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Oral history interview with I.J. (Isaac J.) Sanger, 1981 November 17

Interviewee:
Sanger, I. J., 1899-1986  Search this
Sanger, I. J., 1899-1986  Search this
Interviewer:
Pennington, Estill Curtis  Search this
Subject:
Dow, Arthur W. (Arthur Wesley)  Search this
Heckman, Albert  Search this
Pins, Jacob  Search this
Von Groschwitz, Gustave  Search this
American Institute of Graphic Arts  Search this
Columbia University  Search this
University of Virginia  Search this
YMCA of the USA  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Maryland -- Interviews  Search this
Painting, Modern  Search this
Printmakers -- Maryland -- Interviews  Search this
Prints  Search this
Record number:
(DSI-AAA_CollID)12998
(DSI-AAA_SIRISBib)213059
AAA_collcode_sanger81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213059
Online Media:

Oral history interview with Adelyn Dohme Breeskin, 1979 June 20

Interviewee:
Breeskin, Adelyn Dohme, 1896-1986  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Interviewer:
Haifley, Julia Link  Search this
Subject:
Baltimore Museum of Art  Search this
Walters Art Gallery (Baltimore, Md.)  Search this
Type:
Sound recordings
Interviews
Topic:
Women art historians  Search this
Women museum curators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12907
(DSI-AAA_SIRISBib)212154
AAA_collcode_breesk79
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212154

Oral history interview with Herman Maril, 1980 July 14

Interviewee:
Maril, Herman, 1908-1986  Search this
Maril, Herman, 1908-1986  Search this
Interviewer:
Becker, Ronald E.  Search this
Topic:
Printmakers -- Maryland -- Baltimore -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12537
(DSI-AAA_SIRISBib)224924
AAA_collcode_maril80
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_224924

Oral history interview with I.J. (Isaac J.) Sanger

Interviewee:
Sanger, I. J. (Isaac J), 1899-1986  Search this
Interviewer:
Pennington, Estill Curtis  Search this
Names:
American Institute of Graphic Arts  Search this
Columbia University -- Students  Search this
University of Virginia -- Students  Search this
YMCA of the USA  Search this
Dow, Arthur W. (Arthur Wesley), 1857-1922  Search this
Heckman, Albert  Search this
Pins, Jacob, 1917-  Search this
Von Groschwitz, Gustave, 1906-1991  Search this
Extent:
16 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 November 17
Scope and Contents:
Interview of I.J. (Isaac) Sanger, conducted 1981 November 17, by Estill Curtis "Buck" Pennington, for the Archives of American Art, in New York, N.Y.
Sanger speaks of his first encounters with art as a child growing up in rural Virginia, and of his first industrial art classes, taken at the University of Virginia in Charlottesville while he was still attending high school in Free Union. After graduating, he received what he describes as his first real training in art while working for the carpentry shop at Columbia University in New York in the early 1920s. While attending Columbia, he found work as a furniture designer for the YMCA [Young Men's Christian Association]. Sanger also worked for his professor Albert Heckman, doing linoleum cuts for "Aesop's Fables," which Heckman was illustrating. He explains that it was Heckman who encouraged him to continue practicing print making. Until then, he had been working in oil and water color while studying "Art Structure" with Arthur Dow.
When the Depression hit in 1929, Sanger lost his position with the YMCA and worked odd jobs until Albert Heckman introduced him to Gustave von Groschwitz, who brought him on to the WPA. During the 1930s, he received widespread recognition for his work; his prints were selected by the American Institute of Graphic Arts for their "50 Prints of the Year" show in 1928 and 1929. Following his work with the WPA, Sanger served the army in World War II at Camp Kearns in Utah. He explains how he continued expanding his portfolio throughout the War, and once it was over, spent 25 years as a commercial artist. He relocated to Washington, D.C. in 1951 and became a member of the Washington Print Society while Prentiss Taylor was secretary. In D.C., he was a graphic designer for the Department of Health, Education and Welfare, but kept up his own private work, which Jacob Pins featured at the Smithsonian Castle. After formally retiring in 1966, Sanger decided to dedicate his time to travel, but adds that he still makes print making, painting, and furniture design a priority.
Biographical / Historical:
I. J. Sanger (1899-1986) was a painter and printmaker of Marlow Heights, Md.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Furniture designers -- New York (State) -- New York  Search this
Topic:
Painters -- Maryland -- Interviews  Search this
Painting, Modern  Search this
Printmakers -- Maryland -- Interviews  Search this
Prints  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sanger81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanger81
Online Media:

Oral history interview with Herman Maril

Interviewee:
Maril, Herman  Search this
Interviewer:
Becker, Ronald E.  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1980 July 14
Scope and Contents:
An interview of Herman Maril conducted 1980 July 14, by Maril's nephew, Ronald E. Becker, for the Archives of American Art.
Biographical / Historical:
Herman Maril (1908-1986) was a painter and printmaker from Baltimore, Md.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 1 digital wav file. Duration is 46 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- Maryland -- Baltimore -- Interviews  Search this
Topic:
Printmakers -- Maryland -- Baltimore -- Interviews  Search this
Identifier:
AAA.maril80
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-maril80
Online Media:

Oral history interview with Jane Hammond

Interviewee:
Hammond, Jane, 1950-  Search this
Interviewer:
Richards, Judith Olch  Search this
Extent:
9 Items (Sound recording, master: 9 sound files (8 hr., 21 min.), digital, wav)
234 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2012 Apr. 3-May 24
Scope and Contents:
Interview of Jane Hammond, conducted by Judith Olch Richards for the Archives of American Art, Smithsonian Institution, at Hammond's home and studio in New York, NY, from April 3 - May 24, 2012.
Hammond speaks of her family and her parents' families, including her maternal grandmother; attending college at Mount Holyoke; going to graduate school at Arizona State University and the University of Wisconsin; the influence of Eva Hesse on her early work; the influence of artists from California on Hammond's circle of artists in Madison, WI; moving to Nantucket to build a house for her parents; moving to New York; finding the loft that became her home and studio for 23 years; teaching at the Maryland Institute College of Art; the influence of Post-Minimalism and Conceptualism on her work; her first exhibition at Exit Art; beginning to make prints; the concepts and construction behind selected bodies of work, including the Untitleds, her collaboration with John Ashbery, Shanghai Costumes, the "rebus" works, the "butterfly maps", Fallen, and the Dazzle paintings; collecting vernacular photographs; the use of photography in her work; the influence of systems, recombination, the internet, and computers in her work; the influence of September 11th and the Iraq War on her work; her relationships with galleries; and how she organizes her studio and records; and her contemporary network of friends and collaborators. Hammond also recalls Craig McNeer, Judy Pfaff, Leonard DeLonga, John Ashbery, Nina Freudenheim, Roberta Lieberman, John Yau, Robert Creeley, Jane Rosen, Jose Freire, Vanessa Viola, Shelley Monder, Bill Goldston, Sebastian Junger, Wynn Kramarsky, Glenn Fuhrmann, Bud Shark, Michelle Zatta, Kathy Grove, Jean Frémon, Peter Cohen, and others.
Biographical / Historical:
Jane Hammond (1950- ) is a painter and printmaker in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Women painters -- New York (State) -- New York -- Interviews  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hammon12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hammon12
Online Media:

Oral history interview with Adelyn Dohme Breeskin

Interviewee:
Breeskin, Adelyn Dohme, 1896-1986  Search this
Interviewer:
Haifley, Julia Link  Search this
Names:
Baltimore Museum of Art  Search this
Walters Art Gallery (Baltimore, Md.)  Search this
Extent:
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1979 June 20
Scope and Contents:
An interview of Adelyn Breeskin conducted 1979 June 20, by Julie Haifley, for the Archives of American Art.
Breeskin speaks of her childhood and growing up in Baltimore; attending Bryn Mawr College and Radcliffe; her art work; the influence of Katherine B. Child; the Stuart Club; travel abroad; the Baltimore Museum of Art and the Walters Art Gallery; prints and printmaking; teaching; the Garrett Collection of prints; and published writings on Mary Cassatt.
Biographical / Historical:
Adelyn Dohme Breeskin (1896-1986) was an art historian and curator from Baltimore, Maryland. and Washington, D.C.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 30 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art historians -- Maryland -- Baltimore  Search this
Art museum curators -- Maryland -- Baltimore  Search this
Art museum directors -- Maryland -- Baltimore  Search this
Topic:
Women art historians  Search this
Women museum curators  Search this
Function:
Art museums -- Maryland -- Baltimore
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.breesk79
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-breesk79
Online Media:

Oral history interview with Miriam Beerman

Interviewee:
Beerman, Miriam  Search this
Interviewer:
Berman, Anne Louise, 1975-2016  Search this
Extent:
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 December 28
Scope and Contents:
An interview of Miriam Beerman conducted 2009 December 28, by Anne Louise (Bayly) Berman, for the Archives of American Art, at Beerman's home, in Silver Spring, Maryland.
Biographical / Historical:
Miriam Beerman (1923- ) is a painter and printmaker in Silver Spring, Maryland.
General:
Originally recorded as 2 WAV files. Duration is 1 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.beerma09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beerma09
Online Media:

Oral history interview with Herman Maril

Interviewee:
Maril, Herman  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Cummington School of the Arts -- Faculty  Search this
King-Smith Playhouse and School of Theatre Arts (Washington, D.C.) -- Faculty  Search this
Maryland Institute, College of Art -- Students  Search this
Philadelphia Museum of Art -- Faculty  Search this
Washington Workshop Center for the Arts -- Faculty  Search this
Argento, Mino, 1927-  Search this
Cheney, Sheldon, 1886-  Search this
Cézanne, Paul, 1839-1906  Search this
De Kooning, Willem, 1904-1997  Search this
Dows, Olin, 1904-1981  Search this
Giotto, 1266?-1337  Search this
Gross, Chaim, 1904-1991  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kline, Franz, 1910-1962  Search this
Matisse, Henri, 1869-1954  Search this
O'Hara, Eliot, 1890-1969  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Extent:
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 September 5
Scope and Contents:
An interview of Herman Maril conducted 1965 September 5, by Dorothy Seckler, for the Archives of American Art.
Maril speaks of growing up in Baltimore, Maryland.; attending the Maryland Institute of Fine Arts; visiting museums in the Washington, D.C. area; exhibiting his paintings in Washington, D.C. galleries and New York City galleries; working for the Treasury Art Project; surviving the Great Depression; teaching at the Cummington School of Art in Cummington, Massachusetts; serving in the Army Air Corps during WWII; painting murals with the Public Buildings Administration; teaching at the King-Smith School, the Washington Workshop of the Arts, the Philadelphia Museum of Art, and the University of Maryland; living in Provincetown; painting and his influences; being interviewed for books and a short film. Maril also recalls Roger Frye, Paul Cézanne, Henry Roben, Charles Walther, Franklin Delano Roosevelt, Edward Rowan, Eleanor Roosevelt, Chaim Gross, Henri Matisse, Piero della Francesca, Mino Argento, Olin Dows, Giotto di Bondone, Georges Henri Rouault, Wassily Kandinksy, Charles Walthrop, Franz Kline, Willem de Kooning, Eliot O'Hara, Sheldon Cheney, Florence Watson, Jacques Lipchitz, Mason F. Lord, and others.
Biographical / Historical:
Herman Maril (1908-1986) was a painter and printmaker from Baltimore, Maryland.
General:
Originally recorded on 1 sound tape. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Maryland -- Baltimore  Search this
Printmakers -- Maryland -- Baltimore  Search this
Topic:
Depressions -- 1929  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.maril65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-maril65
Online Media:

Oral history interview with Miriam Beerman, 2009 December 28

Interviewee:
Beerman, Miriam, 1923-  Search this
Beerman, Miriam, 1923-  Search this
Interviewer:
Bayly, Anne Louise, 1975-2016  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15781
(DSI-AAA_SIRISBib)287762
AAA_collcode_beerma09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287762
Online Media:

Miriam Beerman papers, circa 1930-2006

Creator:
Beerman, Miriam, 1923-  Search this
Beerman, Miriam, 1923-  Search this
Type:
Video recordings
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Lives of American Artists  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13355
(DSI-AAA_SIRISBib)252362
AAA_collcode_beermiri
Theme:
Lives of American Artists
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_252362
Online Media:

Miriam Beerman papers

Creator:
Beerman, Miriam  Search this
Extent:
2.3 Linear feet
2.34 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Date:
circa 1930-2006
Summary:
The papers of printmaker and painter Miriam Beerman measure 2.3 linear feet and 2.34 GB and date from circa 1930 to 2006. Found are scattered biographical materials including artwork and a video recording, correspondence, writings including digitial video recordings, and printed material.
Scope and Contents:
The papers of printmaker and painter Miriam Beerman measure 2.3 linear feet and 2.34 GB and date from circa 1930 to 2006. Found are scattered biographical materials including artwork and a video recording, correspondence, writings including digitial video recordings, and printed material.

Biographical materials include Beerman's artist statements and curriculum vitae, scattered personal business records, artworks, and a video recording titled Miriam Beerman: Drawings, Prints, Collage.

Correspondence includes professional and personal letters including Beerman's letters to her parents when she was a student in Paris, France.

Writings by Beerman include two digital video recordings of artist books: Three Sentences Beginning with the Letter S [featuring poems by Halvard Johnson and others], 2006, and Washing the Corpse [poem by Rainer Maria Rilke], 2006, narrated by Beerman.
Arrangement:
The collection is arranged as 4 series.

Series 1: Biographical Material, circa 1930-2006 (0.7 linear feet; Boxes 1, 3)

Series 2: Correspondence, 1945-2005 (0.8 linear feet; Boxes 1-2)

Series 3: Writings and Notes, 1949-2006 (0.3 linear feet; Box 2, 2.34 GB; ER01-ER02)

Series 4: Printed Material, 1956-2005 (0.5 linear feet; Box 2)
Biographical / Historical:
Miriam Beerman (1923- ) is a painter and printmaker in Upper Montclair, New Jersey.

Beerman was born in Providence, Rhode Island and earned a Bachelor of Fine Arts degree from the Rhode Island School of Design. She continued her studies with Yasuo Kuniyoshi at the Art Students League and with Adja Yunkers at the New School for Social Research.

In 1972, Beerman's exhibition The Enduring Beast, based on a book of poems that she edited and illustrated, was the first one-woman show ever presented by the Brooklyn Museum. Since that time Beerman has taken part in numerous solo and group exhibitions over the last 50 years and is represented in the permanent collections of the Metropolitan Museum of Art, the Corcoran Gallery of Art, and the National Museum of Women in the Arts.
Related Materials:
The Archives of American Art also holds an interview of Miriam Beerman conducted 2009 December 28, by Anne Louise (Bayly) Berman, at Beerman's home, in Silver Spring, Maryland.
Provenance:
Miriam Beerman donated her papers in several installments from 2005 to 2009. Additional materials were donated by Beerman's son, William Jaffe in 2015.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
All works of art and images of works of art: The donor retains all intellectual property rights, including copyright, that they may own.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Video recordings
Citation:
Miriam Beerman papers, circa 1930-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beermiri
See more items in:
Miriam Beerman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beermiri

Jacob Kainen papers

Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Names:
Addison Gallery of American Art  Search this
Australian National Gallery  Search this
Baltimore Museum of Art  Search this
British Museum  Search this
Brooklyn Museum  Search this
Corcoran Gallery of Art  Search this
Corcoran School of Art (Washington, D.C.)  Search this
Middendorf Gallery  Search this
National Gallery of Art (U.S.)  Search this
Smithsonian American Art Museum  Search this
Acton, David, 1953-  Search this
Agee, William C.  Search this
Berman, Avis  Search this
Broun, Elizabeth  Search this
Butler, Bryce  Search this
Cole, Phoebe  Search this
Fine, Ruth, 1941-  Search this
Fort Wayne Museum of Art  Search this
Frohlich, Newton, 1936-  Search this
Gilkey, Gordon  Search this
Gorky, Arshile, 1904-1948  Search this
Halasz, Piri  Search this
Harrison, Carol  Search this
Holden, Donald  Search this
Holladay, Wilhelmina Cole, 1922-  Search this
Hopps, Walter  Search this
Jackson, John Baptist, 1701-1780?  Search this
Jordon, Jim  Search this
Kalonyme, Louis  Search this
Lunn, Harry, 1933-1998  Search this
Morse, Peter  Search this
Nordland, Gerald  Search this
O'Connor, Francis V.  Search this
Pollack, Jerome  Search this
Powell, Richard J., 1953-  Search this
Purcell, Ann  Search this
Rand, Harry  Search this
Reynolds, Jock  Search this
Ries, Martin, 1926-  Search this
Solman, Joseph, 1909-2008  Search this
Steinberg, Leo  Search this
Taylor, Joshua Charles, 1917-  Search this
Taylor, Prentiss, 1907-1991  Search this
Tejera, V. ((Victorino))  Search this
Thornton, Valerie  Search this
Weber, Joanne  Search this
Extent:
33.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Transcripts
Videotapes
Visitors' books
Lectures
Prints
Greeting cards
Interviews
Scrapbooks
Date:
1905-2009
bulk 1940-2001
Summary:
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.
Scope and Content Note:
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diary and journal entries, calendars, inventories, interview and "dialog" transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

Biographical materials include items concerning Kainen's career as a curator and artist, in addition to a useful bibliography, detailed biographical outline, and a copy of an FBI report compiled on him. Also included are five videocassette recordings of Kainen.

Alphabetical correspondence/subject files comprise the bulk of the collection and include both Jacob's and Ruth's correspondence with family, friends, colleagues, artists, art critics, curators, museums, arts organizations, galleries, and many others. There is a significant amount of correspondence with David Acton, the Addison Gallery of Art and Jock Reynolds, William Agee, Australian National Gallery, Baltimore Museum of Art, Avis Berman, the British Museum, Brooklyn Museum, Elizabeth Broun and the Smithsonian American Art Museum, Bryce Butler, Pheobe Cole, the Corcoran Gallery and School of Art, Richard Field, Ruth Fine, Fort Wayne Museum of Art, Newton Frohlich, Gordon Gilkey and the Pacific Northwest College of Art, Arshile Gorky, Piri Halesz, Carol Harrison, Donald Holden, Wilhelmina Holladay, John Baptist Jackson, Jim Jordon, Lou Kantor, Harry Lunn Jr., Middendorf Gallery, National Gallery of Art, Peter Morse, Gerald Nordland, Francis O'Connor, Jerome Pollack, Richard Powell, Ann Purcell, Harry Rand, Martin Ries, Joseph Solman, Leo Steinberg, Prentiss Taylor, Victorino Tejera, Valerie Thornton, Joanne Weber, and numerous family members.

Writings are by and about Jacob Kainen. Kainen's writings include articles, lectures, exhibition catalog essays, notes, travel notebooks, short stories, poems, and written statements about his artistic motivations and justifications. There are writings about Kainen by Avis Berman, Ruth Cole Kainen, and others. The bulk of the numerous diary entries are from Ruth Cole Kainen's diaries, many of which concern Jacob and their family. There are also annotated and revised diary entries. There is one folder of diary entries and one folder of journal entries by Jacob Kainen and two dismantled journal-like notebooks. The papers include daily calendars and travel itineraries from 1972 through 2001.

The papers include transcripts of formal interviews and informal conversations with Jacob Kainen. Transcripts are of informal dinner, telephone, and general conversations between friends, colleagues, artists, and Ruth Cole Kainen. Included are conversations with Avis Berman, Walter Hopps, Harry Rand, Joshua Taylor, and several others. Many of these transcripts were also annnotated by Jacob and Ruth Kainen. Also found are numerous transcripts of more formal interviews with Kainen by art historians, art critics, and students.

There are inventories, appraisals, and lists of sold and not sold paintings, as well as color photographs of some of Kainen's works of art. Also found are inventories of the Kainens' art collection. Printed materials include Kainen's exhibition catalogs and announcements, clippings of articles by and about Jacob Kainen, and an exhibition guestbook.

Photographs are of Kainen with his family and friends, at exhibition openings, and working in his studios. Works of art by others includes handmade greeting cards, limited edition prints, and portfolios given to Jacob Kainen. Nine scrapbooks containing news clippings and exhibition publications document the entirety of Kainen's career as an artist.
Arrangement:
The Jacob Kainen papers are arranged into 11 series.

Series 1: Biographical Material, 1938-2001 (Boxes 1, 32; 0.8 linear feet)

Series 2: Correspondence/Subject Files, 1936-2003 (Boxes 1-12, 32-33; 11.8 linear feet)

Series 3: Writings, circa 1920s-2002 (Boxes 12-13, 33; 1.6 linear feet)

Series 4: Diaries, circa 1952-2002 (Boxes 13-18, 33-38; 10.0 linear feet)

Series 5: Calendars, 1953-2008 (Boxes 18-20, 38; 1.7 linear feet)

Series 6: Transcripts, circa 1975-1994 (Boxes 20-21, 38; 1.4 linear feet)

Series 7: Inventories, 1927-2001 (Boxes 21-22; 1.0 linear feet)

Series 8: Printed Material, 1938-2003 (Box 22, 38, OV 31; 0.6 linear feet)

Series 9: Photographs, 1905-2000 (Boxes 22-25, 38, OV 31; 3.3 linear feet)

Series 10: Works of Art by Others, 1942-2000 (Boxes 25-26, OV 31; 1.2 linear foot)

Series 11: Scrapbooks, 1936-1998 (Boxes 27-30, 38; 1.3 linear feet)
Biographical Note:
Jacob Kainen (1909-2001) was a painter, printmaker, and curator who worked primarily in Washington, D.C.

Born on December 7, 1909 in Waterbury, Connecticut, Jacob Kainen moved with his family to New York City in 1918. Kainen studied at the Pratt Institute in Brooklyn from 1927 until 1930, and at the Art Student's League. In the early 1930s, Kainen became involved in social causes and formed close friendships with the early abstractionists, including John Graham, Arshile Gorky, and Stuart Davis. He joined the Artists' Union and a contributor to its journal, Art Front, along with Stuart Davis and Harold Rosenberg. Jacob's participation in the Artists' Union was later investigated by the FBI.

From 1935 until 1942, Kainen worked for the Graphic Arts Division of the Works Progress Administration in New York City and began exhibiting with the New York School. It was during this period that he married Bertha Friedman. Jacob and Bertha had two sons together, Dan and Paul, and divorced in 1968.

In 1942, Kainen made a life-changing decision to leave New York City and move to Washington, D.C. to accept what he thought would be a temporary position as a scientific aide in the Division of Graphic Arts at the Smithsonian Institution. Kainen quickly became Assistant Curator and Curator in 1946. He served as Curator for twenty years, completely reshaping the department and building the graphic arts collection. His print exhibitions brought the work of S.W. Hayter, Josef Albers, Adja Yunkers, Louis Lozowick, Karl Schrag, José Guerrero, Louis Schanker, Werner Drewes, and Boris Margo to Washington audiences - graphic work that might not have been shown that early in the area.

1947 marked the opening of the Washington Workshop Center for the Arts, where Kainen served as a teacher and guide to several important artists, helping to make the workshop a magnet for new talent and instrumental in furthering the careers of several artists. Although Kainen taught Gene Davis and Alma Thomas and introduced Morris Louis to Leon Berkowitz, he never considered himself a member of the "Washington Color School."

In 1949, the Corcoran Gallery of Art held a retrospective of Kainen's prints and three years later Kenneth Noland organized Kainen's first painting retrospective at Catholic University. Kainen's paintings from the 1940s illustrated a shift away from social realism toward abstract expressionism. In 1956, Jacob Kainen received a grant from the American Philosophical society to conduct research in Europe for his monograph on the English woodcut artist, John Baptist Jackson. He traveled to Europe again in 1962 to study paintings and prints from the Mannerist Period.

From 1966 until 1970, Kainen worked as the Curator of prints and drawings at the National Collection of Fine Arts (now the Smithsonian American Art Museum). He married Ruth Cole in February of 1969. Kainen retired from the Smithsonian a year later to devote himself full-time to his art, but continued to serve as a special consultant to the Smithsonian American Art Museum for nineteen years. In 1971 and 1972, Kainen taught painting and the history of printmaking at the University of Maryland. A retrospective of Kainen's paintings was held in 1993 at the National Museum of American Art (SAAM).

Throughout his artistic career, Kainen experimented with different mediums and explored different styles, yet he identified himself as a painter. Jacob Kainen participated in at least twenty-five one man shows and several group exhibitions. His works are in collections across the United States and abroad, including the National Gallery of Art, the Metropolitan Museum of Art, the Art Institute of Chicago, and the British Museum. He worked in his studio up until the time of his death on March 19, 2001 at his home in Chevy Chase, Maryland.
Related Material:
Found among the holdings of the Archives of American Art is an oral history interview of Jacob Kainen conducted by Avis Berman in 1982 for the Archives' "Mark Rothko and His Times" oral history project. Also found are microfilm copies of Bertha Kainen's correspondence with Avis Berman regarding Berman's essay about Jacob Kainen.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 565, 2147-2149, and 2200) including correspondence, writings by Kainen, and papers relating to the Smithsonian Institution Loyalty Board's investigation of Jacob Kainen from 1942-1954. Most, but not all, of the loaned materials were included in later gifts. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Jacob and Ruth Kainen first lent the Archives of American Art material for microfilming from 1973-1981, the bulk of which was included in the later gifts. Papers were then donated in multiple accretions between 1981-2007 by Jacob and Ruth Kainen, and in 2009 from the estate of Ruth Kainen via executor Teresa Covacevich Grana. Also in 2003, eight photographs of Jacob and Ruth Kainen were transferred from the National Portrait Gallery to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Curators -- Washington (D.C.)  Search this
Art teachers -- Washington (D.C.)  Search this
Topic:
Painting, Modern -- Washington (D.C.)  Search this
Painting, Abstract -- Washington (D.C.)  Search this
Artists' studios -- Photographs  Search this
Art -- Collectors and collecting -- Washington (D.C.)  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Diaries
Transcripts
Videotapes
Visitors' books
Lectures
Prints
Greeting cards
Interviews
Scrapbooks
Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kainjaco
See more items in:
Jacob Kainen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kainjaco
Online Media:

George Tooker papers

Creator:
Tooker, George, 1920-2011  Search this
Names:
Bachinski, Walter  Search this
Bishop, Isabel, 1902-1988  Search this
Cadmus, Paul, 1904-1999  Search this
Christopher, William R, 1924-1973  Search this
Dix, Otto, 1891-1969  Search this
French, Jared, 1905-1988  Search this
French, Margaret  Search this
Ginzburg, Ralph  Search this
Gonzalez, Xavier, 1898-1993  Search this
Isaacson, Robert  Search this
Kirstein, Fidelma  Search this
Kirstein, Lincoln, 1907-  Search this
Laning, Edward, 1906-1981  Search this
Lynes, George Platt, 1907-1955  Search this
Nordness, Lee  Search this
Perlin, Bernard, 1918-  Search this
Peterson, Joan, 1933-  Search this
Stamos, Theodoros, 1922-1997  Search this
Wescott, Glenway, 1901-  Search this
Wheeler, Monroe, 1899-  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Scrapbooks
Date:
circa 1851-2010
Summary:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.
Scope and Contents:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.

Biographical material consists of membership and travel documents, writings on and by Tooker on his circle, an address book, resume, and papers regarding Tooker's education. Also included are biographical material related to Tooker's partner William Christopher who passed in 1973. A 1978 interview with Vermont Public radio on two sound reels is also featured.

Correspondence is with friends, colleagues, and organizations. Correspondents include Isabel Bishop, Paul Cadmus, Walter Bachinski, William Christopher, Otto Dix, Jared and Margaret French, Ralph Ginzburg, Xavier Gonzalez, Robert Isaacson, Edward Laning, Lincoln Kirstein, Lee Nordness, Bernard Perlin, Joan Peterson, Theodore Stamos, Bridget Tichenor, and others. Also included are family correspondence and correspondence regarding the Estate of William Christopher.

Project files document Tooker's commissions including the set and costume design for Gian-Carlo Menotti's opera The Saint of Bleecker Street and Tooker's participation in the selection of candidates for the Vestris Prize for Choreography. Files contain correspondence, business documents, printed ephemera, sketches, photographs, three volumes of vocal scores, and textile samples.

Gallery records include business correspondence and consignments with various key galleries in Tooker's career spanning the 1960s to the end of his career including D.C. Moore Gallery, Marisa Del Re Gallery, and Durlacher Bros..

Exhibition records include documents regarding the organization of several select exhibitions in Tooker's career incuding an early retrospective at the Fine Arts Museums of San Francisco (1974) and a later traveling retrospective from 2008-2009.

Printed material consists of invitations, press releases, news clippings and exhibition catalogs documenting the careers of both George Tooker and William Christopher.

Artwork includes numerous sketchbooks, loose drawings, and sketches from Tooker's studies at the Art Students' League in the mid 1940s, in addition to an early ex-libris print created by Tooker in his youth. Also included is a sketchbook by William Christopher, as well as a study for the work The Subway, in the collection of the Whitney Museum of American Art.

Photographic materials depict Tooker's family life as well as his early artistic collaborations depicted in a number of black and white photographs taken by George Platt Lynes and PaJaMa in the mid to late 1940s. A majority of the photographs depict artists and friends, among them: George Tooker and his companion William Christopher, Paul Cadmus, Jared and Margaret French, Lincoln and Fidelma Kirstein, Glenway Wescott, Monroe Wheeler, and Bridget Tichenor. Other photographs are of Tooker building his home, gardening, and working in his studio in Hartland, Vermont. Also included are installation views from the exhibition Painting in the United States (1949) at the Carnegie Institute in Pennsylvania. There are also a fair amount of photographs, transparencies, slides and negatives documenting artwork from both the studios of George Tooker and his late partner William Christopher.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, circa 1920-2005 (0.7 linear feet; Boxes 1, 5)

Series 2: Correspondence, circa 1932-2010 (1.2 linear feet; Boxes 1-2, Oversize 7)

Series 3: Project Files, circa 1935-1968 (0.3 linear feet; Boxes 2-3, 6)

Series 4: Gallery Records, circa 1960-2009 (0.3 linear feet; Box 3)

Series 5: Exhibition Files, circa 1967-2009 (0.3 linear feet; Boxes 1, 3)

Series 6: Printed Material, circa 1851-2010 (0.5 linear feet; Boxes 3, 5)

Series 7: Artwork and Sketchbook, circa 1932-2009 (0.7 linear feet; Boxes 3, 5, 8)

Series 8: Photographs, circa 1900-2010 (1.1 linear feet; Boxes 4-5, 8)
Biographical / Historical:
George Tooker (1920-2011) was a painter based in Hartland, Vermont and New York, New York. Tooker was born in Brooklyn, New York on August 5, 1920 to George Clair Tooker and Angela Montejo Roura. He graduated from preparatory school at Phillips Academy, Andover in 1938 and received a Bachelor of Arts in English from Harvard University in 1942. Tooker studied drawing and painting under Reginald Marsh, Kenneth Hayes Miller, and Harry Sternberg at the Art Students' League from circa 1944 to 1945.

Tooker became acquainted with American painter Paul Cadmus while studying at the Art Students' League. Cadmus introduced Tooker to a circle of artists and writers living and working in New York and Europe in the mid to late 1940s that included George Platt Lynes, Jared and Margaret French, Monroe Wheeler, Glenway Westcott, and Lincoln and Fidelma Kirstein. He lived and worked with his partner and fellow artist William Christopher in New York City and later Hartland, VT.

In 1953, Tooker was commissioned by writer and philanthropist Lincoln Kirstein to design the sets and costumes for The Saint of Bleecker Street, an opera by Gian-Carlo Menotti. In 1966, the Wasemquia Charitable Trust sponsored the Vestris Prize for Choreography in cooperation with the Boston Ballet Company and Tooker was invited by trustee Henry H. Crapo to participate on the Committee of Judges for the Vestris Prize. In 1968, NASA commissioned Tooker to produce drawings and one painting documenting the development of spacecraft at the Goddard Space Flight Center located in Greenbelt, Maryland.

Tooker's paintings are found in numerous art museums and galleries including the Whitney Museum of Art, Metropolitan Museum of Art, Museum of Modern Art, DC Moore Gallery, Robert Isaacson Gallery, and the Venice Biennale. In 1968, Tooker's paintings were featured in the art magazine, Avant-Garde.
Related Materials:
Available in the Archives of American Art is an oral history interview with George Tooker conducted in 1966 by Grace G. Alexander for radio station WNYC, New York City.

Materials related to the George Tooker papers can be found the William Christopher papers at the Archives of American Art.
Provenance:
George Tooker donated his papers to the Archives of American Art in 1973. A subsequent addition was donated in 2018 by Aaron Watkins, the executor to George Tooker's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Vermont  Search this
Printmakers -- Vermont  Search this
Genre/Form:
Sketchbooks
Drawings
Scrapbooks
Citation:
George Tooker papers, circa 1851-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tookgeor
See more items in:
George Tooker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tookgeor

Lowell Nesbitt papers

Creator:
Nesbitt, Lowell, 1933-1993  Search this
Names:
Indiana, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Mitchell, Jack, 1925-  Search this
Warhol, Andy, 1928- -- Photographs  Search this
Extent:
50.2 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Drawings
Scrapbooks
Video recordings
Paintings
Sound recordings
Photographs
Designs
Collages
Prints
Date:
circa 1903-1993
bulk 1950-1993
Summary:
The papers of painter, photographer and sculptor Lowell Nesbitt measure 50.2 linear feet and 0.001 GB and date from circa 1903-1993 (bulk 1950-1993). The collection documents Nesbitt's career through biographical material, correspondence, subject files, business and financial records, source material, artwork, photographs and audiovisual records, printed material and scrapbooks.
Scope and Contents note:
The papers of painter, photographer and sculptor Lowell Nesbitt measure 50.2 linear feet and 0.001 GB and date from circa 1903-1993 (bulk 1950-1993). The collection documents Nesbitt's career through biographical material, correspondence, subject files, business and financial records, source material, artwork, printed and digital matter, photographs and audiovisual records and scrapbooks.

Biographical Material includes documentation of Nesbitt's education and other personal documents. Plans and designs for Nesbitt's properties on West Twelfth Street, New York City and Kent, New York are arranged in the series for architectural records for homes and studios

Correspondence and Subject Files are voluminous and record Nesbitt's interaction with individuals, businesses and organizations and includes personal and family correspondence in addition to correspondence relating to galleries, exhibitions, commissions he undertook and committees on which he served.

Artwork by Nesbitt includes a small collection of collages, drawings, paintings, prints and sketchbooks. Source material comprises approximately 11 linear feet of material, primarily newspaper and magazine clippings and photographs, relating to a large variety of subjects that inspired Nesbitt, such as flowers, fruits and vegetables, dogs and other animals and the studios of other artists including Robert Indiana, Jasper Johns and Andy Warhol.

Photographs are of Nesbitt, his friends, family, colleagues and his pets, as well as subjects of interest to him in his work. Also of note are twenty-seven folders of photographs taken by photographer Jack Mitchell of Nesbitt and others.

Printed Material contains publicity material and documents exhibitions of Nesbitt's work. Additional photographs and printed material are found in the Scrapbooks.
Arrangement note:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1932-1988 (Boxes 1, 40, OV 58; 1.0 linear ft.)

Series 2: Architectural Records for Homes and Studios, 1977-1992 (Boxes 1-2, 40; 1.0 linear ft.)

Series 3: Notes and Writings, 1981-1990 (Boxes 2-3; 1.0 linear ft.)

Series 4: Calendars and Addressess, 1973-1993 (Boxes 3-5; 1.25 linear ft.)

Series 5: Correspondence and Subject Files, 1940-circa 1990s (Boxes 5-12, 40, OV 51; 8.0 linear feet, ER01; 0.001 GB)

Series 6: Business and Financial Records, circa 1910-1993 (Boxes 12-14; 2.0 linear ft.)

Series 7: Artwork, circa 1948-1989 (Boxes 15-16, 41-42, OVs 52, 55; 2.0 linear ft.)

Series 8: Source Material, 1965-circa 1990s (Boxes 16-26, 43-45, OV 53; 12.0 linear ft.)

Series 9: Photographs and Audiovisual Records, 1965-circa 1990s (Boxes 16-26, 43-46, OV 53, FC 76-78; 12.3 linear ft.)

Series 10: Printed Material, circa 1960s-circa 1990s (Boxes 37-39, 45, OVs 48-50, 54, 56, 60, 79; 3.05 linear feet

Series 11: Scrapbooks, 1964-1992 (Boxes 61-75; 6.6 linear feet)
Biographical/Historical note:
Painter, photographer, and sculptor Lowell Nesbitt worked primarily in New York City.

Lowell Nesbitt was born in Baltimore, Maryland, in 1933. In college he studied stained glass and printmaking, graduating from the Tyler School of Art at Temple University in Philadelphia in 1955 and attending the Royal College of Art in London from 1955 to 1956.

After serving for several years in the United States Army in the mid 1950s, Nesbitt received his first exhibition at the Baltimore Museum of Art in 1958. By 1963 he had moved to New York City and by the 1970s had emerged as one of the most well known artists in the United States. Nesbitt was frequently grouped with the photo realists and was best known for more than four hundred works he created with the flower as his central theme. In addition to flowers, Nesbitt's subjects included studio interiors, dogs, fruits and vegetables, bridges and buildings in New York, and male nudes. He began experimenting with printmaking in the 1960s and produced more than a hundred original prints in the course of his lifetime, primarily in the medium of dry point engraving. In 1963 he began a series of x-ray inspired paintings and was credited with being the first artist to produce a body of work of this kind. During the same period he began a long-standing relationship with the Howard Wise Gallery in New York, a space known for it's devotion to art and new technology.

In 1969 and 1970 the National Aeronautics and Space Administration named Nesbitt the official artist of the Apollo 9 and Apollo 13 missions. In 1980 the United States Postal Service released a series of four postage stamps based on his floral paintings.

Following a major one-man show at the Corcoran Gallery in Washington, DC in 1964, Nesbitt's work was exhibitied widely in Europe and the United States. In New York City he was represented by the Stable Gallery, the Robert Stefanotti Gallery and the Andrew Crispo Gallery. In the late 1960s and early 1970s Nesbitt taught at Towson State and Morgan State Colleges in Maryland, and the School of Visual Arts in New York.

Nesbitt was active in the National Multiple Sclerosis Society from the early 1980s until his death, serving as co-chairman on the Society's annual juried Project Rembrandt exhibition for artists with multiple sclerosis. He was also actively involved in fundraising for artists with HIV/AIDS.

Nesbitt's work is represented in many major museum collections including the Art Institute of Chicago, Baltimore Museum of Art, Bibliotheque Nationale (Paris), Corcoran Gallery, Detroit Institute of Art, Hirshhorn Museum, Museum of Modern Art, and the National Gallery.

Lowell Nesbitt died in 1993 at the age of 59.
Provenance:
A portion of the papers were donated by Lowell Nesbitt in 1984 and the bulk of the papers were a bequest from Nesbitt's estate in 1994.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Sketchbooks
Drawings
Scrapbooks
Video recordings
Paintings
Sound recordings
Photographs
Designs
Collages
Prints
Citation:
Lowell Nesbitt papers, circa 1903-1993 (bulk 1950-1993). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nesblowe
See more items in:
Lowell Nesbitt papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nesblowe

Oral history interview with Jane Hammond, 2012 Apr. 3-May 24

Interviewee:
Hammond, Jane, 1950-  Search this
Hammond, Jane, 1950-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Women painters -- New York (State) -- New York -- Interviews  Search this
Women printmakers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16050
(DSI-AAA_SIRISBib)310184
AAA_collcode_hammon12
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_310184
Online Media:

Oral history interview with Herman Maril, 1965 September 5

Interviewee:
Maril, Herman, 1908-1986  Search this
Maril, Herman, 1908-1986  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Argento, Mino  Search this
Cézanne, Paul  Search this
Cheney, Sheldon  Search this
De Kooning, Willem  Search this
Dows, Olin  Search this
Giotto  Search this
Gross, Chaim  Search this
Kandinsky, Wassily  Search this
Kline, Franz  Search this
Matisse, Henri  Search this
O'Hara, Eliot  Search this
Roosevelt, Eleanor  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Cummington School of the Arts  Search this
King-Smith Playhouse and School of Theatre Arts (Washington, D.C.)  Search this
Maryland Institute, College of Art  Search this
Philadelphia Museum of Art  Search this
Washington Workshop Center for the Arts  Search this
Type:
Sound recordings
Interviews
Topic:
Depressions -- 1929  Search this
Record number:
(DSI-AAA_CollID)11701
(DSI-AAA_SIRISBib)214124
AAA_collcode_maril65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214124
Online Media:

Oral history interview with Herman Maril, 1971 July 21

Interviewee:
Maril, Herman, 1908-1986  Search this
Maril, Herman, 1908-1986  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Printmakers -- Maryland -- Baltimore -- Interviews  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)13183
(DSI-AAA_SIRISBib)212935
AAA_collcode_maril71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212935

Josef Albers papers, 1929-1970

Creator:
Albers, Josef, 1888-1976  Search this
Albers, Josef, 1888-1976  Search this
Subject:
Leake, Eugene  Search this
Tyler, Kenneth E.  Search this
Arp, Jean  Search this
Albers, Anni  Search this
Baltimore Museum of Art  Search this
Maryland Institute, College of Art  Search this
Type:
Photographs
Sound recordings
Transcripts
Poems
Interviews
Topic:
Art -- Study and teaching  Search this
Art -- Philosophy  Search this
Printmakers  Search this
Theme:
Art Movements and Schools  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)5803
(DSI-AAA_SIRISBib)208643
AAA_collcode_albejose
Theme:
Art Movements and Schools
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208643
Online Media:

Oral history interview with Herman Maril

Interviewee:
Maril, Herman  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
20 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 July 21
Scope and Contents:
An interview of Herman Maril conducted 1971 July 21, by Robert Brown, for the Archives of American Art.
Biographical / Historical:
Herman Maril (1908-1986) was a painter, printmaker, and art teacher from Baltimore, Md.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 53 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Maryland -- Baltimore -- Interviews  Search this
Art teachers -- Maryland -- Baltimore.  Search this
Topic:
Printmakers -- Maryland -- Baltimore -- Interviews  Search this
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.maril71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-maril71

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