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Biesel family papers

Creator:
Biesel family  Search this
Names:
Artists Equity Association  Search this
Federal Art Project (Ill.)  Search this
United States. Works Progress Administration  Search this
University of Chicago. Renaissance Society  Search this
Beisel, Frances Strain, 1898-1962  Search this
Biesel, Charles, 1865-1945  Search this
Biesel, Fred, 1893-1954  Search this
Richards, William Trost, 1833-1905  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
circa 1859-1983
bulk 1919-1983
Summary:
The Biesel Family papers measure 2.9 linear feet and date from circa 1859-1983, with bulk dates from 1919-1983. The papers document the careers of a Chicago family of artists, which included Charles Biesel, his son Fred Biesel and Fred Biesel's wife Frances Strain Biesel. Materials include biographical summaries, Fred and Frances Biesel's personal and professional correspondence, writings, and professional records documenting Fred Biesel's involvement with the Federal Arts Project and Frances Biesel's tenure as the director of the Renissance Society at the University of Chicago. Also found are scrapbooks with news clippings, printed materials, photographs of the Biesel family and their artwork, and artwork in the form of handmade Christmas cards, sketchbooks and loose figure sketches and small paintings.
Scope and Contents:
The Biesel Family papers measure 2.9 linear feet and date from circa 1859-1983, with bulk dates from 1919-1983. The papers document the careers of a Chicago family of artists, which included Charles Biesel, his son Fred Biesel and Fred Biesel's wife Frances Strain Biesel. Included in the papers are biographical material; correspondence; writings; professional files; personal business records; printed material; scrapbooks; photographic material and artwork. Correspondence contains letters to Frances and Fred Biesel regarding exhibiting artwork, project consultation, club membership and speaking engagements. Writings contains a notebook with addresses and price list notes; lecture notes and essay drafts by Fred Biesel on printmaking and art movements such as modernism and cubism, as well as essay typescripts and lectures by others. Also found is a short story about a meeting with Charles Biesel. Professional Files contain correspondence, funding proposals, business records and other materials related to the Biesel's management and participation in various organizations and project such as The Renaissance Society and Artist Union Chicago in Frances Biesel's case and Fred Biesel's involvement with the WPA's Federal Art Project's Illinois chapter, as well as his time as an art professor. The personal business records series contains Charles Biesel's deed lists, and printed material includes several exhibition catalogs related to the Biesel family and other artists, along with clippings and materials related to the Federal Arts Program. The papers also include two scrapbooks of clippings, photographs of the Biesel family, their friends and art associations, artwork, and exhibitions. Artwork is in the form of sketches, etchings, handmade christmas cards and small paintings.
Arrangement:
The collection is arranged as nine series

Series 1: Biographical Material, circa 1949-1961 (2 Folders: Box 1)

Series 2: Correspondence, circa 1927-1963 (0.1 Linear feet: Box 1)

Series 3: Writings, circa 1921-1960 (0.1 Linear feet: Box 1)

Series 4: Professional Files, circa 1939-1962 (0.5 Linear feet: Box 1)

Series 5: Personal Business, circa 1928-1961 (2 Folders: Box 1)

Series 6: Printed Material, circa 1897-1983 (1.5 Linear feet: Box 1-3)

Series 7: Scrapbooks, 1915-1931 (0.1 Linear feet: Box 3, OV 1)

Series 8: Photographic Material, circa 1919-1960 (0.3 Linear feet: Box 3)

Series 9: Artwork, circa 1876-1945 (0.4 Linear feet: Box 4)
Biographical / Historical:
The Biesel Family papers measure 2.9 linear feet and date from circa 1859-1983, with bulk dates from 1919-1983. The Biesel Family were a family of artists comprised of Charles Biesel, his son Fred Biesel, and Fred's wife Frances Strain Biesel.

Charles Biesel (1865-1945) was a marine painter who spent time apprenticing and working with the American Lithography Company in New York and Philadelphia before relocating to Newport, Rhode Island where he co-founded the Newport Art Association in 1912. In 1918, Charles Biesel moved to Chicago where he lived at the 57th street artist colony and was a member of the Arts Club of Chicago and the Chicago Society of Artists. He also helped found the Chicago No-Jury Society of Artists where he served as the organization's first secretary. Biesel exhibited work in several solo exhibitions across the United States; as well as with a group of other Chicago painters who exhibited work annually at the Art Institute of Chicago.

Fred Biesel (1893-1954) was a painter and art administrator born in Philadelphia in 1893 and raised in Newport, Rhode Island where he went on to study at the Rhode Island School of Design from 1913 to 1915. After serving in the U.S. Naval Reserve from 1916 to 1919, Biesel followed his father to Chicago and continued studying at the Art Institute of Chicago where he met his wife Francis Strain and painter John Sloan who wound up influencing them significantly and becoming a lifelong friend. Biesel exhibited at the Art Institute of Chicago, the Chicago Society of Artists, and the Society of Independent Artists. He also participated in museum exhibitions in Rhode Island, New York, New Mexico, and New Jersey. From 1935–1943, Biesel worked under the Federal Art Project, and served as director of Illinois Art and Craft Project from 1941–1943, as well as on the faculty of the Layton Art School in Milwaukee 1946–1953.

Frances Strain Biesel (1898-1962) was a painter and director of the Renaissance Society at the University of Chicago. A native of Chicago, Frances Strain Biesel was an important figure in the art scene of 1920s-1930s Chicago where she was involved in almost every independent exhibition and exhibition group that emerged during that time. Two of these groups included the Chicago No-Jury Society of Artists and the Ten Artists of Chicago, a collective characterized by their commitment to modernist ideals. Her work has been shown across the country, including the Chicago Society of Artists, the Whitney Museum and the Newark Museum.
Provenance:
Microfilmed material was donated in 1985 by Garnett Biesel, son of Fred and Frances Biesel. He later donated unmicrofilmed material in 1990, after it had been used in preparation for the book The Federal Art Project in Illinois, 1935-1943 (1990), by George Mavigliano and Richard Lawson.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Marine painters -- Illinos -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Topic:
Modernism (Art)  Search this
Art, Modern -- 20th century -- Illinois -- Chicago  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Drawings
Sketchbooks
Citation:
Biesel Family Papers, circa 1859-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.biesfami
See more items in:
Biesel family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw934594a62-5981-42c6-af0b-69aab802d235
EDAN-URL:
ead_collection:sova-aaa-biesfami

Motherwell, Robert - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 46
Type:
Archival materials
Date:
1976-1980
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdc3e51b-5ab5-4ca8-9fe4-8d73d56efb0a
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3006
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  • View Motherwell, Robert - Clippings digital asset number 1

Oral History interview with Miyoko Ito

Interviewee:
Ito, Miyoko, 1918-1983  Search this
Interviewer:
Barrie, Dennis  Search this
Names:
Art Institute of Chicago  Search this
Ox-Bow Summer School of Painting  Search this
Smith College  Search this
Baum, Don, 1922-  Search this
Berdich, Vera, 1915-2003  Search this
Chapin, Francis, 1899-1965  Search this
Cohen, George, 1913-1980  Search this
Edmondson, Leonard, 1916-  Search this
Haley, John, 1905-1991  Search this
Hofmann, Hans, 1880-1966  Search this
Johnston, Ynez, 1920-  Search this
Kahn, Max, 1903-2005  Search this
Lanyon, Ellen  Search this
Loran, Erle, 1905-1999  Search this
Mitchell, Joan, 1926-1992  Search this
Moholy-Nagy, László, 1895-1946  Search this
Ryder, Worth, 1884-1960  Search this
Venturi, Lionello, 1885-1961  Search this
Extent:
2 Items (Sound recording: 2 sound files, digital, wav file)
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1978 July 20
Scope and Contents:
An interview of Miyoko Ito conducted 1978 July 20, by Dennis Barrie, for the Archives of American Art.
Ito discusses her family background; being in Japan at an early age, attending school and learning calligraphy; returning to California in 1928; excelling in drawing and painting; attending Berkeley High School; studying watercolor at Berkeley School of Water Color; studying under Erle Loran, Worth Ryder, John Haley; the influence of Hans Hofmann; being in internment camp (Camp Rann); attending Smith College, Northampton to study painting under instructor George Cohen; attending the Art Institue of Chicago and meeting Francis Chapin and Joan Mitchell; being influenced by Bonnard; moving into lithography at Oxbow; studying under Max Kahn; doing printmaking and etching; and participating in the Momentum Shows. Ito mentions Ynez Johnston, Leonard Edmondson, Lionel Venturi, Ellen Lanyon, Don Baum, Laszlo Moholy-Nagy, and Vera Berdich.
Biographical / Historical:
Miyoko Ito (1918-1983) was a Japanese American painter based in Chicago, Illinois.
General:
Originally recorded on 1 tape reel (5 in.).
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Chicago -- Illinois  Search this
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American painting  Search this
Women artists  Search this
Women painters  Search this
Japanese Americans -- Forced removal and internment -- 1942-1945  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ito78
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc74c5bf-beb0-466b-bc95-664a03740244
EDAN-URL:
ead_collection:sova-aaa-ito78
Online Media:

Oral history interview with Joshua Binion Cahn, Richard A. Florsheim, and John Kearney, 1971 July 20

Interviewee:
Cahn, Joshua Binion, 1915-1995  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Florsheim, Richard A., 1916-1979  Search this
Kearney, John, 1924-  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joshua Binion Cahn, Richard A. Florsheim, and John Kearney, 1971 July 20. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Record number:
(DSI-AAA_CollID)13305
(DSI-AAA_SIRISBib)212574
AAA_collcode_cahn71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212574

Oral History interview with Miyoko Ito, 1978 July 20

Interviewee:
Ito, Miyoko, 1918-1983  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Subject:
Baum, Don  Search this
Berdich, Vera  Search this
Chapin, Francis  Search this
Cohen, George  Search this
Edmondson, Leonard  Search this
Haley, John  Search this
Hofmann, Hans  Search this
Johnston, Ynez  Search this
Kahn, Max  Search this
Lanyon, Ellen  Search this
Loran, Erle  Search this
Mitchell, Joan  Search this
Moholy-Nagy, László  Search this
Ryder, Worth  Search this
Venturi, Lionello  Search this
Art Institute of Chicago  Search this
Ox-Bow Summer School of Painting  Search this
Smith College  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral History interview with Miyoko Ito, 1978 July 20. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American painting  Search this
Women artists  Search this
Women painters  Search this
Japanese Americans -- Forced removal and internment -- 1942-1945  Search this
Theme:
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11656
(DSI-AAA_SIRISBib)216579
AAA_collcode_ito78
Theme:
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216579
Online Media:

Ed Colker papers

Creator:
Colker, Ed, 1927-  Search this
Names:
Atelier Desjobert  Search this
Haybarn Press  Search this
United States. Army  Search this
Barnet, Will, 1911-2012  Search this
Johnson, J. Curtis  Search this
Konner, Melvin  Search this
Norris, Kathleen, 1947-  Search this
Pease, Deborah  Search this
Takaezu, Toshiko  Search this
Walker, Jeanne Murray  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
1944-2020
Summary:
The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.
Scope and Contents:
The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.

Biographical materials include official letters regarding Colker's performance in the Army, caricatures of him, diplomas, resume, awards, and certificates.

Correspondence, mainly professional in nature with a few scattered personal letters, concerns Colker's academic and artistic work, Haybarn Editions, exhibitions, projects, and various interests. Poet correspondents are J. Curtis Johnson, Kathleen Norris, Deborah Pease, and Jeanne Walker; translators include Melvin Konner and others.

Interviews with Ed Colker, conducted between 1982 and 2008 for various purposes, are preserved as 1 sound cassette and published transcripts. Also found are 1 sound cassette, 1 videocassette, and a published transcript of interviews Colker conducted with Will Barnet and Toshiko Takaezu in 1981 and 1994 respectively.

Among Colker's writings are the published versions of several articles and the manuscript of an unpublished one; two proposed books for students of design and typography; lectures delivered to students (3 videocassettes), miscellaneous writings, notes, and 1 videocassete of readings by artists from one of Colker's Haybarn Press poetry portfolios.

Subject files document many of Colker's professional interests, activities, projects, and relationships. Also of note are files about Haybarn Press.

The bulk of the printed material consists of exhibition catalogs, announcements, and school catalogs. Almost all is about or mentions Colker, or features reproductions of his work. Of note is the first and only issue of Re-Art: A Reflection of Current Ideas on the Arts (1954), published by Colker and Gene Feldman.

Photographs are of Colker and his family; Colker at events related to his artistic, academic, and publishing activities; artwork by Colker, and his work as reproduced in Haybarn Editions. Also found are an exterior view of the barn studio and one of printers working at Desjobert Press.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1946-circa 2011 (Box 1; 1 folder)

Series 2: Correspondence,1954-2011 (Box 1; 0.3 linear feet)

Series 3: Interviews, 1981-2008 (Box 1; 0.2 linear feet)

Series 4: Writings, 1961-1990s (Box 1; 0.5 linear feet)

Series 5: Subject files, 1952-2013 (Boxes 2-3; 1.3 linear feet)

Series 6: Printed Material,1944-2011 (Box 3; 0.7 linear feet)

Series 7: Photographs, circa 1960s-2010 (Box 4; 0.2 linear feet)

Series 8: Unprocessed Addition, circa 1963-2020 (Box 5; 0.2 linear feet)
Biographical / Historical:
Ed Colker (b. 1927) is a painter, printmaker, educator, and administrator who has worked in Chicago, Philadelphia, and New York City. Colker founded the not-for-profit fine art publisher Haybarn Press. He is married to artist Elaine Galen and resides in Mt. Kisco, NY.

After high school, Colker was awarded a scholarship and began his art education at the Pennsylvania Museum School of Industrial Arts. He interrupted his studies to serve in the U.S. Army (1944-1946). He graduated in 1949, by which time the school had become the Philadelphia Museum School of Art; today it is the University of the Arts. He taught art in the Philadelphia area before moving to New York City in 1956. Later, Colker earned degrees from New York University (B.S. Ed, 1964; M.A., 1985).

Colker taught art and design courses at the University of Pennsylvania, University of Illinois at Chicago Circle, Cornell University, Pratt Institute, and Philadelphia College of Art. By the 1980s, he had become an administrator as well as a professor. Throughout his academic career, Colker published and lectured widely, served as a visiting artist, acted as a consultant, and participated in professional organizations. He occasionally organized exhibitions and served on exhibition juries.

Since 1960, under the imprints Editions du Grenier, Haybarn Editions, and Haybarn Press, Colker has published limited edition books, portfolios, broadsides, individual pages, and folders of poetry. Most are accompanied by Colker's etchings and lithographs inspired by the texts. Haybarn Press, under the Ambor Edition imprint, also produced four portfolios with text and drawings by Elaine Galen, 1996-2008. From its inception, the work of Haybarn Press has been featured in many exhibitions of book arts. Colker also participated in group shows throughout the United States and enjoyed solo exhibitions of his paintings and prints. Haybarn Press productions and Colker's prints and paintings are in the permanent collections of Brown University, Cornell University, Harvard University, Library of Congress, Museum of Modern Art, New York Public Library, University of Arizona Museum of Art, and others.

Now retired from university administration and teaching, Colker continues to operate Haybarn Press and occasionally serves as an exhibition juror and visiting artist.
Provenance:
Donated by Ed Colker in 1991, 2013 and 2020.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- United States  Search this
Painters -- United States  Search this
Topic:
Printmakers -- United States  Search this
Painting, Modern -- 20th century -- United States  Search this
Printing  Search this
Art -- Study and teaching  Search this
Transcripts  Search this
Design  Search this
Educators -- United States  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Identifier:
AAA.colked
See more items in:
Ed Colker papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9677cefb0-ea6d-4565-b7ac-2fe91567811e
EDAN-URL:
ead_collection:sova-aaa-colked

Writings

Collection Creator:
Colker, Ed, 1927-  Search this
Extent:
0.5 Linear feet (Box 1)
Type:
Archival materials
Date:
1961-1990s
Scope and Contents:
Writings by Colker include: printed versions of articles and the manuscript of an unpublished article about printmaking in the U.S.; two proposed books for students of design and typography; 3 videocassettes of lectures delivered to students at the University of Illinois, Chicago Circle, Pratt Institute, and University of the Arts, and other venues; miscellaneous writing; panel discussion notes; a videocassete of artists reading from one of Colker's poetry portfolios.
Collection Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Identifier:
AAA.colked, Series 4
See more items in:
Ed Colker papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98e8d88f0-cb52-4383-863c-8f2845ecc3ed
EDAN-URL:
ead_component:sova-aaa-colked-ref13

Myron Barlow letters to Lawton S. Parker

Creator:
Parker, Lawton, 1868-1954  Search this
Barlow, Myron, 1873-1937  Search this
Extent:
6 Items
Type:
Collection descriptions
Archival materials
Date:
1933
Scope and Contents:
Six letters from Myron Barlow to Lawton S. Parker. Barlow writes about his prints and printing methods.
Biographical / Historical:
Lawton S. Parker (1868-1954) was a painter in Chicago, Illinois and Detroit, Michigan. Myron Barlow (1873-1937) and Parker were friends.
Provenance:
Donated 2017 by the Illinois Historical Art Project via Joel Dryer, Executive Director. The letters, originally sold by the estate of Lawton S. Parker to Knoke Fine Arts, Atlanta, Georgia, were purchased by the R.H. Love Galleries, Chicago, Illinois and then by the Illinois Historical Art Project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Illinois -- Chicago  Search this
Painters -- Michigan -- Detroit  Search this
Printmakers  Search this
Topic:
Printing -- Technique  Search this
Identifier:
AAA.parklawt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90f776344-14b8-4455-a06c-71f2da23fb55
EDAN-URL:
ead_collection:sova-aaa-parklawt

Charles W. Dahlgreen papers

Creator:
Dahlgreen, Charles W. (Charles William), 1864-1955  Search this
Names:
Feshin, Nikolaĭ Ivanovich, 1881-1955  Search this
Hartrath, Lucie, 1868-1962  Search this
Jaques, Bertha E. (Bertha Evelyn), b. 1863  Search this
Makielski, Leon A., 1885-1974  Search this
Extent:
1.1 Linear feet (2 microfilm reels)
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1886-1957
Scope and Contents:
The Charles W. Dahlgreen papers measure 1.1 linear feet and date from 1886-1957. Included is biographical material, writings, correspondence, works of art, photographs, financial material, exhibition material and printed material.
Biographical material includes two biographical accountsand a manuscript for Dahlgreen's autobiography and certifcates from the Art Institute of Chicago and a Canadian mining certificate. Writings include 4 notebooks about on his works, recipes for paint and printmaking materials, and notes on his family history. Correspondence relates to Dahlgreen's art-related activities and his involvement with various art organizations. Artwork includes 9 sketchbooks, 1886-1908, and 45 drawings, 1906-1909. Photographs are of Dahlgreen in his studio, with his fiancee, his mobile studio, and his works of art. Also included are photographs of lodge banners, Leon Makielski posed with his portrait of Dahlgreen, Nicoli Fechin, and images of the Brown County, the Indiana Colony, the Society of Etchers members Lucie Hartrath and Bertha Jaques, and others. Financial material consists of an account book, 1912-1920, containing a price and sales list, an dues ledger, 1918-1923, a receipt book for works of art, 1933-1940, an income and expenses ledger, 1942-1947, an undated price list for works of art, miscellaneous receipts and address files and lists works of art. Exhibition material consists of 30 exhibition prospectuses. Printed material includes clippings and bulletins.
REEL 3954, frames 877-922 Three photographs of Dahlgreen; a photograph, ca. 1931, of his mobile studio; clippings, 1924-1936; and a scrapbook of clippings, 1901-1950.
Biographical / Historical:
Charles W. Dahlgreen (1864-1955) was a Painter and printmaker in Chicago, Ill.
Provenance:
Portions of material on reel 3954 donated 1986; and portions (fr. 877-922) lent for microfilming 1986 all by Grant Dahlgreen, Charles W. Dahlgreen's grandson. Additional material donated in 2020 by Kate Husar, Charles W. Dahlgreen's great-great-grandaughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Illinois -- Chicago  Search this
Printmakers -- Illinois -- Chicago  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.dahlchar
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e88f87f-6e2d-4800-87b8-470c6276683c
EDAN-URL:
ead_collection:sova-aaa-dahlchar

Philip Reed printed material

Creator:
Reed, Philip (Philip G), 1908-  Search this
Names:
Bingham, George Caleb, 1811-1879  Search this
Bodmer, Karl, 1809-1893  Search this
Extent:
2 Items
Type:
Collection descriptions
Archival materials
Date:
1937
Scope and Contents:
Printed material relating to Reed's PORTFOLIO OF COLOR PRINTS (Lakeside Press, 1930), including the title sheet, reproductions of a painting of an Indian by Karl Bodmer, a print of a schoolmaster by Reed, and "Stump Speaking," a print made after a painting by George Caleb Bingham.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Printmakers -- Illinois -- Chicago  Search this
Identifier:
AAA.reedphil
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9834e9ba6-33fa-4157-ade5-8cf4cfe38bd5
EDAN-URL:
ead_collection:sova-aaa-reedphil

Otto J. Schneider papers

Creator:
Schneider, Otto J., 1875-1946  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Swann, James, 1905-1985  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1892-1963
Scope and Contents:
A family photograph album, compiled by Schneider's sister, Emma; a scrapbook containing reproductions of drawings by James Swann; photocopies of articles and clippings about Schneider; an etching by Schneider; reproductions of his etchings; and printed material. Also contains materials relating to the World's Columbian Exposition, including a pamphlet, "Official Guide to the Grounds and Buildings of the World's Columbian Exposition," and a broadside, "To the Stockholders of the World's Columbian Exposition".
Biographical / Historical:
Etcher; Chicago, Ill.
Provenance:
This collection was originally in Chicago Historical Society, which gave it to National Collection of Fine Arts when it gave Schneider's works from the estate. National Collection of Fine Arts transferred the papers to AAA in 1980.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Engravers -- Illinois -- Chicago  Search this
Printmakers -- Illinois -- Chicago  Search this
Topic:
Printing -- Illinois -- Chicago  Search this
Engraving -- Printing -- Illinois -- Chicago  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.schnotto
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90bd138b2-9a0e-436d-b7af-6b120e5daacb
EDAN-URL:
ead_collection:sova-aaa-schnotto

John Henry Bradley Storrs papers

Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Andersen, Hendrik Christian, 1872-1940  Search this
Anderson, Sherwood, 1876-1941  Search this
Bennett, Edward H.  Search this
Biddle, George, 1885-1973  Search this
Blum, Jerome, 1884-1956  Search this
Braque, Georges, 1882-1963  Search this
Bryant, Louise, 1885-1936  Search this
Calder, Alexander, 1898-1976  Search this
Cole, Walter, b. 1891  Search this
Cret, Paul Philippe, 1876-1945  Search this
Dismorr, Jessica Stewart, 1885-1939  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Duchamp, Marcel, 1887-1968  Search this
Eastman, Max, 1883-1969  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hartley, Marsden, 1877-1943  Search this
Heap, Jane  Search this
Hecht, Zoltan, 1890-1968  Search this
Hélion, Jean, 1904-1987  Search this
Lipchitz, Jacques, 1891-1973  Search this
Léger, Fernand, 1881-1955  Search this
Ray, Man, 1890-1976  Search this
Raynal, Maurice  Search this
Rodin, Auguste, 1840-1917  Search this
Sheeler, Charles, 1883-1965  Search this
Stella, Joseph, 1877-1946  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Storrs, Marguerite Deville Chabrol  Search this
Survage, Leopold  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
20.44 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Poems
Diaries
Sketches
Video recordings
Sketchbooks
Prints
Portfolios (groups of works)
Date:
1790-2007
bulk 1900-1956
Summary:
The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790-2007, with the bulk of the papers dating from 1900 to 1956. The collection contains biographical material, correspondence, personal business records, forty-eight diaries of John Storrs, a few diaries of other family members, additional writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. Correspondence includes that of John Storrs, Marguerite Storrs, and the Storrs family.
Scope and Contents:
The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790 to 2007, with the bulk of the papers dating from 1900 to 1956. The collection documents Storrs' career as an artist and his personal life through biographical material, correspondence with family, friends, and colleagues, personal business records, forty-eight diaries and other writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. There is also a substantial amount of Marguerite Storr's correspondence as well as scattered correspondence of other members of the Storr's family.

Biographical material consists of chronologies detailing the life of John Storrs, identification records, certificates, Storrs family documents, and records of John and Monique Storrs' French resistance activities during World War II.

Correspondence within this collection is divided into John Storrs Correspondence, Marguerite Storrs Correspondence, and Storrs Family Correspondence. The bulk of correspondence is John Storrs with friends, colleagues, art critics, patrons, art organizations and galleries. Correspondents of note include artists, architects, and writers such as Hendrick Andersen, Sherwood Anderson, Edward Bennett, George Biddle, Jerome Blum, Georges Braque, Louise Bryant, William Bullitt, Alexander Calder, Walter Cole, Paul Phillippe Cret, Katherine Dreier, Marcel Duchamp, Max Eastman, R. Buckminster Fuller, Marsden Hartley, Jane Heap, Jean Helion, Fernand Leger, Jacques Lipchitz, Man Ray, Charles Sheeler, Gertrude Stein, Joseph Stella, Maurice Sterne, Alfred Stieglitz, Leopold Survage, and William and Marguerite Zorach. There are also many letters to his wife Marguerite.

Marguerite Storrs' correspondence is with friends, family, colleagues, and others, including many letters to her husband. The letters are about general and family news, social activities and invitations, her work as a writer, and her husband's career. Storrs' family correspondence includes John and Marguerite's extensive correspondence with their daughter Monique as well as Monique's correspondence with others. Additional family correspondence is between John, his sister Mary ("Mae") and their parents David William and Hannah Storrs, much of it dating from 1900 to 1913.

Personal business records include address books, records regarding the sale and loan of Storrs' artwork, commission files regarding major public sculptures by Storrs, contracts, appraisals, financial records, and other documents regarding his professional activities. Of note are several files documenting Downtown Gallery's representation of Storrs' work during the 1960s, including correspondence between Edith Halpert and Monique Storrs. Various other documents include records of the Ecole de la Loire artists group (all in French.) Additionally there are records relating to Chateau de Chantecaille, an estate purchased by Storrs in the early 1920s as his primary residence and studio.

Forty-eight diaries contain scattered documentation of John Storrs' daily activities. Other writings by Storrs include four volumes of his memoirs that detail family history and his life from birth to 1906, notebooks, poetry, and personal accounts including the death of Auguste Rodin. Writings by others include poetry by Jessie Dismorr, essays by Zoltan Hecht and Maurice Raynal, and notebooks belonging to Storrs family members.

Printed material consists of books, art bulletins, brochures, invitations, announcements, and programs for art and social events. Also found are catalogs for exhibitions of Storrs' work and work by other artists; magazines, including a bound volume of the first ten issues of The Liberator; and clippings which include news about Storrs, his family, and friends.

Photographs depict John Storrs, his family, friends such as Arthur Bock and Gertrude Lambert, travels, and residences. Included are photographs of Storrs in his studio and in art classes. Also found are four photograph albums, primarily documenting his time in Europe from 1905 to 1907, exhibition photographs, and numerous photographs of his artwork.

Original artwork includes a portfolio of artwork created by Storrs as a youth, loose sketches, one sketchbook, 31 lithographs, and drawings for mural projects.

Four scrapbooks and a portfolio kept by John and Marguerite Storrs contain newspaper and magazine clippings of articles and illustrations as well as printed material from exhibitions, social events, and professional activities. Also found is a portfolio containing scattered items regarding the publication of Song of Myself with original wood engravings by John Storrs. One additional scrapbook was created by John Storrs around 1945 for his daughter, Monique Storrs, to document her service as a nurse in World War II.

This collection also includes records of John Storrs' estate immediately following his death in 1956, as well as records of several galleries that represented the estate in managing Storrs' artwork from the 1970s to 2002.

Three videocassettes, transferred from an unknown reel format, contain footage of Storrs' family life at Chantecaille and in Chicago, Illinois, in the 1930s.
Arrangement:
The collection is arranged as 11 series.

Some box and folder numbers in the container listing intentionally display out of sequence. An accretion was added in 2012 and integrated into the intellectual order, but not into the physical container order. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1837, 1860-1984 (Box 1, 20, 25, OV 23; 0.6 linear feet)

Series 2: Correspondence, 1857-2007 (Box 1-7, 25; 5.8 linear feet)

Series 3: Personal Business Records, 1790, 1855-1987 (Box 7-9, 25, OV 24, 28; 2.9 linear feet)

Series 4: Diaries, 1874-1955 (Box 9-10; 0.9 linear feet)

Series 5: Writings, 1888-1989 (Box 10-11, 25; 1.1 linear foot)

Series 6: Printed Material, 1867-1987, 2005 (Box 11-14, 25, OV 24; 3.6 linear feet)

Series 7: Photographs, circa 1885-1980 (Box 14-16, 18, 20-22, 25, MGP 1, MGP 2, MGP 5, MGP 6; 3.2 linear feet)

Series 8: Artwork, 1895-1935 (Box 18, 20, OV 23; 0.5 linear feet)

Series 9: Scrapbooks, 1895-1963 (Box 18-21, 25; 0.7 linear feet)

Series 10: Estate Records, 1956-2002 (Box 26; 0.4 linear feet)

Series 11: Video Recordings, circa 1980s (Box 26-27; 0.2 linear feet)
Biographical / Historical:
John Henry Bradley Storrs (1885-1956) worked primarily in Chicago, Illinois, and Mer, France, as a sculptor, painter, and printmaker.

John Storrs was born in 1885 in Chicago, Illinois, to David William Storrs, an architect, and Hannah Bradley Storrs. Upon completing his schooling in 1905 he went to Berlin with the intention of studying music, but instead chose to study sculpture with the Arthur Bock in Hamburg, Germany. He also spent time in Paris and traveled throughout Europe, Turkey, and Egypt, returning to the US in late 1907. Storrs took night classes at the Art Institute of Chicago, followed by periods of study at the School of the Museum of Fine Arts, Boston, with Bela Pratt, and at the Pennsylvania Academy of the Fine Arts with Charles Grafly. In 1912 he returned to Paris where he studied at the Académie Julian and with the famous sculptor Auguste Rodin. During this period his work was greatly influenced by cubism and futurism. In 1914 he married French writer Marguerite Deville-Chabrol. After briefly returning to the US to exhibit his work, Storrs worked at a hospital in Paris throughout World War I and in 1918 his daughter Monique was born. He and his family settled in Mer, France, at the Chateau de Chantecaille in 1921.

The following two decades were very productive for Storrs and he frequently travelled between the US and France to exhibit and create work. He showed in many notable exhibits such as the Société Anonyme's International Exhibition of Modern Art in New York in 1926, and he completed several commissions such as a statue for the Chicago Board of Trade in 1929. During this time Storrs completely moved away from representational work and refined his non-objective, machine-like sculpture. Besides sculpture, he also produced many paintings, woodcuts, lithographs, and other works on paper. He created works for the Century of Progress International Exposition in 1933 and also worked for the Public Works of Art Project in 1934.

During World War II Storrs was twice arrested and imprisoned by the German occupation forces, once for six months from 1941 to 1942 and again in 1944 along with his daughter Monique who was part of the French Resistance. These events greatly impacted his health and he produced very little work in the late 1940s and 1950s. He continued to exhibit his work and was also president in 1954 of the Ecole de la Loire, a group of 75 artists working in the Loire Valley. John Storrs died in 1956.
Related Materials:
Also available at the Archives of American Art is the Noel Frackman research material on John Henry Bradley Storrs, 1972-2003. In addition, Archives of American Art microfilm reels 1463 and ND/S-1 contain the John Henry Bradley Storrs scrapbook and studio book, 1909-1972.
Separated Materials:
The Booz family also loaned approximately 1,000 drawings by John Storrs and select family photographs for microfilming. Loaned material is available for viewing on reel 1555, but is not described in this container listing of this finding aid.
Provenance:
The John Henry Bradley Storrs papers were donated in several installments from 1979 to 1987 by Storrs' daughter, Monique Storrs Booz, and her daughter, Michelle Storrs Booz. A portion of these papers were loaned for microfilming in 1977 and subsequently donated in 1980. Additional papers were donated by Michelle Storrs Booz in 2011.
Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and not served to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Expatriate artists -- France  Search this
Painters -- Illinois -- Chicago  Search this
Painters -- France -- Paris  Search this
Printmakers -- Illinois -- Chicago  Search this
Printmakers -- France -- Paris  Search this
Sculpture, Modern -- 20th century  Search this
Sculptors -- Illinois -- Chicago  Search this
Sculptors -- France -- Paris  Search this
World War, 1939-1945  Search this
Function:
Artists' studios -- France
Genre/Form:
Scrapbooks
Photographs
Poems
Diaries
Sketches
Video recordings
Sketchbooks
Prints
Portfolios (groups of works)
Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.storjohn
See more items in:
John Henry Bradley Storrs papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97fbb0f90-38d0-4f9d-8293-83eb4d3dbe07
EDAN-URL:
ead_collection:sova-aaa-storjohn
Online Media:

Letters to Marguerite Storrs

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 1, Folder 31
Type:
Archival materials
Date:
1918-1919
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e929e3fb-840b-46f0-b29b-84f1423dca39
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1183

Letters to Marguerite Storrs

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 1, Folder 32
Type:
Archival materials
Date:
1921-1922
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cb8819bd-9252-4bda-9bec-4e07f0b3dd1f
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1184

Letters to Marguerite Storrs

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 1, Folder 33
Type:
Archival materials
Date:
1923
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f56b188-5a53-4715-8d8b-e6ff96707fe0
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1185

Letters to Marguerite Storrs

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 1, Folder 34
Type:
Archival materials
Date:
1923
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw906de452f-0614-4a2d-b8d9-44bbfc1912f7
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1186

General Correspondence

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 2, Folder 10
Type:
Archival materials
Date:
1911
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdcfccf9-14fb-4a28-81d5-e956e644aaff
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1187

General Correspondence

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 2, Folder 11
Type:
Archival materials
Date:
1912
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9304a5d28-536e-46e2-9396-b1864ac97efc
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1188

General Correspondence

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 2, Folder 12
Type:
Archival materials
Date:
1912
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97994e2bc-7ce0-4fa5-9b0d-01f845945012
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1189

General Correspondence

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 2, Folder 13
Type:
Archival materials
Date:
1912
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b401fe9c-da8f-4a64-bc43-29231a244fe0
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1190

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