The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.
Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.
Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.
Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.
Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.
Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)
Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)
Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)
Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)
Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)
Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)
Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)
Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)
Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)
Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)
Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.
Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.
In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.
Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.
Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.
David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The David Ireland papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Sculptors -- California -- San Francisco Search this
Conceptual artists -- California -- San Francisco Search this
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.
Scope and Content Note:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.
Biographical materials include documentation of Rose Krasnow's service as a member of the Army Air Forces Ground Observer Corps, programs and other materials from various memorial services, a sound recording with commentary on a Peter Krasnow exhibition, and documentation of a project to publish Rose Krasnow's poetry.
Correspondence consists of Peter and Rose Krasnow's personal and professional correspondence as well as a small amount of third party correspondence. Personal correspondence with friends and family involves health, work, daily events, and other life updates. Professional correspondence with art dealers, curators, gallery and museum directors, collectors, and colleges and universities concerns exhibitions, sales, loans, and donations of artwork. Primary correspondents include Leslie Burton and Harriet Blades, Dan Budnik, Grace Clements, Conrad Crocker, Dudley Howe, Lilly Weil Jaffe, Grace L. McCann Morley, Dale and Elaine Owen, Aimée Brown Price, Ernest and Ina Raboff, Irving Stone, and Edward Weston. There are also numerous scattered letters from artists, writers, curators, critics, museums, arts associations, and Jewish organizations.
Writings and notes are by Peter Krasnow, Rose Krasnow, and others. Writings by Peter Krasnow include a draft autobiography, essays, lectures on wood sculpture, typescripts, notes, and writings on art. Writings by Rose Krasnow include essays, plays, poetry, and short stories. Writings by others consist of essays, lectures, notes, plays, poetry, short stories, and typescripts. Other writers include Grace Clements, Fidel Danieli, Robert DeLuce, Alfred S. Drake, and Philip Noer. There are also five handwritten personal diaries by Peter Krasnow.
Personal business records include Rose Krasnow's bank book from 1980, Peter Krasnow's naturalization certificate and passport, an inventory of paintings on index cards, tax applications for the Peter Krasnow Arts Foundation, materials relating to Peter Krasnow's estate and the purchase of his artwork, and various receipts.
Printed materials include exhibition catalogs and announcements, clippings, bound books, magazines and journals, a Chicago Society of Artists block print calendar, and two printed posters from Peter Krasnow's exhibit at the Galerie Pierre in 1934.
Artwork is mostly by Peter Krasnow, and includes five sketchbooks, sketches and drawings, watercolors, preliminary studies in oil, and prints.
Photographs include personal photographs, photographs of major sculpture projects in progress, and artwork. Personal photographs are of Peter and Rose, family members, and friends, as well as a few scattered images of landscapes and architecture, possibly travel photographs. There are also photographs of Edward and Flora Weston. There are three photograph albums, one contains images of Krasnow's relief sculptures for the Sinai Temple's Kohn Chapel. Two photograph albums were compliled by Susan Ehrlich for Peter and Rose Krasnow. Also found are photographs of works of art. Some of the photographs in the papers were taken by Dan Budnik.
Arrangement:
The collection is arranged as 9 series:
Series 1: Biographical Materials, circa 1942-1983 (Boxes 1, 6; 7 folders)
Series 2: Correspondence, circa 1930-1984 (Box 1; 0.4 linear feet)
Series 3: Writings and Notes, circa 1916-1980 (Boxes 1-2; 1.3 linear feet)
Series 4: Diaries, circa 1955-1968 (Box 2-3; 5 folders)
Series 5: Personal Business Records, circa 1914-1982 (Box 3; 0.4 linear feet)
Series 6: Printed Materials, circa 1922-1981 (Boxes 3-4 and OV 9; 1.1 linear feet)
Series 7: Artwork, circa 1918-1980 (Boxes 4-6 and OV 7-8, 10; 1.5 linear feet)
Series 8: Sketchbooks, circa 1918-1973 (Box 5; 5 folders)
Series 9: Photographs, circa 1914-1981 (Boxes 5-6; 0.6 linear feet)
Biographical Note:
Peter Krasnow (1886-1979) was a painter, sculptor, and printmaker who lived and worked primarily in Southern California. His wife, Rose Krasnow (1885-1984), was a prolific writer of poems, short stories, and plays.
Peter Krasnow was born on August 20, 1886 in the Ukraine, Russia to Jewish parents. His father's work as an interior designer inspired Krasnow's interest in art.
In 1907, Krasnow emigrated to the United States, first living in Boston. He moved to Chicago in 1908 to attend the Art Institute of Chicago, where he met his future wife, Rose Bloom. To support himself during his studies, Krasnow worked as a security officer and performed other manual jobs. He graduated from the Art Institute of Chicago in 1916 and married Rose that same year.
The Krasnows moved to New York in 1919. In New York, Krasnow experienced some artistic success, participating in group and solo exhibitions at the Whitney Studio Club. During this time period, Krasnow often painted city scenes using a dark color palette.
In 1922, the Krasnows moved to Los Angeles, California. Krasnow built a studio near Glendale in 1923, on land purchased from photographer and friend Edward Weston. The studio also served as the Krasnows' main residence for the rest of their lives. In 1923 in Los Angeles, Krasnow exhibited with the Group of Independent Artists, which included Stanton Macdonald-Wright, Boris Deutsch, Nick Brigante, Ben Berlin, and other noteworthy artists. During his first years in California, Krasnow mostly created watercolor paintings, including a series of landscapes, using a lighter color palette than his earlier works. In the 1920s, Krasnow also accepted commissions for carved wood reliefs at the Temple Emmanu-El in San Francisco and the Sinai Temple in Los Angeles.
Krasnow received a grant in 1931, and he and Rose temporarily relocated to the Dordogne region of France, where they lived until 1934. During this time, Krasnow painted a series of watercolors and paintings of the French landscape. Before returning to the United States, Krasnow exhibited these landscapes at the Galerie Pierre.
After returning to California, Krasnow began creating carved wood sculptures, which he named 'demountables,' often using wood from trees on his property. Krasnow created these sculptures to celebrate the organic shapes inherent in wood.
In 1934, Krasnow returned to painting, this time creating bright, colorful, geometric designs which often incorporated symbolism from his Jewish heritage. Krasnow focused on these paintings through the remaining years of his life. In 1977, Krasnow received a fellowship from the National Endowment for the Arts.
Peter Krasnow died on October 30, 1979 in Los Angeles. Rose Krasnow died five years later, in 1984.
Provenance:
The Peter and Rose Krasnow papers were donated in several increments between 1976 and 1998 by Peter Krasnow, the Estate of Peter Krasnow, and the Peter and Rose Krasnow Foundation.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Peter and Rose Krasnow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.
Scope and Content Note:
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.
The majority of correspondence is between Tessim Zorach and various museums and galleries concerning exhibitions and donations of his parents' works of art. There are scattered letters to William Zorach among the correspondence. Business records consist of materials relating to the Collection of the Zorach Children, including lists of works of art by the Zorach's, a file relating to an exhibition of Zorach artwork at the Brooklyn Museum, and photographs of works of art considered for donation.
Writings and Notes include a typescript of an article written by Marguerite Zorach, writings by William Zorach, a typescript of Young Poems by William and Marguerite, as well as articles written by others about the Zorachs. Artwork by Marguerite Zorach includes two prints and a tracing. Also found is one sketchbook, and additional drawings by William Zorach. There is one unsigned lithograph.
The majority of exhibition announcements, catalogs, and clippings concern William and Marguerite Zorach although there are two announcements for Dahlov Ipcar. There is one scrapbook of clippings about Marguerite.
The papers include photographs of Marguerite and William Zorach, their parents, baby photos of Tessim and Dahlov, family pictures of the Zorachs, and of Marguerite and William in their studios. There are several folders of William Zorach working in his studios and additional photos of him carving a relief sculpture and a sculpture for the Southwest Bank. Most of these photographs contain detailed annotations written by William Zorach about the work. There is one folder of photographs of William in France in 1910-1911, including one of Zorach in Roi Partridge's studio. There is one photograph of Zorach taken by Ansel Adams in Yosemite, a photo of Zorach working by Arnold Newman, and several taken by Imogen Cunnigham.
Other photographs are of works of art, most of which depict William's works.
Artifacts include Marguerite's batik tools and approximately fifty commercially made printing blocks.
Arrangement:
The collection is arranged into 9 series:
Series 1: Biographical Information, circa 1907-1969 (Box 1, 6; 3 folders)
Series 2: Correspondence, 1922-1982 (Box 1-2; 1.75 linear feet)
Series 3: Business Records, 1967-1971, circa 1960s-1970s (Box 2-3; 0.3 linear feet)
Series 4: Writings and Notes, circa 1930s-1973, 1987 (Box 3; 8 folders)
Series 5: Artworks, 1900-circa 1920s (Box 3, 6; 12 folders)
Series 6: Scrapbooks, 1922-1953 (Box 3; 1 folder)
Series 7: Printed Material, 1912-1982 (Box 3; 0.25 linear feet)
Series 8: Photographs, 1908-1966 (Box 3-5; 1.0 linear feet)
Series 9: Artifacts, circa 1910s, circa 1950s (Box 4; 0.5 linear feet)
Biographical Note:
William Zorach (1887-1966) was a modernist painter and sculptor working primarily in New York city, along with his wife Marguerite (1887-1968) who worked as a fauvist painter, printmaker, and textile artist. Their children were painter Dahlov Ipcar (1917-) and art collector Tessim Zorach (1915-1995.)
Born in Lithuania, William Zorach immigrated to the United States where his family settled in Cleveland, Ohio. An early interest in art led to a printmaking apprenticeship. He then moved to New York City and enrolled in the National Academy of Design where he studied painting and drawing. In 1910, Zorach traveled to Paris to study and where he met his wife Marguerite Thompson at the La Palette art school. Marguerite grew up in Fresno, California and studied art at Stanford University. Both artists were heavily influenced by the fauvist and cubist art movements.
Returning to America, Marguerite and William married and both continued to create and experiment with varied media. Their paintings were featured in the 1913 New York City Armory Show and they are credited with being among the first artists to introduce European modernist styles to American modernism. The Zorachs were very close both as a couple and as working active artists.
In the 1920s, Marguerite began to experiment with textiles and created large, fine art tapestries and hooked rugs. Also, she used batik dying techniques on fabrics. William also expanded his genre by creating direct sculpture in 1918, which would become his primary medium.
In 1915, William and Marguerite started a family with their son, Tessim. Two years later, their daughter Dahlov was born. The Zorachs divided the year and lived in New York City, New Hampshire, and Massachusetts. In 1923, the family bought a farm on Georgetown Island, Maine where they lived, worked, and entertained friends.
Dahlov and Tessim were exposed to art from an early age. Dahlov showed artistic promise as a child and her parents supported her creativity by allowing her to express herself without formal training. Dahlov pursued painting and later became an illustrator for children's books. Additionally, she wrote fantasy novels and short stories. Dahlov married Adolf Ipcar in 1936. Like the rest of his family, Tessim Zorach developed an interest of art and along with his wife Peggy, he amassed a large private collection of ancient to modern art.
William and Marguerite continued to sculpt and paint until their deaths in 1966 and 1968, respectively.
Together, Dahlov and Tessim established the Collection of the Zorach Children which coordinated donations of their parents' art to many museums throughout the United States and the world. The artwork of both artists is found in the collections of the Metropolitan Museum of Art, Brooklyn Museum, Whitney Museum of American Art, Delaware Art Museum, Museum of Fine Arts, Boston, Farnsworth Art Museum, Portland Museum of Art, National Gallery of Art, National Portrait Gallery and the Smithsonian American Art Museum, The Philips Collection, and educational institutions such as Colby College, University of Vermont, Williams College, Bowdoin College, and the University of Virginia. In addition William has works associated with many public buildings, among them: Radio City Music Hall, New York City Municipal Court, the U.S. Post Office in Washington D.C. as well as Farleigh Dickinson University.
Related Material:
The Archives of American Art holds the Dahlov Ipcar papers, 1906-1997. Also found is one oral history interview with William Zorach conducted by by John D. Morse on April 2, 1959 and an oral history interview with Dahlov Ipcar conducted by Robert F. Brown on November 13, 1979.
The bulk of William Zorach's papers are held by the Library of Congress.
Separated Material:
The Archives of American Art also holds material lent for microfilming on reels NY59-1-NY59-4 and NY59-19. Loaned materials were returned to the lender and are now held by the Library of Congress, Manuscript Division. This material is not described in the collection container inventory or finding aid.
Provenance:
William Zorach lent papers for microfilming to the Archives of American Art in 1959. Tessim Zorach donated materials between 1976-1987.
Restrictions:
Use of originals requires an appointment.
Rights:
The Zorach Family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.
Scope and Contents:
The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.
Douglas Volk's papers form the bulk of the collection and document all stages of his life from his first visits to Europe during his teenage years, until his death. Biographical material includes address books, biographical notes, genealogical records of Volk's family, and a warranty deed for land purchased by Marion Volk in Center Lovell, Maine, in 1904.
Family correspondence is primarily between Douglas and Marion throughout their courtship and marriage, but also includes letters from other family members including daughter Marion Volk Bridge and sons Wendell and Gerome Volk. General correspondence is with colleagues, art galleries, societies, institutions and museums, schools and colleges, government agencies, and others. Also found are letters from artists including George de Forest Brush, Elliott Daingerfield, Cass Gilbert, Philip Leslie Hale, Swedish woodcarver Karl von Rydingsvard, and J. Alden Weir; and friends Felix Adler and Percival Chubb.
Douglas Volk's writings and notes are on art, art instruction for children, and the significance and influence of his father's work, particularly Leonard Volk's Lincoln life mask, and include drafts of his monograph "Art Instruction in Public Schools."
Diaries and journals record details of Volk's early art education in Europe, including his friendships with Eugene Benson and George de Forest Brush and others, his time spent studying under Jean-Léon Gérôme at the École des Beaux Arts, his appointment by the National Art Committee to paint portraits of World War I era politicians and military figures, and his Lincoln portrait painted just prior to Volk's death.
Financial records document day-to-day routine expense, as well as sales of artwork and other art-related transactions.
Printed material and a scrapbook of clippings and letters include press coverage of Douglas Volk's career from the early 1900s to 1918. An additional scrapbook provides documentation of the Sabatos Handicraft Society, including a copy of one of only three known editions of the society's publication The Fire Fly. Artwork includes sketches, two small oil paintings, and fifteen sketchbooks of Douglas Volk.
Photographs include portraits taken at various stages of Volk's career, family photographs, photographs of the main house at Hewnoaks and additional buildings, photographs of several artists including William Merritt Chase and Karl von Rydinsgsvard, photographs of world leaders including David Lloyd George, King Albert of Belgium, and General John J. Pershing, and photographs of artwork.
The papers of Leonard Wells Volk include seven volumes of his hand-written memoirs which document his relationship with Stephen A. Douglas, his first meeting with Lincoln, and his involvement with the Chicago Academy of Design. Also found are three letters including one written to Douglas Volk in 1887, and a memorandum related to the value of Leonard Wells Volk's Lincoln and Douglas statues at the Illinois State House. Photographs include three of Leonard Wells Volk, photographs of other family members including his wife Emily, photos of houses and woodland scenes, and photos of artwork.
Arrangement:
The collection is arranged as 2 series.
Series 1: Douglas Volk Papers, circa 1870-1965, 2008 (11.85 linear feet; Boxes 1-12, 15-16, OVs 13-14)
Series 2: Leonard Wells Volk Papers, circa 1858-circa 1930 (0.45 linear feet; Boxes 11-12)
Biographical / Historical:
Chicago sculptor Leonard Wells Volk (1828-1895) created one of only two life masks of Abraham Lincoln. His son, painter and teacher Douglas Volk (1856-1935), was known for his figure and portrait paintings. Douglas Volk and his wife Marion Larrabee Volk established the Sabatos Handicraft Society, producing homespun woolen rugs and textiles from their summer home in Center Lovell, Maine.
Leonard Wells Volk was raised in New York State and Massachusetts, before moving to St. Louis to learn modeling and drawing. Around 1852 he married Emily Clarissa King Barlow, a cousin of Senator Stephen A. Douglas. Douglas took an interest in Volk's career and helped finance his trip to Rome and Florence between 1855 and 1857, where Volk studied art. On returning from Europe Volk settled in Chicago, opening a studio there and establishing himself as a leader in art circles and a founder of the Chicago Academy of Design. He served as president of the Academy (later the School of the Art Institute of Chicago) for eight years. Volk recorded his first meeting with Lincoln during the 1858 Lincoln-Douglas debates, and the subsequent 1860 sittings with Lincoln for the life mask, hands, and bust, in his memoirs. The mask served as a model for many sculptors who made later portraits of Lincoln. Volk's other important works include the Rock Island County Soldier's Monument in Rochester, New York (1869), statues of Lincoln and Douglas for the Illinois Statehouse (1876), a bust of Douglas, and the Douglas Tomb monument (1881) in Chicago.
Douglas Volk was born in Pittsfield, Massachusetts in 1856. His artistic education began in his teens when he traveled to Europe with his family. In the early 1870s he lived in Rome and Venice, spending time with his friends George de Forest Brush and J. Alden Weir. He moved to Paris in 1873 where he studied at the École des Beaux Arts with Jean-Léon Gérôme, and exhibited his first picture, In Brittany, at the 1875 Paris Salon.
In 1879 Volk returned to the United States and accepted a teaching position at Cooper Union. He was elected to the Society of American Artists in 1880 and married Marion Larrabee in 1881. In 1883 Volk became a founder of the Minneapolis Society of Fine Arts and was appointed the first president of the subsequent Minneapolis School of Fine Arts in 1886, a position he held until 1893. During his time in Minneapolis, Volk purchased a summer studio and retreat in Osceola, Wisconsin, and he and Marion had four children: Leonard (1882-1891), Wendell (1884-1953), Marion (1888-1973) and Gerome (1890-1959).
In 1893 Volk returned to New York and accepted a position at the Art Students League, where he taught from 1893-1898, and also resumed his post at Cooper Union. He became interested in innovative ways to teach art and art history to children, and in 1895 the National Academy of Design printed his essay "A Plea for Art in the Public Schools," in its annual exhibition catalog. He was elected an associate of the Academy in 1898, becoming a full academician in 1899.
In 1898, looking to provide the family with a summer retreat, Marion Volk purchased property with a friend in Center Lovell, Maine, an area already enjoyed by the couple's friends, George de Forest Brush and Percival Chubb. The property was divided in 1901 and Marion added to her half creating a lot of approximately twenty-five acres. The Volks renovated the house, which they named Hewnoaks, and eventually built four more cottages and a studio for Douglas Volk on the property. During this period Marion Volk was working with handwoven wool on traditional area looms using fruit and vegetable hand-dyes and designs based on motifs from Native American art. In 1902 the Volks held the founding meeting of the Sabatos Handicraft Society at Hewnoaks, and the property became the hub of a Center Lovell community effort to produce rugs, textiles, and other handicrafts using traditional methods. Daughter Marion worked with her mother, and son Wendell, a printmaker and woodcaver, operated the Hewn Beam Press, printing pamphlets and a newsletter entitled the Fire Fly: A Periodical of Fearless Endeavour. Swedish-born wood carver Karl von Rydingsvard offered classes on wood carving at Hewnoaks, assisted by Wendell Volk.
Douglas Volk worked to make the Hewnoaks handicraft movement a success, but focused primarily on his own painting. The Maine woods provided endless inspiration and the setting for many of his paintings and murals, which primarily depicted romanticized historical subjects in Colonial America and reflected his traditional academic training. One of his best known works, The Boy with the Arrow (1903), a portrait of his son Leonard "Leo" Volk who died at the age of eight, is now in the collection of the Smithsonian American Art Museum.
Volk taught at the National Academy of Design from 1910-1917. He served as recording secretary and then on the council for the organization from 1910-1919. His acclaimed intimate portraits of friends and acquaintances, including Felix Adler (1914) and William Macbeth (1917), were painted during this period. In 1919 Volk was one of a group of artists commissioned by the National Art Committee to paint major figures from World War I. He subsequently painted portraits of King Albert of Belgium, British Prime Minister David Lloyd George, and General John J. Pershing, and recorded his meetings and sittings with the three men in his journals.
For the last fifteen years of his life Volk, using his father's life mask, painted a series of portraits of Abraham Lincoln, one of which hangs in the Lincoln Bedroom at The White House.
At least fifteen years prior to her death in 1925, Marion Volk's involvement in handicrafts at Hewnoaks declined, while Douglas Volk continued to focus on his own work. Wendell Volk's career in civil engineering took precedence over his interest in weaving and woodcarving and both he and his brother Gerome moved West in 1909. Following Douglas Volk's death in Fryeburg, Maine in 1935, Wendell Volk and his wife Jessie, also an artist, ultimately took possession of Hewnoaks. Wendell died in 1953, but the property was eventually bequeathed by Jessie Volk to the University of Maine and now operates as an artist colony.
Separated Materials:
Volumes 1, 3, 6-7, 9, and 10 of Leonard Volk's memoirs form part of the Alfred Whital Stern Collection of Lincolniana in the Library of Congress.
The Archives of American Art also holds material lent for microfilming (reel 4280) including correspondence of Leonard Volk and photographs of his artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The George Arents Research Library, Syracuse University in Syracuse, New York first lent material for microfilming in 1989. Most of the material was then donated in 2004–2005 by Jessie J. Volk, the daughter-in-law of Douglas Volk, who also bequeathed the Volk estate including additional Volk papers to the University of Maine. In 2006, University officials arranged for an auction of much of the property of the estate including the remaining family papers. The Volk Family estate auction was conducted by Cyr Auction Co., in Gray, Maine, on July 19, 2006. Several individuals purchased parts of the papers at that auction and subsequently donated them to the Archives. Those donors are: David Wright, who acquired the 1875 journal and Brush letters and donated them to the Archives in 2006; Dr. Christine Isabelle Oaklander, who purchased the account book, 1873–1875, and donated it to the Archives in honor of Judith Ellen Throm in 2007, and also donated additional letters and a photograph in 2008; and Mary K. and John F. McGuigan Jr., who purchased correspondence (1120 letters), speeches, lectures, articles, checks, check stubs and miscellaneous items and donated them to the Archives in 2015. In 2007, the University of Maine Foundation via Amos Orcutt donated the 1934 journal and 60 photographs.
John F. McGuigan Jr. and Mary K. McGuigan have purchased and donated additional archival materials to the Archives, including the Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection, and 69 letters now among the Sylvester Rosa Koehler papers.
In 2007, the University of Maine Foundation via Amos Orcutt donated the 1934 journal and 60 photographs that were part of the Volk Family estate, but not included in the June 19, 2006 auction.
In 2019 Dr. Christine Isabelle Oaklander donated additional material purchased at auction, primarily photographs and some printed material.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Douglas Volk and Leonard Wells Volk papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.
Scope and Contents:
The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.
Arrangement:
The collection is arranged in seven series:
Series 1: Biographical Material, circa 1915-2010 (0.2 linear feet; Box 1)
Series 2: Correspondence, circa 1907-1929 (0.1 linear feet; Box 1)
Series 3: Personal Business Records, circa 1910-1939 (0.1 linear feet; Box 1)
Series 4: Scrapbooks, circa 1894-1938 (0.2 linear feet; Box 1)
Series 5: Printed Material, circa 1910-1940s (0.1 linear feet; Box 1)
Series 6: Photographic Material, circa 1900-2000 (0.1 linear feet; Box 1)
Series 7: Artwork, circa 1880-1939 (0.3 linear feet; Box 1, OV2)
Biographical / Historical:
Sears Gallagher (1869-1955) was a draftsman, printmaker, and illustrator born in Boston. After displaying considerable artistic talent in drawing as a child, Gallagher went on to study with the Italian-born Boston-based painter Tommaso Juglaris (1844–1925) from 1887 to 1889. Shortly after marrying Charlotte Dodge in 1895 the couple embarked for Paris where Gallagher pursued further artistic training at the Academie Julian. Gallagher's style evolved with an influence of the French Impressionists, and two of his watercolors were featured in the 1896 Paris Salon. Sears Gallagher achieved considerable popular success thanks to the sales and publishing of his prints, and he exhibited regularly in Boston with occasional shows in New York City until the 1940s. Gallagher was a founder of the Monhegan art colony in Maine, which is the setting of many of his popular works.
Provenance:
The Sears Gallagher papers were donated to the Archives of American Art in 2018 by Anne Burr Czepiel, granddaughter of Sears Gallagher.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Sears Gallagher papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Draftsmen (artists) -- Massachusetts -- Boston Search this
Correspondence, newspaper clippings; biographical material concerning Carl Nelson; and Winn's unpublished manuscript, "Carl G. Nelson: A Portrait."
Biographical / Historical:
Nelson was a painter, printmaker, and instructor; Boston, Mass. and Cranberry Isles, Me. He was born in Horby, Skane, Sweden, Jan. 5, 1898; he died Aug. 6, 1988 in Elmhurst, Ill.
Provenance:
Donated 1998 by Ruth E. Winn.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Manuscript: "Carl G. Nelson: A Portrait": Authorization to publish, quote or reproduce must be obtained from Ruth E. Winn
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).
Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.
Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.
A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.
Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.
Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.
Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.
Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.
Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.
Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.
Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.
Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)
Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)
Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)
Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)
Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)
Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.
While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.
Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.
An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."
In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.
As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.
Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.
1882 -- born, Tarrytown, New York
1887 -- death of Rockwell Kent, Sr.
1894-1896 -- attended Cheshire Academy
1895 -- toured Europe with Aunt Jo
1896 -- attended Horace Mann School, New York City
1900-1902 -- studied architecture at Columbia University
1900-1902 -- attended William Merritt Chase's summer school, Shinnecock Hills, Long Island
1903 -- studied with William Merritt Chase, New York City
1904 -- first sale of a painting
1904 -- met Rufus Weeks and attended first Socialist meeting
1905 -- lived and worked with Abbott H. Thayer, Dublin, New Hampshire
1905 -- first painting trip to Monhegan Island, Maine
1907 -- first one-man show, Claussen Galleries, New York City
1908 -- marriage to Kathleen Whiting
1908 -- studied with Robert Henri
1908 -- joined Socialist Party
1909 -- birth of Rockwell, III
1910 -- ran Monhegan Summer School of Art
1910 -- first trip to Newfoundland
1910 -- helped to organize first Independent Exhibition
1911 -- birth of Kathleen
1912 -- moved to Winona, Minnesota
1913 -- birth of Clara
1914 -- settled in Newfoundland
1915 -- deported from Newfoundland
1915 -- birth of Barbara
1917 -- served as full-time organizer and administrator of Independent Exhibition
1918-1919 -- in Alaska with son Rocky
1919 -- purchased Egypt Farm, Arlington, Vermont
1919 -- incorporated self
1920 -- publication of Wilderness
1920 -- birth of Gordon
1922 -- traveled to Tierra del Fuego
1924 -- publication of Voyaging
1925 -- trip to France
1925 -- divorced from Kathleen
1926 -- marriage to Frances Lee
1926 -- traveled to Ireland
1927 -- purchased Asgaard Farm, AuSable, New York
1927 -- editor of Creative Art
1927 -- helped organize National Gallery of Contemporary Art, Washington, D.C.
1929 -- sailed to Greenland on Direction
1930 -- publication of N by E
1932-1933 -- returned to Greenland
1934-1935 -- final trip to Greenland
1935 -- publication of Salamina
1936 -- trip to Puerto Rico
1937 -- trip to Brazil
1937-1938 -- Post Office Department mural commission and controversy over Eskimo-language message interpreted as encouraging Puerto Rican independence
1939 -- divorced from Frances
1939 -- General Electric Co. mural commission for New York World's Fair
1940 -- publication of This Is My Own
1940 -- marriage to Shirley Johnstone (Sally)
1942 -- solo exhibition, Know and Defend America, at Wildenstein Galleries, New York City
1946 -- elected to Executive Committee of American Labor Party
1948 -- congressional candidate, American Labor Party
1948 -- transferred ownership of dairy to remaining employees after boycott resulting from support of Wallace for president
1949 -- attended World Congress for Peace, Paris
1950-1958 -- denied U.S. passport; lawsuit, appeals, and Supreme Court decision reinstating right to travel
1953 -- testified before House Un-American Activities Committee
1955 -- publication of It's Me, O Lord
1958 -- one-man show at Hermitage Museum, Leningrad
1959 -- publication of Of Men and Mountains
1960 -- gift of Kent Collection to Friendship House, Moscow
1960 -- exhibition at Pushkin Museum, Moscow
1963 -- publication of Greenland Journal
1966 -- elected to Academy of Arts of the USSR
1967 -- awarded Lenin Peace Prize, Moscow
1969 -- oral history interview, Archives of American Art
1969 -- home at Asgaard destroyed by fire; papers survived with some water and smoke damage
1969 -- first installment of Rockwell Kent Papers donated to Archives of American Art
1971 -- died, Plattsburgh, New York
1971 -- gift of additional Rockwell Kent Papers to Archives of American Art
1979 -- gift of textile samples to the Archives of American Art
1996 -- gift of additional Rockwell Kent Papers to Archives of American Art
2000 -- death of Sally [Shirley Johnstone] Kent Gorton
2000 -- previously sealed correspondence of wives Frances and Sally (Series 1) opened to researchers
2001 -- gift of additional Rockwell Kent papers to the Archives of American Art from the Estate of Sally Kent [Shirley Johnstone] Gorton
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Rockwell Kent papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Papers of artist Marion Huse provide a fairly detailed account of her artistic career, exhibitions, and her related travels, through photographs, picture postcards, exhibition catalogs and announcements, clippings, sketchbooks, correspondence, sales records, and a guest register from a memorial exhibition. Her teaching career and work as a WPA administrator is not well documented.
The correspondence dates from 1932-1985, and includes personal corresondence with her husband, Dr. Robert Barstow, June-Nov. 1946, and a small group of art related letters from art organizations, artists, galleries, and others. Among the correspondents are the Boston Society of Independent Artists, Howard Cook, the Ford Motor Company, George Grosz, Tricker Galleries, and the Works Progress Administration.
Included among the photographs are many portraits of Huse and her family, members of the Barstow family and their residences in Pownal, Vermont and coastal Massachusetts, Huse with colleagues and friends, her Springfield, Mass. studio and art classes, and many of her art work. Of note is an extensive collection of travel postcards and travel photographs she assembled during her travels, ca. 1936-1962, and used as source material for her paintings, showing scenes from an ocean crossing, France, Germany, Italy, Holland, Belgium, Caribbean countries, Mexico, Massachusetts, Vermont, and other New England locales, and New Mexico.
Sketchbooks, 1928-ca. 1960s, contain ink drawings, watercolors, and pencil sketches depicting urban streets in Massachusetts, rural New England scenes, circus scenes, buildings, and locales in Maine and Nova Scotia.
Sales receipts are primarily from the Southern Vermont Artists, Inc., 1935-1953.
Biographical / Historical:
Painter, printmaker, teacher, arts administrator; Mass.
Provenance:
Donated 1999 by Fuller Museum of Art, which received the papers through Huse's executor, along with over 5,000 paintings and works on paper comprising the Marion Huse Collection.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
This collection consists of three scrapbooks dating from 1903 to 1955 containing mostly newspaper clippings which document the career of California artist Carl Oscar Borg, particularly his work as art director for Hollywood films.
Scope and Content Note:
The collection consists of three scrapbooks compiled by Borg, and after his death by his widow, Lily Borg Elmberg. These contain newspaper clippings from the U.S. and Sweden, documenting Borg's lifelong career as a painter and printmaker since his arrival in Los Angeles in 1903. One scrapbook, 1925-1938, highlights his role as supervising art director for the1926 silent film, The Black Pirate starring actor Douglas Fairbanks. Also included are articles about his years working in the silent movie industry (1925-1928) as the art director of films, Black Pirate, The Gaucho, The Night of Love, The Magic Flame, Two Lovers, and The Iron Mask.
Arrangement:
Volumes are divided into three main categories: I. Los Angeles Years (1903-1935), II. Silent movies and trip to Sweden (1925-1938), and III. Sweden and Santa Barbara years (1935-1955). The dates of a number of the newspaper clippings and exhibition catalogs found in the scrapbooks overlap. In addition, Scrapbook I, 1903-1935, is in fragile condition and should be handled with care.
Biographical Note:
Self taught Swedish-American artist Carl Oscar Borg (1879-1947) began his career as a sign painter in New York. He emigrated to the United States from Stockholm, Sweden in 1901, settling in Los Angeles in 1903 where he became active in the emerging Los Angeles art community. He became the protogé of Phoebe Apperson Hearst (mother of William Randolph Hearst) whose support and endorsement enabled him to study in Europe. He established himself as a serious artist after World War II working in the fields of print, film and painting, enabling him to secure a place among the Los Angeles artistic elite. Borg specialized in painting the Southwestern Hopi and Navajo Indians. He also painted mariners and the seal hunting scenes which took place in Channel Island near Santa Barbara. He was a member of the National Academy of Design, the National Academy of Arts, the Sociéte Internationale des Beaux Arts (Paris) and the prestigious Salmagundi Club. He traveled to Sweden in 1939, remaining there until the end of World War II. Upon his return to California, he settled in Santa Barbara where he remained until his death in 1947.
Provenance:
The collection was donated in 1998 by Helen Laird, who received the papers from Borg's widow, Lily Borg Elmberg in preparation for a biography on Carl Oscar Borg.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Carl Oscar Borg scrapbooks are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
The records of New York City Kraushaar Galleries measure 91.9 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.
Scope and Content Note:
The records of New York City Kraushaar Galleries measure 91.9 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.
The collection reflects all activities conducted in the day-to-day administration of the business and relates to the acquisition, consignment, loan, sale, and exhibition of art by twentieth-century American artists and European artists of the nineteenth and early twentieth centuries. The records document specific arrangements for loans and exhibitions, artist-dealer relations, relationships with public and private collectors, interaction with the art dealer community, and routine requests for information.
Much of the artist correspondence relates to practical arrangements for exhibitions of artwork, but in many cases also documents the development of individual artists and the effect of their relationship with the galleries on their ability to produce marketable work. Many of the artists represented in the collection also wrote lengthy letters, particularly to Antoinette Kraushaar, describing their attitudes to their work and providing insight into how that work was shaped by events in their personal lives.
The bulk of the correspondence with museums and institutions concerns practical arrangements for loans of artwork and provides detailed information about market prices and insurance values. It offers insight into the general climate of opinion toward particular artists and styles at any given time. Correspondence with other galleries and dealers also concerns loans and sales of artwork but, due to the typically cordial and cooperative nature of relations between the Kraushaars and their contemporaries, may also provide a more extensive and personal view of relationships and trends in the art dealer community. Similarly, while a portion of the correspondence with private collectors concerns routine requests for information and loans of art on approval, there is also substantive correspondence documenting the development of the artistic vision of collectors such as Preston Harrison, Elizabeth S. Navas, and Duncan Phillips.
From 1917 to the mid-1930s correspondence was handled mainly by John Kraushaar, and the bulk of that relating to European galleries and European art can be found during these years. Although there are only a handful of materials before 1926, records from the 1920s and 1930s document Kraushaar Galleries' growing commitment to American artists and the climate of the market for their work. The financial hardships of the Depression are vividly depicted in the numerous letters written during the 1930s seeking payment on accounts receivable and requesting extensions on accounts payable.
From the mid-1930s to 1968 correspondence was conducted primarily by Antoinette Kraushaar and, to some degree, by her assistants in later years. As the galleries' focus on American art increased, so did the volume of correspondence with artists, and the collection is particularly rich during the 1940s and early 1960s. In later years to 2006, most of the correspondence was conducted by Carol Pesner and gallery assistants.
The exhibition catalogs included in the collection do not represent a complete set. Those found are working copies used by the galleries in preparation for exhibitions and are often annotated with prices or insurance values. Additional exhibition catalogs can be found on the microfilm described in the Administrative Information section of this finding aid.
The majority of Kraushaar Galleries' insurance records can be found in files relating to the company Wm. E. Goodridge & Son, later known as Wm. E. Goodridge, Inc. Shipping and transportation records are generally filed under the names of the companies used for such transactions and can primarily be found under Davies, Turner & Co., Hudson Forwarding & Shipping Co., Railway Express Agency, Inc., and W. S. Budworth & Son, and to a lesser degree under American Railway Express Company, Arthur Lenars & Cie., C. B. Richard & Co., De La Rancheraye & Co., Hayes Storage, Packing & Removal Service, Inc., and Willis, Faber & Co. Ltd.
The 2008-2009 accretion includes additional correspondence similar in content and with correspondents as described above, as well as some artists' Christmas cards. However, the bulk of the additional correspondence dates from 1965-2006, with a handful of miscellaneous correspondence from 1877 to the mid-twentieth century. Also found are financial and business records including records from the closing of the John F. Kraushaar estate; over 40 ledgers providing nearly complete documentation of the gallery's sales and transactions from its establishment to 1946; incoming consignment records, including account statements and correspondence with artists, from the 1940s to 2006; and outgoing consignment and loan records from 1899-2006. The gallery's representation of its stable of artists is documented through artists' files containing printed and digital materials, exhibition catalogs and announcements, price lists, and biographical information, as well as containers of photographs and negatives of artwork. Also found is a 1933 sketchbook by James Penney, drawings and sketchbooks by Louis Bouché, and two scrapbooks.
See Appendix for a list of Kraushaar Galleries exhibitions
Arrangement:
Kraushaar Galleries generally filed all types of records together with correspondence in a combination of alphabetical and chronological files. Thus financial records, insurance records, receipts, photographs, and exhibition catalogs can be found interfiled with general correspondence in Series 1-3. A group of photographs of artwork maintained separately by Kraushaar Galleries constitutes Series 4. Series 6 was minimally processed separately from Series 1-5, and the arrangement reflects the original order of the addition for the most part.
Records in Series 1-3 were originally filed alphabetically by name of correspondent and then by month, by a span of several months, or by year. The alphabetical arrangement has been retained, but to facilitate access the collection was rearranged so that correspondence was collated by year. From 1901 to 1944 outgoing letters and incoming letters are filed separately; in 1945 some outgoing letters are filed separately, with the bulk of the material filed together as correspondence; from 1946 to 1968 incoming and outgoing letters are filed together as correspondence.
For Series 1-3 organizations or individuals represented by at least 15 letters are filed in separate file folders. All other correspondents are arranged in general files by letters of the alphabet, with selected correspondents and subjects noted in parentheses after the folder title.
Series 2 and several boxes in Series 3 contain a variety of notes and receipts received and created by Kraushaar Galleries that were originally unfoldered. The notes can be found in folders adjacent to the receipts and include handwritten notes of customer names and addresses, financial notes and calculations, catalogs of exhibitions, invitations and announcements to exhibitions frequently used as note paper, and other miscellany. Although most of the miscellaneous notes are undated, they are filed, with the receipts, at the end of the year to which they appear to relate. For the years 1929 and 1930 Kraushaar Galleries created separate alphabetical files for some of the billing statements received from other businesses. These have been filed adjacent to "Miscellaneous Notes" and "Receipts" in the appropriate years.
Kraushaar Galleries tended to file correspondence with businesses alphabetically according to the letter of the last name: for example, Wm. E. Goodridge & Son would be filed under G rather than W.
Series 1: Outgoing Letters, 1920-1945 (boxes 1-9; 9 linear ft.)
Series 2: Incoming Letters (boxes 10-26; 16.25 linear ft.)
Series 3: Correspondence, 1945-1968 (boxes 26-53; 27.75 linear ft.)
Series 4: Photographs, undated (box 54; 0.5 linear ft.)
Series 5: Artwork, [1926, 1938] (box 53; 2 items)
Series 6: Addition to the Kraushaar Galleries Records, 1877-2006 (boxes 55-99, BV100; 38.4 linear feet, ER01-ER02; 0.181 GB)
Historical Note:
Charles W. Kraushaar established Kraushaar Galleries in 1885 as a small store on Broadway near Thirty-first Street in New York City. Initially the store sold artist materials, photogravures, and reproductions. Drawing on his previous experience working with William Schause, a leading dealer in European paintings, Kraushaar soon progressed to selling original watercolors, paintings, and engravings by European artists, primarily landscapes of the Barbizon School.
In 1901 Kraushaar moved the business to 260 Fifth Avenue and with the assistance of his brother, John F. Kraushaar, began adding more modern French and American painters to the inventory. Of particular interest to John Kraushaar was the group of American realists known as "The Eight," who had held a self-selected, self-organized exhibition at the Macbeth Gallery in 1908. The Eight were Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan. Luks, whom John Kraushaar met around 1902, was probably the first major American artist represented at Kraushaar Galleries. In 1917 John Sloan was invited to hold his first one-person show at the galleries despite accusations that his exhibition at the Whitney Studio the previous year had represented a brutal depiction of life that lacked subtlety and sensitivity.
When Charles Kraushaar died suddenly in 1917, John assumed control of the galleries and soon enlisted the assistance of his daughter, Antoinette Kraushaar. Antoinette had suffered a bout of pneumonia during the influenza epidemic of 1918 that cut short her education; grooming her for a career in the galleries was a logical step. Following the end of the First World War, Kraushaar resumed his buying trips to Europe, often accompanied by Antoinette, and exhibited works by European artists such as André Derain, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Henri de Toulouse-Lautrec, and Vincent Van Gogh. However, it was the increasing commitment to contemporary American artists for which the galleries would become best known. In addition to The Eight, the Kraushaars developed their inventory of American paintings and etchings with exhibitions of work by artists such as Gifford Beal, Charles Demuth, Guy Pène Du Bois, Gaston Lachaise, Jerome Myers, Charles Prendergast, and Henry Schnakenberg.
Returning from a buying trip to Europe in 1929, John Kraushaar wrote to California collector Preston Harrision on July 26 that "the prices over there, especially for modern pictures are astounding." Nevertheless, Kraushaar believed that investing in modern art would yield benefits within the next five years, and he refused to be influenced by museums and critics outside of New York who were reluctant to agree. He exhibited a healthy disrespect for museum directors in general, whom he referred to in his letters to Harrision as "dead heads" who ought to be sent to different art centers of the world in order to "get in touch with what is going on there" (March 11, 1929).
Like most of its contemporaries, Kraushaar Galleries suffered considerably during the Depression of the 1930s and struggled to collect and, in turn, pay accounts due. On October 5, 1931, John Kraushaar confessed to H. S. Southam, "Business is very bad with us, and I know that you will treat it confidentially when I tell you that I have had to sacrifice a good part of my personal holdings to provide cash for my own business." By 1934 the rent on the galleries' current location at 680 Fifth Avenue, where Kraushaar had moved in 1919, was out of all proportion to the amount of business that was being generated. In 1936, a timely move to 730 Fifth Avenue allowed the family to effect substantial economies without a disproportionate loss of business.
During the 1930s, John Kraushaar's health began to fail, and he was frequently absent from the galleries. Consequently, Antoinette Kraushaar took on greater responsibility for the operation of the business with the assistance of her brother Charles. Although Antoinette was one of few women to hold such a prominent position in the art business at that time, there is no evidence in the records to suggest that artists or customers who had been accustomed to dealing with John Kraushaar had any difficulty accepting the transition in management from father to daughter.
Nevertheless, collecting accounts remained difficult, and although business had improved by 1938 it was now stymied by the threat of war in Europe. The warmth of relations between the Kraushaars and the artists they handled, and their colleagues, was crucial to Antoinette during these years. She repeatedly expressed her gratitude for their understanding and assistance in her letters as she struggled to meet financial obligations and operate the business in her father's absence, experimenting with different strategies as she evolved an approach that would sustain the business. In a letter to Gifford Beal dated August 6, 1941, she spoke of "hellish times" and stressed, "I have learned a great many things during the past few years and hope that we are groping our way towards a working solution of our own affairs at least."
While there is no question that Antoinette Kraushaar shared her father's genuine interest in contemporary American artists, the growing commitment to these artists that was forged during these years was driven in large part by necessity. By increasing her stock of American art and adding "younger painters of promise," she was able to sell work in a much broader price range. Consequently she could reach a wider audience and increase the likelihood that the business would remain solvent. This method of business also suited her personality far more than having a very specialized inventory of highly priced work, an approach that she confessed to J. Lionberger Davis on December 3, 1940, "requires a particular kind of temperament, and frankly I neither like it nor believe in it."
Throughout her career Antoinette imbued the business with her personal style. She understood that elitism alienated art buyers of moderate income, who constituted her bread and butter, and believed strongly that the gallery environment should not be intimidating to potential customers. She corresponded at length with old and new clients alike, patiently offering advice when asked and maintaining liberal policies for those who wished to borrow artwork on approval. She also participated in events that promoted efforts to make art available to a wider audience, such as a 1951 exhibition and seminar at the Florida Gulf Coast Art Center that addressed problems of buying and selling art. She was a two-time board member of the Art Dealers Association of America and considered the organization to be an important source of support for the gallery community.
In her dealings with other commercial galleries and art institutions, Antoinette Kraushaar exhibited a strong spirit of cooperation and enthusiasm, consistently lending art to small, locally owned businesses and community organizations as well as to more established galleries and world-class museums. She also developed long and mutually beneficial associations with the art departments of many educational institutions across the country, which proved to be fertile ground for young and upcoming artists.
Antoinette Kraushaar exhibited the same honesty and fairness in dealing with artists as her father had, expressing her opinions of their work in a forthright manner and maintaining a policy of always looking at the work of any artist who came to her. She understood the inherent difficulties of dealing with living artists but relished the excitement of encouraging their work and watching them develop. On November 14, 1947, in reply to a letter from the artist Bernard Arnest, in which Arnest apologized for burdening her with his worries, she reminded him, "One of the functions of a dealer is to act as a safety valve. Didn't you know?"
Although she would not retain artists indefinitely if she felt their work had deteriorated in quality, Antoinette often stressed that she was prepared to accept little or no initial financial return on the work of artists who showed promise or whose work held a particular appeal for her. In a letter of December 30, 1940, she reassured Walt Dehner that the lack of sales from his recent exhibition would not lead her to withdraw his work from the galleries. In typically unassuming style she advised Dehner to "go on painting whatever interests you. We have found that there is no recipe for success, either artistic or material."
In the early 1940s Antoinette Kraushaar implemented two changes to her inventory. Sensing that interest in sculpture was growing, she rearranged the space to give that medium more room and attention. The market for etchings had been declining since the late 1930s, and as she reduced this part of her inventory she also acted on her personal passion for drawings by opening a small gallery devoted to contemporary American drawings that were priced well within the range of most customers.
By the time Kraushaar Galleries moved to 32 East Fifty-seventh Street, late in 1944, American art had become the main focus of the business. While the long-standing interest in The Eight and other artists of that period continued, the galleries also handled contemporaries such as Louis Bouché, Samuel Brecher, John Heliker, Andrée Ruellan, and Karl Schrag. When John Kraushaar died in December 1946, Antoinette and Charles legally assumed control of the business. This partnership continued until 1950, when Antoinette assumed sole ownership of the gallery.
In 1955 the galleries moved uptown to smaller quarters at 1055 Madison Avenue, and Antoinette Kraushaar gave up the greater part of her print business. She was inundated with requests from artists to be allowed a chance to show her their work, and the galleries' exhibition schedule was always full. Contemporary artists she now represented included Bernard Arnest, Peggy Bacon, Russell Cowles, Kenneth Evett, William Dean Fausett, William Kienbusch, Joe Lasker, and George Rickey, and she continued to exhibit artwork by Charles Demuth, William Glackens, George Luks, Maurice Prendergast, Boardman Robinson, and John Sloan.
By the late 1950s the artists of the generation that her father had promoted in the early part of the century had died, but Antoinette Kraushaar had the pleasure of seeing his faith in them come to fruition. In a letter to Ralph Wilson dated October 20, 1958, she stated with satisfaction, "The Boston Museum is taking (at long last) a deep interest in (Maurice) Prendergast, and they will probably do an important show within the next year." Her correspondence with William Glackens's son Ira in the 1960s reveals the extent to which Glackens's popularity had grown since his death in 1938, and the market for John Sloan's work had been increasing steadily since the late 1920s. In 1962 James Penney summed up Kraushaar Galleries' success in the foreword of a catalog for an exhibition of paintings and sculpture the galleries had organized with the Munson-Williams-Proctor Institute at Hamilton College:
1854 -- Charles W. Kraushaar born
1871 -- John F. Kraushaar born
1885 -- Kraushaar Galleries established on Broadway near Thirty-first Street
1901 -- Galleries moved to 260 Fifth Avenue
1902 -- Antoinette Kraushaar born
1917 -- Charles W. Kraushaar died; John Kraushaar assumed control of the business, increasing inventory of modern American and European artists; first John Sloan exhibition
1919 -- Galleries moved to 680 Fifth Avenue
[1920] -- Antoinette Kraushaar began assisting with the business
1924 -- Maurice Prendergast died
1936 -- Galleries moved to the Heckscher Building at 730 Fifth Avenue
1938 -- William J. Glackens died
1944 -- Galleries moved to the Rolls Royce Building at 32 East Fifty-seventh Street; American art now the main focus of the business
1946 -- John Kraushaar died; Antoinette and Charles Kraushaar assumed control of the business
1948 -- Charles Prendergast died
1950 -- Antoinette Kraushaar assumed sole ownership of Kraushaar Galleries
1951 -- John Sloan died
1955 -- Galleries moved to 1055 Madison Avenue
1959 -- Carole Pesner joined Kraushaar Galleries
1964 -- Galleries extended into adjacent building
1981 -- Galleries moved to 724 Fifth Avenue
1986 -- Katherine Kaplan joined Kraushaar Galleries
1988 -- Antoinette Kraushaar retired from day-to-day management of the business
1992 -- Antoinette Kraushaar died
Appendix: List of Kraushaar Galleries Exhibitions:
The Archives of American Art does not hold a complete collection of catalogs from exhibitions held at Kraushaar Galleries; therefore the dates and titles of exhibitions provided in this appendix are inferred from a variety of sources including correspondence, notes, artists' files, and requests for advertising. Italics indicate that the exact title of an exhibition is known.
Jan., 1912 -- Paintings by Gustave Courbet and Henri Fantin-Latour
Apr., 1912 -- Paintings by Frank Brangwyn and Henri Le Sidaner
Jan., 1913 -- Paintings by Ignacio Zuloaga
May, 1913 -- Etchings by Seymour Haden
June, 1913 -- Paintings and Lithographs by Henri Fantin-Latour
Oct., 1913 -- Etchings by Frank Brangwyn
Jan., 1914 -- Ignacio Zuloaga
Mar., 1914 -- Paintings by Alphonse Legros
Apr., 1914 -- George Luks
May, 1914 -- Seven Modern Masterpieces including Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Matthew Maris, and James McNeill Whistler
undated, 1915 -- Paintings by John Lavery
Jan.-Feb., 1917 -- James McNeill Whistler's White Girl
Feb.-Mar., 1917 -- Paintings by Augustus Vincent Tack
Mar.-Apr., 1917 -- Paintings and Etchings by John Sloan
Summer, 1917 -- Works by French artists including A. L. Bouche, Josef Israels, Gaston La Touche, and Alphonse Legros
Oct., 1917 -- Monoprints by Salvatore Antonio Guarino
Nov., 1917 -- Etchings and Mezzotints by Albany E. Howarth
Jan., 1918 -- Recent Paintings by John Lavery
Jan.-Feb., 1918 -- Paintings and Watercolors by George Luks
Feb.-Mar., 1918 -- Paintings by Augustus Vincent Tack
Mar., 1918 -- Paintings by John Sloan
Apr.-May, 1918 -- Paintings by A. L. Bouche
May, 1918 -- War Paintings by J. Mortimer Block, Charles S. Chapman, Guy Pène Du Bois, H. B. Fuller, George Luks, W. Ritschell, John Sloan, and Augustus Vincent Tack
Oct., 1918 -- Oil Paintings by William Scott Pyle
Nov., 1918 -- Paintings by Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Antoine Vollon, James McNeill Whistler, and Ignacio Zuloaga, and bronzes by Antoine Louis Bayre, Emile Antoine Bourdelle, and Mahonri Young
Apr., 1919 -- Paintings and Monoprints by Salvatore Anthonio Guarino
Jan.-Feb., 1919 -- Decorative Panels and Other Paintings by Augustus Vincent Tack
Mar., 1919 -- Paintings and Drawings by John Sloan
May, 1919 -- Paintings by George Luks, Monticelli, and A. P. Ryder
Sept., 1919 -- Work by Jean Louis Forain
Oct., 1919 -- Etchings and Lithographs by Alphonse Legros
Jan., 1920 -- Recent Paintings by George Luks
Feb., 1920 -- Recent Paintings by John Sloan
Feb., 1920 -- Paintings by William Scott Pyle
Mar., 1920 -- Recent Paintings by Gifford Beal
Apr., 1920 -- Recent Paintings by Augustus Vincent Tack
Apr., 1920 -- Paintings by Henri Le Sidaner
Apr., 1920 -- Paintings and Drawings by Jean Louis Forain
Apr.-May, 1920 -- Paintings and Drawings by Jerome Myers
May, 1920 -- Paintings by Henrietta M. Shore
Jan., 1921 -- Paintings by French and American Artists
Jan.-Feb., 1921 -- Paintings by George Luks
Feb., 1921 -- New Paintings by Augustus Vincent Tack
Apr., 1921 -- John Sloan Retrospective
Summer, 1921 -- French and American Artists
Oct., 1921 -- Paintings of Mountford Coolidge
Oct., 1921 -- Works by Henri Fantin-Latour and Henri Le Sidaner
Nov., 1921 -- Frank Van Vleet Tompkins
Dec., 1921 -- Paintings and Bronzes by Modern Masters of American and European Art
Jan., 1922 -- Exhibition of Recent Paintings and Watercolors by George Luks
Feb., 1922 -- Paintings by Augustus Vincent Tack
Mar., 1922 -- Paintings and Watercolors by Gifford Beal
Apr., 1922 -- Exhibition of Paintings by Guy Pène Du Bois
Summer, 1922 -- Paintings by Modern Masters of American and European Art
Oct., 1922 -- Recent Paintings of the Maine Coast by George Luks
Jan., 1923 -- Exhibition of Paintings by George Luks
Feb., 1923 -- Paintings and Decorative Panels by Augustus Vincent Tack
Mar., 1923 -- Landscapes by Will Shuster
Mar., 1923 -- Paintings by Samuel Halpert
Apr., 1923 -- Marine Figures and Landscapes by Gifford Beal
Apr.-May, 1923 -- Paintings by John Sloan
May, 1923 -- Paintings by Frank Van Vleet Tompkins
June, 1923 -- Etchings by Marius A. J. Bauer
Oct., 1923 -- American Watercolors by Gifford Beal, Reynolds Beal, George Luks, Maurice Prendergast, and William Zorach
Dec., 1923 -- Etchings and Lithographs by Alphonse Legros
Dec., 1923 -- Paintings, Drawings, and Pastels by Charles Adolphe Bischoff
Jan., 1924 -- Paintings by Celebrated American Artists
Mar., 1924 -- Paintings and Drawings by Guy Pène Du Bois
Apr., 1924 -- New Paintings by George Luks
May, 1924 -- Paintings by Marjorie Phillips
Summer, 1924 -- French and American Modern Artists
Oct., 1924 -- Painting, Watercolors, and Sculpture by William Zorach
Nov., 1924 -- Watercolors by Seven Americans
Dec., 1924 -- French Paintings
Jan., 1925 -- Paintings by John Sloan
Jan.-Feb., 1925 -- Maurice Prendergast Memorial Exhibition
Mar., 1925 -- Plans and Photographs of Work in Landscape Architecture by Charles Downing Lay
Apr., 1925 -- Paintings by William J. Glackens
Dec., 1925 -- Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Richard Lahey Jerome Myers, Maurice Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, and William Zorach
undated, 1926 -- Lower Broadway by W. Walcot
Feb., 1926 -- Paintings by Paul Burlin
Feb., 1926 -- Portraits of Duncan Phillips, Esq. Charles B. Rogers, Esq. & The Hon. Elihu Root Painted by Augustus Vincent Tack
Mar., 1926 -- Paintings, Watercolors, and Drawings by Gifford Beal
Apr., 1926 -- John Sloan
Sept.-Oct., 1926 -- Exhibition of Etchings by C. R. W. Nevinson
Oct., 1926 -- Drawings, Etchings, and Lithographs by Nineteenth-Century French Artists
Oct., 1926 -- Paintings and Drawings by Mathieu Verdilhan
Dec., 1926 -- Exhibition of Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Guy Pène Du Bois, Ernest Fiene, Samuel Halpert, Henry Keller, Louis Kronberg, Richard Lahey, Charles Lay, Jerome Myers, Maurice Prendergast, Henry
Dec., 1926 -- Schnakenberg, A. Walkowitz, Martha Walters, William Zorach
Jan., 1927 -- French Drawings and Prints
Feb., 1927 -- Paintings, Drawings, Etchings, and Lithographs by John Sloan
Mar., 1927 -- Gifford Beal
Mar.-Apr., 1927 -- Decorative Panels and Watercolors by Margarett Sargent
Mar.-Apr., 1927 -- Exhibition of Drawings and Lithographs of New York by Adriaan Lubbers
Apr., 1927 -- Paintings and Etchings by Walter Pach
Apr.-May, 1927 -- Paintings and Watercolors by Leopold Survage
Apr.-May, 1927 -- Etchings and Woodcuts by D. Galanis
May, 1927 -- Paintings by Guy Pène Du Bois
Summer, 1927 -- Paintings by American Artists
Summer, 1927 -- Paintings, Watercolors, and Drawings by Georges Braque, Honoré Daumier, Edgar Degas, André Derain, Henri Fantin-Latour, Jean Louis Forain, Constantin Guys, Henri de Toulouse-Lautrec, Edouard Manet, Henri Matisse, Amedeo Modigliani, Claude Monet, Morissot, Pablo Picasso, Camille Pissarro, Odilon Redon, Segonzac, and Georges Seurat
Oct.-Nov., 1927 -- Exhibition of Etchings in Color by Bernard Boutet de Monvel
Nov., 1927 -- Exhibition of Paintings, Drawings, Lithographs, and Watercolors by Ernest Fiene
Dec., 1927 -- Watercolors by American Artists including Gifford Beal, Reynolds Beal, Carl Broemel, Charles Demuth, Guy Pène Du Bois, Ernest Fiene, Henry G. Keller, Richard Lahey, Charles Downing Lay, Howard Ashman Patterson, [Maurice] Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, Frank Nelson Wilcox, and [William] Zorach
Dec., 1927 -- Paintings by Guy Pène Du Bois
Dec., 1927 -- Paintings, Sculpture, and Decorative Media by George Biddle
Jan.-Feb., 1928 -- Paintings by S. J. Peploe
Feb., 1928 -- Drawings by Henri Fantin-Latour
Feb., 1928 -- Pastels and Drawings by Margarett Sargent
Feb., 1928 -- Drawings for Balzac's Les Contes Drolatiques by Ralph Barton
Feb.-Mar., 1928 -- Sculpture by William Zorach
Mar., 1928 -- Recent Paintings by Marjorie Phillips
Mar.-Apr., 1928 -- Exhibition of Paintings by William Glackens
Apr., 1928 -- Paintings, Drawings and Lithographs by R. H. Sauter of London, England
Oct., 1928 -- Modern French Paintings, Watercolors and Drawings
Oct.-Nov., 1928 -- Paintings, Watercolors, Drawings, Etchings, and Lithographs by Richard Lahey
Nov., 1928 -- Exhibition of Paintings and Sculpture by J. D. Fergusson
Nov.-Dec., 1928 -- Paintings, Drawings and Etchings by Walter Pach
Dec., 1928 -- Paintings and Watercolors by Abraham Walkowitz
Jan., 1929 -- Exhibition of Paintings by Margarett Sargent
Jan., 1929 -- Watercolors by Rodin
Jan.-Feb., 1929 -- Exhibition of Sculpture by Arnold Geissbuhler
Feb., 1929 -- Paintings and Watercolors by Guy Pène Du Bois
Feb.-Mar., 1929 -- Paintings by Gifford Beal
Mar., 1929 -- Exhibition of Paintings by Adriaan Lubbers
Mar.-Apr., 1929 -- Exhibition of Etchings by Gifford Beal, Frank W. Benson, Childe Hassam, Kenneth Hayes Miller, and John Sloan
Apr., 1929 -- Exhibition of Paintings by Arnold Friedman
Apr., 1929 -- Sculpture by Harriette G. Miller
May, 1929 -- Paintings by Howard Ashman Patterson
May, 1929 -- Paintings by William Meyerowitz
Oct., 1929 -- Exhibition of Modern French Paintings, Watercolors and Drawings
Nov., 1929 -- Modern French and American Paintings, Watercolors, Prints, and Sculpture (at Gage Galleries in Cleveland)
Jan., 1930 -- Paintings by Paul Bartlett
Feb., 1930 -- Watercolors by Auguste Rodin
Feb.-Mar., 1930 -- Paintings by Guy Pène Du Bois
Summer, 1930 -- Paintings by American Artists
Oct., 1930 -- Paintings and Watercolors by Maurice Prendergast
Nov., 1930 -- Paintings by Ruth Jonas
Nov., 1930 -- Sculpture by Harriette G. Miller
Jan., 1931 -- Paintings and Watercolors by Richard Lahey
Jan.-Feb., 1931 -- Paintings by Erle Loran Johnson
Feb.-Mar., 1931 -- Paintings, Watercolors and Etchings by Gifford Beal
Mar., 1931 -- Paintings and Watercolors by Walter Pach
Mar.-Apr., 1931 -- Paintings, Drawings, and Etchings by Rudolf H. Sauter
May, 1931 -- Exhibition of Watercolors by John La Farge, Gifford Beal, H. E. Schnakenberg, Maurice Prendergast, Guy Pène Du Bois, Richard Lahey
Fall, 1931 -- Modern French Paintings, Watercolors, and Drawings
Dec., 1931 -- Exhibition of Drawings and Watercolors by D. Y. Cameron, Joseph Gray, Henry Rushbury, Muirhead Bone, Edmund Blampied, Gwen John
Dec., 1931 -- Lithographs and Posters by H. de Toulouse-Lautrec
Jan., 1932 -- Watercolors by Pierre Brissaud
Feb., 1932 -- Paintings and Drawings by A. S. Baylinson
Mar., 1932 -- Watercolors and Pastels by French and American Artists
Apr., 1932 -- Paintings by Nan Watson
May, 1932 -- Sculpture by Behn, Bourdelle, Geissbuhler, Lachaise, Maillol, Miller, Nadelman, Renoir, Young, Zorach; Decorative Panels by Max Kuehne, and Charles Prendergast
June-Aug., 1932 -- Paintings and Watercolors by American Artists
Oct.-Nov., 1932 -- Paintings, Watercolors, and Drawings by Various Artists
Jan., 1933 -- Paintings by Paul Bartlett
Jan.-Feb., 1933 -- Lithographs by Henri Fantin-Latour
Feb., 1933 -- Etchings of Dogs by Bert Cobb
Feb.-Mar., 1933 -- Paintings by American Artists
Feb.-Apr., 1933 -- Paintings by Contemporary Americans
Apr., 1933 -- Paintings by Maurice Prendergast
Oct., 1933 -- Exhibition of French Paintings, Watercolors, and Drawings
Oct.-Nov., 1933 -- Drawings by Emily W. Miles
Oct.-Nov., 1933 -- Exhibition of Etchings and Lithographs
Nov., 1933 -- Paintings and Watercolors by Henry E. Schnakenberg
Dec., 1933 -- Watercolors by Gifford Beal
Jan., 1934 -- Exhibition of Drawings by Denys Wortman for "Metropolitan Movies"
Summer, 1934 -- Paintings by Gifford Beal, Reynolds Beal, Isabel Bishop, Ann Brockman, Preston Dickinson, Guy Pène Du Bois, William J. Glackens, Richard Lahey, Ernest Lawson, George Luks, Harriette Miller, Maurice Prendergast, Henry E. Schnakenberg, and John Sloan
Oct.-Nov., 1934 -- Exhibition of Etchings and Lithographs
Nov.-Dec., 1934 -- Paintings by Gifford Beal
Mar., 1935 -- Complete Collection of Etchings by Mahonri Young
July-Aug., 1935 -- Paintings by American Artists including Gifford Beal, Reynolds Beal, Ann Brockman, Guy Pène Du Bois, William J. Glackens, Max Kuehne, Richard Lahey, Ernest Lawson, George Luks, Harriette G. Miller, Maurice Prendergast, Henry E. Schnakenberg, John Sloan, and Abraham Walkowitz
Oct.-Nov., 1935 -- Decorative Panels by Charles Prendergast
Nov., 1935 -- Exhibition of Paintings by H. E. Schnakenberg
Mar., 1936 -- Paintings by Louis Bouché
Apr., 1936 -- Paintings by Gifford Beal
Oct.-Nov., 1936 -- Loan Collection of French Paintings
Dec., 1936 -- Monotypes in Color by Maurice Prendergast
Jan., 1937 -- Recent Watercolors by H. E. Schnakenberg
Jan., 1937 -- Paintings of Flowers by William J. Glackens
Feb., 1937 -- Etchings by John Sloan
Feb., 1937 -- A Group of American Paintings
Sept., 1937 -- A Group of Paintings by Gifford Beal, Louis Bouché, Guy Pène Du Bois, William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, Theodore Robinson, John Sloan, J. Alden Weir
Oct.-Nov., 1937 -- Decorative Panels by Charles Prendergast
Dec., 1937 -- American Watercolors
Jan.-Feb., 1938 -- Paintings by Gifford Beal
Feb.-Mar., 1938 -- Drawings by William Glackens, Guy Pène Du Bois, John Sloan, Denys Wortman
Apr., 1938 -- Paintings by Louis Bouché
May, 1938 -- Paintings and Pastels by Randall Davey
Oct., 1938 -- Selected Paintings by Modern French and American Artists
Nov., 1938 -- Paintings by Guy Pène Du Bois from 1908 to 1938
Nov., 1938 -- Paintings and Sculpture by Harriette G. Miller
Dec., 1938 -- Watercolors by Prendergast, Keller, Demuth, Wilcox and Others
Jan., 1939 -- Paintings by H. H. Newton
Oct., 1939 -- French and American Paintings
Oct.-Nov., 1939 -- Drawings by William Glackens of Spanish-American War Scenes
Nov., 1939 -- Paintings and Watercolors by Russell Cowles
Jan.-Feb., 1940 -- Recent Paintings by Louis Bouché
Feb.-Mar., 1940 -- Paintings by Henry Schnakenberg
Mar.-Apr., 1940 -- Paintings by Maurice Prendergast
Apr.-May, 1940 -- Watercolors by Charles Kaeselau
May-June, 1940 -- A Group of Recent Paintings by Gifford Beal, Russell Cowles, John Koch, Henry Schnakenberg, Esther Williams, Louis Bouché, Guy Pène Du Bois, Harriette G. Miller, John Sloan, Edmund Yaghjian
Oct., 1940 -- Drawings by American Artists
Nov., 1940 -- Walt Dehner
Mar., 1941 -- John Koch
May-June, 1941 -- Watercolors and Small Paintings by Gifford Beal
Oct.-Nov., 1941 -- Recent Paintings by Russell Cowles
Nov.-Dec., 1941 -- Paintings and Watercolors by Henry E. Schnakenberg
Dec., 1941 -- Charles Prendergast
Jan., 1942 -- Paintings by Samuel Brecher
Jan.-Feb., 1942 -- Recent Paintings by Guy Pène Du Bois
Mar.-Apr., 1942 -- Recent Paintings by Louis Bouché
Mar.-Apr., 1942 -- Illustrations by Boardman Robinson Commissioned by the Limited Editions Club for Edgar Lee Masters' "Spoon River Anthology"
Dec., 1942 -- Paintings from the Period of the Last War
Feb., 1943 -- Paintings and Watercolors by William Dean Fausett
Mar., 1943 -- Paintings by John Hartell
May-July, 1943 -- Watercolors by Contemporary American Artists
Feb.-Mar., 1944 -- Samuel Brecher
Feb.-Mar., 1944 -- Paintings, Gouaches, and Drawings by Andrée Ruellan
Mar., 1944 -- Vaughn Flannery
Mar.-Apr., 1944 -- Recent Paintings by Russell Cowles
Apr.-May, 1944 -- Recent Paintings by Louis Bouché
May-June, 1944 -- Retrospective Exhibition of Paintings and Watercolors by Henry G. Keller
Oct., 1944 -- Esther Williams
Nov.-Dec., 1944 -- Paintings and Watercolors of France by Maurice Prendergast
Dec., 1944 -- William J. Glackens Sixth Memorial Exhibition
Dec., 1944 -- Kraushaar Galleries Sixtieth Anniversary Exhibition of Paintings by William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, and John Sloan
Jan.-Feb., 1945 -- Paintings by Gifford Beal
Feb.-Mar., 1945 -- Paintings by Andrée Ruellan
Apr.-May, 1945 -- Charles Locke
May-June, 1945 -- William Dean Fausett
Oct., 1945 -- Paintings by John Hartell
Nov.-Dec., 1945 -- Recent Watercolors by Marion Monks Chase
Nov.-Dec., 1945 -- Gouaches by Cecil Bell
Dec., 1945 -- Memorial Exhibition of Paintings and Watercolors by Ann Brockman
undated, 1946 -- Russell Cowles
Jan.-Feb., 1946 -- Richard Lahey
Feb., 1946 -- John Koch
Feb.-Mar., 1946 -- Paintings by Ernst Halberstadt
Mar., 1946 -- Paintings of Mexico and Guatemala by Henry E. Schnakenberg
Mar., 1946 -- Iver Rose
Apr., 1946 -- Louis Bouché
Apr.-May, 1946 -- Russell Cowles
May-June, 1946 -- Paintings by Bernard Arnest, Charles Harsanyi, Irving Katzenstein, Anna Licht, James Penney, Etienne Ret, and Vernon Smith
Sept., 1946 -- Retrospective Exhibition of the Work of Boardman Robinson
Nov., 1946 -- Guy Pène Du Bois
Nov.-Dec., 1946 -- William J. Glackens Eighth Memorial Exhibition
Jan., 1947 -- Karl Schrag
Feb.-Mar., 1947 -- Sculpture by Robert Laurent
Feb.-Mar., 1947 -- Paintings by Iver Rose
Feb.-Mar., 1947 -- Recent Paintings by Vernon Smith
Apr., 1947 -- Charles Prendergast
Apr., 1947 -- Louis Bouché
Apr.-May, 1947 -- Esther Williams
Oct.-Nov., 1947 -- Anna Licht
Nov., 1947 -- William J. Glackens Ninth Memorial Exhibition, with Works by Lenna Glackens
Mar., 1948 -- Russell Cowles
Apr.-May, 1948 -- Bernard Arnest
Aug.-Sept., 1948 -- New York Paintings and Watercolors
Oct.-Nov., 1948 -- Kenneth Evett
Nov.-Dec., 1948 -- Watercolors and Pastels by Harriette G. Miller
Jan.-Feb., 1949 -- John Hartell
Sept.-Oct., 1949 -- Contemporary American Watercolors and Gouaches
Oct., 1949 -- Contemporary Paintings
Jan., 1950 -- Maurice Prendergast Retrospective of Oils and Watercolors
Jan.-Feb., 1950 -- James Penney
Feb.-Mar., 1950 -- Paintings by Karl Schrag
Mar.-Apr., 1950 -- Russell Cowles
Jan.-Feb., 1951 -- William Sommer
Feb., 1951 -- Prints and Drawings by Various Artists
Feb., 1951 -- Paintings by Louis Bouché
Mar., 1951 -- Kenneth Evett
Apr.-May, 1951 -- Paintings by Gallery Artists
May-July, 1951 -- Contemporary American Watercolors
July-Aug., 1951 -- Paintings on the Summer Theme
Sept.-Oct., 1951 -- Vaughn Flannery
Oct.-Nov., 1951 -- Recent Paintings by Gallery Artists
Nov., 1951 -- Paintings by John Koch
Nov.-Dec., 1951 -- Joe Lasker
Dec., 1951 -- Small Prints and Drawings
Jan., 1952 -- Recent Gouaches by William Kienbusch
Jan., 1952 -- John Sloan: Recent Etchings from 1944-1951, and Etchings and Drawings Selected from All Periods of His Career
Feb.-Mar., 1952 -- Andrée Ruellan
Mar.-Apr., 1952 -- Bernard Arnest
Apr.-May, 1952 -- Recent Sculpture by Robert Laurent
May, 1952 -- Recent Paintings by Contemporary American Artists
May-June, 1952 -- Watercolors by Joseph Barber, Edward Christiana, Walt Dehner, Sidney Eaton, Wray Manning, and Woldemar Neufeld
July-Aug., 1952 -- Color Prints (Woodcuts, Etchings, and Lithographs) by Eleanor Coen, Caroline Durieux, Max Kahn, Tom Lias, Woldemar Neufeld, James Penney, George Remaily, Ann Ryan, and Karl Schrag
Nov., 1952 -- Karl Schrag
Dec., 1952-Jan. 1953 -- Eight Oregon Artists
Jan., 1953 -- Charles Prendergast Memorial Exhibition
Jan.-Feb., 1953 -- John Hartell
May, 1953 -- John Heliker
June, 1953 -- Humbert Alberizio, Vaughn Flannery, William Kienbusch, George Rickey, Andrée Ruellan, and Karl Schrag
Sept., 1953 -- Works by Gifford Beal, Kenneth Evett, Tom Hardy, John Koch, and James Lechay
Sept.-Oct., 1953 -- Paintings by Glackens, Lawson, Prendergast, Sloan
Oct.-Nov., 1953 -- Paintings by E. Powis Jones
Oct.-Nov., 1953 -- Recent Works by John Koch
Nov., 1953 -- Kenneth Evett: Drawings from Greek Mythology
Nov.-Dec., 1953 -- Recent Metal Sculptures by Tom Hardy
Nov.-Dec., 1953 -- Pastels, Drawings and Prints by Peggy Bacon
Nov.-Dec., 1953 -- Recent Paintings by Ralph Dubin
Feb.-Mar., 1954 -- Russell Cowles
Mar.-Apr., 1954 -- James Penney
Nov.-Dec., 1954 -- Tom Hardy: Metal Sculptures
Jan., 1955 -- Mobiles, Machines, and Kinetic Sculpture by George Rickey
Jan.-Feb., 1955 -- James Lechay
Feb., 1955 -- Mobiles by George Rickey
Feb.-Mar., 1955 -- Drawings, Etchings, and Lithographs by John Sloan (with a selection of prints by artists whose work influenced him in his early years: Rembrandt, Hogarth, Goya, Rops, Daumier, Rowlandson and others, to mark the publication of John Sloan: A Painter's Life by Van Wyck Brooks)
Mar.-Apr., 1955 -- Jane Wasey
Apr., 1955 -- Recent Work by Joe Lasker
May-June, 1955 -- Sculpture and Drawings by Contemporary American Artists
Jan., 1956 -- Carl Morris
Jan.-Feb., 1956 -- John Laurent
Feb.-Mar., 1956 -- William Kienbusch
Mar., 1956 -- Andrée Ruellan
Mar.-Apr., 1956 -- Karl Schrag
Apr.-May, 1956 -- John Heliker
May, 1956 -- Monotypes by Maurice Prendergast
Oct., 1956 -- The Eight
Jan.-Feb., 1957 -- Paintings by John Hartell
Apr., 1957 -- James Penney
Apr.-May, 1957 -- John Heliker
May-June, 1957 -- Fourteen Painter-Printmakers (American Federation of Arts exhibition)
June-July, 1957 -- 20th Century American Artists
Nov., 1957 -- William Glackens and His Friends (based on the book by Ira Glackens)
Nov., 1957 -- Marguerite Zorach
Jan., 1958 -- Gouches, Drawings and Small Glyphs by Ulfert Wilke
Jan.-Feb., 1958 -- Tom Hardy
Feb.-Mar., 1958 -- John Koch
Feb.-Mar., 1958 -- Still Life Exhibition with Works by William J. Glackens and Maurice Prendergast
Feb.-Mar., 1958 -- Cecil Bell
Mar., 1958 -- Karl Schrag
Mar., 1958 -- Carl Morris
Mar.-Apr., 1958 -- Louis Bouché
Apr., 1958 -- Paintings and Drawings by Joe Lasker
Apr.-May, 1958 -- Paintings and Drawings by Walter Feldman
Apr.-May, 1958 -- Sculpture by Henry Mitchell
May-June, 1958 -- Works in Casein and Gouache by Bernard Arnest, William Kienbusch, Carl Morris, and Karl Schrag
July, 1958 -- Still Life Paintings and Watercolors by American Artists
Oct.-Nov., 1958 -- Kenneth Evett
Nov., 1958 -- Elsie Manville
Nov.-Dec., 1958 -- John Laurent
Jan., 1959 -- Kinetic Sculpture by George Rickey
Jan.-Feb., 1959 -- Bernard Arnest
Mar., 1959 -- Karl Schrag
Mar.-Apr., 1959 -- Paintings by Joe Lasker
Apr.-May, 1959 -- Henry Mitchell
Sept.-Oct., 1959 -- Robert Searle
Oct.-Nov., 1959 -- Russell Cowles
Nov., 1959 -- Caseins and Paintings by William Kienbusch
Dec., 1959 -- Paintings by Vaughn Flannery
Feb., 1960 -- James Lechay
Apr., 1960 -- Landscapes by John Sloan
Apr.-May, 1960 -- John Guerin
May-June, 1960 -- Drawings and Small Sculpture by Gallery Artists
Oct., 1960 -- Ainslie Burke
Oct.-Nov., 1960 -- Leon Goldin
Nov.-Dec., 1960 -- Ulfert Wilke
Jan., 1961 -- Leonard DeLonga
Jan., 1961 -- Kenneth Evett
Jan.-Feb., 1961 -- Walter Feldman
Feb.-Mar., 1961 -- Watercolors and Pastels by Early Twentieth-Century American Artists
Mar., 1961 -- Paintings by Ralph Dubin
Mar.-Apr., 1961 -- James Penney
Apr.-May, 1961 -- John Koch
June, 1961 -- Works by Humbert Albrizio, Bernard Arnest, Cecil Bell, Louis Bouché, Ralph Dubin, Kenneth Evett, Walter Feldman, John Hartell, John Heliker, William Kienbusch, John Koch, Robert Laurent, James Lechay, Elsie Manville, Henry Mitchell, James Penney, George Rickey, Andrée Ruellan, Henry E. Schnakenberg, Karl Schrag, Jane Wasey, and Marguerite Zorach
Sept., 1961 -- Works by Contemporary Americans
Oct., 1961 -- George Rickey: Kinetic Sculpture
Oct.-Nov., 1961 -- Carl Morris
Nov.-Dec., 1961 -- Peggy Bacon
Dec., 1961 -- Selected Works by Twentieth-Century Americans
Jan., 1962 -- Polymer Resin and Sumi Ink Paintings by Kenneth Evett
Jan.-Feb., 1962 -- Louis Bouché
Feb.-Mar., 1962 -- Karl Schrag
Mar., 1962 -- Marguerite Zorach
Apr., 1962 -- John Laurent
Apr.-May, 1962 -- Sculpture by Tom Hardy
May-June, 1962 -- Drawings by Contemporary American Artists
July-Aug., 1962 -- Group Exhibitions - Paintings, Drawings and Sculpture by 20th Century American Artists
Oct., 1962 -- Bernard Arnest
Feb., 1963 -- William Kienbusch
Feb.-Mar., 1963 -- John Guerin
Mar., 1963 -- John Hartell
Sept.-Oct., 1963 -- Andrée Ruellan
Oct.-Nov., 1963 -- Ainslie Burke
Nov., 1963 -- Walter Feldman
Dec., 1963 -- Drawings by John Koch
Dec., 1963 -- Paintings by Contemporary Americans
Jan., 1964 -- Leonard DeLonga
Jan.-Feb., 1964 -- Joe Lasker
Feb.-Mar., 1964 -- Leon Goldin
Mar., 1964 -- Paintings by Ralph Dubin
Apr., 1964 -- Carl Morris
Apr.-May, 1964 -- Paintings and Drawings by John Heliker
Oct.-Nov., 1964 -- Louis Bouché
Nov.-Dec., 1964 -- Karl Schrag
Dec., 1964 -- Kenneth Evett
Feb., 1965 -- Russell Cowles
Feb.-Mar., 1965 -- James Lechay
Mar.-Apr., 1965 -- James Penney
Apr.-May, 1965 -- Gifford Beal
Feb., 1966 -- Dennis Leon
Feb.-Mar., 1966 -- Henry Schnakenberg
Mar.-Apr., 1966 -- John Hartell
Apr., 1966 -- Elsie Manville
Oct., 1966 -- Contrasts - Early and Late Works by Selected Contemporaries
Oct.-Nov., 1966 -- Tom Hardy
Nov.-Dec., 1966 -- Francis Chapin
Dec., 1966-Jan., 1967 -- Karl Schrag: Etchings and Lithographs
Jan.-Feb., 1967 -- Leonard DeLonga
Feb.-Mar., 1967 -- Carl Morris
Mar.-Apr., 1967 -- Ainslie Burke
Apr.-May, 1967 -- John Heliker: Paintings, Drawings, and Watercolors
May-June, 1967 -- William Glackens
Oct., 1967 -- Kenneth Callahan
Oct.-Nov., 1967 -- John Laurent
Jan.-Feb., 1968 -- Dennis Leon
Feb.-Mar., 1968 -- Robert La Hotan
Apr., 1968 -- John Guerin
Apr.-May, 1968 -- Leon Goldin
Sept.-Oct., 1968 -- Contemporary Sculpture and Drawings
Oct.-Nov., 1968 -- Karl Schrag
Nov.-Dec., 1968 -- James Lechay: Portraits and Landscapes
Dec., 1968-Jan., 1969 -- Group Exhibition
Jan., 1969 -- Elsie Manville
Mar., 1969 -- Kenneth Evett
Apr.-May, 1969 -- James Penney
Sept.-Oct., 1969 -- New Works by Contemporary Artists
Oct.-Nov., 1969 -- John Hartell: Exhibition
Nov., 1969 -- Peggy Bacon
Dec., 1969 -- Selected Examples by American Artists 1900-1930
Jan., 1970 -- Leonard DeLonga
Feb., 1970 -- Joe Lasker
Mar., 1970 -- Group Exhibition
Mar.-Apr., 1970 -- Dennis Leon
Apr.-May, 1970 -- Jerome Myers
Oct.-Nov., 1970 -- Tom Hardy
Jan.-Feb., 1971 -- Jane Wasey
Mar.-Apr., 1971 -- Kenneth Callahan
Oct., 1971 -- Ainslie Burke
Nov.-Dec., 1971 -- Karl Schrag
Feb.-Mar., 1972 -- John Koch
Mar.-Apr., 1972 -- Robert La Hotan
Apr.-May, 1972 -- Leon Goldin
May-June, 1972 -- Selected Works by 20th Century Americans
Sept.-Oct., 1972 -- Gallery Collection: American Watercolors and Drawings
Oct.-Nov., 1972 -- John Hartell
Nov.-Dec., 1972 -- Peggy Bacon
Dec., 1972 -- 20th Century Americans
Jan., 1973 -- Leonard DeLonga
Feb., 1973 -- Carl Morris
Mar., 1973 -- James Lechay
Mar.-Apr., 1973 -- Russell Cowles: Landscape Paintings
Apr.-May, 1973 -- Jerome Witkin
May-June, 1973 -- Kenneth Evett: Watercolors
Oct.-Nov., 1973 -- Kenneth Callahan
Jan., 1974 -- Joe Lasker
Jan.-Feb., 1974 -- Bernard Arnest
Feb.-Mar., 1974 -- Concetta Scaravaglione
Oct., 1974 -- Ainslie Burke
Oct.-Nov., 1974 -- James Penney
Jan., 1975 -- Tom Hardy
Jan.-Feb., 1975 -- Karl Schrag
Feb.-Mar., 1975 -- Robert La Hotan
Mar.-Apr., 1975 -- William Kienbusch
Apr., 1975 -- Elsie Manville
Apr.-May, 1975 -- Gifford Beal
Oct.-Nov., 1975 -- John Hartell
Nov., 1975 -- Daniel O'Sullivan
Mar., 1976 -- Jerome Witkin
May, 1976 -- Linda Sokolowski
Sept.-Oct., 1976 -- Joe Lasker, Illustrations from Merry Ever After
Oct., 1976 -- Leonard DeLonga
Nov.-Dec., 1976 -- Kenneth Callahan
Jan., 1977 -- James Lechay
Mar., 1977 -- Karl Schrag
Mar.-Apr., 1977 -- David Cantine
Oct.-Nov., 1977 -- John Hartell
Nov.-Dec., 1977 -- Ainslie Burke
Feb., 1978 -- Robert La Hotan
Apr., 1978 -- Elsie Manville
Oct., 1978 -- Tom Hardy
Oct.-Nov., 1978 -- Jerome Witkin
Jan.-Feb., 1979 -- Joe Lasker
Feb., 1979 -- Kenneth Evett
Feb.-Mar., 1979 -- Karl Schrag
Mar.-Apr., 1979 -- Carl Morris
Apr.-May, 1979 -- Linda Sokolowski
Oct.-Nov., 1979 -- Daniel O'Sullivan
Feb.-Mar., 1980 -- Kenneth Callahan
Mar., 1980 -- Ainslie Burke
Oct., 1980 -- John Hartell
Jan., 1981 -- Leonard DeLonga
Feb., 1981 -- James Lechay
Feb.-Mar., 1981 -- Robert La Hotan
Mar.-Apr., 1981 -- Jerry Atkins
Apr.-May, 1981 -- Ben Frank Moss
Jan.-Feb., 1982 -- Jerome Witkin
Feb.-Mar., 1982 -- Elsie Manville
Mar.-Apr., 1982 -- Karl Schrag
Apr.-May, 1982 -- Linda Sokolowski
May-June, 1982 -- David Cantine
Sept.-Oct., 1982 -- Kenneth Callahan
Oct.-Nov., 1982 -- Joe Lasker
Nov.-Dec., 1982 -- Daniel O'Sullivan
Jan.-Feb., 1983 -- William Kienbusch: Memorial Exhibition
Feb.-Mar., 1983 -- Jerry Atkins
Mar.-Apr., 1983 -- John Hartell
Apr.-May, 1983 -- John Heliker
May-June, 1983 -- Kenneth Evett
Oct., 1983 -- Concetta Scaravaglione
Oct.-Nov., 1983 -- Ben Frank Moss
Nov.-Dec., 1983 -- Russell Cowles
Dec., 1983-Jan., 1984 -- 20th Century Americans
Jan.-Feb., 1984 -- Marguerite Zorach: Paintings at Home and Abroad
Feb.-Mar., 1984 -- Robert La Hotan
Mar., 1984 -- David Smalley
Apr., 1984 -- Carl Morris
May, 1984 -- Karl Schrag
July, 1984 -- Drawings by 20th Century Americans
July-Aug., 1984 -- Collages and Drawings by Joseph Heil
Aug.-Sept., 1984 -- Drawings and Prints by Tom Hardy
Sept.-Oct., 1984 -- James Penney: Memorial Exhibition
Oct.-Nov., 1984 -- Paintings and Drawings by Leon Goldin
Nov.-Dec., 1984 -- Isabelle Siegel
Dec., 1984-Jan., 1985 -- Group Exhibition: Contemporary American Paintings and Sculpture
Jan.-Feb., 1985 -- James Lechay
Feb.-Mar., 1985 -- Ainslie Burke
Mar., 1985 -- Karen Breunig
Apr., 1985 -- Kenneth Callahan
Oct., 1985 -- Elsie Manville
Oct.-Nov., 1985 -- William Glackens
Jan.-Feb., 1986 -- Linda Sokolowski
Feb.-Mar., 1986 -- Jerry Atkins
Apr.-May, 1986 -- Jane Wasey
Oct.-Nov., 1986 -- John Hartell
Nov.-Dec., 1986 -- Karl Schrag
Feb.-Mar., 1987 -- Kenneth Evett
Apr.-May, 1987 -- Ben Frank Moss
May-June, 1987 -- David Smalley
Oct.-Nov., 1987 -- Isabelle Siegel
Feb.-Mar., 1988 -- Karen Breunig
Mar.-Apr., 1988 -- Leon Goldin
Sept.-Oct., 1988 -- Elsie Manville
Oct.-Nov., 1988 -- James Lechay
Jan.-Feb., 1989 -- Karl Schrag
Feb.-Mar., 1989 -- Linda Sokolowski
Jan.-Feb., 1990 -- Kenneth Callahan: Works of the Fifties
Jan.-Feb., 1990 -- Gifford Beal: Watercolors
Mar., 1990 -- Robert La Hotan: Recent Paintings
Mar.-Apr., 1990 -- Sonia Gechtoff: New Paintings
May-June, 1990 -- David Smalley: Recent Sculpture
May-June, 1990 -- Andrée Ruellan: Sixty Years of Drawing...
Oct., 1990 -- Isabelle Siegel
Nov., 1990 -- Leon Goldin
Jan.-Feb., 1991 -- Karl Schrag
Feb.-Mar., 1991 -- Joe Lasker
Apr., 1991 -- Ainslie Burke
Nov.-Dec., 1991 -- Linda Sokolowski: Oils, Collages, Monotypes
Dec., 1991-Jan., 1992 -- Elsie Manville: Small Works on Paper
Mar., 1992 -- Tabitha Vevers
May-June, 1992 -- Sonia Gechtoff
Oct.-Nov., 1992 -- James Lechay
Nov.-Dec., 1992 -- Karl Schrag
Mar., 1993 -- Leon Goldin: Works on Paper
Apr.-May, 1993 -- Robert La Hotan
Oct., 1993 -- David Smalley: Sculpture Inside and Out
Oct., 1993 -- Andrée Ruellan: Works on Paper 1920-1980
Mar.-Apr., 1994 -- Kenneth Evett: Travels: Themes and Variations (Watercolors of Italy, Greece, Arizona, Maine and California)
Mar.-Apr., 1994 -- Tabitha Vevers
Oct.-Nov., 1994 -- Linda Sokolowski
Nov.-Dec., 1994 -- Karl Schrag
Jan.-Feb., 1995 -- Langdon Quin
Mar.-Apr., 1995 -- Robert La Hotan
Sept.-Oct., 1995 -- Sonia Gechtoff
Jan.-Feb., 1996 -- Elsie Manville: Paintings and Works on Paper
Oct.-Nov., 1996 -- Karl Schrag: A Self Portrait Retrospective, 1940-1995
Jan.-Feb., 1997 -- Joe Lasker: Paintings and Watercolors
Mar.-Apr., 1997 -- Tabitha Vevers
Oct.-Nov., 1997 -- James Lechay
Feb.-Mar., 1998 -- Linda Sokolowski: Canyon Suite: Works from the Southwest
Mar.-Apr., 1998 -- Leon Goldin: Paintings on Paper
Sept.-Oct., 1998 -- Sonia Gechtoff: Mysteries in the Sphere
Oct.-Nov., 1998 -- Langdon Quin: Recent Paintings
Nov.-Dec., 1998 -- John Gill
Jan.-Feb., 1999 -- Robert La Hotan
Feb.-Mar., 1999 -- Ann Sperry: Where Is Your Heart
Nov.-Dec., 1999 -- Kathryn Wall
Jan.-Feb., 2000 -- Elsie Manville
Sept.-Oct., 2000 -- Joe Lasker
Oct.-Nov., 2000 -- James Lechay
Oct.-Nov., 2000 -- Tabitha Vevers
May-June, 2001 -- Kenneth Callahan: Drawings
Dec., 2001-Jan., 2002 -- Sur La Table: A Selection of Paintings and Works on Paper
Jan.-Feb., 2002 -- Karl Schrag: Theme and Variations II: The Meadow
undated, 2003 -- Ann Sperry
Jan.-Feb., 2003 -- Andrée Ruellan: Works on Paper from the 1920s and 1930s
Oct.-Nov., 2003 -- Joe Lasker: Muses and Amusements
Nov.-Dec., 2003 -- Tabitha Vevers
Mar.-Apr., 2004 -- Leon Goldin: Five Decades of Works on Paper
May-July, 2004 -- Anne Frank: A Private Photo Album
Jan.-Feb., 2005 -- John Gill: Ceramics
Sept.-Oct., 2005 -- Karl Schrag: The Painter of Bright Nights
Related Material:
An untranscribed oral history interview with Antoinette Kraushaar was conducted for the Archives of American Art by Avis Berman in 1982, and is available on five audio cassettes at the Archives' Washington D.C. research facility.
Separated Material:
In addition to the records described in this finding aid, the following materials were lent to the Archives for filming in 1956 and are available on microfilm reels NKR1-NKR3 and for interlibrary loan: a book of clippings from 1907 to 1930, primarily of exhibition reviews; loose clippings and catalogs of exhibitions from 1930 to 1946; and a group of photographs and clippings relating to George Luks and other artists. These materials were returned to Kraushaar Galleries after microfilming.
Provenance:
53.5 linear feet of records were donated to the Archives of American Art by Kraushaar Galleries in three separate accessions in 1959, 1994, and 1996. Katherine Kaplan of Kraushaar Galleries donated an additional 38.4 linear feet in 2008-2009.
Restrictions:
Use of originals requires an appointment. A fragile original scrapbook is closed to researchers.
Rights:
The Kraushaar Galleries records are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Authorization to publish, quote or reproduce from the records requires written permission from: Katherine Kaplan, Kraushaar Galleries, 724 Fifth Avenue, New York, NY 10019.
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Scope and Content Note:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938 to 2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Biographical material pertains to the artist's family, military service, education and teaching experience and representing galleries and publishers and includes artist biographies, awards, distinctions, and membership information.
Correspondence includes personal and business correspondence as well as collections of cards and literature on other artists, Neiman's notes and jottings, art work by children, and office records.
Project files document specific projects or art events in which Neiman was involved, including commissions, promotions, collaborations, serigraph printings, and publications.
Printed material includes newspapers, magazines, catalogs, fliers, invitations, brochures, press releases, film scripts and small posters.
Artifacts include three-dimensional items, clothing, souvenirs and LeRoy Neiman paraphernalia.
Arrangement:
The collection is arranged as 5 series:
Series 1: Biographical Material, 1938-2004, undated (Boxes 1-3, 77; 3.3 linear feet)
Series 2: Correspondence, circa 1960s-2004, undated (Boxes 3-19)
Series 3: Project Files, 1949-2005, undated (Boxes 20-39, 78-81)
Series 4: Printed Material, circa 1940s-circa 2005, undated (Boxes 40-61, 82-83, OV 85)
Series 5: Artifacts, 1953-2002, undated (Boxes 69-76, 84)
Biographical Note:
LeRoy Neiman has been described as the most popular living painter in America. While strikingly original, his work reflects the varied influences of Toulouse-Lautrec, Dufy, the New York Social Realists, and the Abstract Expressionists. Probably best known as a portrayer of sporting and social events, he virtually invented the modern genre of sports art and remains its most accomplished and acclaimed practitioner.
Among many other accomplishments, he was the first and only on-camera official artist for ABC-TV at the Olympics in Munich, 1972 and Montreal, 1976, and covered several other winter and summer Olympiads as an official artist. He was the first artist to create live, on-camera computer art while covering the 1978 Super Bowl in New Orleans for CBS-TV. In 1997 he was selected as the first official artist of the Kentucky Derby. But Neiman's interests range far and wide. As a painter, printmaker, and author, his subjects have included Parisian cafés, African safaris, famous bars, five-star restaurants, urban street scenes, the opera, political figures, jazz musicians, entertainers, stage and screen stars, gambling casinos, portraits, international stock exchanges, and much more.
For the past quarter-century, Neiman has created limited-edition serigraphs (silk-screen prints). Published and distributed exclusively by Knoedler Publishing, they are sold in selected galleries throughout the United States. By one estimate, the more than 150,000 Neiman prints that have been purchased to date have an estimated market value exceeding $400 million. Neiman is the author of twelve books: Horses, LeRoy Neiman Posters, Winners, which was also published in Japanese, Big Time Golf, LeRoy Neiman: An American in Paris, LeRoy Neiman on Safari, and LeRoy Neiman: Five Decades, all published by Harry N. Abrams, as well as Art and Life Style, Carnaval, Monte Carlo Chase, Casey at the Bat, and the newly-released limited edition LeRoy Neiman Sketchbook: Liston vs. Clay 1964/ Ali vs. Liston 1965, 2004. Knoedler Publishing has published The Prints of LeRoy Neiman, Volumes I-III, a catalogue raisonnes on Neiman's limited edition prints.
Over the years the artist has donated scores of his artworks to dozens of charitable causes and organizations. Through his work with the Good Tidings Foundation, two LeRoy Neiman Art Centers for Youth have been built in elementary schools in California. In 1995, he gave the School of the Arts at Columbia University in New York City an endowment of $6 million to create the LeRoy Neiman Center for Print Studies, dedicated to the study of fine art printmaking and the development of new methods of printmaking, and including a scholarship program. A 1998 donation led to the creation of the LeRoy Neiman Center for the Study of American Culture and Society at UCLA.
Neiman's work is represented in the Art Institute of Chicago, the Whitney Museum, the Minneapolis Museum of Art, the Hermitage of St. Petersburg and numerous other museums and public and private collections worldwide. A past member of the New York City Advisory Commission for Cultural Affairs, Neiman has received five honorary degrees and, among other honors, an Award of Merit from the American Athletic Union, a Gold Plate Award from the American Academy of Achievement, and a Lifetime Achievement Award from the Muscular Dystrophy Association, in addition to being named Boxing Artist of 1966 by Lonsdale, London.
1921 -- Born June 8 in St. Paul, Minnesota.
1942-46 -- Leaves high school to enlist in the army; serves four years in Europe.
1946 -- Studies at the St. Paul Gallery and School of Art with Clement Haupers.
1946-50 -- Student at the School of the Art Institute of Chicago; studies with Boris Anisfeld; studies liberal arts at University of Illinois and De Paul University, Chicago.
1950-60 -- Member of the Faculty, School of the Art Institute of Chicago, teaching figure drawing and fashion drawing.
1952 -- Exhibits in Twin City Show at Minneapolis Institute of Arts; wins Chicago Art Directors Award.
1953 -- Begins using enamel house paints; develops interest in drawing horse racing at Arlington Park; wins First Prize for painting "Idle Boats", a purchase prize, at Twin City Show, Minneapolis Institute of Art.
1954 -- Begins association with Playboy magazine illustrating Charles Beaumont story, which wins Chicago Art Directors Award; exhibits for first time in Chicago Artists and Vicinity Show, where he continues to show for next six years; wins Second Prize, Minnesota State Show; exhibits at Philadelphia Art Alliance.
1955 -- Instructor of painting at Elmwood Park Art League and North Shore Art League; exhibits at the Carnegie Pittsburgh International Exhibition of Contemporary Painting; creates the "Femlin" symbolic character which appears in Playboy for next 47 years; wins New York Art Directors Award.
1956 -- Included in "New Talent in America in 1956", published in Art in America, February 1956; delves deeper into Chicago sports scene, draws Chicago Bears, Blackhawks and boxing.
1957 -- Exhibits in Corcoran Gallery of Art "American 25th Biennial Exhibition", Washington, D.C.; awarded most popular prize out of 3,000 entries as well as the juried Clark Memorial Prize and Vicinity Show; first television appearance on Art Institute of Chicago TV show, "Artist's Choice"; painting instructor at School of the Art Institute of Chicago Summer Session and for two years at Ox-Bow Summer School, Saugatuck, Michigan teaching landscape painting; marries art student Janet Byrne.
1958 -- Exhibits at the "Society of Contemporary American Art Exhibition", Art Institute of Chicago, for three years; begins extensive travels for Playboy magazine, creating a feature on the high life called "Man at His Leisure", which appears regularly for the next 15 years; wins Municipal Art Award at "Chicago Artist and Vicinity Show", and Hamilton & Graham Cash Prize, Ball State Teachers College Drawing Show, Muncie, Indiana.
1959 -- Holds one-man show of racing scenes at Arlington Park Race Track, Chicago; shows in "Jazz Exhibition" and "Social Observation and Comment in Art Show" in Chicago.
1960 -- Paints at Squaw Valley Winter Olympic Games; travels six months through Europe covering sporting and social events, the Grand National Steeplechase, Epsom Derby, Ascot, and the Oxford-Cambridge boat race in England, Maxim's Tour d'Argent, the Lido and Folies Bergere in Paris, the Cannes Film Festival and St. Tropez, Fiesta de San Isidro bullfights in Madrid, the Grand Prix in Monaco auto race.
1960-1970 -- Executes over one hundred paintings and two murals for eighteen Playboy Clubs.
1961 -- Takes studio in Paris; does studies of Deauville social season and sketches the great restaurants of France; sketches Dublin Horse Show and cricket at Lord's in London; wins gold medal for oil painting at the "Salon d'Art Moderne", Paris.
1962 -- Sketches Bordeaux wine country, Paris fashion shows, racing at Longchamp, and Giraglia Yacht Race on Riviera; paints Regatta of the Gondoliers in Venice; does studies of Fellini directing "8 ½" and sketches at Cine Citta studios in Rome; visits U.S. to work on commission for 12 paintings of the Indianapolis 500.
1963 -- Returns from Paris; establishes a studio in New York; teaches painting at Arts and Crafts, Inc., Winston-Salem, North Carolina; holds first one-man exhibition in New York at Hammer Galleries; travels to Mexico with Shel Silverstein; sketches in Mexico City and Acapulco.
1964 -- Starts series of Muhammad Ali sketches and paintings which spans the next 15 years; sketches America's Cup Challenge at Newport, Rhode Island; returns to England to sketch London night life and Prince Phillip playing polo at Windsor; paints the Tour de France in Paris.
1965 -- Commemorates Sugar Ray Robinson with 8' x 6' portrait "Farewell to Boxing" unveiled at Madison Square Garden ceremony; paints portrait of Mae West and poet Marianne Moore.
1966 -- Sketches Kentucky Derby; in London paints personalities and scenes including the Beatles and Carnaby Street, Kenneth Tynan, Sir Ralph Richardson; paints surfing in California; executes mural for Swedish-Lloyd Ship, S. S. Patricia; creates art for film "Casino Royale"; sketches indoor polo for opening of Houston Astrodome.
1967 -- Sketches and paints leading figures in the arts, sports and entertainment world, including Leonard Bernstein, Joe Louis, Frank Sinatra, Brigitte Bardot and ballerina Suzanne Farrell; paints "24 Hours of LeMans", nudist scenes on the Dalmatian Coast of Yugoslavia, the Fiesta at Pamplona, the dolce vita of Rome.
1968 -- Paints the Kirov and Bolshoi ballets in Russia; is named artist-in-residence from the bench of the New York Jets football team; executes critical sketches of the 1968 Democratic National Convention in Chicago; paints Bobby Hull for Time magazine cover; contributed drawings for Harpers magazine articles on Cassius Clay and on Bobby Kennedy and race relations; initiates art class for Atlanta Poverty Program.
1969 -- Sketches civil rights figures and teaches art in Atlanta Poverty Program; creates poster for Kurt Weill Off-Broadway show and program cover for Oh! Calcutta; sketches New York City Ballet; appears regularly on TV as New York Jets artist-in-residence; collaborates with Dave Anderson on book, Countdown to Super Bowl; covers horse racing at Ascot and Longchamp, camel racing in Morocco.
1970 -- Paints backdrop for Broadway play Borstal Boy and does album cover for Fifth Dimension; exhibits in the Time magazine "Covers Show" at the National Portrait Gallery of the Smithsonian Institution, Washington D.C.; sketches sporting and social events in Dublin, and holds one-man show at the Abbey Theatre; travels with Hugh Hefner in Europe, Greece and Africa; sketches wildlife on safari in Africa; creates poster for Ali-Quarry fight, Ali's return to the ring in Atlanta; paints $100,000 baseball players for book, This Great Game; paints New York Stock Exchange.
1971 -- Has one-man exhibition at Museo de Bellas Artes in Caracas; travels to Monte Carlo, London, Paris and Switzerland; develops interest in printmaking; creates two-part TV program on the art of lithography and produces etchings and lithographs at Atelier Weber in Zurich; creates official poster and draws pre-fight sketches of Ali-Frazier Super Fight I at Madison Square Garden for The New York Times Magazine cover and post-fight sketches for ABC-TV; illustrates Jose Torres' book on Ali, Sting Like a Bee.
1972 -- Covers Fischer-Spasky world champion chess tournament at Reykjavik, Iceland and Munich Olympic Games, both on camera for ABC-TV; covers World Series for NBC-TV; creates serigraph of Knicks-Lakers championship game; paints Super Bowl for Time magazine cover; and cover for Golf Digest.
1973 -- Creates Super Bowl art for CBS-TV; sketches the Masters Golf Tournament for Golf Digest magazine; paints commission for Museum of Jazz; creates serigraph of Triple Crown winner Secretariat; sketches Foreman-Frazier fight in Jamaica; travels on multi-city tour and exhibit of Olympic serigraphs; nineteen serigraphs chosen by the Hermitage Museum, St. Petersburg, for its permanent collection.
1974 -- Has exhibition in Tokyo and sketches sumo, baseball and horse racing for Japanese TV; covers Stanley Cup hockey playoffs for NBC-TV; creates poster for Newport Jazz Festival and for next 5 years; creates poster for Ali-Foreman fight in Kinshasa, Zaire, and for Frank Sinatra concert at Carnegie Hall; Art and Lifestyle is published.
1975 -- Creates official St. Paul Bicentennial poster; given major retrospective at the Minnesota Museum of Art; creates official program cover for World Series; creates poster for Ali-Frazier III and paints cockfights in Manila; creates first of four annual posters for Robert F. Kennedy Pro-Celebrity Tennis Tournament; book The Artist's Limited Edition of Moby Dick is published.
1976 -- Paints mural on camera as ABC-TV Official Artist at Olympic Games, Montreal; paints on French Riviera; holds one-man show at Knoedler Gallery in London; exhibits in national invitational "Watercolor USA Show" at Springfield Art Museum, Missouri, and "Drawings USA Show" at the Minnesota Museum of Art; paints Harlem scene for Jazzmobile poster; paints Chris Evert for Saturday Evening Post cover.
1977 -- Holds one-man shows in Stockholm and Helsinki; works in Paris; paints NBA All-Star game; creates poster for Lacrosse USA.
1978 -- Performs first live execution of computer art for CBS-TV coverage of Super Bowl, New Orleans; creates poster for Bill Bradley senatorial campaign; creates poster for Ali-Spinks II match in New Orleans.
1979 -- Appointed Grand Marshal with Jesse Owens at The Drake Relays in Des Moines, Iowa; paints the Ginza, Kamakura Buddha, Mount Fuji in Japan, Royal Ascot in London, and Pan-Am Games in Puerto Rico, for CBS-TV; book Horses is published.
1980 -- Appointed Official Artist of the 1980 Lake Placid Winter Olympic Games and Official Artist of the Democratic National Convention, New York; paints commission for Caesar's Palace, Las Vegas; sketches Carnaval in Rio de Janeiro; presents painting commemorating signing of Arab-Israeli peace treaty at Camp David to President Carter at the White House; book Posters is published.
1981 -- Holds two-man exhibition with Andy Warhol at Los Angeles Institute of Contemporary Art, California; executes 24' x 16' portrait of Sylvester Stallone for Rocky film; creates art and appears as ring announcer in Rocky films II, III, IV and V; book Carnaval is published.
1982 -- Has one-man exhibition at Harrod's, and paints the "The Stock Exchange, London"; creates poster for Kool Jazz Festival; paints and exhibits in Tokyo.
1983 -- Has one-man exhibitions in Los Angeles, San Francisco and New Orleans; executes billboard, television commercial and program for Lido show at the Tropicana, Las Vegas; book Winners is published.
1984 -- Appointed Official Artist, Winter Olympics, Sarajevo, Yugoslavia and Summer Olympics, Los Angeles.
1985 -- Returns to Brazil to paint Gavea Golf and Country Club in Rio de Janeiro and stock exchange in Sao Paulo; named Honorary Marshal at St. Paul Winter Carnival; Japanese version of Winners is published.
1986 -- Appointed Official Artist, Goodwill Games in Moscow for Turner Broadcasting Network; paints America's Cup commission for the New York Yacht Club.
1987 -- Paints and makes video documentaries of Old St. Andrews in Scotland and the Riviera in France; paints Indianapolis 500 auto race commission; presents "Minute Man" poster to President Reagan at the White House.
1988 -- Holds one-man exhibitions in Japan and Moscow; executes mural for Golden Nugget, Las Vegas; paints commission for the Caribbean Classic at Caliente Racetrack in Tijuana, Mexico; paints and makes video documentary of "Napoleon at Waterloo"; book Monte Carlo Chase is published.
1989 -- Paints Frank Sinatra, Liza Minelli and Sammy Davis, Jr. at Royal Albert Hall, London; sketches the World Series at Candlestick Park in San Francisco during earthquake; does sketches and paintings and video documentary of New York's Central Park, and holds exhibition at the boathouse in the park.
1990 -- Executes commemorative painting for 100th anniversary of Los Angeles Dodgers; holds one-man exhibition for inaugural Grand Prix auto race in Denver; paints the Masters Golf Tournament in Augusta, Georgia; travels and sketches in Rome, Paris and Hong Kong.
1991 -- Executes commissioned paintings for 25th anniversary of Spectrum Stadium, Philadelphia, and 10th anniversary of Miami Grand Prix and of Joe Morgan and Jim Palmer for Baseball Hall of Fame induction; travels to Japan to paint geishas, the Ginza and golf; creates Michael Jordan serigraph and poster; works on sketchbooks and paintings in Paris and Berlin.
1992 -- Paints Tom Seaver for Baseball Hall of Fame induction; paints suite of four famous golf courses in conjunction with publication of Big-Time Golf; works on sketchbooks and paintings in Venice, Milan and Rome; honored by the Art Institute of Chicago as an outstanding alumnus; commissioned to paint Bobby Orr by Polaroid.
1993 -- Paints Reggie Jackson for Baseball Hall of Fame induction, Larry Bird for Boston Garden, and Iroquois Steeplechase, Nashville; creates poster for CBS-TV film Call of the Wild; holds one-man exhibition at the Kentucky Derby Museum; paints Frank Sinatra for cover of "Duets" album.
1994 -- Paints Pebble Beach Golf Clubhouse; creates poster for CBS-TV film The Yearling, attends and paints Super Bowl XXVIII in Atlanta; paints in Monte Carlo and Venice; goes on to paint safari in Kenya; sketches Luciano Pavarotti at Metropolitan Opera; paints Frank Sinatra for "Duets II" album; book An American in Paris is published.
1995 -- Paints Babe Ruth for the Baseball Hall of Fame, U.S. Open at Shinnecock Golf Course, and Rockefeller Center; creates 40-foot mural on Broadway theater for Tommy Tune's musical, Busker Alley; gives 30-year retrospective exhibition at the Kentucky Derby Museum; appointed a member of the New York City Advisory Commission for Cultural Affairs; honored by Playboy for the 40th anniversary of the Femlin character.
1996 -- Commissioned by United Nations to create six postage stamps for the Centennial Olympic Games in Atlanta; paints Super Bowl XXX in Phoenix, Arizona; honored by Boxing Writers and England's Lonsdale Boxing Club; paints "Hall of Famer" for the Baseball Hall of Fame's permanent art exhibition; creates serigraph of "The 3 Tenors", Placido Domingo, Jose Carreras, Luciano Pavarotti.
1997 -- Inauguration of the LeRoy Neiman Center for Print Studies at Columbia University, New York; introduction of LeRoy Neiman Selection Cigar; narrates and appears in film documentary on Cuba and cigars, Rhythm and Smoke; creates poster commemorating 50th anniversary of Jackie Robinson's breaking of racial barrier in Major League Baseball; creates first official Kentucky Derby poster; travels to South Africa to present commissioned portrait of President Nelson Mandela; book LeRoy Neiman on Safari is published.
1998 -- Inaugurates LeRoy Neiman Center for Study of American Culture and Society, UCLA, Los Angeles; unveils baccarat painting for Desert Inn, Las Vegas; exhibits and participates in seminar on Frank Sinatra at Hofstra University; paints and creates serigraph of Joe DiMaggio; creates label for Duval-Leroy champagne; creates official poster for Breeders' Cup, Louisville; cover art for Good Will Games New York official program, and for article in The Nation; honored at Ox-Bow Gala at the Art Institute of Chicago, and by Sportscasters.
1999 -- Creates art for Givenchy perfumes; presents portrait of Mark McGwire and creates serigraph edition commemorating record home run hitter. Paints John Elway and creates serigraph celebrating retirement from football; releases serigraph of Mickey Mantle; participates in Olympic Games seminar on Queen Elizabeth II ocean liner crossing; gambling prints installed in Salle Privée at Paris Casino in Las Vegas; creates poster for Taxicab Chronicles Off-Broadway play; visits Havana to sketch Cuban rhythms. Sketches Army-Navy game in Philadelphia for West Point commission.
2000 -- Creates boxing painting for use as poster for Heavyweight Explosion cable TV program; book The Prints of LeRoy Neiman 1991-2000 is published; releases serigraphs of Mike Piazza and Cal Ripken, Jr.; the first LeRoy Neiman Art Center for Youth is opened in San Francisco; commissioned to create artwork for 125th Preakness Stakes and 2000 PGA Championship Tournament at Valhalla Golf Course.
2001 -- Salutes Muhammad Ali as "Athlete of the Century" with oversized portrait and limited edition serigraphs. Commissioned to paint Mardi Gras official poster for 2002; commissioned to paint Phoenix Suns star Charles Barkley on retirement of uniform number; commissioned to paint UCLA basketball coach John Wooden; holds retrospective drawing exhibition at the Fairfield Public Gallery, Sturgeon Bay, Wisconsin; creates poster for 2001 All-Star Jockey Championship; attends 25th year reunion of ABC-TV coverage of 1976 Munich Olympics. Commissioned by New York City Fire Department to commemorate September 11 terrorist attack for benefit of NYFD Widows and Orphans Fund; creates image of NYFD fireman's helmet and for the first time allows an image to be used and sold on t-shirts; also donates original painting to auction for Widows and Orphans Fund. Honorary Chairman at the annual Bare Walls event at the School of the Art Institute of Chicago; the second LeRoy Neiman Art Center for Youth is opened in Watsonville, California; the largest serigraph yet by artist, "Circus", having image size of 43 ¾" x 65", is completed after 2 years work.
2002 -- Commissioned to paint Wayne Gretzky, Gold Medal winning coach of the Canadian Olympic Hockey Team; commissioned to create official tournament poster for the first U.S. Open to be held at a public golf course, Bethpage on Long Island, New York; illustrates "Casey at the Bat", published as a trade edition by Ecco Press, with Foreword by New York Yankees manager Joe Torre; creates the Tyson/Lewis poster for the boxing heavyweight championship fight in Memphis; creates the official poster and program cover for the Oscar de la Hoya/Fernando Valenzuela championship boxing match in Las Vegas; honored with a tribute dinner at the Friar's Club in New York City; painting of Earvin "Magic" Johnson and Larry Bird is unveiled during Johnson's induction ceremonies at the Basketball Hall of Fame; Gallagher's Steak House in New York City unveils a permanent collection of Neiman artwork portraying the city's greatest athletes; receives Lifetime Achievement Award for contributions to golf and sport art at the Art of Golf Festival at Pinehurst Resort in North Carolina; inducted into the New Jersey Boxing Hall of Fame.
2003 -- Unveiled commissioned painting of the racehorse Funnycide at Saratoga; opens exhibition "LeRoy Neiman on Safari" at the Wildlife Experience museum in Denver, CO; S.T. Dupont releases special edition LeRoy Neiman Golf pen and lighter set; mounts exhibition "LeRoy Neiman in Cuba" at the Pratt Institute; paints the Breeders Cup at Santa Anita; publishes book LeRoy Neiman: Five Decades with Harry N. Abrams.
2004 -- Commissioned to paint poster design for the 2005 Special Olympics in Nagano; paints portrait of Secretariat for the Secretariat Museum; paints program cover design for the Newport Jazz Festival and participates in a group exhibition at the festival; receives Medal of Honor at Ellis Island from NECO; paints portraits of Oscar De La Hoya and Bernard Hopkins for their fight program and presents the paintings to the fighters; completes a set of seven jazz lithographs at Columbia's Neiman Center for Print Studies; films a cameo appearance for Sylvester Stallone's television show "The Contender"; produces a set of five limited edition prints of Martha Graham for the Martha Graham Dance Company; publishes limited edition artist's book LeRoy Neiman Sketchbook: Liston vs. Clay 1964/Ali vs. Liston 1965 with powerHouse Books and Meridian Printing.
Appendices:
Appendix A: Notable Correspondents from Series 2: Correspondence
This appendix is an alphabetical listing of notable correspondents primarily from Series 2, but may include references to other series. The numbers following the entry indicate the series number, subseries number if appropriate, and date where the material is filed. For example: Abrams, Judith Ann - 2.1: 1983, 1991 indicates that the correspondence for that person is found in Series 2.1 in the 1983 and 1991 folders.
Addison, Bob and Ruth (Betsy) - 2.1: 1978, 1990, 2004
Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999
Ali, Muhammad - 2.1: 1977
Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988
Alzado, Lyle - 2.1: 1984
American Diabetes Association - 2.1: 2001
Andrews, Benny - 2.3
Appel, Marty - 3.1: Thurman Munson 1977-2002
Aretsky, Ken - 2.1: 1989
Arledge, Roone - 2.2: ABC
Arledge, Roone Jr. - 2.1: 2004
Art Aid - 2.1: 1986
Art Institute of Chicago - 2.1: 1990
Ashwood, Donald - 2.1: 1977, 1978, 1979, 1980, 1983
Association du Salon d'Automne - 2.2: Association du Salon d'Automne 1992-99
Athletic Role Model Educational Institute, Inc. - 2.1: 1992
Australia - 2.1: 1981, 1984, 1985
Avers, Jeffrey - 2.1: 2002
BBC Television (British Broadcasting Corporation) - 2.1: 1989
Bailey, Pearl - 2.1: 1990
Baker, Jean -Claude - 3.2.11
Bank of New York - 2.1: 2002
Barletta, Joseph - 2.1: 1993
Baumgartner, Bruce - 2.1: 2001
Baylos, Gene - 2.1: 1991
Behm, Kenneth - 2.1: 1989
Bennet, Chef John - 2.2: Chef John Bennett
Berman, Len - 2.1: Undated 1990s
Bigelow, Vaughn - 2.1: 1984, 1988, see also Chabot Galleries
Bingham, Howard - 2.1: 1993
Binns, James - 2.1: 1989, 2001
Blair, Buckingham - 2.1: undated
Blatnik, Sonny - 2.1: 1986
Blecker, Tom - 2.2: Tom Blecker 1989-99
Bollinger, Lee - 3.1: Columbia University 1995-present
Bowles, Franklin - 1.2: Franklin Bowles Galleries
Boykin - 1.1: Awards, Boxing Writers Association Marvin Kohn "Good Guy Award," 1996
Bradley, Bill - 3.1: Bill Bradley Political Campaigns 1978-2000, 3.2. -- Winners -- , Harry N. Abrams, 1983, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Brown, Keith Henry - 2.1: 2004
Brown, Sally - 2.1: 1997
Buchwald, Art - 3.2: -- Horses -- , 1979, Harry N. Abrams, Correspondence
Bugatti, Charles and Stephanie - 2.1: 1991
Burger King - 2.1: 1976
Bush, President George H. W. and Barbara - 2.1: 1989, 1990
Bush, President George W. - 2.1: 2003, 3.2. 13
Butler Institute of American Art - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991
Byrne, Mayor Jane M. - 2.1: 1981
CBS -TV - see Wolf, Warner
CBS Sports - 2.2: CBS Sports
Caine, Michael - 2.1: 1981
Camber Porter, Melinda - 2.3
Carnesale, Chancellor Albert - 3.2.15
Carousel of Hope - 3.1: Carousel Ball 1982-2002
Carter, President Jimmy and Rosalynn, and family - 2.1: 1989, 3.1: Peace Treaty, 1980
Cass, Hilary Volkman - 2.1: 1992
Chabot Galleries - 2.1: 1983, 1989
Chapin, Dwight ( -- San Francisco Examiner -- ) - 2.1: 1991
Chase, Bob - 3.2. -- Big Time Golf -- , 1992
Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank
The Chicago Board of Trade - 2.1: 1977
Cirillo, John - 1.1: Awards d. Lonsdale International Sporting Club 1996, 2.1: 2001
Cirrincione, Wanda Hightower - 2.1: 1994
Clark, Ed and Jane Forbes - 2.1: 2000
Clinton, Bill - 2.1: 1993, 3.2: -- Big Time Golf -- , 1992
Clough, Charles - 2.1: 1997
Clough, Susan - 3.2. -- Horses -- , 1979, Harry N. Abrams
Cohen, Jason - 2.1: 2004
Conner, Bart - 2.1: 1981
Cooke, Jack Kent - 2.1: 1986
Cooney, Gerry - 2.1: 2000
Cooper, Pat - 2.1: 1992
Cosell, Howard and Mary Edith - 2.1: 1991
Creative Communications - 2.1: 1976
Cremins, Bobby - 2.1: 1990
Culinary Institute of America - 2.1: 2000
Cunningham, Jeffrey - 2.1: 1994
D., E. (unnamed WWII buddy?) - 2.1: 1997
Dahlgren, Doug - 2.1: 1999
Daley, Robert - 2.1: 1999
Daub, Mayor Hal - 2.1: 1997
Davis, Altavise (wife of Sammy) - 2.1: 1989
Davis, Barbara and Marvin - 2.1: 1985, 2001, 3.1: Carousel Ball 1982-present
Davis, Patty - 2.1: 1983
Dawkins, Peter and Judi - 3.1: Senatorial Candidate Pete Dawkins Poster 1988
Dean Day Gallery - 2.1: 1982, 1983, 1989
Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991
Garvey, Steve and Cyndi - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. -- Winners -- , 1983, Harry N. Abrams
Gavea Golf Club - 2.1: 1985
Gere-Suson, Gary - 2.1: 1999
Gilbert, Patti - 2.1: 1992
Giorgio Beverly Hills - 2.1: 1985
Gore, Al - 2.1: 1987, 1993, 3.2: -- Big Time Golf -- , 1992
Gottlieb, Paul - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Graham, Martha - 2.1: 1989
Graime, Arlene (US Olympic Committee) - 2.1: 1996
Grasso, Richard - 2.1: 1996
Gray, Joel - 2.1: 2003
Green Hills Farm - 2.1: 1987
Green, Tammie - 2.1: 1993
Greentree Stud, Inc. - 2.1: undated
Greenwich Workshop Gallery - 2.1: 1983
Gregory, Jack - 2.2: Jack Gregory 1993-98
Grenon, Robert - 2.2: Franklin Bowles Galleries
Guest, C. Z. - 2.1: 2003
Gwynne Gallery - 2.1: 1975, 1978
Hackett, Buddy and Sherry - 2.1: 1985, 1989, 1996, 1998
Halvorsen, Robert - 2.1: 1994
Hammer, Armand - 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Hammer Correspondence
Hammer, Michael - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 3.2. -- Casey at the Bat -- , 2000, 1.2: Knoedler & Hammer Correspondence, see also Hammer, Armand Hammer, Victor - see Hammer, Armand
Hanson Art Galleries - 2.2: Hanson Art Galleries 1983-1991, 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997, see also exhibitions: Hanson Art Galleries in index for more file references
Harden, Richard - 2.1: 1978, 3.1: Peace Treaty, 1980
Harriman, Ambassador Pamela - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Hartman, David - 2.1: 1981
Harvey, Paul - 2.1: 1987
Haskell, Nikki - 2.1: 1997, 2001, 2002
Harris, Earl - 2.1: 1987
Harris, Franco - 2.1: 1990
Hatton, Pat - 2.1: 1993
Hawkins, Tommy - 3.1: Dodgers Centennial 1990
Healy, Katherine - 2.1: 1986
Hedgecock, Mayor Roger - 3.2. -- Winners -- , 1983, Harry N. Abrams
Hefner, Christie - 2.2: Playboy Enterprises 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars by Don Diego 1997
Hefner, Hugh - 2.1: 1983, 2.2: Playboy Enterprises, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Safir, Police Commissioner Howard - 3.1: New York City Marathon 1984-2001
Saltman, Sheldon - 2.1: 1976
San Francisco 49ers - 2.1: 1995, 2.2: DeBartolo Corporation and Associated Institutions 1989-1991
Santaniello, Carmine - 2.3
Sassi, Etienne - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Scaffidi, Marie - 2.1: 1980s Undated
Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99
Schmidt, Mike - 2.1: 1980
Schulberg, Budd - 2.1: 1997, 1999, 2000, 2004
Schuman, Rhoda - 2.1: 1992
Schumsky, Felicie - see Felicie, Inc.
Schuster, Gary and family - 2.1: 2000
Scully, Vin - 2.1: 1990, 2000
Schwartz, Louis O. - 1.1: Boxing Writers Association Marvin Kohn "Good Guy Award," 1996
Schwartz, Richard - 2.1: 2000
Schwarzenegger, Arnold - 2.1: 1990
Segal, Erich - 2.1: 1973
Seidman, Jay - 2.1: 2001
Seitz, Nick - 3.2. -- Big Time Golf -- , 1992
Serline, Ollie - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s
Sharp Electronics Corporation - 2.1: 1988
Sherman, Allie - 2.1: 2002
Shula, Coach Donald - 2.1: 1991
Siering, David - 2.1: 1987
Sigmond, Aaron - 2.1: 1994, 1995, 1997
Silverstein, Shel - 2.2: Shel Silverstein
Sinatra, Barbara - 2.2: Sinatra family
Sinatra, Frank - 2.2: Sinatra family, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Sinatra, Nancy - 2.2: Sinatra family
Skelton, Red - 2.1: 1985
Snyder, Jimmy "the Greek" - 2.1: 1982
Solomone, Mickey - 2.1: 1989
Sony - 2.1: 1978
Sorenson, Jackie - 2.1: 1981
Spectrum, Philadephia - 2.1: 1991
Spectrum Fine Art - 2.1: 1978, 1983
Spitz, Mark - 2.1: 1986
Stack, Edward - 2.1: 1996
Staebler, Tom - 2.2: Playboy Enterprises
Stanley, Melvin - 2.1: 1993
Steffens, John L. - 2.1: 1996
Stein, Bill - 2.1: 1982
Steinbrenner, George - 2.1: 2004
Sterling, Donald - 2.1: 1997, 1998
Sugar, Bert - 2.1: 1977
Swoboda, Ron - 2.1: 2002
Symphony for United Nations - 2.1: 1991
TV Guide -- Magazine - 2.1: 1975, 1990, 1993
Talese, Gay - 2.1: 1992
Tate, Evelyn - 2.1: 1976, 1987
Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98
Tenenbaum, Harold and Judy - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum
Tiefel, William R. - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Tiger Tops Pvt. Ltd. - 2.1: 1982
Tigrett, John and Pat Kerr - 2.1: 1993, 1999, 3.1: Blues Ball 1997 -2001
Torrenzano, Richard - 3.1: Lady Liberty, 1985
Torykian, Richard - 2.1: 1997
Touvell, Audra - 2.1: 2002
Trenchard, Peter - 2.1: 2001
Trovato, Liz - 2.1: 1994
Trump, Donald - 2.2: Trump 1987-96, see also Trump in Index
Twentieth Century Fox Film Corportation - 2.1: 1976
United States Department of State - 2.1: 1984
United States Olympic Committee - 2.1: 1985
Universal Pictures - 2.1: 1991
University of Oklahoma - 2.1: 1982
Upstairs Gallery - 2.2: The Upstairs Gallery 1980-89
Valentine, Bobby and Mary - 2.1: 2002
Vorhaus, Louis - 2.1: 1992
war buddy (unnamed) - 2.1: 1997
Ward, Katherine Lecube - 2.1: 1984, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Warner Brothers Television - 2.1: 1990
Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80
Webster, Jack - 2.1: 1979, 1983, 1990, 1992, 1994, 1995
Wein, George - 2.1: 1991, 1993, 1995, 2000
Weiner, Claire - 2.1: 1970s, 1985, 1987
Weisman, Maria - 2.1: 2002
Welch, Herb and Lisa - 2.1: 1989, 1992
Welzer, Irv - 2.1: 1977
Wenzel, Lee - 2.1: 1985
Whitaker, Jack - 2.1: 1996
The White House - see Harden, Richard or Clough, Susan, or search by name of President
White, Willye - 2.1: 1989
Williams, Ted - 3.1: Williams at Bat, 1980-91
Wilson, Senator Pete - 3.2. -- Winners -- , 1983, Harry N. Abrams
Winer, Jessica - 2.3
Wirin, R. Michael - 2.1: 1998
Wolf, Warner and Sue - 2.1: 2003
Wood, Jan - 2.1: 1997, 1998
Wrather Corporation (the Lone Ranger), Jack and Bonita G. Wrather - 2.1: 1977, 1988
Yarger, Timothy - 2.2: Franklin Bowles
Yellin, Lou - 2.1: 1991, 1992, 1998
Youngman, Henry - 2.1: 1992
Zabrin, Michael - 2.1: 1989, 1991
Zelaya, Jose - 2.1: 1972, 1976, 1977
Zeran, Ken - 2.1: 1990, 1991
Zimmer, Don (Coach, New York Yankees) and Soot - 2.1: 1997
Appendix B: History of LeRoy Neiman's Representation: Felicie Schumsky, Hammer Galleries, and Knoedler & Co.
Hammer Galleries, New York, had its first show of LeRoy Neiman works in 1963 and has represented him ever since.
Armand Hammer was the proprietor of Hammer Galleries, which he founded in 1929 upon returning from the Soviet Union with a load of Czarist art. His brother Victor was in charge of running the gallery.
Armand became the chairman of the Occidental Petroleum Corporation in 1957.
Maury Leibowitz became a partner with the Hammers at the gallery around the same time they began representing Mr. Neiman.
Hammer and O.P.C. bought the respected M.K. Knoedler & Co. gallery in New York in 1971 with Leibowitz as a partner. Knoedler merged with Modarco, a Swiss investment firm, during the 1970s after its purchase by O.P.C.
Knoedler-Modarco now has three divisions: M. Knoedler & Co. (founded in 1846), Knoedler Publishing (created for the sole business of publishing and distributing the prints and posters of LeRoy Neiman), and Hammer Galleries.
Felicie Schumsky was LeRoy Neiman's publisher and distributor before Knoedler. Felicie, Inc. is named alone in advertising until 1973, when ads appear naming FKH Editions as publisher (presumably 'Felicie Knoedler Hammer') and Hammer Galleries as gallery/distributor. This continues until 1975, when ads begin naming Knoedler as publisher and Hammer as gallery.
Hammer Graphics Gallery, a part of Hammer Galleries, was started in 1979 for the sole purpose of distributing and exhibiting the graphic work of LeRoy Neiman.
Victor Hammer died in July 1985, and Armand Hammer died in 1990 at age 92 (less than a year after losing his wife Frances), leaving his son Michael Hammer as the chairman and president of The Armand Hammer Foundation. Maury Leibowitz died in 1992.
Appendix C: A Listing of Major Public Collections of LeRoy Neiman WorksAnchorage Historical and Fine Arts Museum, Anchorage, Alaska
Art Institute of Chicago, Chicago, Illinois
Baltimore Museum of Fine Art, Baltimore, Maryland
Baseball Hall of Fame, Cooperstown, New York
Brooks Memorial Art Gallery, Memphis, Tennessee
Colorado Springs Fine Arts Center, Colorado Springs, Colorado
Delaware Art Museum, Wilmington, Delaware
Duke University Museum of Art, Durham, North Carolina
Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana
Football Hall of Fame, Canton, Ohio
Grunwald Center, University of California, Los Angeles, Los Angeles, California
Armand Hammer Collection, Los Angeles, California
Harding Museum, Chicago, Illinois
Hayward Museum, Hayward, California
Hermitage Museum, Leningrad, USSR
Illinois State Museum, Springfield, Illinois
Indianapolis Museum of Art, Indianapolis, Indiana
Joslyn Museum, Omaha, Nebraska
Memorial Art Gallery, Rochester, New York
Meridian Museum of Art, Meridian, Mississippi
Michigan State University, Kesage Art Center Gallery, East Lansing, Michigan
Minneapolis Institute of Arts, Minneapolis, Minnesota
Minnesota Historical Society
Minnesota Museum of Art, St. Paul, Minnesota
Mobile Art Gallery and Museum, Mobile, Alabama
Museo de Bellas Artes, Caracas, Venezuela
National Museum of Sport in Art, New York, New York
Niagara University, Niagara, New York
Portland Museum of Art, Portland, Maine
Springfield Museum of Art, Springfield, Massachusetts
Tennis Hall of Fame, Newport, Rhode Island
Tucson Museum of Art, Tucson, Arizona
Tweed Museum of Art, University of Minnesota, Duluth, Minnesota
University Art Gallery, Binghamton, New York
University of California at Los Angeles, Los Angeles, California
University of Illinois, Champaign, Illinois
University of Oklahoma, Norman, Oklahoma
University of Oregon, Eugene, Oregon
University of South Florida, Tampa, Florida
University of Texas, Austin, Texas
Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah
Vanderbilt University, Nashville, Tennessee
Wichita State University, Wichita, Kansas
Whitney Museum. New York, New York
Wodham College, Oxford, England
Yuma Fine Arts Association, Yuma, Arizona
Appendix D: A Listing of LeRoy Neiman Serigraph Releases
This list corresponds to newspaper and magazine ads in files 3.3: Felicie Inc. - Advertising and 3.3: Knoedler & Co. - Advertising. This is not a complete inventory.
DateSerigraphUnknown -- Bar '21' (offset lithograph)
Unknown -- Delacroix Tiger
Unknown -- Elephant Family
Unknown -- Gorilla Family
Unknown -- Kenya Leopard
Unknown -- Lion Pride (offset lithograph)
Unknown -- Lion Couple
Unknown -- Polar Bears
Unknown -- Serengeti Leopard
Unknown -- Zebra Family
Unknown -- The Plaza Square
Unknown -- Stock Market (offset lithograph)
Unknown -- Neiman Montreal '76 (offset lithograph)
Unknown -- Winter Olympic Skier, Lake Placid 1980
Unknown -- P.J. Clark's
Unknown -- Olympic Slalom
Unknown -- Dublin Bar
Unknown -- Le Grand Cuisine
Unknown -- Little Hitter
Unknown -- Little Fielder
1975 -- Le Grand Escalier de l'Opera, 1969
1975 -- Toots Shor Bar
1975 -- Club House Turn
1975 -- Black Panther
1976 -- Sun Serve
1976 -- Satchmo
1976 -- High Seas Sailing
1976 -- Vegas Blackjack
1976 -- Golf Landscape
1976 -- Elephant Stampede
1976 -- Nadia
1976 -- America's Cup
1977 -- Marlin!
1977 -- High Altitude Skiing
1977 -- Basketball Superstars
1977 -- Café aux Deux Magots
1977 -- The Mallet Men
1977 -- Bengal Tiger
1977 -- Giraffe Family
1977 -- Show Jumper
1977 -- Outrigger Canoe Race
1978 -- Metropolitan Opera
1978 -- Moby Dick Portfolio
1978 -- Bucking Bronc
1978 -- The Wildcats
1979 -- Kentucky Derby
1979 -- Chateau Hunt
1979 -- Stretch Stampede
1979 -- Aegean Sailing
1979 -- American Bald Eagle
1980 -- Lake Placid, Eighty, 1980
1981 -- Stenmark
1981 -- The Race of the Year
1981 -- Tour de France
1981 -- Before the Race
1984 -- Rush Street Bar
1984 -- Regents Park
1984 -- Elephant Nocturne
1985 -- Six Golfers, 1984
1985 -- Lady Skier
1985 -- Harry's Wall Street Bar
1986 -- Nob Hill
1986 -- Buena Vista Bar
1986 -- America's Cup, Australia
1987 -- Great Dane
1987 -- Giants - Broncos Classic
1987 -- 24 Hours of Le Mans
1987 -- Bistro Garden
1987 -- Left Bank Café
1988 -- Diamond Head, Hawaii
1988 -- Napoleon at Waterloo
1988 -- Piazza del Popolo - Rome
1988 -- Monte Carlo Suite
1988 -- Harbor at Monaco
1988 -- Salle Prive - Monte Carlo
1988 -- Borzoi
1988 -- In the Pocket
1988 -- Magic (Johnson)
1988 -- Clubhouse at Old St. Andrew's
1989 -- Polo Lounge
1989 -- Superplay
1989 -- President's Birthday Party
1989 -- Chicago Key Club Bar
1990 -- Secretariat II
1990 -- Chicago Options
1990 -- April at Augusta
1990 -- Gaming Table
1990 -- The '21' Club
1991 -- Homage to Ali
1991 -- Ted Williams
1991 -- Café Rive Gauche
1991 -- Cougar
1991 -- The Bordello
1992 -- Hunt Rendezvous
1992 -- Kilimanjaro Bulls
1992 -- Paddock at Chantilly
1993 -- The Maulers
1993 -- Fouquets
Appendix F: A Listing of "Man at His Leisure" Features in Playboy MagazineDateSubject/Pages1958 April -- Painter of the Urban Scene, p. 49-51
1958 December -- The Pump Room, Ambassadors East, Chicago, p. 60-61
1959 January -- Le Café Chambord, p. 52-53
1959 June -- Romanoff's, p. 62-63
1959 December -- Moore County Hounds (Southern Pines), p. 68-72
1960 February -- Hialeah Race Course, p. 52-54
1960 June -- The Colony, p. 74-75
1960 August -- Forest Hills, p. 76-77
1961 January -- Squaw Valley, p. 84-87
1961 March -- Ernie's, p. 94-95
1961 June -- The S.S. United States, p. 60-61
1961 July -- Longchamp - Auteuil, p. 82-85
1961 September -- La Plaza de Toros, p. 109-111
1961 December -- Maxim's, p. 130-131
1962 January -- The French Riviera, p. 103-105
1962 March -- The Grand National Steeplechase, p. 94-95
1962 May -- The Cambridge-Oxford Boat Race, p. 96-97
1962 August -- Las Vegas, p. 86-89
1963 May -- Monte Carlo, p. 122-125
1963 July -- Air France, p. 102-103
1963 September -- Sardi's, World Billiard Championship, p. 150-151
1963 December -- Madison Square Garden, p. 169-171
1964 April -- Epsom Derby, p. 120-121
1964 August -- St. Tropez, p. 62-65
1964 October -- Chantilly, p. 144-147
1964 December -- The Lido, p. 159-193
1965 March -- The New York Playboy Club, p.116-117
1965 August -- The Girallia Yacht Race, p. 110-111
1965 December -- The Plaza, Manhattan, p. ?
1966 July -- The Royal Ascot, p. 110-113
1966 September -- The America's Cup, p. 168-169
1967 January -- Discotheques, p. 180-181
1967 June -- Surfing, p. 112-115
1967 November -- National Horse Show, p. 143-145
1967 Winter -- VIP Magazine, Assignment London
1968 January -- Rosati's, Via Venito, p.?
1969 January -- The Bolshoi Ballet, p. 199-201
1969 June -- Le Mans, p. 124-125
1969 August -- Yugoslavia, p. 126-129
1970 January -- Morocco, p. 203-207
1970 November -- Can-Am Race, p. 179-181
1971 January -- Jamaica, p. 191-193
1972 January -- Sotheby's Auction Room, p. 171-173
1973 January -- Super Bowl, p. 187-189
1973 July -- Summer of '72 - The Hamptons, p. 152-157
Playboy Magazine's "Neiman Sketchbook" Features
DateSubject/Pages1979 December -- Teofilo Stevenson, p. 221
1980 January -- Senator Ted Kennedy, p. 137
1980 February -- Roller Skating, p. 166 -167
1980 March -- Charles Mingus, p. 179
Appendix E: Exhibitions
Below is a chronological list of Neiman exhibitions. See the index for an alphabetical list of exhibitions (listed by name of venue under the item "exhibitions") and reference to locations of pertinent archive files.
DateSolo ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago
March 3-31, 1961 -- F. Oehlschlaeger Gallery, Chicago
Feb. 9-March 9, 1962 -- F. Oehlschlaeger Gallery, Chicago
March 1962 -- O'Hana Gallery, London
Nov. 27-Dec. 11, 1962 -- Galerie O. Bosc, Paris
Oct. 8-19, 1963 -- Hammer Galleries, New York
January-February, 1965 -- "Vie de France," Astor Tower French Center, Chicago
Nov. 23-Dec. 4, 1965 -- Hammer Galleries, New York
March 5-25, 1966 -- Gallery Richelle, St. Louis
1976 -- "LeRoy Neiman Retrospective 1949-75," Minnesota Museum of Art, St. Paul
Nov. 1967 -- Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art, New York
Sept. 26-Oct. 7, 1967 -- Hammer Galleries, New York
Dec. 26-31, 1968 -- New York Jets Sketches, Hammer Galleries, New York
May 1-June 10, 1969 -- "LeRoy Neiman: Paintings and Drawings," Choate School, Wallingford, CT
May 1969 -- "LeRoy Neiman: Impressions of Atlanta," Heath Gallery, Atlanta, GA
Jan. 20-31, 1970 -- Hammer Galleries, New York
Oct. 19-Nov. 2, 1971 -- "Recent Graphics and Drawings", The Far Gallery, New York
April-May, 1972 -- Museo de Bellas Artes, Caracas
Dec. 1972 -- Circle Gallery, Chicago
Oct. 31-Nov. 11, 1972 -- Hammer Galleries, New York
Nov. 22, 1972-Jan. 7, 1973 -- "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art
Jan.-Feb. 1973 -- Circle Gallery, Los Angeles
1973 -- Circle Gallery, Dallas
March 24, 1973 -- The Hang -Up Gallery Open House
April-May 1973 -- Circle Gallery, New York
June 2-23, 1973 -- Brentano's Gallery, New York
Jan. 24-Feb. 5, 1974 -- "Ali - Frazier," Circle Gallery, New York
Feb. 3-March 17, 1974 -- Springfield Museum of Art
1974 -- Windsor Gallery, Los Angeles
April 30-May 11, 1974 -- Hammer Galleries, New York
June 22-July 6, 1974 -- Gallery Hawaii, International Market Place, Honolulu
Sept. 1974 -- Abercrombie & Fitch
1974 -- Tobu Gallery, Tokyo
Nov. 1974 -- Gilbert Gallery, San Francisco
Nov. 1974 -- Windsor Gallery, New York
Feb. 1975 -- Carol Condit Galleries, White Plains, NY
March 1975 -- Art Gallery -Studio 53 Ltd., New York
April 1975 -- "The Wide World of LeRoy Neiman," Windsor Gallery, Los Angeles
June-July 1975 -- Moby Dick Traveling Exhibition, Peter Foulger Museum, Nantucket
Aug. 1975 -- Moby Dick Traveling Exhibition, Sag Harbor, Long Island
Sept. 1975 -- Moby Dick Traveling Exhibition, Pittsfield, MA
July 1975 -- Waller's Gallery, Tampa, FL
Sept. 1975 -- Hess's Gallery, Allentown, PA
Nov. 1975 -- Meredith Long & Co., Houston
Dec. 4-26, 1975 -- Thomas Ward Galleries, St. Paul
Dec. 4, 1975-Jan. 24, 1976 -- Minnesota Museum of Art, St. Paul
Dec. 10, 1975-Jan. 10, 1976 -- Hammer Galleries, New York
Jan. 21-March 10, 1976 -- Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank
Feb.-May 1976 -- Emerald Art Galleries, Coronado, CA
March 14-28, 1976 -- Jewish Community Center, Bridgeport, CT
June 1976 -- M. Knoedler & Co., London
Aug. 1976 -- Frank Oehlschlaeger Gallery, Chicago
Aug. 28-Sept. 27, 1976 -- Gallery Hawaii, Hyatt Recency
Sept. 12-Oct. 6, 1976 -- Niagara Art Center, Niagara Falls
1976 -- Art Gallery-Studio 53 Ltd., New York
Oct. 1976 -- Heit Galleries, Phoenix, AZ
Nov. 16-Dec. 4, 1976 -- "The Olympic Ring," Hammer Galleries, New York
Dec. 12-19, 1976 -- Fahlnaes Konstsalong, Sweden
March 1977 -- Gallery 100, Mishawaka, IN
March 1977 -- Upstairs Gallery, Beverly Hills
March 1977 -- Galerie Marc, San Francisco
Aug. 31-Sept. 11, 1977 -- Galerie Renee & Victor, Stockholm, Sweden
Sept. 1977 -- Bowles/Hopkins Gallery, San Francisco
Sept. 2-23, 1977 -- Casa Grafica, Helsinki, Finland
Oct.-Nov. 1977 -- St. Lawrence National Bank, Ogdensburg NY
April-May 1988 -- "Neiman's World" Touring Exhibition, Japan
April-May 1988 -- In the Pocket Superbowl XXII painting premier, Allyson Louis Gallery, Bethesda, MD
May 1988 -- "Monte Carlo Chase," Minotaur Galleries, Las Vegas
Sept. 27-Oct. 4, 1988 -- "Monte Carlo Chase," L'art et l'automobile gallery, New York
1988 -- Tretyakov Museum, Moscow
Oct. 1988 -- Merrill Chase Galleries, Chicago
Nov. 19-Dec. 10, 1988 -- "LeRoy Neiman: Monte Carlo," Bowles/Sorokko Galleries, San Francisco
Jan. 1989 -- Backstage Gallery, Osaka, Japan
Feb. 1989 -- Surf Club, New York
April 1989 -- "Soft Paintings," Hammer Galleries, New York
April 30-May 15, 1989 -- Polo Lounge Debut, Bowles/Sorokko Galleries, Beverly Hills
May-June 1989 -- "Select Works by LeRoy Neiman," Midwest Museum of Art, Elkhart, IN
June-July 1989 -- Steiner & Young Fine Arts Gallery, Atlanta, GA
June 6-Sept. 9, 1989 -- L'art et l'automobile gallery, New York
Sept. 1989 -- Hotrod Vintage Car Museum and Dance Club, New York
Aug. 1989 -- Baja, New York
Sept. 26-Oct. 14, 1989 -- "A Salute to Central Park," Hammer Galleries, New York
Nov. 1989 -- Galerie 224, Laguna Beach, CA
May 1989-Feb. 1990 -- "The Playboy Collection," Dyansen Gallery Traveling Exhibition, New York, Beverly Hills, Atlantic City, San Francisco, Boston, SoHo
April 1990 -- Exhibition at "The Art Spirit" Event, Butler Institute of American Art
May 1990 -- Merv Griffin Resorts Casino Hotel, Atlantic City
May 12-31, 1990 -- Bay Area Baseball Debut, Bowles/Sorokko Galleries, San Francisco
July-Aug. 1990 -- "LeRoy Neiman: A Series of Sport Serigraphs," Springfield Art Association, Springfield, IL
Arledge, Roone - 2.2: ABC Correspondence, 3.1: Olympics Munich 1972, 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971, 3.1: Olympics, Montreal 1976 Roone Arledge, 1972 drawing - 4.1: 2003
Arliss - 4.1: 1996
Armory Art Fair, Washington DC - 4.1: 1977
Armstrong, Louis - see jazz
Army, U.S., service in - 1.1: Military Service
Army vs. Navy 1946, 2000 - 4.1: 2001
Arnstein, Vera Daphne - 4.1: 1990
Arrow shirts - see promotions
Art Aid - 4.1: 1986
L'art et l'automobile - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1988, 2002, see also exhibitions
Art Brokerage Inc. - see Rose, Donna
Art Collection House Co., Ltd., Japan - 2.1: 1994, 1995
Art Directors Club of Oklahoma City - 4.1: 1967, VII
Art Expo - 4.1: Undated
Art for Education - 4.1: 1998
The Art of Gaming Through the Ages, by Arthur Flowers and Anthony Curtis, foreword by LeRoy Neiman - 3.1: The Art of Gaming Through the Ages, Huntington Press, 2000
Art Institute of Boston - 1.1: Honorary Degrees, 2.1: 1975, 4.1: 1975
Art Institute of Chicago - 1.1: Education and Teaching, 2.1: 1987, 1989, 1996, 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992, 4.1: 1978 ov, 2001, 2002, see also exhibitions
Auxiliary Board - 2.1: 1990
Barewalls, 2001 - 3.1: Art Institute of Chicago Reunion 2001
Art and Lifestyle, 1974 - see LeRoy Neiman: Art and LifeStyle, 1974, 3.2.1
ArtExpo New York - 2.1: 1989, 4.1: 1987, 1998, 2001
Art-o-gram: News of the art world for art dealers only - 4.1: 1977
Arthur Andersen & Co. - 4.1: 1981
Les Arts de France - 2.1: 1988
Arum, Bob and Lovee - 2.1: 1996, 1998, 4.1: 1996
Ascent, 1961 - 4.1: 1961
Ashford, Evelyn - see running
Aspen, CO - 4.1: 1993, 1994
Association for the Help of Retarded Children (AHRC) - 3.1: Thurman Munson and Thurman Munson Awards Dinner 1977-present
Astaire, Fred
Fred Astaire - 3.1: Good Tidings Foundation 1998 -, 4.1: 1985
Athens International Festival - 4.1: 1993
Atlanta, GA - 3.1: Economic Opportunity Atlanta 1968
Atlanta International Film Festival - 4.1: 1974 and ov, V: 1974
Atlanta Magazine - 4.1: 1969, 1975, 1996
Atlanta's Poor People Art School - 4.1: 1969
Atlantic City, New Jersey - see also casinos, promotions, 3.1: Tour de Trump 1989
attorney - see Shaw, Robert
auction - 4.1: 1978, 1997, 1998, 1999
Augusta National Golf Club, The 16th at Augusta, 1992 - 4.1: 1994
auto racing -- - 4.1: 1982, 1983, 1989, 1999
Andretti, Mario - 4.1: 1975, 1992
Andretti, Michael - 4.1: 1992
Brayton, Scott - 4.1: 1996
Beni Hana Grand Prix - 2.1: 1978
Caesar's Palace Grand Prix, 1981 - 3.1: Caesar's Palace Grand Prix 1981-83
Caesar's Palace Grand Prix, 1982 - 3.1: Caesar's Palace Grand Prix 1981-83
Caesar's Palace Grand Prix, 1983 - 3.1: Caesar's Palace Grand Prix 1981-83
Can-Am Race - 4.2: -- Playboy -- 1970, see Appendix E
Dallas Grand Prix, 1984 - 2.2: Neiman-Marcus 1983-88, 3.1: Dallas Grand Prix 1984
Denver Grand Prix, 1990 - 3.1: Denver Grand Prix 1990-1991
Denver Grand Prix, 1991 - 3.1: Denver Grand Prix 1990-1991
Grand Prix Heart Ball - 3.1: Denver Grand Prix 1990-91
Grand Prix de Monaco - 2.1: 1986, 2.2: Playboy Enterprises Inc. 1980s, 4.2: Playboy Ephemera 1980, Press and Paraphernalia
Grand Prix de Monaco, 1976 - 4.1: 1993, 4.2: Playboy Ephemera 1980, Press and Paraphernalia
Indianapolis 500 - 3.1: Indy 500, 1985-87
Pits at Indy, 1968 - 2.1: 1976
Le Mans - 3.2. -- Winners -- , 1983, Harry N. Abrams Notes on Auto Racing and Basketball, 4.2: -- Playboy -- 1969, 4.2: Playboy Ephemera 2000s, see Appendix E
Miami Grand Prix - 3.1: Miami Grand Prix 1991-92
Toyota Grand Prix of Miami, 1991 (for 1992 race) - 3.1: Miami Grand Prix 1991-92
National Baseball Hall of Fame and Museum, Cooperstown, NY - 2.1: 1978, 1996, 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 4.1: 1990, 1993 (yearbook), 1994, 1995
New York Giants - 3.1: The Shot Heard 'Round the World, 1991
boats - see sailing, or Showboats International; The Cambridge-Oxford Boat Race - 4.2: -- Playboy -- 1962, see Appendix E
Bochette, Liston - 2.1: 1981, 1984, 1985
bodybuilding -- - 4.1: 1977, 1982, 1990
Everson, Cory - 4.1: 1990
Schwarzenegger, Arnold - see Schwarzenegger, Arnold
Boek, Louis - 1.1: Military Service
Boggs, Bill - 4.1: 2002 ov., 2004
Bonaventure - see St. Bonaventure University
Bond, Julian - 4.1: 1969
Bonds, Barry - Barry Bonds, 2003 pastel - 3.1: Good Tidings Foundation, 1998-present book jacket illustrations - 3.1: folder 1, 3.1: Charlotte Chandler 1978-84, 4.1: 1973, 1982, 1988-89
Book of the Month Club - 3.2.5, 3.2. -- Winners -- , 1983, Harry N. Abrams , Text Drafts
books
by Mr. Neiman - see Publications files in Series 3.2
by others, containing Mr. Neiman's works - see Licensing Art and Design by Cynthia Revelli, Skip Singleton tennis books, see also book jacket illustrations
bookstores - see Publications files in series 3.2 for information on book signings at bookstores
Borg, Bjorn - see tennis
Borstal Boy - 2.1: 1984, 3.1: Borstal Boy 1970
Bosley, Thad - see Skoal Pinch Hitter
Bourgeois, Louise - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
Bourne, Bob - 4.1: 1983
Bowe, Riddick - see boxing
Bowlers Journal - see bowling
Bowles, Franklin - see Bowles Galleries
Bowles Galleries - 1.2: Bowles Galleries, see exhibitions, see also Timothy Yarger Fine Art
bowling -- - 2.1: 1976
Anthony, Earl - 3.1: Million Dollar Strike, 1982
Carter, Don - 3.1: Million Dollar Strike, 1982
Esposito, Frank - 2.1: 1986, 1996, 3.1: Million Dollar Strike, 1982
Million Dollar Strike, 1982 - 3.1: Million Dollar Strike, 1982
Varipapa, Andy - 3.1: Million Dollar Strike, 1982
boxing -- - 3.1: Ali vs. Frazier I, 1971, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 3.1: Ali vs. Spinks 1978, 3.1: Sportsman's Ball 1978, 3.1: Ali vs. Holmes 1980, 3.1: Duran vs. Leonard I, II, III 1980-89, 3.1: Hearns vs. Leonard 1981, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 3.1: Holmes vs. Cooney 1982, 3.1: Hagler vs. Hearns 1985, 3.1: Mike Tyson Portraits 1986-1990s, 3.1: Tyson vs. Spinks 1988, 3.1: McGirt vs. Whitaker 1993, 3.1: Tyson vs. Holyfield 1991-1996, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1971, 1999, 3.1: Lewis vs. Tyson 2002, 3.1: De La Hoya vs. Vargas 2002, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1972, 1976, 1977, 1978, 1979, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989, undated 1990s, 1990, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002
Ali, Muhammad - see Ali vs. Frazier, 3.1: Lewis vs. Tyson 2002, .2.1: 2001, 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004, 3.2.1, 3.2.16, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1974, 1976, 1977, 1978, 1980, 1985 1991, 1994, 1995, 1997, 1998, 1999, 2000, 2001, 4.2: Playboy Ephemera 1960s, 4.2: The Ring Magazine as artist - 2.1: 1979, 4.1: 1966, 1967, 1970 ov, 1979
Muhammad Ali - Athlete of the Century, 2000 - 3.1: Muhammad Ali - Athlete of the Century, 2000-2002
Muhammad Ali - The Greatest Collector's Edition Magazine, 2002 - 4.1: 2002
Ali vs. Foreman, Zaire poster, 1974 - 4.1: 1974, 2000, 2002
Ali vs. Frazier
Ali vs. Frazier I, 1971 - 3.1: Ali vs. Frazier I, 1971
Ali vs. Frazier I, 1971, 1999 - 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 2000
Ali vs. Frazier II etchings, 1974 - 3.1: Ali vs. Frazier I, 1971, 3.1: Circle Gallery 1972, 3.1: Ali vs. Frazier II, 1974, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 1990
Fight of the Century poster, 1971 - 3.1: Ali vs. Frazier I, 1971
Thrilla in Manila poster, 1975 - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 2000
Ali vs. Holmes, 1980 - 3.1: Ali -Holmes 1980, 4.1: 2000
Ali vs. Spinks, 1978 - 3.1: Ali vs. Spinks 1978, 4.1: 2000
Bobrick - 4.1: 1977
Bowe, Riddick - 4.1: 1993, 1995, 1996, 4.2: The Ring Magazine
Boxers Ball - 4.1: 1997
Boxing Beat Magazine - 4.1: 1988
Boxing Illustrated - 4.1: 1993
Boxing at the Ritz - 4.1: 1993
Boxing Writers Association of America - 1.1: Awards, 4.1: 1967, 1985, 2004
Brenner, Teddy - 2.1: 1978, 1979, 4.1: 1978, 4.2: The Ring Magazine
Camacho, Hector - 4.1: 1986, 1997
Chavez, Julio Cesar - 4.1: 1993, 1996
Julio Cesar Chavez, pastel - 4.1: 1996
Julio Cesar Chavez, 1996 drawing - 4.1: 1996
Clay, Cassius - see Muhammad Ali
Coetzee - 4.1: 1984
Cooney, Gerry - see Holmes vs. Cooney, 2.1: 1989, 2000, 4.1: 1981, 1987, 2001, 4.2: The Ring Magazine
De La Hoya, Oscar - 3.1: The Fight of the Millennium, 1999, 3.1: De La Hoya vs. Vargas 2002, 3.1: De La Hoya vs. Hopkins 2004, 4.1: 1995, 1997
Oscar De La Hoya, 1995 - 4.1: 1997
De La Hoya vs. Mosely poster 2000 - 3.1: De La Hoya vs. Mosley 2000
De La Hoya vs. Whitaker, 1997 - 4.1: 1997
Dundee, Angelo - 3.1: Angelo Dundee Tribute 2002
Duran, Roberto - 3.1: Duran vs. Leonard I, II, III 1980 -1989, 4.1: 1980, 1983, 1984, 1994, 1995, 4.2: The Ring Magazine
Ellis, Jimmy - 4.1: 1973 ov
F.I.S.T. - 2.1: 2000, 4.1: 2000, 2001
film, documentary - see Win a Few, Lose a Few, 1972
Foreman, George - see Ali vs. Foreman, 2.1: 1989, 4.1: undated, 1973, 1974, 1976, 1993, 1995, 1999, 4.2: The Ring Magazine
Foreman Frazier Fight - 4.1: undated
Foreman vs. Holmes, 1999 - 4.1: 1999
Frazier, Joe - see Ali vs. Frazier, 2.1: 1975, 4.1: undated, 1969 ov, 1971, 1972, 1973, 1976, 1981, 1992, 1998, 4.2: The Ring Magazine
Golden Gloves Championships - 4.1: 2000, 2001
Golota, Andrew - 4.1: 1996
Grant, Michael - see Lewis vs. Grant, 4.2: The Ring Magazine, 4.1: 2001
Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000
Holmes, Larry - see Ali vs. Holmes, Holmes vs. Cooney, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.1: 1984, 1999, 2001, 4.2: The Ring Magazine
Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000
Holmes vs. Shavers poster, 1979 - 4.1: 1979, 2000
Holmes vs. Spinks, 1985 poster - 4.1: 1985
Holyfield, Evander - see Tyson vs. Holyfield, 3.1: Holyfield-Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 1996, 2003
Hopkins, Bernard - Bernard Hopkins, 2004 - 3.1: De La Hoya vs. Hopkins 2004 Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - 4.1: 1965, 1983
Jones, Jr., Roy - 4.1: 1994, 1995, 1996, 2000; Roy Jones, Jr. - 4.1: 2000
King, Don - 4.1: 1977, 2003
Latin Legends - 4.1: 1992
Leonard, Sugar Ray - 3.1: Hearns vs. Leonard 1981, 3.1: Duran vs. Leonard I, II, III 1980-89, 4.1: 1980 ov, 1997, 4.2: The Ring Magazine
Lewis, Lennox - see Lewis vs. Grant, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 2001
Lewis vs. Grant poster, 2000 - 4.1: 2000 and ov
Lewis vs. Tyson poster, 2002 - 3.1: Lewis vs. Tyson 2002
Louis, Joe - 3.1: Tribute to Joe Louis (Holmes vs. Spinks fight) 1981
Joe Louis, 1983 - 3.1: Kayo Joe Louis Boxing Card 1991, 4.1: 1991
Malave, Chu Chu - 4.1: 1973
Mathis, Buster - 4.1: 1971
The Maulers 1993 lithograph - 4.1: 1993
Mayweather, Floyd - 4.1: 2000
McGirt, James "Buddy" - 3.1: McGirt vs. Whitaker 1993
Morrison, Tommy - 4.1: 1993, 1995
Mosely, Shane - see De La Hoya vs. Mosely
North American Boxing Federation - 4.1: 2000
Norton, Ken - 4.1: 1976, 1981, 4.2: The Ring Magazine
New Jersey Boxing Hall of Fame - 1.1: Awards - Inductions, 4.1: 2000
Olympic boxing - see Olympics
Patterson, Floyd - 4.1: 1972
Quarry, Jerry - 4.1: 1969 ov, 1970, 4.2: The Ring Magazine
Red Boxers, 1973 - 4.1: 1973
Reid, David
David Reid, 1998 - 4.1: 1998
Ring Magazine - 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1966, 4.2: The Ring Magazine
Ringside and Training Principles, by Goodman and Homansky 2001 - 3.1: Ringside and Training Principles by Goodman and Homansky 2001
Robinson, Sugar Ray - 2.1: 1989, 4.1: 1989, 1994; Sugar Ray Robinson, 1969 - 4.1: 1969, 1998
Rocky - see Rocky films
Salute to Boxing Greats Award - 1.1: Awards
Shavers, Earnie - see Holmes vs. Shavers, 4.1: 1973 ov, 1977, 4.2: The Ring Magazine Spinks, Leon - see Ali vs. Spinks, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.2: The Ring Magazine
Spinks, Michael - 3.1: Tyson vs. Spinks 1988, 4.1: 1987, 4.2: The Ring Magazine
Sting Like a Bee by Jose Torres and Bert Sugar - 2.1: 1972
Thornton, Wayne - 4.1: 1966
Toney, James - 4.1: 2003, James Toney, 1994 - 4.1: 2004
Torres, Jose - 4.1: 1966
Trinidad, Felix - 2.1: 1999, 3.1: The Fight of the Millennium, 1999
Tyson, Mike - 3.1: Mike Tyson portraits 1986-90s, 3.1: Tyson vs. Spinks 1988, 3.1: Lewis vs. Tyson 2002, 4.1: 1986, 1988, 1989, 1995, 1996, 1999 portraits - 4.2: The Ring Magazine, 4.1: 1999, 2001
Tyson vs. Holyfield, 1996 - 3.1: Tyson vs. Holyfield 1991-1996
Vargas, Fernando - 3.1: De La Hoya vs. Vargas 2002
World Boxing Association Annual Awards Dinner - 4.1: 1994, 1995, 1996, 1997, 1998, 2000
World Boxing League - 4.1: Undated 2000s
Boy Scouts of America - 2.1: 1989, 4.1: 1989 ov
Boys' Athletic League - 4.1: 1974
Boys and Girls Clubs of America - 4.1: 1977, All Sports Hall of Fame Dinner - 4.1: undated 1970s, 1996, 1997, Legends & Fans Dinner - 4.1: 1990
Boys Town of Italy - 4.1: 1987, 1988, 1992
Bradley, Bill - 3.1: Bill Bradley 1978 -2000, 3.1: Women's Basketball Hall of Fame, 1993, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 4.1: 1981, 1999
Branca, Ralph - 3.1: The Shot Heard 'Round the World, 1991, 2.1: 1994, 4.1: 1994
Brayton, Scott - see auto racing
Brazil Stock Exchange, 1985 - 2.1: 1985
Brenner, Teddy - see boxing
Brett, George - 4.1: 1990; George Brett, 1992 - 4.1: 1992
Brice, Bobbie - 4.1: 1982
Bride's Magazine -- - 3.1: Early Fashion Illustration 1949-57
Broadway - see musicals or Times Square, 2001
Brooklyn Bridge, 1995 - 1.1: Honorary Degrees - Saint Francis College, 3.1: Brooklyn Bridge, 1995, 4.1: 1995, 1998
Bush, President George H.W. and Barbara - 1.1: Honorary Degrees c., 2.1: 1989
Bush, President George W. - 2.1: 2003
Bushkin, Joe - 4.1: 1997
Busker Alley - 3.1: "Busker Alley," 1995
Byrams, Gina - 3.1: Hammer Galleries Solo Exhibition 1970
Byrne, Janet - see Neiman, Janet
C
CBS Sports television - 2.1: 1979, 2.2: CBS Sports, 4.1: 1978, 1985
CD ROM - VII
Caesar's Palace - see casinos
Cahill, Very Reverend Joseph - 1.1: Honorary Degrees, St. John's University, Honorary Doctorate, 1980, St. John's University, Gold Medal of Honor, 1985
Caine, Michael - 2.1: 1981
Calder, Alexander - 4.1: 1973 (see exhibitions, two-person)
calendars - 4.1: 1974 ov, 1976, 3.1: Wild Animals and Art of Sport Calendars 1992-94 and ov, 3.1: Golf Courses Calendar 1996
California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004
Call of the Wild -- , by Jack London - 3.1: -- Call of the Wild -- 1993
Camacho, Hector - see boxing
Camp David Peace Accords, 1998 - see Carter, President Jimmy
Campbell, Earl - 2.1: 1982
Campbell's Soup - 4.1: 2004
Cannes Film Festival - 3.1: Beauty, the Beach, and the Bizarre 1984
Cape Town, South Africa - 4.1: 1997
Capone, Al, Al Capone - 3.1: Circle Gallery 1972, 4.1: 1972, 1992, 1995
Cappy Productions - 2.1: 2000
Caracas, Venezuela - 2.1: 1972, 1976, 1977, 1980, see exhibitions: Museo de Bellas Artes
"Caring is Fashionable" - 4.1: 1981
Carlson, Bill - see "Neiman's Cuba"
Carnaval, 1981 - 3.2.6, 3.2 ov., see Haskell, Nikki
Carousel, 1958 - 4.1: 1950s
The Carousel of Hope - see also Appendix A, 3.1: Carousel Ball 1982-present
Trump Taj Mahal, Atlantic City - see Trump, Donald
Vegas Blackjack - 4.1: 1984, 1996
catalogue raisonnes - 3.2.5, 3.2.9, 3.2.14
Cavett, Dick - 2.1: 1999
"Celebration 2000" Exhibition - 3.2.14
Celebrity Night at Spago, 1993 - 3.1: Celebrity Night at Spago, 1993
Centaur Galleries, Las Vegas - see exhibitions
Center Art Galleries, Hawaii - 3.1: Center Art Galleries Exhibition, Hawaii 1985, 4.1: 1984, 1987
Central Park Boathouse - see restaurants
cereal box - see Wheaties
Chabot Galleries - 2.1: 1989
Chamberlain, Wilt - see 3.1: Basketball Superstars, 1975 -76, 3.1: Kareem Abdul -Jabbar, 1984, 3.1: Wilt Chamberlain 2000, 4.1: 1981
champagne - 3.1: Duval LeRoy Champagne 1999-2001
Champagne Taittinger - 3.1: 1993
Champagne...Uncorked! by Rosemary Zraly - 3.1: Saks Fifth Avenue 1994-1999, 3.1: Champagne...Uncorked! by Rosemary Zraly 1996
Champions vs. MS - 2.1: 1977
Champs-Elysses
Le Champs- Elysses, 1992 - 4.1: 1996
The Champs-Elysees, la Voie Triomphale, 1994 - 4.1: 1997
Chandler, Charlotte - 3.1: Charlotte Chandler 1978-84, 3.1: March of Dimes' Gourmet Gala 1985
Channel Thirteen, New York - 2.1: 1984, 4.1: 1983
Charismatic - 4.1: 1999
charity - 2.1: Charities (all files), see also AIMS (Committee to Aid Multiple Sclerosis), American Cancer Society, American Diabetes Association, American Heart Association, Association for the Help of Retarded Children (AHRC), Boys & Girls Clubs of America, Boys Town of Italy, Carousel of Hope (Children's Diabetes Foundation), Champions vs. MS, Children's Hearing Institute, Citymeals-on-Wheels, Concern's Charity of Champions, Cystic Fibrosis Foundation, Doodle for Hunger, Good Tidings Foundation, Hope House Ministries, Hospital Relief Fund of the Caribbean, International Heart Foundation, International Sephardic Education Foundation, Jackie Robinson Foundation (under Robinson, Jackie), Jimmy Fund, Juvenile Diabetes Foundation, Leukemia Society of America, Make-a-Wish Foundation, Monmouth Park Charity Ball, Muscular Dystrophy Association, Myasthenia Gravis Foundation, National Multiple Sclerosis Society, North Shore Child and Family Guidance Association, Race to Erase MS, Rock for the Cure, Ronald McDonald House, Special Olympics, United Cerebral Palsy Association, United Way, 4.1: 1981, 1992, 1999; see also animals: rescue
Charlie Cosmetics - see promotions
Chavez, Julio Cesar - see boxing
chef - 3.1: James Beard 1985-87, see also Bennett, Chef John; Clark, Chef Patrick; Kopf, Stefan; Lomonaco, Chef Michael; food; restaurants; Soltner, Chef Andre
Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank, VII: Box 3
Cher - 4.1: 1981
chess - see Fischer, Bobby
Chicago Board of Trade, 1974-75 - 2.1: 1977, 1989, 4.1: 1977
Chicago Public Library - 4.1: 1955-59
Chicago Serigraphic Workshop - 2.1: 1977
children, artwork by - 2.2: Artwork from Children
children, letters from - 2.2: Mrs. Vladimir's Class 1975-85, 2.2: Hutchinson KS, Elementary Schools, 1976-78, 2.2: Mr. Silver's Class 1978-81, see also various letters in 2.1 Fan Mail files
Children at Heart - 4.1: 1996
Childrens Diabetes Foundation - 3.1: Carousel Ball 1982-present
Children's Hearing Institute - 4.1: 1994
China - 2.1: 1983
Chinaglia, Georgio - see soccer
Choate School - 4.1: 1969
Christie's - 4.1: 1978
Christina Galice Gallery - 2.1: 1990
churches -- - 4.1: 1964, 1965; The Organ at St. Paul the Apostle, 1965 - 4.1: 1965
Components of Fire by (Aaron Sigmond or Jim Mauro) with Foreword by LeRoy Neiman - 2.1: 1997
Playboy's LeRoy Neiman Selection by Don Diego - 3.1: Playboy's LeRoy Neiman Selection by Don Diego, 1997
Puro Cigar Company - see Sigmond, Aaron
Rhythm and Smoke Cigar Video - 3.1: Rhythm and Smoke Cigar Industry Video 1997-1998
Wine, Women and Cigar, 1996 - 3.1: Playboy's LeRoy Neiman Selection Cigars 1996, 4.1: 1999, 4.2: -- Bartender -- Magazine Cincotti, Peter - 4.1: 2002 ov.
Circle Galleries, Chicago and New York - 2.1: 1979, 1989, 4.1: 1973, 1981, 1989, 1.2: Felicie Correspondence, see exhibitions, solo: Circle Galleries and "Ali-Frazier"
Circus, 2000 - 3.1: Circus 2000, 4.1: 2001
Cirker - Hayes Warehouse - IID: Inventory of Prints Stored in Warehouse 1970s-80s
Cities in Schools - 3.1: Cities in Schools and Harlem Streets, 1981, 4.2: Arts Magazine
City by the Bay, 1993 - see San Francisco
City By The Bay, by Charles Fracchia, cover illustration by LeRoy Neiman - 3.1: San Francisco Series 1991-93
Clinton, President Bill - 3.2. -- Big Time Golf -- , 1992, 4.1: 1992
clothing - VII
clothing stores - see Marshall Fields, Neiman Marcus, Pallack, Rick, and Saks Fifth Avenue, 4.1: 1958
Clough, Charles - 4.1: 1986
Club El Morocco - 4.1: 1979
Clubhouse Turn, 1975 - see horse racing
Coalition for the Homeless - 4.1: 1986
Coca-Cola Company - 2.1: 1994
Coetzee - see boxing
Coghlan, Eamon - see running
Cohen, Mouli - 3.1: Soft Paintings 1989
collectibles - see promotions
collectors - 4.1: 1969, 1980, 1981, see Wolfson
college sports - see basketball, football
Columbia Space Shuttle - 4.1: Undated ov
Columbia University - School of the Arts - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present; School of General Studies - 2.1: 1977
Comaneci, Nadia - see gymnastics
Comedia dell' Arte - 3.1: Royal Doulton collectible plates 1974-78
comic strips - see -- Doonesbury
commercials - see Promotions
Commodities Magazine - see The Chicago Board of Trade, 1974-75
Concern Foundation
Concern's Charity of Champions - 4.1: 1983
conductors - see Bernstein, Leonard; Slatkin, Leonard
Contemporary University - 4.1: 1980
Cooney, Gerry - see boxing
computer art - 4.1: 1975
Conner, Bart - see gymnastics
Converse - 2.1: 1982
Bill Corum Award - 1.1: Awards
Corvette, Limited Edition Neiman - 3.1: Corvette 1984, V: 1980s, Rendezvous a la Corvette, 1984 - 3.1: Corvette 1984
Cosby, Bill - 4.1: 1991, 1997
Cosell, Howard - 4.1: 1987, 1995, V: 1991
cosmetics - see promotions
Cotton Club - 4.1: undated
Countdown to Superbowl, by Dave Anderson - 3.1: Countdown to Superbowl by Dave Anderson 1969
Country Rambler -- Magazine - 2.1: 1976, 4.1: 1976 ov
Couples - 4.1: 1976
Cow Parade, NYC - 3.1: Cow Parade NYC, 2000
cowboys - see The Lone Ranger, National Cowboy Hall of Fame, rodeo
Creative Communications - 2.1: 1976
cricket - 4.1: 1961
Crosby, Bing - 3.1: 43rd Crosby National Pro-Am, 1984
Csonka, Larry - 4.1: 1973, 1974; Larry Csonka - 4.1: 1972
Cuba - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003, 4.1: 1979
Cuban Dancers, 1997 - 3.1: Rhythm and Smoke Cigar Video 1997-98
The Culinary Arts exhibition - 3.1: The Culinary Arts exhibition 1998
Culinary Institute of America - 4.1: 2000
Cunningham, Merce - see dance
Current Biography - 4.1: 1996
Curtis, Mike - 3.1: Gridiron Football News 1971-1973
Curtis, Tony - 2.1: 1988
cycling
3.1: Tour de Trump
Boul Mich Bike Rally, 1978 - 2.1: 1983, 4.1: 1978 ov
Indoor Cycling - 4.1: 2000, 2002
Tour de France - 4.1: 1984
Cystic Fibrosis Foundation - 4.1: 1996
D
Daily Double - see Fran Joswick Therapeutic Riding Center
Dalai Lama - 2.1: 2003
Daley, Robert - 4.1: 1966
Daley, Mayor Richard - 4.1: 1968
Dali, Salvador - 4.1: 1977, 1986, 1991, 2002 (mentioned throughout 1980s and 1990s)
Dan's Papers - 2.1: 1998, 1999, 4.1: 1997 ov
dance -- - see also ballet
Cunningham, Merce
Merce Cunningham Studio - 4.1: 2004
"Fringe TOMAR 2000" Festival Internacional de Danca Contemporanea, 2000 - VII
Graham, Martha - 2.1: 1989
Jacki Sorenson, 1981 - 4.1: 1981
Davidson Gallery - 4.1: 1986
Davis, Marvin and Barbara - 2.1: 1985, 3.1: Carousel Ball 1982-present
Davis, Jr. , Sammy - 3.1: Frank Sinatra at Royal Albert Hall 1989, 4.1: 1964, 1981, 1982, 1984, 1991, V: early 1960s, Bojangles, 1984 - 4.1: 1986
Dawkins, Peter - 2.1: 1980, 3.1: Peter Dawkins Poster 1988
De la Hoya, Oscar - see boxing
De La Vega, James - 4.1: 1999
Dean Day Gallery - 2.1: 1982, 1983, 1989, see also exhibitions
Dear Muffo, by Harold Conrad - 4.1: 1982
Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-91
DeBusschere, Dave - 4.1: 1974
The Dedication - 4.1: 1969
Deer Path Art League - 4.1: 1950s
Defiant, 1987 - see sculpture
Degregorio, Ernie - 2.1: 1976
Dekker, Mary - V: 1980s
Del Coronado Petit Galop, 1976 - 4.1: 1976
Del Greco, Maria -2.3: Letters from Artists, 4.1: undated, 1996
Delacroix's Tiger - see animals
Delligatti, Ralph - 4.1: 1992
Denver, CO - see auto racing
Denver, John - 4.1: 1994
Derek, Bo and John - 2.1: 1998, 4.1: 1985
Des Moines, Iowa
Des Moines Ballet - 3.1: Des Moines Ballet Commissions 1983-1986
Des Moines Symphony - 4.1: 1979
Desert Inn, Las Vegas - see casinos: Caesar's
Desert Symphony - see music: classical
designers - 4.1: 1997
Dewar's - 4.1: 1971
Dial-A-Dinner - 4.1: 1994
Diamond, Neil - 4.1: 1984
El Diario la Prensa - 2.1: 1987
A Dictionary of Sporting Artists, by Mary Ann Wingfield - 4.1: 1992
Dill, Bob - 2.1: 1997, 1999
Diller, Phyllis - 2.1: 1995, 1996, 1999
DiMaggio, Joe - 4.1: 1992
Joe DiMaggio: Yankee Clipper, 1998 - 3.1: Joe DiMaggio 1998-1999, 4.1:1998 Joe DiMaggio: Study for "Yankee Clipper", 1998 - 3.1: Joe DiMaggio 1998-1999
DiPietro, Marylou - 2.1: 1979, 3.2.3
diving - see swimming and diving
Dixon, Rod - see running
dog - see animals
Dokes, Michael - 4.1: 1993
Domingo, Placido - 3.1: The Three Tenors, 1996
Doodle for Hunger - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004
Doonesbury -- - 4.1: 1981
Door County - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001
Dorfman, Fred - see Fred Dorfman, Inc.
Dorset, Tony - 2.1: 1982
Doubletake Gallery - 4.1: 1999
Douglas, Kirk, Kirk Douglas, 1984 - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985
dreams - 3.1: Folies Bergere, Tropicana, Las Vegas 1983
Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000
Driscoll, John (President of Iona College) - 1.1: Honorary Degrees, Iona College, Honorary Doctorate, 1985
Dubai - 2.1: 1988
Dublin Bar "The Stag's Head" - see The Stag's Head Bar, 1961
Dufresne, Isabelle - 4.1: 1988
Duguay, Ron - 4.1: 1982
Dundee, Angelo - see boxing
Duneier, Clyde - 4.1: 1993
Dupont, Andre - 4.1: 1974
Dupont pens - see promotions
Duran, Roberto - see boxing
Durocher, Leo - 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 4.1: 1968, Leo Durocher - 3.1: Leo Durocher 1974-94
Duval LeRoy, Carol - 3.1: Duval LeRoy Champagne, 1999
Einstein, Albert - Albert Einstein, 1992 drawing - 2.1: 1991
Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg, 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73, 4.1: undated, 1963, 1986, 1994
Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard, 1981, 4.1: 2001, see also exhibitions
elephant paintings - see animals
Elkins Entertainment - 3.1: Rhythm and Smoke Cigar Video, 1997
Elles & Eux -- Magazine - 4.1: 1961
Ellington, Duke - see jazz
Ellis, Jimmy - 4.1: 1971
Ellis Island Medal of Honor - 1.1: Awards
Elway, John - 3.1: John Elway, 1999
Emerald Art Gallery - 2.1: 1977, 3.1: Emerald Art Gallery Solo Exhibition 1976
English, John - 1.1: Military Service
equestrian - see horses
Erte -- - 4.1: 1990, 1980s and 1990s (mentioned throughout)
Erving, Julius - see Basketball Superstars, 1975-76, Julius Erving, 1975 - 3.1: Julius Erving 1975-76
etchings - 2.1: 1977, 3.1: Malletmen etching Certificate, 1977, 1.2: Bowles Galleries Correspondence 1970s, see also boxing: Ali vs. Frazier II etchings, 1974, and soccer: Soccer, 1989 etching, The Etchings of LeRoy Neiman, 1976 Knoedler booklet - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov)
Eve Models, Ltd. - 4.1: 1971, 1974
Everson, Cory - see bodybuilding
Evert, Chris - see tennis
Ewbank, Weeb - 3.1: Gridiron Football News 1971-1973, 4.1: 1978
exhibitions -- - Note: Solo and group exhibitions are listed alphabetically by the venue name
American Fine Art Editions, Inc., "Superbowl XXX," Jan 1996 - 3.1: Superbowl XXX Exhibition 1996
American Fletcher National Bank - see Indianapolis Museum of Art
l'art et l'automobile gallery, "Monte Carlo Chase," New York 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions
l'art et l'automobile gallery, New York, 1989 - no materials
The Art Exchange, Creve Coeur, MO, 1978 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79
The Art Exchange, Creve Coeur, MO, 1979 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79
Art Gallery-Studio 53 Ltd., New York 1975 - 4.1: 1975
Art Gallery-Studio 53 Ltd., New York 1976 - 4.1: 1976
Astor Tower French Center, Chicago, "Vie de France," 1965 - 3.1: "Vie de France" Solo Exhibition, Astor Tower, Chicago 1965
Backstage Gallery, Osaka, Japan - 4.1: 1989
Baja - 4.1: 1989
Base Art Collection, 1990 - 4.1: 1990
Bowles/Hopkins Gallery, San Francisco, 1977 - 3.1: Bowles Hopkins Solo Exhibition, San Francisco, 1977
Bowles/Hopkins Gallery, San Francisco, 1980 - 2.1: 1980, 4.1: 1980
Bowles/Hopkins Gallery, San Francisco 1981 - 4.1: 1981
Bowles/Hopkins Gallery show celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams
Bowles/Hopkins Gallery, "The Olympic Spirit," San Francisco, 1984 - 3.1: 1984 Olympics
Bowles/Hopkins Gallery show celebrating the Superbowl, 1985 - 4.1: 1985
Bowles/Hopkins Gallery, February 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Bowles/Hopkins Gallery, October 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Bowles/Sorokko Galleries, "Neiman's Neimans: A Retrospective," San Francisco, 1987 - 3.1: Bowles/Sorokko Galleries Solo Exhibitions, San Francisco ("Neiman's Neimans") and Beverly Hills 1987
Bowles/Sorokko Galleries, "LeRoy Neiman: Monte Carlo," San Francisco 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Bowles/Sorokko Galleries, Polo Lounge Debut, Beverly Hills, April 1989 - 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Beverly Hills 1989
Bowles/Sorokko Galleries, San Francisco, May 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990
Bowles/Sorokko, Beverly Hills, October 1990 - 4.1: 1990
Bowles/Sorokko Galleries, "The Prints of LeRoy Neiman 1980 -1990," Beverly Hills, 1991 - 3.2. The Prints of LeRoy Neiman, 1980-1990, 1991
Bowles/Sorokko Galleries, "LeRoy Neiman's San Francisco," San Francisco 1991 - 3.1: San Francisco Series 1991-93
Bowles/Sorokko Galleries, "LeRoy Neiman: Downtown," New York 1992 - 4.1: 1992
Bowles/Sorokko Galleries, "Big Time Golf," Beverly Hills, San Francisco, and New York, 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions
Bowles/Sorokko Galleries, City by the Bay Debut, San Francisco, 1993 - 3.1: San Francisco Series, 1991-1993
Bowles/Sorokko Galleries, "An American in Paris," Beverly Hills, San Francisco, and New York, 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
Bowles/Sorokko Galleries, San Francisco, 1995 - 4.1: 1995
Bowles/Sorokko/Yarger Galleries, "Portraits of Our Times 1946-1996", Beverly Hills and San Francisco 1996 - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996
Brentano's Gallery, New York, 1973 - 4.1: 1973
Brentano's Gallery, New York, 1979 - 2.1: 1979, 4.1: 1979
Brentano's Gallery, New York, 1980 - 4.1: 1980
Butler Institute of American Art, Exhibition at "The Art Spirit" Event, April 1990 - 4.1: 1990
Carol Condit Galleries, White Plains, 1975 - 4.1: 1975
Casa Grafica, Helsinki, Finland, 1977 - 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977
"Celebration 2000," 2000 - 3.2. -- The Prints of LeRoy Neiman -- , 1991-2000, 2001
Centaur Galleries, Las Vegas, 2000 - 4.1: 2000
Centaur Sculpture Galleries, "The Safari Suite," Las Vegas 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Center Art Galleries, Honolulu, Hawaii, 1985 - 3.1: Center Art Galleries Exhibition, Hawaii, 1985
Dyansen Gallery, Trump Taj Mahal, 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992
Elayne Galleries, Minneapolis, MN, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978
Emerald Art Gallery, Coronado, CA, 1976 - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976
Fairfield Gallery, "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," 2001 - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001
Fahlnaes Konstsalong, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77
Famous-Barr, St. Louis, MO, 1980 - 3.1: Famous-Barr Olympic Benefit Solo Exhibition, St. Louis 1980
The Far Gallery, "Recent Graphics and Drawings", 1971 - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971
Franklin Bowles Galleries, "Animals: The Wild and the Tame", 1998 - 3.1: "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco, October 1998
Franklin Bowles Galleries, "LeRoy Neiman: Master Printmaker," 2001 - 3.1: "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco 2001
Frankin Bowles Galleries, "LeRoy Neiman: Thirty Years in San Francisco," 2002 - 3.1: "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco 2002
Franklin Bowles Galleries, "Looking Back: The Life & Times of America's Artist", Fisherman's Wharf, San Francisco, February 2004 - 4.1: 2004
Franklin Bowles Galleries, "LeRoy Neiman: The Art of Boxing," San Francisco, February 2005 - 3.1: "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries 2005
Friars Club, 1987 - see exhibitions: New York Friars Club
Galerie 224, 1989 - 4.1: 1989
Galerie Borjeson, Malmo, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77
Galerie O. Bosc, Paris 1962 - 4.1: 1962
Galerie Marc, San Francisco, 1977 - 4.1: 1977
Galerie Marcel Bernheim, "Un Américain à Paris," Paris 1993 - 3.1: "Un Américain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993
Galerie Renee & Victor, Stockholm, Sweden, 1977 - 3.1: Sweden Exhibitions 1976-77
La Galleria d'Arte, Newport Beach, CA, 1993 - 2.2: La Galleria d'Arte, 4.1: 1993, V: 1993
La Galleria d'Arte, "An American in Paris," Newport Beach, CA, 1994 - 2.2: La Galleria d'Arte, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
La Galleria d'Arte, "LeRoy Neiman On Safari," Newport Beach, CA 1996 - 2.2: La Galleria d'Arte, 3.2. LeRoy Neiman On Safari, 1996, Related Exhibitions
Gallery One American Design, Aurora, Colorado, August 1990 - 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990
Gallery One of Writer Square, Denver, August 1990 - 3.1: Emerson Fittipaldi, 1989, 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990
Gallery 36, New York, 1973 - 4.1: 1973
Gallery 100, Mishawaka, IN, 1977 - 4.1: 1977
Gallery Hawaii, International Market Place, 1974 - 3.1: Hawaii and Japan 1974
Gallery of Modern Art, Frank Sinatra drawings, New York, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967
Gallery Richelle, 1966 - 4.1: 1966
Gateway Gallery, Vail, CO, 1994 - 4.1: 1994
Gilbert Gallery, San Francisco, 1974 - 4.1: 1974
Grigsby Gallery, Scottsdale, AZ, 1982 - 4.1: 1982
Hammer Galleries, 1963 - 3.1: Hammer Galleries Solo Exhibition 1963
Hammer Galleries, 1965 - 3.1: Hammer Galleries Solo Exhibition 1965
Hammer Galleries, 1967 - 3.1: Hammer Galleries Solo Exhibition 1967
Hammer Galleries Exhibition of New York Jets Drawings, 1968 - 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968
Hammer Galleries, 1970 - 3.1: Hammer Galleries Solo Exhibition 1970
Hammer Galleries, 1972 - 3.1: Hammer Galleries Solo Exhibition 1972
Hammer Galleries, 1974 - 4.1: 1974
Hammer Galleries, "LeRoy Neiman: Works on Paper," 1975-76 - 3.1: Hammer Galleries Solo Exhibition 1975-76
Hammer Galleries, "The Olympic Ring," 1976 - 3.1: 1976 Olympics, Montreal
Hammer Galleries, "Horses," 1979-80 - 3.2. Horses, 1979, Harry N. Abrams, Publicity, Reviews, and Related Exhibitions
Hammer Galleries, "Drawings: A Retrospective," 1981 - 3.1: "Drawings" A Retrospective" Solo Exhibition, Hammer Galleries 1981
Hammer Galleries, 1982 - 4.1: 1982
Hammer Galleries, "LeRoy Neiman: Winners," 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions; Photos, Proofs, and BLAD
Hammer Galleries, "The Olympics, Past and Present," 1984 - 3.1: 1984 Olympics, Los Angeles
Hammer Galleries, "The LeRoy Neiman Collection," 1985 - 3.1: "The LeRoy Neiman Collection" Exhibition, Hammer Galleries, 1985
Hammer Galleries, "LeRoy Neiman in Moscow," April 1987 - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987
Hammer Galleries, "LeRoy Neiman: A Salute to Central Park," September 1989 - 3.1: "A Salute to Central Park" Solo Exhibition, Hammer Galleries 1989
Hammer Galleries, "Big Time Golf," 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions
Hammer Galleries, "An American in Paris," 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
Hammer Galleries, "LeRoy Neiman On Safari," New York, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Hammer Galleries, "A View from the Table," Solo Exhibition, New York, 2003 - 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries, New York, 2003
Hilliard Gallery, Kansas City, October 1989 - V: 1989
Hilliard Gallery, "The Safari Suite," Kansas City, MO, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Horizon Gallery, Kuhio Mall, Waikiki Beach 1980 - 4.1: 1980 and ov
Hotrod Vintage Car Museum and Dance Club, 1989 - 4.1: 1989
Indianapolis Museum of Art, "Sketches of the XXth Olympiad," Miliken Gallery, 1972-73 - 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73
Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank, 1976 - 2.1: 1976, 3.1: Indianapolis Museum of Art Solo Exhibition 1976
Japan - see exhibitions: Backstage Gallery, exhibitions: Hanae Mori Building and exhibitions: Tobu Gallery
Jewish Community Center, Bridgeport, CT, 1976 - 4.1: 1976
JoAnn Perse Gallery, Little Rock, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams
JoAnn Perse Gallery, "Monte Carlo Chase," Little Rock 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
John Miller Gallery, Carmel, CA 1982 - 4.1: 1982
Kentucky Derby Museum, "An Exhibition of Equine Art," 1993 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95
Kentucky Derby Museum, "A Racing Retrospective," 1995 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95
Kentucky Derby Museum, "The Art of Sport," 1997 - 3.1: 123rd Kentucky Derby and Derby Day Paddock 1997
M. Knoedler & Co., Ltd., London, 1976 - 3.1: Knoedler London Solo Exhibition 1976 Krannert School of Management, 1986 - no materials
Lawrence Ross Galleries, Beverly Hills, 1985 - 3.1: Lawrence Ross Galleries 1985-88
Lawrence Ross Galleries, Beverly Hills, 1986 - 3.1: Lawrence Ross Galleries 1985-88
Minotaur Galleries, Las Vegas 1988 - 2.2: Minotaur Galleries 1984 -1994, 3.2. -- Monte Carlo Chase -- , 1988, Related Exhibitions, Van Der Marck Editions, Ltd., 4.1: 1988
Minotaur Galleries, "Big Time Golf," Las Vegas 1992 - 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions
Minotaur's Forum Gallery, Las Vegas 1993 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1993
Museo de Bellas Artes, Caracas, 1972 - 2.1: 1972, 4.1: 1972, V: 1970s
Peter Foulger Museum, Nantucket, 1975 - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Playboy offices, "LeRoy Neiman: Man at his Leisure" 1991 - V: 1991
Pratt Institute, "LeRoy Neiman in Cuba," 2003 - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003
"Profiles: Six Decades of Work" 1996 - 3.1: "Profiles" Exhibition 1996
Purdue University, 1986 - 4.1: 1986
Quinn-Pollak Gallery, "Monte Carlo Chase," San Diego 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Richelle Gallery, St. Louis, 1966 - see Gallery Richelle
Rosenbaum Galleries, Palm Beach, 1976 - 2.1: 1976, 4.1: 1976
St. Lawrence National Bank, 1977 - 3.1: St. Lawrence National Bank Solo Exhibition, Ogdensburg, NY, 1977
Sher Gallery, Florida, 1986 - 4.1: 1986
Springfield Art Association, "LeRoy Neiman: A Series of Sport Serigraphs," Springfield, IL, 1990 - 4.1: 1990
Springfield College - 3.1: LeRoy Neiman Centennial Art Exhibition, Springfield, MA, 1984
Springfield Museum of Art, 1974 - 4.1: 1974
State National Bank, El Paso, 1981 - 4.1: 1981
Steiner & Young Fine Arts Galleries, 1989 - 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Soft Paintings 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Surf Club, 1989 - 4.1: 1989
Thomas Ward Galleries, St. Paul, 1975 - 4.1: 1975
Timothy Yarger Fine Art, "The Culinary Arts" 1998 - 3.1: "The Culinary Arts" Solo Exhibition, Timothy Yarger Fine Art, Beverly Hills 1998
Timothy Yarger Fine Art, "A Thirty-Year Retrospective Exhibition" - 3.1: Timothy Yarger Fine Art, "A Thirty -Year Retrospective" Exhibition 2000
Timothy Yarger Fine Art, "LeRoy Neiman: A Fifty-Year Retrospective", Beverly Hills, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003
The Toy Store, Hartford, CT, 1985 and 1986 - 3.1: The Toy Store 1985-86
Tobu Gallery, Tokyo, 1974 - 3.1: Hawaii and Japan 1974
Tretyakov Museum, Moscow 1988 - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988
Trump Plaza, Atlantic City, 1996 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence
Turnbery Isle Yacht and Racquet Club Exhibition, 1981, 1982, 1983 - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1981-83
Edwin A. Ulrich Museum of Art, Wichita State University, 1981 - 2.1: 1981
University of Charleston, West Virginia, Art Gallery, 1992 - 4.1: 1992
Upstairs Gallery, Beverly Hills, 1977 - 4.1: 1977
Upstairs Gallery, Beverly Hills, 1981 - 4.1: 1981
Upstairs Gallery, Beverly Hills, Exhibition celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions
Upstairs Gallery, Beverly Hills, 1986 - 4.1: 1986
Upstairs Gallery, Beverly Hills, 1987 - 4.1: 1987
Upstairs Gallery, Beverly Hills, 1988 - 4.1: 1988
Waller's Gallery, Tampa, 1975 - 4.1: 1975
Wichita State University Ulrich Museum of Art Exhibition 1981 - 4.1: 1981
The Wildlife Experience, "LeRoy Neiman on Safari," 2003 - 3.1: "LeRoy Neiman on Safari" Solo Exhibition, The Wildlife Experience, Parker, CO, 2003
Windsor Gallery, Los Angeles, 1974 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75
Windsor Gallery, "The Wide World of LeRoy Neiman," Los Angeles, 1975 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75
two-person exhibitions
LeRoy Neiman and Robert Addison, Art Institute of Chicago, 1978 - 4.1: 1978 and ov
Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY 1973 - 4.1: 1973
"The Mustache Show", Salvador Dali and LeRoy Neiman, Tunnel Club, New York, 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89
LeRoy Neiman/Andy Warhol, LAICA, Los Angeles 1981 - 3.1: Neiman/ Warhol Exhibition 1981
group exhibitions
Amherst College, "When They Were Very Young," Amherst, MA 1982 - 4.1: 1982
Amnesty International Exhibition and Sale, New York, 1990 - 4.1: 1990
Anna Werbe Gallery, Chicago Artists, Detroit 1958 - 4.1: 1950s
Anshe Emet Cinema Arts Festival, 1960 - 4.1: 1960
Aqueduct Art Gallery, New York, 1966 - 4.1: 1966
Area, "Art," New York, 1985 - 3.1: "Art", Group Exhibition at Area, 1985
L'art et L'automobile, automotive artists group exhibition, 1988 - 4.1: 1988
L'art et l'automobile, Ferrari Collection exhibition, 1989 - 4.1: 1989
Art Directors Club of Chicago, Exhibition of Advertising and Editorial Art, 1955 - 4.1: 1950s
Art Expo - 4.1: Undated
Art Institute of Chicago, Student Exhibition, 1950 - 4.1: 1950s
Art Institute of Chicago, Student Exhibition, 1951 - 4.1: 1950s
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1953 - 4.1: 1950s
Art Institute of Chicago, Instructors Exhibition, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1956 - 4.1: 1950s
Art Institute of Chicago, American Painting and Sculpture, 1957 - 4.1: 1950s
Art Institute of Chicago, Instructors Exhibition, 1957 - 4.1: 1950s
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1961 - 4.1: 1961
Art Institute of Chicago, "Drawing New Conclusions," 1992 - 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992
Baja Club, "Art's As Good An Investment as Bonds," New York, 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89
Bal Tabarin Room, Sherman Hotel, Chicago 1959 - 4.1: 1950s
Bank One, "Athletes and Heroes," Youngstown, Ohio, 1987 - 4.1: 1987
"Beyond Illustration - The Art of Playboy," Traveling Exhibition, 1971-74 - 4.2: Playboy Ephemera 1970s
Blumhelman Gallery and Germans van Eck Gallery, "Artists for Amnesty," New York, 1990 - 4.1: 1990
Butler Institute of American Art, "The Artist at Ringside," 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1990
Calgary Inn, "Fall Portfolio of International Artists," Calgary, Alberta, Canada 1980 - 4.1: 1980
Carnegie Institute of Arts, International Exhibition, Pittsburgh, 1955 - 4.1: 1950s
Chicago Navy Pier, Chicago Artists, 1957 - 4.1: 1957
Chicago Public Library, 1958 - 4.1: 1955-59
China Club, "The Famous Show," New York, 1988 - 4.1: 1988
Cig Art
"Cig Art," National Arts Club, New York, 1996 - 4.1: 1996
"Cig Art 2: The Smoke Continues", National Arts Club, New York, 1997 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
"Cig Art 4: Where There's Smoke", Art Museum of Southern Texas, 2000 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
Collectors Club Exhibition, 1957 - no materials
Corcoran Gallery of Art, Biennial Exhibition of Contemporary American Oil Paintings, Washington, DC, 1957 - 4.1: 1950s
Deer Path Art League Annual Fine Arts Fair, 1957 - 4.1: 1950s
El Paso Museum of Art, 1987 - 4.1: 1987
Foster Harmon Galleries of American Art, "Grand Opening Group Exhibition," Sarasota, 1980 - 4.1: 1980
Foster Harmon Galleries of American Art, "American Masters Exhibition," Sarasota, FL, annual - 4.1: 1981, 1987
Gimbel's, "Playboy's Art of Fashion Exhibition," Milwaukee, Wisconsin, 1979 - 4.2: Grand Palais, "Salon d'Automne," Paris, 1993 - 2.2: Association du Salon d'Automne 1992-99, 4.1: 1993
Hammer Galleries, "Group Show of FKH Artists," 1974 - 4.1: 1974
Hammer Galleries, Holiday Exhibitions, New York, 1974 - 4.1: 1974
Hammer Galleries, "Hammer Galleries Graphics," New York, 1975 - 4.1: 1975
Hammer Galleries, "Master Prints of the 19th -20th Century," 1987 - 4.1: 1987, V: 1987
Hanson Art Galleries, San Diego, CA - 4.1: 1987
Harmon Gallery, "20th Century American Masters," Naples, FL, 1979 - 4.1: 1979
Illini Union Art Gallery, Illinois 1973 - 4.1: 1973
International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1977 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78
International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1978 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78
Los Angeles County Fair - see group exhibitions: Millard Sheets Gallery
Marshall Field & Co. Gallery, "Brotherhood in Art," 1958 - 4.1: 1950s
Mickey Mantle's, New York - 4.1: 1988
Midwest Museum of American Art, "Panorama of American Art," Elkhart, IN, 1979 - 4.1: 1979
Millard Sheets Gallery, Fairplex, "Art and the Athlete," Los Angeles County Fair, 1996 - 3.1: "Art and the Athlete" Group Exhibition, Los Angeles County Fair 1996
Minneapolis Institute of Arts, Local Artists' Exhibition, 1952 - 4.1: 1950s
Minneapolis Institute of Arts, Local Artists' Exhibition, 1953 - 4.1: 1950s
Minneapolis Institute of Arts, Local Artists' Exhibition, 1954 - 4.1: 1950s
Minnesota Museum of Art, "TIME Portraits of American Newsmakers," 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969
Minnesota Museum of Art, "Drawings USA 75," St. Paul, 1975 - 4.1: 1975
Minnesota State Fair, 1954 - 4.1: 1950s
Minnesota State Fair, 1955 - 4.1: 1950s
The Monmouth Museum, "The Horse: Man's Noble Companion," Lincroft, NJ 1987 - 4.1: 1987
Museum of the City of New York, "Showstoppers: Great Moments of the American Musical," 1983 - 3.1: Showstoppers Group Exhibition, MCNY 1983
Mystic Seaport Museum, "Archives of American Yachting and Boating," 1985 - 4.1: 1985 National Art Museum of Sport, 1969 - 4.1: 1969
National Portrait Gallery, "TIME Portraits of American Newsmakers," Washington, DC, 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969
Navy Pier Art Show, 1957 - 4.1: 1950s
New Orleans Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995
North Mississippi Valley Exhibition, 1964 - 4.1: 1964
North Shore Art League, Chicago Area Show, 1956 - 4.1: 1950s
North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1958 - 4.1: 1950s
North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1959 - 4.1: 1950s ov
Northampton County Area Community College Foundation, 1982 - 4.1: 1982
Odyssey House Art Gallery, New York, 1972 - 4.1: 1972
F. Oehlschlaeger Gallery, Chicago, 1958 - 4.1: 1950s
F. Oehlschlaeger Gallery, Chicago, 1959 - 4.1: 1950s
F. Oehlschlaeger Gallery, Chicago, 1965 - 4.1: 1965
F. Oehlschlaeger Gallery, "Twentieth Anniversary Show," Chicago 1969 - 4.1: 1969
F. Oehlschlaeger Gallery, "American Masters of the 1940s, 50s, and 60s," 1985 - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985
F.X. McRory's Whiskey Bar, Seattle, 1980 - see bars
Fairfield Gallery - see exhibitions
Fairmont Hotel - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Falstaff, opera by Verdi - 3.1: Falstaff Opera 1993, 4.1: 2002
fan auction - 4.1: 1992
Far Gallery, New York - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971
fashion - 3.1: Early Fashion Illustration 1949-57, 3.1: Fashion Illustration for The Domino Catalog 1950s -60s, 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only), 4.1: 1958, 1971, undated 1990s
F.D.N.Y. (Fire Department of New York)
F.D.N.Y. Painting - 3.1: F.D.N.Y. Painting 2002
F.D.N.Y Pipes and Drums - 2.1: 1984
Felicie, Inc. - IID: Price Lists 1970s, 1.2
Felt, Irving Mitchell and Elaine - 2.1: 1977, 3.1: Bill Bradley 1978-2000, see Madison Square Garden
Femlin - see Playboy
Festival Internacioal de Danca Contemporanea - 4.1: 2000
Fields, Edward - see tapestry
The Fifth Dimension - 3.1: Fifth Dimension Album Art 1970-1982
Fight of the Century - see boxing
figure skating -- - 3.1: 1982 U.S. Figure Skating National Championships, V: 1980s, see also Olympic Games
Healey, Kathy - V: Kathy Healey, 1981
Superskates - 2.1: 1981, 4.1: 1981, V: 1980s
United States Figure Skating Association - 2.1: 1984, 3.1: 1982 U.S. Figure Skating National Championships
film -- - 3.1: Beauty, the Beach, and the Bizarre 1984, 3.1: Houston Film Fest 1990, 3.1: Wine Country Film Fest 1990, 4.1: 1972, 1990, see also Screen Actors Guild
Halas, George - 3.1: Gridiron Football News 1971-73, George Halas, Jr. Sports Center - 4.1: 1979
Hall, Jim - 4.1: 1997
Hall of Famer, 1996 - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1998
Halle, David - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present; A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990
Halmi, Robert - 3.2.12 and 4.1: undated ov
Hammer Galleries - see exhibitions, and Knoedler & Co.
Hammer, Armand - 1.2: Knoedler & Co. and Hammer Galleries, 3.1: New York City Marathon 1984-2001, 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988, 3.1: Tokyo exhibition 1988
Hammer, Michael - 1.2: Knoedler & Co. and Hammer Galleries
Hammer, Victor - 1.2: Knoedler & Co. and Hammer Galleries
Hammond, IN - see Mercantile Bank
Hampton, Kym - 4.1: 2000
The Hamptons, New York - 3.1: Hamptons notes 1972, 4.2: -- Playboy -- 1973, see Appendix E handball - see Jacobs, Jim
Hanson Gallery, New Orleans - see exhibitions, 3.1: Rex Proclamation Mardi Gras Painting 2002, 4.1: 1984, 1986, 1998, 2000, 2001, 2002, 2004
Hanson Gallery, San Diego - 4.1: 1987
Harbor Boat House, 1955 - 4.1: 1950s
Hardy, Joseph A. - 1.1: Collectors
Harlem Streets, 1981 - 3.1: Cities in Schools and Harlem Streets, 1981
harlequin
Harlequin, lithograph - 3.1: Circle Gallery 1972, 4.1: 1989
Harlequin and a Nude, 1971 - 4.1: 1991
Harlequin with Sword, lithograph - 3.1: Circle Gallery 1972
Harlequin's Entry into Venice, 1971 mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90
Haring, Keith - 4.1: 1997
Harmon Galleries - see Foster Harmon Galleries
Harper's -- Magazine - 4.1: 1964, 1968
Harrod's, London - 4.1: 1982
Harry, Deborah - 2.1: 1978
Harry's Wall Street Bar - see bars
Hartack, Bill - 2.1: 1977
Harvard University - 4.2: Playboy Parodies - Harvard and Yale
Japan - 2.1: 1986, 1987, 2.2: CBS Sports Correspondence, 3.1: Hawaii and Japan 1974, 3.1: Japan Trip 1977, 3.1: Tokyo Exhibition 1983, 3.1: Tokyo Exhibition 1988, 3.2. -- Winners -- , 1983, Correspondence, Harry N. Abrams, 4.1: 1984
jazz
Armstrong, Louis - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995, 4.1: undated 1990s
Louis Armstrong, 1963 - 4.1: 1965
Louis Armstrong, 1981 - 4.1: 1981
Louis Armstrong, 1976 - 3.1: Newport Jazz Festival 1975 -2004, 3.1: Kool Jazz Festival 1976, 4.1: 1979
Lazar, Irving "Swifty" - 3.1: Celebrity Night at Spago, 1993
Leahy, Pat - 4.1: 1992
Learning Annex - 2.1: 1989, 4.1: 1989
Lebow, Fred - 3.1: New York City Marathon 1984-2001
lectures - 2.2: Royce Carlton Lecture Agents 1978-86, 4.1: 1989, see also Learning Annex
Leibowitz, Maury - 1.2: Knoedler & Co. and Hammer Galleries
Leifer, Neil - 3.1: Circle Gallery 1972, 3.1: '21' Club, 1990 (photo), 4.1: 2003
Leija, James - 4.1: 1995
LeMieux, Mario, Mario LeMieux, 1989 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91
Lendl, Ivan - see tennis
Lennon, John - 2.1: 1999, 2000, see also The Beatles, and Ono, Yoko
John Lennon, pre 1982 drawing - 4.1: 1982
John Lennon, 1990 etching - 2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990, 4.1: 1990, 1992
Leonard, Sugar Ray - see boxing
LeRoy, Minnesota - 4.1: 1978 and ov, V: 1970s
LeRoy Neiman: An American in Paris -- , 1994 - 3.1: Superbowl XXVIII 1994, 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
LeRoy Neiman: Art and Lifestyle, 1974 - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, 1.2: Felicie, Inc. Advertising, 1.2: Lawsuit Against Felicie, Inc.
LeRoy Neiman Center for Print Studies, Columbia University - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present
LeRoy Neiman Center for the Study of American Society and Culture, University of California at Los Angeles - 3.1: UCLA, 1998-present
LeRoy Neiman: Five Decades, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003
LeRoy Neiman Museum of Art, St. Paul, Minnesota - 3.1: LeRoy Neiman Museum of Art, St. Paul, 1997, 4.1: 1997 (ov), 1998
LeRoy Neiman On Safari, 1996 - 1.2: Bowles Galleries 1997-present, 3.2. -- LeRoy Neiman On Safari -- , 1996
LeRoy, Warner - 2.1: 1998, 1999, V: 1991, see also Tavern on the Green
Let's Celebrate - 4.1: undated
Leukemia Society of America - 4.1: 1992
Levin, Meyer - 4.1: 1955-59
Lewis, Carl - see track and field
Lewis, Jerry Lee - 3.1: Blues Ball 1997-2004, The Killer - 3.1: Blues Ball 1997-2004
Lewis, Lennox - see boxing
Liberace - 4.1: 1988
Licensing Art and Design, by Cynthia Revelli - 2.1: 1995
Lido - 4.2: -- Playboy -- 1964, see Appendix E
Lifeline Inc. (fitness equipment) - 2.2: Bobby Hinds 1990-2000
London, England - 3.1: O'Hana Gallery Solo Exhibition, London 1962, 3.1: Knoedler London Exhibition 1976, 4.1: 1960 ov, 1961, 1962, 1966, see also Liverpool
The Lone Ranger, 1977 - 2.1: 1988, 3.1: The Lone Ranger, 1977
Long, Captain Elgen, The Adventurer, between 1971 and 1977 - 2.2: Gallery Mack 1975 -87, 4.1: 1982
Lonsdale International Sporting Club - 1.1: Awards
Los Angeles Institute of Contemporary Art (LAICA) - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82
Louganis, Greg - see swimming and diving
Louis, Allyson - see Allyson Louis Gallery
Louis, Joe - see boxing
Lowery, Nick
Nick Lowery, 1992 - 4.1: 1992, 1997
Lubel, William - 2.1: 1973
Lynch, David - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
M
Maccioni, Sirio - 4.1: 2004
Mack, Barbara - see Gallery Mack
Madison Square Garden - 2.1: 1981, 4.1: 1966, 1967, 1968, 1969, 1971, 1987, 1992, 1994, 1999, 4.2: -- Playboy -- 1963, see Appendix E
Madison Square Garden (silkscreen) - 4.1: 1978
Madrid, Spain - 4.1: 1960 ov
A Magic Moment, 1990 - see Orlando Magic under "baseball"
magical creatures - see animals: unicorn
Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1995
Mailer, Norman - 4.1: 1982
Maitland, Vic - 2.2: NFL Alumni
Make-a-Wish Foundation - 4.1: 2000
Maki, Mary Ann - 2.1: 1993, 1995, 1997
Malave, Chu Chu - see boxing
Malinowski, Mark "Scoop" - 4.1: 2000
Malletmen, 1977 etching - see polo
Manager of the Year, 1992 - see LaRussa, Tony
Mandalay Bay - 3.1: De La Hoya vs. Vargas 2002
Mandela, Nelson - 3.1: Nelson Mandela Tribute 1997
Mangione, Chuck - 4.1: 2004
Manhattan Bride -- Magazine - 4.1: 1999
Manhattan Concert Club - 4.1: 2004
Manhattan Magazine - 1.1: Awards, 2.1: 1989, 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995 - present, 4.1: 1984, 1990, 1997, 1998, 1999 Manila, Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975
Manufacturers Hanover Trust Company - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: New York City Marathon 1984-2001, 3.1: Millrose Games 1986-1995, see also Chemical Bank and McCabe, Charles
marathon - see running
March of Dimes - 2.1: 1981, 1982, 3.1: March of Dimes' Gourmet Gala 1985, 4.1: 1974, 1981, 1983, 1985
Mazzilli, Lee, Lee Mazzilli, 1979 - 2.1: 1979, 2001 4.1: 2001, Lee Mazzilli Celebrity Golf and Tennis Classic - 2.1: 2001, 4.1: 1992, 1994, 1995, 1996, 1997, 2001
McCabe, Charles - 2.1: 1995, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: Iona College Trustee Awards Dinner Dances 1984-95, 4.1: 1987, 1997, see also Chemical Bank
McCormack, Mark H. - see The Wonderful World of Professional Golf by Mark H. McCormack under golf
McDonald, Kitt - 4.1: 1986
McDougal, Little & Company - 2.1: 1985
McEneaney, Eamon - 4.1: 2001, 2005
McEnroe, John - see tennis
McFagan, Helen - 2.1: 1993
McGirt, James "Buddy" - see boxing
McGraw-Hill Publishers - 2.1: 1999
McGuire, Al - 4.1: 1980
McGwire, Mark, Mark McGwire, 1998 - 3.1: Mark McGwire 1998-99, 4.2: -- Bartender Magazine -- 1997-2002, 3.1: Good Tidings Foundation, 1998-2002
McHale, Kevin - see Johnson, Earvin "Magic": Magic
McNeely, Peter - 4.1: 1995
McNichol, Kristy - 2.1: 1980
Mead, Margaret, Margaret Mead, 1972 drawing - 4.1: 1977 ov
Meigs, Kris - 2.1: 1981
Melville, Herman - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Memphis Blues Ball - 4.1: 1998
Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955
menus - 4.1: 1977, 1993, 1994, 1995, 1997, 1999, see also food, restaurants
medical - see The Open Heart, 1982
Mercantile Bank, Chicago and Hammond, IN - 3.1: Mercantile Bank Murals 1966
merchandise - see promotions, product and service, and collectible merchandise
Merrill Chase Galleries, Chicago - 2.2: Merrill Chase Galleries 1974-89, 4.1: 1973, 1976, 1980, 1981, 1982 see exhibitions
Metropolitan Museum of Art - 2.1: 1981
Metropolitan Opera - see opera
Mexico - 3.1: Caliente Race Track Exhibition and Painting 1989
MGM Grand Gallery - 4.1: 1999
Miami Sound Machine - see Estefan, Emilio and Gloria
Michael Zabrin Fine Art - 2.1: 1989
Michaels, Walt - 2.1: 1980, see also football: New York Jets
Midwest Museum of American Art - 4.1: 1979, 1989, see also exhibitions
Monroe, Earl, Earl "The Pearl" Monroe, 1976 - 4.1: 1976
Montana, Joe, Joe Montana, 1982 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1982, 1990
Montanez, Willie - 4.1: 1979
Monte Carlo, Monaco - 4.2: -- Playboy -- 1963, see Appendix E, see auto racing, Monaco
Monte Carlo, 1994 - 4.1: 1999
Monte Carlo Chase, 1988 - 2.2: Neiman -Marcus 1983-88, 3.1: Steiner & Young Galleries Solo Exhibition 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Japanese Edition - 2.2: Joe Hideo Morita 1988-90
Moore, Wayland - 2.3: Imitations and Forgeries
Moorer, Michael - 4.1: 1994
Morbelli, Jean - 2.1: 1988
Moreno, Linda "Eva" - 2.2: Linda Moreno
Morgan, Joe, Joe Morgan, 1990 - 4.1: 1990
Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90
Morley, Malcolm - 4.1: 1984
Morocco - 4.2: -- Playboy -- 1970, see Appendix E
Morrel Wines - 4.1: 1984
Morris, Gary and Elizabeth - 2.1: 1996, 3.1: Iroquois Steeplechase, Nashville, TN, 1993
Morrison, Tommy - see boxing
Morton's of Chicago - see restaurants
Moscow - 3.1: Goodwill Games Moscow 1986, 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, V: 1960s
Tretyakov Museum - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988
Mosley, Shane - see boxing
Mount Pleasant Animal Shelter - 4.1: 2000
Mozartfest - 4.1: 1998
Mthembu, Nomusa - 2.1: 1992
Mulloy, Gardner - 4.1: 1998
multiple sclerosis - see National Multiple Sclerosis Society, or Race to Erase MS
Munich, Germany - see Olympic Games
Municipal Art League of Chicago Award - 1.1: Awards
The Organ at St. Paul the Apostle, 1965 - 4.1: 1965, 1967
Symphantasy - 3.1: Symphantasy 1988
Symphony for United Nations, 1991 - 2.1: 1991, 4.1: 1991
country - 4.1: 1994, see Tennessee
jazz - see jazz
opera - see opera
popular - 3.1: Fifth Dimension Album Art 1970-82, 3.1: Billboard Magazine First Annual Billie Awards 1993, 4.1: 1993, see The Beatles; Bennet, Tony; Blues Ball; Davis, Sammy; Iglesias, Julio; Jackson, Michael; Lennon, John; Paul, Les; Sinatra, Frank
musicals - see Times Square, 2001
Angels on Horseback - 4.1: undated 1980s
Golden Boy - 4.1: 1964
My Fair Lady - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
Oh! Calcutta - 4.1: 1967
Porgy and Bess - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
West Side Story - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
Mustang Ranch - 3.1: Mustang Ranch Brothel 1989
Myasthenia Gravis Foundation - 4.1: 1978
Myers, Farlan - 2.1: 1986
Mystic Seaport, CT - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Mystic Rock, 1995 - 4.1: 1997
N
NAMTA - 4.1: 1984
NBC - see television
NECO (National Ethnic Coalition of Organizations) - 1.1: Awards, Citations and Miscellaneous Prizes
Nabisco - see promotions
Nahan, Kenneth - 4.1: undated
Naismith Memorial Basketball Hall of Fame - see basketball
Namath, Joe - 3.1: New York Jets 1966-, 4.1: 1968, 1972, 1973, 1982
Napoleon at Waterloo, 1988 serigraph - 4.1: 1988
Nash, Beau - 3.1: The Ambassadors, 1960s
The Nation -- Magazine - 2.1: 1998, 4.1: 1998
National Art Museum of Sport (NAMOS) - 2.1: 1972, 1979, 4.1: 1980, 2003 see also exhibitions
National Arts Club - 4.1: 1994
National Baseball Hall of Fame and Museum, Cooperstown, NY - see baseball
National Bowling Hall of Fame and Museum - see bowling - Million Dollar Strike, 1982
National Cowboy Hall of Fame - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985
National Fitness Classic - 4.1: 1982, 1983
National Multiple Sclerosis Society - 4.1: 1969, 1976, 1980, 1988
National Sports Collectors Convention - 4.1: 1992 ov.
Neiman, Earl - 1.1: Family (Neiman Studio Archive only)
Neiman, Janet - 1.1: Family, 3.1: Art Institute of Chicago Instructors Exhibition 1955, 4.1: 1985
Neiman News - 3.1: Neiman News 1977-1985
Neiman-Marcus - 2.2: Neiman-Marcus 1983-88, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1983, 1984
Neiman, Robert B - 2.3: Imitations and Forgeries
"Neiman's Cuba" film project - 2.1: 1979, 1982
Neiman's Restaurant & Lounge - see restaurants and bars
Nepal - 2.1: 1982
Nevada County Arts Council - 4.1: 1982
New Jersey State Opera Ball - see opera
New Milford Hospital - 4.1: 1991
New Orleans, Louisiana - 2.1: 1993, 1997, 1998, see also Hanson Art Galleries and Mardi Gras
New School for Social Research, NY - 4.1: 1978
New Times Magazine - 2.1: 1978
New Year's Eve, 1997 - 4.1: 1997 and ov
New York City Marathon - see running
New York Friars Club - 4.1: 1999
New York Giants - see Football
New York and Los Angeles: Politics, Society, and Culture by David Halle - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present
New York Public Library - 4.1: 2002
New York State Governor's Arts Awards - 4.1: 2000
New York Times Magazine -- - 4.1: 1971
The New Yorker -- Magazine - 4.1: 1994, 1999
Newman, Eric - V: 1975
Newman, Paul - 3.1: Celebrity Night at Spago, 1993, see also -- The Hustler
Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004
Newsweek -- Magazine - 4.1: 1972, 1992
Newton, Wayne - 4.1: 1988
NFL - see football
NHL - see hockey
Niarchos, Stavros
Stavros Niarchos, 1969 drawing - 4.1: 1969 ov.
Nicholson, Jack - 3.1: Tyson vs. Spinks 1988
Nicklaus, Jack - see golf
Nitschke, Ray - 4.1: 1988
Noah, Yannick - see tennis
Nob Hill, 1986 serigraph - 3.1: Nob Hill and Bowles Hopkins Gallery 1986
Norman, Greg, Greg Norman - 2.1: 1990
North Shore Art League - 1.1: Education and Teaching, Miscellaneous, undated
North Shore Child and Family Guidance Association - 4.1: 1986, 1987
Northern Indiana Art Association - 2.1: 1989, 4.1: 1989
Northwest Orient Magazine - 4.1: 1986
Northwest Paper Company - 3.1: 1972 Olympics
Northwestern University - 2.1: 1978
Norton, Ken - see boxing
Norton Herrick Fine Arts Group - 3.1: LeRoy Neiman Website 1997-present
Playboy -- Magazine and Man at His Leisure - see Appendix E, 2.2: Playboy Enterprises Inc. 1980s, 3.1: 1984 Olympics, Los Angeles, 4.1: 1959, 1966, 1999, 4.2: -- Playboy -- Magazine, V: Playboy Clubs 1961-63
The Plaza Hotel, New York - 4.2: -- Playboy -- 1965, see Appendix E
The Plaza Square, 1985 - 4.1: 1985, 1986
tapestry - 2.1: 1990
Poland - 2.1: 1976, 1987
Plunkett, Sherman - 4.1: 1967
Police Athletic League - 2.1: 1981
politics - 3.1: Bill Bradley 1978-2000, 3.1: Peace Treaty, 1980, 3.1: Peter Dawkins Poster 1988, 3.1: Rudy Giulianni and Commission on Cultural Affairs 1994-2001, 3.1: Nelson Mandela Tribute 1997, 4.1: 1960, 1968, 1988, 1989, 1992, see also Thurmond, Strom, and The White House
Polo Lounge, 1988 - 2.1: 1989, 3.1: Advertising Layouts 1980s, 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Bev Hills 1989, 4.1: 1990, 1995, 1996, 4.2: -- Bartender Magazine -- 1997-2002
The Pope Flies Over New York, detail - 4.1: 1981
Pope, Kerig - 2.2: Playboy Enterprises Inc. 1980s
Porgy and Bess - see musicals
Porter, David - 3.1: Blues Ball 1997-2004
Portola Valley Classic Equestrian Festival - 4.1: 1999
Portrait of the Lion, 2002 - see animals
portraits -- - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996
of LeRoy Neiman, by other artists - 2.1: 1978, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.1: 1986 ov
by LeRoy Neiman - search by name of subject
Posner Gallery - 2.1: 1989
posters - 3.2. -- Posters -- , 1980, Harry N. Abrams, 4.1: 1981, 1993
Posters, 1980 - 3.2. -- Posters -- , 1980, Harry N. Abrams, 3.2 ov.
Pratt Institute, New York - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003
Preakness Stakes - see horse racing
Prentice - Hall Publishers - 2.1: 1978
President of the United States - see politics, or search by name of President (Carter, Reagan, Bush, Clinton)
President's Council on Physical Fitness and Sports - 2.1: 1990, 4.1: 1982, 1983
Presley, Elvis - 3.1: Blues Ball 1997-2004, 4.2: -- Playboy -- 1978 (July)
price lists - IID: Price Lists
Prince Charles, 1984 - 4.1: 1984
prints - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov), see also The Prints of LeRoy Neiman below
The Prints of LeRoy Neiman, 1980 - 3.2. -- The Prints of LeRoy Neiman -- , 1980, Knoedler Publishing
The Prints of LeRoy Neiman 1980-1990, 1991 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City 1992, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991
The Prints of LeRoy Neiman 1991-2000, 2001 - 3.2.14
Professional Picture Framers Association - 4.1: 1984
promotions, product and service, and collectible merchandise
Schultz, Charles - 2.2: Playboy Enterprises Inc. 1970s
Schultz, Dave (hockey player) - 4.1: 1974
Schultz, Dave (wrestler) - see wrestling
Schumsky, Felicie - V: 1970s, see also Felicie, Inc.
Screiber, Al - 4.1: 1994
Schwarzenegger, Arnold - 2.1: 1990, 3.1: LongTerm Projects: American Sportscasters Association Hall of Fame Awards Dinners, 4.1: 1977, 1981, Arnold Schwarzenegger, 1977-78, 4.1: 1977, 1985, 2005
The Scooter, 1994 - see Rizzuto, Phil
Scott Foresman & Company Publishers - 2.1: 1985
Screen Actors Guild - 1.1: Name Tags and ID Cards, 3.1: Rocky films 1980-1990, see also American Federation of Television and Radio Artists
sculpture
Horse Racing Suite, 1977 - 3.1: Sculpture 1977-1987, 4.1: 1978
Sinatra, Frank -- - 1.1: New York Friars Club, 2.2: Sinatra Family Correspondence, 3.1: Hammer Galleries Solo Exhibition 1967, 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967, 3.1: Leo Durocher 1974-94, 3.1: Frank Sinatra Portraits for Duets and Duets II Albums 1993-1995, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 3.1: Frank Sinatra Classic Duets Album Cover 2002, 4.1: 1979, 1983, 1989, 1998, see also golf, 4.2: Playboy Ephemera 1960s
Frank at Rao's, 2005 serigraph - 4.1: 2005
Frank Sinatra, 1993 - 3.1: Frank Sinatra Duets and Duets II Album Covers 1993-1995
Frank Sinatra at Carnegie Hall, 1974 - 3.1: Frank Sinatra at Carnegie Hall Poster 1974
Frank Sinatra as the Detective, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967
Frank Sinatra at Madison Square Garden, 1974 drawing for poster - 4.1: 1974
Frank Sinatra at Royal Albert Hall, 1989 - 3.1: Frank Sinatra at Royal Albert Hall 1989
Singleton, Isaiah - 2.1: 1996
Singleton, Skip - see tennis: Intelligent Doubles and Intelligent Tennis
skating - see figure skating
skiing -- - 4.1: 1983, 1995, see also Olympics: skiing
Lady Skier - 4.1: 1998
Little Skier - 4.1: 1974
The Skier, serigraph - 3.1: Circle Gallery 1972
Skiing, etchings - 3.1: Circle Gallery 1972
Slalom, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973
Squaw Valley - 4.2: -- Playboy -- 1961, V: 1960s, see Appendix E
Vail Race to Erase MS painting, 1994 - 4.1: 1995
Skoal Pinch Hitter of the Year Award - 3.1: Skoal Pinch Hitter 1985-1987
Slatkin, Leonard, Leonard Slatkin, 1980? - 4.1: 1980
Special Olympics -3.1: Special Olympics Nagano Japan 2005, 4.1: 1986, 1996, Mississippi Special Olympics - 2.1: 1977
The Spectrum, Philadelphia, PA - 2.1: 1991, 1996, 3.1: Philadelphia Spectrum Painting 1991, 4.1: 1992, V: Photographs
Spectrum Fine Art, New York - 3.1: "Ball, Bat, and Glove", Spectrum Fine Art, 1977, 4.1: 1978
Spelling, Aaron - 2.1: 1985
Spinks, Leon - see boxing
Spinks, Michael - see boxing
Spirit Foundation - 2.1: 1999
Spitz, Mark - see swimming and diving
The Sporting Life - 4.1: undated
The Sporting News - 3.1: Iona College Trustee Awards Dinner Dances 1984-95
sports - listed alphabetically by name of sport (i.e. "baseball," "soccer"), with teams listed under heading of appropriate; in some cases college and professional sports are indexed separately. Also search for names of specific athletes.
sports arenas - see Madison Square Garden, Philadelphia Spectrum
sports cards - see trading cards
Sports Collectors Digest - 4.1: 1997
Sports Commemorative Decanters - see promotions and collectibles
sportscasters - see also Cosell, Howard, and Rooney, Art
American Sportscasters Association - 1.1: Awards
Sportsman's Ball - 3.1: Sportsman's Ball 1978
Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976
SportsWise Magazine - 2.1: 1980
Springfield Art Association, Illinois - 2.1: 1990
Stadium Tennis, 1981 - see tennis
The Stag's Head Bar, Dublin, 1961 - see bars
Stallone, Sylvester - see Rocky, 4.1: 1987
stamps - 4.1: 1974
"Health in Sports" stamps, 1988 - 3.1: United Nations "Health in Sports" Stamps 1988
"Sport and the Environment" stamps, 1996 - 3.1: United Nations "Sport and the Environment" Stamps 1996
"Superbowl History" Stamps, 1988 - 3.1: U.S. Postal Service Superbowl Stamps 1988
Taylor, Elizabeth - 3.1: Celebrity Night at Spago, 1993
Taylor, Lawrence - 4.1: 1996
television - 2.1: 1970, 1978, 4.1: 1972, 1974, 1975, 1977, 1979, 1980, 1985, 1994, 1995, 3.1: Call of the Wild 1993, see also ABC, CBS, American Federation of Television and Radio Artists, The Lone Ranger
ABC Sports - 2.2: ABC Sports
Ampex Video Art - 3.1: Superbowl XII, 1978, 4.1: 1980
Arlene Herson Show - 4.1: 1989
The Black Stallion television show - 2.1: 1990
CBS Sports - 2.2: CBS Sports, 3.1: Superbowl XII, 1978
Shukan T.V. Guide, Japan - 2.1: 1996, 3.1: 1984 Olympics, Los Angeles
TV Food Network - 2.1: 1993
TV Gallery with Ron Parris - 2.1: 1979, 4.1: 1979
T.V. Guide - 2.1: 1975
T.V. Guide Japan - 2.1: 1996, 4.1: 1984
TV Shopper - 2.1: 1979, 4.1: 1973, 1980
Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98
Today Show - 3.1: WNBC Traffic Helicopter 1981-93
WGBH TV Boston - 2.1: Charities 1994, Charities 1996
Wonderama TV Show - 4.1: undated 1970s
The Year of the Runner TV series, LeRoy Neiman host - 4.1: 1979
Tenenbaum, Judy and Harold - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum
Tennessee - 3.1: Women's Basketball Hall of Fame, 1993, 3.1: Iroquois Steeplechase, Nashville, TN, 1993, 3.1: Blues Ball 1997 -2004, see also Gregory, Jack; Morris, Gary and Elizabeth; Murphy, Libby; Perkins, Carl; Rudy, Jeanette Cantrell; Tigrett, John and Pat Kerr
tennis -- - 3.1: Nelson Mandela Tribute 1997, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1975, 1980, 1985, 1988-89, 1997, 1999
University of California at Los Angeles - see UCLA
University of Chicago - 1.1: Education and Teaching, Miscellaneous, undated
University of Denver - 2.1: 1979
University of Oklahoma - 2.1: 1982
University of San Francisco - 4.1: 1988
University of Southern California - 3.1: Los Angeles Olympics 1984
University of Texas at Austin - 4.1: 1994
Upstairs Gallery - 2.2: Upstairs Gallery 1980-89, 4.1: 1973, 1985, 1989, see also exhibitions
V
Vail, CO - see skiing
Van Der Marck Editions - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
vandalism - 4.1: 1978, see also theft, forgery
Vanity Fair Magazine - 4.1: 1996
Varga, Alberto - see -- Playboy -- Magazine
Vargas, Fernando - see boxing
Variety Clubs International Distinguished Artist Award - 1.1: Awards
Varipapa, Andy - see bowling
Venice, Italy - 2.2: Helmut Drinhaus 1988-2000
Ventura, Jesse - see wrestling
Vernon, Jackie - 3.1: Economic Opportunity Atlanta 1968 ov.
Versace, Gianni - 4.1: 2001
Via Video - 2.1: 1983
Viagem E Tourismo Magazine - 3.1: Brooklyn Bridge, 1995
Victor Awards - 3.1: Victor Awards 1981-1985, 4.1: 2003
Video Magazine - 2.1: undated
Vienna, Austria - 2.1: 1996
Village Nursing Home - 4.1: 1982
W
WNBC - see helicopter
Wajima - 3.1: Hawaii and Japan 1974
Walker, Doug - 3.1: Soft Paintings 1989
Wall Street Journal -- - 4.1: 1969 ov
Walsh, Coach Bill, Bill Walsh, 1993 - 3.1: Bill Walsh, 1993, 4.1: 1993
Ward, Laura - 4.1: 2004, see also Merce Cunningham Studio under "dance"
Warhol, Andy - 3.1: Neiman/Warhol 1981, 3.1: "Art", Group Exhibition at Area, 1985, 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: undated 1980s, 1986, 1987, 1988
Warwick Hotel - see Players Hotel
Washington, Malivai - see tennis
watch - see Classic Moments Watches or Universal Geneve Timepieces
Watergate hearings - 2.1: 1973
Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80, 4.1: 1979
The Splendid Splinter - 3.1: Williams at Bat, 1980-1991, 4.1: 1993, 2002
Williams at Bat, 1980 painting and 1991 serigraph - 3.1: Williams at Bat, 1980-1991, 4.1: 1981, 1991, 2002
Win a Few, Lose a Few, 1972 boxing documentary film - 4.1: 1972
Windsor Gallery - 4.1: undated 1970s
wine -- - 4.1: 1997, see also champagne
labels - 3.1: David Frost Wines 2001, 4.1: 1992, 1996, see also golf: Atlanta National Golf Club California Merlot
Wine Country Film Festival - 3.1: Wine Country Film Festival 1990
Wine, Women, and Cigar, 1996 - see cigars
Winged Foot - see golf
Wingmead - 2.2: JoAnn Perse Gallery 1983-02
Winners, 1983 - 2.2: ABC Correspondence, 2.2: Neiman-Marcus 1983-88, 2.2: Sterling/Winters Company 1983-84, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.2: The Ring Magazine
Wisconsin - 2.2: Bobby Hinds 1990-2000
Wittnauer International - see Universal Geneve
Wolf, Martin B. - 4.1: 1964
Wolfberg, Lee - 4.1: undated 1980s
Wolfson, Mr. and Mrs. Robert L. - 4.1: 1967, 1980
Women of Excellence - 2.1: 1985
Women's Basketball Hall of Fame - 3.1: Women's Basketball Hall of Fame, 1993
zoo - 3.2. -- LeRoy Neiman On Safari -- , 1996, Zoo Tour correspondence
Provenance:
The papers of artist LeRoy Neiman were donated to the Archives of American Art in 2005 by LeRoy Neiman.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.
Rights:
Authorization to quote, publish or reproduce requires written permission from: Leroy Neiman Foundation, One West 67th Street, New York, NY 10023; info@leroyneimanfoundation.org
An interview of Yvonne Jacquette conducted 2010 Oct. 19 and 21, by James McElhinney, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Jacquette's home and studio, in New York, N.Y.
Jacquette talks about a current competition for art in a Metropolitan Transit Authority (MTA) subway station at 34th Street and 11th Avenue in New York City; mosaics and fresco; materials and methods; other MTA commissions; her late husband Rudy Burckhardt; teaching at Moore College of Art in Philadephia, the Pennsylvania Academy of the Fine Arts, the University of Pennsylvania, and Parsons School of Design; flying over proposed subjects to get an aerial view; spending summers in Maine; other artists in Maine; her interest in painters who "developed spiritually"; travel to Japan with Burckhardt; collaborating with Burckhardt on the film, "Night Fantasies," (1990); acceptance of women artists; galleries; women artists she admires, and other topics. She recalls Robert Kushner, Edwin Denby, Alex Katz, Mimi Gross, and others.
Biographical / Historical:
Yvonne Jacquette (1934-) is a painter and printmaker in New York, N.Y. James McElhinney is an artist and educator in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is access restricted; written permission is required. Contact Reference Services for more information.
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.
Scope and Content Note:
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.
Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.
Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .
Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.
Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.
The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.
The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.
Arrangement:
The collection is arranged as nine series:
Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)
Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)
Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)
Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)
Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)
Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)
Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)
Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)
Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)
The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.
Historical Note:
The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.
In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.
Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.
The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.
Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.
Related Material:
Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.
Separated Material:
A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.
Provenance:
The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Doll & Richards gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
