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Amos Tutuola's Head

Maker:
Twins Seven-Seven, 1944-2011, born Nigeria  Search this
Medium:
Etching on paper
Dimensions:
H x W: 23.3 x 19 cm (9 3/16 x 7 1/2 in.) (image size)
Type:
Print
Geography:
Nigeria
Date:
1964
Topic:
Human  Search this
Credit Line:
Museum purchase
Object number:
2000-1-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7895b7c31-fb08-40e3-9a20-1b526e868688
EDAN-URL:
edanmdm:nmafa_2000-1-1

Storm over Biafra

Maker:
Ben Enwonwu, 1917-1994, Nigeria  Search this
Medium:
Oil on canvas
Dimensions:
Framed: 78.6 × 154.3 × 5.2 cm (30 15/16 × 60 3/4 × 2 1/16 in.)
Type:
Painting
Geography:
Nigeria
Date:
1972
Credit Line:
Museum purchase
Object number:
2000-11-1
Restrictions & Rights:
Usage conditions apply
Copyright:
Courtesy of the Ben Enwonwu Foundation (c)
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys74e7900ef-a230-4a99-8029-b7403643a16b
EDAN-URL:
edanmdm:nmafa_2000-11-1

A South African Colouring Book

Maker:
Gavin Jantjes, born 1948, South Africa  Search this
Medium:
Screen print on paper with mixed media
Dimensions:
Frames: 83.8 x 67 x 5.1 cm (33 x 26 3/8 x 2 in.)
Type:
Print
Geography:
South Africa
Date:
1974-1975
Credit Line:
Museum purchase
Object number:
2003-16-1
Restrictions & Rights:
Usage conditions apply
Copyright:
(c) 1974-1975 Gavin Jantjes
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys745881dba-0d5e-4313-b912-9992400ced7c
EDAN-URL:
edanmdm:nmafa_2003-16-1

Sea Ghosts 3

Maker:
Twins Seven-Seven, 1944-2011, born Nigeria  Search this
Medium:
Ink on plywood
Dimensions:
Other (framed): 63 × 124.5 × 3.8 cm (24 13/16 × 49 × 1 1/2 in.)
Type:
Painting
Geography:
Nigeria
Date:
1968
Credit Line:
Gift of Holly and David Ross
Object number:
2003-5-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7c93dc9b6-0f53-4ef5-8b10-8c120d9ff1fa
EDAN-URL:
edanmdm:nmafa_2003-5-1

The Fisherman and the River Goddess with his Captured Multi-Colored Fishes and the River Night Guard

Maker:
Twins Seven-Seven, 1944-2011, born Nigeria  Search this
Medium:
Oil, pastel, and ink on wood
Dimensions:
H x W x D (framed): 67.6 × 128.6 × 3.2 cm (26 5/8 × 50 5/8 × 1 1/4 in.)
Type:
Painting
Geography:
Nigeria
Date:
ca. 1960
Topic:
fish  Search this
boat  Search this
Credit Line:
Gift of Merton Simpson
Object number:
97-6-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7f2651972-63c7-4382-82ba-6c9201de9bd6
EDAN-URL:
edanmdm:nmafa_97-6-1

Charles W. White papers

Creator:
White, Charles (1918-1979)  Search this
Names:
Belafonte Enterprises  Search this
Heritage Gallery  Search this
Otis Art Institute  Search this
Barthé, Richmond, 1901-1989  Search this
Catlett, Elizabeth, 1915-2012  Search this
White, Frances Barrett  Search this
Extent:
12.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Scrapbooks
Date:
1933-1987
bulk 1960s-1970s
Summary:
The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.
Scope and Contents:
The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

Biographical material includes documentation of awards received by White, biographical notes, resumes, White's high school report cards, interview transcripts and a sound recording of an interview, and records related to Elizabeth Catlett from the 1940s.

Correspondence includes scattered letters from family and friends but is primarily professional. White's correspondence was often conducted by Benjamin Horowitz and, occasionally, by Frances White, although some scattered original drafts of letters by White can also be found in this series. The series documents many aspects of White's career including: his relationship with Horowitz and Heritage Gallery as his representative; sales, loans, and exhibitions of White's artwork at many museums, galleries, and art institutions; the publication of his work in journals, magazines, and books, and it's use in the film and music industries; and his relationships with others in the arts and the entertainment industry including Richmond Barthé, Margaret Burroughs, Bing Davis, David Driskell, Lorraine Hansberry, and Harry Belafonte's company, Belafonte Enterprises.

Writings by White include two addresses made to the Annual Conference of Negro Artists, statements on his philosophy of art, and an autobiographical essay. Writings by others include drafts of Benjamin Horowitz's book Images of Dignity:The Drawings of Charles White.

White's professional activities are further documented through records related to the many boards, committees, and exhibition and art contest juries he served on, as well as lectures he delivered, and panels and symposiums he participated in. White's professional files also contain records relating to fellowships he received and document projects such as designs for books, films, and magazines.

White's teaching files primarily relate to Otis Art Institute and contain some records related directly to his work there as well as general faculty and board material. The records document, to some extent, White's role as spokesperson for the faculty and students during the transfer of the Otis charter to Parsons School of Design in 1979. Documentation of White's association with Howard University is minimal and includes letters related to his appointment and resignation in 1978-1979.

Gallery and exhibition files document specific solo and group exhibitions and include records on two visits White made to Germany in 1974 and 1978.

Printed material includes announcements, exhibition catalogs, articles in journals, magazines, and news clippings, and publications with artwork by White that provide extensive coverage of White's career from the 1930s to his death. Also found is printed material collected by White on other artists, and on subjects of interest to him.

Three disbound scrapbooks provide compilations of printed material and occasional letters further documenting White's career. A small series of photographs includes holiday card photos of White, Frances White, and their two children, and photos of White and others taken at a workshop in 1969.

Throughout the collection there are folders containing notes written by Frances White, circa 1980-1981, which provide important contextual information about people, organizations and subjects in the collection, and sometimes highlight the racism White encountered, particularly during his early career. The dates of these notes are not included in folder dates.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, circa 1934-1979 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1937-1984 (Boxes 1-4, 13; 3.64 linear feet)

Series 3: Writings, 1936-circa 1981 (Boxes 4-5; 0.45 linear feet)

Series 4: Professional Activities, circa 1942-1982 (Boxes 5-6, 13, OV 15; 1.81 linear feet)

Series 5: Teaching Files, 1950-1979 (Boxes 6, 13; 0.72 linear feet)

Series 6: Gallery and Exhibition Files, 1946-1980 (Box 7, Box 14; 0.98 linear feet)

Series 7: Printed Material, 1933-1987 (Boxes 8-14, OVs 15-17; 4.8 linear feet)

Series 8: Scrapbooks, 1936-1970s (Box 12; 0.15 linear feet)

Series 9: Photographic Material, 1940-1976 (Box 12; 0.15 linear feet)
Biographical / Historical:
Painter, printmaker, and educator, Charles W. White (1918-1979), was a prominent figure in the Chicago Black Renaissance and became one of the most celebrated and influential African American artists of the twentieth century. Born and raised in Chicago, Illinois, White lived and worked in California beginning in 1956, and taught at the Otis Art Institute from 1965 until his death.

White began painting at a young age, earning first prize in a nationwide high school art contest. He studied at the School of the Art Institute of Chicago, where he was awarded a full scholarship, from 1937-1938. After graduating from the school, White worked as a muralist for the Illinois Federal Arts Project sponsored by the Works Progress Administration from 1939 to 1940. He then received two fellowships from the Julius Rosenwald Foundation in 1942 and 1943 and created the mural The Contribution of the Negro to American Democracy at the Hampton Institute. From 1943-1945 he taught at the George Washington Carver School in New York City, and was artist-in-residence at Howard University in Washington, D.C., in 1945.

White's first marriage to Elizabeth Catlett ended in divorce and he married Frances Barrett in 1950. The couple relocated to Los Angeles where White was represented by Benjamin Horowitz's Heritage Gallery. White was widely exhibited in Los Angeles, and at the Art Institute of Chicago, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Newark Museum, the Santa Barbara Museum of Art, and elsewhere. Working primarily in black and white or sepia and white drawings, paintings, and lithographs, White's artwork was primarily figurative and depicted African American history, socio-economic struggles, and human relationships.

Charles White received a number of awards and honors and in 1972 he was the third African American artist to be elected a full member of the National Academy of Design.
Related Materials:
The Archives of American Art also holds the Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson, the Lucinda H. Gedeon research material on Charles W. White, and an oral history interview with Charles W. White conducted by Betty Hoag, March 9, 1965.
Separated Materials:
The Archives of American Art also holds microfilm of loaned materials (reels LA7 and 3099). Reel LA7 includes photographs of White, his work, and a career resume. Reel 3099 contains 31 items consisting of three travel diaries kept by Frances White, photographs and a recording of their trip to Russia in 1950, and 11 record album covers designed by Charles White. Loaned materials were returned to the lenders after microfilming and are not described in the collection container inventory.

Charles White's "Black Experience Archive," originally received with the papers, was donated to Howard University's Moorland-Springarn Research Center in 1985 at the request of Frances White.
Provenance:
Photographs on reel LA7 and material on reel 3099 were lent to the Archives of American Art for microfilming in 1965 and 1982, by Benjamin Horowitz, White's dealer, and by Frances White. Material on reel 2041 was donated by the George Arents Research Library, Syracuse University, 1976, who had originally received it from Horowitz. The remainder of the papers were donated by Charles White, 1975-1978, and after his death by Frances White and Benjamin Horowitz, 1981-1989.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Printmakers -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
Genre/Form:
Interviews
Sound recordings
Scrapbooks
Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitchar
See more items in:
Charles W. White papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9280ca62a-d068-4695-872f-041df8333648
EDAN-URL:
ead_collection:sova-aaa-whitchar
Online Media:

Walter Shirlaw

Artist:
Frank Duveneck, born Covington, KY 1848-died Cincinnati, OH 1919  Search this
Sitter:
Walter Shirlaw  Search this
Medium:
oil on canvas
Dimensions:
23 7/8 x 18 in. (60.8 x 45.7 cm)
Type:
Painting
Date:
ca. 1873
Topic:
Occupation\art\painter  Search this
Occupation\art\painter  Search this
Occupation\art\designer  Search this
Occupation\art\printmaker  Search this
Portrait male\bust  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. Walter Shirlaw
Object number:
1913.11.5
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7378da9c8-3bf2-4cce-8206-bd151380042c
EDAN-URL:
edanmdm:saam_1913.11.5

Self-Portrait

Artist:
Werner Drewes, born Canig, Germany (now Kaniów, Poland) 1899-died Reston, VA 1985  Search this
Sitter:
Werner Drewes  Search this
Werner Drewes  Search this
Medium:
color woodcut on paper
Dimensions:
image: 17 × 13 1/2 in. (43.2 × 34.3 cm) sheet: 23 × 17 3/4 in. (58.4 × 45.1 cm)
Type:
Graphic Arts-Print
Date:
1947
Topic:
Occupation\art\painter  Search this
Landscape\phenomenon\light  Search this
Dress\accessory\eye wear  Search this
Occupation\art\printmaker  Search this
Portrait male\self portrait  Search this
Portrait male\bust  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1968.9.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76d03cb36-e05e-47b2-9172-f324ec9c909e
EDAN-URL:
edanmdm:saam_1968.9.2

Self-Portrait (no. 212)

Artist:
Werner Drewes, born Canig, Germany (now Kaniów, Poland) 1899-died Reston, VA 1985  Search this
Sitter:
Werner Drewes  Search this
Werner Drewes  Search this
Medium:
woodcut
Type:
Graphic Arts-Print
Topic:
Figure male\elderly  Search this
Occupation\art\painter  Search this
Landscape\phenomenon\light  Search this
Dress\accessory\eye wear  Search this
Occupation\art\printmaker  Search this
Portrait male\self portrait  Search this
Portrait male\bust  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1968.9.60
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7ba6f8534-f348-43bc-a3ec-428555f39f05
EDAN-URL:
edanmdm:saam_1968.9.60

Self-Portrait

Artist:
Werner Drewes, born Canig, Germany (now Kaniów, Poland) 1899-died Reston, VA 1985  Search this
Sitter:
Werner Drewes  Search this
Werner Drewes  Search this
Medium:
woodcut on paper
Dimensions:
image: 16 1/8 x 11 3/4 in. (40.9 x 29.7 cm)
Type:
Graphic Arts-Print
Date:
1932
Topic:
Occupation\art\painter  Search this
Landscape\phenomenon\light  Search this
Dress\accessory\eye wear  Search this
Occupation\art\printmaker  Search this
Portrait male\self portrait  Search this
Portrait male\bust  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1969.3.31
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7168e4a55-c178-4543-b4bb-a5b79018136d
EDAN-URL:
edanmdm:saam_1969.3.31

Composition VIII - The Two Fighters, from the portfolio It Can't Happen Here: 10 Blockprints by Drewes

Artist:
Werner Drewes, born Canig, Germany (now Kaniów, Poland) 1899-died Reston, VA 1985  Search this
Medium:
woodcut
Dimensions:
image: 12 1/2 × 9 1/4 in. (31.8 × 23.5 cm) sheet: 15 1/4 × 11 in. (38.7 × 27.9 cm)
Type:
Graphic Arts-Print
Date:
1934
Topic:
Figure group  Search this
Abstract  Search this
State of being\evil\violence  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1969.3.41
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk70d4918d0-1d6e-48c2-a87c-bab59a5f7f40
EDAN-URL:
edanmdm:saam_1969.3.41

Self-Portrait

Artist:
Werner Drewes, born Canig, Germany (now Kaniów, Poland) 1899-died Reston, VA 1985  Search this
Sitter:
Werner Drewes  Search this
Werner Drewes  Search this
Medium:
woodcut
Type:
Graphic Arts-Print
Topic:
Figure male\elderly  Search this
Occupation\art\painter  Search this
Landscape\phenomenon\light  Search this
Dress\accessory\eye wear  Search this
Occupation\art\printmaker  Search this
Portrait male\self portrait  Search this
Portrait male\bust  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1971.287.17
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk767ddadeb-2258-438f-95e7-98d9a5236886
EDAN-URL:
edanmdm:saam_1971.287.17

A Quiet Canal

Artist:
Ernest David Roth, born Stuttgart, Germany 1879-died Cambridge, NY 1964  Search this
Medium:
etching on paper
Dimensions:
plate: 4 1/2 × 9 1/8 in. (11.3 × 23.2 cm) sheet: 7 3/4 × 12 5/8 in. (19.7 × 32.1 cm)
Type:
Graphic Arts-Print
Date:
1905
Topic:
Cityscape\Italy\Venice  Search this
Waterscape\canal  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mr. and Mrs. Harry Katz
Object number:
1971.386
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76be81411-d98d-44ea-9bde-701d58a811d1
EDAN-URL:
edanmdm:saam_1971.386

(Skylines, portfolio) (Untitled)

Artist:
James Sundquist, born Berlin, Germany 1949  Search this
Publisher:
Graphics International  Search this
Printer:
Printmaker's Workshop  Search this
Medium:
lithograph on paper
Dimensions:
image: 11 x 18 in. (28.0 x 45.6 cm)
Type:
Graphic Arts-Print
Date:
1973
Topic:
Architecture Exterior\detail\window  Search this
Architecture Exterior\detail\roof  Search this
Architecture Exterior\detail\wall  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Graphics International Ltd.
Object number:
1974.11.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk755f6bf7b-2ffc-406f-a263-21b404ff1215
EDAN-URL:
edanmdm:saam_1974.11.1

(Skylines, portfolio) (Untitled)

Artist:
James Sundquist, born Berlin, Germany 1949  Search this
Publisher:
Graphics International  Search this
Printer:
Printmaker's Workshop  Search this
Medium:
lithograph on paper
Dimensions:
image: 11 x 18 in. (27.8 x 45.7 cm)
Type:
Graphic Arts-Print
Date:
1973
Topic:
Architecture Exterior\commercial\skyscraper  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Graphics International Ltd.
Object number:
1974.11.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7a431a7d6-1253-4334-b48e-59a52a7bb462
EDAN-URL:
edanmdm:saam_1974.11.2

(Skylines, portfolio) (Untitled)

Artist:
James Sundquist, born Berlin, Germany 1949  Search this
Publisher:
Graphics International  Search this
Printer:
Printmaker's Workshop  Search this
Medium:
lithograph on paper
Dimensions:
image: 11 x 18 in. (27.9 x 45.7 cm)
Type:
Graphic Arts-Print
Date:
1973
Topic:
Object\other\sign  Search this
Architecture Exterior\detail\dome  Search this
Architecture Exterior\detail\wall  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Graphics International Ltd.
Object number:
1974.11.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7973ae827-00e3-4b8f-a0d0-19bdc4a832b3
EDAN-URL:
edanmdm:saam_1974.11.3

(Skylines, portfolio) (Untitled)

Artist:
James Sundquist, born Berlin, Germany 1949  Search this
Publisher:
Graphics International  Search this
Printer:
Printmaker's Workshop  Search this
Medium:
lithograph on paper
Dimensions:
image: 18 x 11 in. (45.7 x 27.9 cm)
Type:
Graphic Arts-Print
Date:
1973
Topic:
Architecture Exterior  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Graphics International Ltd.
Object number:
1974.11.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76cfa73c1-9de9-4410-9fbe-7d1ae171ce75
EDAN-URL:
edanmdm:saam_1974.11.4

(Skylines, portfolio) (Untitled)

Artist:
James Sundquist, born Berlin, Germany 1949  Search this
Publisher:
Graphics International  Search this
Printer:
Printmaker's Workshop  Search this
Medium:
lithograph on paper
Dimensions:
image: 18 x 11 in. (45.8 x 27.9 cm)
Type:
Graphic Arts-Print
Date:
1973
Topic:
Architecture Exterior\detail\roof  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Graphics International Ltd.
Object number:
1974.11.5
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7dfed0099-e612-4494-b01c-7621c7ddcbc8
EDAN-URL:
edanmdm:saam_1974.11.5

(Skylines, portfolio) (Untitled)

Artist:
James Sundquist, born Berlin, Germany 1949  Search this
Publisher:
Graphics International  Search this
Printer:
Printmaker's Workshop  Search this
Medium:
lithograph on paper
Dimensions:
image: 18 x 11 in. (45.8 x 27.9 cm)
Type:
Graphic Arts-Print
Date:
1973
Topic:
Landscape\phenomenon\light  Search this
Architecture\machine\crane  Search this
Architecture Exterior\detail\window  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Graphics International Ltd.
Object number:
1974.11.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk752fff5d3-f69c-421a-9c2e-1b9ee33c3e8e
EDAN-URL:
edanmdm:saam_1974.11.6

Central Density

Artist:
Werner Drewes, born Canig, Germany (now Kaniów, Poland) 1899-died Reston, VA 1985  Search this
Medium:
oil on canvas
Dimensions:
39 3/4 x 33 3/4 in. (101 x 85.8 cm)
Type:
Painting
Date:
1973
Topic:
Abstract\geometric  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1975.116
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 43A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76125c33a-9ca7-4109-9b4c-a3b97a9e80f9
EDAN-URL:
edanmdm:saam_1975.116

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