chapman, 1913-2005  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 March 15
Scope and Contents:
An interview of Harvey K. Littleton conducted 2001 March 15, by Joan Falconer Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Littleton's home, Spruce Pine, N.C.
Littleton speaks of his family background including the work of his father [Jesse Talbot Littleton] at Corning Glassworks, and his early experiences with glass at Corning. He discusses his studies at the University of Michigan in physics and his switch to sculpture; his studies at Cranbrook Academy, in 1941, and his teachers Marshall Fredericks and Carl Milles; his studies on industrial design; becoming a potter; and working at Corning Glassworks, in the summers, inspecting hand-blown coffee pots and top-of-the-stove ware. He discusses his service in the 849th Signal Intelligence Unit in North Africa and Italy during WWII; studying with Norah Braden, at the Brighton School of Art, in England; the importance of, "A Potter's Book," by Bernard Leach; teaching pottery at night, in Ann Arbor, Michigan; the beginnings of the Ann Arbor Potters Guild; making his own potters' wheels; serving on the board of Penland School of Crafts; the development of "American" art and the impact of the GI Bill on the creation and expansion of art departments; the "master-slave apprentice system"; "the genius of Shoji Hamada"; the properties of porcelain; artist communities at Penland and Cranbrook; the influence of Bill Brown, director of the Penland School of Crafts; art education and the impact of the MFA; Black Mountain College, Pilchuck Glass School, and Haystack Mountain School of Crafts; problems with the European educational system; the importance of Erwin Eisch's work on his development; his relationship with galleries and museums, particularly the Museum of Modern Art, the Renwick Gallery of the Smithsonian American Art Museum, and American Craft Museum; and consignment laws. He also comments on the founding of the Midwest Designer Craftsmen; his involvement with the American Crafts Council (ACC) and the distinction between "the indigenous craftsman" and the "artist-craftsman"; American Crafts Council fairs; his printmaking; his techniques of sandblasting; teaching vitreography; and his plans for opening a print gallery. He recalls Charles Eames, Peter Voulkos, Shoji Hamada, Robert Turner, Dante Marioni, Fritz Dreisbach, and others.
Biographical / Historical:
Harvey K. Littleton (1922- ) is a glass artist, potter, sculptor, and printmaker from Wisconsin and Spruce Pine, N.C. Joan Falconer Byrd (1939-) ia a professor in the art department of Western Carolina University, Cullowhee, N.C.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Glass artists -- North Carolina -- Interviews  Search this
Potters -- Interviews  Search this
Pottery -- Study and teaching -- United States.  Search this
Printmakers -- North Carolina -- Interviews  Search this
Prints -- Technique  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.little01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw961daf4d2-b6dd-486c-8664-b04a9b099d65
EDAN-URL:
ead_collection:sova-aaa-little01
Online Media:

Interview with Tatyana Grosman for the Stage, screen, and concert radio series

Creator:
Grosman, Tatyana, 1904-1982  Search this
Subject:
Grosman, Tatyana  Search this
Type:
Sound Recording
Date:
1971 Mar. 19
Topic:
Printmaking  Search this
Record number:
(DSI-AAA)15240
See more items in:
Gertrude Kasle Gallery records, 1949-1999, bulk 1964-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15240

Oral history interview with George Earl Ortman, 1963 Sept. 19-Nov. 5

Interviewee:
Ortman, George Earl, 1926-  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Subject:
Brodie, Gandy  Search this
De Kooning, Willem  Search this
Hayter, Stanley William  Search this
Hofmann, Hans  Search this
Mitchell, Joan  Search this
Oliveira, Nathan  Search this
Ward, Eleanor  Search this
Wise, Howard  Search this
Type:
Sound recordings
Interviews
Topic:
Printmakers -- Michigan -- Interviews  Search this
Sculptors -- Michigan -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12057
(DSI-AAA_SIRISBib)212062
AAA_collcode_ortman63
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212062

Oral history interview with Aris Koutroulis, 1976 Jan. 10

Interviewee:
Koutroulis, Aris, 1938-  Search this
Interviewer:
Crawford, James, 1944-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Record number:
(DSI-AAA_CollID)13309
(DSI-AAA_SIRISBib)214252
AAA_collcode_koutro76
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214252
Online Media:

Oral History interview with Miyoko Ito, 1978 July 20

Interviewee:
Ito, Miyoko, 1918-1983  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Subject:
Baum, Don  Search this
Berdich, Vera  Search this
Chapin, Francis  Search this
Cohen, George  Search this
Edmondson, Leonard  Search this
Haley, John  Search this
Hofmann, Hans  Search this
Johnston, Ynez  Search this
Kahn, Max  Search this
Lanyon, Ellen  Search this
Loran, Erle  Search this
Mitchell, Joan  Search this
Moholy-Nagy, László  Search this
Ryder, Worth  Search this
Venturi, Lionello  Search this
Art Institute of Chicago  Search this
Ox-Bow Summer School of Painting  Search this
Smith College  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American painting  Search this
Women artists  Search this
Women painters  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Theme:
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11656
(DSI-AAA_SIRISBib)216579
AAA_collcode_ito78
Theme:
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216579
Online Media:

Oral history interview with Robert Broner, 1974 May 3-8

Interviewee:
Broner, Robert, 1922-  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Subject:
Blackburn, Robert Hamilton  Search this
Davis, Stuart  Search this
Hayter, Stanley William  Search this
Sarkis  Search this
Weddige, Emil  Search this
Type:
Sound recordings
Interviews
Topic:
Prints -- Technique  Search this
Art criticism -- Michigan -- Detroit  Search this
Printmakers -- Michigan -- Detroit -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11618
(DSI-AAA_SIRISBib)212081
AAA_collcode_broner74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212081
Online Media:

Beverly Hallam papers, 1899-2013

Creator:
Hallam, Beverly Linney, 1923-  Search this
Subject:
Smart, Mary  Search this
Sarton, May  Search this
Ogunquit Art Association (Ogunquit, Me.)  Search this
Type:
Sketchbooks
Motion picture film
Interviews
Video recordings
Sound recordings
Topic:
Acrylic painting  Search this
Airbrush art  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women photographers  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9002
(DSI-AAA_SIRISBib)211191
AAA_collcode_hallbeve
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211191
Online Media:

Downtown Gallery records, 1824-1974, bulk 1926-1969

Creator:
Downtown Gallery (New York, N.Y.)  Search this
Subject:
Stella, Joseph  Search this
Stieglitz, Alfred  Search this
Storrs, John Henry Bradley  Search this
Sunami, Soichi  Search this
Spencer, Niles  Search this
Stasack, Edward  Search this
Steichen, Edward  Search this
Steig, William  Search this
Van Vechten, Carl  Search this
Varian, Dorothy  Search this
Walters, Carl  Search this
Webb, Electra Havemeyer  Search this
Tam, Reuben  Search this
Tannahill, Robert Hudson  Search this
Tseng, Yu-ho  Search this
Valente, Alfredo  Search this
Pippin, Horace  Search this
Pattison, Abbott L. (Abbott Lawrence)  Search this
Rattner, Abraham  Search this
Pollet, Joseph C.  Search this
Osborn, Robert Chesley  Search this
Pascin, Jules  Search this
Crawford, Ralston  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Siporin, Mitchell  Search this
Siegel, Adrian  Search this
Reynal, Kay Bell  Search this
Ray, Man  Search this
Saklatwalla, Beram K.  Search this
Rockefeller, Abby Aldrich  Search this
O'Keeffe, Georgia  Search this
Zorach, William  Search this
Zorach, Marguerite  Search this
Zerbe, Karl  Search this
Zajac, Jack  Search this
Yavno, Max  Search this
Wilde, Isabel Carleton  Search this
Weber, Max  Search this
Adams, Ansel  Search this
Breinin, Raymond  Search this
Broderson, Morris  Search this
Laurent, Robert  Search this
Brook, Alexander  Search this
Bry, Doris  Search this
Burlin, Paul  Search this
Carlen, Robert  Search this
Cikovsky, Nicolai  Search this
Coleman, Glenn O.  Search this
Klein, Carl  Search this
Kuniyoshi, Yasuo  Search this
Karfiol, George  Search this
Karolik, Maxim  Search this
Lawrence, Jacob  Search this
Lea, Wesley  Search this
Lane, William H.  Search this
Lewandowski, Edmund  Search this
Marin, John  Search this
Levi, Julian E. (Julian Edwin)  Search this
Levine, Jack  Search this
Nakian, Reuben  Search this
Newman, Arnold  Search this
Maya, Otto  Search this
Morris, George L. K.  Search this
Dove, Arthur Garfield  Search this
Dole, William  Search this
Doi, Isami  Search this
Davis, Stuart  Search this
Fredenthal, David  Search this
Felix Landau Gallery  Search this
Halpert, Samuel  Search this
Halpert, Edith Gregor  Search this
Guglielmi, Louis  Search this
Garbisch, Edgar  Search this
Karfiol, Bernard  Search this
Demuth, Charles  Search this
Hartley, Marsden  Search this
Cahill, Holger  Search this
Hart, George Overbury  Search this
Harnett, William Michael  Search this
Our Gallery (New York, N.Y.)  Search this
American Folk Art Gallery  Search this
Boris Mirski Gallery (Boston, Mass.)  Search this
Ernest Brown & Phillips  Search this
Type:
Video recordings
Photographs
Motion pictures (visual works)
Topic:
Fraktur art  Search this
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Printmakers -- United States  Search this
Sculptors -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Artists -- United States  Search this
Weather vanes  Search this
Chalkware  Search this
Figureheads of ships  Search this
Folk art  Search this
Theme:
African American  Search this
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)6293
(DSI-AAA_SIRISBib)221206
AAA_collcode_downgall
Theme:
African American
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_221206
Online Media:

Reginald Gammon papers, 1927-2007, bulk 1960-2005 bulk 1960-2005

Creator:
Gammon, Reginald A. (Reginald Adolphus), 1921-2005  Search this
Subject:
Andrews, Benny  Search this
Wynberg, Jonathan  Search this
Overton, Harry  Search this
Lee-Smith, Hughie  Search this
Greenberg, Joseph J.  Search this
Fray, Thomas  Search this
Browne, Vivian E.  Search this
Bearden, Romare  Search this
King, Patrick  Search this
Spiral (Group of artists)  Search this
Western Michigan University  Search this
New Mexico African American Artists' Guild  Search this
Anacostia Community Museum  Search this
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Midtown Galleries (New York, N.Y.)  Search this
National Afro-American Museum and Cultural Center (U.S.)  Search this
Harwood Art Center (Albuquerque, N.M.)  Search this
Type:
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)13635
(DSI-AAA_SIRISBib)272096
AAA_collcode_gammreg
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_272096
Online Media:

Richard Haas papers, 1937-2012

Creator:
Haas, Richard, 1936-  Search this
Type:
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Topic:
Educators -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)16038
(DSI-AAA_SIRISBib)308619
AAA_collcode_haasrich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_308619
Online Media:

Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Subject:
Saarinen, Eliel  Search this
Zoller, Edwin W.  Search this
Bingham, George Caleb  Search this
Robinson, Boardman  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
University of Georgia  Search this
University of Chicago  Search this
Pratt Institute  Search this
Stephens College  Search this
Michigan State University  Search this
Pennsylvania State University  Search this
New York University  Search this
Type:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Topic:
Art -- Study and teaching  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7415
(DSI-AAA_SIRISBib)209572
AAA_collcode_chrialbe
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209572
Online Media:

Beverly Hallam papers

Creator:
Hallam, Beverly, 1923-2013  Search this
Names:
Ogunquit Art Association (Ogunquit, Me.)  Search this
Sarton, May, 1912-  Search this
Smart, Mary, 1915-  Search this
Extent:
24.2 Linear feet
2.73 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Motion picture film
Interviews
Video recordings
Sound recordings
Date:
1899-2013
Summary:
The papers of painter, printmaker, photographer, and educator Beverly Hallam measure 24.2 linear feet and 2.73 Gigabytes, and date from 1899-2013. The collection includes biographical material, correspondence, personal business records, writings, journals, teaching materials, printed material, photographs, film, video, and sound recordings, guest books, and artwork.
Scope and Contents:
The papers of painter, printmaker, photographer, and educator Beverly Hallam measure 24.2 linear feet and 2.73 Gigabytes, and date from 1899-2013. The collection includes biographical material, correspondence, personal business records, writings, journals, teaching materials, printed material, photographs, film, video, and sound recordings, guest books, and artwork.

Biographical material includes family histories for both Hallam and Mary-Leigh Smart, as well as Hallam's family estate management, in addition to résumés and travel documents. Correspondence is both professional and personal, including extensive letters with the writer May Sarton. Personal business records include gallery and exhibition records, including some consignments, loans and price lists, as well as donation records. Writings include a master's thesis, artist statements, articles and lectures by Beverly Hallam, as well as student assignments and writings by others. Hallam's journals include travel and artwork journals, as well as heavily annotated and interleaved yearly planners. Teaching materials date back to Hallam's earliest lessons delivered while obtaining her bachelor's degree of education Massachusetts College of Art, and include her work at Lassell Junior College and her tenure teaching at Massachusetts College of Art.

The printed material series includes extensive clippings regarding Hallam's career as well as family history and the careers of notable friends and colleagues, in addition to those regarding regional artists and the art scene in Maine. Also included are invitations and catalogs for Beverly Hallam's exhibitions, and early research into polyvinyl acetate. Photographs include those of Beverly and her friends and family, as well as artwork and albums documenting installations for exhibitions throughout Hallam's career. Some albums more closely document the homes and estates of Surf Point belonging to Hallam and Smart, as well as Wild Knoll belonging to May Sarton. Also included are photographs Hallam created as illustrations for writing projects by Sarton.

The film, video, and audio recording series includes numerous home movies documenting Hallam's family life and her home at Surf Point, as well as some reels documenting her artwork and exhibitions and a few audio recordings most likely of artist talks. Guest books document attendance for select exhibitions in Hallam's career, as well as of her various homes. The artwork series is comprised of sketchbooks including those detailing Hallam's airbrush works, holiday cards drawn and designed by Hallam, and prints of later computer-generated works.
Arrangement:
The collection is arranged in eleven series:

Series 1: Biographical Material, circa 1899-2012 (1.0 linear foot: Box 1; 0.349 GB: ER01)

Series 2: Correspondence, circa 1930s-2013 (4.3 linear feet: Boxes 2-6; 0.376 GB: ER02-ER11)

Series 3: Personal Business, circa 1952-2012, circa 1952-2012 (0.7 linear feet: Box 6; 0.066 GB: ER12-ER14, ER16)

Series 4: Writings, circa 1920s-2006 (1.4 linear feet: Boxes 7-8, 22; 0.001 GB: ER15)

Series 5: Journals, circa 1941-1999 (2.7 linear feet: Boxes 8-10)

Series 6: Teaching Material, circa 1944-1962 (0.7 linear feet: Box 11)

Series 7: Printed Material, circa 1920s-2010 (4.3 linear feet: Boxes 11-15, 22)

Series 8: Photographs, circa 1900-2013 (4.7 linear feet: Boxes 15-20; 1.95 GB: ER17-ER30)

Series 9: Film, Video, and Sound Recordings, circa 1970s-1990 (2.6 linear feet: Box 17, FC25-FC47)

Series 10: Guest Books, 1954-2004 (0.8 linear feet: Boxes 17, 21)

Series 11: Artwork, circa 1940s-2008 (1.0 linear foot (Boxes 21, 23-24)
Biographical / Historical:
Beverly Linney Hallam (1923-2013) was a painter, photographer, printmaker, and art educator in York, Maine. Hallam was born in Lynn, Massachusetts to parents Alice Linney Hallam and Edwin Hallam, who was an engineer. Beverly Hallam gravitated toward art making at a young age, and pursued a bachelor's degree in education from the Massachusetts College of Art. Shortly after graduation Hallam accepted a position at Lasell Junior College where she was Chairman of the Art Department until 1949. In 1948 she attended a summer study program at Cranbrook Academy of Art in Michigan. In 1953 she received her M.F.A. at Syracuse University where she wrote her thesis on the use of polyvinyl acetate as an artistic medium. For this and other early efforts she would be known as a pioneer for the medium of acrylic paint, which polyvinyl acetate would come to be known. From 1949-1962 Ms. Hallam was professor at the Massachusetts College of Art from 1949-1961 where she taught Painting, Drawing and Design, and Photography. She is particularly well known as a printmaker, and especially for her large-scale airbrush paintings of flowers.

Around the early 1960s with Hallam's departure from teaching, she relocated permanently to Ogunquit, Maine where she kept a studio and home known as Stonecrop, which is currently an art gallery by the same name. In 1971 Hallam and lifelong friend and companion Mary-Leigh Smart completed the construction of Surf Point, which served as both a home as well as a studio for Hallam. Surf Point was situated near the property known as Wild Knoll which was home to Hallam's close friend and correspondent, the poet and writer May Sarton, who lived there from 1974-1995. Sarton and Hallam Smart was a founder of The Barn Gallery, under the Ogunquit Art Association, for which both Hallam and Smart were board members. Smart also was also a collector and art consultant, passionate about Maine regional artists. In 1988 Mary-Leigh Smart established a Trust that would ensure their home and surrounding land would be turned into an artist residency upon their deaths, known as the Surf Point Foundation, modelled after the MacDowell Colony.
Related Materials:
The originals of some letters from May Sarton, 1954, and 1966-1994, included in this collection as photocopies, appear in the May Sarton papers held at New York Public Library's Archives and Manuscripts.
Provenance:
Material on reel 1428 was lent for microfilming in 1978. The majority of the collection was donated in 1992 and 1996 by Beverly Hallam, and in 2014 by the Beverly Hallam estate via executor Mary-Leigh Smart.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Printmakers -- Maine  Search this
Photographers -- Maine  Search this
Educators -- Maine  Search this
Topic:
Acrylic painting  Search this
Airbrush art  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women photographers  Search this
Genre/Form:
Sketchbooks
Motion picture film
Interviews
Video recordings
Sound recordings
Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hallbeve
See more items in:
Beverly Hallam papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ab98ffb-4aca-4f10-9571-935de1899d8a
EDAN-URL:
ead_collection:sova-aaa-hallbeve

Phyllis Kind Gallery

Collection Creator:
Yoshida, Ray  Search this
Container:
Box 4, Folder 29
Type:
Archival materials
Date:
1975
1980-1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate copy requires advance notice. One box of letters from Jim Nutt are ACCESS RESTRICTED; use requires written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ray Yoshida papers, circa 1895-2010, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Ray Yoshida papers
Ray Yoshida papers / Series 6: Personal Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f494de54-4734-440a-a657-60204a48e6a6
EDAN-URL:
ead_component:sova-aaa-yoshray-ref72
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Albert Christ-Janer papers

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Names:
Michigan State University -- Faculty  Search this
New York University -- Faculty  Search this
Pennsylvania State University -- Faculty  Search this
Pratt Institute -- Faculty  Search this
Stephens College  Search this
University of Chicago -- Faculty  Search this
University of Georgia -- Faculty  Search this
Bingham, George Caleb, 1811-1879  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
Robinson, Boardman, 1876-1952  Search this
Saarinen, Eliel, 1873-1950  Search this
Zoller, Edwin W., 1900-1967  Search this
Extent:
54.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Date:
1915-circa 1993
bulk 1930-1981
Summary:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.
Scope and Contents:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.

Biographical material includes address books; awards, certificates and diplomas; chronologies, biographies, and resumes; material relating to Albert Christ-Janer's death, including memorial services and a sound tape reel memorial; and information and blueprints for residences, among other materials.

Correspondence includes Christmas cards from other artists and professional correspondence, much of it relating to his work at various institutions, including Michigan State University, New York University, Pennsylvania State University, Pratt Institution, and foundations. Also included is Virginia Christ-Janer's correspondence regarding Christ-Janer's artwork and career, his death in Italy, as well as general correspondence and letters between Virginia and Albert. Additional correspondence is found within the Professional Files, Project Files, and Teaching Files.

Writings by Christ-Janer include articles, book reviews, essays, notes, and eleven notebooks. There are also a few miscellaneous articles and writings about Christ-Janer written by others. There are 38 annotated appointment notebooks and five of Virginia Christ-Janer's annotated appointment books. Annotations are about meetings, travel, and general thoughts.

Albert Christ-Janer's book projects are documented in the Project Files series. There are drafts, manuscripts, research, and correspondence relating to the research, writing, and publication of five of his books, including George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962), and Modern Hymns (1980). Project files also include files regarding proposed projects.

Professional files document Christ-Janer's work at various institutions, as a consultant, on juried art exhibitions, memberships in arts associations, activities at conferences and committees, and the development of art centers in cities and educational institutions. There is significant documentation of his work planning and developing an arts center in New York City and at New York University, as well as his positions at Pennsylvania State University, Pratt Institute, University of Chicago, and University of Georgia. Also found are materials relating to professional trips taken to El Paso, Italy, Scandinavia, and other parts of Europe.

Teaching files consist of syllabi, lecture notes and course materials, class record books, and other documents for positions at New York University, Pennsylvania State University, Stephens College, University of Georgia, and other institutions. Exhibition files are comprised of lists, prizes and awards, and other scattered documentation of Christ-Janer's solo and group exhibitions.

Financial and estate records include five account books, miscellaneous bills and receipts, a will and estate taxes and financial papers, and files for gallery transactions, lists of galleries representing Christ-Janer, lists of museum and private collectors of Christ-Janer's artwork. Printed materials include exhibition catalogs and announcements, published versions of Christ-Janer's books, books written by others and annotated by Christ-Janer, clippings, magazines, reviews, and printed material relating to Pratt Institute. There is one bound scrapbook and several files of loose scrapbook materials.

The scrapbooks series consists of one completed scrapbook concerning Christ-Janer's book on George Caleb Bingham, as well as several folders of general scrapbook files.

Photographs and slides depict Albert Christ-Janer, family, friends, artists, colleagues, exhibitions, and also include photographs compiled for published books.

Artwork includes numerous drawings, sketches, one sketchbook, and 111 lithographs by Albert Christ-Janer. There are also sketches and drawings by Charles Massey, John D. Whiting, Edwin Zoller, and others. Miscellaneous artifacts include a business card die, exhibition medals and trophy, handmade paperweight, a block-printed piece of fabric, and three graduation hoods.
Arrangement:
This collection is arranged as 14 series:

Missing Title

Series 1: Biographical Material, circa 1930-circa 1986 (Boxes 1-2, 51, 53, 67, OV 54, OV 57; 2.1 linear feet)

Series 2: Correspondence, circa 1937-1990 (Boxes 2-16, 51, 67, OV 55; 15.1 linear feet)

Series 3: Writings, circa 1930s-1972 (Boxes 16-18, 51; 1.5 linear feet)

Series 4: Appointment Books, 1939-1973 (Boxes 18-21; 2.9 linear feet)

Series 5: Professional Files, circa 1933-circa 1986 (Boxes 21-28, 51-52, 67-69; 10 linear feet)

Series 6: Project Files, 1937-circa 1981 (Boxes 28-34, 51, 69; 6.1 linear feet)

Series 7: Teaching Files, circa 1939-circa 1973 (Boxes 34-35; 0.6 linear feet)

Series 8: Exhibition Files, circa 1938-circa 1992 (Boxes 35-38; 2.7 linear feet)

Series 9: Financial and Estate Records, circa 1947-1992 (Boxes 38-40; 2.4 linear feet)

Series 10: Printed Material, 1915-circa 1993 (Boxes 40-49, 51-52, 69; 8.7 linear feet)

Series 11: Scrapbooks, circa 1936-circa 1952 (Boxes 49, 51; 0.5 linear feet)

Series 12: Photographs, circa 1937-circa 1986 (Boxes 49-51, OV 56; 0.7 linear feet)

Series 13: Artwork, circa 1933-circa 1970s (Boxes 50-52, 69, OV 58-66; 1.1 linear feet)

Series 14: Artifacts, 1923-circa 1986 (Boxes 50, 53; 0.9 linear feet)
Biographical / Historical:
Albert Christ-Janer (1910-1973) was a painter, printmaker, art historian, writer, and educator active at colleges and universities across the U.S.

Albert Christ-Janer was born in Appleton, Minnesota in 1910 and studied at the Art Institute of Chicago, Yale University, and Harvard University. Christ-Janer wrote about American artists Boardman Robinson and John Caleb Bingham, and taught at a variety of institutions, including Stephens College, Cranbrook Academy, Pratt Institute Art School, and the University of Georgia. He was also an artist-in-residence at Tamarind Lithography Workshop in 1972.

Christ-Janer began his teaching career at Stephens College in Columbia, Missouri in 1934, and soon became head of the art department. He moved to Michigan to accept the position of head of the art department and professor of art at Michigan State University in 1942. In 1945, he began working for the Cranbrook Academy in Bloomfield Hills, Michigan, serving as director of the educational program, director of the museum and library, and professor of art history.

In 1947, Christ-Janer moved to Chicago and worked at the University of Chicago and the Arts Center Association, Inc. In the 1950s, he served as director of Arts Center Development at New York University, director of the School of Arts at Pennsylvania State University, and on the Lake Erie College Board of Trustees. In 1958, he moved to New York and become dean of the School of Art and Design at the Pratt Institute in Brooklyn, later becoming director. He left Pratt in 1970 to accept the position of Fuller E. Callaway Professor of Art at the University of Georgia, where he remained until his tragic death in 1973.

Christ-Janer was the author of several books: Art in Child Life (University of Iowa Press, 1938), George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962).

Albert Christ-Janer was a Guggenheim Fellow in 1950, awarded the Rockefeller Award in 1954, and the Guggenheim Award in 1960. He was also awarded multiple grants from the American Philosophical Society and the J. M. Kaplan Fund for research and work in lithography, as well as multiple Arthur Judson grants. In 1972 Christ-Janer was the Tamarind artist-in-residence at the University of New Mexico in Albuquerque.

Christ-Janer traveled often. In 1962 he was a guest of the Bonn government for two months to visit museums and schools of design in Germany. And in 1964, he was a guest of the governments of Denmark, Norway, Finland, and Sweden for two months to study schools, museums, and cultural centers. In July of 1973, Christ-Janer was the official NASA artist for the Skylab III launch, and in October of 1973, he was the studio guest of the Norway-America Association and the Norwegian government in Oslo. From November to December of 1973, Christ-Janer was the scholar-in-residence at the Study and Conference Center of the Rockefeller Foundation (Centro Culturale delle Fondazione Rockefeller), at the Villa Serbelloni in Bellagio (Como), Italy.

Albert Christ-Janer was killed in an automobile accident in Bellagio (Como), Italy on December 12, 1973.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Albert Christ-Janer conducted by Dorothy Seckler, March 21, 1964.

Albert Christ-Janer's research materials for his book American Hymns Old and New (1980) are found at the St Olaf College in Northfield, Minnesota, a center for the study of hymns.
Provenance:
The Albert Christ-Janer papers were donated by Virginia Christ-Janer in 1980-1981 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- Georgia  Search this
Painters -- Georgia  Search this
Art historians -- Georgia  Search this
Topic:
Art -- Study and teaching  Search this
Genre/Form:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9584bb216-26f7-46c7-9acc-dd6fe21ea117
EDAN-URL:
ead_collection:sova-aaa-chrialbe

Richard Haas papers

Creator:
Haas, Richard, 1936-  Search this
Extent:
6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Date:
1937-2012
Summary:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.
Scope and Content Note:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.

Haas's correspondence relates to commissions, exhibitions, lectures, publications, teaching, and other professional activities. Correspondents include clients, galleries, professional organizations, critics, artists, architects and others. Also found is small amount of personal correspondence. Writings and notes by Haas include artist's statements, notes, lectures, a travel diary, papers and class notes from his undergraduate and graduate student days. Writings about him are a New Museum exhibition catalog text and a student paper. Subject files relate to Haas's professional activities and interests. They document exhibitions and projects, relationships with galleries, membership and participation in various organizations, and routine business matters. Sketchbooks (17 volumes) contain drawings, sketches, and a few watercolors, along with scattered writings and notes.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1990, 2009 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1964-2008 (Box 1; 1 linear feet)

Series 3: Writings and Notes, circa 1954-2012 (Box 2; 0.8 linear feet)

Series 4: Subject Files, 1970-2011 (Boxes 2-4; 2.2 linear feet)

Series 5: Printed Material, 1956-2012 (Boxes 5-6; 1.2 linear feet)

Series 6: Artwork, 1954-2005 (Box 6; 0.1 linear feet)

Series 7: Sketchbooks, 1976-2009 (Box 6; 0.5 linear feet)

Series 8: Photographs, 1937-2006 (Box 6; 0.1 linear feet)
Biographical Note:
Richard Haas (b. 1936) is a mural painter of "architecture of illusion," his term describing the trompe l'oeil architectural subjects for which he is best known. His work as a printmaker also focuses on architecture, with iconic buildings of New York and other cities serving as subject matter. Hass is also an educator who has taught painting and printmaking at University of Minnesota, Michigan State University, Bennington College in Vermont, and School of Visual Arts in New York City.

During World War II, the Haas family moved from Spring Green, Wisconsin to Milwaukee. As a teenager, Richard spent two summers working with his great uncle, a master stone mason employed by Frank Lloyd Wright at Taliesin. He proved to be less interested in stonework than in exploring Wright's library and watching the young architects draw. He considered becoming an architect, but eventually concluded the artistic side of architecture was more attractive than the day to day work of an architect.

After graduating from the University of Wisconsin, Milwaukee (B.S., 1959), Hass worked as an art teacher in a Milwaukee high school. He attended graduate classes at University of Wisconsin, Milwaukee where visiting artist Jack Tworkov was his teacher. At the University of Minnesota (M.F.A., 1964), Haas studied with Peter Busa and Malcolm Myers. As an assistant professor at Michigan State University from 1964 to 1968, Haas's colleagues included Angelo Ippolito and Charles Pollock, and he met a number of important artists and critics who visited the campus. Haas moved to New York City in 1968 and soon accepted a part-time position teaching printmaking at Bennington College. He commuted weekly between New York and Vermont for the next decade.

During the 1960s Haas was a Color-field painter. He also continued making etchings and lithographs, and by 1970 several galleries were selling his architectural prints. His first outdoor mural, painted in the So Ho section of New York City in 1975, attracted attention and commissions followed. Mural commissions include: Boston Architectural Center (1977); Edison Bothers Store, Inc., St. Louis (1984); Home Savings of America, multiple locations in Florida and California (1990-1991); City of Huntsville, Texas (1991); Federal Building and Courthouse, Kansas City, Kansas (1994); and Yorkville Mural, New York City (2004.)

Haas, who began exhibiting while still a student, has participated in a large number of group shows and enjoyed many solo exhibitions. He was elected a National Academician, National Academy of Design, was granted a Guggenheim Fellowship, and has been a MacDowell Fellow. Among other honors, Haas has received the American Institute of Architects Medal of Honor, New York City Municipal Art Society Award, Doris C. Freedman Award for Public Art, and the Jimmy Ernst Award of the American Academy of Arts and Letters.

Mr. Haas, who works in New York City, is represented by David Findlay, Jr. Gallery. His wife, Katherine Sokolnikoff, is a sculptor and arts administrator; they live in Yonkers, New York.
Related Material:
An interview of Richard Haas conducted January 13 and March 16, 2009, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Haas' studio, in New York, N.Y.
Provenance:
Donated by Richard Haas in 2012.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Educators -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Genre/Form:
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Citation:
Richard Haas papers, 1937-2012, bulk 1970-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.haasrich
See more items in:
Richard Haas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91efc1077-30a8-4bd5-a702-b003b7c4a817
EDAN-URL:
ead_collection:sova-aaa-haasrich

Reginald Gammon papers

Creator:
Gammon, Reginald, 1921-2005  Search this
Names:
Anacostia Community Museum  Search this
Harwood Art Center (Albuquerque, N.M.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
National Afro-American Museum and Cultural Center (U.S.)  Search this
New Mexico African American Artists' Guild  Search this
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Spiral (Group of artists)  Search this
Western Michigan University -- Faculty  Search this
Andrews, Benny, 1930-2006  Search this
Bearden, Romare, 1911-1988  Search this
Browne, Vivian E., 1929-1993  Search this
Fray, Thomas  Search this
Greenberg, Joseph J., 1915-1991  Search this
King, Patrick  Search this
Lee-Smith, Hughie  Search this
Overton, Harry  Search this
Wynberg, Jonathan  Search this
Extent:
2.4 Linear feet
5.3 Gigabytes
2.4 Linear feet
5.3 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Date:
1927-2007
bulk 1960-2005
1927-2007
bulk 1960-2005
Summary:
The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.
Scope and Contents:
The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

Biographical materials include Gammon's academic records and diplomas, certificates, military records, an address book, and information about his memorial service. There is a folder on The Spiral Group which includes an exhibition catalog and photographs. There are video interviews, a conversation video, and two TV advertisements, all digital; one analog and one digital audio interview.

Approximately one-half of the collection consists of correspondence with other artists, museums, galleries and arts organizations. Correspondents include Benny Andrews, Romare Bearden, Vivian Browne, Thomas Frey, Joseph Greenberg, Harwood Art Center, Patrick King, Hughie Lee-Smith, Midtown Galleries, National Afro-American Museum & Cultural Center, New Mexico African American Artists Guild, Harvey Overton, Schomberg Center, Smithsonian Institution's Anacostia Museum, Western Michigan University, and Jonathan Wynberg, among many others.

Writings by Gammon consists of essays, a research proposal, notes, grant applications, and notebooks wherein Gammon jotted down thoughts and drafted letters.

Teaching files are related to Reginald Gammon's tenure at Western Michigan University. There are teaching certifications, lecture notes, one sound recording (sound cassette) of a lecture, student recommendations, and grade books, among other items.

Printed materials primarily consist of exhibition catalogs and announcements, including the catalog Ida Y Vuelta on Gammon's 1998 exhibition in Rodez, France. Other materials found in this series are clippings that feature Gammon and his work, periodicals, posters designed by Gammon, and source materials related to jazz. and limited subject files.

Photographic materials include prints, slides, digital photographs, and negatives depicting Reginald Gammon and his artwork, friends and family, and various studios and events.

Artwork includes pencil and ink sketches, drawings, and paint sketches. The series also contains storyboards for children's books as well as mockups for advertisements.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1936-2006 (0.2 linear feet; Box 1, 3, 5.29 GB; ER01-ER03)

Series 2: Correspondence, 1964-2005 (0.8 linear feet; Box 1-3)

Series 3: Writings and Notebooks, 1948-circa 2000 (0.1 linear feet; Box 2)

Series 4: Teaching Files, 1969-1991 (0.1 linear feet; Box 2)

Series 5: Printed Material, 1955-2005 (0.4 linear feet; Box 2, OV 4)

Series 6: Photographic Material, 1927-2007 (0.2 linear feet; Box 2-3, 0.010 GB; ER04)

Series 7: Artwork, 1937-circa 1999 (0.5 linear feet; Box 2-3)
Biographical / Historical:
Reginald A. Gammon (1921-2005) was a painter and art educator who worked in New York City, Michigan, and Albuquerque, New Mexico. He was a member of Spiral, an African American artist's collective based in New York City, as well as a member of the New Mexico Afro-American Artist Guild. He taught in the New York public schools and at Western Michigan University.

Gammon was born and raised in Philadelphia, Pennsylvania. In 1941, he received a scholarship to study art at the Philadelphia Museum College of Arts (then the Philadelphia Museum School of Industrial Arts) and the following summer worked in the Philadelphia Naval Shipyard refurbishing battleships for the war effort. While working, he also attended school at night. He was drafted and served in the Navy from 1944-1946 with an African-American unit stationed in Guam. He lived in Philadelphia briefly after the war and moved to New York City in 1948. During his early years in New York City, Gammon worked at various jobs such as sorting mail for the post office and designing advertising copy. Around this time, he first met his future wife Janice Goldberger whom he married in 1972.

In 1963, Gammon was invited to join Spiral, a group of African American artists which included Charles Alston, Romare Bearden, Alvin Hollingsworth, Norman Lewis, Richard Mayhew, and Hale Woodruff. As a member of this group, Gammon participated in the 1965 exhibition First Group Showing: Works in Black and White. Spiral disbanded later that same year. In 1969, Gammon and Benny Andrews formed the Black Emergency Cultural Coalition. This politically active group of artists picketed the Metropolitan Museum of Art and the Whitney Museum of Modern Art to protest the exclusion of black artists and curators.

Gammon also taught at the Saturday Academy Program for New York public schools. He set up an informal studio so that children from Harlem could work with resident artists. This position and a recommendation from Hughie Lee-Smith led to an offer from Western Michigan University for a visiting lectureship that turned into a full-time teaching position in which Gammon served until 1991, when he retired as Full Professor Emeritus of Fine Arts and Humanities.

After his retirement from Western Michigan University, Gammon and his wife moved to Albuquerque, New Mexico and he became involved in the New Mexico Afro-American Artist Guild and the Albuquerque United Artists, among other civic organizations. He regularly participated in exhibitions and art fairs sponsored by the Guild and served as their treasurer from 1999 until his death. He was artist-in-residence from 1992-2005 at the Harwood Art Center where he also maintained a studio.

Gammon was also one of the founding members of the New Grounds Print Workshop, where he completed his final collection of artworks - a collection of over 100 prints of historically significant gospel singers and jazz musicians. Gammon died on November 4, 2005.
Provenance:
The collection was donated in 2007 and 2008 by Reginald Gammon's widow Janice Gammon.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Mexico  Search this
Painters -- New Mexico -- Albuquerque  Search this
Educators -- New Mexico -- Albuquerque  Search this
Educators -- Michigan  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
Genre/Form:
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Citation:
Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gammreg
See more items in:
Reginald Gammon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90788f342-725f-4d47-8d83-9603f237e656
EDAN-URL:
ead_collection:sova-aaa-gammreg
Online Media:

Clippings

Collection Creator:
Casas, Mel, 1929-2014  Search this
Container:
Box OV 3, Folder 3
Type:
Archival materials
Date:
1987-1998
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Mel Casas papers
Mel Casas papers / Series 4: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9892210c7-a4e0-414f-91e1-630abb620a0b
EDAN-URL:
ead_component:sova-aaa-casamel-ref43
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Oral history interview with Aris Koutroulis

Interviewee:
Koutroulis, Aris, 1938-  Search this
Interviewer:
Crawford, James, 1944-  Search this
Extent:
4 Items (wav files, digital)
122 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1976 Jan. 10
Scope and Contents:
An interview of Aris Koutroulis conducted 1976 Jan. 10, by James Crawford, for the Archives of American Art.
Biographical / Historical:
Aris Koutroulis (1938- ) is a painter and printmaker from Detroit, Mich.
General:
Originally recorded on 2 sound tapes. Reformatted in 2010 as 4 digital wav files. Duration is 4 hrs., 18 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Michigan -- Detroit -- Interviews  Search this
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.koutro76
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fbec8112-0f5f-4674-9a36-f231c5b6bc01
EDAN-URL:
ead_collection:sova-aaa-koutro76
Online Media:

Oral history interview with Robert Broner

Interviewee:
Broner, Robert, 1922-  Search this
Interviewer:
Barrie, Dennis  Search this
Names:
Blackburn, Robert Hamilton, 1920-  Search this
Davis, Stuart, 1892-1964  Search this
Hayter, Stanley William, 1901-1988  Search this
Sarkis, 1909-1977  Search this
Weddige, Emil, 1907-  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 May 3-8
Scope and Contents:
An interview of Robert Broner conducted 1974 May 3-8, by Dennis Barrie, for the Archives of American Art. Broner speaks of growing up in Detroit; his early interest in art due to his brother's influence; attending Cass Technical High School and Wayne University; his U.S. Army service during World War II; getting his Masters' at UCLA; teaching and life at Auburn University; going to New York and working in Stanley William Hayter's studio; taking a course from Stuart Davis at the New School; Hayter and Davis as teachers; printmaking; Robert Blackburn's printing shop; his preference for printmaking over painting; returning to Detroit; the establishment of a printing press and printmaking at the Society of Arts and Crafts; becoming the art critic on the DETROIT TIMES; the development of his work; and printmaking in Michigan. He recalls Sarkis Sarkisian, Robert Blackburn, and Emil Weddige.
Biographical / Historical:
Robert Broner (1922-) is a painter and printmaker from Detroit, Michigan.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 51 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Michigan -- Detroit -- Interviews  Search this
Topic:
Prints -- Technique  Search this
Art criticism -- Michigan -- Detroit  Search this
Printmakers -- Michigan -- Detroit -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.broner74
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7cd293a-1b16-4f15-93e8-8ae90475c1d1
EDAN-URL:
ead_collection:sova-aaa-broner74
Online Media:

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