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Oral history interview with Enrique Chagoya

Chagoya, Enrique  Search this
Karlstrom, Paul J.  Search this
95 Pages (Transcript)
Collection descriptions
Archival materials
Sound recordings
2001 July 25-August 6
Scope and Contents:
An interview of Enrique Chagoya conducted July 25-August 6, by Paul Karlstrom, for the Archives of American Art.
The interview takes place at Chagoya's home in South San Francisco (sessions 1,2) and at Karlstrom's San Francisco office (session 3). Chagoya's wife, Kara Maria, joins in for the final portion of the interview. Chagoya discusses activities in Mexico and the U.S.; his involvement with the Galeria de la Raza and the Chicano Movement; his work, including books that are based on Pre-Columbian codices; his application of "reverse anthropology," the history of the Americas and Europe, as if Mexico conquered Europe; Frida Kahlo and Diego Rivera; the legacy of Mexican muralism and the union of art and ideology; the nature of his own interest in Pre-Columbian imagery; his sabbatical year in Paris; collaborations with his wife Kara Maria, including issues of self-projection into works of art; artistic responsibility; creation of hybrid cultures; the separation of his art from other Chicano art; and identity as a Mexican. Chagoya's wife, painter Kara Maria, discusses her training at UC Berkeley, meeting Chagoya; their evolving relationship as artists; his role as mentor; and her separate artistic identity.
Biographical / Historical:
Enrique Chagoya (1953-) is a Mexican born American painter, graphic artist, and educator in San Francisco, California. Kara Maria (1968-) is Chagoya's wife.
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 13 digital wav files. Duration is 6 hr., 43 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript available on the Archives of American Art website.
Painters -- California -- San Francisco -- Interviews  Search this
Printmakers -- California -- San Francisco -- Interviews  Search this
Indian art -- Central America  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
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Oral history interview with Juana Alicia

Juana Alicia  Search this
Karlstrom, Paul J.  Search this
99 Pages (Transcript)
Collection descriptions
Archival materials
Sound recordings
2000 May 8 and July 17
Scope and Contents:
An interview of Juana Alicia conducted 2000 May 8-July 17, by Paul Karlstrom, for the Archives of American Art, in Alicia's studio, Berkeley, California.
Juana Alicia discusses her childhood in Detroit and Texas; her feelins of identification with the Black community; admiration of Paul Robeson and Martin Luther King, Jr., whose death "devastated" her; moving in 1972 to Salinas, California at the invitation of Cesar Chavez; working in the lettuce fields and inspiration for her mural Lechugueras (1985) in the Mission District of San Francisco; Chicana identity; art as central to her story; her work during the 1970s and 80s becoming more international in scope and connecting to the struggles of others; her interest in ancient techniques and in the work of Los Tres Grandes and the frescos of Diego Rivera; her current project, Santuarios, with her partner, at SFO, and the iconography of the work in terms of three forces at work: artist's experience, mandate of commission, spiritual/universal force; El Cordon Rota (1998), a banner prepared for and withdrawn from a Tijuana show in response to John Valadez's poster image of a nude Chicana; interest in aesthetics and the idea of beauty in art as vital to survival; her views on gender equality, empowerment through art, differences between men and women; the "Positive Visability" mural (1995) in San Francisco's lower Haight district, with a description of the iconography and recent restoration project supported by Neighborhood Beautification Program fighting hate crimes throughout the city.
Biographical / Historical:
Juana Alicia Araiza (1953-), commonly known as Juana Alicia, is a painter, printmaker, and educator in Berkeley, California. Juana Alicia is among the leading Chicana muralists in California and a major figure in Bay Area Chicana and women's movements. Among her commissions is a mural done with her partner Emmanuel C. Montoya at the San Francisco International Airport. Uses only her forenames; does not use her last name.
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hrs., 6 minutes.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Funding for this interview provided by SI Latino Initiative II, 1999.
Muralists -- California -- Berkeley  Search this
Printmakers -- California -- Berkeley  Search this
Educators -- California -- Berkeley  Search this
Painters -- California -- Berkeley  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
Women printmakers  Search this
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Oral History interview with Miyoko Ito

Ito, Miyoko, 1918-1983  Search this
Barrie, Dennis  Search this
Art Institute of Chicago  Search this
Ox-Bow Summer School of Painting  Search this
Smith College  Search this
Baum, Don, 1922-  Search this
Berdich, Vera, 1915-2003  Search this
Chapin, Francis, 1899-1965  Search this
Cohen, George, 1913-1980  Search this
Edmondson, Leonard, 1916-  Search this
Haley, John, 1905-1991  Search this
Hofmann, Hans, 1880-1966  Search this
Johnston, Ynez, 1920-  Search this
Kahn, Max, 1903-2005  Search this
Lanyon, Ellen  Search this
Loran, Erle, 1905-1999  Search this
Mitchell, Joan, 1926-1992  Search this
Moholy-Nagy, László, 1895-1946  Search this
Ryder, Worth, 1884-1960  Search this
Venturi, Lionello, 1885-1961  Search this
2 Items (Sound recording: 2 sound files, digital, wav file)
41 Pages (Transcript)
Collection descriptions
Archival materials
Sound recordings
1978 July 20
Scope and Contents:
An interview of Miyoko Ito conducted 1978 July 20, by Dennis Barrie, for the Archives of American Art.
Ito discusses her family background; being in Japan at an early age, attending school and learning calligraphy; returning to California in 1928; excelling in drawing and painting; attending Berkeley High School; studying watercolor at Berkeley School of Water Color; studying under Erle Loran, Worth Ryder, John Haley; the influence of Hans Hofmann; being in internment camp (Camp Rann); attending Smith College, Northampton to study painting under instructor George Cohen; attending the Art Institue of Chicago and meeting Francis Chapin and Joan Mitchell; being influenced by Bonnard; moving into lithography at Oxbow; studying under Max Kahn; doing printmaking and etching; and participating in the Momentum Shows. Ito mentions Ynez Johnston, Leonard Edmondson, Lionel Venturi, Ellen Lanyon, Don Baum, Laszlo Moholy-Nagy, and Vera Berdich.
Biographical / Historical:
Miyoko Ito (1918-1983) was a Japanese American painter based in Chicago, Illinois.
Originally recorded on 1 tape reel (5 in.).
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Painters -- Chicago -- Illinois  Search this
Art, American  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American painting  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Asian American painters  Search this
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Oral history interview with Juana Alicia, 2000 May 8 and July 17

Alicia, Juana, 1953-  Search this
Alicia, Juana, 1953-  Search this
Karlstrom, Paul J  Search this
Sound recordings
Latino and Latin American artists  Search this
Chicano artists  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
Women printmakers  Search this
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Women  Search this
African American  Search this
Record number:
Latino and Latin American
African American
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Archives of American Art
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Asawa, Ruth

Collection Creator:
Ankrum Gallery  Search this
Box 4, Folder 22
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Ankrum Gallery records
Ankrum Gallery records / Series 5: Artists' Files
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Collection Creator:
Pach, Walter, 1883-1958  Search this
2.1 Linear feet (Box 1-3, FC 23)
Archival materials
Scope and Contents note:
This series contains family correspondence and extensive professional letters from noted artists and art world figures including critics, writers, collectors, museums and other art institutions. Scattered letters from Pach can also be found here.

See Appendix for partial chronological list of letters from Series 2.
Arrangement note:
This series is arranged as two subseries.

2.1: Family Correspondence, 1883-1980

2.2. General Correspondence, 1903-1969
Appendix: Partial Chronological List of Letters from Series 2:
From J.B. Young [?], October 5, 1900: New York, N.Y. Eric Dell recovered from consumption; Terry also had it and was treated at an English sanitarium; entertained several actors; made a brief trip to the country. 2 pp., illustrated with drawing, "an interpretation of how you will look when you next visit New York."

From Franji Vaatsvoort, September 18, 1903: Haarlem, the Netherlands. Severe storm; received Pach's postcards. Picture postcard (Frans Hals, "Cordelia Voogt Claesd., vrouw van Nicolaes van der Meer"

From Theodore Roosevelt, Washington, D.C., March 5, 1904: President's autograph. Card with engraving of the White House.

From Frank R. Wadsworth, Chicago, Ill., [postmarked] March 2, 1905: Intends to go to Spain; advises Pach to write about art; recommends the Madrid gallery; discusses Chicago's new orchestra hall and the death of Thomas; opinions about the jury system; is sending pictures to Philadelphia, the one eastern city likely to accept them. 6 pp. + enclosures (silhouettes of monkey, 3 birds, and cat by a 10-year-old child).

From Luis E. de la Rochas, Madrid, Spain, December 24, 1905: thanks Pach for photographs of works of art; inquires about the progress of Pach's own painting; will send a picture of his latest painting, as he is interested in Pach's opinion; sends regards to Mr. Chase. 3 pp., in Spanish, illustrated with drawing of a bearded man.

From Edith Bell, New York, N.Y., [postmarked] December 24, 1905: Christmas greetings; thanks Pach for showing her the Goya sketch. 2 pp.

To Claude Monet, Giverny, France, June 3, 1906: advises that knowing how to use color is most important and should become a matter of habit; lists his palette. 1 p., in French, typescript copy.

From Charles Scribner's Sons, New York, N.Y., February 13, 1907: printed form letter with payment for "The Memoria of Velasquez."

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] April 24, 1907: mentions Kenzan picture Pach is interested in; thanks Pach for showing sketch to Henri, Ogihara's former teacher; lists some exhibitors in the Salon, with opinions of their work; thinks Rodin's work is great; he met Rodin at his studio. 4 pp. + 1 p. enclosure (note to Yamanaka & Co., New York, about Kenzan picture), in Japanese.

From Piet van der Laan, Leeuwarden, the Netherlands, May 11, 1907: likes portrait of Pach by Chase with its strong "Rembrandtic" shadow; reminisces about Chase; hopes to marry Annie in August. 4 pp.

From Moriye Ogihara, Vitry-sur-Seine, France, September 2, 1907: is glad Pach is returning to Paris; is attending classes at Académie Julian; saw Henri in France recently. 3 pp.

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] September 10, 1907: wonders if and when Pach is returning to Paris. Postal card.

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] September 12, 1907: urges Pach to visit after his stay in Italy. Picture postcard ("Reine d'Egypte en Isis--Bronze antique").

From [signature illegible], Director, The Royal House, Florence, Italy, October 5, 1907: the king grants permission to copy the Catherine de Medici portrait at the Pitti Palace. 1 p., in Italian.

From Claude Monet, Giverny, France, November 4, 1907: Monet will receive Pach this week on Wednesday or Thursday afternoon. 1 p., in French.

From Lelebuss, New York, N.Y., November 21, 1907: thanks Pach for birthday greetings; several friends are now married.

From Edith Bell, New York, N.Y., November 25, 1907: visited Henri and saw 40 canvases; describes Henri's new studio at 135 E. 40th St.; Lawson and Stevenson called at the studio while she was there; recalls Pach's description of visits to Monet and Ogihara; "it is my belief that Mr. Henri is afraid of George Bellows. He praises him so." 5 pp. + enclosure (photograph of a portrait by Edith Bell).

From Moriye Ogihara, Florence, Italy, December 25, 1907: Christmas greetings; discusses travels in Italy and art seen. 4 pp.

From Moriye Ogihara, Florence, Italy, December 26, 1907: has been to the Academy; praises Miss Frohberg. Picture postcard ("Firenze Lung' Arno Corsine").

To Alice Klauber from Walter Pach, Paris, France, January 3, 1908: he is looking at art; received a picture from her cousin; asks if she saw the article on Matisse he wrote for the Hearst paper. Picture postcard ("Frans Hals, La Bohemienne"), in Japanese, with English postscript.

From Moriye Ogihara, Arezzo, Italy, January 5, 1908: leaving for Assisi soon; stayed too long in Florence sightseeing with Magdalene. Picture postcard ("Arezzo, La Catte drale").

From Moriye Ogihara, Rome, Italy, [postmarked] January 14, 1908: staying at the same pensione as Frost. Picture postcard ("Torso di Belvedere di Dietro").

From Moriye Ogihara, Athens, Greece, January 22, 1908: discusses sightseeing in Greece and his trip through Italy; observations about Frost; "I appreciate Rodin very much since I have been in Italy"; offers to correct Pach's written Japanese.

From Gerda Stein, [place unknown], January 29, 1908: "Dearest love to Lena and best wishes for a very happy Birthday." Greeting card.

From Roger Marx, Editor, -- Gazette des Beaux-Arts -- , Paris, France, February 12, 1908: wants to publish a comprehensive study of the state of painting in the United States; must choose between original engravings and photographic reproductions for illustrations. 2 pp., in French.

From Moriye Ogihara, Cairo, Egypt, February 13, 1908: steamer has been delayed two days but he can continue to work. Picture postcard ("Ramesseum at Thebes").

From [Rais?], Paris, France, [postmarked] March 19, 1908: invites Pach to visit on Friday. 1 p., in French.

From William Merritt Chase, Florence, Italy, July 16, 1908: is leaving for Paris tomorrow; invites Pach to meet him at Caffe [sic] Du Paix that evening. 1 p.

From Helen R. Wilson, Furnes, Belgium, July 30, 1908: enumerates 13 highlights of her stay in Paris, including first view of a Cézanne painting. 4 pp.

From Senateur de la Sarthe, Paris, France, August 4, 1908: expression of sympathy. Note on business card, in French.

From Morton Livingston Schamberg, Paris, France, November 5, 1908: is doing small paintings outdoors and in his hotel room; is reluctant to leave Paris but wants to visit Italy, too; went to the Autumn Salon 3 times and found the work of Matisse "very beautiful"; "I am inclined to consider it a very personal art rather than the part of a great movement considering Matisse the leader, and the art doctrines evolved by the Steins (damn nice people...)... are to me the most awful nonsense"; prefers Renoir to Cézanne; is impressed by Egyptian portraits in the Louvre; has completed about 36 panels. 3 pp.

From Olga [de?], Paris, France, December 24, 1908: has completed 3 portrait commissions; wants to see the Velasquez, which is said to be "splendid." Picture postcard ("Paris, Eglise Saint-Augustin"), in French.

From Piet van der Laan, Leeuwarden, the Netherlands, February 6, 1909: is looking for a new teaching position; their infant son is now healthier. 3 pp.

From Annie van der Laan, Leeuwarden, the Netherlands, March 13, 1909: thanks Pach for the brush and birthday greetings; invites him to the Netherlands; tells about their baby. 1 p., in Dutch.

From Piet van der Laan, Leeuwarden, the Netherlands, March 15, 1909: discusses Shaw's -- Candida -- and -- Man and Superman -- ; is studying Nietzsche. 2 pp.

From Arthur B. Davies, New York, N.Y., May 29, 1909: discusses Pach's essay about him. 1 p.

From Moriye Ogihara, Tokyo, Japan, May 30, 1909: "Devil came into my mind and I am suffering and suffering"; Saito visited with news of Pach and pictures to exhibit at the Taiheiyo Art Association. Sequence of 5 picture postcards (1, "Wisteria"; 2. "Peony Blossoms at Yotsame"; 3. [bridge--title in Japanese]; 4. "Iris"; 5. "Peony Blossoms at Yotsame").

From Arthur B. Davies, New York, N.Y., June 1 [10?], 1909: wishes to reschedule studio visit by Pach and Mr. Of. 2 pp.

From Arthur B. Davies, New York, N.Y., [postmarked] July 9, 1909: interested in Gauguin and how he compares with Degas. 1 p.

From Maurice Brazil Prendergast, Boston, Mass., December 6, 1909: saw the Cézanne painting in Boston and agrees it is beautiful, "conscientious and absolutely sincere"; has not heard recently From Davi[e]s, "one of the few very sympathetic friends I am fortunate to possess." 4 pp.

From Arthur B. Davies, New York, N.Y., April 8, 1910: sends clipping about Matisse; recommends article about the Venus de Milo. 1 p.

From K. Tohary, Tokyo, Japan, May 11, 1910: Moriye Ogihara died in Tokyo, April 22, following an attack of vomiting blood; Tohary plans to publish a book about him; requests that Pach send Ogihara's letters and any recollections he wants to contribute. Rice paper scroll.

From Arthur B. Davies, New York, N.Y., May 14, 1910: "I found your article on Matisse the most enlightening I have read so far." 1 p.

From Albert Pinkham Ryder, New York, N.Y., May 26, 1910: thanks Pach for "kindly interest" in his work. 1 p. + enclosure (reprint of a poem, "The Voice of the Forest").

From Henri Rouart, La Queue en Brie, France, September 17, 1910: sorry he was unavailable to welcome Pach and his friends. 1 p., in French.

From [unknown], New York, N.Y., [postmarked] October 5, 1910: empty envelope with no return address. Sketch of head on reverse.

From Clifton A. Wheeler, Mooresville, Ind., October 12, 1910: describes fellow passengers aboard ship; gives details of getting paintings through customs; advises Pach to start preparing necessary documents for bringing home his property. 5 pp. + enclosures (4 small etchings: 2 portraits, 2 landscapes).

From Charles Sheeler, Philadelphia, Pa., October 26, 1910: after a period of difficulty, his work shows progress; Schamberg thinks Sheeler's recent landscapes are "Cézanne like"; has had little opportunity to see the work of modern painters; hopes to go to New York for upcoming exhibitions at the Photo Secession Gallery, particularly Picasso, Cézanne, and Matisse; rejected by Macbeth last fall and by the Art Institute; a Chicago dealer wants to show his work, but friends there advise against involvement with that gallery. 6 pp.

From Julian Alden Weir, New York, N.Y., November 25, 1910: discusses his interest in etching, especially drypoint. 4 pp.

From Morton Livingston Schamberg, Philadelphia, Pa., December 27, 1910: met Stieglitz and "was well satisfied with his attitude. He hasn't the intelligence of a Leo Stein but he is sincerely interested and is getting into a position where he could do one lots of good"; met Hartley; visited Henri's studio; Stieglitz and Henri think "I am too cock-sure of myself. If they only knew"; completed 20 to 25 pictures in the last year; sends photographs of some. 3 pp. + enclosures (7 photographs of Schamberg's work: 6 figures, 1 exhibition installation).

From Adolph Werner, New York, N.Y., December 21, 1910: is teaching less at the university now that he is the "President's lieutenant." 2 pp.

From Clifton A. Wheeler, Mooresville, Ind., January 3, 1911: discusses Davies' collection of Cézanne photographs; he and Hila were married; regrets that Pach was not named director of the museum in Indianapolis. 7 pp.

From Auguste Renoir, Cagnes, France, March 28, 1911: thanks Pach for allowing him to review the article before publication; wants the interview portion withheld because it seems critical of Saint-Saens and Pillet-Will and suggests posthumous publication; feels flattered by Pach's review. 4 pp., in French.

From Eugène Leroy, Paris, France, March 27, 1911: is happy to have been of service; the Association Philotechnique enjoys meeting foreigners who appreciate its teachings and will take home pleasant memories of France. Note on calling card, in French.

From Charles Loeser, Florence, Italy, April 28, 1911: exchanged 4 of his Cézanne paintings for a larger one From Vollard; Pach's German friend should contact Vollard immediately if she is interested in acquiring one; Denis Cochin traded a Cézanne for a Goya at Durand-Ruel. 8 pp.

From Auguste Rodin, Paris, France, June 1, 1911: is willing to meet with Pach to discuss Fujikawa's book on Ogihara. 2 pp., in French.

From E. D. Smyth, Côtes-du-Nord, France, August 31, 1911: will answer Pach's letter; apologizes for being fussy about the Stendahl etc." Picture postcard (Etables, Côtes-du-Nord, Les Grottoes.")

From E.D. Smyth, Côtes-du-Nord, France, September 5, 1911: is leaving soon for Saint-Malo; will return Pach's "Tuscan book" and send 2 others; recounts events of the summer; describes some hotel guests and the cottage where her family is staying; wants to see Daumier originals. 14 pp.

From Ruth A. Wilmot, Brooklyn, N.Y., October 7, 1911: is glad their misunderstanding is straightened out; someone on the boat unintentionally insulted her companion; homesick for Paris; working again; finds New York "invigorating." 5 pp.

From Joe Garvey, Alpine, N.J., November 21, 1911: is back From honeymoon; wants to go to Europe but first must sell property. 4 pp.

From Herman Reimers, Christiana, Norway, November 24, 1911: thanks Pach for the gift of an etching; will not be moving to Paris after all; was appointed director of political affairs at the ministry. 4 pp., in French.

From Tete, New York, N.Y., December 14, 1911: Christmas greetings; misses him; family news; has been in contact with Pach's parents. 4 pp., with sketches of busts on the envelope.

From Margherita Innocenti, Pensione Innocenti, Florence, Italy, December 22, 1911: thanks Pach for kind words about her and for recommending the pensione; 4 American women are there now. 3 pp., in Italian.

From Margherita Innocenti, Pensione Innocenti, Florence, Italy, February 9, 1912: -- Ladies -- . Will be happy to have friends of Pach stay at the pensione. 1 p., in Italian.

From E.D. Smyth, Florence, Italy, February 21, 1912: describes guests at Pensione Innocenti; met young Italian artist, Gino "Sensano or Sanseno [Severini]," who knows Stella and other mutual friends; recounts visits with Signorina A.B. and Mr. Loeser; returning by sea due to Helen's illness; will not see Pach again this trip. 6 pp.

From Louis Lombard, [place unknown], April 15, 1912: note of dedication, 1 p. + 2 pp. enclosure (copy of "Chants d'Amour," a poem by Henry Marx), in French.

From E.D. Smyth, [place unknown], Ireland, April 27, 1912: "Have made half my notes From the cahier" and will send them to H.M. soon. Postal card.

From Eugène, Paris, France, [postmarked] April 26, 1912: will come on Sunday at 9:00; is happy that Pach was not expelled because now he can work in peace for a few more days. 1 p., in French.

From Arthur Burdett Frost, Davos, Switzerland, May 5, 1912: has eye problems that doctors cannot treat; Jack is recovering; plans to spend summer in the Black Forest and return to Davos for the winter; Pach writes well; finds it "refeshing to read really honest stuff"; is working on a book of caricatures. 8 pp.

From Fujikawa, Paris, France, June 4, 1912: saw Mr. Molissa and is interested in his work; Pach should express Fujikawa's thanks to Molissa; is going to Florence where he hopes to see Pach; requests photographs of any new work Pach completes. 3 pp. + 5 enclosures (brief thank you notes From M. Lernait, Tererco?, L. Lombard, Louis Varday, and Romanet), in French.

From Georges Speirer, Paris, France, June 6, 1912: heard From friends that Pach is in Florence. 2 pp., in French.

From Arthur B. Davies, New York, N.Y., June 19, 1912: discusses arrangements for payment and shipping of Cézanne painting; has found a buyer; Macbeth will handle customs; Macbeth will send Pach photographs of Rockwell Kent's pictures; will see Pach in Paris in October. 3 pp.

From [signature illegible (L.L.?)], Levallois, France, July 1, 1912: hopes Pach will spend the winter in Paris; is glad Pach is pleased with his paintings of Arezzo. 4 pp., in French.

From Maurice Socard, Paris, France, July 19, 1912: thanks Pach for his letters; will send photographs taken at his country house; friends agree with Pach's assessment of Milan. 6 pp., in French.

From Elie Faure, Paris, France, July [30?], 1912: is not surprised that Pach received a discouraging letter From Floury, who has requested another translator; Faure wants Pach to do the job. 4 pp., in French.

From Arthur B. Davies, New York, N.Y., October 2, 1912: Cézanne painting is now at Macbeth's; gives details of problems with customs; is unable to accompany Walt Kuhn in search of artists for the Armory Show; "the possibilities [of the Armory Show] loom tremendous yet so many can only see another opportunity of showing their work"; "you can do so much for Kuhn in every way and I also believe he has a really healthy outlook with considerable ability." 2 pp.

From Egisto Fabbri, Paris, France, November 28, 1912: declines Pach's invitation, due to illness. 1 p.

From G.A. Bourdelle, [place unknown], December 4, 1912: the Toussaint sculpture can be installed with or without a socle; declined to participate in the New York exhibition before realizing Pach was the organizer; keep the photograph of Toussaint's work. 3 pp., in French.

From [unknown], Gambier, Ohio, [postmarked] December 4, 1912: empty envelope with no return address.

From Wilhelm Lehmbruck, Paris, France, December 6, 1912: Two sculptures, -- Woman Kneeling -- and -- Large Torso -- , and 2 drawings are being sent to Pach for his exhibition. 1 p., in French.

From Henri Matisse, Tangier, Morocco, December 6, 1912: agrees to lend the 7 paintings requested for exhibition in New York; lists titles, insurance values, and indicates which are for sale; -- Le Luxe -- is fragile; no drawings are available; will ask Fénéon to loan as many paintings as possible. 2 pp., in French.

From Robert Henri, New York, N.Y., January 3, 1913: discusses photographs of Besnard's work; reminisces about discovering decorations by Besnard at the College of Pharmacie; compliments Pach's Winslow Homer article; "there is a growing state of expectancy about the 'armory' exhibition, and there is little doubt but that it will make a great stir, and do a great deal of good in a great variety of directions"; news of George Bellows, Guy Pène du Bois, Boss, Kent, Coleman, Sprinchorn, Sloan, Van Sloun, and Bohnen. 4 pp.

From Odilon Redon, [place unknown], France, January 6, 1913: he is flattered by Pach's article, which he believes will enhance his reputation in America; Pach should try to visit soon, as they plan to go south in a few days. 2 pp., in French.

From Raymond Duchamp-Villon, Paris, France, January 16, 1913: agrees with Pach that each generation of artists draws inspiration From undeveloped ideas found in the work of preceding generations; no French architectural style has emerged since the 18th century, confirming the idea that eras without defined aspirations produce no monuments; current politics and intellectual freedom presage hope for the 20th century; as Pach demonstrated, painting was the dominant 19th-century aesthetic, thus developments in other arts will come From painting; a new architecture is needed for modern life; in a time when money reigns supreme, artists should practice simplicity; machines are now a powerful presence in all of life. 4 pp., in French.

From Constantin Brancusi, Paris, France, [postmarked] January 24, 1913: his cousin has just finished a painting that Pach should see; invites Pach to dinner. 1 p., in French.

From Elie Faure, Paris, France, February 11, 1913: if he goes to England, he will contact Mr. Fry; wants to introduce a painter friend to the Steins; Pach is a rare friend and intellectual equal. 2 pp., in French.

From Jacqueline d'Argent, Chinon, France, March 1, 1913: has fond memories of their interesting conversations; present acquaintances are not intellectual and gossip too much; applied for a medical assignment in Algeria but is unsure about moving. 2 pp., in French.

From Constantin Brancusi, Paris, France, March 13, 1913: asks Pach to decide the price of the bronze; congratulations on the success of the exhibition. 3 pp., in French.

From Arthur B. Davies, New York, N.Y., [postmarked] April 5, 1913: borrowed works are being returned to Europe; Roman Bronze Co. could make a good cast of Brancusi's -- Mlle. Pogany -- owned by Belle Greene; "looking forward to a genuine recreation in Boston as to art interest"; doubts Chicago's appreciation, Mr. Eddy notwithstanding. 2 pp.

From Ary Le Bland, Paris, France, April 5, 1913: a copy of -- La Vie -- , featuring the information Pach provided about Redon, is being sent; asks Pach to write about art trends in America for -- La Vie -- and publicize the magazine. Postal card, in French.

From Jacques Villon, Paris, France, April 13, 1913: congratulates and thanks Pach for promoting the acceptance of modern art; extends appreciation to Davies and Kuhn. 3 pp., in French.

From Raymond Duchamp-Villon, [place unknown], France, April 18, 1913: received Pach's letter and check; the Duchamp brothers are embarrassed by their success and do not talk about it; wishes Gleizes were having his share of it; asks how the other artists fared; a commission agency requested cubist paintings for America; worried that cubism is becoming a commodity; the 4 copies of -- Noa, Noa -- he purchased at a good price have been shipped. 2 pp., in French.

From M. Lernait [Lemaitre?], Saigon, Indochina, May 25, 1913: thanks Pach for writing and for his friendship; the countryside near Saigon is beautiful; he misses Paris. 4 pp., in French.

From Jacques Villon, Versailles, France, June 19, 1913: thanks Pach for selling another painting; Salon d'Automne opens later than usual this year; Torrey called on him, Marcel, and Picabia; Raymond is going on vacation soon; sends regards to Davies and Kuhn. 4 pp., in French.

From Maurice Brazil Prendergast, Boston, Mass., June 25, 1913: is recovering From surgery; thanks Pach for sending postcards and showing interest in him. 3 pp.

From Jean Le Roy, Paris, France, [postmarked] July 1, 1913: comments on the success of Pach's exhibition; has a temporary job; finished college; might travel to Guinea; discusses his poetry published in -- Les Bandeaux d'Oro -- ; met de Verhaeren, whom he admires. 4 pp., in French.

From Marcel Duchamp, Neuilly-sur-Seine, France, July 2, [1913?]: heard all about the American exhibition From his brothers; thanks Pach for "enthusiastically defending their work"; still awaiting payment; will spend August in England; Torrey called on them. 3 pp., in French.

From Maurice Brazil Prendergast, Boston, Mass., [postmarked] July 11, 1913: is recovering From his "hospital experience"; recounts trouble with studio lease; asks Pach to notify him of suitable space available in New York. 4 pp.

From Maurice Socard, Paris, France, August 1, 1913: Pach is a kindred spirit; Pach's competence and ability to elicit appreciation for modern painting made the show a success. 2 pp., in French.

From F. Wentscher, [place unknown], Hungary, August 24, 1913: is painting out of doors; won't return to Paris until November. Postal card, with original illustration of horse-drawn carriage, in German.

From Elie Faure, Paris, France, August 25, 1913: is delighted with Americans' enthusiastic acceptance of French painting; current prices are ridiculous and scandalous; bought a great Delacroix at reasonable cost; complains about his editor; awaits word From Mr. Fry, to whom he has sent a Cézanne; will go to London in September; saw an interesting Matisse show but preferred Bonnard's exhibition; he sees Renoir frequently; finds it deeply moving to see Renoir make constant improvements in his work despite old age and sickness. 4 pp., in French.

From Jacqueline d'Argent, Blida, Algeria, September 8, 1913: is now practicing medicine in Blida; describes the scenery and local people; congratulates Pach on his marriage. 6 pp., in French.

From Raymond Duchamp-Villon, Neuilly-sur-Seine, France, September 25, 1913: just received Pach's article and will comment on it in the next letter; thanks Pach for promoting his and friends' work; will see the Steins soon and try to learn more of the rumored American reaction against their ideas; the Salon d'Automne opening is delayed until November; Pach's mention of the Delaunay affair confirms rumors of discord; asks Pach to determine if and when unsold paintings and sculpture were returned. 2 pp., in French.

From Clifton A. Wheeler, Indianapolis, Ind., December 22, 1913: museum's schedule cannot accommodate Pach's exhibition; describes upcoming January show; the museum hopes to acquire a Davies painting; "the exhibition in Chicago (The International) did not strike me with overwhelming force, but I have enough respect for the opinions of Mr. Davies and yourself to admit that the fault may have been my own"; congratulations on engagement to Miss Frohberg. 7 pp. + 1 p. postscript from -- Hila Drake Wheeler -- wishing Pach and Miss Frohberg happiness.

From G. Villon, Paris, France, [1914]: congratulations on the birth of Pach's son; heard From her husband who is in the army; asks Pach's opinion of some drawings; is working with blind children in a hospital. 4 pp., in French.

From Constantin Brancusi, Paris, France, January 26, 1914: asks Pach to determine whether the owner of -- Muse Endormie -- wants the piece in marble; a reduced price is possible, but he must know soon; met Mrs. Stieglitz; asks Pach's advice about showing his marbles in New York. 4 pp., in French.

From Constantin Brancusi, Paris, France, February 19, 1914: received the check; distressed to be participating in a show that may prove harmful to Pach's cause; asks Pach not to be hurt by his unwitting mistake. 4 pp., in French.

From Walter Arensberg, Boston, Mass., March 1, 1914: "The exhibition was tremendously fresh and fine"; compliments Pach's work. 1 p.

From Jean Le Roy, Paris, France, [postmarked] March 4, 1914: congratulations on Pach's marriage; encourages him to continue painting; news of Lombard and Clapp. 2 pp., in French.

From Maurice Brazil Prendergast, Saint-Malo, France, June 12, 1914: thanks Pach for reproducing his work in -- Century -- magazine; is returning home sooner than planned; Renoir's new work is "way ahead of his former landscapes." 3 pp.

From Raymond Duchamp-Villon, Courbevoie, France, June 26, 1914: is impatient for news of a proposed project; Mrs. A. Roosevelt will be in touch with Pach; her work has shown progress; during the past year, modern art has begun to attract interest and generate discussion among some previously unreceptive people. 2 pp., in French.

From Morton Livingston Schamberg, Paris, France, June 30, 1914: "Would love to meet Brancusi and Duchamp-Villon but damn it, I can't speak French." Picture postcard ("P. Cézanne, -- L'été -- fragment").

From Odilon Redon, Bièvres, France, July 10, 1914: if Pach organizes another exhibition, he wants to participate. 3 pp., in French.

From Joseph Stella, Venice, Italy, July 20, 1914: discusses his travels in Europe; Greece reminded him of Davies's pictures; no reply From the futurists in Milan; recounts a meeting with Walkowitz in Patrai, Greece. 5 pp.

From Alexandre Mercereau, Paris, France, [postmarked] July 30, 1914: can secure work by interesting artists for exhibition; inquires whether foreign works and jewelry are acceptable; he organized an international exhibition of cubism with an accompanying symposium in Prague; offers to lecture in the United States if Pach can find a way to pay for the trip; is sending information about an organization he founded; wants to establish an American branch; needs an American editor for his books; Brancusi's participation is essential. 4 pp., in French.

From Raymond Duchamp-Villon, Paris, France, August 7, 1914: just received registered letter and invitations; continuing with exhibit plans is impossible, as all of their friends are mobilized; work of Gleizes, Villon, and Metzinger being exhibited in Berlin probably will be lost; a negative reply From Chapell ended long-held hopes; wholehearted thanks due to Pach for countless efforts and true friendship; the French are ready to die for peace and freedom; confident of the future, despite anxiety over friends now in danger. 4 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, France, August 26, 1914: war conditions make collaboration impossible; is serving as a paramedic; no bad news concerning anyone Pach knows. 2 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, September 11, 1914: will consult with friends about planning an exhibition in the United States; Gleizes is at Toul; Villon is with the British army at Rouen. 2 pp., in French.

From Albert Pinkham Ryder, New York, N.Y., September 13, 1914: is looking forward to having the Pachs and Mr. Wheeler visit his studio. 2 pp.

From Michael Stein, Agay, France, October 19, 1914: requests details about the exhibition Pach is organizing; Pach should tell Matisse "he must now look to America for a market for his art for some time to come"; "it is about time he [Matisse] were ranked among the accepted classics and bought freely." 3 pp.

From Jean Le Roy, Brest, France, [postmarked] November 10, 1914: plans to enlist soon; is worried about Kohler at the front. 4 pp., in French.

From Jacques Villon, [place unknown], France, November 23, 1914: comments on the war and his painting; congratulates Pach on his New York exhibition. 1 p., in French.

From Piet van der Laan, Zutphen, the Netherlands, January 24 and February 8, 1915: Congratulations on the birth of Raymond; cannot visit Pach in Paris because of the war. 4 pp. + 3 pp. enclosure (copy of a poem by Dante), in Italian.

From Raoul Dufy, Le Havre, France, January 29, 1915: sent 2 copies of his Bestiarie; wants Pach to choose a drawing, watercolor, or Bestiarie as a gift of thanks; heard From Derain, Apollinaire, and Gleizes, all in the army; de la Fresnaye was wounded; asks if Basler, Brummer, and Kahnweiler are art dealers now that they have settled in New York; considers Basler an honest man. 4 pp., in French.

From Raymond Duchamp-Villon, Acheux, France, February 26, 1915: still in Saint-Germain where his wife continues her work at the military hospital; Villon spent the entire winter in the trenches but bears it well; glad Quinn bought Cat and Parrot; thinks Quinn should have the final versions in wood rather than cast reproductions and instructs Pach to discuss it with him; received Marcel's articles and reproductions; understands the change that has affected Pach's desire for new means of artistic expression. 2 pp., in French.

From Raoul Dufy, Le Havre, France, March 3, 1915: lists the 4 paintings he is sending; accepts and reiterates the payment schedule; Pach should select a painting for himself; will send some paintings on silk; promises to write about decorative art in his next letter. 4 pp., in French.

From Marcel Duchamp, Paris, France, March 12, [1915?]: received the Matisse catalog and remembers the goldfish painting; Villon is in good health and good spirits; is optimistic about prospects for peace by summer; after a family vacation in Rouen, he finished glass and other projects; Raymond is happy in Saint-Germain, where his wife is a hospital nurse; does Pach know if Delaunay is in America; wants to visit Brancusi; has no news of Picasso, Braque, or Derain. 4 pp., in French.

From Marcel Duchamp, Paris, France, April 2, [1915?]: is preparing for an exhibition; describes arrangements for sending Raymond's works to Pottier; 2 paintings, a drawing, and papers are being sent to Pach; reports on the work and conditions of Raymond, Rifemont-Dessaisner, and Villon; has decided to leave France and go to New York; wants to know when he should come and if securing employment as a librarian will be difficult; does not want his family to know of these plans for a while; includes price list for paintings. 3 pp., in French.

From Jacques Villon, Acheux, France, April 13, 1915: glad to learn that his paintings and engravings have sold; is looking forward to returning to normal life and working with greater intensity; being welcomed in New York should boost his self-confidence and provide some peace of mind regarding financial security; the matter of Dr. Stum's paintings cannot be settled until the war ends; is sending Pach engravings and drawings; a shipment of sketches made during the war can be published as documentaries; after being away From home for 8 months, he envies Pach's happy family life; emerging spring contrasts sharply with human evil. 3 pp., in French.

From Marcel Duchamp, Paris, France, April 27, [1915?]: is displeased by the reply received; understands that Pach misses Paris and the artist's life he led there; he is increasingly dissatisfied and the point is to leave Paris rather than to go to New York; asks help in finding a library job in New York so he will not have to depend on selling paintings; does not want his family to know yet. 7 pp., in French.

From Marcel Duchamp, Paris, France, May 21, 1915: has decided to depart on June 5, despite family and sentimental reasons for rescheduling; spoke to Raymond about Arensberg's magazine; Mme. Picon probably has articles by Mercereau, Gleizes may have articles, and other friends could contribute poems and prose; has decided on a job for the duration of his stay in America, but it will prevent him From painting. 3 pp., in French

From Theodore Duret, Paris, France, May 22, 1915: hopes Pach's efforts at promoting the latest in modern art, especially Van Gogh and Lautrec, have been successful; has written a comprehensive book on Van Gogh, which is to be published when the war ends; asks if the Van Gogh painting he loaned to the exhibition has been sold. 4 pp., in French

From Alice Derain, Paris, France, May 28, 1915: thanks Pach for sending a check and for handling her affairs; the paintings From Mme. Lebas were not shipped because Derain is not satisfied with them and decided not to sell; some landscapes may be available soon because Derain has spare time and can try to work; a recent portrait of the couturier Monsieur Poiret may be his best painting yet. 2 pp., in French

From Georges Rouault, Versailles, France, [postmarked] June 1, 1915: (1) Discusses works in progress that may be suitable for the exhibition Pach is organizing; the shipment will also include a ceramic plaque for Quinn; Quinn persists in asking about Rouault's military status; 6 times already he has been disqualified due to a weak heart; academies, medals, and awards are not about art; nature and other artists are more inspiring than unimaginative teachers. (2) Pach should keep a Rouault piece unless he prefers to select one when in France; his simplified ceramics are real faiences; his paintings are lighter and more fluid; his show after the war will include German types and landscape and religious paintings. (3) Perhaps Quinn will be interested in the paintings shipped; within the year, a larger selection of ceramics will be available for Quinn, but at the moment his focus is on painting. 4 pp. (3 separate notes), in French

From Jean Le Roy, [place unknown], France, June 12, 1915: describes his flower-decorated trench and the surrounding countryside; started a magazine called Les Imberbes with an editor and typographer friend; intends to send poems to Pach's American publication. 5 pp. + 1 p. enclosure (poem, "Printemps"), in French

From Maurice Brazil Prendergast, Boston, Mass., July 7, 1915: thanks Pach for Dufy's book; "tell Monsieur Dufy when you write him I felt more pleased than if I got a gold medal"; he and Charlie will leave soon for Maine. 4 pp

From Marcel Duchamp, New York, N.Y., [postmarked] July 28, 1915: inquires whether Pach received the palette he sent; spent the evening with Quinn, Gregg, and Kuhn; Gregg was likable and Kuhn fascinating; thinks Quinn could be supportive; Quinn was anxious to know if cubism has been killed by the war; once his English improves, he wants to convince Quinn to discard his ideas about the politics of art. 2 pp., in French

From Alice Derain, Paris, France, August 7, 1915: sends receipt for payment in full; her husband is in the service; Braque was seriously wounded; Doucet died; Picasso is in Paris; her husband hopes to meet Pach. 2 pp., in French

From Raoul Dufy, Paris, France, September 18, 1915: has received a payment toward Quinn's account; Quinn has purchased additional works; credits many sales to his association with Pach; is able to paint while in the military; after the war, he hopes the French can become better acquainted with American painters; is pleased to hear that Prendergast liked his gift; wants to see photographs of Prendergast's work; requests catalogs with reproductions of American furniture. 4 pp., in French

From Raymond Duchamp-Villon, [place unknown], October 17, 1915: feels renewed interest in his work; continues his research; observations about the war; Villon has suffered and was awarded a Military Cross; requests news of Pach and mutual friends; Pach should determine Quinn's intentions. 3 pp., in French

From Henri Matisse, Issy-les-Moulineaux, France, November 20 and 29, 1915: is delighted by the prospect of an exhibition of French art; will do what he can to help obtain the Seurat painting for exhibition; thanks Pach for selecting his work for the exhibition at Bourgeois and agrees to send additional pieces; lists etchings sent to Miss Bryant via Pottier; the photographs showed great improvement in Pach's portraits; advises a warmer palette; will offer additional frank comments after seeing new pictures; is working hard and just finished an important painting, which already has been sold; is still recovering From bronchitis. 12 pp., in French

From Louis Lombard, [place unknown], France, December 28, 1915: best wishes for the coming year. Postal card, in French

From Theodore Duret, Paris, France, December 29, 1915: read a favorable review of the Van Gogh exhibition; asks if Pach was able to sell Duret's Van Gogh still life; his book about Van Gogh will be printed after the war. 4 pp., in French

From Maurice Socard, [place unknown], December 31, 1915: has been in Paris throughout the war; is teaching at the Lycée Ch. [ sic]; believes Germany wants to organize the world; explains his view of the causes of the war and predicts the outcome. 6 pp., in French

From Mary Socard, Paris, France, December 31, 1915: greetings and good wishes; believes the war will be followed by much misery and great changes. 2 pp., in French

From Jean Le Roy, [place unknown], France, [postmarked] [?,?] 1916: his commanding officer knows Picasso, Marie Laurencin, and Derain; Lafitte was killed; wants news of Pach; thank the magazine Others if his poem "Spring" is accepted. 5 pp., in French

From Georges Rouault, [place unknown], France, [undated] [1916?]: received the catalog and Pach's review with the reproduction of his painting; his grandchild is sick; they are going to the seashore; is working on an exhibit; thanks Pach for helping sell a painting; though in poor health, he may have to join the army; suggests an album of reproductions. 10 pp., in French

From Jacques Villon, Paris, France, January 5, [1916]: he is assigned to the central atelier for camouflage; works with other artists, not all of whom share his outlook; has many ideas for new work; no news From Marcel or Picabia. 4 pp., in French

From Georges Rouault, [place unknown], France, [postmarked] January 22, 1916: personally delivered the paintings to Pottier for shipment; worries that the large works will not have the style and the color of the small ones; wants to have his exhibition ready before going to Italy; has not seen Villon recently. 2 pp., in French

From Piet van der Laan, Zutphen, the Netherlands, February 7, 1916: thanks Pach for the "ex-libris"; he is busy translating a lengthy book on medieval Italy; discusses Dante. 4 pp

From Jacques Villon, [place unknown], February 10, 1916: speculates that an art form may develop From the war. 1 p., in French

From Maurice Brazil Prendergast, New York, N.Y., March 23, 1916: confirms 5 titles for inclusion in the exhibition catalog; has a good photograph for Pach's book. 2 pp

From Maurice Socard, Paris, France, April 2, 1916: remembers Pach as one of his best students; one of the many reasons for their friendship is Pach's love for France; quotes Descartes; compares the French ideal of liberty with the German interpretation; comments on French and German science. 4 pp., in French

From Ruth Wilmot, New York, N.Y., [postmarked] April 9, 1916: compliments Pach on the lectures he presented to her group; encloses payment. 2 pp

From Henri Matisse, Issy-les-Moulineaux, France, April 28, 1916: extends best wishes for the success of the exhibition; asks Pach not to reveal the extremely reduced price of the painting Arensberg bought; asks if Max Weber has a large gallery; wants to obtain sound recordings of typical exotic chants. 4 pp., in French

From Jean Le Roy, [place unknown], [postmarked] May 8, 1916: thanks Pach for sending the Cézanne catalog; has been at the front for 13 months; Kohler is a decorated hero; Siegfried's fate is unknown; plans to publish his poems when next in Paris. 4 pp., in French

From Gino Severini, Paris, France, May 29, 1916: wants to have an exhibition in New York; has 30 or 35 paintings and 20 drawings representing several periods and can supply text for a lecture; recently published on Mallarmé and pictorial aesthetics; is presently writing another critical study; suggests Pach arrange for a show at Montross or Macbeth and specifies his usual terms; philosophical differences have caused him to part From the group of futurists Pach knows; still considers himself a futurist and will use the term because it helps the public grasp his ideas; no one, including Picasso, Derain, Dufy, and Metzinger, is making a profit From exhibitions. 4 pp., in French

From Mme. Victor Le Roy, Paris, France, May 30, 1916: belatedly acknowledges receipt of Jean's poems; [UNK] husband, Victor, died near Verdun; Jean may come home on leave. 1 p., in French

From Jean Le Roy, [place unknown], [postmarked] June 2, 1916: thanks Pach for forwarding his poems to American publications; believes poets are well treated in the United States; uncle Victor died in the war; Carreau was wounded. 4 pp., in French

From Raoul Dufy, Paris, France, June 3, 1916: thanks Pach for writing an article defending the ideas of modern French art, which had come under attack by a young American critic; wants to know if there are opponents of French modern art in New York; exhibitions are returning to Paris; Quinn purchased -- The Yellow Hat -- ; is sending a thank-you gift and an etching. 1 p., in French

From Emil Gay, Watkins Glen, N.Y., June 12, 1916: enjoyed Pach's lectures. 6 pp

From E.D. Smyth, [place unknown], England, June 16, 1916: news of a mutual friend killed in the war; discusses Jean Le Roy. 4 pp

From Camille Redon, Cannes, France, [July 1916?]: Redon is recuperating in Cannes; asks for the return of their pictures, when feasible. 2 pp., in French

From Camille Redon, [place unknown], July 4, 1916: Redon is gravely ill with pulmonary congestion; the doctors are concerned. 1 p., in French

From Jacques Villon, Puteaux, France, [postmarked] July 12, 1916: Miss Bryant's purchase boosted his morale and was welcome financially; Marcel is delighted with America; speculates that Marcel may eventually settle in America. 3 pp., in French

From Camille Redon, Bièvres, France, August 6, 1916: Redon was buried several days ago; a gallery in the Petit Palais will be devoted to him and there will be an exhibition at the Beaux-Arts in the spring; reflects on the solitude and anonymity of many great artists during their lifetimes. 4 pp., in French

From Georges Rouault, Paris, France, [postmarked] August 14, 1916: Pach should return all paintings and drawings when he can; thanks Pach for his help; his wife and infant daughter are unwell; bought a new house; will be able to work when the family leaves Paris; received the item Pach sent him From Quinn much sooner than anticipated. 2 pp., in French

From Souza Cardoso, [place unknown], Portugal, [postmarked] September 25, 1916: comments on the picture shown on the card. Picture postcard (photograph of a woman and child in costume), in French

From Henri Matisse, Issy-les-Moulineaux, France, October 14, 1916: the information Pach sent about Bourgeois raises hopes for a good exhibition at his gallery; in reply to the question about a frame for the portrait of Arensberg, insists that modern paintings do not need frames, especially gold ones that contain a picture by stopping its extension; will look at Pach's paintings any time; Mrs. Havemeyer parted with the Ingres as a condition for another purchase; From photographs, gives his opinion of the authenticity and condition of 12 paintings. 11 pp., in French

From Henri Matisse, Issy-les-Moulineaux, France, November 6, 1916: sends description and opinion of a picture he omitted From a previous letter; art is selling well in Paris. 4 pp., in French

From Paul Signac, Saint-Tropez, France, November 18, 1916: illness prevents him from complying with Pach's request to select works for exhibition; suggests sources From which to borrow Seurat paintings. 3 pp., in French

From Florence Bing, New York, N.Y., [undated (1917)]: condolences on the death of Pach's mother. 1 p

From Albert Gabriel, [place unknown], [undated (1917)]: "Accept my sincere sympathy." Note on calling card

From Leigh Hunt, [place unknown], [undated (1917)]: "Heartfelt sympathy." Note on calling card

From Professor Adolph Werner, [place unknown], [undated (1917)]: "Condolence." Note on calling card

From Ruth Wilmot, [place unknown], [undated (1917)]: condolences on the death of Pach's mother. 2 pp

From Mme. Raymond Duchamp-Villon, Compiègne, France, [postmarked] January 6, 1917: her husband is hospitalized with multiple ailments, including typhoid; condolences on the death of Pach's mother. 2 pp., in French

From Constantin Brancusi, Paris, France, January 19, 1917: thanks for check From Quinn; is pleased that he was satisfied with the sculptures, despite difficulty in assembly; plans to visit the United States after the war. 3 pp., in French

From Gino Severini, Paris, France, February 7, 1917: has written a preface explaining the ideas of the avant-garde; wants Pach to oversee the translation; asks that the three fragile pastels be framed inexpensively by Stieglitz. 2 pp., in French

From Childe Hassam, New York, N.Y., March 30, 1917: thanks Pach for help in determining latest possible date to submit work for exhibition. Note on the reverse of printed announcement of a show of Hassam's etchings and drawings at Frederick Keppel & Co., November 16- December 2

From Gino Severini, Paris, France, April 28, 1917: expresses appreciation for the success of his exhibition; his paintings should be returned at a more favorable time; a longer version of his preface on modern art will appear in -- Le Mercure de France -- ; asks to be remembered to his friends and for news of sales and reviews of his show. 4 pp., in French

From [signature illegible], New York, NY., May 14, 1917

From [signature illegible], New York, NY., May 16, 1917

From Charles Sheeler, Philadelphia, PA., May 17, [1917?]

From Charles Cooper, New York, NY., May 19, 1917

From [signature illegible], [Vienna, Austria?], July 22, 1917

From Alexandre Mercereau, [place unknown (at the front)], July 26, 1917: is sending Pach a selection of his writings, which he hopes can be published in the United States; is anxious for a good translation; believes the book he just wrote is his best and is willing to offer it to an American publisher before it appears in France. 4 pp., in French

From Gino Severini, Paris, France, September 6, 1917: discusses work in progress; offers congratulations on the first Independents show; praises Pach's selfless efforts; authorizes use of any remaining works for other exhibitions; thanks Pach for arranging sales and sending reviews. 4 pp., in French

From [signature illegible], [place unknown], October 26, 1917

From Louis Lombard, [place unknown], France, October 26, 1917: reminisces about good times together; has less desire to write poetry now; is learning German and Italian. 2 pp., in French

From Maurice Socard, Paris, France, November 3, 1917: describes superb Renoirs seen in the Rue de la Boetie; hopes Pach's remarkable efforts on behalf of modern art will be fruitful; notes qualities needed for portrait and landscape painting. 4 pp., in French

From Louis Lombard, Ingolstadt, Germany, [postmarked] November 26, 1917: boredom and solitude are his routine; thanks Pach for gifts of books and tobacco; sends holiday greetings. Postal card, in French

From Camille Redon, Paris, France, December 8, 1917: if it remains unsold, Pach should keep the Redon painting until the war is over; American troops are arriving; she follows the exhibitions; likes Matisse; Mr. Quinn is behind in his payments. 4 pp., in French

From Arthur Burdett Frost, Madison, N.J., January 5, 1918: thanks Pach for condolences upon the death of his son; wants Pach to look at his son's work and consider writing an article. 4 pp

From Georges Rouault, Versailles, France, [postmarked] January 15, 1918: discusses titles of 2 pieces; general terms are more suitable titles for his subjects; Matisse was ridiculed by many because for a year he numbered all canvases; Rouault's albums will be numbered rather than titled; suggests framing and matting techniques for the double-sided piece; his new paintings won't need glass; he has always been lonely, but now is isolated as well; has a new daughter. 4 pp., in French

From Arthur Burdett Frost, [place unknown], February 1, 1918: thanks Pach for his interest in his son Arthur; offers a photograph of Arthur to illustrate Pach's forthcoming article. 4 pp

From Arthur Burdett Frost, [place unknown], [between February 1 and March 12, 1918]: thanks Pach for the manuscript; plans to send additional photographs of Arthur. 4 pp

From Arthur Burdett Frost, [place unknown], [between February 1 and March 12, 1918]: returning Pach's manuscript; requests a copy. 2 pp

From Alexandre Mercereau, Paris, France, [postmarked] February 9, 1918: thanks Pach for finding him a publisher; financial gain is secondary to having a publisher of good reputation who will provide proper translation; mentions Pach's frequent contact with Gleizes and Duchamp, who surely support his efforts on behalf of modern art; Vareze recommends Julio Gonzales's decorative work for Pach's exhibition; wants to help a friend sell a de Miranda painting. 2 pp., in French, + business card ("Alexandre Mercereau, Homme de Lettres, President de la Société Les Grandes Conférences") + 2 photographs (inscribed portrait of Mercereau taken at the front, June 1915, and portrait of Charles III and Maria-Ana by Carreño de Miranda)

From Maurice Socard, Paris, France, February 20, 1918: letter of gratitude for Pach's friendship and efforts on behalf of modern art; discusses idealism, imagination, art, and the search for truth. 3 pp., in French

From Elie Faure, Paris, France, March 12, 1918: is sending copies of his last 3 books; thinks -- The Holy Face -- is his most important book; it is about war in general and includes personal experiences From the present war. 4 pp., in French

From Mme. Le Roy, Paris, France., May 19, 1918: Jean died while a prisoner of war. 3 pp., in French

From Raymond Duchamp-Villon, Cannes, France, May 20, 1918: is sending Quinn a drawing and photograph that relate to his rooster sculpture and show the original architectural setting for the piece; will send the script of a comedy written with a friend for performance at a military hospital, which Pach may translate and publish in America; glad that the rift between Pach and Marcel is mended; recently saw Matisse hard at work; Villon is in the army and has no time for work. 4 pp., in French

From Gaby Duchamp, [place unknown], France, May 23, 1918: thanks Pach for arranging sales to Quinn; her husband is well, doing research, and will resume his art when the war ends; Raymond is in the hospital in Cannes; there were interesting Matisse and Picasso exhibitions in Paris. 2 pp., in French

From French Army, [place unknown], July [?], 1918: confirms the death of Jean Le Roy on April 26; sends details of the battle, as Pach requested, and text of citation. 4 pp., in French

From Mme. Le Roy, Paris, France, August 19, 1918: thanks Pach for the touching gesture of dedicating his University of California course to Jean's memory; sends a copy of the citation Jean received the day he died. 3 pp., in French

From J. Van Gogh Bonger, Far Rockaway, N.Y., August 20, 1918: sons wrote of good times with Pach in Berkeley; they were in Honolulu and now should be in Japan; first volume of the "Letters" has been translated; discusses her brother's friendship with Redon. 4 pp

From Camille Redon, Bièvres, France, September 23, 1918: thanks Pach for lecturing on Redon and his work; has a full set of engravings and lithographs; litho stones were erased, but copper plates are at the museum in Amsterdam; plans to sell prints after the war and will offer Pach some he lacks; comments on arrival of American forces, with whom her son-in-law is an officer. 4 pp., in French

From Morton Livingston Schamberg, Philadelphia, Pa., September 30, 1918: belated thanks for the two Indian tiles; he and Sheeler readily agreed who should have which tile. 2 pp

From Frederic C. Torrey, San Francisco, Calif., October 8, 1918: is glad Pach is in California; anticipating the end of the war; tell Mme. Van Gogh he regrets not meeting her. 4 pp

From Mme. Duchamp-Villon, Paris, France, October 11, 1918: Raymond died of uremia; she plans to return to work at the front; will send Raymond's design for a chess set; wonders if Quinn purchased the rooster drawing. 2 pp., in French

From Vincent Van Gogh Bonger, Kobe, Japan, October 27, 1918: "Best regards From Vincent." Picture postcard ("Joie de Vivre")

From Elie Faure, [place unknown], October 30, 1918: thanks Pach for sincere appreciation of The Holy Face; the book received mixed reviews; if there is an English edition, Pach should be the translator; agrees to contribute to the magazine; suggests an article on "America in the War"; the final volume of History of Art will not be published until after the war due to paper shortages; maybe Pach can obtain appropriate paper. 2 pp., in French

From Maurice Socard, Paris, France, November 12, 1918: finally met with Pach's friend for a discussion of Pach's aesthetic preferences and the relationship between philosophy and art; read about Pach's University of California lectures; Paris is celebrating the end of the war. 7 pp., in French

From Jacques Villon, Paris, France, November 13, 1918: Raymond died following a second operation; is determined not to leave Raymond's work unfinished. 2 pp., in French

From Marcel Duchamp, Buenos Aires, Argentina, November 15, [1918?]: as a close friend and admirer of Raymond, Pach must be grieving his death; although provincial, Buenos Aires is calm and conducive to work; brought notes for the glass and plans to continue drawings for it; Argentines are aware of cubism but do not understand it; is planning an exhibition for Buenos Aires in May or June; asks Pach to help H.M. Barzun, who will be contacting him about the show; outlines his schedule for the coming year; anticipates readjusting to peacetime. 3 pp., in French

From Jean Le Roy, [place unknown], [postmarked] December 15, 1918: thanks Pach for bringing his pamphlet to Arensberg's attention; discusses his interest in rhythm in poetry. 4 pp., in French

From Frederic C. Torrey, San Francisco, Calif., December 19, 1918: holiday greetings; compliments Pach's writing, specifically his latest article in the Dial; discusses the Dana prize awarded in Philadelphia to McComas. 5 pp

From the Butlers, New York, NY., [postmarked] December 23, 1918: Christmas card, "Victory Christmas"

From Frederic C. Torrey, San Francisco, Calif., January 3, 1919: Pach was misidentified as curator of Hindu art in American Art News; discusses taxes on art sales; still wants to sell his Cézanne lithograph and can reduce the price; asks if Arensberg would be interested in purchasing Un Descendant. 4 pp

From Mabel Torrance, New York, N.Y., January 12, 1919: just learned the classes will be discontinued. 3 pp

From Elie Faure, [place unknown], January 21, 1919: thanks Pach for efforts with American publishers on his behalf; before the war only Germany had a culture large enough to take immediate interest in his kind of intellectual endeavors; awaiting instructions From Johnson concerning the articles he is writing; comments on diplomats of the Entente and political matters; compliments -- Modern School -- ; is sending a brochure about a restored castle his brother is attempting to sell. 4 pp., in French

From Frederic C. Torrey, San Francisco, Calif., February 3, 1919: nude is on the way to Arensberg a day late; his wife will be very happy to sell Un Descendant; "I want the Russian experiment to be given a fair chance"; comments on "Russian 'refugees"'; thanks Pach for assistance in the "Arensberg matter." 7 pp

From Frederic C. Torrey, San Francisco, Calif., February 7, 1919: received Arensberg's check; painting was shipped late, with a lesser valuation, due to changes in regulations; discusses new tax bill. 3 pp

From Elie Faure, [place unknown], May 4, 1919: notes the poor reception of his book in France and the United States; discusses his current work; opinions of world politics. 4 pp., in French

From Maurice Socard, [place unknown], May 12, 1919: much disagreement about the terms of the peace treaty; feels that Germany must serve a term in purgatory. 3 pp., in French [filmed with the wrong envelope]

From Félix Fénéon, Paris, France, May 15, 1919: thanks Pach for selling -- Esquisse d'un Dimanche d'Eté a la Grande Jatte -- and for the check. 1 p., in French

From Marcel Duchamp, Buenos Aires, Argentina, June 6, 1919: regrets having abandoned plans for an exhibition there; Buenos Aires is ready for new art. 2 pp., in French

From Xavier Martinez, Piedmont, Calif., June 16, 1919: received Courbet, Society of Independent Artists, and Redon catalogs; congratulates Pach. 2 pp., in Spanish

From Ismael Smith, New York, N.Y., June 25, 1919: Margarita Cordoba From Cuba, representing the Independents, is sending a picture of la Mazantinita, a famous Spanish ballerina. 1 p., in Spanish, +8 pp. enclosure (11 designs for bookplates)

From Jacques Villon, Neuilly-sur-Seine, France, June 26, 1919: thanks Pach for check, letter, and catalog; writes of his work plans for the coming year, when he expects to make up for lost time; comments favorably on Pach's painting; notes activities of his friends, including Gleizes, Picabia, and Marcel. 2 pp., in French

From Marion L. Chamberlain, Santa Barbara, Calif., August 10, 1919: she and Miss Phillips enjoyed Pach's lectures at the Berkeley Summer School; they purchased 2 Renoir lithographs From Mr. Torrey. 4 pp

From Marcel Duchamp, Paris, France, [postmarked] September 3, 1919: his friends and their lives seem little changed since the war; other than the work of his brother and Picabia, he sees little of artistic interest; will be in New York in December; saw Yvonne Duchamp-Villon. 3 pp., in French

From Charles Loeser, Florence, Italy, November 18, 1919: describes his house with its special music rooms; 6 Cézanne paintings hang in one room; has a drawing which he believes is by Velasquez; discusses art collecting; "I have always liked Leo Stein, so long as he talked to me on any matter other than art." 6 pp

From Sybil Kent Kane, New York, N.Y., [postmarked] November 26, 1919: thanks Pach for etchings of "my beloved Chapel." 1 p

From Pietro Brunelleschi, Florence, Italy, [postmarked] December 5, 1919: accepts Pach's invitation for the following day. Note on business card, in Italian

From [Mme.] Duchamp-Villon, Laon, France, January 4, 1920: looks forward to Pach's proposed visit to France; discusses widowhood, her new job in Laon, and the material difficulties of postwar existence; Marcel took Cézanne paintings with him to New York; will send a print of Le Coq. 2 pp., in French

From Elie Faure, Paris, France, January 11, 1920: economic conditions preclude publication of his fourth volume at this time; saw Redon a month before he died, when he spoke of indifference to the opinions of others and concern with expressing himself; discusses the masterpieces in his personal collection, among them Redon, Delacroix, Daumier, and Van Gogh. 8 pp., in French

From Edgar L. Hewett, Archaeological Institute of America, San Diego, Calif., February 2, 1920: met with Sloan and Henri to make arrangements for the "Indian art exhibition"; thanks Pach for encouragement with the exhibition plan; compliments Pach's article in the Dial. 1 p

From Xavier Martinez, Piedmont, Calif., March 12, 1920: thanks for the Dial and the invitation; compliments Pach's article on American Indian art; thinks Pach writes just as well as he paints; is enthusiastic about plans for an American Indian exhibition. 2 pp., in Spanish, + enclosure (sketch of American Indian head)

From Elie Faure, Paris, France, April 20, 1920: is happy about what Pach tells him of Delacroix; he owns 3 works by Delacroix and considers him one of the greatest painters; paper shortages have delayed publication of volume 4; asks if Pach is willing to undertake more translation work; someone else has offered, but Pach is preferred; -- The Dance on Fire and Water -- is being sent for Pach's opinion; the book best condenses Faure's ideas on the aesthetic interpretation of history; like Pach, he organizes exhibits around topics. 4 pp., in French

From Elie Faure, Paris, France, April 23, 1920: Pach must let him know right away if he can do the translation; discusses publishers' contracts; Faure will furnish all photographs for illustration at prewar prices; Pach's other Faure translations have drawn high praise. 2 pp., in French

From J. Metzinger, [place unknown], May 15, 1920: thanks Pach for the check and efforts on his behalf in New York; Pach should keep an unsold painting and dispose of the others as he wishes; people no longer laugh at cubism, but they don't yet understand it; despite war and the hard times that followed, cubism survives; offers his help if Pach wants to exhibit there. 2 pp., in French

From Elie Faure, Paris, France, May 23, 1920: discusses the details of his 4-volume -- History of Art -- now being published; a copy of volume 1 is being sent to Pach. 2 pp., in French

From John Sloan, Santa Fe, N.M., June 9, 1920: began painting the week after arriving in Santa Fe; a Corpus Christi procession provided subject matter; had work accepted for the "Metropolitan Anniversary Ex."; comments on "Art and Craftsmanship" article in the Dial. 2 pp., illustrated with a drawing of Sloan in his studio

From Elie Faure, Paris, France, June 20, 1920: discusses the publication of his book, especially the quality and cost of illustrations for the English edition; judging any work of art requires distance in time and space. 4 pp., in French

From Elie Faure, [place unknown], July 3, 1920: discusses costs for engraved plates and cheaper electrotype plates; asks Pach to select photographs of Peruvian and Mexican monuments, Mexican sculpture, and an American Indian decorated tent or other appropriate images for use in Mediaeval Art; this second volume will contain new illustrations of the art of India and Gothic art. 2 pp., in French

From Elie Faure, Paris, France, July 11, 1920: thanks Pach for writing an article about him; comments favorably on Pach's paintings; is considering adding a section on modernist painting, which would mention Pach, to the third edition of -- History of Modern Art -- . 2 pp., in French

From Jacques Villon, Puteaux, France, July 25, 1920: he recently read the notes found among Raymond's papers, but the haphazard and often obscure ideas would reveal nothing new to Pach; is sending pictures of the horse, some showing the prewar plaster version and others the beginning of the final verson; Raymond's experience in the cavalry made him an expert horseman, and many sketches of horses made during the war show he continued to think of the sculpture he had started; is also sending photographs of sketches, a bust of Professor Gosset, plans for a chess set, and other works; some of Raymond's notes pertain to the design of a surgical center; is certain that Raymond would have continued the research that led him From literal representation to mechanical aspects; thanks Pach for preserving the memory and work of the late artist. 5 pp., in French

From Jacques Villon, [place unknown], August 1, 1920: is sending Pach several photographs and 2 drawings; gives installation instructions for Raymond Duchamp-Villon's last sculpture, Dr. Gosset, with sketches of front and side views of the piece [large portions illegible]. 2 pp., in French

From Elie Faure, Neuilly-sur-Seine, France, August 13, 1920: discusses illustrations for his book; Marcel Duchamp will not be included; mentions other artists he has omitted or included and the relative value assigned to each, perhaps mistakenly; discusses those classified as impressionists and neoimpressionists; mentions new directions in art, among them scientific ones. 8 pp., in French

From L.L. Kane, Long Lake, N.Y., August 26, 1920: Pach's pictures are "quite safe at 47th St. until your return"; he especially appreciates Mme. Derain, which hangs with 2 Copley portraits in the breakfast room. 4 pp

September 12, 1920: note indicating Samuel Ramos is with the Comision Mexicana de Cooperacion Intelectual

From Elie Faure, Paris, France, September 28, 1920: provides correct spellings for works of art, as requested; will send proof sheets of printed photographs with placement instructions; still waiting for the promised photographs of American Indian art. 2 pp., in French

From Elie Faure, Paris, France, November 10, 1920: discusses in detail the illustrations for his book, their placement and captions; an article about cinema in the -- Freeman -- expresses ideas very close to his own; reflects on current politics. 6 pp., in French

From Elie Faure, Paris, France, November 26, 1920: thanks Pach for the photographs; hopes instructions regarding illustrations and page-setting were received; requests a signed copy of the contract with -- Harpers -- ; is still thinking about writing an article for the -- Freeman -- ; is enclosing an advertising circular designed for his book and suggests something similar for the American edition. 2 pp., in French

From Elie Faure, Paris, France, December 22, 1920: the photograph of Herculeum arrived; his editors are pleased; volume 4 will be ready in a few days and a copy will be sent to Pach; the American edition contains stupid mistakes; plans to write an article for the Freeman; will send Pach his article on cinema. 2 pp., in French

From Elie Faure, Paris, France, January 17, 1921: describes his visit to London, emphasizing the British Museum; likes little of British art; considers Bonnard, Matisse, Picasso, and Derain in the forefront of modern art; he appreciates Pach's opinions on art, even when in disagreement; because Pach is younger, his views are an excellent indicator of current taste. 4 pp., in French

From Piet van der Laan, Utrecht, the Netherlands, January 21, 1921: thanks for the bookplate Pach designed; compliments his article in the Freeman; is attempting to sell paintings by a young Dutch artist friend. 3 pp

From Elie Faure, Paris, France, February 3, 1921: hopes to rewrite volume 1, as he is unhappy with it; Spanish translation is delayed due to paper shortages; his brother's chateau is to be sold; wrote an article on Charlot. 3 pp., in French

From [Mme.] Duchamp-Villon, Paris, France, February 11, 1921: discusses in detail the choice of lodgings available to the Pach family for their stay in Paris; Marcel can help Pach place the Gosset figure as he saw it assembled; instructs Pach to sell the Cézanne. 2 pp., in French

From Maurice Brazil Prendergast, New York, N.Y., February 28, 1921: thanks Pach for introducing him and Charlie to Mr. and Mrs. Brummer; their work will be exhibited at Brummer's March 15-April 1; read Pach's article on Matisse; will try to see the exhibition. 3 pp

From Elie Faure, Paris, France, March 1, 1921: discusses changes to the title of his 4-volume -- History of Art -- ; volume 1 is being shipped to Pach soon; believes French academics slander France. 2 pp., in French

From Elie Faure, Paris, France, March 4, 1921: Is still trying to find a place for the Pachs to stay; his own apartment will not be available until August; discusses the title of his book and asks Pach to write the introduction; the article on Charlot was not published. 2 pp., in French

From Clara La Follette, -- Freeman -- , New York, N.Y., [postmarked] March 7, 1921: sends letter received by the -- Freeman -- that she thinks will amuse Pach. 1 p., + 2 pp. enclosure (letter rubber stamped February 23, 1921 [date of receipt?] to Mr. Huebsch From Alfred Stieglitz, New York, N.Y. [of an exhibition review by Pach published in the -- Freeman -- ]: "Mr. Pach undoubtedly did his best--but I fear that the real significance of the work was beyond him.--I regret it")

From Elie Faure, Paris, France, March 14, 1921: will send proofs of Napoleon; desires advice From Pach concerning whether it should be translated; thinks the subject will be of interest in America. 2 pp., in French

From Elie Faure, [place unknown], July 29, 1921: plans to meet Pach in Cahors; -- History of Art -- was chosen as one of the 10 best French books recommended to Americans by the Comité France-Amerique. 2 pp., in French

From Camille Redon, Paris, France, [postmarked] August 1, 1921: thanks Pach for translating an article about Redon; offers a Redon work to Mrs. Pach. 1 p., in French

From Elie Faure, Dordogne, France, August 15, 1921: 4 pp., in French

From Elie Faure, Paris, France, March 16, 1921: has sent Pach his article on Charlot, which will be published soon by -- L'Esprit Nouveau -- ; discusses his work, including an article on cinema and -- Napoleon -- ; inquires about payment and translation rights for articles appearing in the -- Freeman -- . 2 pp., in French

From Elie Faure, Paris, France, April 16, 1921: the translation of his Charlot article must mention it is excerpted from -- L'Esprit Nouveau -- ; the French are boycotting American films, especially Charlie Chaplin's; compliments Pach's translations; -- History of Art -- has been an unexpected success; Napoleon promises to do well and is being serialized in -- Grande Revue -- ; he and Pach will divide the profits; may have found a convenient place for the Pachs to stay. 2 pp., in French

From [Mme.] Duchamp-Villon, Paris, France, April 20, 1921: offers to help Pach find lodging when he visits; asks if Quinn has received the sculpture. 1 p., in French

From Elie Faure, Paris, France, June 29, 1921: unable to find a place for Pach to stay; -- History of Art -- is selling well; reprints and new volumes will require translation; asks if Pach could bring his daughter a statuette of Charlot to put on their car, as is now the fad. 2 pp., in French

From George Ferdinand Of, New York, N.Y., November 28, 1914: is anxious to see Pach and hear about his trip. Picture postcard ("Museé de Louvre.-- -- Les Baigneuses.-- -- Vernet.--LL").

From Jean Le Roy, Nièvre, France, [postmarked] December 29, 1914: wants Pach's opinion of his poems; is in the army; heard Pach is organizing an exhibition; asks for news of the Duchamp brothers. 4 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, France, January 19, 1915: advises patience until the world of art returns; a weak heart disqualified Marcel From military duty; congratulates Pach on the exhibition; is invited to San Francisco but doubts cubist works will be accepted; discusses prices of his medallions. 2 pp., in French.

From Camille Redon, Paris, France, [postmarked] August 1, 1921: thanks Pach for translating an article about Redon; offers a Redon work to Mrs. Pach. 1 p., in French

From Elie Faure, Dordogne, France, August 15, 1921: 4 pp., in French

From Clara La Follette, Freeman, New York, N.Y., August 16, 1921: opinions of French government; comments on Faure's article on the cinema; urges Pach to send the article he mentioned; is looking for a studio. 4 pp

From Henri Matisse, Nice, France, September 7, 1921: agrees to Pach's terms concerning the Redon paintings, but there is no one available who is capable of separating the torn papers of -- Radiant Flower -- ; after 3 weeks of laziness, he is painting again and it is like starting over at the beginning. 2 pp., in French

From [Mme.] Duchamp-Villon, Puteaux, France, September 18, 1921: [Illegible]. 2 pp., in French

From Elie Faure, Paris, France, September 29, 1921: 2 pp., in French

From Elie Faure, Paris, France, October 27, 1921: thanks Pach for checks received; discusses advantages and disadvantages of using a picture for promoting his works; his daughter is most disappointed that there are no more Charlot statuettes; asks Pach to sell lottery tickets for charity. 4 pp., in French

From Bernard Berenson, Florence, Italy, November 9, 1921: thanks Pach for catalog; photograph of "St. Francis at Brooklyn" reminds him of "the naive art of all the eccentric regions of Europe." 4 pp

From Jacques Villon, [place unknown], France, November 9, 1921: is glad to have met Mrs. Pach; Matisse engraving is not yet ready due to printing problems. 4 pp., in French

From Elie Faure, Paris, France, November 13, 1921: discusses the details of his contract with -- Harpers -- , which he considers unjust; his father-in-law died; reports on the sick painter friend for whom the benefit raffle was held. 6 pp., in French

From Elie Faure, Paris, France, November 28, 1921: if the misunderstanding concerning the -- Harpers -- contract is not corrected, it will be a disaster; their artist friend needs further surgery; hopes Pach can sell more tickets for the raffle, which will precede an exhibit in February or March; lists artists--among them Bonnard, Dufy, Matisse, Signac, and Braque--who have donated works for the raffle; regrets that his last book devoted so little space to Derain. 2 pp., in French

From Elie Faure, Paris, France, December 19, 1921: thanks Pach for help in clearing up a misunderstanding with his American publisher; discusses his 4-volume work, including opinions of the layouts and illustrations of each; Pach should decide whether to attribute a painting to de Pietro or Sassetta; plans to write about Derain; an exhibition, organized for an artist friend in need, includes a lottery with contributions From Matisse, Derain, and Picasso; will send Pach 250 lottery tickets; announces the upcoming marriage of François, a talented decorator, and asks if work could be found for him in New York or if his projects could be reproduced in an American publication. 4 pp., in French

From Elie Faure, [place unknown], December 23, 1921: received a letter From Briggs and praises the loyalty and honesty of American publishers; thanks Pach for perseverance in bringing to publication, in English translation, -- History of Art -- ; lottery tickets are being sent, many going to Mrs. Whitney; asks if Pach could help to interest American publisher Nelson in the collections of an expanding French publishing firm looking for capital; is sending -- Mediaeval Art -- and François' furnishing projects. 2 pp., in French

From Elie Faure, Paris, France, December 31, 1921: considers volume 1 "our" -- History of Art -- out of gratitude for Pach's excellent translation; discusses the illustrations and general appearance of the book; -- Mediaeval Art -- and lottery tickets will be sent soon; has 2 paintings he wants Pach to sell in the United States, a Venetian school Crucifixion and a version of Gros's -- Murat a la Bataille d'Aboukir -- ; describes the paintings, discusses prices and Pach's commission. 3 pp., in French

From Maurice Brazil Prendergast. New York, N.Y., January 26, 1922: Discusses quality of reproductions for Shadowland; wants to assist, should Pach decide to write an article; compliments Pach's writing. 3 pp

From Maurice Brazil Prendergast, New York, N.Y., February 2, 1922: is returning Pach's manuscript; agrees with him about Cézanne; "I was much influenced by Pissarro but with water colors it was nature pure and simple that influence [ sic] me"; is impressed with -- Shadowland -- . 3 pp

From Leigh Hunt, New York, N.Y., [postmarked] February 23, 1922: congratulates Pach and the museum. 1 p

From Elie Faure, Paris, France, March 21, 1922: is sending -- Renaissance Art -- , which completes the series; Pach should return the stubs of all sold lottery tickets; the Spanish artist for whom the lottery was organized is now recovering From surgery; complains of a dull artistic season, including a Salon des Indépendants devoid of interest; the best was a Matisse exhibit, along with Derain's and Picasso's latest work; increasingly poor leadership has him worried about the future of Europe; inquires about two articles he sent to the -- Freeman -- . 5 pp., in French

From Elie Faure, Paris, France, March 30, 1922: Americans have won 8 of the lottery prizes (most of them with Mrs. Whitney's tickets) consisting of 6 etchings and 2 paintings; what to do with the artworks is a problem in view of customs requirements. 2 pp., in French

From Camille Redon, Paris, France, April 7, 1922: mailed 2 etchings and 30 proofs made of each of Redon's copper engravings; the plates went to the Print Museum; thanks Pach for the beautiful etching and photographs he sent. 2 pp., in French

From Elie Faure, Paris, France, April 10, 1922: received the -- Freeman -- article; just completed a response to the review of his book, which he prefers to send to the -- Dial -- rather than the -- Freeman -- ; wrote a new introduction to Greek Art for future editions; hopes Pach has sold paintings; thinks one of the paintings could pass as a fake for customs purposes. 2 pp., in French

From Elie Faure, Paris. France, April 11, 1922: the attribution of his Baron Gros is certain, but its condition is not perfect; discusses articles being translated by Pach; discusses the French language in Canada; he and Pach agree on important points; Pach is unfair to Bonnard, who eventually will be regarded as a minor master; Derain is a great painter who overshadows Matisse. 2 pp., in French, labeled "second letter" (enclosed with letter of April 10, 1922)

From Elie Faure, Paris, France, May 6, 1922: received the checks; is returning a signed contract for -- Cinéplastique -- and inquires about American customs concerning royalty payments; will mail books to Pach and pictures to Harper's; the lottery prizes are being sent; the Corots and Courbet at Rosenberg Gallery particularly impressed him; family news; dispair over current politics. 2 pp., in French

From Pedro Henríquez Ureña, Universidad Nacional de Mexico, Mexico City, Mexico, May 31, 1922: discusses Pach's remuneration and class schedule for the summer session. 1 p

From Elie Faure, Paris, France, June 17, 1922: regrets not being able to meet Pach in Mexico and wishes Rivera had invited him, too; will try to delay French publication of his article so the -- Dial -- can print it first; another piece on the aesthetics of machinism has already been published in France; finished a long chapter of -- The Spirit of the Forms -- and wants Harper's to consider it completed; after going to Vichy for his health, he will take a vacation; wants to know all about Pach's archaeological discovery in Mexico. 2 pp., in French

From John Sloan, Santa Fe, N.M., [postmarked] August 4, 1922: has a car for summer travels; the Henris are there; has been painting. 2 pp., illustrated with drawing of a car on a winding mountain road ("Climbing the Bahada [no exaggeration!]")

From L.L. Kane, Long Lake, N.Y., August 12, 1922: wants to read Pach's article in the Freeman; admires his ability to present lectures in other languages; describes his Adirondack camp. 2 pp

From Henri Matisse, Nice, France, September 2, 1922: mailed copies of all the engravings he made during the summer; asks Pach's advice on lowering the price of Redon's pastels; he is now back at work in Nice after 2 months in Paris. 2 pp., in French

From Jacques Villon, Soissons, France, September 6, 1922: the estimate for publishing was higher than anticipated; asks Pach to intercede; inquires about Pach's trip to Mexico; news of various friends; discusses summer plans. 2 pp., in French

From Sybil Kent Kane, Long Lake, N.Y., September 7, 1922: thanks Pach for sending the picture of a jug; her book is about the life of Blessed Margaret Mary. 4 pp

From Suzanne La Follette, New York, N.Y., [postmarked] September 10, 1922: due to understaffing at the -- Freeman -- there was no art coverage during the summer; suggests Pach write a series of articles on Delacroix, Cézanne, Renoir, Redon, Van Gogh; opinions of Faure's second volume; news of Boardman Robinson; has changed her name back to Suzanne From Clara. 6 pp.

To Professor D. Ramon Mena From Walter Pach, Mexico City, Mexico, October 4, 1922: the mosaic mask discovered by Professor Aguierre and displayed in the National Museum is an object of great interest; it presents important problems to American antiquities experts and to those studying aesthetics; an important detail is the way in which material is handled; discusses fundamental difference in the work of the imitator and the mosaic mask; the technical question and expressive question are inseparable; appreciates the compliment of being asked his opinion. 3 pp., in Spanish

From Elie Faure, Paris, France, October 22, 1922: received payment for photographs and book royalties; discusses Rivera's talent, disagreeing with Pach's view of his originality; Rivera has remarried; shares Pach's admiration for Mexican art; now that his article has appeared in the -- Dial -- , he has nothing further to publish in America other than History of Art; since Pach is now devoting more time to painting and etching, he will need to find Faure a new translator; asks Pach if chapters From The Spirit of the Forms and essays on great literary figures could appear in American publications; discusses some of his theories of art and the structural aspect of his own writings. 6 pp., in French

From Jean Charlot, [place unknown], Mexico, November 5, 1922: Pach's article appeared in -- Mexico Moderno -- ; Orozco will be exhibiting watercolors; the fresco Accion del Artes is almost finished; is becoming interested in religious painting. 4 pp., in French

From Diego Rivera, [place unknown], Mexico, December 7, 1922: thanks Pach for his valuable friendship; the Mexican Independents, now formally organized, are invited to show with the Society of Independents in New York; Orozco, Charlot, Revueltas, Figueiros, Leal, Alba, Cahero, Bolanos, Ugarte, Cano, Nahui, Ate, Rivera, and children will represent Mexico; discusses space needs and suggests possible hanging arrangements; needs to find a way to pay for transportation; please convey their appreciation to the Society; Pach should tell Miss Porter that although there was a mix-up in communications, Rivera is still interested in the small exposition. 4 pp., in Spanish

From Jacques Villon, [place unknown], France, December 21, 1922: [Illegible]. 8 pp., in French

to Magda Pach From Gaby [Mme. Jacques Villon?], [place unknown], December 27, 1922: wishes the Pach family would visit them for several months; Villon is working hard, as always; except for a vacation in Brittany, they rarely go anywhere; engravings are time consuming but right now sell better than paintings; asks about Pach's stay in Mexico. 2 pp., in French

From Carlo Lemba, Florence, Italy., [?,?] 1923: thanks Pach for remembering him and for the very beautiful Rembrandt; requests a catalog or photograph. Picture postcard ("Firenze--Palazzo Vecchia--Il Cortile"), in Italian

From Elie Faure, Paris, France, January 21, 1923: thanks Pach for his translation; discusses modifications to be made in the first volume; details plans for future publications; lists illustrations for the last chapter of History of Art. 10 pp., in French

From José Vasconcelos, [place unknown], Mexico, February 23, 1923: received Pach's letter and sends appreciation for the international approach of his work. Telegram, in Spanish

From José Clemente Orozco, [place unknown], Mexico, February 27, 1923: introduces his friend, Mexican poet José Juan Tablada; friendship with Tablada would be a great satisfaction to Pach; Tablada could courier Mexican works From the Independents exhibition when he returns home; they learned much about contemporary art From Pach's lecture series; when he returns to Mexico, Pach can expect an affectionate welcome. 2 pp., in Spanish

From Elie Faure, Paris, France, March 4, 1923: at last, publication of -- Mediaeval Art -- has been announced; the definitive edition of his work is currently in progress; discusses new prefaces for all 5 volumes; rewrote the last chapter of volume 4, which does not mention Bonnard but expands discussion of Matisse, Picasso, and Derain, whom he considers the greatest contemporary painter. 2 pp., in French

From Secretario de Educacíon Publica, [place unknown], Mexico, March 14, 1923: José Vasconselos thanks Pach for his efforts on behalf of Mexican painters in this year's Independent Artists Salon. 1 p., in Spanish

From Jean Charlot, [place unknown], Mexico, [postmarked] March 31, 1923: was happy to receive Pach's illustrated article about Seurat; the enclosed flier rebuts another slanderous article about the exhibit; the catalog reproduction of the painting Pach started in Mexico was recognized by everyone; Diego called it more Mexican than their own contributions; Diego finished his first panel for the ministry frescoes; Diego's brother-in-law executed a successful encaustic mural in Guadalajara; Diego sends thanks to Pach, but cannot write because he works From 8:00 a.m. until 10:00 p.m.--without eating--which is hard on his aides who must do likewise. 2 pp., in French

From Elie Faure, Paris, France, April 24, 1923: an American definitive edition is under consideration; will send Pach copies of work by Spain's best artist since Goya; still thinks Derain is the best painter; Matisse's exhibition lacks humanity; discusses European political problems. 2 pp., in French

From Elie Faure, Paris, France, May 10, 1923: is now writing a book about the mechanism regulating the life cycles of societies; did not see all the exhibits because he is now drawn more to social psychology, which helps him understand painting; life takes precedence over painting; his article was misunderstood in America and France by supporters and opponents alike; painting, no longer the dominant art form as it was in the previous century, is being overtaken by cinema; assures Pach of his friendship and trust; understands that his ideas provoke resistance even among the best of friends. 6 pp., in French

From Suzanne La Follette, New York, N.Y., [postmarked] June 23, 1923: thanks Pach for article; sends proofs of first article; was advised not to go to Germany; will visit England, France, and Italy. 4 pp

From J. Van Gogh Bonger, Amsterdam, the Netherlands, June 27, 1923: read that the Pachs were cited as among the best of the Independents; the pictures are back, and she is glad they were exhibited in the United States; is anxious to publish Van Gogh's letters in English; opinions of Meier-Graefe's book; opinions of recent articles in the -- Times -- and the -- Freeman -- ; "What I never forgive Meyer-Greafe [ sic] is his suggestion that Theo, after his marriage could not provide for Vincent any longer"; is sending a Van Gogh drawing to Pach in appreciation for his help. 3 pp

From Diego Rivera, [place unknown], Mexico, July 3, 1923: introduces Covarrubias; on behalf of the group, thanks Pach and the Independents in New York; Pach's Mexican street scene showed intimate and strong character; hopes for even better representation next year; describes current projects of several Mexican artists; Covarrubias has photographs of murals in progress. 2 pp., in Spanish

From Lewis Mumford, Brooklyn, N.Y., July 5, 1923: congratulates Pach on Modern Art; "it is far and away the best piece of criticism we've had in America, to my knowledge." 1 p

From Alfred Stieglitz, Lake George, N.Y., July 21, 1923: he and O'Keeffe are enjoying Pach's translation of Faure; Stieglitz has read it in the original; O'Keeffe doesn't know French. 1 p

From Elie Faure, [place unknown], October 8, 1923: if Harper's cannot locate the photograph Faure sent of a Picasso painting, Pach should select a substitute; requests assistance in coilecting a fee owed by a publisher; complains about the usual reluctance of museums to accept paintings; suggests that Boston or the Barnes Foundation might be interested in the Gros, Delacroix, and Venetian school paintings he wants to sell; -- History of Art -- will be translated into Spanish and possibly German; hopes for more contacts with the United States. 2 pp., in French

From J. Van Gogh Bonger, Amsterdam, the Netherlands, October 18, 1923: could not find anyone to deliver the drawing to Pach, so she mailed it; is working on an exhibition to be held in London; Zigrosser visited. 1 p., negative photostat

From Elie Faure, Paris, France, December 1, 1923: has mailed the photographs Pach requested; believes he has told Pach of all the proposals received From America and still awaits answers relating to some; Waldo Frank visited; found Miss La Follette most congenial; the package of photographs also contains a small drawing as a memento of their collaboration. 2 pp., in French

From Ariella Brunelleschi, Florence, Italy, [postmarked] December 12, 1923: her entire family sends thanks; best wishes for a good trip. Picture postcard ("Firenze--Galleria Uffizi La Nativita de Gesu dett.--Van Der Goes Ugo"), in Italian

From Jacques Villon, [place unknown], December 25, 1923: is delighted to learn that Pach has resumed painting and wants to see a photograph of his portrait of Magda; the common desire to travel west is a distraction, as is his penchant for making etchings rather than painting; has problems with his engraving of a Cézanne and will do a Laurencin next; complains of difficulties painting; is mailing the edited first proofs of the book on Raymond; Yvonne is gone; he missed seeing Miss La Follette; Rosenberg is in New York; paintings are hard to sell; New Year's greetings to the Pach family. Postscript From Gaby expresses her own best wishes and those of Marcel; she hopes to see them in Puteaux the following year. 5 pp., in French

From Elie Faure, [place unknown], January 24, 1924: approves of the way in which Pach used his Renoir to illustrate an article; still trying to sell the Gros painting abroad; the Venetian painting was shipped today, and he awaits Pach's impression of it; Faure is convinced the landscape, most likely of Toledo, and at least one figure were painted by El Greco in his youth; awaits photographs of Pach's paintings and etchings; is delighted to learn of Pach's lecture series in Kansas, which includes one on Faure's fourth volume. 2 pp., in French

From Elie Faure, [place unknown], January 31, 1924: praises solidity, intelligent composition, and exceptional synthetic quality of Pach's portrait of his son; the portrait of Pach's wife is less successful; praises the harmony in Pach's mythological painting but its composition is less than perfect; Pach shows great progress; is sending a photograph of a first-class Corot that is for sale; discusses the price and how they would share the profit. 2 pp., in French

From Bernard Berenson, Florence, Italy, February 6, 1924: read Pach's article in -- Harper's -- "with interest, with zest and with envy." 4 pp

From Jacques Villon, Paris, France, March 2, 1924: received photographs of Pach's paintings; praises the balance and harmony in Magda's portrait, but expresses reservations concerning the portrait of Raymond; unable to send photographs of his own work because he was too busy finishing the Cézanne engraving that will be exhibited at Bernheim's to raise funds for a monument to Cézanne; has mixed feelings about the direction of his own painting and leans more toward nature; a proof of Pach's foreword is ready; the book on Raymond will be out soon; some of Raymond's letters were edited so as not to appear to be soliciting sympathy. 6 pp., in French

From Elie Faure, [place unknown], March 10, 1924: has just received notification that volume 4 was published and will convey his opinion after seeing it; thanks Pach for intelligent publicity; discusses corrections to be made in the next edition; asks Pach to persuade the publisher to make an American edition that conforms to the French one; the Corot was sold; everyone seems to be buying and selling paintings; Faure sold From his own collection pieces he no longer likes in order to buy a house; he buys what he can at low cost, notably Corot and Courbet landscapes and a drawing by Cézanne; Pach should try to influence the gallery to sell Faure's painting quickly because the money is needed for home repairs; wrote an article on contemporary art trends for the Dial. 2 pp., in French

From Elie Faure, [place unknown], March 11, 1924: the news contained in Pach's cable frees him From current financial worries; he is sending the painting immediately and warns Pach about mislabeling on the back of the picture; insists that Pach take a substantial commission; though it makes him sad to part with the painting, he now can provide a secure future for his family. 2 pp., in French

From Suzanne La Follette, Plymouth, England, March 11, 1924: the voyage has been "rough and dull." 2 pp

From Elie Faure, [place unknown], March 19, 1924: received the fourth volume in translation and finds the illustrations much better than those in the first 3 volumes; expresses gratitute to Pach; is sending a gift of a Rodin etching; just saw Derain and is certain the artist is evolving, despite his somewhat disoriented state; Matisse's last exhibit was disappointing and lacked human qualities. 2 pp., in French

From Arthur Burdett Frost, Pasadena, Calif., March 30, 1924: thanks Pach for his exhibition idea; cannot participate because he has no suitable work available; "I used to be very careless about my original drawings"; Jack moved to California for health reasons; Jack paints desert landscapes that sell well. 4 pp

From Elie Faure, Paris, France, April 1, 1924: the Gros painting has been in transit for 3 weeks; deplores the exchange rate and discusses Pach's commission; is pleased that Pach will be the translator for -- The Gods -- and hopes he will do -- The Spirit of the Forms -- , even though this work will take him away From painting; wants to see Pach's pamphlet on Seurat, whom he likes more and more; Faure has added to his collection paintings by Corot, Courbet, Delacroix, Bonnington, and others he discovered in the attic of a secondhand shop; Miss La Follette visited; asks Pach to inquire about the fate of his Shakespeare essay. 4 pp., in French

From Jacques Villon, [place unknown], France, April 6, 1924: agrees wholeheartedly to the proposed exchange; thanks Pach for a check; wants him to accept, as a gift, any Villon painting still in Pach's hands; will follow Pach's instructions concerning the book; is painting but cannot find himself in that medium; his next engraving will be a Rousseau. 2 pp., in French

From E.H. Anderson, Director, New York Public Library, New York, N.Y., April 9, 1924: acknowledges gift of etchings. 1 p

From Elie Faure, Paris, France, May 2, 1924: sends a check for Pach's commission on the sale of the Murat painting; is glad Pach liked his gift of a Rodin etching; discusses changes to volume 3 and wonders why a particular reproduction was omitted From the American edition; -- The Spirit of the Forms -- is still under revision, and he has been busy writing -- Cervantes -- ; like Pach, he admires Matisse's lithographs but feels uneasy about the virtuoso element apparent in his annual painting exhibits; Despiau's portraits are more and more admirable; met Braque, whose work now interests him more; since Braque has renounced cubism, only Picasso remains; Picasso's last noncubist exhibit was curious and somewhat disturbing. 2 pp., in French

From Leigh Mitchell Hodges, Doylestown, Pa., May 4, 1924: sends sonnet inspired by a Pach etching. 1 p. + enclosure ("Sonnet--To Walter Pach's etching of Miss M-----")

From Julius Meier-Graefe, Berlin, Germany, July 22, 1924: Pach is the first American to attempt and succeed at serious examination of art From Corot to the present; is sending a copy of volume 3 of -- Modern Art -- , which discusses some of the same issues addressed in Pach's book; believes cubism, expressionism, and impressionism to be manifestations of decadence; in his book, Pach failed to cite German contributions. 3 pp., in German

From Elie Faure, Dordogne, France, July 31, 1924: hopes to see Pach in Dordogne during August; the article on illustrious men he has known will need to be twice as long, so Pach should make arrangements; discusses a remarkable book about sport by his Frenchified Brazilian friend Braga and suggests a translation would be of interest to Americans; Braga wrote the most intelligent articles ever published about Faure in French and plans a history of world literature that would mirror -- History of Art -- . 2 pp., in French

From Elie Faure, Dordogne, France, August 2, 1924: Pach should tell Wells that Faure accepts the 5,000-word limitation; the article consists of a series of portraits of famous men and concludes with a sincere tribute to America. 1 p., in French

From Julius Meier-Graefe, Schlaghtensee, Germany, [postmarked] August 5, 1924: advises Pach not to judge the paintings of [von Marees?] on the basis of his early Dresden period, but look at the Munich work. Postal card, in German

From Bernard Berenson, Florence, Italy, August 11, 1924: read -- Masters of Modern Art -- ; "I wish I could give you the support you ask for. And I have found yr. book informing, stimulating, provoking and sincere. But I cannot even begin to see what you do in cubism"; advises Pach to choose writing over painting, as it is impossible to do both. 8 pp

From Elie Faure, Dordogne, France, August 24, 1924: regrets that Pach did not visit him; plans to go to Italy in September but hopes to see Pach in Paris afterward; hesitates to accept a long lecture tour in America. 2 pp., in French

From James Oppenheim, New York, N.Y., August 24, 1924: Gertrude is seriously ill; Oppenheim's son has faith in his work; Oppenheim's book was reviewed; is delighted with the book on Matisse. 2 pp

From Bernard Berenson, Florence, Italy, September 13, 1924: expresses his opinion of modern art and artists; "I did not mean what the Ku-Kluxers or Coolidgeites mean when they speak of the latest phenomena in painting as Bolshevik. But in a prophetic, devastatingly deep way that's what they are. And they may serve a kindred purpose, namely to bury the dead form. But they are undertakers, grave-diggers, and at best manure makers only. Artists they are not and Picasso not at all;" Pach "overestimates" Delacroix's ability as an artist. 4 pp

From John Gould Fletcher, London, England, October 7, 1924: thanks Pach for the book on Duchamp-Villon; compliments the "excellent" introduction; agrees that "Duchamp-Villon was the true descendant of the stonecutters of Chartres"; Faure's -- History of Art -- is "remarkable"; he is trying to publish a rebuttal to the concluding chapter; the -- Freeman -- failed. 3 pp

From Luz Pérez, [place unknown], Mexico, October 24, 1924: the book Pach sent is enchanting; congratulations on the success of the exhibition; best wishes for future success. 2 pp., in Spanish

From Arthur Burdett Frost, Pasadena, Calif., October 26, 1924: thanks for the brushes, which he will share with Jack; requests recommendations for directing Jack's art reading; Frost now reads mainly on palentology and natural history; if his eyesight permitted, he would paint his concept of earliest man; recalls a terrible summer spent in Rhode Island; contrasts California with the East; recalls the Dresden Gallery; Butler's stay in New York was a "dreadful experience." 5 pp

From Jacques Villon, Paris, France, October 27, 1924: just received Pach's book on painting and thinks his ideas about evolution of painting are admirable; has not yet seen the Salon d'Automne; sales were good, and even those opposed to abstract painting smiled. 3 pp., in French

From Elie Faure, Paris, France, November 1, 1924: has shipped a magnificent painting; is surprised that it is possible to sell paintings in America since the Paris art market is at a standstill; the last good show was the Renoir exhibit at Rosenberg's; books are not selling, and he could not find a publisher for his latest work; publishing houses are closing; prewar politicians and prewar methods are responsible for the disaster; the general economy and his personal situation are grim; melancholy family news. 4 pp., in French

From Henri Matisse, Nice, France, November 18 and December 5, 1924: his son, Pierre, is moving to New York; Pierre wants to work at a gallery specializing in modern art; he and the Steins agree this is a good plan; asks Pach to advise and assist Pierre, and he will request the same of Brummer; Michael Stein suggests Pach meet Pierre at the ship. 4 pp., in French

From Elie Faure, Paris, France, December 1, 1924: is housebound after a small accident, and catching up with work; both the -- Dial -- and -- Harper's -- sent checks; comments on current exhibitions and sales; Pach is his closest American friend; wants to establish closer ties in the United States; France now depends upon American patronage; Mrs. Dillard is sending a Corot to Pach; she might be helpful to Brummer; sometimes she has Renoirs and Derains at reasonable prices. 2 pp., in French

From Xavier Martinez, Piedmont, Calif., December 3, 1924: compliments -- Masters of Modern Art -- and Pach's translation of Faure; disagrees with Faure's chapters on Greece and Mexico; Pach understands the art of Mexico; encloses 2 drawings of Indian madonnas. 1 p., partly in Spanish

From Lewis Mumford, Brooklyn, N.Y., December 15, 1924: thanks Pach for grasping the essence of his book; agrees with Duchamp-Villon's views on architecture. 2 pp

From Elie Faure, [place unknown], January 9, 1925: commiserates with Pach over his rejection by -- Harper's -- ; comments on subjects that appeal to editors of popular magazines; Pach should continue trying to sell the Corot; the owner also has paintings by Renoir and Derain and a Seurat drawing; inquires about the status of translations now at -- Harper's -- ; comments on the superiority of American cinema. 3 pp., in French

From Pedro Henríquez Ureña, La Plata, Argentina, January 13, 1925: hopes Pach will be interested in the work of his friend, Emilio Pettoniti, an advanced Argentine painter; asks where Pettoniti might exhibit in New York. 2 pp., in Spanish

From Diego Rivera, [place unknown], Mexico, January 13, 1925: requests photographs of the work Pach accomplished in France; wants news of Elie Faure; mentions several commissions he is now working on; comments on Charlot; has waited more than a year for word from Aleman; is considering going abroad when through with the Chapingo chapel. 3 pp., in Spanish

to Elie Faure From William H. Briggs, [place unknown], March 3, 1925: not financially feasible to bring out the definitive edition of -- History of Art -- for at least 3 years; wants -- The Spirit of the Forms -- to be volume 5; agrees to publish an English edition of -- The Spirit of the Forms -- and -- The Dance on Fire and Water -- ; -- The Constructors -- , -- The Holy Face -- , and future books are not to be offered to other publishers. 3 pp

From Diego Rivera, [place unknown], Mexico, March 13, 1925: would send photographs of his work but in Mexico it takes too long to get prints; Pach's book fully deserves Faure's praise; Rivera finds Pach's paintings appealing; is grateful for the high esteem with which Pach wrote of his work; work on Chapingo chapel continues; despite serious financial problems, Charlot is constantly progressing; asks Pach's opinions and advice about a Spanish edition of his book; Ravenna Mosaic requested a sample piece of -- The Antilles -- . 7 pp., in Spanish

From Elie Faure, Paris, France, March 28, 1925: is hurt not to have heard From Pach; Mr. Briggs wrote about translation and publication plans; wants Pach to translate -- The Spirit of the Forms -- ; thanks for getting his autobiography published in the -- Dial -- ; his friend, Mrs. Fougeirol, and daughter, will call on Pach; hopes Pach and Brummer can assist Mrs. Dillard with the sale of her Corot; the Gaugnat sale is unaffordable; Mrs. Dillard also has Renoirs to sell. 2 pp., in French

From Elie Faure, [place unknown], March 29, 1925: is happy that Briggs wants to do the album and will talk to Crès about sales; thanks to Madame B. for the Corot; his version of Delacroix's journal will be published; compliments Pach's painting; asks Pach to speak to Harper's about not using the number of his last volume of -- History of Art -- so the public will buy it without having the earlier volumes. 4 pp., in French

From Elie Faure, Paris, France, May 9, 1925: tells of his voyage to Marrakech; saw Fletcher; Pach will receive the Gaugnat sale catalog; Madame Gaugnat died 6 months after her husband, leaving their son harassed by dealers; a small Renoir may be available; asks Pach to intervene on his behalf with Harper's regarding income tax withholding; discusses Delacroix and impressionist exhibits; discusses the realism of Delacroix's Moroccan paintings. 6 pp., in French

From Elie Faure, [place unknown], May 17, 1925: condolences on the death of Pach's father; is surprised by what Pach told him of the Corot; discusses a French landscape exhibit at the Petit Palais containing too many paintings; Corot reigns. 2 pp., in French

From Elie Faure, Paris, France, May 18, 1925: received the album dedicated to Seurat; -- La Baignade -- and -- La Grande Jatte -- are masterpieces for the very reasons Pach cited: organization, articulation, and mass; comments on works by Matisse, Braque, Géricault, and others recently exhibited in Paris; purchased works by Corot, Delacroix, Courbet, Cézanne, and Renoir at reasonable prices; perhaps Pach could sell a large painting for Pequin; asks if -- Living Age -- will publish his essay on Shakespeare; volume 4 of -- History of Art -- will be out soon; mentions several of his articles accepted for publication; thanks Pach for his excellent translation; now realizes he was unjust to Redon and has made changes in the later edition. 4 pp., in French

From Elie Faure, [place unknown], May 20, 1925: invites Pach to visit him in Dordogne during the summer; describes a Corot that should go to an American museum. 2 pp., in French

From Elie Faure, [place unknown], May 30, 1925: gives instructions for translation revisions; bought 2 magnificent Derains; suggests that consignments be sent to Mrs. Payne Whitney; -- History of Art -- received mixed reviews. 2 pp., in French

From Elie Faure, [place unknown], June 5, 1925: galleys are still incomplete as there are problems with illustrations and captions; his Baron Gros painting is at the French exhibit in Prague; will send a photograph later; asks Pach to help sell the Gros picture and a Daumier. 3 pp., in French

From Elie Faure, Paris, France, July 11, 1925: complains about American and French taxes on royalties; price and quality didn't always coincide at the Gaugnat sale; Mrs. Fougeirol bought one of the best works, and another is being given to the Louvre by young Gaugnat; discusses prices at other recent sales; Matisse shares his opinion of the Gaugnat sale; the Decorative Arts Exhibition was the worst art event he ever saw; an impressive 19th-century French painting show at Bernheim's new galleries included Corot, Delacroix, and Cézanne; those who don't appreciate Delacroix are missing joy; asks Pach's opinion of a plan for a monthly publication about the arts in Paris; next year he will write a history of France. 4 pp., in French

From E.D. Smyth, Tangier, Morocco, July 29, 1925: Helen died last October; Mme. Le Roy died 2 years ago; "London is becoming alive to Cézanne"; saw a Cézanne show at Brown's Gallery. 5 pp

From Elie Faure, [place unknown], August 11, 1925: asks if volume 3 has been published; thinks volume 4 is his best; hopes that the new prefaces added to each volume will make Pach like the whole work better; Rosenberg met with Mrs. Whitney; discusses the quality of reproductions in his book on Derain; describes John Lane's indirect attack on his chapter about English art; was not charmed by Blake; Constable is the only English painter he likes; look for his Shakespeare article in the -- Dial -- . 6 pp., in French

From Elie Faure, Paris, France, September 7, 1925: bought a house at Dordogne; volume 4 is still incomplete; lists photographs he will send soon; this may be a good time to sell his 2 paintings; discusses the sales commission; mentions favorable points of the Gros painting; the other painting may be harder to sell; is considering selling a Daumier and a Delacroix to help pay for his new house. 4 pp., in French

From Elie Faure, [place unknown], September 9, 1925: promises to send the photographs for his book; even the best translation cannot be completely faithful to the original; discusses specific changes to be made; discusses a chapter on Europe being added to volume 4. 6 pp., in French

From Elie Faure, [place unknown], September 21, 1925: is sending 5 photographs; 1 is for -- Harper's -- to include in volume 4, and the remainder are of works he hopes can be sold in the United States; needs money for his new house. 2 pp., in French

From Elie Faure, [place unknown], September 26, 1925: is still waiting for a contract with Criterion; the painting consigned to Ehrich has not sold; maybe Pach could sell it or suggest another dealer; Pach should send instructions to Ehrich; -- Harper's -- will publish -- The Spirit of the Forms -- as volume 5; wants Pach to be the translator but will understand if he declines. 4 pp., in French

From F.P. Keppel, New York, N.Y., October 21, 1925: has received Pach's letter with proofs and suggestions. 1 p

From Elie Faure, [place unknown], October 22, 1925: has received volume 3 and congratulated Mr. Briggs; still thinks the plates should have been produced in France; bills for photographs remain unpaid; thanks Pach for his energy and perseverance; Spanish and German editions are planned; Knopf will publish an English edition of Napoleon; came close to selling the Daumier; comments on the condition of Marat by Gros; inquires about Pach's painting and the possibility of an exhibition in Paris. 4 pp., in French

From Jean Charlot, [place unknown], October 27, 1925: his present work is totally different From the 12 paintings being sent; Pach is one of the few friends abroad who might be interested; Pach should keep one for himself and try to sell the rest; is sending 4 photographs of recent work; he and Diego want to see reproductions of Pach's latest paintings; inventory of works being sent; had problems with his exhibition in Los Angeles. 4 pp., in French

From Elie Faure, Paris, France, November 21, 1925: there will be a delay in sending photographs; thanks Pach for introducing Miss La Follette; -- Harper's -- paid more than expected; Briggs reproached him for choosing Knopf to publish Napoleon. 2 pp., in French

From Elie Faure, Paris, France, November 27, 1925: thanks Pach for introducing Speyer; congratulates Pach on his new job; likes Pach's engravings; wants Pach to translate The Spirit of the Forms; is sending another manuscript for which he hopes Pach can help find a publisher; he owns the picture incorrectly captioned in his last book and it is for sale. 4 pp., in French

From Susan Macdowell Eakins, Philadelphia, Pa., January 7, 1926: she has written about her husband; is happy to be of service to Pach; can furnish more information. 1 p. + 3 pp. enclosure, (manuscripts by Susan M. Eakins of biographical notes on Thomas Eakins, including excerpts From letters to his father written while studying in France; list of paintings completed between 1870 and 1876; teaching methods; notes From Charles Bregler's transcript of Eakins's comments to students)

From Elie Faure, Paris, France, January 19, 1926: Mrs. Dillard sold his English painting to Mr. Speyer; introductions made by Pach facilitated the transaction; no one is to know Faure was the owner; since he cannot pay the duty if the piece at Ehrich is returned to France, Pach should keep it or put it in storage until later; asks if the Metropolitan might be interested in Mrs. Dillard's large Corot; content with Montaigne; still reworking -- The Spirit of the Forms; -- Soutine has become more important; believes Derain shows progress; Matisse's astonishing virtuosity continues to increase; saw admirable work by Picasso; Braque is a beautiful but monotonous painter; considers Charlie Chaplin the great man of America. 4 pp., in French

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., February 23, 1926: confirms Pach's appointment as assistant professor of fine arts. 1 p

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., March 5, 1926: received Pach's acceptance of faculty appointment. 1 p

From Elie Faure, Paris, France, March 24, 1926: has seen Pach's friends; is looking forward to Pach's visit in the summer; he and his wife are caring for an African-Arab baby; The Spirit of the Forms is almost finished; gives instructions about selling the unfortunate Spanish painting; is sending a drawing as a gift; Mrs. Dillard needs a list of dealers and their specialties. 2 pp., in French

From Elie Faure, Paris, France, April 22, 1926: is pleased to learn the Delacroix drawing was well received; believes Delacroix is becoming greater by the day; is not eager for further lecture tours; his latest book was ignored; foreigners understand him better than the French; regrets that Pach will not be able to visit him in Dordogne; discusses price of the crucifixion painting. 2 pp., in French

From Bernard Berenson, Florence, Italy, June 8, 1926: goals for studying art of the past are aesthetic or humanistic; it is a "triumph" that Pach's "anti-Rotarian protest" was published in -- Harper's -- Magazine; "glad to hear yr. painting is taking on, altho' I deplore yr. giving to it the time you should dedicate to writing"; urges him to write about the Gardner collection. 12 pp

From Elie Faure, Paris, France, June 9, 1926: hopes the Pachs will visit him in Paris before the end of July or in Dordogne later; their arrival is late for the painting season, but Tuileries Salon will be open; sold the Daumier in Germany; the profit paid for some home repairs and 2 small Renoir canvases; has a beautiful Cézanne drawing. 2 pp., in French

From Elie Faure, Dordogne, France, August 10, 1926: the entire family is at Dordogne and sorry Pach cannot join them; discusses exchange rate; Briggs trusts Pach to translate -- The Spirit of the Forms -- , which will be volume 5 of -- History of Art -- ; asks Pach to consider undertaking the job. 2 pp., in French

From Bernard Berenson, Florence, Italy, August 19, 1926: wishes there had been an opportunity for them to visit and have a serious talk during Pach's recent lecture tour; "I fear you will never take the place yr. gifts as a writer could lead you to if you cannot detach yr. self fr. painting itself. It is a pity. For critics are ever so much rarer." 4 pp

From Diego Rivera, [place unknown], Mexico, October 4, 1926: the package Lupe sent to the Pachs was lost when the boat capsized; wants copies of the magazine -- L'Amour de l'Art -- ; Derain's work is better; shares Pach's opinion of Picasso; wants to see Matisse's work; Faure will try to include more Rivera reproductions in the new edition; asks Pach to check on the status of Rudolf Tesch's project for Carnegie Corp.; requests the Charlot exhibition catalog. 4 pp., in Spanish

To Mrs. Pach From Lupe de Rivera, [place unknown], October 6, 1926: thanks for the baby sweater; her daughter, Guadalupe, called Pico, was tiny and ill at birth but now thrives. 2 pp., in Spanish

From Elie Faure, Paris, France, October 25, 1926: agrees that Mr. Brandt's Cézanne and Renoir are copies; comments on -- The Studio of Ingres -- ; discusses illustrations for -- The Spirit of the Forms -- ; compliments Pach's article on Mexican art; is going to Mexico for a vacation and needs advice on a budget; asks if Pach could sell a large horse painting by Gros in the United States. 6 pp., in French

From Elie Faure, [place unknown], November 3, 1926: Mrs. Dillard has a Fragonard worthy of a museum or a fine collection; asks about hotel rates in New York City. 2 pp., in French

From Elie Faure, Paris, France, November 12, 1926: is grateful that Pach will be translating -- The Spirit of the Forms; -- Pach should persuade Mr. Briggs to expedite the publisher's contract; saw Seurat's exhibition of more than 200 luminous drawings and a Bonnard show of rich and subtle still-lifes; 2 paintings by Matisse were highlights in an otherwise indifferent Salon d'Automne; Miss La Follette and her brother visited; the Baron Gros painting, which Mme. Dillard will handle, is a masterwork that the Metropolitan Museum [of Art] could be proud of; still believes in Soutine; would like to meet Barnes though a ruse might be needed. 4 pp., in French

From Suzanne La Follette, Choisy, France, November 19, 1926: visited Elie Faure and hopes to see him again; a review of her book will appear in -- Saturday Review -- . 6 pp

From Pedro Henriquez Ureña, Miramar, Argentina, January [?], 1927: Valovaciones cannot pay for contributions or translations; Pach should publish a translation of his book in the magazine so that Argentines will be familiar with him and his ideas. 2 pp

From Suzanne La Follette, [place unknown], January 9, 1927: the publisher is not promoting her book well; thinks Lewis Mumford is "gifted." 3 pp

From Suzanne La Follette, Paris, France, January 13, 1927: asks about resorts on the Mediterranean; Chester wrote enthusiastically of his travels in Italy. 3 pp

From Elie Faure, Paris, France, February 22, 1927: has had no reply From Mexico; "Art and Morals," which appeared in the Dial, should be retranslated; -- History of Art -- is being translated into Czech and possibly Japanese; artistic life in Paris is boring; Matisse is definitely the most tolerated; Soutine is not doing much; Pach should try to sell the Gros painting for Mrs. Dillard. 2 pp., in French

From Elie Faure, Paris, France, March 8, 1927: a safe-deposit box was transferred, with difficulty, from Pach's name to his; saw a beautiful Renoir exhibition; prices are high and only Delacroix and Corot are affordable now; Derain should protect himself From dealers. 2 pp., in French

From Elie Faure, Paris, France, March 29, 1927: Mr. Briggs received proofs of Pach's translation; discovered Siluster letters and will soon meet his aged widow and daughter, who may have more documents; no longer thinks of Mexico; is probably going to Egypt; they are unlikely to see one another this year; is disturbed that Pach failed to sell the Gros; museums prefer average paintings to fine sketches; suggests other places Pach might try to sell the painting; describes his newly acquired Theodore Rousseau landscape; reports on the Renoir exhibition at Bernheim's; painters in Paris seem more and more influenced by Renoir and less and less interested in Cézanne; Delacroix rises as Ingres falls. 4 pp., in French

From Bernard Berenson, Fabriano, Italy, May 10, 1927: review of his book missed its "contribution... to a criticism that is based on a question of design"; invites Pach to consider this issue in a review. 4 pp

From Elie Faure, [place unknown], June 8, 1927: Delacroix is becoming popular; at the sale of the Bureau collection ordinary Daumier watercolors brought high prices and wonderful Corot drawings sold cheaply; is unhappy with the captions for the plates in his last edition; witnessed Lindbergh's landing. 4 pp., in French

From Marcel Duchamp, Paris, France, June 24, 1927: announces his recent marriage; describes a Redon watercolor that Pach might sell to the Bings; Mrs. Bing expressed interest in the Brancusi bust now stored at Brummer, King, and Parker. 2 pp., in French

From Elie Faure, Paris, France, July 6, 1927: received the Delacroix book; he shares Pach's devotion to Delacroix, who is becoming fashionable in France; he may eventually acquire some Delacroix watercolors; a superb Géricault is on view at the Victor Hugo Museum; museums hang paintings poorly; Degas and Manet are idolized, while Cézanne and Renoir are just tolerated. 2 pp., in French

From Bernard Berenson, Stockholm, Sweden, July 25, 1927: Pach's review showed "intelligent and friendly comprehension"; "my Three Essays is an ironied and veiled attempt to demonstrate that there is a big part of the job that any well trained mediocrity can achieve"; "great artists like Antonello are not prophets but fulfillers of prophecy." 2 pp

From Elie Faure, Paris, France, October 3, 1927: spent his vacation traveling in Provence; has abandoned a project that attracted amateur attention; intends to study Chagall; -- History of Art -- will be translated into Japanese. 2 pp., in French

From Bernard Berenson, London, England, October 7, 1927: -- Harper's -- will ask Pach to write about the Gardner collection; urges him to accept the offer. 4 pp

From Elie Faure, [place unknown], December 19, 1927: Gagnon has reappeared; Faure purchased a Barye painting at a junk shop; agrees to write a preface to Pach's book. 4 pp., in French

From Leo Stein, Paris, France, February 7, 1928: Read Pach's review of his book in the -- Architectural Record -- ; "when you realize your incompetence for a job because of ignorance you had better keep out, because that very ignorance will prevent you From realizing how big a fool you are making of yourself." 1 p

From Elie Faure, [place unknown],1 April 22, 1928: Had a heart attack; is now working on a book about folk psychology; will lecture in Germany; museums prefer a perfect modern canvas to a masterpiece with slight damage; asks if Pach has tried to find a buyer for Christ; though his books sell, Faure has not prospered; describes several paintings in his collection; he may inherit Mme. Thelaphite's paintings; Mrs. Dillard has a Ribera for sale. 4 pp., in French

From [ signature illegible (Canaan L. Morris?)], Hartford, Conn., May 4, 1928: compliments Pach's lecture of the previous evening; critiques its structure. 2 pp

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., June 15, 1928: confirms Pach's appointment as assistant professor of fine arts. 1 p

From Elie Faure, Dordogne, France, August 11, 1928: is glad to be away From Paris; is very happy about the French translation of Ananias [large portions illegible]. 2 pp

From Jose Clemente Orozco, New York, N.Y., September 1, 1928: -- Form -- magazine deserves attention; offers to write to the editor on Pach's behalf; as Pach suggested, he met with Kraushaar, who didn't seem to like the revolutionary drawings but showed interest in the Art Center Exhibit paintings; speculates that Kraushaar found the Mexican pieces too strange; asks Pach to arrange another meeting; recommends García Maroto's article in -- Contemporaries -- about Rivera and his disgusting commercialism. 4 pp., in Spanish

From José Clemente Orozco, New York, N.Y., September 6, 1928: He and Mr. Owens will visit; the "animator" wants to deceive people of Pach's intelligence; the "animator's" treachery to art is disguised as a personal matter; García Maroto was deceived by the "animator"; lists founders of the Union of Painters and Sculptors who contributed ideas and skills while the "animator" contributed disloyalty; the "animator" claimed credit for a fresco technique developed by Siqueiros and Guerro; the "animator" killed Mexican mural painting and now interferes in all mural painting in Mexico; Maroto says the "animator" is stymied. 10 pp., in Spanish

From José Clemente Orozco, New York, N.Y., September 12, 1928: sends addresses of Jean Charlot and Gabriel Fernandez Ledema; Owens missed the train but hopes to meet Pach soon. 1 p., in Spanish

From Elie Faure, Paris, France, September 22, 1928: received Ananias, but cannot read it without a translator [large portions illegible]. 2 pp., in French

From Susan Macdowell Eakins, Philadelphia, Pa., October 10, 1928: received his letter and book; "whether it is the desire to purchase or not, I am always pleased to show my husband's pictures"; wishes to keep the Rush pictures and studies in Philadelphia. 3 pp

From Arthur B. Springarn, New York, N.Y., November 1, 1928: thanks Pach for dedicating the book to him; best wishes for the volume's success. 1 p

From Eleanor S. Brooks, Westport, Conn., November 14, 1928: five hundred dollars is a satisfactory amount for the manuscript. 1 p

From José Clemente Orozco, New York, N.Y., November 16, 1928: the publisher sent a copy of Pach's wonderful book and requested his opinion; his response expressed enthusiasm and admiration. 2 pp., in Spanish, + 1 p. enclosure (copy of letter, November 14, 1928, to Ruth Raphael, Harper & Bros., From José Clemente Orozco, New York, N.Y.: endorsement of -- Ananias, or The False Artist -- by Walter Pach)

From Lee Simonson, Editor, Creative Art, New York, N.Y., December 18, 1928: thanks Pach for making changes to his Rivera article; his review of Pach's book is "extremely hard-hitting"; offers opportunity for rebuttal in the next issue; "let us keep the thing above personalities"; Alfred Stieglitz and Leo Stein support Simonson's views. 2 pp

From Van Wyck Brooks, Westport, Conn., January 8, 1929: will send chapters for revision; payment can be handled however Pach prefers. 2 pp

From Elie Faure, Paris, France, January 11, 1929: has not finished reading Pach's book because he is unusually busy; his wife is ill; had to put aside projects to complete a book on the Italian Renaissance; with the exception of Sargent, "official" American painters are not known in France; impressionism and its aftermath have not produced any positive result; would like to see Pach's paintings, not just photographs of them; compliments Pach's etchings; a new edition of his work is in preparation; there may be a Serb translation. 4 pp., in French

From Eleanor S. Brooks, Westport, Conn., January 15, 1929: requests a month's extension for their translation work. 2 pp

From Van Wyck Brooks, Westport, Conn., February 14, 1929: chapter I and the introduction are being sent today. 1 p

From Eleanor S. Brooks, Westport, Conn., March 18, 1929: describes working methods; explains problems in translating Faure's writing. 2 pp

From Elie Faure, Paris, France, April 1, 1929: when Pach visits they will look at art and go to Dordogne; discussed Pach's book with his publisher; recommends not using American examples other than Sargent and possibly Alexander and Frieseke in the French edition; will find an apartment for Pach; Miss Mary Morris has not yet called on him; requests books on the psychology of Americans. 2 pp., in French

From Eleanor S. Brooks, Westport, Conn., May 12, 1929: translation work proceeds slowly; Van Wyck is in the hospital; she doesn't want it publicized. 2 pp

From Eleanor S. Brooks, Westport, Conn., May 26, 1929: Van Wyck's health has not improved. 2 pp

From Eleanor S. Brooks, Westport, Conn., July 10, 1929: thanks Pach for his patience; Van Wyck is now in a private sanitarium; she continues to work on the translation. 1 p

From Eleanor S. Brooks, Westport Conn., August 28, 1929: is sending next chapter soon; Van Wyck's condition has not changed. 1 p

From Elie Faure, Dordogne, France, August 28, 1929: his short review of Pach's book has been accepted for publication in the Dial. 2 pp., in French

From Eleanor S. Brooks, [place unknown], August 30, 1929: another chapter is ready. 1 p

From Elie Faure, Dordogne, France, September 13, 1929: went to Basque country with Soutine; had a good rest and thought about the psychology book he is writing; -- The Italian Renaissance -- appears to be a success; is anxious to see Pach's painting and hear about his time in Paris; hopes to interest Pach in Soutine; when working, Soutine hides like a dog gnawing a bone. 2 pp., in French

From Lewis Mumford, Long Island City, N.Y., October 23, 1929: recounts summer travels; is starting a book about the arts in America since 1870; asks for news of Van Wyck Brooks's condition and how Eleanor is coping; he worries about Eleanor's reaction to the proposal that he edit the Emerson book. 2 pp

From Harold M. Tovell, Toronto, Canada, October 25, 1929: "I do think that as a result of patience and education plus your lectures here, that the tide is turning in favor of our Toronto friends"; inquires about Marcel Duchamp; "the house here would be rather bare if it weren't for the Duchamp family. I hope you will tell him how greatly we prize their works." 4 pp

From Jacques Villon, Neuilly-sur-Seine, France, November 23, 1929: Verne wrote on behalf of the Committee of the National Museums accepting Raymond's sculptures; sends text of the Committee's flattering letter; thanks Pach for his continued support of Raymond. 4 pp., in French

From Childe Hassam, New York, N.Y., November 30, 1929: n -- Art in America -- , Pach confuses Horatio and Henry Oliver; Marie Sterner "has gotten together some of the worst things I have ever seen"; "verily art in America is run by old women! but most of them wear trousers." 2 pp

From Leo Stein, Paris, France, December 1, 1929: wants Pach to know the facts regarding his alleged endorsement of Clivette; "I supposed that Hellman was a gentleman and did not suspect a plant." 1 p

From Art Young, New York, N.Y., [postmarked] December 5, 1929: holiday greetings; news of James Opp [ sic], Springarn, Suzanne La Follette, and Glintenkamp; is working on a book and exhibition. 1 p. + 4 pp. enclosure (printed circular, undated, advertising books by Art Young, -- On My Way -- and -- Trees at Night -- , with excerpts from reviews and order form)

From Leo Stein, Paris, France 4218 265-267 [postmarked] January 8, 1930: "There is no artist that I value highly whom you do not also value but... you value many whom I don't"; diagram illustrates Stein's explanation of how their artistic tastes differ. 3 pp

From Elie Faure, Dordogne, France, March 12, 1930: Joubib's [?] awful reputation should be a comfort to Pach's friend who was so badly treated; plans to seek legal advice about suing De la Faille. 2 pp., in French

From Lewis Mumford, Long Island City, N.Y., March 12, 1930: is pleased with his lectures at Dartmouth College; his next book will be "a modern philosophy of life"; compliments Suzanne La Follette's book; he has an article in the first issue of the New Freeman; comments on policies and politics of the "Modern Museum." 4 pp

From Harold M. Tovell, [place unknown], May 16, 1930: "This is about the most perfect thing I have seen for a long time. A truly great work." Picture postcard ("Leonardo da Vinci Bronzlovas. Reiterfigur aus Bronze. Figure a cheval en bronze")

From Susan Macdowell Eakins, Philadelphia, Pa., July 10, 1930: received Pach's picture postcard of a Millet portrait; the "exhibition of Homer, Ryder, and Eakins at the Modern Museum seems to have pleased universally." 1 p

From Bernard Berenson, Florence, Italy, August 22, 1930: "I would rather not see the entire output of a master," even Delacroix; after finishing "the lists of Italian Painters" he will revise Drawings of Florentine Painters; then he plans a book on "The Decline and Revival of Form in the Figure Arts." 8 pp

From Susan Macdowell Eakins, Philadelphia, Pa., September 25, 1930: continues to enjoy the postcards Pach sent, especially the Millet; has found the painting he wants; there will be an exhibition in New York City in December; her good friend Charles Bregler, a pupil of Eakins's, has restored several of the pictures. 2 pp

From Al [Bing?], New York, N.Y., October 19, 1930: "Museum accepts pictures." Telegram

From Susan Macdowell Eakins, Philadelphia, Pa., October 21, 1930: received Barye copy and photos of Millet picture; details of upcoming Eakins show in New York City are uncertain; Charles Bregler has discovered retouching on some pictures; they will be cleaned before the exhibition; some may be placed behind glass to prevent future overpainting done in "ignorance"; enclosed sketch describes a study Eakins did while a student in Paris; wonders where other pieces from that period are, since he did many and returned with few. 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., October 23, 1930: through oversight, Pach's watercolors were not presented at the October meeting; "I forsee no trouble in their reception. The modern style has not the bitter enemies it used to have." 1 p

From Ida E. Guggenheimer, New York, N.Y., November 9, 1930: saw a good exhibition of modern French art at Harriman Gallery and a "gem" at Knoedler; is enthusiastic about Villon's colors; subsequent visits to Brummer's confirmed that her collection is superior; Mr. Kraushaar likes Pach's work and promised to see more; "you are right when you say I cannot expect to compete with the hawks of picture dealers"; comments on Ananias; economic conditions depress Mr. Guggenheimer and may prevent them From traveling. 3 pp

From B. Stein, New York, N.Y., November 17, 1930: thanks Pach for his book; saw Villon's "smashing" show; Gretchen purchased The (Rose) Haulers; financial conditions in the United States are "depressing"; is sorry Pach is "impatient" with writing, as he is gifted; is glad Pach is enjoying painting in Paris; describes ideas about modern furniture, which she wants to buy. 5 pp

From Ida E. Guggenheimer, New York, N.Y., December 1, 1930: "sympathetic" to Pach's "natural gratification at the Metropolitan's action;" Kraushaar will look at Pach's work in her apartment; mentions art seen at Reinhardt's and Brummer's galleries; received a letter From Villon. 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., December 12, 1930: Miss Pendleton took the painting Pach wants and will arrange delivery to him; Miss Pendleton would be a good subject to paint; holiday greetings. 1 p

From Ida E. Guggenheimer, New York, N.Y., December 17, 1930: saw Pach's drawings at Kraushaar's; saw work by Houdon at Anderson Galleries; Pach would enjoy Proust's remarks on music and art. 2 pp

From Allen Tucker, New York, N.Y., January 2, 1931: opinions of Corot-Daumier show at the Modern; Tucker had an exhibition. 4 pp

From Leo Stein, Paris, France, [postmarked] January 19, 1931: discusses "analytic" and "non analytic" approaches to a "nonverifiable subject"; "don't regard this letter as an argument. I never argue about art, but simply attempt to explain an attitude." 5 pp

From Susan Macdowell Eakins, Philadelphia, Pa., January 25, 1931: thanks Pach for bringing Eakins's work to the attention of the Louvre; Charles Linford is a possible choice; "I would prefer to present a picture, rather than sell, so we will not worry about prices"; Riccardo Bertelli's new gallery on 56th is exhibiting Thomas Eakins and Samuel Murray; there is an Eakins show at Babcock Galleries; the national economic situation is too bad to expect painting sales; articles on Eakins mistakenly "report that the little seated figure of Thomas Eakins was his favorite attitude while painting"; pictures shown at Babcock were cleaned by Charles Bregler; glazing was recommended for protection From air pollution; Pach's choice of frame for his Eakins painting is "fine." 4 pp

From Susan Macdowell Eakins, Philadelphia, Pa., February 19, 1931: sends photographs of paintings available for presentation to the Louvre; her choice of the Hamilton portrait is supported by Samuel Murray, Mr. Cranmer, and David Wilson Jordan; the Barker and Wallace portraits are possibilities; her sister-in-law offers the portrait of Susan Eakins' father; sends photographs of Thomas Eakins dating From student days in Paris; she has not seen the Eakins exhibition in New York. 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., February 21, 1931: Bertelli sold John McClure Hamilton, not understanding that it might go to the Louvre; the Barker and Wallace portraits will not be sold. 1 p

From Morris Kantor, New York, N.Y., March 16, 1931: is busy making frames; saw Pach's exhibition at Kraushaar's; "Paris did you a lot of good because your work has changed.... It has more freedom and a better painting quality"; sympathizes with "Baylie's" misfortune; Kraushaar will give "Baylie" a show; Sloan arranged for him to teach at the League. 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 17, 1931: "The Museum is much beholden to you however the David matter turns out"; the decision reached at yesterday's meeting will be announced after the painting is unpacked; compliments Pach's show at Kraushaar's; comments on the installation and specific pieces; "as to the Eakins matter I should be honored to cooperate." 2 pp

From A.S. Baylinson, New York, N.Y., March 19, 1931: complimentary comments on Pach's show at Kraushaar's; is moving to a new, fireproof studio at 54 West 74th Street; "I will have the group work there with me evenings as before, and before long we shall forget the fire"; will teach at the Art Students League in the coming year. 2 pp

From Childe Hassam, New York, N.Y., March 27, 1931: Pach's exhibition, which Hassam viewed twice, includes "the best things I have seen of yours"; spoke with John Sloan and Miss Kraushaar at the gallery; describes his etching of Helen Wells and promises to send a photograph of it. 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 28, 1931: the painting arrived and is "even grander than I had imagined.... It will be one of the masterpieces here"; has been in contact with Mrs. Eakins; thanks Pach for his "beneficent labors." 3 pp

From Susan Macdowell Eakins, Philadelphia, Pa., March 28, 1931: Burroughs and Brummer were consulted in the search for photographs of Eakins paintings; lists sizes of paintings under consideration; J. Carroll Beckwith might interest the Louvre. 2 pp

From Bryson Burroughs, New York, N.Y., March 31, 1931: "David Bought Hooray." Telegram + 1 p. enclosure (April 1, 1931 From Morgan & Cie., Paris, France: debit notice for collect telegram received From New York the previous day)

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., April 14, 1931: Museum is pleased with the David painting; thanks Pach for his role in the transaction; "waiting for the Eakins matter to crystallize"; wants the Pennsylvania Museum to offer Clara or The Bohemian; the Louvre should have an example of Eakins' "very best"; will propose the idea to Kimball. 2 pp

From Arthur B. Springarn, New York, N.Y., April 21, 1931: is "profoundly impressed" by Pach's exhibition; his work shows a new "lack of inhibition"; "I resent the conspiracy of silence of the critics tho' I suppose that is the price you pay for being the author of Ananias"; gives recommendations for Raymond's schooling. 6 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., May 3, 1931: "The Penn. Mus. Eakins project takes shape gradually"; Clara may be "suitable"; the "exchange" proposed is complicated and requires "committee actions"; maybe they could give Clara to the Louvre; Kimball will "come round." 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., May 11, 1931: sends copy of a letter From Fiske Kimball and a reproduction of Clara; upon seeing the painting again "my previous judgement was amply confirmed." 1 p. + 1 p. enclosure (May 8, 1931, to Bryson Burroughs From Fiske Kimball, Director, Pennsylvania Museum of Art, Philadelphia, Pa.: "I shall recommend to my Board that a gift be made to the Louvre"; instructs Burroughs to ask Guiffrey whether the Louvre will accept Clara; discusses framing and Eakins's ideas on the subject)

From Jean Guiffrey, Louvre Museum, Paris, France, June 2, 1931: thanks for the Eakins painting; when informed of the gift, his colleagues will be grateful. 1 p., in French

From Abby Greene (Aldrich) Rockefeller, Pocantico Hills, N.Y., June 10, 1931: purchased Pach's painting of anemone; thanks for "the trouble you have taken about the Géricault drawing." 3 pp

From Henri Verne, Director, Louvre Museum, Paris, France, June 18, 1931: thanks Pach for his role as intermediary in the Louvre's acquisition of a Thomas Eakins painting. 1 p., in French

From Bryson Burroughs, [place illegible], France, June 24, 1931: Is arriving in Paris in July; wants to see David-Weill collection; "it is a great comfort the way the Eakins matter turned out and I am really glad to be out of its final arrangement"; is going to Milan to see the -- Très Belles Heures -- . 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., June 27, 1931: Is pleased with the choice of painting for the Louvre; thanks Pach for his efforts. 2 pp

From Bryson Burroughs, aboard SS De Grasse, July 19, 1931: Guiffrey "is delighted about the Eakins and well appreciative of your efforts in regard to it"; Metropolitan Museum of Art may participate in the French exhibition in London next year; "a new era of liberalism and cooperation is about due with the passing of so many ancient trustees"; describes the excellent condition of the -- Très Belles Heures -- . 3 pp

From Caroline Pratt, Chilmark, Mass., August 14, 1931: Discusses Raymond's academic progress and challenges; gives recommendations for the future. 5 pp

From Elie Faure, Peking, China, October 7, 1931: Received a warm welcome in the United States; the end of his trip and the end of his life are darkened by catastrophe. Picture postcard ("Great Wall of China"), in French

From Beatrice [?], New York, N.Y., October 10, 1931: " Simone is ours." Telegram

From Elie Faure, Angkor, Cambodia, November 14, 1931: Expresses love for America and Americans; thinks the hope of the world is in the United States and also between the Urals and Vistula. Picture postcard ("Ruines D'Angkor"), in French

From Ida E. Guggenheimer, New York, N.Y., November 15, 1931: Etta Cone bought a Pach painting and is "enthusiastic" about Duchamp-Villon; "saw the Mouillots at Brummer's and I must confess to being very disappointed"; she "positively rejoice[s]" in her own piece by Duchamp-Villon; many praise Pach's work in her collection; art prices are down; news of various friends, especially musicians. 4 pp

From Jean Crotti, Paris, France, November 18, 1931: "I have always declined to write prefaces for contemporaries (the cases of Villon and Duchamp-Villon being exceptions which I intend shall remain exceptions); it is a job for a professional critic, and not for a man who is himself engaged in painting." 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., November 24, 1931: Gift of 2 etchings by Pach was received by the Museum. 2 pp

From Elie Faure, Colombo, Ceylon, November 25, 1931: Everyone says his wife and daughter were courageous and that helps him tolerate the loneliness; is anxious to see the Corot book, especially the reproductions; will continue writing for -- Petit Parisien -- ; now believes one must write for the masses. 2 pp., in French

From Henri Verne, Director, Louvre Museum, Paris, France, December 22, 1931: Thanks Pach for his gift of an engraving of New York. 1 p., in French

From Al Bing, New York, N.Y., December 23, 1931: Socrates by David and the Havemeyer collection are now hanging at the Metropolitan; Whitney Museum, Frick Gallery, and the Modern Gallery will all be open when Pach returns; Coffin, "a man of great ability and sterling character," has been elected Museum president; is interested in the Bonaparte exhibition; asks Pach to help sell his Renoir. 12 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., January 9, 1932: Trustees will want more information about the Géricault picture; they trust printed sources over his opinions; is hopeful that Coffin can make "improvements"; though Pach is "eminently suited for Museum work," this is a poor time to enter the field. 2 pp

From Albert Morance, La Chef des Services Commerciause et Techniques, Louvre Museum, Paris, France, January 11, 1932: Is returning to Pach the contract concerning his engraving. 1 p. + 2 pp. printed form (Louvre Print Department acquisition form for The Telephone and Telegraph Building, New York, and rules for transfer of works to the Print Department), in French

From Leo Stein, Paris, France, [postmarked] January 12, 1932: Discusses "two questions that always arise in respect to art... (1) What qualities does one note in a work of art. (2) What value has that which one sees." 6 pp

From Allen Tucker, New York, N.Y., January 18, 1932: Pach's stay in Morocco seems to have been beneficial; 1931 was a difficult year; hopeful for the future; "the Whitney has shaken the whole thing up and American shows past and present and I daresay future are everywhere"; "Rivera having a grand time in a pas de deux with Mrs. Rockefeller at the Museum of 'Foreign' Art." 3 pp

From Henri Verne, Director, Louvre Museum, Paris, France, January 26, 1932: Thanks Pach for his role in the Louvre's acquisition of the Eakins painting; it arrived in good shape and was readily accepted; is still considering the Barye castings. 1 p., in French

From Leo Hartman, Harper's Magazine, New York, N.Y., February 1, 1932: The artists mentioned in Pach's article are too obscure for Harper's readers. 1 p

From Al Bing, New York, N.Y., February 7, 1932: Thanks Pach for helping him find a potential buyer for his Renoir; discusses the Furdson and Havemeyer collections at the Metropolitan; family news; is anxious for Pach's return. 7 pp

From Van Wyck Brooks, Westport, Conn., February 8, 1932: "The Depression is not to be underestimated" and could change the social order; discusses colleges for Raymond; Life of Emerson and a volume of his essays reprinted From the Freeman will be out soon; the Prendergasts live nearby; "Charlie P. is surely a true primitive old master to whom only Vasari could do justice in the way of antecedents"; "I kept thinking as I read your book, what new books must logically follow From your mind"; suggests Pach write histories of art criticism and American art. 10 pp

From Henri Verne, Director, Louvre Museum, Paris, France, March 5, 1932: Because Barye's -- Apollon -- is a fragile plaster, the curator cannot risk making castings. 1 p., in French

From Childe Hassam, New York, N.Y., March 8, 1932: Has a print of Helen Wells for Pach; the Metropolitan Museum filmed him at work and play in East Hampton last summer; the Boston Museum commissioned a similar film of Benson. 3 pp

From Ida E. Guggenheimer, New York, N.Y., March 25, 1932: Sent another payment for City of Mexico to Pach's bank; several people have shown interest in Simone; she and the Steins purchased work From Baylinson's Kraushaar show. 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 26, 1932: The Géricault is a "grand picture, but don't pin any faith on the taste of trustees"; Pach would find it frustrating to work within the museum's structure; is anxious to correspond or converse about Hubert and Jan Van Eyck. 2 pp

From Allen Tucker, New York, N.Y., April 10, 1932: Congratulates Pach on his show and catalog; compliments the Morse exhibition at the Metropolitan; "the Whitney gallery has shaken up the attention of people to the present Americans." 2 pp

From D.T. Sieveking, Director, Antikensammlungen, Munich, Germany, April 27, 1932: Returns the completed questionnaire. 1 p. + 1 p. enclosure (questionnaire about Greek figure known as -- Naked Girl with Cap -- ), in German

From John Sloan, New York, N.Y., April 30, 1932: Recounts the politics of the League's presidential election that he lost; Schnakenberg will be an "inactive president"; when the Board turned down Geo. Grosz, Sloan resigned; Jonas Lie threatened to resign if Pach lectures there; Sloan will teach at Archipenko's school next season; Dolly is a manager for the touring Exhibition of Indian Tribal Arts; Baylinson supported Sloan in the "fight"; financial details of the Sixteenth Annual Independent Exhibition. 2 pp

From Charles Bourgeat, Galerie Dru, Paris, France., May 7, 1932: Received payment for Pach's exhibition there; cannot locate the Sisley and Pissarro photographs Pach sent; their aim to show fine and beautiful painting was accomplished with Pach's exhibition; difficult times account for compliments and no sales. 2 pp., in French

From Ida E. Guggenheimer, New York, N.Y., May 10, 1932: Her opinion of photography remains "good, but not art, and deadly after a certain length of time." 1 p

From Ida E. Guggenheimer, New York, N.Y., May 22, 1932: Hopes Pach's article, "Owning Pictures," will be published; the museum's rehung galleries present interesting new comparisons; asks his opinion of the Art Students League controversy; saw Baylinson at the Independent show; purchased a Baylinson drawing From Kraushaar. 3 pp

From the -- Atlantic Monthly -- , Boston, Mass., May 31, 1932: Pach's article is of limited interest to Atlantic Monthly readers. 1 p

From M.L. Allen, -- Harper's -- Magazine, New York, N.Y., June 2, 1932: Pach's article, "American Art in the Louvre," is not appropriate for a general audience. 1 p

From Gino Severini, Fribourg, Switzerland, June 16, 1932: His schedule will not permit another meeting before Pach's departure; the art market will improve; is interested in the prospect of a show at Brummer's; "decoration work" for Weyhe may end in September; thanks Pach for his help. 2 pp., in French

From P. Dubaut, Paris, France, July 19, 1932: Thanks Pach for sending clippings; the gallery behaved professionally but was not overly kind; was generally pleased with the show; is happy to know Pach. 2 pp., in French

From Alfred Vance Churchill, Rockport, Mass., July 25, 1932: Pach was the first to write of the Smith College Museum as "one of the choicest and best directed collections of art in America"; has received many commendations and is putting together extracts "for certain personal uses"; requests additional thoughts From Pach on the collection. 3 pp

From Alfred Vance Churchill, Rockport, Mass., July 25, 1932: Is trying to arrange a lecture for Pach at Smith College and perhaps at Mount Holyoke College; Jere Abbott will succeed him as museum director; thinks his retirement was forced on the trustees by Paul J. Sachs. 4 pp

From Nadine and Ad. Wuester, Paris, France, January 5, 1933: Pach is missed as their circle of friends diminishes; painted at the Côte d'Azur last summer; shows of Renoir and Delacroix were exceptions in a dull art season; Aubrey's gallery is now a junk shop; mentions auctions of the Strauss and Pacquemont collections; Goetz's Delacroix still-life was reattributed to Andrieux; a sketch said to be by Géricault appeared at the Hôtel Drouot; cheap reproductions are being passed off as Géricault watercolors. 5 pp., in German

From Elie Faure, Paris, France., January 7, 1933: France is declining; sends family news; Paul Morand gave his book a favorable review; inquires whether Pach has found work; there are fewer exhibits in Paris; good paintings are now seen only at the big sales such as Strauss. 2 pp., in French

From Marjorie Carpenter, Hamilton, Ontario, Canada, January 9, 1933: Confirms lecture date at McMaster University. Telegram

From Gertrude Wolf, Executive Secretary, New York University, New York, N.Y., January 9, 1933: Requests syllabus for last 2 lectures of Pach's course and the examination questions. 1 p

From Susan Macdowell Eakins, Philadelphia, Pa., [postmarked] January 19, 1933: Informs Pach of prices of two Eakins portraits; many Eakins paintings were damaged by restorers; others are in "splendid condition" due to the efforts of Charles Bregler; comments on Mrs. Whitney's plans to aid painters. 1 p

From William Reinhold Valentiner, Director, Detroit Institute of Arts, Detroit, Mich., February 9, 1933: Thanks the Pachs for a warm welcome; enjoyed seeing Pach's paintings and his personal collection; the picture signed Hogarth is not by the master; the signature on the Géricault drawing appears genuine. 2 pp., in German

From Elie Faure, Paris, France, June 20, 1933: Has been ill for 2 months; the French economy is poor, resulting in greatly reduced incomes; Rivera has been forbidden to make public speeches; a Chassériau exhibit is open; Joubin, who organized the current Renoir show, knows nothing about painting and villifies artists while they are alive but sanctifies them after they are dead; among the beautiful paintings in the exhibit is a portrait of Sisley and his wife. 6 pp., in French

From Elie Faure, Paris, France, September 23, 1933: Madame Siluster died; she had 4 Delacroix drawings of which Faure kept 2, gave 1 to François, and sent to Pach a portrait sketch of Madame Guizot; Pach should tell Rivera that Faure is upset that he did not translate Mon Périple; is enthusiastic about Rivera's paintings and frescoes and considers him a great illustrator; the chapter Faure sent was ignored, which is a disappointment as he hoped to interest an American editor; is depressed over the rejection of his collected essays; the Renoir exhibition is a disgrace to the memory of the artist, who is misunderstood and detested by the organizers of the show. 4 pp., in French. to Herbert Eustis Winlock From Walter Pach, New York, N.Y. 4218 481-483 November 12, 1933: Refers to previous discussion of the "Indian collection"; suggests a "single gallery of Indian art including Mexican, and adding, if desired, the other peoples whose work has a sufficient art value"; use art rather than anthropology as the criterion; "my idea is that the museum should accept the collection Mr. Sloan intends to offer as a gift From his association, or accept part of it as the nucleus of a gallery of the art of the so-called barbarous peoples." 3 pp

From Elie Faure, Paris, France, December 9, 1933: A Courbet, which Faure believes is his most beautiful, is for sale; indicates price, size, and citation of a reproduction; inquires about the financial crisis in the United States; comments on economic problems, political events, and inertia of the French people; is writing a preface for Rosenberg's Renoir exhibit; asks about Pach's painting and printmaking; requests news of Rivera about whom he wrote an article; Harper's sent money and will reprint The Spirit of the Forms. 4 pp., in French

From Ida E. Guggenheimer, New York, N.Y., December 10, 1933: Saw the Cézanne exhibition twice; "as for Dr. Valentiner, of course I am all with Rivera.... No good can come out of anything as bad as the Hitler program." 2 pp

From Clifton A. Wheeler, Indianapolis, Ind., February 2, 1934: Discusses fellow board members of the Indianapolis Art Association and acquisitions; "modernization" was the response to declining school enrollment; 9 instructors, including Wheeler, were fired; describes life on the top of La Conte Mountain, Tenn., where he painted the previous fall; has mural and portrait commissions, "so long as I can make a living I don't care if I don't teach." 8 pp

From E.D. Smyth, Tangier, Morocco, September 19, 1934: Thanks Pach for sending a painting of Helen; is staying in Helen's house; Gertrude Stein's book about Alice Toklas is "an overwhelmingly cheeky work" that failed to mention Pach; news of mutual friends; reminiscences of visits with the Pachs; James McBey, a Scottish painter and etcher, has settled nearby. 3 pp

From Marcel Duchamp, Paris, France, October 17, 1934: Feels animosity toward Barr, whom he calls narrow-minded; will handle in his own way any resulting confrontation or unpleasantness; told Arensberg, owner of -- Un Descendant -- , not to lend to Barr; asks Pach to find an excuse for refusing Barr; Barr shall reap what he has sown; American collectors are now speculators; sends order forms for his new book. 5 pp., in French

From Elie Faure, Paris, France, December 4, 1934: The owners of the Courbet are impatient; asks if it has arrived in New York; suggests that a collector, Barnes, or the Metropolitan Museum of Art may be interested; his book is being ignored in France; if Pach has money, now is a good time to buy art; tells of works that are selling at reduced prices. 2 pp., in French

From Simonne Maubert, Paris, France, December 22, 1934: Miss Stein wrote with good news of Pach; posed for Miss Stein during the autumn and hopes for similar work next year. 2 pp. + picture postcard ("Palais de Fontainebleau, La Cour Ovale et le Baptistère"), in French

From A. Frohberg and Johanna, Dresden, Germany, December 31, 1934: Thanks Pach for letter and for holiday greetings; the news of Pach's selection for an important commission brings them great joy; news of a family friend who has made progress and overcome obstacles. 2 pp., in German

From Karl Lilienfield, New York, N.Y., May 13, 1935: Confirms the commission Pach will receive if he sells paintings for Alexander M. Bing. 1 p., in German

From Henri Focillon, New Haven, Conn., May 21, 1935: Thanks Pach for sending the fine article he wrote on -- La Patelliere -- , which he saw in Bucharest; when visiting the Politzers, he failed to recognize Pach's name, thus missing the opportunity to express his admiration and respect. 2 pp., in French

From Father [Frohberg] and Johanna, Dresden, Germany, July 2, 1935: Birthday greetings. Picture postcard ("Herzlichen Gluckwunsch zum Geburtstage"), in German

From Bernard Berenson, Florence, Italy, September 13, 1935: Opposes exhibitions such as the current one at the Petit Palais; is revising his work on drawings of Florentine painters; "foulness piled over Michelangelo by a lot of German animals, the worst of whom is a biped named Panofsky." 12 pp

From Elie Faure, Paris, France, September 24, 1935: Asks about Pach's frescoes and requests photographs; discusses the dire economy and his own financial situation; believes the movement born of cubism is dead in France and explores this idea more fully in a preface he wrote for Brummer's upcoming Lipchitz exhibition; discusses an exhibition of Italian art and the poorly received article he wrote about it for L'Humanité; visited London, which seemed more alive than Paris; objects to glass on paintings at the National and the Wallace; has not heard From Rivera, possibly because Faure's article was not flattering enough. 4 pp., in French

From Clifton A. Wheeler, Indianapolis, Ind., October 20, 1935: Pach should notify the director of the John Herron Art Institute of his schedule and lecture fees; is teaching at a high school; the art school is now "purely Yale, Beaux Arts competition, and American Academy in Rome." 2 pp

From Edna Strasser, Amsterdam, the Netherlands, October 26, 1935: Called on friends of Pach, the Brinkman family of Haarlem; saw the portrait Pach painted of their brother in 1906. 3 pp

From Arthur Strasser, Seville, Spain, November 18, 1935: Recounts visit with Brinkmans in Haarlem; is impressed by the Prado, Rubens, and El Greco; at Pach's suggestion, they have attended several performances of gypsy music and dancing. 4 pp

From Elie Faure, [place unknown], November 29, 1935: Is enchanted by and praises the most successful part of Pach's triptych; discusses the economy and prospects for work in France; continues to be pessimistic about painting in France; architecture is what is needed now and cinema may become more important than painting; mentions a Flemish exhibition; congratulates Pach on his portrait of a young man, possibly Raymond; the critics who denounced what Faure wrote on the agony of painting now admit he was right. 4 pp., in French

From A. Frohberg and Johanna, Dresden, Germany, March 2, 1936: Belated birthday greetings; tell Magda everything has been done for Zittau [?]. Picture postcard (untitled), in German

From Gerda Stein, New York, N.Y., March 10, 1936: Thanks Pach for his friendship; "accept this simple expression of my appreciation for what you have given me and the earnest hope that it will bring you an answer to some of the problems that perplex you." 4 pp

From Ida E. Guggenheimer, Ontario, Canada, August 4, 1936: Read his review in the -- Nation -- and wants to see the exhibition; the watercolor of Magda acquired by the Brooklyn Museum is one of Pach's best. 1 p

From Charles Bourgeat, Paris, France, August 21, 1936: The Seligmanns request a meeting about the Ingres paintings Bourgeat and Pach discussed earlier; sends 2 color reproductions of Cézanne paintings that Cézanne's son wants to sell; discusses prices and commissions; saw the Cézanne works now in the Orangerie; asks if Etta Cone might be interested; missed Bing's visit to Paris. 4 pp., in French

From Bernard Berenson, Grusbach, Czechoslovakia, August 26, 1936: "You are one of the last surviving acquaintances who, in the study of art, have not gone over to irrelevant promiscuity"; discusses attribution of Goldman's Madonna; has begun writing "The Decline and Recovery of Form"; spent 6 weeks in Yugoslavia studying Roman remains and Byzantine frescoes. 4 pp

From Bernard Berenson, Florence, Italy, November 30, 1936: Read his article in the -- Virginia Quarterly -- ; he liked the photograph of Pach's fresco more than the article; tell Van Wyck Brooks he is welcome to visit when next in Florence; spent 5 weeks in Paris. 4 pp

From Elie Faure, Paris, France, December 28, 1936: Eight months ago Lizou married a man who died of cancer a few days later; his books are not selling well; History of Art is unavailable and financing cannot be found for a new edition; saw an exhibit of Bonnard and Vuillard; considers mural work the only important current painting; recounts a visit to Spain; Rivera was wounded in Mexico; Rivera's recent silence may be the result of Faure's article. 4 pp., in French

From Herbert Eustis Winlock, Director, Metropolitan Museum of Art, New York, N.Y., February 13, 1937: Winthrop will not loan his collection. 1 p

From Allen Tucker, Castine, Maine, May 30, 1937: "I wonder if Museums and concerts haven't stopped rather than helped our creative efforts"; is glad to be back in America; wrote to Moe; "the foundation likes to bet on the unknown instead of helping anyone who has shown they HAVE ability and have done the work"; congratulates Pach on continuing to paint despite other responsibilities; sorry to hear Sloan is unwell. 1 p

From Ernestine Ludolf, Florence, Italy, June 22, 1937: Pach is "a good and faithful friend"; his kind words about Egisto are like "a flower of remembrance on his grave"; wants to give him a small painting by Egisto, showing a corner of the Montmartre studio where he and Pach first met. 6 pp

From Ida E. Guggenheimer, Paris, France, September 13, 1937: Attended a conference in Paris; visited the Fountain of the Innocents; made a thorough tour of the exhibition with Villon. 3 pp

From Marcel Duchamp, Paris, France, September 28, 1937: Would like to see his painting -- Sad Young Man on a Train -- join related paintings in California and believes Arensberg would agree; requests a photograph of the painting to reproduce in an album he is compiling. 2 pp., in French

From Allen Tucker, New York, N.Y., November 1, 1937: Thanks Pach for the Delacroix book; congratulations on "another great contribution to civilization"; completed a "pretty good summer's work" before his illness. 2 pp

From Van Wyck Brooks, Westport, Conn., November 18, 1937: Thanks Pach for the book on Delacroix; the introduction is "wholly satisfying." 2 pp

From Van Wyck Brooks, New York, N.Y., November 23, 1937: Reads some of Delacroix each day; "I'm beginning to understand your feeling about him." Picture postcard ("Self Portrait by Francesco Goya. Frontispiece to Los Caprichos. Madrid, circa 1803")

From L. (Mme. Elie) Faure, Paris, France, November 30, 1937: Thanks Pach for writing to her; wants to carry out her husband's wishes to make his work publicly accessible; sends a list of Faure's unpublished articles; discusses financial matters relating to the Harper's contract. 4 pp., in French

From Royal Cortissoz, New York, N.Y., January 2, 1938: Thanks Pach for his book on Delacroix, "the work of an artist and man of letters." 3 pp

From Van Wyck Brooks, Westport, Conn., November 2, 1938: "I'm glad to stand by that statement." Picture postcard ("Mountain landscape. Chinese, Ming Period, 15th century, after a design attributed to Ma Yiian (flourished 1190-1221)")

From Henry Watson Kent, Metropolitan Museum of Art, New York, N.Y., November 3, 1938: Thanks Pach for the "kind letter about the Morgan exhibition." 1 p. (frame 589) and envelope

From Henry Watson Kent, New York, N.Y., November 8, 1938: Thanks Pach for the inscribed copy of his book; is proud to be associated with the book and to have Pach say kind things about him. 1 p

From Van Wyck Brooks, Westport, Conn., November 9 and 11, 1938: Read -- Queer Thing, Painting -- ; "I had better begin now by telling my few objections, in order to hand you later my full bouquet"; "you exaggerate the Villon connection"; "you exaggerate the ignorance of Italian art on the part of our forbears"; "you praise some collectors too highly," especially Morgan and John Quinn; "your memory of Yeats is suspect"; Pach has created a "permanent record and source-book" full of "wisdom." 14 pp

From Van Wyck Brooks, Westport, Conn., November 15, 1938: Grants permission to quote From his previous letter; Pach's book is "tremendously important." 2 pp

From Kenneth Hayes Miller, New York, N.Y., November 15, 1938: Congratulations on -- Queer Thing, Painting -- ; the book has "permanent value." 1 p

From Louis Lombard, [place unknown], France, November 23, 1938: Thanks Pach for his letters; describes the horrors of life as a soldier; he reads Whitman to maintain good spirits. 4 pp., in French

From Henry Watson Kent, Metropolitan Museum of Art, New York, N.Y., December 9, 1938: Advises Pach to distribute new cards to schools. 1 p. + 1 p. enclosure (suggested text for announcement of Pach's availability as a lecturer)

From W.S. Rusk, Wells College, Aurora-on-Cayuga, N.Y., December 21, 1938: "Thank you for the conference the other day in which we discussed the artist and the art critic." 1 p

From G. Masolle, Evian, France, December 31, 1938: Thanks Pach for the extract From his book, which she translated immediately; it showed perfect understanding of Jean's character; -- The Prisoners of the World -- is impossible to find; Jean Cocteau has not published Jean's first essays or poems. 2 pp., in French

From Ernestine Ludolf, Florence, Italy, February 20, 1939: Is "grateful" for the "lovely tribute" to her brother, Egisto Fabbri, that appeared in Queer Thing, Painting; she and her brother were students of J. Alden Weir; Pissarro advised them to study the Old Masters; details of the sale of 12 Cézanne paintings From Egisto's collection; sending a privately printed memoir of her brother; invites Pach to call on her and various relatives when he is in Florence. 4 pp

From Simonne Maubert, Paris, France, April 5, 1939: Thanks Pach for sending his book; she was happy to recognize herself in one of the chapters; her English is improving and one day she may be able to read the entire book. 4 pp., in French.

To Magdalene Pach From Van Wyck Brooks, Westport, Conn., July 8, 1939: Is looking forward to the Pachs' visit. 2 pp

From Van Wyck Brooks, Westport, Conn., December 29, 1939: The book is a "glorious achievement... by far your best book"; it "brought back all my gratitude to you for all that you have taught me about art." 4 pp

From Daniel Gregory Mason, New York, N.Y., March 15, 1940: Thanks Pach for the "great pleasure and stimulus" of Ingres; "one grows to feel something of the affection, respect, and admiration for Ingres that you show the way to." 1 p

From Don F. Dickson, Director, Dickson Mound Museum, Lewistown, Ill., March 28, 1940: Sends photographs of pipes that Pach found interesting. 1 p. + enclosures (4 photographs of ceremonial pipes: "Front view of a human effigy tobacco pipe From the Great Temple Mound in Oklahoma, Ceremonial type"; "Front view. Ceremonial type"; "Side view. Ceremonial type"; and "Back view of human effigy tobacco pipe From the Great Temple Mound in Oklahoma, Ceremonial type")

From Bernard Berenson, Florence, Italy, March 30, 1940: Was interested in the Ohio mound builders in his youth; "my writing days are over I fear, for one thing I feel afraid I have nothing to say that would not sound commonplace"; "too much absorbed" in what is going on in this part of the world." 8 pp

From Ernestine Ludolf, Florence, Italy, April 18, 1940: Ingres is "splendid"; sympathizes with the "difficulties" Pach encountered when organizing the World's Fair art exhibition. 6 pp

From Van Wyck Brooks, Boothbay Harbor, Maine, September 2, 1940: Pach has found "the only paragraph in the whole book (which after a dozen rewritings) left me unsatisfied." Postal card

From G. Masolle, Evian, France, October 14, 1940: Is happy that Jean's memoirs are in Pach's hands; awaits English victory; the French are suffering, but she is confident the country will survive. 2 pp., in French

From Van Wyck Brooks, Westport, Conn., April 9, 1941: "We missed you at the John Sloan dinner"; he won't write any more about expatriates. 3 pp

From Alfred Vance Churchill, Northampton, Mass., April 21, 1941: Congratulations on Ingres; recalls Pach's help in acquiring important paintings for the Smith College Museum of Art. 3 pp

From Art Young, New York, N.Y., May 9, 1941: Congratulations on -- Masterpieces of Art -- . 1 p., illustrated with drawing of a stooped man walking with a cane

From Hugo Robus, New York, N.Y., June 13, 1941: Was pleased by Pach's letter praising his marble at the Museum of Modern Art; Alfred Barr was "delighted" by Pach's comments; there is also a Robus bronze at the Museum of Modern Art; "I never dated my work and so the actual year of production is a pretty hazy matter." 2 pp

From Ruth A. Wilmot, Oak Bluffs, Mass., [postmarked] August 2, 1941: She and Donald are enjoying their vacation. Picture postcard ("Yacht Club and Harbor, Edgartown, Mass.")

From Kenneth Hayes Miller, New York, N.Y., August 7, 1941: Comments on paintings From the Louvre shown at the M[etropolitan] M[useum of Art]; he doesn't enjoy the country as Pach seems to. 2 pp

From Bernard Berenson, Florence, Italy, August 30, 1941: "I believe the entire Mississippi basin to its utmost reaches was flooded with Aztec influences"; requests photograph of a piece Pach mentioned seeing in Columbus, Ohio; "French art will rise again"; recalls his first acquaintance with Poussin's work. 2 pp

From Van Wyck Brooks, Westport, Conn., September 4, 1941: "I am reacting against this whole conception of 'mankind' as 'rabble' "; his new book will expound on this. 2 pp

From Charles Cunningham, Assistant Curator of Paintings, Museum of Fine Arts, Boston, Mass., September 11, 1941: Requests additional information about Pach's Delacroix painting; shares information on works in the collection of George Reinhardt, Winterthur, and the Metropolitan. 2 pp

From Charles Cunningham, Assistant Curator of Paintings, Museum of Fine Arts, Boston, Mass., October 15, 1941: Sends summary of information compiled when cataloging the Museum's version of Delacroix's -- Christ on the Sea of Genesareth -- . 1 p. + 4 pp. enclosure (notes on 6 versions of the painting)

From William Mills Ivins, New York, N.Y., [postmarked] January 27, 1942: Thanks for his "warm approval of the Bulletin article." 1 p

From Van Wyck Brooks, Norwalk, Conn., [postmarked] February 3, 1942: Thanks for sending the brochure about Quidor. Picture postcard ("The Dance of Death. The Ploughman Woodcut by Hans Holbein the Younger. German, 1497-1543")

From Van Wyck Brooks, Westport, Conn., [postmarked] February 19, 1942: Thanks for the Quidor catalog; saw the show yesterday; "he's really a discovery." Picture postcard ("Saint George and the Dragon. Woodcut by Lucas Cranach the Elder. German, 1472-1553")

From Van Wyck Brooks, Westport, Conn., [postmarked] February 27, 1942: "What you say about the book makes me regret all the more that it has to be postponed." Picture postcard ("Rembrandt, Dutch, 1606-1669. Portrait of the Artist"), with annotation by Pach: "Book on American Art proposed to the American Philosophical Society."

From Fred M. Stein and Arthur Strasser, New York, N.Y., March 21, 1942: In "recognition of what you have meant to the [Schilling] Fund... [we] take great pleasure in sending you the enclosed." 2 pp

From M.M. Pochapin, Music Appreciation Record Corporation, New York, N.Y., May 6, 1942: Please sign and return a copy of the agreement. 1 p. + 1 p. enclosure (May 6, 1942, From M.M. Pochapin, New York, N.Y. Pach has been selected a Judge for the "Art Appreciation Movement. In this capacity you are to pass on the true value of paintings submitted.").

to Magdalene Pach From M.M. Pochapin, Managing Director, Art Appreciation Movement, New York, N.Y., May 13, 1942: Requests that she read the organization's pamphlet about the Art Appreciation Movement and complete the "lengthy Qualification Form"; "great artists will make their paintings available at these small Public Service prices." 2 pp

From M.I. Block, Art Appreciation Movement, New York, N.Y., May 27, 1942: Receipt for 5 oil paintings consigned. 1 p

From Reginald Poland, Director, Fine Arts Gallery, San Diego, Calif., 5 June 25, 1942: "We realize increasingly that, in the Caravaggio, we have a magnificent work of art"; "we have just acquired a glorious Titian Madonna, painted about 1514-- very strongly Giorgionesque." 1 p

From Van Wyck Brooks, Westport, Conn., [postmarked] July 8, 1942: "What happens to them [artists] when they are 'above' politics? Don't they in the end lead themselves to the politics that destroy them?" Postal card + clipping ("Guest Artists," Time)

From Van Wyck Brooks, Westport, Conn., July 15, 1942: "I won't agree with you about artists and politics"; "a certain breadth of interests and sympathy does not drain one's energy." 2 pp

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., July 17, 1942: Discusses insurance and storage arrangements for Pach's property while he is in Mexico. 2 pp

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., July 17, 1942: Agrees to publish his article on Ingres. 1 p

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., July 20, 1942: Sends "lost policy releases" and policy numbers. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., August 4, 1942: Pach's article on Ingres will appear in the October issue. 1 p

From Gilbert R. Gabriel, Schneider-Gabriel Galleries, Inc., New York, N.Y., August 10, 1942: "Your article on the Ingres is a masterpiece"; discusses the price of a painting of Trinity Church. 2 pp. + enclosures (12 business cards and 4 handwriten notes containing names, addresses, and telephone numbers of Mexican acquaintances)

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., August 19, 1942: Pach's piece on Ingres will be the lead article; accepts his proposal for an article on the "Mexican primitive Bustos." 1 p

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., September 3, 1942: Discusses overpayment of insurance premium. 1 p. + 4 enclosures (3 invoices and inventory of artwork in storage). [postmarked September 3, 1942] From John Strasser, New York, N.Y. 4218 703-705 September 4, 1942: Discusses "early Hispano-Mexican" Madonna; "Rosenberg has an attractive show." 3 pp

From John Sloan, Santa Fe, N.Mex., September 8, 1942: Is home From the hospital; his exhibition was in Chicago, Denver, and Santa Fe, and will go to Albuquerque next and then Fort Worth; received "enthusiastic notices"; sold 2 pieces. 2 pp

From Jacob M. Heimann, Beverly Hills, Calif., September 14, 1942: "I greatly appreciate the idea of making an exhibition in Mexico"; inquires about lighting and dimensions of the galleries; "the lack of interest and the ignorance as far as art is concerned here, is unbelievable." 1 p. + 1 p. enclosure (lists of numbers)

From Lasar Kipnis, New York, N.Y., September 18, 1942: "Considering risk expenses at present offer seven and half percent for next three years." 1 p

From Lasar Kipnis, New York, N.Y., September 21, 1942: Expenses will be high; recommends he establish a relationship with Mizracchi [ sic] before arriving in New York; show him some "really valuable" paintings as well as "less expensive works on the sale of which we may really count"; suggests a selection of "object d'art" From A la Vieille Russie; November is the best time for an exhibition in Mexico. 3 pp

From John Strasser, New York, N.Y., September 25, 1942: Pyramid of the Sun, as it appears in the photograph, is "dazzling"; discusses his search for a job. 2 pp

From Lasar Kipnis, New York, N.Y., September 29, 1942: Proposed exhibition may receive the cooperation of the president of Mexico and the king of Rumania; "we must and shall have a first class show"; mentions several works he intends to include. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., October 5, 1942: The editor of Cuadernos must insert a notice stating the article was written for publication in Art in America and appears simultaneously in translation. 1 p

From M.M. Pochapin, President, Art Movement, Inc., New York, N.Y., October 8, 1942: Is deciding whether to continue the Art Movement; Marsh resigned; "my enthusiasm has never waned"; Sloan remains involved; plans to market paintings through department stores; work by Walter and Magda Pach is being shown in Philadelphia and Atlanta. 2 pp

From Diego Rivera, [place unknown], October 13, 1942: He and the editors extend thanks and enclose payment. 1 p., in Spanish

From Adrian Bourcart, [place unknown], Mexico, October 21, 1942: Had the pleasure of attending Pach's lectures on art; requests clarification of true art versus false art and live art versus dead art. 4 pp., in French

From Robert Lebel, New York, N.Y., October 22, 1942: Saw Misrachi; likes [filmed twice] Pach's idea for an exhibit in Mexico; Marcel Duchamp and André Breton organized a surrealist exhibition; Guggenheim was inaugurated with an ingenious exhibition; the Dutch show at Duveen's is successful; Rosenberg has a Léger show and is preparing a Cézanne exhibit; Rosenberg is interested in Marsden Hartley; Chagall, now an official member of the surrealist group, is exhibiting at Pierre Matisse; Goetz may exhibit Paul Klee. 1 p., in French

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., October 22, 1942: "I was delighted with your article on Bustos"; "unless the article appears in Art in America prior to publication elsewhere, we cannot print it." 2 pp

From John Strasser, New York, N.Y., November 13, 1942: Comments on Mexico painted by Velasco. 2 pp

From Marjorie D. Mathias, College Art Association of America, New York, N.Y., November 14, 1942: The State University at Bowling Green, Ohio, has inquired about engaging Pach for a lecture. 1 p

From Henry Allen Moe, Committee for Inter-American Artistic and Intellectual Relations, New York, N.Y., November 16, 1942: "We want our grantees to be able to do what they ought to do and live as they ought to live"; Pach should let them know his anticipated expenses and how much time he needs in Mexico. 1 p

From Carlos Merida, Denton, Tex., [postmarked] November 16, 1942: Air time was insufficient to broadcast Pach's full text: note inscribed on Section of Plastic Arts, Department of Fine Arts, Secretary of Public Education, "No. 202 Radio Bulletin for Saturday, November 21, 1942" (transcript of a feature story on José Hermenegildo Bustos abstracted From an article by Walter Pach). 4 pp., in Spanish

From Van Wyck Brooks, Westport, Conn., November 18, 1942: With the help of Eleanor and Kenyon, he has managed to read some of the Cuadernos Americanos Pach sent; "I like immensely its tone and elevated feeling"; "I envy your meetings with Diego Rivera, who has always seemed to me a very great painter"; is "shocked" that Lionello Venturi and William G. Constable don't share his opinion of Rivera; a "complicated family problem" keeps them From traveling; is working on -- The Age of Washington Irving -- . 4 pp

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., November 30, 1942: Is glad that Pach's lectures were well received; hopes Pach can remain in Mexico. 1 p

From Alfonso Reyes, Colegio de Mexico, Mexico City, Mexico, December 3, 1942: He is honored by Van Wyck Brooks's words and wants to correspond with him. 1 p., in Spanish

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., December 7, 1942: Is "delighted to learn that Pach will receive a grant through Mr. Moe and 'his Committee.' " 1 p

From Lasar Kipnis, New York, N.Y., December 8, 1942: "Just returned From Johns Hopkins Hospital." Telegram

From José Clemente Orozco, [place unknown], December 10, 1942: Modern art in Mexico faces a powerful reaction that aims to end 20 years of academic work; looks forward to visiting Pach soon. 1 p., in Spanish

From Henry Allen Moe, New York, N.Y., December 11, 1942: "Your letter received but no word From the university." Telegram

From A.S. Baylinson, New York, N.Y., December 18, 1942: He and Constant were rejected by the jury of the "so called Victory exhibition"; reports the death of Michael Rosenthal. 2 pp

From George Constant, New York, N.Y., December 20, 1942: Is glad that Pach, a "fine painter," now has time to paint; the Artists for Victory exhibition at the Metropolitan is "lousy." 2 pp

From Henry Allen Moe, Committee for Inter-American Artistic and Intellectual Relations, New York, N.Y., December 21, 1942: Confirms that Pach is to receive a grant; a final report is due upon return. 1 p. + 2 enclosures (1 sheet of figures titled "Mex--New York" and copy of 1 p. letter to Rodulfo Brito Foucher, Rector, National University of Mexico, From Henry Allen Moe, New York, N.Y., announcing grant to the University for Pach's lectures)

From Pedro Henríquez Ureña, Buenos Aires, Argentina 4218 764-765 December 22, 1942: Sent photographs of the work of Attilio Rossi; Argentine critic, Julio Rinaldini, will send books. 1 p

From Lasar Kipnis, New York, N.Y., December 29, 1942: Asks Pach to write an article on new acquisitions by Mr. Poland's Museum; wants Pach lecture in San Diego; when a new catalog of the permanent collection is published, "we are sure the work will be entrusted to you." 2 pp

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., December 29, 1942: Robert Montenegro's book impressed him; hopes Montenegro will write on Estrada for Art in America; requests Pach's help in arranging it. 1 p

From Harry Miller Lydenberg, [place unknown], Mexico, December 29, 1942: Discusses origin of the phrase "biblia a-biblia." 1 p

From Marcel Duchamp, New York, N.Y., January 3, 1943: Fearing visa problems, he has decided not to go to Mexico; made several "suitcases"; the opening at Peggy's gallery was a big success; plans a surrealist show with Schiaparelli and Breton; Reynolds, just arrived in Madrid, requested that Pach extend greetings to Frida and Diego. 2 pp., in French

From Arthur Strasser, New York, N.Y., January 7, 1943: Congratulations on receiving a grant; "it is not to the Schilling Fund but to you personally, Walter, that our gift to the Metropolitan was the beginning of the belated recognition of Flannagan's genius"; Fred Stein would appreciate suggestions for the Schilling Fund award. 2 pp

From John Rewald, Weyhe Gallery, New York, N.Y., January 13, 1943: Is glad Pach liked his article on Bonnard; will send Pach a copy of his new book on Seurat. 2 pp., with postscript From Laura Canade: New York Public Library has purchased Pach's Self-Portrait

From John Strasser, New York, N.Y., January 16, 1943: "People who might have enjoyed the 'Victory' show 25 or 30 years back now unanimously dislike that accumulation of junk"; "read of your and Rivera's project for spreading Flannagan's reputation." 3 pp

From Van Wyck Brooks, New York, N.Y., January 17, 1943: Saw Jacques Villon's "grand portrait" of Pach at the "Modern Museum." Picture postcard ("Illuminated initial From a South Italian ms. Valerius Maximus written about 1450")

From M.L. Stafford, American Consul, American Embassy, Mexico, January 22, 1943: Pach's registration of American citizenship was approved. 1 p

From Harry Miller Lydenberg, Biblioteca Benjamin Franklin, [place unknown], Mexico, January 23, 1943: Is sending a check in appreciation of the time and interest Pach contributed to their exhibition; wants to publish Pach's tribute to Bustos. 1 p

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., February 3, 1943: Pach's observation about Mexican education interested him; he is "well informed concerning the anti-American attitude" in Mexico. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., February 15, 1943: Thanks Pach for arranging to have Fernando Gambo write an article on Estrada; Pach's writings have stimulated interest in Mexican art; his review will not be published due to "paper restrictions." 1 p

From Van Wyck Brooks, New York, N.Y., March 9, 1943: Has "rediscovered" New York by living in the city temporarily; "I am especially happy to have got to know some of the new young writers"; wants more news of Diego Rivera. 3 pp

From Robert Lebel, New York, N.Y., March 15, 1943: Agrees with Pach that the Metropolitan's La Victoire exhibit resembles a Paris Salon of 30 years ago with the addition of a few abstract pieces; an exhibition commemorating the 30th anniversary of the Armory Show is possible; saw one of Pach's paintings at the Art Students League; Pierre Matisse exhibited his father's work; Matta and Miro made Pierre Matisse's last show, "Art and the War," interesting; the Mexican Room at the Museum of Natural History is being reorganized; recommends Charles Sterling's Gazette des Beaux-Arts article on French primitives; asks if Pach has seen VVV, the review headed by André Breton; no longer wishes to be involved in art sales. 2 pp., in French

From Georges Wildenstein, Director, Gazette des Beaux-Arts, [filmed twice] New York, N.Y., March 26, 1943: Wants to publish Pach's article; hopes he will agree to some minor changes. 1 p., in French

From Lyman Bryson, Conference on Science, Philosophy and Religion, New York, N.Y., March 26, 1943: Requests comments on a paper by Professor William Scott, Randolph-Macon Women's College. 1 p. + 2 pp. enclosure ("Conference on Science, Philosophy and Religion, Reply to Questionnaire of December 7, 1942 by Walter Pach")

From Paul J. Sachs, Fogg Art Museum, Harvard University, Cambridge, Mass., April 8, 1943: Grenville L. Winthrop collection has been bequeathed to the Fogg Museum; wartime conditions have caused universities to curtail their art departments; "it is extremely important that able and understanding North Americans, such as yourself... should be our cultural ambassadors in Latin America"; suggests summer programs in the United States where Pach might teach; tells Pach to add his name to the speakers list maintained by the Coordinator of Inter-American Affairs. 2 pp

From William N. Eisendrath Jr., Chairman, Exhibition Committee, Arts Club of Chicago, Chicago, Ill., April 26, 1943: Requests assistance in selecting works for a Rivera retrospective planned for February 1944. 1 p. + 1 p. enclosure (list of works by Rivera, "suggested by Mrs. Goodspeed, April 26, 1943," with notes by Walter Pach)

From Annette B. Cottrell, Director, Speakers Service Section, Coordinator of Inter-American Affairs, Washington, D.C., April 28, 1943: Thanks Pach for his "interest in inter-American affairs and desire to collaborate with the work of this office as a speaker." 1 p

From Robert Chester Smith, Director, Hispanic Foundation, Library of Congress, Washington, D.C., April 30, 1943: Considers Pach "an historic figure, one of the first to call attention to the development of Mexican art"; this is not the right time for Pach's proposed publications and translations. 1 p

From Harry Miller Lydenberg, [place unknown], Mexico, May 8, 1943: Pach's "review of the Low study on the place of the Museum in our world today" is "admirable"; politically or economically motivated explanations of art will "fail"; he is less "pessimistic" than Pach on the role of public funding; public libraries are a good example. 2 pp

From Annette B. Cottrell, Director, Speakers Service Section, Coordinater of Inter-American Affairs, Washington, D.C., May 25, 1943: Pach will be included among the organization's available speakers. 1 p

From Van Wyck Brooks, Westport, Conn., May 28, 1943: El Hijo Prodigo and Cuadernos are "typographically delightful"; wishes he knew Spanish; would like to be able to contribute articles to Mexican periodicals; John Sloan is reported to be "very frail." 4 pp

From William N. Eisendrath Jr., Chairman, Exhibition Committee, Arts Club of Chicago, Chicago, Ill., June 4, 1943: Need to figure costs for Rivera exhibition before continuing negotiations for loans; Pach must supply further information. 1 p. + 2 pp. enclosure ("List of Rivera Paintings," June 3, 1943)

From Elias Lieberman, Associate Superintendent, Board of Education of the City of New York, Brooklyn, N.Y., June 7, 1943: Pach will be granted a "substitute license" to teach Spanish in the New York public schools. 1 p

From Raymond B. Humphrey, Director, Brown, Crosby & Co., Inc., New York, N.Y., June 18, 1943: Instructions for renewing war damage and fire insurance policies. 1 p

From James A. Porter, Washington, D.C., June 19, 1943: Thanks Pach for the "remarkable" introduction and subtitle suggestions for his book. 1 p.

to Maurice Block, Curator, Henry E. Huntington Art Gallery, San Marino, Calif., From Marjorie S. (Mrs. A.R.) Waybur, Kingsley Art Club, Sacramento, Calif.,June 20, 1943: Inquires about Pach's availability to lecture. 2 pp

From Ignacio Marquina, National Institute of Archaeology and History, Mexico City, Mexico., June 26, 1943: Gives Pach permission to export the 5 archaeological objects specified on the list attached. 1 p. + 1 p. enclosure (copy of form completed by Pach), in Spanish

From Frederick Lewis Allen, -- Harper's -- Magazine, New York, N.Y., August 27, 1943: Rejects 2 articles, "The Negro's Place" and "Your Ancestors of the Soil." 2 pp

From John Sloan, Santa Fe, N.Mex., August 31, 1943: Is recovering From surgery; feeling better, but still unable to travel. 1 p

From Charles A. Thompson, Department of State, Washington, D.C., September 7, 1943: Dr. Moe will contact Pach about writing a book, in Spanish, about "art resources of the United States." 1 p

From Ernst E. Clad, New York, N.Y., September 9, 1943: Outlines Pach's finances; advises specific investments. 3 pp. + 1 p. enclosure (copy of September 9, 1943 letter From Walter Pach to H.C. Wainwright & Co. authorizing sale of stocks)

From Laurence Duggan, Adviser on Political Relations, Department of State, Washington, D.C., September 17, 1943: Cannot assist with funding or promise to purchase his book; Dr. Moe is attempting to finance the project; "I think the preparation of the book would be a far more useful contribution to inter-American understanding than your acting as an unofficial Mexican cultural representative in the United States." 1 p

From René d'Harnoncourt, United States Department of the Interior, Indian Arts and Crafts Board, Washington, D.C., September 29, 1943: Read "Ancestors of the Soil" and was "impressed by the strength and depth of its argument"; "widest dissemination of this theme could be one of the strongest factors in building up Inter-American relations." 1 p

From Charles A. Thompson, Department of State, Washington, D.C. October 4, 1943: Is returning "Ancestors of the Soil"; "Mr. d'Harnoncourt expresses great interest." 1 p

From Eugenio de Anzorena, Secretary, Mexican Embassy, Washington, D.C., October 7, 1943: Brought Pach's letter to the attention of the minister; returns the enclosures. 1 p. + enclosures (letter, June 9, 1943, to Ezequiel Padella, Secretary of Exterior Relations, From Iñes Amor, Francesco Orozco Muñoz, Eduardo Villaseñor, Diego Rivera, José Clemente Orozco, Alfonso Noriega Jr., and Octavio G. Barreda, Mexico: endorses Pach as a representative of Mexican culture, 5 pp., in Spanish; and letter, June 28, 1943, to Iñes Amor, Francesco Orozco Muñoz, Eduardo Villaseñor, Diego Rivera, José Clemente Orozco, Alfonso Noriega Jr., and Octavio G. Barreda, From Ezequiel Padella, Mexico: recommendation of Pach, 1 p., in Spanish)

To Springmeier Shipping Co from J.O. Ellis, New York, N.Y., October 14, 1943: Notification of claim for items missing From shipment of Pach's possessions. 2 pp

From Houston Peterson, Head, Division of Social Philosophy, Cooper Union, New York, N.Y., October 15, 1943: Pach is "definitely on our list of favored speakers" for the second semester. 1 p. + enclosure (brochure for "Cooper Union Forum, first half 1943-1944")

From John Sloan, Santa Fe, N.Mex., December 30, 1943: Went out to his old house, "Sinagua," which reminds him of Dolly; still recuperating From surgery; needs to clean up his Chelsea studio; it is unlikely he can get to New York; read Pach's article on the "Eight"; the name was invented by an Evening Sun writer; "the 'chosen' of Robert Henri we were, not at all a mutual admiration group as I recall the time." 3 pp

From Art Young, New York, N.Y., [postmarked] December 30, 1943: New Year's greetings. Picture postcard ("28th Issue--Art Young's Annual Hello")

From Donald Carlisle Greason, Deerfield, Mass., April 8, 1944: The enclosed letter was sent in a "weak moment"; "is it not time you took up the mightier sword again; or have your ideas changed?" 1 p. + 1 p. enclosure (letter, April 6, 1944, to Hugo Gellert and Gentlemen of the [Exhibition and Competition] Committee, Artists for Victory, Inc., From Donald Carlisle Greason, Deerfield, Mass.: declines invitation to participate in the Artists for Victory exhibition; "I shyly deplore this undignified business of artists thumbing rides of the troop trains, of Patriotism for Publicity--and prizes!"; "did not Pach write the obituary of this [prizes] in his Ananias?")

From Henry Watson Kent, New York, N.Y., November 30, 1944: Hopes his notes on Pach's manuscript will be of use and interest. 1 p. + 7 pp. enclosure (notes, comments, and suggestions relating to Pach's manuscript)

From Ernst E. Clad, New York, N.Y., December 11, 1944: Information about Pach's 1944 taxes. 1 p. + enclosures (completed "Form for Computing Capital Gains and Losses," 1 p., and printed instructions, 5 pp.)

From George Ferdinand Of, [place unknown] Read both of Pach's articles and is returning one; "you must take me to see that charming Miss Roger's paintings."

From George Ferdinand Of, [place unknown], December 28, 1944: Read both of Pach's articles and is returning one; "you must take me to see that charming Miss Roger's paintings." Picture postcard ("'Chapeau de Faille' by Rubens")

From Donald Carlisle Greason, Deerfield, Mass., February 9, 1945: "I thought my annual letter of 'regrets' to the 'Artists for Defeat' might amuse you"; quotes remarks by Sinclair Lewis made when declining the Pulitzer Prize. 1 p

From Rufus E. Clement, Atlanta University, Atlanta, Ga., April 11, 1945: Sends photographs taken at the "art show"; mentions recent reviews of their exhibition. 1 p. + 2 photographs (Pach viewing the exhibition, and Pach speaking in the gallery)

From Viking Press, New York, N.Y., April 30, 1945: Royalty statement for Masters of Modern Art. 1 p

From Harper & Brothers Publishers, New York, N.Y., June 30, 1945: Royalty statement for Ingres and -- Queer Thing, Painting -- . 1 p

From Jacques Lipchitz, Paris, France, July 31, 1945: [Illegible due to show-through]. 2 pp., in French

From Bernard Berenson, Florence, Italy, November 29, 1945: May continue work begun several years earlier on "Aesthetics and History"; working on "Decline and Recovery in the Figure Arts"; when in "hiding" he kept a diary, which he may publish. 2 pp

From Fred M. Stein and Arthur Strasser, Trustees of the Schilling Fund, New York, N.Y., February 8, 1946: Thank Pach for his work on behalf of the Schilling Fund; offer him a salary to continue as an adviser. 1 p., with annotation by Pach (on reverse), February 10, 1946, draft letter of acceptance, 1 p

From Van Wyck Brooks, Westport, Conn., June 23, 1946: Eleanor's leg had to be amputated; they will move to an apartment in New York in October. 2 pp

From Van Wyck Brooks, Westport, Conn., August 26, 1946: "Eleanor's condition has taken a serious turn for the worse, and I fear it is only a question now of a very few weeks." 1 p

From Jacques Lipchitz, Paris, France, November 19, 1946: New York trip was postponed; describes a wonderful exhibit at Delacroix's studio; occasionally sees Jacques Villon, who has a painting in the Salon d'Automne. 2 pp., in French

From Bernard Berenson, Florence, Italy, January 10, 1947: Pach's son and daughter-in-law visited him; publishers are not interested in his diary; Aesthetics and History will have to go to a university press. 2 pp

From Irma L. Richter, New York, N.Y., March 27, 1947: Is returning Pach's copy of ABC on Painting by Severini; "I wonder whether you have tried to follow his advice regarding technique." 1 p

From James Daugherty, Westport, Conn. [postmarked, March April 22, 1947]: Saw Pach's exhibition at Laurel Gallery; "your work has grown simpler and broader and more unified." 1 p

From Octavio G. Barreda, [place unknown], Mexico, October 9, 1947: Thought of Pach when visiting galleries in Italy and Paris; Paris, Rome, and Florence seem to have recovered From the war, but it wasn't the same without the old faces; in both art and literature it is the end of an era; young artists and writers do not know their message; family news; will visit New York and Havana. 4 pp., in Spanish

From Kurt Wolff, Pantheon Books, New York, N.Y., November 5, 1947: Asks Pach to accept all changes made by the editor. 1 p

From Kurt Wolff, Pantheon Books, New York, N.Y., December 4, 1947: Needs to clarify certain points; Pach must bear the cost of retyping. 1 p

From Kurt Wolff, Pantheon Books, New York, N.Y., January 29, 1948: The final pages of his manuscript must be condensed. 1 p.

To Kurt Wolff From Walter Pach, New York, N.Y., January 30, 1948: They never discussed, nor did he authorize, changes to the final pages of his book. 1 p

From Henry Watson Kent, New York, N.Y., February 21, 1948: Remarks on Pach's complimentary statement about him. 1 p

From Margarita Nelkin, Paris, France, September 1, 1948: Has heard From Pach through letters to Mlle. Burchardt; thanks Pach for supporting Spanish Republicans; is going to Rome for the Congres Interparlementaire and then to Brussels and Amsterdam to give a conference on Mexican art; in November she will leave for Mexico. 1 p., in French

From George Ferdinand Of, New York, N.Y., September 5, 1948: Thanks Pach for bringing pictures of his collection and explaining it personally; Pach has "persuaded" him to paint again. 3 pp

From Francis Hackett, Bethel, Conn., November 8, 1948: Pach is one of the "Old Guard"; his book, -- American Rainbow -- , will include "a lot in it about John Quinn"; his wife recently published a volume on Swedenborg. 2 pp

From Van Wyck Brooks, Cornwell, Conn., December 2, 1948: Thanks for the inscribed copy of his "enchanting" new book; glad Pach met Francis Hackett. 3 pp

From Pantheon Books, Inc., New York, N.Y., February 1, 1949: Royalty statement. 1 p

From Pantheon Books, Inc., New York, N.Y., July 1, 1949: Royalty statement. 1 p

From Pantheon Books, Inc., New York, N.Y., August 1, 1949: Royalty statement for The Art Museum in America. 1 p

From Anne Chase (Mrs. Arthur White) Sullivan, Glen Head, N.Y., November 3, 1949: Pach's lecture was "just right as a preliminary to the exhibition"; her father would have approved. 2 pp

From Mary Socard, Paris, France, December 13, 1949: Pach's young friend is making good progress learning French; discusses the student's appreciation of art and philosophy. 4 pp., in French

From Jimmy Stern, New York, N.Y., December 23, 1949: Even with "favorable 'press'," his book has not sold well; is "discouraged"; appreciated Pach's note. 1 p

From Pantheon Books, Inc., New York, N.Y., February 1, 1950: Royalty statement. 1 p

From François Puaux, Acting Consul General of France, New York, N.Y., March 7, 1950: Congratulates Pach on being awarded the cross of Chevalier of the Legion of Honor "for the services you have always rendered to the French cause." 1 p

to John Collier From Walter Pach, New York, N.Y., March 11, 1950: Hopes Professor Collier will want the thoughts expressed in Pach's manuscript "given to a wider audience." 1 p., annotated with reply, May 30, 1950: "This has been good reading for me!"

From Meyer Schapiro, Columbia University, New York, N.Y., [postmarked] March 27, 1950: "Comments on the first draft of W. P., Renoir." 3 pp

to Meyer Schapiro From Walter Pach, New York, N.Y., March 27, 1950: Responses to "Comments on the first draft of W.P., Renoir." 4 pp. draft + 4 pp. final copy

From Charles E. Slatkin, Art Book Guild of America, Inc., New York, N.Y., March 28, 1950: Invites Pach to become a member of the Art Book Guild's Advisory Board. 1 p

From Charles E. Slatkin, Art Book Guild of America, Inc., New York, N.Y., April 17, 1950: Acknowledges Pach's acceptance of appointment to the Advisory Board. 1 p

From Atlantic Monthly Company, Boston, Mass., April 20, 1950: "Assignment of Copyright" to Atlantic Monthly Corporation of Pach's article, "Art Must Be Modern." 1 p

From W.G. Constable, Department of Paintings, Museum of Fine Arts, Boston, Mass., May 30, 1950: Thanks Pach for assistance in securing the Portrait of Madame Villchelis for the museum; agrees that attribution to Gros is most likely; reports the death of Ned Holmes. 2 pp

From Mary Socard, Paris, France, June 20, 1950: The young student has left; he would have benefited From a longer stay but at least had an introduction to European culture; sympathizes with Pach's disappointment over having his prologue replaced by an analysis of painting construction. 3 pp., in French

From Pantheon Books, Inc., New York, N.Y., August 1, 1950: Royalty statement for -- The Art Museum in America -- . 2 pp

From Nanny (Mrs. Sigmund) Pollitzer, New York, N.Y., November 8, 1950: Sorry to learn of Magda's illness. 2 pp

From Nanny (Mrs. Sigmund) Pollitzer, New York, N.Y., November 11, 1950: Extends her sympathy; will try to attend the service. 2 pp

From Eufrosia A.W. Tucker, New York, N.Y., November 11, 1950: Sympathy on the death of Mrs. Pach. 2 pp

From Sarah d'Harnoncourt, New York, N.Y., November 13, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Edith R. Abbot, New York, N.Y., November 13, 1950: Sympathy on the death of Mrs. Pach. 2 pp

From Fanny and Ralph Ellison, New York, N.Y., November 14, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Robert L. Duffus, Westport, Conn., November 15, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Roland Balay, New York, N.Y., November 20, 1950: Offers condolences on the death of Mrs. Pach. 1 p., in French

From Bernard Berenson, Florence, Italy, September 23, 1951: Congratulates Pach on his recent marriage. 2 pp

From Mutual Benefit Health and Accident Association, New York, N.Y., [postmarked] November 23, 1951: "Official Receipt for Premium Due." Postal card

From [signature illegible], Athens, Greece, December 24, 1951: Carouzos will select photographs of the subjects that interest Pach; wants to see photographs of Pach's latest paintings. 4 pp

From Jacques Lipchitz, New York, N.Y., January 12, 1952: Pach is right that endings offer new beginnings; predicts that Pach will resume work soon. 1 p., in French

From Rufino Tamayo, [place unknown], Mexico, January 22, 1952: Appreciates Pach's stimulating critique; expects to spend the next year on a mural for the Palace of Fine Arts; congratulates Pach on his marriage. 2 pp., in Spanish

From Bernard Berenson, Ischia, Italy, May 29, 1952: "My indignation over distorted, abstract, non-representational art is that it can lead nowhere." 2 pp

From George Ferdinand Of, [place unknown], June 19, 1952: The Schilling Fund award is an "honor" he wishes to decline without offending anyone. Picture postcard ("Cézanne. 'Urtiel des Paris'")

From U.S. Treasury Department, Internal Revenue Service, New York, N.Y., August 8, 1952: "Adjustment of tax liability" and audit for calendar year 1950. 1 p. + enclosures (1 p. "Statement of Income Tax Due," and 4 pp. report)

From Bernard Berenson, [place illegible], September 23, 1952: Agrees with most of Pach's letter to the New York Times; "feeling for art is of the few and understanding for even fewer." 2 pp

From André Masson, Aix-en-Provence, France, May 2, 1953: Was considering canceling his New York exhibit before receiving Pach's encouraging and kind letter; hopes they will meet. 1 p., in French

From Bernard Berenson, Florence, Italy, March 17, 1954: Comments on Pach's "poem to Greek art"; is working on a new edition of Italian Paintings; sends an article he wrote on Picasso. 2 pp

From George Ferdinand Of, Rome, Italy. Is in Rome; heading for Naples, [undated (prior to April 18, 1954)]: Picture postcard ("Roma-Foro Romano, veduto del Campidoglio")

From George Ferdinand Of, Padua, Italy, April 18, 1954: Saw Giottos; visited Ravenna, Naples, and Pompeii. Picture postcard ("Padova-Monumento al Generale Gattamelata")

From Bernard Berenson, Florence, Italy, April 25, 1954: He still does not accept the Metropolitan Museum's Madonna as an Antonello; "I remain an optimist" that culture will once again become "genial, creative and human." 2 pp

From Hendrik Willem van Loon, Riverside, Conn., [1955]: He is much better; they have a house near the water where friends are welcome. 1 p., in Dutch

From Bernard Berenson, Florence, Italy, April 21, 1955: "I agree with all you write about the present state of art appreciation"; read the book about Sloan by Van Wyck Brooks; not impressed by Sloan's work; wonders how much Pach influenced Brooks. 2 pp

From William Mills Ivins, Woodbury, Conn., July 17, 1955: Was disappointed to have missed a visit by Pach and Brooks; is living a solitary and quiet life. 2 pp

From Jacques Lipchitz, Beach Haven, N.J., August 7, 1955: After reading Pach's article, he wants to read the book; he no longer appreciates Maillol's sculpture; discusses Renoir's strong judgments of other artists; although Epstein has reached a dead end in Paris, he is a good artist. 3 pp., in French

From Jacques Lipchitz, Beach Haven, N.J., August 15, 1955: Thanks Pach for sending Epstein's book; considers Epstein a good portrait painter but not such a good sculptor; discusses his theory that Jews need to assert their identity. 1 p., in French

From Alfred Russell, Paris, France, September 27, 1955: Thanks Pach for the award; the modern Italian painters he once admired no longer interest him; he finds the sculptors a "revelation"; his exhibition drew "brutal and barbaric insults"; Paris is "the pivot of the universe." 2 pp

From Hendrik Willem van Loon, Riverside, Conn., October 17, [1955?]: "My sincere congratulations upon having finished these miles of paint." 1 p., with illustrated envelope (sailboats) + illustrated card (landscape with windmills)

From Carl Sandburg, Flat Rock, N.C., March 27, 1956: "Values" Pach's letter and plans to affix it to his copy of Faure's History of Art. 1 p

From Germain Seligman, New York, N.Y., April 15, 1957: Ingres's -- Study for the Iliad -- is in the permanent collection of the Art Gallery of Toronto. 1 p. + enclosures (2 pp. description of -- Study for the Iliad -- [Apotheosis of Homer], photograph of -- Study for the Iliad -- , and 2 pp. [photocopies] From Exposition Ingres catalog, 1921)

From Martin Baldwin, Director, Art Gallery of Toronto, Toronto, Ontario, Canada, April 16, 1957: The gallery is conducting further research on Study for the Iliad; will share information when it becomes available. 1 p

From Lewis Mumford, Paris, France, April 27, 1957: Has reviewed his correspondence since 1920; Pach's letters are "real treasures" to be saved for historians; being in Paris made him recall Pach's "friendliness and hospitality in 1932"; has rediscovered Ingres now that his taste is mature. 2 pp

From Van Wyck Brooks, Bridgewater, Conn., January 4, 1958: Will study Howells' letters at the Harvard library; recommends novels by Howells. 2 pp

From Hans Christian, Rome, Italy, April 7, 1958: Is visiting Raymond and Ruth in Rome. Picture postcard ("Roma--Arco di Constantino"), in German
Collection Restrictions:
Use of original papers requires an appointment.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
AAA.pachwalt2, Series 2
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Walter Pach papers
Archival Repository:
Archives of American Art

David Ireland Papers

Ireland, David, 1930-2009  Search this
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
24.8 Linear feet
8.39 Gigabytes
Collection descriptions
Archival materials
Video recordings
Sound recordings
circa 1910s-circa 2009
bulk 1960-2005
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
This collection is arranged as 11 series.

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Video recordings
Sound recordings
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
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David Ireland Papers
Archival Repository:
Archives of American Art

Clippings and Press

Collection Creator:
Zarina  Search this
Box 1, Folder 17
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zarina Hashmi papers, 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Zarina Hashmi papers
Zarina Hashmi papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
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Kenjilo Nanao papers

Nanao, Kenjilo, 1929-2013  Search this
11.3 Linear feet
0.706 Gigabytes
11.3 Linear feet
0.706 Gigabytes
Collection descriptions
Archival materials
circa 1885-2017
bulk 1970-2000
The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.
Scope and Contents:
The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.
The collection is arranged in 7 series:

Series 1: Biographical Material, circa 1960-circa 2017 (0.3 Linear Feet, .706 GB; Box 1, ER01)

Series 2: Correspondence, circa 1951-2013 (4.9 Linear Feet; Boxes 1-6)

Series 3: Journals, circa 1949-2013 (3.9 Linear Feet; Boxes 6-9, 12)

Series 4: Professional Files, circa 1967-2011 (1.0 Linear Feet; Box 10)

Series 5: Printed Material, circa 1885-1887, circa 1960-2010 (0.6 Linear Feet; Box 11)

Series 6: Photographic Material, circa 1960-2011 (0.1 Linear Feet; Box 11)

Series 7: Artwork, circa 1976-2010 (0.4 Linear Feet; Boxes 11-12)
Biographical / Historical:
Painter and printmaker Kenjilo Nanao (1929-2013), was born in Aomori, Japan, and graduated with a degree in economics in 1953 from Nihon University before immigrating to the United States to study art in the San Francisco Bay Area. He received a bachelor's degree from the California School of Fine Arts in 1963 as well as a masters of fine arts from the San Francisco Art Institute in 1971, where he studied under Nathan Oliveira and met his wife and fellow artist, Gail Chadell Nanao.

Kenjilo's primary artistic medium was lithography in which he became known for Surrealist minimal figurative compositions. Eventually he immersed himself in painting in an Abstract Expressionist style that became his main form of artistic production from the 1980s on. Nanao taught lithography and painting at California State University at Hayward from 1971-1990, and lectured at various other schools in the San Francisco Bay Area. His work is included in the collections of the Museum of Modern Art, in New York City, City of San Francisco, Pasadena Art Museum, Los Angeles County Museum, Cincinnati Museum of Art, Honolulu Academy of Art, Gruenwald (University of California, Los Angeles), the Achenbach Foundation, and others.

Kenjilo Nanao died in Berkeley, CA in 2013 and is survived by his wife and son Max.
The Kenjilo Nanao papers were donated to the Archives of American Art in 2016 and 2018 by Gail Nanao, Kenjilo Nanao's widow.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Lithographers -- California  Search this
Painters -- California -- San Francisco Bay Area  Search this
Educators -- California  Search this
Lithographers -- California  Search this
Japanese Americans  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Asian American educators  Search this
Kenjilo Nanao papers, circa 1885-1887, circa 1949-2017. Archives of American Art, Smithsonian Institution.
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Kenjilo Nanao papers
Archival Repository:
Archives of American Art

Eleanor Dickinson Pentecostal Videotape and Audiotape Collection

Dickinson, Eleanor, 1931-  Search this
National Museum of American History (U.S.). Division of Community Life  Search this
Mayes, Harrison  Search this
0.5 Cubic feet (2 boxes, 6 videotapes, 1 audiotape)
Collection descriptions
Archival materials
Appalachian Region
Scope and Contents:
Videotapes of Pentecostal ceremonies, such as snake handling, laying on of hands, baptisms, foot washing, casting out of devils, dancing in ecstasy; a video interview with Brother Harrison Mayes at his home in Middleburg, Kentucky; and an audiotape of revival meetings.
Collection is arranged in one series:

Series 1, Audiovisual
Biographical / Historical:
Eleanor Creekmore Dickinson, artist, produced several exhibits as well as a book on Pentecostal worship in the South entitled Revival! She documented Pentecostal and Baptist ceremonies using videotape, audiotape, line drawings and velvet painting.

Dickinson was born February 7, 1931, in Knoxville, Tennessee. She was educated at the University of Tennessee (B.A., Fine Art, 1952); the San Francisco Art Institute (painting and printmaking, 1961-1963); the Académie Grande Chaumière, Paris (drawing, 1971); the University of California at Berkeley (history, 1967 and 1981), and the California College of Arts and Crafts (Master of Fine Arts in Video, 1982). She began teaching at the California College of Arts and Crafts as Professor of Art in 1971.

She has had numerous solo and group exhibitions, has received grants in connection with her work, and is represented in more than a dozen public collections, including the Corcoran Gallery of Art, the San Francisco Museum of Modern Art, the Library of Congress, and the Oakland Museum.

A resume and selected bibliography, compiled in 1986, are in the Archives Center's collection control files.
Related Materials:
Related artifacts in Division of Community Life (now Division of Cultural and Community Life) (see accessions 306082, 306787, 1981.0570, and 1978.0344); related materials in the Smithsonian Archives of American Art and the Library of Congress.
Collection donated by Eleanor Dickinson in 1980 and transferred to the Archives Center from the National Museum of American History Division of Community Life in 1986.
Collection is open for research. No reference copies exist. Orginals are not accessable.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Baptists  Search this
Evangelistic work  Search this
Religion -- Videotapes  Search this
Religion and culture -- Videotapes  Search this
Foot washing (Rite)  Search this
Ecstatic dance  Search this
Imposition of hands  Search this
Foot -- Religious aspects  Search this
Revivals  Search this
Exorcism  Search this
Baptism  Search this
Snake cults (Holiness churches) -- Videotapes  Search this
Rites and ceremonies -- Videtoapes  Search this
Pentecostal churches  Search this
Audiotapes -- 1940-1980
Eleanor Dickinson Pentecostal Videotape and Audiotape Collection, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
Eleanor Dickinson Pentecostal Videotape and Audiotape Collection
Archival Repository:
Archives Center, National Museum of American History

Oral History interview with Miyoko Ito, 1978 July 20

Ito, Miyoko, 1918-1983  Search this
Ito, Miyoko, 1918-1983  Search this
Barrie, Dennis, 1947-  Search this
Baum, Don  Search this
Berdich, Vera  Search this
Chapin, Francis  Search this
Cohen, George  Search this
Edmondson, Leonard  Search this
Haley, John  Search this
Hofmann, Hans  Search this
Johnston, Ynez  Search this
Kahn, Max  Search this
Lanyon, Ellen  Search this
Loran, Erle  Search this
Mitchell, Joan  Search this
Moholy-Nagy, László  Search this
Ryder, Worth  Search this
Venturi, Lionello  Search this
Art Institute of Chicago  Search this
Ox-Bow Summer School of Painting  Search this
Smith College  Search this
Sound recordings
Art, American  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American painting  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Asian American painters  Search this
Asian American  Search this
Women  Search this
Record number:
Asian American
Data Source:
Archives of American Art
Online Media:

Oral history interview with Enrique Chagoya, 2001 July 25-August 6

Chagoya, Enrique, 1953-  Search this
Chagoya, Enrique, 1953-  Search this
Karlstrom, Paul J  Search this
Sound recordings
Painters -- California -- San Francisco -- Interviews  Search this
Printmakers -- California -- San Francisco -- Interviews  Search this
Indian art -- Central America  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Latino and Latin American  Search this
Record number:
Latino and Latin American
Data Source:
Archives of American Art
Online Media:

Hassel Smith papers, circa 1900-2004, bulk 1930-1995

Smith, Hassel Wendell, 1915-2007  Search this
Smith, Hassel Wendell, 1915-2007  Search this
Fitz Gibbon, John  Search this
Emmerich, André  Search this
Gimpel, Charles  Search this
Still, Patricia  Search this
Thiebaud, Wayne  Search this
Swanson, Kathryn  Search this
Wollard, Robert  Search this
Butterfield, Jan  Search this
Still, Clyfford  Search this
Bischoff, Elmer  Search this
Anglim, Paule  Search this
Gimpel Fils  Search this
New Arts (Art gallery)  Search this
San Francisco Art Institute  Search this
Sound recordings
Christmas cards
Art -- Study and teaching  Search this
Educators -- California -- Berkeley  Search this
Artists' studios -- Photographs  Search this
Abstract expressionism  Search this
Women artists  Search this
Art -- California -- San Francisco Bay Area  Search this
Art, American  Search this
Lives of American Artists  Search this
Record number:
Lives of American Artists
Data Source:
Archives of American Art
Online Media:

Worth Ryder papers, 1909-1966

Ryder, Worth, 1884-1960  Search this
Ryder, Worth, 1884-1960  Search this
Haley, Monica E.  Search this
Hofmann, Hans  Search this
Vytlacil, Vaclav  Search this
Ryder, Cornelia Meta Breckenfeld  Search this
Diaries  Search this
Lives of American Artists  Search this
Record number:
Lives of American Artists
Data Source:
Archives of American Art

Clay Spohn papers, circa 1862-1985, bulk 1890-1985

Spohn, Clay Edgar, 1898-1977  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Rothko, Mark  Search this
Corbett, Rosamond Walling Tirana  Search this
Fryworth, Teressa  Search this
Corbett, Edward  Search this
Calder, Alexander  Search this
Sievan, Maurice  Search this
Sihvonen, Oli  Search this
Reynal, Jeanne  Search this
Ribak, Louis  Search this
McChesney, Mary Fuller  Search this
Neininger, Urban  Search this
Still, Clyfford  Search this
University of California, San Francisco. School of Fine Arts  Search this
School of Visual Arts (New York, N.Y.)  Search this
Account books
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Abstract -- France -- Paris  Search this
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
Online Media:

John and Monica Haley papers, 1927-1987

Haley, John Charles, 1905-1991  Search this
Haley, Monica E., 1907-1997  Search this
Haley, John Charles, 1905-1991  Search this
Booth, Cameron  Search this
Hein, Joan  Search this
Hofmann, Hans  Search this
Jensen, Alfred  Search this
Peterson, Margaret  Search this
Rupprecht, Edgar A.  Search this
Ryder, Worth  Search this
Schoolcraft, Henry Rowe  Search this
Loran, Erle  Search this
Vytlacil, Vaclav  Search this
Art, Modern -- 20th century -- California  Search this
Modernism (Art)  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Record number:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art

Karl Kasten papers, 1940-1977

Kasten, Karl Albert, 1916-  Search this
Kasten, Karl Albert, 1916-  Search this
Clark, Charles D.  Search this
Ryder, Worth  Search this
Painting, Modern -- 20th century -- California -- Berkeley  Search this
Printing -- California -- Berkeley  Search this
Expressionism (Art)  Search this
Lives of American Artists  Search this
Record number:
Lives of American Artists
Data Source:
Archives of American Art

Emmy Lou Packard Papers, 1900-1990

Packard, Emmy Lou, 1914-1998  Search this
Packard, Emmy Lou, 1914-1998  Search this
Covarrubias, Miguel  Search this
Edmunds, John  Search this
Rivera, Diego  Search this
Reynolds, Malvina  Search this
Refregier, Anton  Search this
Lange, Dorothea  Search this
Kahlo, Frida  Search this
O'Higgins, Pablo  Search this
O'Gorman, Juan  Search this
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Works of art  Search this
Printmakers -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Muralists -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Latino and Latin American  Search this
Women  Search this
American Art and Artists in a Global Context  Search this
Record number:
Latino and Latin American
American Art and Artists in a Global Context
Data Source:
Archives of American Art
Online Media:


Collection Creator:
Lazzari, Pietro, 1898-1979  Search this
1.7 Linear feet (Boxes 1-2)
Archival materials
1895-1998, undated
Scope and Contents note:
This series consists of letters exchanged between Lazzari, family members, and colleagues. Over one hundred letters from the Federal Works Agency and the Treasury Department Section of Painting and Sculpture concern post office murals for towns in Florida, New Jersey, and North Carolina. Five letters from the National Aeronautics and Space Administration contain 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon. Lazzari also received at least one letter each from Jacqueline Kennedy, Duncan Phillips, Eleanor Roosevelt, industrialist John Rust, and socialist Norman Thomas.

See Appendix for a list of selected correspondents in Series 2.
Arrangement note:
Correspondence is arranged chronologically.
Appendix: Selected Correspondents in Series 2:
Aguilera, Francisco: undated (1 letter)

Albergo Saturnia, Rome: 1928 (1 letter)

Alberts: Russell Alberts-Laura Langdon Antiques: undated (1 letter)

Alexander Gallery: undated (1 letter)

Allied Publications, Inc.: 1965 (1 letter)

Alterman, Selma: undated (1 letter)

Ambasciata d'Italia: 1950-1973 (3 letters)

Ambasciatore d'Italia: undated and 1971 (2 letters)

America-Italy Society: 1956 (1 letter)

American Academy in Rome: 1955 (2 letters)

American Artists Professional League: 1949-1955 (3 letters)

American Battle Monuments Commission: 1959 (1 letter)

American Commission for Cultural Exchange with Italy (Fulbright grant): 1950-1954 (2 letters)

American Federation of Arts: 1951-1956 (2 letters)

American Red Cross: 1943-1945 (6 letters)

American University: 1947-1967 (5 letters)

Amici, Alfredo: 1948-1959 (6 letters)

Amministrazione Erdi Saverio Patrizi: 1969 (2 letters)

Andori, Adolfo: 1913-1916 (3 letters)

Anderson, Wayne V.: 1956 (1 letter)

Andrade, Victor: undated (1 letter)

Angelelli, Augusta: 1972 (1 letter)

Angiolillo, Giuseppe: 1967-1972 (9 letters)

Anson, Cherrill: 1998 (1 letter)

Appleby, J. Scott: 1952-1961 (9 letters); see Life Insurance Company of Georgia

Aquil, Preta: 1921 (1 letter)

Architectural League of New York: 1955 (3 letters)

Aristide, Zio (?): 1926 (1 letter)

Arndal, Kersten: 1970-1977 (2 letters)

Art Direction -- magazine: 1956 (1 letter)

Art in Federal Buildings, Inc.: 1943 (1 letter)

Art Institute of Chicago: 1944-1956 (11 letters)

Artists Equity Association: undated and 1949-1972 (7 letters)

Artists for Victory: 1942-1943 (7 letters including a prospectus for "America in the War" exhibition)

Artists of Washington, D.C.: undated (1 letter)

Artist's Guild of Washington: 1960 (1 letter)

Associated Architects & Engineers: 1957 (1 letter)

Associated Artists Gallery of Washington: 1961 (1 letter)

Associazione Artistica Internazionale: 1950 (1 letter)

Atomic Energy Clearing House: 1963 (1 letter)

Bache, Martha Moffett: 1949 (1 letter)

Backus, Florence: 1955 (1 letter)

Bader: Franz Bader Gallery: 1950-1976 (3 letters)

Baltimore Museum of Art: undated and 1948-1956 (8 letters); see Breeskin, Adelyn

Banca Commerciale Italiana: 1969 (2 letters)

Bankok Insustries, Inc.: 1972 (1 letter)

Bashir, Mir: 1955 (2 letters)

Bazzanella, Albina: 1926-1928 (2 letters)

Bedi-Rassy Art Foundry: 1952-1962 (4 letters)

Beer, Elsie: 1926-1928 (3 letters)

Bergeson, Mrs.: 1951 (1 letter)

Berkman, Jack: 1949 (1 letter)

Berkowitz, Ida and Leon (Workshop Center of the Arts): 1953-1955 (2 letters)

Berrier, Jean: 1971 (1 letter)

Betts, Luici: 1928 (1 letter)

Birnbaum, Britta: 1963 (1 letter)

Blake, Margaret Day: [1956] (1 letter)

Blanc, Peter: undated and 1948-1950 (4 letters)

Bly?, Edith: undated (1 letter)

Borea, Raimondo: 1971 (1 letter)

Borzani, Gastone: 1918 (1 letter)

Boulner, Bartlet: 1927 (1 letter)

Bowen, Elizabeth: undated (1 letter)

Brambilla, Helen: 1945 (1 letter of recommendation for Lazzari)

Breeskin, Adelyn D. (Baltimore Museum of Art): 1953-1961 (4 letters)

Broders, Dr. Hy: 1941 (envelope only; enclosing photo of unidentified friends)

Brooklyn Museum: 1956 (1 letter)

Brooks Memorial Art Gallery: 1952 (2 letters); see Rust, John

Broude & Hochberg: 1969 (1 letter)

Brown, James W.: 1934 (1 letter)

Bruce, Edward: mentioned in 3 letters dated 1938-1943

Bryn Mawr Club of Washington: 1961 (1 letter)

Buckingham Palace: 1971 (1 letter)

Bureau of Copyrights and Patents, Library of Congress: 1936-1955 (3 letters)

Burleighfield International Arts Centre: 1977 (1 letter)

Buxton, P. S.: 1969 (1 letter)

Cahill, Holger: see Works Progress Administration

Caldwell, Henry Bryan: 1951 (1 letter from Lazzari)

Calfee, William H.: 1967 (1 letter)

California: University of California at Berkeley: 1986 (1 letter)

California: University of California at Los Angeles: 1970 (1 letter)

Canali, Paola: undated (1 letter)

Cani, Edward: undated (1 letter)

Capital Park Apartments: mentioned in a letter dated 1962

Carbela: 1929 (1 letter)

Carbonati, Antonio: 1927 (2 letters)

Carnassale, Enrico: 1914-1916 (2 letters)

Carolan, Anna B. (The Little Gallery): 1947 (2 letters)

Casella, E. and M.: 1917-1918 (4 letters)

Caserma, Luisa.: 1914-1917 (2 letters)

Catholic University of America: 1964 (1 letter)

Caulfield, Patricia: 1949 (1 letter)

Central States Joint Board: 1977 (1 letter)

Chapel, Maria: 1970-1973 (3 letters)

Chase, Ralph H.: 1959-1961 (2 letters)

Child, Col. Sargent B.: 1968 (1 letter from Corcoran)

City of New York Department of Correction (Riker's Island mural): 1936-1937 (2 letters)

Civil Service Commission Club: 1949 (1 letter)

Clark, Joseph (Senator from Pennsylvania): 1962 (1 letter)

Clemens, Cyril ( -- Mark Twain Journal): -- 1971 (1 letter)

Cohen, Evelyn: see Lazzari, Evelyn

Cohen, Lester: 1956 (1 letter)

Colladay, Edward F.: 1932 (1 letter)

Conant, Howard (New York University): 1956 (1 letter)

Connolley, Robert Emmet: 1947-1950 (8 letters)

Console Generale d'Italia: 1965 (1 letter)

Constantino, C.: 1967 (1 letter)

Cook, Elizabeth: [1946] (1 letter)

Cooke: Hereward Lester Cooke Foundation: 1974-1975 (3 letters); see National Aeronautics and Space Administration; see National Gallery of Art

Cooper, Alice J.: 1927 (1 letter)

Corcoran Gallery of Art: undated and 1951-1981 (37 letters)

Corsi, Emma and W. Edward: 1928 (1 letter)

Cosgrove, Jessica (Mrs. John O'Hara Cosgrove): 1928-1930 (22 letters)

Cosgrove, John O'Hara (editor of -- New York World): -- undated and 1927-1929 (7 letters)

Costintin, Celestino and Emilia: 1916-1971 (6 letters)

Cotzia, Pasquale: 1966-1968 (2 letters)

Coughlin, Clarence John: 1948 (1 letter)

Crimi: undated (1 letter)

Crosby, Caresse (Crosby Gallery of Modern Art): undated and 1945-1969 (14 letters)

Crossley, Kay A.: 1966 (1 letter)

Cullen, Amelia: undated (1 letter)

Cusumono, Stefano: 1947-1951 (3 letters)

Daloni, Edith B.: 1928 (1 letter)

Damer, Veffarghi: 1919 (1 letter)

Damiani, Angelo: 1921 (1 letter)

Dane, C. K.: 1965 (1 letter)

Dean, Edward: 1940 (1 letter)

Debs: Eugene V. Debs Foundation: 1965-1966 (3 letters including 6 photographs with Norman Thomas); see United Auto Workers

de Chetelat, Mr.: mentioned in letter dated 1928

de Chirico, Giorgio: mentioned in undated invitation from Ambasciatore d'Italia

DeLano, Agnes: undated (1 letter)

De Medio, Americo: 1963-1976 (32 letters)

De Medio, Vincenzo: undated and 1970-1977 (3 letters)

Demiddi, Alberto: undated and 1972 (3 letters)

De Mont, Nany and Eugene: undated (1 letter)

Dernay, Eugene: 1945-1959 (4 letters)

Design in Steel Award Program: 1972 (1 letter)

Dictionary of International Biography: 1974 (1 letter)

Diller, Burgoyne: see Federal Art Project

Dipanfilo, Pio: 1949-1968 (10 letters)

Di Raimondo, Vicenzo: 1920-1928 (7 letters)

District of Columbia Board of Commissioners: 1959 (1 letter)

District of Columbia Department of Public Welfare: 1958 (1 letter)

District of Columbia Juvenile Court: 1964 (1 letter)

District of Columbia Recreation Board: 1963 (1 letter)

Dole (?), Louis: 1923 (1 letter)

Dollinger, Josef: undated (1 letter)

Donaldson, Leota L.: undated (2 letters)

Donaldson, Renee: undated (1 letter)

Douglas, Paul F.: 1951 (1 letter)

Dretzin, S. C.: 1950 (1 letter)

Draper, Warren A.: 1944 (1 letter)

Dumbarton College: 1949-1951 (3 letters)

Duncan and Duncan Chinese Shop: 1964 (1 letter)

Dunham, Dr. G. C.: 1944 (1 letter re: portrait of Dr. Sawyer)

Duproix, Eunice: 1928 (1 letter)

Durbin, Jack: 1960 (1 letter)

Editions du Griffon, Neuchatel, Suisse: 1964 (3 letters)

Edsor, Mary: 1928 (1 letter)

Elenbrock, Gretel: 1927 (3 letters)

Elkins: Stella Elkins Tyler School of Fine Arts of Temple University: 1956 (1 letter)

Eng, Ernest: 1959 (1 letter)

Ernesto Desideri: 1915 (3 letters)

Evening Star -- newspaper, Washington, D.C.: 1957 (1 letter)

Farmers Educational and Cooperative Union: 1944 (1 letter)

Fasola, Roberto: 1948-1949 (2 letters)

Federal Art Project: 1938-1939 (4 letters)

Federal Works Agency, Public Buildings Administration: 1940-1947 (70 letters re: murals for the Brevard, N.C. post office, the North Bergen, N.J. post office, and the Jasper, Florida post office, including a contract, 2 photographs, and 2 sketches for a mural)

Federal Works Agency, Work Projects Administration: 1941-1942 (2 letters)

Fellowship of Reconciliation and War Resisters League: [1945] (1 letter)

Ferargil Gallery: 1941 (1 letter)

Ferreri, Elena: 1938 (1 letter)

Figoullo, Adriano: 1912 (1 letter)

Fiore, Ilario and Titta: 1966-1967 (5 letters)

Fitzwater, Aldace: 1950 (1 letter)

Florentine Gallery: 1956 (4 letters)

Fogle, Bruce: 1927 (1 letter)

Food and Agriculture Organization of the United Nations: 1956 (1 letter)

Force, Mrs.: undated (1 letter)

Foreign Service of the United States of America: 1950 (3 letters)

Foresti, Arnaldo: 1948-1949 (2 letters)

Fortas, Abe: 1956 (1 letter)

Fortune -- magazine: 1944-1956 (2 letters)

Francis, Emily A.: 1951 (3 letters)

Franco, Johan: 1966 (2 letters)

Frankel, Samuel: undated (1 letter)

Freeman: Carl M. Freeman Associates, Inc.: 1963 (1 letter)

Frisine, Robert: 1967 (1 letter)

Frost, Phillip: 1981 (1 letter)

Fujita, Mr.: 1957 (1 letter)

Fulbright grant: see American Commission for Cultural Exchange with Italy

Fuller, Eve Alsman (Miami, Fl. post office): 1938 (1 letter)

Gabetti: undated (1 letter)

Galarza, Ernesto and Mae: (National Farm Labor Union; National Agricultural Workers Union): undated and 1944-1978 (27 letters); see Landon School for Boys; see Perkins, Milo

Galerie Internationale: 1965 (1 letter)

Galerie Schindler: undated and 1965-1972 (12 letters)

Gallaudet College: 1963-1970 (14 letters, including a contract)

Gallenga: 1951 (1 letter)

Gaspari, Mario P.: 1966 (1 letter)

Georgetown University Fine Arts Club: 1960 (1 letter)

George Washington University: 1965 (1 letter)

Giovannetti, Alberto: 1966 (1 letter)

Giovanni, Sebastiani: 1921 (1 letter)

Giricosnelli, Emilio: 1918 (1 letter)

Gobbi, Adolfo: 1928 (1 letter)

Goldberg, Dorothy and Arthur: 1964-1965 (3 letters)

Goldsmith, Alberto R.: 1947-1968 (3 letters)

Gonzales, Angelino: 1951-1975 (11 letters)

Gotham Book Mart: 1968 (1 letter)

Graham, John: 1948 (1 letter)

Granati, Pasquale: 1918 (1 letter)

Grand Central Art Galleries: 1956 (1 letter)

Grant, Blanche C.: undated (1 letter)

Grebanier, Barnard: 1961 (1 letter)

Greene, Hope Margaret: 1926-[1927] (2 letters)

Gualdi, Luigi: 1947-1949 (11 letters)

Guarino, A.: undated letters to Mabel McMahon and Guiolitta Sartori

Guggenheim: John Simon Guggenheim Memorial Foundation: 1937-1971 (5 letters)

Guggenheim: Solomon R. Guggenheim Museum: 1956-1960 (3 letters)

Gutheim, Frederick: 1956 (1 letter)

Haarlem House, Inc.: 1926 (1 letter)

Hahn, Rosemarie E.: 1961 (1 letter)

Halle, Kay: 1972 (1 letter)

Hammerle, Brooke: 1966 (1 letter)

Hansen, Jane: 1954 (1 letter)

Hardman, Virginia: undated (1 letter)

Harrison & Abramovitz, Architects: 1956 (1 letter)

Harrison, Charles H.: 1949 (1 letter)

Hart, Earl: mentioned in an undated letter

Hartley, Bettina: undated (1 letter)

Hartman Galleries, Inc.: 1973 (1 letter)

Hayward: City of Hayward, California: 1965 (1 letter)

Health, Education, and Welfare Employees' Association: 1962 (1 letter)

Hechinger, June: undated (1 letter)

Heilbron, Edna: 1972 (1 letter)

Heinemann, Mark: undated (1 letter)

Herzbrunn, Josef: 1949 (1 letter)

Heywood, Carmen: 1948 (1 letter)

Hollander, Cornelia: undated (1 letter)

Holvey, Sam: undated (1 letter)

Holy See: Permanent Observer of the Holy See: 1966 (1 letter)

Hom Gallery: 1972 (1 letter)

Horrocks, E. Joan: 1971 (1 letter)

Hotel Beau Site, Rome: 1928 (1 letter)

Hotel de la Ville, Rome: 1928 (1 letter)

Hotel Hassler, Rome: 1928 (1 letter)

Hotel Pension Alexandra, Rome: 1928 (1 letter)

Hotel Windsor, Rome: 1928 (1 letter)

Hough, Edith Louise: 1952 (1 letter)

Illinois State Historical Library: 1965 (1 letter)

Il Messaggero: 1928 (1 letter)

Immigration and Naturalization Service: 1976 (1 letter)

Institute for International Education: 1963 (1 letter)

Institute for the Arts of the Archdiocese of Washington: 1978 (2 letters)

Institute of Contemporary Art: 1956 (2 letters)

Institute of Gerontology: 1970 (1 letter)

International Directory of Arts: 1982 (1 letter)

Isherwood, Christopher: undated (1 letter)

Istituzione Maddalena Aulina: 1966 (1 letter)

Jacometti, Nesto: 1972 (1 letter)

Jaffe, Norman: 1964 (1 letter)

Janus, Virginia: 1929 (2 letters)

Jelleff: Frank R. Jelleff, Inc.: 1949 (1 letter)

Jennoff?, Peter L.: undated (1 letter)

Jewish Social Service Agency: 1967 (1 letter)

Johnston, L. R.: 1932 (2 letters)

Jones, Dorothea and Stuart E.: 1955 (3 letters)

Jones, George Lewis: 1961 (1 letter)

Jopp, Fred Gilman: 1936 (1 letter)

Josephy, Diane ( -- Time): -- 1968 (1 letter)

Junior Council of the Museum of Modern Art: 1956-1960 (2 letters)

Jurin, Benjamin M.: undated (1 letter)

Kagy, Virginia and Sheffield: 1948 (1 letter)

Kahles, Jessie: 1940-1948 (3 letters)

Kennedy, Jacqueline: May 19, 1960

Letters from White House Social Secretary: 1961-1963 (5 letters)

Kerensky, Alexander: 1965 (1 letter)

King Features Syndicate, Inc.: 1943 (1 letter)

King, Marion: 1952 (1 letter)

King, Rufus: 1975 (1 letter)

Kneifel, Mr.: 1956 (1 letter from Lazzari)

Kramer, Herbert (Congregazione del Preziosissimo Sangue): 1950 (1 letter)

Krishnamurti, Jack: 1959 (1 letter)

Kurzland, Toby: 1991 (1 letter)

La Follia: 1926 (1 letter)

La Galleria: 1972 (1 letter)

Landon School for Boys: 1944 (1 letter re: Ernesto Galarza)

Landu, Consuelo: 1948 (1 letter)

Lanier, Fanita: see Ruffiner, Willis E.

La Revue Moderne: 1961 (3 letters)

La Rocca, Principessa de: 1968 (1 letter)

Latif, Bilkeer: undated (1 letter)

Law, L. S.: 1932 (2 letters of recommendation for Lazzari)

Lawton, Thomas: 1974 (1 letter)

Lazzari, Attilio: 1922 (1 letter)

Lazzari, (Grace) Elizabeth Paine: undated and 1920-1951 (69 letters)

Letters from Pietro to Elizabeth: 1928-1929 (52 letters)

Lazzari, Evelyn Cohen: undated and 1948-1965 (6 letters)

Letters from Pietro to Evelyn: undated and 1932-1966 (49 letters, including one with a photograph of friends)

Lazzari, Fernanda (sister) and Vittoria: 1915-1949 (11 letters)

Lazzari, Leno: 1918-1929 (2 letters)

Lebanon: Embassy of Lebanon, Washington: 1956 (1 letter)

Lee, Amy: Nov 01, 1974 (letter from Lazzari); 1975 (1 letter)

Lee, Dal: 1954 (1 letter)

Lee, Pearl: undated (1 letter)

Levy, Sid A.: undated (1 letter)

Library of Congress: undated and 1965-1982 (6 letters)

Licciardi, Pietro: undated (1 letter)

Licinio Cappelli: 1949 (1 letter)

Life Insurance Company of Georgia: 1954 (2 letters)

Little Gallery: see Carolan, Anna B.

Lobatini, G.: undated (1 letter)

Loccatelli, Giulio: 1956-1958 (2 letters)

Lombaro (?), Patricia: 1961 (1 letter)

Loughlin, Dr. John J.: 1936-1940 (2 letters)

Lousine, L.: undated (1 letter)

Luccia, Enrico: undated and 1928-1977 (19 letters)

Lucibello, Luigi: Jan 12, 1965

Lucifero, Alfonso: Jan 13, 1912 (letter from Ministero delle Finanze)

Macpherson, Suzanne: 1957 (2 letters)

Maddux, Yolanda A.: undated (1 letter)

Maezawa, Kezuko: 1956 (1 letter)

Magrini, Livia: 1967-1970 (5 letters)

Makovich, L.: 1950 (1 letter)

Manca, Albino (sculptor): 1971 (1 letter)

Mangravite, Peppino (Columbia University): 1956 (1 letter)

Mann: Charles Z. Mann Gallery: 1966 (1 letter)

Mannarino, Matina: 1968 (1 letter)

Maresciallo, Mr.: undated (1 letter from Lazzari)

Mark, Ginevra: undated (1 letter)

Marlor, Clark S.: 1981 (1 letter)

Marquis Company: 1950-1981 (3 letters)

Maryland: University of Maryland: 1972 (1 letter)

Mattei, Cristina: 1950 (a death announcement)

Mayfield, Mrs. David: 1938 (1 letter)

McAfee, Don: 1955-1969 (3 letters); see Watergate Construction Corp.

McGinnis, Paul: 1988 (1 letter)

McIlhenny, Henry P.: 1949 (1 letter)

McIntyre, W. A.: undated (1 letter)

McKeogh, Elsie: 1954 (1 letter)

McKonish, Margaret: 1949 (1 letter)

McMahon, Mabel: undated (1 letter from A. Guarino)

Meert, Margaret Mullin: 1948 (2 letters)

Meeting House Gallery: 1972 (1 letter)

Meguin, A.: undated (1 letter)

Menard, G.: 1928 (1 letter)

Men of Achievement: 1974-1975 (2 letters)

Mensh, Elizabeth: 1978 (1 letter)

Merritt, Polly: undated (1 letter)

Messina, Joseph R.: 1971 (1 letter)

Metropolitan Museum of Art: 1951 (1 letter)

Miami Museum of Modern Art: 1965-1968 (7 letters)

Miki, Suizan: undated (1 letter)

Mills, Harrington: 1933 (1 letter)

Ming, Wang (National Art & Frame Co.): 1968 (1 letter)

Mitchell, Austin: 1946 (1 letter)

Montgomery County Art Association: 1961 (1 letter)

Moore, Norman Perry: 1927-1928 (2 letters)

Moore, Paul: 1970 (1 letter)

Morey, Mr.: [1950] (1 letter)

Morott, Aristodemi: 1918 (1 letter)

Morrison, Lillian: 1971 (1 letter)

Mortot, Virgilio: undated and 1962-1964 (4 letters)

Morvidi, Maria: 1918 (1 letter)

Moskin, Ruth: undated (1 letter)

Mullins, Mrs.: undated (1 letter)

Museum of Fine Arts, Boston: undated and 1955 (2 letters)

Museum of Fine Arts, Houston: 1964 (2 letters)

Museum of Modern Art: 1949-1973 (3 letters); see Junior Council of the Museum of Modern Art

Myers, Eugene Ekander: 1976 (1 letter)

National Academy of Design: [1939] (1 letter)

National Aeronautics and Space Administration: 1962-1973 (5 letters including 4 photographs of artwork and 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon; an Apollo translunar/transearth trajectory plotting chart; an Apollo lunar orbit chart; and an Apollo earth orbit chart); see Cooke: Hereward Lester Cooke Foundation

National Cyclopedia of American Biography: 1979 (1 letter)

National Gallery of Art: undated and 1956-1974 (7 letters)

National Housing Center: 1961 (2 letters)

National Investigations Committee on Aerian Phenomena: 1957 (1 letter)

National Society of Arts and Letters: 1952 (1 letter)

National Society of Mural Painters: 1940-1963 (3 letters)

National Student Art Tour: 1949 (1 letter)

National Sugar Refining Company: 1938 (1 letter)

Neale, Rosamund: 1961 (1 letter)

Neilson, Robert Hude: 1928 (1 letter)

Nelson, Helen Ewing: undated (1 letter)

New American Library: 1953 (1 letter)

Newlin, Ben: 1979 (1 letter)

New Society for Art and Literature: 1947 (1 letter)

Nichol, Jean: 1926 (2 letters)

Nichol, Nella: 1929 (1 letter)

Nilsen, Laila: 1946 (1 letter)

Nobili, A.: undated letter written on reverse of photograph of Nobili painting

Nuova Critica Europea: 1969 (1 letter)

O'Connor, Don: 1960 (1 letter)

O'Connor, FrancisV.: 1968 (1 letter)

Oggi: 1967 (1 letter)

Okamoto, Yoichi R.: undated (1 letter)

Oklahoma Art Center: 1969 (1 letter)

Oklahoma Museum of Art: 1988 (1 letter)

Olson: Charles Olson Archives, University of Connecticut: 1975-1976 (3 letters)

Oregon State Library: 1957 (1 letter)

Orlando, Teresa: undated and 1949-1971 (3 letters)

Ottiani, Giuseppe: 1909 (1 letter)

Palmieri, Renato: 1928 (1 letter)

Park, Marlene: 1979 (1 letter)

Pavia, Dagoberto: 1959 (1 letter)

Pavia, Goffredo: 1921-1924 (7 letters)

Palmieri, Renato: 1957 (1 letter)

Palombi, Angelo: 1921 (1 letter)

Pan American Union: 1944-1945 (2 letters)

Parsons, Betty (Betty Parsons Gallery): undated and 1949-1973 (9 letters)

Passedoit Gallery: 1956 (1 letter)

Pensione Boos, Rome: 1928 (1 letter)

Pensione Girardet, Rome: 1928 (1 letter)

Perentine, Giuseppe (Nino): 1927-1950 (3 letters)

Peresson, I.: 1971 (1 letter)

Peretti, Luigi: undated (1 letter)

Perkins, Milo: 1944 (1 letter re: Ernesto Galarza)

Perna, Giorgio: undated (1 letter)

Peterson, Esther: 1978 (1 letter)

Philadelphia Department of Public Property: 1960 (1 letter)

Philadelphia Museum of Art: 1965-1966 (3 letters)

Phillips, Duncan: 1954 (1 letter)

Pirucchini, Maria: 1927 (1 letter)

Pope Paul VI: mentioned in 7 letters dated 1966, including 2 photographs of Lazzari with bust of the Pope; see Fiore, Ilario; see Giovannetti, Alberto; see Institute for the Arts of the Archdiocese of Washington

Preissler, Audrey: 1970 (1 letter)

Print Collector's Quarterly: 1949 (1 letter)

Print Council of America: 1963 (1 letter)

Prospersin, Eugenio: 1941 (1 letter)

Pyramid Club: 1956 (1 letter)

Quick, Robert B.: 1972 (1 letter)

Quinzi, Amerigo: 1920-1925 (2 letters)

Rady, Cabell: 1958 (1 letter)

Rahill, William Allen: 1954 (1 letter from Lazzari)

Raker, J. M.: 1928 (1 letter)

Ramakrishna-Vivekananda Center: undated (1 letter)

Randall, Megan: 1975 (1 letter)

Rassegna Nazionale di Arti Figurative: 1948 (1 letter)

Rattu, Salvatore: undated and 1926-1966 (13 letters)

Reeves, Rosser: 1947 (1 letter)

The Reporter -- magazine: 1956 (1 letter)

Reuther, Victor: see United Auto Workers

Reynolds, D.: 1939 (1 letter from Lazzari)

Rhine, J. B.: 1949 (1 letter)

Ricca, Roberta: undated (1 letter)

Rieder (?), Baronessa: 1934 (1 letter)

Rioffo, Angela: 1959-1962 (2 letters including 2 photographs of friends)

River Road Gallery, Louisville, Ky.: 1941-1943 (4 letters)

Rivoi, Swami: undated (1 letter)

Robson, John: 1958 (1 letter)

Rocca Sinibalda: 1920 (1 letter)

Rockefeller, Nelson A.: 1946 (1 letter)

Rodman, Selden: undated (1 letter)

Rollins College: 1933-1942 (4 letters)

Roosevelt, Eleanor: Nov 09, 1945 and a letter dated 1964 concerns a viewing of the Roosevelt portrait bust); see White House; see Roosevelt Library

Roosevelt: Franklin D. Roosevelt Library at Hyde Park: 1963-1965 (8 letters, including typescripts of speeches); see United Auto Workers

Ross, Fred: 1949 (1 letter)

Rosso, Giulio: undated letter of recommendation by Lazzari

Roth, Maurice: 1993 (1 letter including 2 photographs of Lazzari's work)

Rothschild, Anselm A.: undated (1 letter)

Rowan, Edward: see Federal Works Agency

Rowan, Leata: undated (1 letter)

Rowantrees Pavilion: see Thompson, Lin

Rowin, Fran: 1976 (2 letters)

Rowland, Creelman: undated (1 letter)

Ruffner, Willis E. (lawyer for Fanita Lanier): 1944 (1 letter)

Russell, N. F. S.: 1932 (1 letter)

Rust, John and Thelma: 1952-1954 (38 letters, including an application from Lazzari for a grant from the John Rust Foundation, including a clipping about Rust and 3 photographs of cotton pickers); see West Tennessee Historical Society

St. Louis, Bertha: undated (1 letter)

Sanderson, W. A. (Calouste Gulbenkian Foundation): 1958 (1 letter)

San Francisco Museum of Art: 1967 (1 letter)

Sartori, Guiolitta: undated letter from A. Guarino

Satterlee & Smith, Architects: 1962 (1 letter)

Savini, Renata: 1965-1967 (3 letters)

Scheetz, June Rice: undated (1 letter)

Schoenberg, Rose: 1967 (1 letter)

Schurmer, Zaira E.: 1947 (2 letters)

Schwarz -- magazine: 1957 (1 letter)

Scigliano, Peppino Cosenza: 1910 (2 letters)

Sebastiani, G.: undated (1 letter)

Selmi, Gabriella: undated (1 letter)

Sevareid, Eric: 1956 (1 letter)

Sheen, Rev. Fulton J.: 1970 (1 letter)

Simotti, Aristide (friend who was prisoner of war): 1911-1925 (62 letters)

Sinisca: undated (1 letter)

Sirony, Simone: 1955-1964 (8 letters)

Smart: David and Alfred Smart Museum of Art: 1991-1996 (4 letters)

Smith, George: 1926-1927 (2 letters)

Smithsonian Institution: undated and 1947-1976 (8 letters)

Snyder, Nell H.: 1969 (1 letter)

Society of American Etchers: 1944 (1 letter)

Society of American Graphic Artists: 1956 (2 letters)

Society of Washington Artists: 1960-1961 (2letters)

Society of Washington Printmakers: 1976 (2 letters)

Sound View Press: 1991 (1 letter)

Spiral Group: see Strantin, Wally

Stevenson, Adlai: see White House

Stewart, George: 1932 (1 letter)

Strantin, Wally and Edward: 1950-1951 (2 letters)

Stroppoghetti, Arturo: 1923 (1 letter)

Stubbs, Kenneth: [1948] (1 letter)

Studer, Alfredo and Clara: 1947-1976 (15 letters)

Sweeney, James Johnson: 1949 (1 letter)

Syracuse University: 1964 (1 letter)

Taylor, Prentiss: 1972 (1 letter)

Teller, Douglas H.: 1963 (1 letter)

Terenz, Don Umberto: 1960 (1 letter)

Thames and Hudson, Ltd.: 1974 (1 letter)

Thomas, Norman: 1963-1965 (2 letters)

Thomen, Luis Francisco (Ambassador from Dominican Republic): undated (1 letter)

Thompson, Lin: 1950-1951 (3 letters)

Thurston, Charles D.: 1927-1928 (4 letters)

Tibet Society: 1975 (1 letter)

Timpenado, Cesare: 1927 (1 letter)

Tirrocelli (?), A.: 1917 (1 letter)

Toledo Museum of Art: 1957 (1 letter)

Toscanini, Arturo: mentioned in 2 letters dated 1928

Tosello, Alfredo: 1947-1949 (2 letters)

Tosi, Elisa: 1929 (1 letter)

Treasury Department, Section of Painting and Sculpture: 1936-1939 (53 letters concerning the Arlington, N.J. post office, the Sanford, N.C. post office, and the New York World's Fair Sculpture Competition)

Truman: Harry S Truman Library at Independence, Mo.: 1963 (1 letter)

Turkish Embassy, Washington, D.C.: 1958-1959 (4 letters including a photograph of Lazzari)

Tyler, Richard O.: 1958 (1 letter)

Ugolini, Luigi: 1969 (1 letter)

Ungar, Harold and Mildred: 1965 (1 letter)

United Auto Workers (U.A.W.): 1963-1971 (9 letters); see Debs: Eugene V. Debs Foundation

United Scenic Artists of America: [1939] (1 letter)

United States Civil Service Commission: 1944 (2 letters)

United States Department of Agriculture: 1945-1967 (10 letters)

United States Department of Labor: undated (1 letter)

United States Information Agency: 1959 (1 letter)

United States Information Service: Jul 09, 1964

University Settlement: 1946 (2 letters)

Upham, Elizabeth: 1948 (1 letter)

Van De Bries, Enri: 1973 (1 letter)

Vangell?, Raphaele: undated (1 letter)

Van Smith, Anne: 1949 (1 letter)

Venice Biennale: 1948-1954 (3 letters)

Vermont Marble Company: 1955 (1 letter)

Veschi, Signora: undated (1 letter)

Vickery, Ruth Bacon: 1929 (1 letter)

Victoria Hotel, Rome: 1928 (2 letters)

Virginia Museum of Fine Arts: 1956 (1 letter)

Visher, John: 1956 (1 letter)

Vosseller, Harold: 1948 (1 letter)

Wagner, Edward A. (Dell Publishing Co.) and Julia: 1954-1976 (5 letters)

Waldo, M. V.: 1945 (1 letter)

Warren, Susan and Louise: undated (1 letter)

Washington Gallery of Modern Art: undated (1 letter)

Washington is Wonderful: see Jones, Dorothea and Stuart E.

Washington-Lee High School: 1961 (1 letter)

Washington, Walter E. (Mayor of Washington, D.C.): 1976 (1 letter); Oct 19, 1976 (1 letter from Franz Bader)

Washington Water Color Association: undated and 1961 (3 letters)

Watergate Construction Corp.: 1968-1969 (4 letters); see Don McAfee

Watson, Ernest W. (editor, -- Art Instruction -- and -- American Artist -- ): 1939-1949 (3 letters)

Watson, Forbes: see Art in Federal Buildings, Inc.

Weil, Frank L.: 1926-1936 (2 letters)

Weinmann, Eric: 1980 (1 letter including a photograph of artwork)

Wells, John K. (Equitable Life Assurance Society): undated (1 letter)

West Tennessee Historical Society: 1952 (3 letters); see Rust, John

Weyhe: E. Weyhe Gallery: 1949 (1 letter)

White, Sarah: 1929 (1 letter)

Whitney Museum of American Art: 1939-1980 (11 letters)

Whyte Gallery: 1944-1950 (2 letters)

Widdemer, Kenneth D.: 1928 (1 letter)

White House: 1965-1968 (4 letters concerning the presentations of the busts of Eleanor Roosevelt and Adlai Stevenson)

Whittemore, Manvel: 1936 (1 letter enclosing poems)

Who's Who in America: 1979-1980 (2 letters)

Works Progress Administration: 1937-1938 (4 letters)

Workshop Center of the Arts: 1953 (1 letter); see Berkowitz, Ida and Leon

WRC Radio: 1966 (1 letter including a photograph of Lazzari)

WRC-TV: 1967 (1 letter)

Young, June: undated (1 letter)

Young, Louis Butler: 1971 (1 letter)

Zerega, Andrea: 1972-1976 (4 letters, including a résumé)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.
AAA.lazzpiet, Series 2
See more items in:
Pietro Lazzari papers
Archival Repository:
Archives of American Art


Collection Creator:
Downtown Gallery  Search this
22 Linear feet (Boxes 1-22; Reels 5488-5545)
Archival materials
1926-1974, undated
Scope and Contents note:
This series consists of the business and personal correspondence of Edith Gregor Halpert and the Downtown Gallery. For the most part, this series is general business correspondence concerning routine activities of the Downtown Gallery, including the American Folk Art Gallery and the Daylight Gallery, both operated by the Downtown Gallery on the same premises. Included are correspondence with clients, employees, other galleries, and colleagues concerning sales, loans, purchases, appraisals, and so forth; arrangements for shipping, framing, photography, reproduction permissions, and insurance; and gallery housekeeping and improvements, ordering of supplies, and other administrative concerns.

Also included is personal correspondence of Edith Gregor Halpert. There are letters and greeting cards from nieces, nephews, and other relatives; correspondence with longtime friends, including some who were art collectors, museum curators, or museum directors; and correspondence concerning upkeep and improvement of her Newtown, Connecticut, country home and entertaining there.

See Appendix A for a list of selected correspondents from Series 1
Arrangement note:
Letters (with enclosures) are arranged chronologically, with those of the same date alphabetized by name of correspondent; undated material is arranged alphabetically, followed by unidentified correspondents and letters bearing illegible signatures.

Box numbers provided in the Container Listing are approximate.
Appendix A: List of Selected Correspondents in Series 1:
Names and titles indicated in this list are those that appear on the letters. Where appropriate, terms have been standardized and cross-referencing provided. Because filing is not always consistent, researchers are advised to check both the name of an individual and the institution that he or she represented.

Abate Associates, Inc., 1956

Abbot and Land, 1965

Abbot, B. Vincent, 1944

Abbot, Bernice, 1957

Abbot, John E., 1945, 1948

Abbot Laboratories, 1950, 1952

ABC Employment Agency, 1951

Richard Abel and Co., Inc., 1968

Abendroth, Robert W., 1966-1967

Abercrombie and Fitch Co., 1962

Abilene Museum of Fine Arts, undated, 1949, 1954

Abingdon Square Painters, 1965

Abraham and Straus, 1930, 1960, 1965-1966, 1968

Abraham, Mae C., 1965

Abrahamsen, Mrs. David, 1962

Abramowitz, M., 1958

Harry N. Abrams, Inc., 1958-1960, 1965-1966, 1968-1969

ACA Gallery, undated, 1946-1947, 1949, 1958,1962-1963, 1965-1966, 1968-1969

Academic Books Store, 1954

Accademia dei Virtuosi al Pantheon, 1965

Accurate Envelope Company, 1966

Ace Window Cleaning Co., 1956, 1964

Acheson, Alice S. and/or Dean, 1945-1946, 1949, 1957

Ackerman, John J., 1950

Ackerman, Sharon, 1963

Ackley, Edward C., undated, 1943

Ackley, Edward James, 1961

Ackley, Edward W., 1955

Nicholas M. Acquavella Galleries, 1963

Adams, Ansel, 1961

Adams, Charles C., 1946

Adams, Davidson and Company, Inc., 1966-1967

Adams, F. B., Jr., 1946

Adams, Lula J., 1943

Adams, Ray E., 1960

Adamson, Gordon, 1942

Addison Gallery of American Art, undated, 1935-1938, 1940-1943, 1945-1958, 1961-1966, 1968

Adelman, Lucy, 1963

Adler, Herbert S., 1967-1968

Adler, Lee, 1967

Adelstein, Leonard, 1958, 1964

Adkins, Eugene B., 1966, 1969

Adler, Henrietta, 1963

Adler, Herbert S., undated, 1968

Adler, Lillian, 1960

Adler, O., 1964

Adler, Sylvia (Mrs. Jack C.), 1957

Adlow, Dorothy, 1940, 1941, 1958, 1960

Adult Education Council of Greater Chicago, 1960

AEtna Casualty and Surety Company, 1955, 1960-1963, 1967

Aetna Life, 1968

Affiliated Photographic Company, 1946

Affiliated Restauranteurs, Inc., 1956

Aftergut, Fay, 1961

Aged Home for Destitute Childless People, 1964

Agee, Marie N. (Mrs. S. R.), 1958

Agence Maritime Delamare and Cie., 1964

Agricultural and Technical College of North Carolina, 1960

Ahlander, Leslie Judd, 1963

Ahlen, Gosta, 1963

Ahrens, George, 1952

Aichele, Robert E., undated, 1959, 1965, 1967-1969

Aiken, Mrs. Larry K., 1966

Air Force, 1943

Aisenberg, A.D., 1955

Akeley, Edmund S., 1943

Akron Art Institute, 1946-1947, 1950-1953, 1956, 1958, 1961-1962, 1967-1968

Akston, Mr. and Mrs. Joseph James, 1966

Alabama Polytechnic Institute, 1949

Alabama, University of (see: University of Alabama)

Alan, Charles, undated, 1947, 1951, 1953, 1956, 1961

Alan Gallery, 1953-1955, 1957-1958, 1961-1962 (see also: Landau-Alan Gallery)

Alaska Methodist University, 1962, 1964

Alaska, University of (see: University of Alaska)

Albany Institute of History and Art, 1943, 1946-1947, 1951, 1959, 1962-1963, 1965, 1967

Albee, Edward, 1964-1965, 1967

Albert, Adelaide, 1965

Albert, Mr., 1936

Alberta, University of (see: University of Alberta)

Albertina, 1952 (see also: Graphische Sammlung Albertine)

Alberts, Jane Debran, 1955

Albion College, 1942, 1953, 1955, 1961, 1964-1965, 1968

Albright Art Gallery, 1939-1962 (see also: Albright-Knox Art Gallery)

Albright Art School, 1947 see also: Buffalo Fine Arts Academy)

Albright-Knox Art Gallery, 1962-1967 (see also: Albright Art Gallery)

Alderman and Alderman, 1949

Alderman Studios, 1960

Aldrich, Larry, 1959

Larry Aldrich Museum Foundation, Inc., 1966

Aldrich, Lucy, 1935

Alemann Films, 1964

Alexander, Bill, 1963

Alexander, Lilian (Mrs. E. R.), 1941

Alexander, Mary (Mrs. William J. R.), undated, 1931

Alexander, Olga T., 1956

Alexander, Susan, 1959

Algase, Benjamin, 1945

Alger, Mrs. Russell, undated, 1941

Alhorn, Richard E., 1964

Allan, Ralph, 1947

Allara, Pamela E., 1966-1967

Allegheny Conference on Community Development, 1960

Allen, Arthur D., 1930

Allen, Mrs. Curtis, 1960

Allen, Dorothy Fox, undated

Allen, Mr. and/or Mrs. Eugene, 1961, 1963

Allen, Harold, 1947

Allen, Jennie R. (Mrs. Louis), 1958, 1963-1965

Allen, Lawrence, undated, 1955-1956, 1959-1961

Allen, Leith, 1959

Allen, Phyllis (Mrs. Sidney J.), 1954

Allen, Theodore E., 1961

Allen, W. G. Russell, 1937, 1939, 1942, 1953

Allen's Lane Art Center, 1958

Allentown Art Museum, 1960-1963, 1965-1966, 1968

Allerton, Robert, 1942-1943, 1947, 1958, 1960

Allied Craft, 1960

Allied Publications, Inc., 1961, 1963, 1965

Allyn and Bacon, Inc., 1963

Alpern, Anne X., 1936

Alpers, Nathan, 1960

Alpert, Barbara O. (Mrs. Burton), undated, 1957

Alsdorf Foundation, 1964

Alsdorf, James W. and/or Marilyn, 1956-1959, 1961

Alsterlund, Henrietta, 1966

Altamura, Frank P., 1960

Alter, M., 1966

Altha, Joseph Samuel, 1950

B. Altman, Co., 1956, 1966

Altschul, Arthur, 1967

Altschul, Louis, 1957, 1961

Aluner, Paul, 1965

Alverno College, 1961

Alverthorpe Gallery, 1958

Alyea, Dorothy (Mrs. Ethan D.), 1962

Amato, Sam, 1955

Ambassador Hotel, 1952, 1957

Amdale Furnace and Chimney Co., 1965

Ameniya, Madelein (Mrs. Yosei), undated

America -- , 1964

America Illustrated -- , 1960

America-Israel Cultural Foundation, Inc., undated, 1959-1960, 1963, 1965-1969

America-Israel World's Fair Association, 1964

American Academy in Rome, undated, 1956-1957

American Academy of Arts and Letters, undated, 1946, 1954-1956, 1959, 1961-1963, 1965-1968

American Airlines, 1945, 1966-1967

American Art and Architecture, 1937

American Art Dealers Association, Inc., 1932-1933, 1953

American Art Expositions, Inc., 1959

American Artist -- , undated, 1942, 1968

American Artists Group Incorporated, 1945-1946, 1950, 1958

American Artists Professional League, undated

American Association for State and Local History, 1969

American Association for the United Nations, Inc., 1962

American Association of Museums, 1964-1965

American Association of University Women, 1948, 1950

American Bank and Trust Company, 1968

American Book Bindery Inc., 1930

American-British Art Center, Inc., 1944

American Bureau of Collections, 1965

American Cancer Society, 1967

American Chess Foundation, 1960

American Color Print Society, undated, 1956-1959, 1961-1968

American Committee for the Casa Italiana Anna Frank, 1963

American Contemporary Art Exhibition in the U.S.S.R., 1934

American Contemporary Gallery, 1942-1943

American Council of Learned Societies, 1943, 1965

American Craftsmen's Council, 1963

American Craftsmen's Educational Conference, Inc., 1945

American Embassy, Israel, 1959

American Embassy, London, 1963-1965

American Embassy, Oslo (see: Embassy of the United States of America, Oslo)

American Embassy, Paris, 1965

American Examiner -- , 1956, 1961

American Factors, Ltd., 1962

American Federation of Arts, 1944-1947, 1950, 1952-1970

American Folk Art Gallery, 1941

American Foundation, 1957

American Friends of the Hebrew University, Inc., 1956-1958

American Gallery, 1955-1956

American Heart Association, Inc., 1966

American Heritage -- , 1955, 1958, 1960-1961, 1965, 1967

American Institute for Research, 1961

American Institute of Architects, 1959, 1962

American Institute of Decorators, 1947, 1959

American Institute of Graphic Arts, 1958

American International Marine Agency of New York, Inc., 1951

American Jewish Historical Society, 1961, 1966

American Library Editions, undated, 1959

American Magazine of Art -- , 1942

American-Marietta Company, 1956

American Masters Gallery, 1966

American Miller and Processor, 1947

American Motors Corporation, 1963

American Museum in Britain, 1964

"American National Exhibition in Moscow," 1959

American Peoples Encyclopedia -- , 1952

American Print Makers, 1928, 1930-1931

American Radiator and Standard Sanitary Corporation, 1940

American Red Mogen David for Israel, 1961

American Republic Insurance Company, 1967-1968

American Shipping Company, Inc., 1957

American Society for Technion, 1958

American Society of Composers, Authors and Publishers, 1967

American University, 1946, 1948-1949, 1952, 1954, 1956

American University Union, 1935

American Youth Hostels, Inc., 1949

Americana -- , 1932

Americans for Progressive Israel, 1956-1958

Amerika -- , 1949

Ames, Winslow, 1934, 1949, 1957, 1962, 1966

Amft, Robert, 1946

Amherst College, 1955-1959

Amidar, Gertrude, 1963, 1967

Amott, H. R., 1950

Amsel, Edward Lloyd, 1965

Amsler and Ruthardt, 1929

Amsterdam Municipal Museums (see: Municipal Museums of Amsterdam; Stedelijk Museum)

Amsterdamsche Bank N.V., 1960

Anchorage, undated

Anchorage Galleries, undated

Anderson and Company, 1968

Anderson Art Association, 1945

Anderson, David, 1950

Anderson, Gerald, 1967

Anderson, Harriet, 1960

Anderson, Jean, 1956

Anderson, Lee, 1938

Anderson, M. R., 1952

Anderson, Margaret W., undated

Anderson, Marian, 1941

Anderson, Walter E., 1934

Anderson, Dr. and Mrs. Walter Palmer, 1964

Anderson, Wayne V., 1956

Anderson's Fine Art Collection, 1969

Andrews, Dr., 1962

Andrews, Edith, 1941

Andrews, Edward Demming and/or Faith, 1962-1963

Andrews, Ruth P., 1959

Angle, Catherine D., 1949

Angle, Gertrude F. (Mrs. John E.), undated, 1960

Anixter, Mrs. William, 1963

Ankrum Gallery, undated, 1956, 1963-1969

Annenberg, Walter, 1953

Annis, Milton, 1957

Annot Art School, 1934-1935

Ansbacher, L. J., 1960

Anselm Gallery, Inc., 1965

Frederick Anthon Gallery, 1964

Anthony, C. E., 1959

Anthony, Leslie C., 1957

Antique and Decorative Arts League, Inc., 1934

Antiques Magazine -- , 1947, 1957

Antiques on Peaceable St., 1962

Antles, Marc, 1964

Anton, Werner, 1958

Antovel Painting Company, Inc., 1960-1961

Apollo Magazine -- , 1964

Apostolides, Zoë, 1962

Appel, Benjamin, undated, 1957

Applebaum, Leon, 1959-1960

Appleton and Co., Inc., 1962

Apt, Joan, 1969

Aqua Sprinkler and Fire Alarm Co., Inc., 1963

Aquin, Hubert, 1955

Arakaki, Toshio, 1963

Aram, Mrs. Philip Werner, 1962

Archer, Edmund, 1942

Architectural Catalog Co., Inc., 1961

Architectural Designs -- , 1958

Archives of American Art, 1955, 1958-1959, 1961-1962, 1964-1968

Archives of Maine Art, 1963

Archivio Storico d'Arte Contemporanea, 1964

Arco Van Lines, Inc., 1960

Arden, Alonzo, 1943

Arechi Publishing House, 1955

Arenberg, Albert L., 1954-1956

Arenberg, Milton K., 1952-1964

Arens, Egmont, 1940, 1953

Arensberg, Walter C., 1934, 1937-1939, 1942

Argraves, Hugh, undated, 1957

Ariss, Bruce, undated

Arista Roofing and Sheet Metal Co., 1957, 1962

Arizona State College, 1956, 1962

Arizona State University, 1960-1961, 1963-1964

Arizona, University of (see: University of Arizona)

Arkansas Arts Center, 1961-1965

Arkansas, University of (see: University of Arkansas)

Arleigh Gallery, 1966

Arlyn Press, Inc., 1956, 1959

Armbuster, Sally, 1958

Armitage, Merle, undated, 1931-1932, 1946, 1955, 1960

"Armory Show 50th Anniversary Exhibition," 1962-1963

Arms, John Taylor, 1944-1945

Armstrong, Clark, 1953

Army and Navy Union, U.S.A., 1958

Army Medical Purchasing Offices, 1944

Army Newspaper Group, 1945

Arnason, H. Harvard, 1959-1960, 1964, 1966

Arnason, Harvey and Elizabeth, undated

Arnot Art Gallery, 1967

Arnstein, Mrs. Daniel, undated, 1957

Arons, George, 1953, 1955

Aronson, Cyril, 1946

Aronson, David, 1953, 1961

Arrow-Lifschutz, 1966

Art Academy of Cincinnati, 1959

Art Accessories, 1968

Art Adventures, 1961

Art and Antiques Show, 1945

Art Appreciation Movement, 1942

Art Association of Indianapolis, Indiana, 1933-1934, 1945-1946, 1963, 1967 (see also: The John Herron Art Institute)

Art Bulletin -- , 1941

Art Center Gallery, 1956

Art Centre School, 1949

Art Collectors and Artists Association, 1948

Art Dealers Association of America, Inc., undated, 1961-1969 (see also: Colin, Mr. and/or Mrs. Ralph F.)

Art Digest -- , 1943, 1946-1947, 1951, 1953-1955

Art Directors Club of New York, 1962

L'Art du Mond -- , 1959

Art Editors, 1946

Art for America, 1946

"Art for the Home Front," 1943-1945

theARTgallery, 1958, 1960-1961, 1963-1965, 1967-1968

Art Gallery of Hamilton, 1964

Art Gallery of Toronto, 1949-1950, 1955-1956, 1960

Art in America -- , undated, 1941, 1944, 1946, 1954-1956, 1958-1968

Art in Industry, 1948

Art Information Center, undated, 1962, 1964, 1966-1969 (see also: The Artists' Gallery and Art Information Center)

Art Institute of Chicago, 1941, 1944-1965, 1967, 1969

Art Institute of Zanesville, Ohio, 1955, 1960

Art International, undated, 1960-1962

Art League of Washington, 1934

Art Mart, undated, 1959

Art Museum of the New Britain Institute, 1942-1943, 1950, 1952, 1958-1960 (see also: New Britain Institute of Art)

Art News -- , 1935, 1941-1943, 1945-1948, 1950, 1953- 1956, 1958-1959, 1961-1962, 1964-1965

Art Now, 1958

Art Quarterly -- , 1938-1939

Art School of the Detroit Society of Arts and Crafts, 1931-1933 (see also: Society of Arts and Crafts)

Art School of the John Herron Art Institute, 1951 (see also: John Herron Art Institute)

Art Students' League of New York, undated, 1934, 1944, 1957, 1959, 1964, 1967-1968

Art Times -- , 1959

Art Today -- , 1957

"Art: USA: 59," 1959

Art Voices from around the World -- , 1962-1964

Artcraft Lighting Co., Inc., 1965-1966

Arte Moderna, undated

Artex Prints, Incorporated, 1946-1947

Artforum -- , 1962-1963

Artis, S. S., 1965

Artis, William, 1941

Artist Jr., 1964, 1967

Artists Coordinating Committee, 1941

Artists Equity Association, Inc., 1947-1949, 1951-1952, 1955, 1957-1958, 1960

Artists Equity Bureau, 1950

Artists for Victory, Inc., 1944-1946

Artists' Gallery, undated, 1940, 1947

Artists' Gallery and Art Information Center, 1962 (see also: Art Information Center)

Artists Incorporated, 1962

Artists Information Services, 1963

Artists League of America, 1947

Artists' Village in Israel, 1963

Arts -- , undated, 1956-1957, 1959, 1961, 1963, 1965

Arts and Crafts Club of New Orleans, 1930-1931, 1946

Arts Appreciation, 1946

Arts Club of Chicago, 1941-1944, 1951, 1954, 1960,1965

Arts Council of Great Britain, 1956, 1962, 1964

Arts in Society -- , undated, 1964-1965

Arts International, Ltd., 1965

Arts Yearbook -- , 1964

Ahda Artzt Gallery, Ltd., 1959

Arvin, Mrs. Gerald M., 1965

Arwin Galleries, Inc., 1966

Asbell, Leo, 1954-1955

Asch, B. M., 1946

Asch, George, 1946

Aschenbach, Paul, 1961

Ascher, Mary, 1961

Ashe Emeth Memorial Temple, 1929

Asher, Betty M. (Mrs. Leonard M.), 1961

Asherman, David G., 1958

Ashley, Alta, 1965, 1966

Ashmore, Jerome, 1957

Ashville School, 1961, 1967

Asia Society, 1961, 1963-1964

Askenazy, Dorothy, undated

Askew, Kirk, 1957

Asmar, Alice, undated

Associated American Artists Galleries, 1950, 1953, 1956

Associated American Artists, Inc., 1940, 1944-1947, 1965-1967

Associated Blind, Inc., 1957

Associated Hospital Services of New York, 1960-1964, 1966, 1968

Associated Merchandising Corporation, 1964

Association of Art Museum Directors, 1960

Association of Dealers in American Art, 1947-1948

Aston, Albert E., 1963

Astor, Mr. and/or Mrs. Vincent, 1938, 1948, 1951

Astro Envelope Co., 1963

Whitney Atchely and Burton Wolf, 1953

Atelier Chapman Kelley, 1967

Atha, Joseph S., 1957

Athenaeum Publishers, 1963, 1965

Atherton, Mrs. George H., 1957

Atherton, John, 1947

Atkins Museum of Fine Arts, 1955-1956

Atkinson, Marion K. (Mrs. D. T.), 1933-1934, 1936-1937

Atlanta Art Association, 1951, 1954-1959, 1961-1965 (see also: High Museum of Art)

Atlanta Art Association and High Museum of Art, 1942 (see also: Atlanta Art Association; High Museum of Art)

Atlantic Monthly -- , 1957, 1960, 1965

Attica Jr.-Sr. High School, 1961

Auchincloss, Bayard C., 1954

Alfred Auerbach Associates, 1955-1957

Auburn University, 1962, 1965, 1968

Augustana College, 1956

R. C. Auletta and Co., Inc., 1968

Ault, Dorothy and/or Lee A., undated, 1947-1949, 1960, 1966, 1968

Ault, Louise, 1949

Aument, Henrietta Bruce (Mrs. Carroll), 1948

Ausstellungsleitung/Museum Fridericianum, 1968

Austin College, undated, 1959

Austin Productions Incorporated, 1955

Avella-Guglietti, Rosina, 1960

Joan Avenet Galleries, 1954, 1964-1965, 1969

Avenet, Lester, 1964, 1967-1969

Avegino, Mrs. L. B., 1961

Avery, James, 1967-1968

Ayer, C. M., 1942

N. W. Ayer and Son, Inc., 1940-1941, 1944-1947, 1952-1954, 1959-1960, 1965

Ayers, Shirley (Mrs. Lemuel), 1957

Aylin Advertising Agency, 1955-1956

Babbidge, Marcia A., undated

Babcock Galleries, 1957, 1960, 1962-1963

Babcock, Margaret (Peggy) M., undated, 1960

Bach, Harry, 1968, 1969

Bach, Mrs. William J., 1944

Bachelder, Julia, 1964

Leo Baeck Temple, 1959, 1961, 1964-1965, 1967

Baekland, Frederick, 1962

Baer, Martin, 1937, 1954-1956

Bahan, Blanche C. and/or Emmons R., undated, 1951, 1954-1955, 1963

Bahm, Henry, 1959

Bahr, A. W., 1958

Baigell, Matthew, 1955-1967, 1968-1969

Bain and Hoopes, 1955

Bain, Helen C. (Mrs. Edgar C.), 1966

Baird, D. Grant, 1959

Baird, Joseph Armstrong, Jr., 1966

Bakelite Corporation, 1945, 1953

Baker and Taylor Co., 1959

Baker, Ernest Hamlin, 1964

Baker, John, 1963

Baker, Keith H., 1960, 1962-1965

Baker, Marilyn, 1965, 1968

Baker, Oliver, 1956, 1960

Oliver Baker Associates, 1962, 1964

Oliver Baker Studios, 1962-1963

Baker, Sylvia, 1962

Baker, Wayne A., 1964

Bakwin, Dr. and Mrs. Harry, 1965

Balaceanu, Petre, 1963

Baldinger, Wallace S., 1950

Baldini, G. A., 1934

Balken, Edward Duff, 1931, 1934

Ball, Barbara Shelvin, 1946

Ball, Charles, 1961

Ball, Elizabeth, 1939

Ball State Teachers College, 1952-1953, 1956-1958, 1960-1962

Ball, Mrs. T. H., 1953

Ballard, Frederic L., 1937

Ballin, Hugo, 1937

Ballinger, Mrs. Roy A., undated, 1961-1962

Baltimore Municipal Museum (see: Municipal Museum of the City of Baltimore)

Baltimore Museum of Art, undated, 1936, 1938-1940, 1943-1944, 1948, 1951-1955, 1959-1966, 1968

Bamberger, Henry J., 1950

Bamberger's, 1966-1967

Bandler, David B., 1953

Banfer Gallery, 1965

Bank of Broadway, 1963

Bank of California, 1966

Bank of the Commonwealth, 1964

Bankers Trust Company, 1961

Banks, James N., 1950

Banks, Russell, undated, 1969

Banowit, Samuel W., 1956

Bantam Books, Inc., 1969

Baragli, Alvaro, 1963

Baranik, Rudolf, 1964

Baranova, Anne, undated, 1962

Barbee, Stanley N., 1940, 1944-1945, 1947-1949, 1951

Barclay, Mrs. John, undated, 1955-1956

Barclay, Josephine E., 1956, 1959

Bard College, undated

Bardi, F., 1951

Bareiss, Walter, 1950, 1961

Barlow, Elizabeth, 1939

Barlow, Jarvis, 1953

Barnard College, 1939, 1955

Barnard-P. E. A. Theatre Benefit, 1956

A. S. Barnes and Co., 1965

Barnes, Albert C., 1930-1931, 1942

Barnes, Edward Larrabee, 1950-1951

Barnes, Katrina, undated

Barnes, Otto W., 1961

Barnet, Richard, 1961-1963

Barnett Arden Gallery, 1944, 1946-1947 (see also: Arden, Alonzo)

Barnum, J. W., 1967

Barnum, John, 1962

Barr, Alfred H., 1943, 1949-1950

Barrett, J. M., 1959

Barrie, Erwin, 1934

Barrin, Barton, Durstine and Osborn, Inc., 1959

Barriscale, Richard, 1953, 1955

M. Barrows and Company, Inc., 1961

Albert Barry and Associates, 1965

Barry, Carver S., 1956, 1959

Barry, Harriet R., 1965

Bartels, Jacqueline, 1957

Barthé, 1941, 1944

Bartholet, Mrs. E. Ives, 1961

Bartholf, Susan P. (Mrs. Herbert B.), 1958

Bartlett, David, 1962

Bartlett, Dewey F., 1960

F. A. Bartlett Tree Expert Company, undated

Bartlett, Florence Dibbell, 1953

Bartlett, George V., 1944

Barton, Bruce, Jr., undated, 1963

Barton-Cotton, Inc., 1960

Barton, Francis L., 1968

Barton, Trumbell, undated

Barton, Tugwell, 1964

Barzansky, Charles, 1962

Barzin, Betty, 1958

Basave, Marta, 1965

Basel, Amos S., 1964

Basic Arts Incorporated, 1950

Baskerville, Charles, 1946

Bassenge, Gerda, 1963

Bassham, Ben, 1965

Bassler, Frances Sterner (Mrs. Robert E., Jr.), 1996

Basso, Hamilton, 1957

Ted Bates and Company, Inc., 1959

Bath Garden Club, Zorach Fountain Committee (see: Zorach Fountain Committee, Bath Garden Club)

Battcock, Gregory, 1965

Batten, Barton, Durstine and Osborn, Inc., 1959

Batten, H. A., 1937

Battle Creek Art Center, 1948-1949

Battle Creek Sanitarium, 1940

Battle, Lucius D., 1963- 1964

Bauer, Charles A., 1949, 1961-1962, 1966

Bauer, Lucie, 1963

Baughman, Milo, undated

Bauhaus, Geraldine, 1959

Baum, Alvin H., 1963, 1967

Baum, Frederick, 1952-1956, 1958-1959, 1961-1966, 1968 (see also: Rubin, Baum and Levine; Rubin, Wachtel, Baum and Levine)

Baum, Hank, 1967

Baum, Harry, 1937, 1947, 1968

Baum, Nathaly (Mrs. Harry), undated, 1955, 1959-1960, 1962-1964, 1966, 1968

Baum, Patricia Ann (Patsy), undated, 1957, 1961-1962 (see also: Vanderbes, Patsy Baum)

Bauman, Gilbert, 1964

Bauman, Lionel R., 1943, 1967

Baumann, S. R., 1939

Baur, John I. H., undated, 1953, 1962, 1965

Baxter, Elizabeth (Mrs. Eugene H. H.), undated, 1948

Bayer, William S., 2nd, undated, 1957

Bayerisches Staatsministerium für Unterricht und Kultus, 1964

Bayles, Mrs. Peter, 1961

Baylor University, 1964

Baylous, George B., 1950

Baynard, Ed, 1965

Bayonne Jewish Community Center, 1955-1958, 1961, 1967

Beacon Hill Thrift Shop, 1958

Beaird, Jane R., 1963

Beal, Gifford, 1929 Beal, Rebecca J. (Mrs. James H.), 1950, 1954, 1956, 1959

Bear, Donald J., 1937, 1945

Bear, Esther, 1961

Esther Bear Gallery, 1963-1965

Bearce, Charles G., 1955

Beard, Edward (Buddy) A., 1961, 1963-1965

Beardsley, Walter R., 1958-1959

Beaton, Mrs. John A., 1956

Beattie, Beatrice (Mrs. James), 1959

Beaven, William E., 1963

Beck, Frances, 1957

Beck, W. B., undated

Becker, Benjamin V., 1938

Becker, Mrs. Clarence, 1960

Becker. Deana (Mrs. Donald), 1961

Becker, Elizabeth L. (Mrs. Benjamin V.), undated

Beckwith, D. D., 1952

Bedi, Eugene, 1958

Beekman and Bogue, 1966

Beerman, Leonard I. and/or Martha, 1961-1962, 1965, 1967-1968

Behr, Frederick, 1947-1948

Behrendt, Berthold C., 1953

Behrman, S., 1934

Beissinger, Ernest W., 1956

Bel Aire Motel, 1965

Belgian Economic Mission, 1949

Belgian Government Information Center, 1948-1950

Belgian Relief Fund, Inc., undated

Belikove, Bernard S. and/or Ruth, 1965, 1967

Belisle, C., 1962

Bell Exterminating Co., Inc., 1952, 1955, 1958

Bell, Myron (Mike), 1958, 1960-1961

Bellig, Ned, 1966

Belluschi, Pietro, 1943

Beloit College, 1953, 1956, 1963-1965

Ben-Ami, Oved, 1962

Benay Painting and Decorating, 1955

Bendel, Bettina, 1955

Henri Bendel Co., 1955

Bendelius, Jacqueline, 1959

Bender, William H., Jr., 1956, 1959-1960

Bendheim, Robert, 1959

Bendig, William C., 1957

Beneduce, Ann K., 1960

Benenson, Charles B. and/or Peggy, undated, 1952, 1959-1960, 1963, 1965, 1967-1968

Bengham, Jonathan B., 1966

Benkert, Ernest G., 1959

Benn, Ben, 1955

Bennett College, 1954

Bennett, E. H., 1946

Bennett, Mr. and/or Mrs. Edward H., Jr., 1964-1965

Bennett, Mr. and Mrs. Edward H., Sr., 1965

Bennett, Mary, 1961

Bennett, Rainey, 1940, 1943, 1951

Bennett, Richard M., 1963

Bennett, Ward, 1956, 1960

Benning, Mrs. W. D., 1955

Bennington College, 1939

Bennitt, Joseph L., 1959

Bennitt, T. J., undated

Benson Galleries, 1968

Benson, Gertrude, 1964

Bentiglio, Ludovico M., undated

Bentivoglio, Mirella, 1958, 1959, 1960, 1961, 1962, 1964

Benton and Bowles, Inc, 1956

Benton, Emanuel, 1966

Benton, William H., 1952, 1959, 1961, 1965

Beranova, Anna, 1959

Berdeau, Mr. and/or Mrs. Ray, 1944, 1951

David Berdon and Co., 1962

Beren, Carl, 1965

Beresford, Virginia, 1944

Berg, Richard, 1953-1954

Bergelin, Mrs. Olaf, 1956

Bergen, D. T., undated, 1956

Berger, Helen, 1952

Berger, Jack Harold, 1954-1957

Bergman and Hourwich, 1967

Bergman, E. A., 1957

Bergreen, Mrs. M., 1958

Berkeley Art Museum, 1930

Berkeley Express and Moving Co., 1946, 1951, 1961, 1967

Berkman, Florence, 1968

Berkman, Henry, 1968

Berkowitz, Jean (Mrs. David E.), 1955

Berkowitz, Murray, 1951

Berkowitz, Rosalie and/or Sidney, undated, 1945, 1951, 1953-1956, 1958-1961, 1963, 1964, 1966-1967

Berkshire Community College, 1965

Berkshire Museum, 1939-1940, 1944, 1965-1966

Berle, Beatrice Bishop (Mrs. Adolf A., Jr.), 1966

Berlin, Alexander, 1959

Berlin Group, Inc., 1966

Berlin, Hortense (Mrs. Samuel), 1959-1961, 1963-1964

Berlin, Rosalind K. (Mrs. Paul F.), 1965

Berlin, Ruth S., undated

Berman, L., 1956, 1958

Bernard, Herbert C., 1960

Bernbaum, R. Glenn, 1962

Berne, G., 1956

Berney, Charles, 1957

Bernfeld, Henri-Marcel, 1952

Bernheim, Lucille M., undated

Bernheim, Mrs. Sydney, 1940

Bernier, Rosamund, 1956

Bernstein, George A., 1956

Bernstein, Gerald, 1963

Bernstein, Mrs. H. L., 1956

Bernstein, Harry, 1957

Bernstein, Joan H., 1957

Bernstein, Robert, 1953

Berrien, Martha, 1959

Berry, Bill, 1956-1957

Berry, Burt L., 1964

Berry, Donald, 1953

Berry-Hill Galleries, 1957, 1962

Berry, Robert G., 1960, 1966

Bersoff, Celia, undated

Bersohn, Robert, 1931

Berson, Theresa, 1961

Berthier and Cie., 1964

Bess, Mary, 1960

Best, Lottie R. (Mrs. Richard C.), 1966

Beth Shalom, undated, 1959

Better Business Bureau of New York City, Inc., 1959-1960

Better Homes and Gardens -- , 1960

Better Living Building, 1964

Better Living Center, 1965

Beury, George P., 1964

Bevens, Dick, undated

Bezalel National Museum, 1959, 1961, 1963-1964

Bhuta, Mrs. Pravin G., 1960

Biddle, Francis and/or Katherine, 1941, 1963, 1966

Biddle, George, undated, 1937, 1943, 1964

Bienale de Sao Paulo, 1962

"La Biennale di Venezia," 1952 (see also: "Venice Biennale")

Bier, Justus, 1954

Bignou Gallery, Inc., 1943

Bijur, Mrs. William, 1952

Billig, Ned, 1966

Bingham, Barry, 1964

Bingham, Mrs. Howard M., 1938

Bingham, Lois, 1962

Binney, Edwin, 1960, 1962, 1964

Biord, Mrs. Charles S., 1948

Birmingham Museum of Art, 1951-1958, 1961-1964, 1966

Birmingham News, undated, 1966

Birnbaum, Martin, 1942

Birnkrant, Theodore D., 1957

Bisgard, J. Dewey and/or Mary Elizabeth, 1948, 1953-1954, 1963-1967

Bernice P. Bishop Museum, 1968

Bishop, Jay Bayard, 1957

Bissell, Mrs. Howard, undated, 1962

Bissett, Enid, undated, 1944, 1953

Bissett, J., 1957

Bissinger, Karl, undated

Bissinger, Mrs. Karl, 1956

Bixer, Mr. and/or Mrs. Ed, 1963

Black, Edward, 1961, 1966

Black, Louis W., 1940

Black, Mary C. and/or Richard Winthrop, undated, 1965, 1968

Black, Mrs. Melvin B., 1963

Black Mountain College, 1943

Black Star Publishing Company, Inc.

Blagdon, Donald P., 1948

Blair County Arts Foundation, 1961

Blair, Mrs. J. Insley, 1937-1939

Blair, John R., 1965

Blair, Natalie K., undated

Blaisdell Publishing Company, 1962

Blake, Bernard, 1957

Blake, Elizabeth B., undated, 1955-1956, 1960

Blake, Evelyn, undated

Blake, Mrs. Thomas, 1956

Blanchard, Mrs. John Osgood, 1939

Bland, Shirley (Mrs. Chester), 1959

Blanden Memorial, 1952

Blank, John, 1937

Blau, Eric, 1952

Blaustein, Al, 1957

Blesh, Rudi, undated, 1956, 1959-1961

Blicher, Barney, 1949

Blindlow, William, 1965

Bliss, Molly, undated

Bliss, Robert Woods, 1937

Bloch, Mr. and/or Mrs. Gerald, 1956

Bloch, H. H., 1968

Huntington T. Block Insurance, 1962, 1964, 1968

Block, Leigh B. and/or Mary Lasker, 1950, 1954-1960, 1967-1968

Block, Mr. and/or Mrs. Paul, Jr., 1950, 1960

Blodgett Packing and Storing Co., 1963

Bloedel, Laurence, 1958, 1961-1962, 1964-1965, 1967

Bloedorn, Gene D., 1967-1968

Bloom, Ena, 1957

Bloomgarden, Kermit, 1962

Bloomingdale's, 1934, 1965

Bloomington Art Association, 1945

Bloomington-Normal Art Association, 1955-1967

Blow, Richard, 1939

Blue Hill Pavilion, 1957

Blue Shield, 1962

Bluemner, Oscar, 1933

Bluestein, Jerome, 1954

Blum, John R. H., 1962-1964

Blum, Richard J., 1955-1956

Blume, Ellie, 1940

Blumenshine, Irving, 1937

Blumenstiel, Joan, 1958

Blumenthal, George, 1939

Blumenthal, Irving, 1939

Blumenthal, Mrs. M. F., 1944

Blutman, Harry Austin, undated, 1945, 1955-1956, 1958

Blyth and Co., Inc., 1957

B'nai B'rith, 1954-1955, 1958-1961, 1966

Board of Education of the City of New York, 1961

Board of Transportation of the City of New York, 1938

Boas, George, 1939, 1957

Bobbit-Gardner, Anna, 1952

Bobrow, Robert I., 1969

Boel, Mr. and Mrs. Michael, 1964

Boericke, Dorothy S., 1940

Boettger, Mabel C., 1963

Bogin, Edith H. (Mrs. Maxwell), undated, 1958

Boigon, Helen W. and/or Melvin, undated, 1958-1960, 1962-1968

Boil, Mickey, 1964

Boise Art Association, 1961

Boissonnas, Alain G., 1951, 1955-1957, 1959-1960, 1962

Giulio Bolaffi Editore, 1965

Bolin, Jane, 1943

Bolles, John S., 1956-1957, 1963

Bollinger, Arthur, 1956

Bolton and Fairhead Ltd., undated, 1964

Boltoph Group, 1958

Bomar, William P., 1948-1960

Bond Wheelwright Company, 1965

Bondhus, Jeanne (Mrs. H.), undated, 1966

Bone, Stephen, 1953

Bonfoey Picture Framing Co., 1967

Albert and Charles Boni Inc. Publishers, 1933

Bonner, Mrs. Paul Hyde, 1944

Bonta, Dayne, undated, 1967-1968

Book Find Club, 1957-1958

Book-of-the-Month Club, Inc., 1948, 1960

Book-Records, Inc., 1956

Booke, Stephen, 1963

Bookshop, 1943

Boone, Charles, 1960

Booth, Imogene P. (Mrs. Francis E.), 1962

Borchard, Stuart, 1948

Bordeau, Col. and Mrs. Le Roy, 1950

Borden, H., 1937

Grace Borgenicht Gallery, Inc., 1955, 1957-1958, 1964

Borie, M. J., 1959

Borie, Peter, 1962

Borman, Betty, 1969

Borman, Burton, 1969

Bortzman, Walter M., undated

Borwick, Geoffrey P., 1966

Boschen, Lilian, undated, 1938, 1941

Bose, Norma, 1964

Bosse, Mr. and mrs. Malcolm J., 1950-1960

Boston Arts Festival, 1953, 1957, 1960, 1963

Boston, Clifford, 1942

Boston Institute of Modern Art (see: Institute of Modern Art, Boston)

Boston Museum of Fine Arts (see: Museum of Fine Arts, Boston)

Boston Public Library, 1951-1952, 1955- 1957, 1959-1961

Boston Society of Independent Artists, Inc., 1953

Boston Symphony Orchestra, 1941

Boston Truck Co., Inc., 1962, 1965-1966

Boston Trust Co., 1965

Boston University, 1957-1963, 1965-1966

Bostwick, Mrs. D. W., 1950

Bostwick, Electra W., undated, 1941

La Boutique Fantastique Gallery, 1954

Boudin and Wittenberg, 1928, 1932

Bourgeois, Stephan, 1939

Bowden, Charles and/or Paula, 1965, 1967

Bowdoin College, 1958, 1961-1963, 1966

Bowen, Ezra, undated

Bower, Beverly, 1962

Bower, Lois S. (Mrs. Howard R.), 1964

R. R. Bowker Company, 1962

Bowles, Dorothy S. (Mrs. Chester), 1966

Bowling Green State University, 1961

Bowman, Eugene S., 1956

Bowman, Mrs. L.C., 1944

Boyd, Don, 1967

Boyer Galleries, Inc., 1935

Boys' Club of New York, 1967

Boys' Clubs of America, 1968

Bradford, Mrs. F. A., 1933

Bradford Junior College, 1964 Bradley, Harry Lynde and/or Peg, 1953-1956, 1958, 1960-1961, 1964-1965, 1968

Bradley House and Window Cleaning, 1940

Bradley, J., undated

Bradley, Morton C., 1955

Braeger, Irene E., 1956, 1961

Bramble, Wayne, 1965

Bramboa, Wayne, 1965

Brame, James Y., Jr., 1942

Brancusi, 1939

Brandeis University, 1953, 1957-1959, 1961-1963, 1965-1967

Brandt, Alan, 1960

Brandt and Brandt, 1962

Brandt, Mrs. Carl, 1940

Brandt, Carl D., 1962

Brandt, Joan (Mrs. Rexford), undated, 1939

Brandt, Renee G., 1965

Brangdon, Rena, undated

Branning, Bowman W., 1949

Bransten, Mrs. John, 1964-1965, 1968

Brants, Cynthia, 1951

Braquette, Inc., 1967

Brasch, James D., 1963

Brash, Arthur Francis, 1958

Brasserie, 1961

Bratter, Mrs. Ben, Jr., 1964

Brawley, Robert, 1959

Braxton Art Company, 1940

Braxton, Celia and Harry, 1939

Braxton Galleries, Ltd., 1931, 1933-1934

Braxton, Henry, undated

George Braziller, Inc., 1957-1964

Breakstone Plumbing and Heating, 1930

Brearley School, 1960, 1962-1963, 1965

Breckenridge, Bruce M., 1966

Breckenridge, Robert, 1933

Breckner, George, Jr., 1963

Carl Bredemeir Gallery, undated

Breese Enloe and Elliott-Smith, Inc., 1947

Breeskin, Adelyn, undated, 1964-1967

Breidenbach, Warren C., 1966

Breiner, 1962

Breinin, Raymond, undated, 1941-1942, 1954, 1958

Brendel, Bettina, 1962

Brennan, Ann (Mrs. Gerard), 1965

Brennan, Francis, 1956, 1962

Brenner, Anita, 1943

Brenner, Leah, 1964

Brentano's Inc., 1954

F. H. Bresler Company, 1955

Bresler Galleries, 1956, 1959-1960, 1963, 1965

Bresniak, M., 1952

Bressler, Martin, 1963, 1967-1968

Brett, Wyckoff, Potter, Hamilton, Inc., 1969

Marcel Breuer and Associates, 1961

Breuer, Minna H. (Mrs. Ernest Henry), 1941

Breuning, Margaret, undated

Brewer, Warren and Putnam Inc., 1932

Brewster, George W. W. and/or Jean, undated, 1948, 1950-1957, 1959-1964, 1967

Brewster, Kate L., 1938

Brewster, Walter, 1939

Briarcliff Junior College, 1939

Brice, Fannie, 1944, 1949

Brick, Mrs. Seymour, 1956

Bridaham, Lester, 1963

Bride's Magazine -- , 1955

Bridges, Stephen, 1959

Briggs, Judson, 1955

Brigham, Richard C., 1956

Brilhart, Arnold, 1954

Brimley, 1957

Brink, Guido P., 1962

Brisbane, Arthur, 1929

Brissenden, Florine and/or Pearley R., 1956-1957

Brister, Bernard, 1964

British Artist Craftsmen, Ltd., 1959

British Broadcasting Corporation, 1959

Britsky, Nicholas, 1961

Britt, George, 1936

Brittain, Jack, 1963

Brod, Mario, 1962

Broder, Mrs. Marvin, 1962

Brodsky, Saul, 1944

Brody, Jean, 1964

Brody, Lydia G., 1957

Brodzky, Herbert, 1937

Bromberg, Alfred L., 1959

Brook, Alexander, 1957

Brook Street Gallery, 1960-1961

Brookhaven National Laboratory, 1962-1963, 1965

Brooklyn Arts Gallery, 1960

Brooklyn Museum, undated, 1934, 1939-1944, 1948-1951, 1955-1959, 1962-1963, 1965, 1967- 1968

Brooklyn Public Library, 1961

Brooklyn Steel Warehouse Co., 1958

Brooks, Clifford Noel, 1952

Brooks, Howard G., 1943

Brooks Memorial Art Gallery, 1934-1935, 1951, 1953, 1955-1957, 1961-1963, 1966-1967

Brorby, Harry, 1954

Brorby, Mrs. Melvin, 1954

Broudo, W., 1931

Broun, Heywood, undated, 1934

Brown, Ann S., 1957

Brown, Benjamin H., 1963

Brown, Betty, 1939

Robert C. Broude Agency, Inc., 1959

Brown, Bob, 1944, 1951

Brown, Bradford, 1963

Brown, Dorothy W., 1953

Brown, Eda I., 1961

Brown, Edna G. (Mrs. Matthew), 1954, 1958, 1962

Brown, Edward F., 1952

Brown, Fred E., Jr., 1942

Brown, H., 1943

Brown, Hazel (Mrs. Russell Allen), 1954-1955

Brown, Hugh, 1957

Brown, Hyman, 1943

Brown, Irving, 1956, 1961, 1964-1967

Brown, Jim, 1968

Brown, John E., 1961

Brown, Mrs. L. Page, 1962

Brown, Mrs. Lathrop, 1959

Brown, Leonard M., 1956-1957

Brown, Margaret Rout (Mrs. Herman), undated, 1956-1957

Brown, Mathilde C. (Mrs. Otis D.), 1949

Brown, Pauline and Irv, 1953

Brown, Royce Lee, 1957

Brown, Richmond L., 1958

Brown, Ruth (Mrs. William H.), 1963

Brown University, 1957, 1964-1965, 1968

Browne, Robert, 1960

Browne, Rosalind, 1966

Brownfield, George E., 1964

Browning Wells and Co., 1950

Brownstein, Gerald W., 1962-1963

Brownstone, Myron R., 1968

Broyhill Furniture Factories, 1964

Broyles, Harley, 1959

Bruce, Mrs. David, 1938

Edward Bruce Memorial, 1943

Bruce, Herbert Thayer, 1955

Bruce Museum, 1957

Bruce's Books, undated, 1957-1960, 1962-1963

Bruern Foundation, Inc., 1956

Brugger Fine Arts Forwarding Service, 1947, 1955

Brummer Gallery, Inc., 1931-1932, 1935

Brummer, Joseph, 1934

Bruner, Louise, 1965

Bruni, Claudio, 1966

Brunning, Mrs., 1955

Bruno, Frank E., Jr., undated, 1962, 1965

Brunsman, Arnold L., 1933

Brunsman, James L., 1956

Brunswig, Marcel, 1964

Bry, Doris, 1950, 1958-1959, 1962-1964, 1967, 1969

Bryan, Elizabeth (Mrs. W. B.), 1964

Bryan, J., 1961

Bryan, Wilhelmus B., 1966

Bryant, Edward, 1965

Bryant Foundation, 1961

Bryn Mawr College, 1969

Brynner, Edna Schwab, 1946, 1964

Buch und Kunstverlag Anton Schroll and Co., 1965

Buchanan, Elizabeth (Mrs. C. L.), 1962

Buchanan, Mr. and Mrs. Wiley Thomas, Jr., 1963

Bucher, George R., 1967

Buchholz Gallery, 1939, 1941, 1943

Buchman, Myron I., 1963

Buchsbaum, Myron, undated

Buck, Pearl, 1942

Bucknell University, 1958-1959

Budd, Edward G., Jr., 1952

W.S. Budworth and Son, 1932, 1939-1940, 1952-1953, 1956-1957, 1959, 1961-1968

Buehr, George, 1954

Buermann, Herbert T., 1950

Buffalo Fine Arts Academy, 1939, 1956 (see also: Albright Art School)

Bull, Harry, 1943

Bulliet, C. J., 1932

Bullock, David M., 1968

Bunim, David, 1951

Bunkin, Irving A., undated

Bunn, Harry, 1956

Bunshaft, Gordon, 1960-1961, 1965

Burack, Lillian S. (Mrs. Archie), 1958

Burden, Carter, 1965

Burden, William A. M., 1938, 1941, 1948, 1956-1957

Burdick, Mabel (Mrs. Carleton H.), undated, 1965

Bureau for Architectural Sculpture and Murals Organized for Architects, 1937

Bureau of City Collections, 1955

Burg, Copeland C., 1944

Burger, Rose, 1967

Burgess, Mrs. Ralph, 1935

Burke, A. J., 1965, 1966

Burke, Caroline, undated, 1958

George Burke Public Relations, 1953-1954

Burke, Kenneth and/or Libby, 1959

Burke, Robert Granville, 1961

Burke, Selma Hortense, 1945

Burlin, Paul, 1953, 1957

Burling, Mrs. John, 1952

Burnham, Lee, 1952

Burns, Edwin J., 1952

Burns, F. Patrick, 1968

Burpee Art Gallery, undated, 1939, 1965

Burrell's Press Clipping Bureau, 1964

Burroughs, Alan, 1943, 1950

Burrows, Carlyle, 1935, 1956

Burrows, Gladys and/or Selig S., undated, 1947, 1956-1958, 1960-1963 1967

Burrows, Helen Stimson, 1957

Burstein, Barney, 1956, 1960-1961

Burstein, Murray, 1963

Burtin, Cipe Pineles, 1964, 1967 (see also: Pineles, Cipe)

Burton, Doris and/or Irving Frederick, undated, 1959, 1961-1965, 1967

Burton, John P., 1964-1965

Burwell, Ernest, 1965

Burwen, Norman, 1961, 1967

Bush, Kathryn, 1962

Business Week -- , 1958

Butler and Baldwin, Incorporated, 1941

Butler Institute of American Art, 1962-1963, 1965-1966, 1968-1969

Butler, Joseph G., undated

Butler, Ken, 1954

Butterfield, Bruce, 1967

Butterfield, Clayton W., 1956

Bybee, Faith P. (Mrs. Charles L.), 1955, 1957

Byrne, Roy E., 1968-1969

Byrnes, Barbara and Jim, undated, 1950

Bywaters, Jerry and Mary, undated, 1951, 1959

Cabot, Judy and/or Lewis P., undated, 1960-1961, 1963-1964, 1966

Cadby-Birch Gallery, 1952

Cades, Charlotte (Mrs. J. Russell), 1963

Cadhill, Mrs. Joe W., 1953

Cahill, Holger (Eddie), 1931, 1936

Cahn, Joshua Binion, 1951-1953

Cahners, Helene (Mrs. Norman), undated, 1962

Cain, Mabel (Mrs. Joseph A.), 1952

Caldararo, Dante, 1958-1959

Calderon, Joseph, 1970

Calderwood, Stanford, 1962

Calfer, William H., 1946, 1952

California College of Arts and Crafts, 1955

California Graduate School of Design, 1939

California Palace of the Legion of Honor, 1931, 1939-1940, 1945-1946, 1948-1949, 1951, 1954-1955, 1961, 1963- 1964

California Print Makers Society (see: Print Makers Society of California)

California State College at Long Beach, 1965-1966

California, University of (see: University of California)

California Western University, 1960

Calkins, Deborah, undated, 1941, 1951-1952, 1958-1959, 1963, 1965

Calray Sales and Service, 1964

Cambridge Management Co., 1967

Cambridge Press, 1955

Camden, Maine Antiques Show, 1956

Camp, Mrs. Frederick, 1955

Camp Fund Drive, 1941

Campbell, Mrs. E. P., 1966

Campbell Ewald Agency, 1956

Campbell, Hugo, 1938

Campbell, Martha (Mrs. William A.), 1963

Campbell, Mrs. N. Stuart, 1934

Campini, Frank A., 1958-1959

Campo and Roberts, Inc., 1965

Canaday, John, 1960-1961, 1963, 1966

Canajoharie Library and Art Gallery, 1953, 1964

Candler, Duncan, 1927-1929, 1932-1933

Candy, William E., 1964, 1966

Cane, Melville, 1963

Canepa, Mrs. E., 1957

Canner, Julius S., 1960

Cantey, Becky and/or Sam III, undated, 1951-1955, 1957-1962, 1966-1969

Canton Art Institute, 1966

Cantor, Dale, 1961

Cantor, Joseph, 1962, 1964

Capalbo, Carmen, 1963, 1965, 1967, 1969

Cape Cod Village, 1956

Capital University, 1966, 1968-1969

Capitol Murals Commission, 1963

Capper Engraving Co., 1956

Card, Elizabeth Paine, undated, 1957

Cardullo, Hugo M., 1961, 1963, 1966-1967

Carlen, Robert, undated, 1941-1946, 1953-1956, 1963-1964, 1967

Carleton College, 1963, 1969

Carleton, Peter F., undated, 1963

Carleton, Mrs. Winslow, 1963

Carli, Sandra Lee, 1960

Carlin Lighting Co., 1960

Carlisle, Mrs. E. G., 1952

Carlson, Edith, 1966-1967

Carlson, Florence, 1960

Henry L. Carlsruh and Co., Inc., 1967

Carlyle Gallery, 1934

Carmeli, Louis, 1952

Carmitchell, Thomas H., 1953

Carnegie Corporation, 1941

Carnegie Endowment for International Peace, 1958

Carnegie, Hattie, 1942, 1953

Carnegie Institute Museum of Art, undated, 1933-1935, 1937-1939, 1941, 1945- 1947, 1949-1951, 1953-1958, 1960, 1962-1965, 1967

Carnegie Study of the Arts of the United States, 1958-1959

Carney, J. J., 1956-1957

Carney, Jack and Marian, undated

Carney, Mel C., 1961, 1966

Carpenter, Bert, 1960

Carpenter, Betty C., 1955

Carpenter, Charles H., undated, 1948

Carpenter, E. N., 1956, 1958

Carpenter, Horace, 1936

Carpenter, James, 1957

Carr, R. B., 1968

Carrich, Margaret, 1950

Carrie, M. et Mme. Louis, 1964

Carroll, Mark, 1957

Carson, David, 1954

Carson, Lundin and Shaw Architects, 1966

Carte, Mrs. Dale, 1968

Amon Carter Museum of Western Art, undated, 1962-1963, 1967-1968

Amon G. Carter Foundation, 1968

Carter, Howard, Jr., 1966

Carter, Nancy F., 1964

Cartier, Inc., 1955-1956

Carton, Alexis Wallace, undated, 1962

Carton, Fred, 1953

Case, Clarence C., 1958-1959

Case, Margaret W. (Mrs. C. M., Jr.), undated, 1958

Cash, Robert A., 1961

Cashwin, Samuel, 1934

Cassall, John, 1961

Cassis, Ann, 1961

Castel, Irving, 1964

Castleton China, Inc., 1949, 1955, 1958

Cathey, Ralph, 1964

Cathlina, Rose, 1960

Catholic University of America, 1965

Catholic War Veterans, Inc., 1940

Catto, Henry E., Jr., 1963

Cauman, Mrs. Samuel, 1958

Caumont, G. E., 1940, 1964

Cavano, Robert R., 1958-1959

Caylor, George, 1963

Cayuga Museum of History and Art, 1944

CBS, 1963

Cec[ul?], S. John C., 1953

Cedar Rapids Art Association, 1952, 1958, 1964-1965, 1967

Celender, Donald D., 1961-1962

Census Bureau, 1959

Centenary College, 1935

Center for Cross-Cultural Communication, 1962-1964 (see also: Robbins, Warren M.)

Center for Inter-American Relations, Inc., 1967

Central Bureau for Registered Addresses, 1930

Central College, 1955-1956

Central Petroleum Company, 1959

Centre de Metiers D'Art, 1965

Centre Manhattan Realty Co., Inc., 1941

Centro Internazionale di Arte e di Cultura, 1955

Century Lighting Co., 1946

Cerf, Bennett A., 1932, 1951

Chace, Beatrice O., 1967

Chace, Mr. and/or Mrs. Malcolm C., Jr., 1959-1961, 1966-1968

Chadbourn, Phil, 1939, 1943

Chalet Gallery, 1959

Chamber of Commerce of Honolulu, 1966

Chambers, Ernest, 1967

Chamberlain, Betty, 1959, 1965, 1967-1969

Champeau, Jean Louis, 1958

Chana Gallery, 1956

Chandler, Henry, 1933

Chanin, Abe L., 1953, 1956

Chanin, Margot, 1965, 1968

Channel Master Corp., 1954

[Channing?], 1947

Chanticleer Press, Inc., 1959, 1969

Chanute Times, 1951

George Chapellier Gallery, 1953, 1962-1963

Chaplin, C. Hal, 1966

Char, Stanley, 1952

Charak, Walter, 1958-1959

Charles, B., 1956

Charles-Fourth Gallery, 1953-1954

Charm, undated, 1952, 1954-1955, 1957

Charm House Furniture Galleries, 1961

Charnen, Mrs. D., 1963

Chase, Bessie E., 1956

Chase, Edward L., 1932

Chase, Howard, 1942, 1957

Chase, Mrs. M. A., 1966

Chase, Mrs. M. G., 1958

Chase Manhattan Bank, undated, 1956, 1958-1960, 1962-1969

Chase, Maurice, undated, 1960

Chase, Meg, 1961

Chase National Bank, 1942, 1952, 1954, 1955

Chase, Ronnie, undated

Chase, Sally (Mrs. Howard), undated, 1960

Chatham College, 1959, 1965

Chatham, Mrs. L. A., 1959

Chattanooga Art Association, 1949

Chayes, Antonia, undated

Cheek, Leslie, undated

Chelsea Clinton News -- , 1958

Cheltenham Township Art Centre, 1952-1953

Cheney, Sheldon, 1958

Cheney, Thomas S., 1959

Cherkasky, Martin, 1965-1966

Cherry, M. J., 1966-1967

Chestnut Court Book Shops, Inc., 1957

Chew, Paul, 1958

Chewing, John B., 1962

Chicago Art Institute (see: Art Institute of Chicago)

Chicago, Arts Club of (see: Arts Club of Chicago)

Chicago Museum of Contemporary Art (see: Museum of Contemporary Art, Chicago)

Chicago Public Library, 1956, 1967

Chicago Slide Co., 1934

Chicago, University of (see: University of Chicago)

Chidsey, G. Alan, 1957, 1961

Children's Art Program, 1957-1958

Childs, Charles D., 1950

Evander Childs High School, 1949

Childs Gallery, 1960

Chimney and Furnace Vacuum Cleaning Corp., 1950

China Aid Council, 1942

Chinese Community Center, 1962

Ching, Mr. and/or Mrs. William, 1963

Chipp, Herschel B. undated

Choi, Wook Kyung, 1965

Chomicky, Yar G., 1964

Chorley, Kenneth, 1942

Chow, Raymond, undated, 1968

Christ-Janer, Albert and/or Virginia, undated, 1954, 1956-1957, 1959-1960, 1963, 1965

"Christ--The King--The Church," 1960

Christensen, Erwin O., 1964, 1966

Christian Art, 1966

Christian Science Monitor -- , 1954, 1959

Christiano, Rudy, 1952

Chrysler Corporation, 1963

Chrysler, Walter, Jr., 1935

Chrysomalides, Despina, 1952-1953

Cikovsky, Hortense and Nicolay, undated

Cimmino, Christian V., 1958

Cincinnati Art Academy (see: Art Academy of Cincinnati)

Cincinnati Art Museum, undated, 1941, 1944, 1948-1951, 1953-1955, 1957-1960, 1962-1964, 1966

Cincinnati Contemporary Arts Center (see: Contemporary Arts Center, Cincinnati)

Cincinnati Modern Art Society, 1944-1945, 1949, 1951, 1953

Cincinnati Museum Association, 1932

Cincinnati, University of (see: University of Cincinnati)

Cinnamon, Gerald E., 1952, 1955-1956

Ciranna, Alfonson, 1966

Circle Gallery, 1967, 1968

Circle Typewriter Co., 1963

Cirker Hayes Storage Warehouse, 1966, 1968-1969, 1971

Citro, Jane W., 1952

City Art Museum of St. Louis, undated, 1934-1935, 1944-1952, 1954-1961, 1963-1969

City College, New York, 1955-1956

City College Press, Inc., 1957

City of Long Beach, 1953

City of New York, Department of Finance, 1934

Clark and Gibby, Inc., 1952

Clark, Charles D., 1964-1965

Clark, Mr. and Mrs. Hamilton, 1930

Clark, Mrs. J. III., undated

Clark, Kemp, 1964

Clark, Stephen C., undated, 1949, 1953

Clarke, Jack, undated, 1956

Clarke, John Lee, Jr., 1956

Clawson, Rex, 1953

Clearing House for American Art, 1953

Clearwater Art Museum, 1943 (see also: Florida Gulf Coast Art Center)

Cleary, James N., 1941

Clements, Geoffrey, 1964-1965, 1968

Cleveland Institute of Art, 1949, 1956

Cleveland Museum of Art, 1932-1933, 1935, 1945, 1947, 1951, 1954, 1956, 1958, 1960-1965, 1967

Cleveland Plain-Dealer, 1951, 1955

Cleveland Press, 1951

Clifford, 1942

Clifton Antique Shop, 1953

Clinton Prison, 1940

Clivette, Junyta, 1932

Cloar, Carroll, undated, 1953, 1958, 1963

Cloar, Ethel, 1967

Clowns Unlimited, 1961

Coale, Rita (Mrs. D. Edgar), 1967

Coate, Judi, 1962

Coates, Boo and/or Robert, 1949, 1962-1963, 1965

Cobb, Hubbard H., 1962

Cobb, Margaret Ayer, 1958

Cober Gallery, 1960

Coblentz, Bart, 1968

Cochran, Gifford A., 1954-1955

Cocks, Dorothy, 1962

Coe College, 1954-1959, 1961

Coe, John J., 1960, 1962

Coe, Myrtle H., 1956

Coffin, Edmund, undated, 1964-1965

Cogar, James L., 1942

Cogswell, Mrs. Ledyard, 1963

Cohen, Alfred B., 1960

Cohen, George Mitchell, 1958-1959

Cohen, Herbert L., 1956

Cohen, Hyman, 1933-1934

J. M. Cohen, Inc., 1960

Cohen, Jack H., 1968

Cohen, Jordan, 1962

Cohen, Maurice U., 1959

Cohen, Sheldon S., 1967-1968

Cohen, Wilfred P., 1958

Cohn, Mrs. Charles N., 1966

Cohn, Harold, 1932

Cohn, Lilian (Mrs. David L.), 1964-1965

Coiner, Charles T., 1939

Colby College, undated, 1954, 1956-1957, 1959-1966, 1968

Cole, Allen O., 1968

Cole, J. Gerald, 1959

Cole, Richard, 1967, 1968

Coleman Art Gallery, 1948-1949, 1955, 1957

Coleman, Edward J., 1957

Coleman, Grace N., 1932

Colin, Mr. and/or Mrs. Ralph F., undated, 1952, 1958, 1961, 1968 (see also: Art Dealers Association)

"Collectors Choice," 1966

Collectors' Gallery, Inc., 1957, 1964-1965

Collectors Press, 1968

Collectors Society, 1956

College Art Association, 1933

College Art Journal, 1953, 1959

College of William and Mary, 1963 (see also: William and Mary College)

College of Wooster, 1941

Collins, Enid D., 1934

Collins, Robert J., 1958

Collins, William W., 1969-1970

Colonial Trust Company, 1949

Colonial Williamsburg, 1945-1946, 1955-1957, 1959

Colony Furniture Shops, Inc., 1952

Colorado Springs Fine Arts Center, undated, 1953-1955, 1957, 1959, 1963-1964, 1967

Colorado, University of (see: University of Colorado)

Colten, 1963

Colten Photos, undated, 1940, 1946-1947, 1953

Coltman, Arthur, 1965-1966

Columbia Museum of Art, 1951-1952, 1955-1957, 1959-1960, 1962-1963, 1965-1968

Columbia University, 1952, 1956-1957

Columbus Gallery of Fine Arts, 1933-1935, 1942, 1949-1950, 1952-1953, 1955-1957, 1959-1960, 1962-1965

Columbus Museum of Arts and Crafts, Inc., 1956, 1961

Comeau, Harry A., 1934

Comet-Ray Letter Service, Inc., 1954, 1960-1969

Commerce Trust Co., 1964-1966

Commercial Office Supply, 1962-1963, 1965, 1969

Commissione Americana per gli Scambi Culturale con l'Italia, 1956

Committee for the Negro in the Arts, 1950

Committee of Artists' Societies, 1964

Committee on International Exchange of Persons, 1963

Committee to Save the Cooper Union Museum, 1963-1964

Community, 1958

Community Arts Program, 1954

Community Coordinating Council of North Queens, 1959

Comolli and Company, 1958, 1959

F. E. Compton and Company, 1955, 1957

Compton, Walter, 1968

Computer Corporation of America, 1967

Comsky, David, 1963

Conant, Mrs. G. P., 1959

Concordia Teachers College, 1967

Con-Data Systems, Inc., 1964

Condé-Nast Publications, Inc., 1932, 1943-1945, 1957

Condon, R. E., 1956

Condon, Rudolph, 1964

Conference Board of Associated Research Councils, 1953

Congregation Adath Jeshurun, 1964

Congregation B'nai Israel, 1963

Congregation B'nai Torah, 1964

Congregation Emanu-El, 1959-1960

Congregation Zichron Ephriam, 1955

Connecticut Historical Society, 1965-1966

Connecticut Light and Power Co., 1967

Connecticut, University of (see: University of Connecticut)

Connor, Howard, 1964

Connor, Mr., 1966

Conrad, Earl, 1964

Conrad, Joan, 1961

Conrad, Rupert, 1961

Consolidated Edison Co., 1938, 1941, 1946-1947, 1950, 1953, 1958, 1961

Contact Answering, Inc. 1964

Container Corporation of America, 1959, 1962

Contemporaries Gallery of Sculpture and Graphic Art, undated, 1956-1957, 1967-1968

Contemporary American Sculptors, Inc., 1948

Contemporary Art, undated, 1948-1949

Contemporary Arts Association, 1949-1951

Contemporary Arts Association of Houston, Inc., 1950, 1952, 1954-1955, 1963-1965

Contemporary Arts Center, Cincinnati, 1954, 1956-1957, 1959, 1960-1961, 1963-1965, 1968

Contemporary Arts Museum, Houston, 1955-1958 (see also: Houston Museum of Contemporary Art)

Contemporary Arts Society, Indianapolis, 1963

Contemporary Christian Art Gallery, 1965

Contemporary Crafts Museum, 1965

Contemporary Design, Inc., 1947-1948

Contemporary Interiors, 1967

Contemporary Paintings, undated, 1955, 1961

Contemporary Wallpapers, 1958

Continental Bank and Trust Company of New York, 1945

Continental Illinois National Bank and Trust Co. of Chicago, 1958, 1965

Continental Insurance Co., 1967

Contreras, Belisario R., 1964

Cook, Christopher, 1964

Cook, Mrs. George R., 1960

Cook, Hereward Lester, 1954

Cook, Howard, 1950

Cook, John Alfred and/or Margaret, undated, 1957, 1959-1960, 1962-1964

Cook, Robert H., 1956-1957

Cook, Mr., 1956

Cooley, Peter, 1963

Coolidge, Mountfort, undated

Coons, Mr. and/or Mrs. Sheldon, 1940, 1955-1956

Coopchik, Robert, 1956

Cooper, Mr. and/or Mrs. David Meade, 1962-1964

Cooper, Gary and/or Georgia B., 1947, 1949, 1951

Cooper, Mrs. James, 1955

Cooper, L. E., 1932

Cooper, Peter Brintnal, 1961

Cooper, Samuel C., 1945-1946, 1949, 1962

Cooper Union Museum (see: Committee to Save the Cooper Union Museum)

Co-operative Women's Civic League, 1945

Corbett, Harvey Wiley, 1932-1933

Corcoran Gallery of Art, undated, 1932-1933, 1935, 1944-1945, 1948, 1950-1953, 1956-1970

CORE (Congress on Racial Equality) Scholarship, Education and Defense Fund, 1965

Corinthian Gallery, 1964

Corn Exchange Safe Deposit Co., 1941

Corn Valley Historical Society, 1941

Corn, Wanda, 1964

Cornell College, 1961

Cornell University, 1954, 1956-1957, 1959-1960, 1962, 1964, 1966-1967

Corning Museum of Glass, 1966

Corson, David T., 1956

Cortor, Eldzier, 1942

Cosmopolitan, 1958-1959

Cosmos Travel Bureau, Inc., 1959

Costello, Mrs. John J., Jr., 1959

Louis M. Cottin and Company, 1947

Country Art Gallery, 1960-1961, 1963-1965

Country Beautiful, 1965

County Clerk, New York County, 1956

Courtais, Henri G., 1955

Covel, Elizabeth W., 1958

Covici Friede Inc., 1932

Covington, W., 1945

Cowan, Charna and/or Spencer M., 1951, 1953-1957, 1960

Coward, Thomas R., 1951

Cowdin, Andrea (Mrs. J. Cheever), 1956

Cowdrey, Bartlett, 1958-1959

Cowie Galleries, 1949

Cowlan, Burt, 1965

Cowles, Fleur, 1948

Cowles, Mr. and/or Mrs. Gardner, 1954, 1950

Gardner Cowles Foundation, 1955-1956

Cowles, John, 1951, 1956-1957, 1961, 1963-1965

Cowles, Russell, 1954, 1962

Cowles Syndicate, 1967-1968

Cox, Arnold, 1960

Cox, George, 1967

Cox, John Rogers, 1951

Coxe, Mary, undated

Craft Center, 1964

Craft, Douglas D., 1961

Cramer, David A., 1966

Cramer, Florence B., 1957

Cranbrook Academy of Art, 1944, 1953, 1958-1959, 1966 (see also: Museum of the Cranbrook Academy of Art)

Crane, Charles L., 1960

Crane, Harriet, 1956

Crane, Helen (Mrs. Harry H.), 1961

Crane Kalman Gallery, 1962

Crane, Margery A. (Mrs. Ralph T., Jr.), 1959

Crass, Roger, 1960

Craven, George N., 1957, 1959

Craven, Wayne, 1961, 1967-1968

Crawford, John M., Jr., undated, 1960-1961

Crawford, Peggy and/or Ralston, 1958, 1963

Creative Art -- , 1932

Creekmore, Raymond, 1934

Crehan, Hubert, 1955

Pachita Crespi Gallery, undated

Crichlow, Ernest, undated

Crisera, Joseph, 1956

Crispo, Andrew, 1968

Crispp, Norman, 1969

Criss, Francis, 1958

Crockett, Elizabeth A., 1964

Cronin, John F., 1965

Cronin, Richard, 1966

Caresse Crosby Gallery of Modern Art, 1945

Cross and Brown Company, 1960, 1962, 1966

Cross, Harold F., 1965

Cross, John M., 1969

Crossgrove, Roger L., 1963

Crossman, Jerome K., 1956

Crotty Heating and Cooling Corp., 1941

Crow, Tramwell, 1967

Crowell-Collier Educational Corporation, 1966

Crowell, Merle, 1934

Crowell, Rodger Palea, undated

Thomas Y. Crowell Company, 1956

Crowley, M. J., 1960-1961

Crown Publishers, Inc., 1965, 1966, 1969

Crowninshield, Frank, undated, 1930-1934, 1939, 1941, 1945

Crozier, Mrs. Emmet, 1961

Crumbach, Mrs. Simeon, 1955

Crye, Caroll, 1952

Joan Crystal Gallery, 1963

Cudahy, Bettina (Mrs. Anthony B.), 1954-1955

Cuddeback, Charles H., 1944

Cue -- , 1962-1963

Culberg, M.E., 1951-1952

Cullen, Countee, 1943

Cullen, William, 1958

Culler, George, 1962

Cullman, Mrs. Howard, 1960

Cummer Gallery of Art, 1965, 1968-1969

Cummings, Bill, 1965

Cummings, Marian (Mrs. e. e.), undated, 1959, 1963

Cummings, Millie and/or Willard H., undated, 1955, 1957-1958, 1960-1965

Cummings, Minnette (Mrs. H. King), undated

Cummings, Mr. and/or Mrs. Nathan, 1952-1954, 1956, 1959, 1967-1968

Cummings, Paul, undated,1968

Cummins, Ralph H., 1964

Cunningham, Charles C., undated, 1965-1967

Curl, Huldah Whipple, 1961

Curran, Ona (Mrs. Harold P.), 1965

Current Biography -- , 1964

Currier Gallery of Art, undated, 1948-1949, 1954-1957, 1959-1963, 1966

Currier, Stephen E., 1958

Curry, Larry, 1968

Curtis, George A., 1962

Curtis Lighting, Incorporated, 1945

Cushing, George M., Jr., undated

Customs Bureau, 1959, 1962 (see also: U.S. Customs Service)

Cutler, Carol, 1961

Cutler, Vergne, 1955

Cutting, Helen (Mrs. Charles Suydam), undated, 1946-1947, 1949, 1956-1958, 1960-1961

Cutting, Heyward, 1960, 1962-1965, 1967

D Contemporary Art Gallery, 1955-1962 (see also: Terry Dintenfass, Inc.)

Daché, Lilly, 1944

Dahill, Tom, Sr., 1956, 1958

Dahlberg, Edward, 1957-1959

Dailey, George A., 1952

Dale, Mrs. Chester, 1967

Dale County War Memorial Library, 1957

Dallas Morning News -- , 1956

Dallas Museum for Contemporary Arts, 1958-1963 (see also: Dallas Society for Contemporary Arts)

Dallas Museum of Fine Arts, undated, 1934-1935, 1940-1942, 1945, 1951-1954, 1957-1959, 1961-1965

Dallas Society for Contemporary Arts, 1956-1957 (see also: Dallas Museum for Contemporary Arts)

Dallas Theatre Center, 1967

Dallas, University of (see: University of Dallas)

Dallas Young Collections, 1956 (see also: Young Collections)

Dallett, Ione Robinson, 1940

Dalton, Harry L., 1965, 1966

Dambrov, Alan S., 1968

Dame, Laurence, 1958

D'Amelio, Joseph A., 1964

Dameshek, William, 1962-1964

Damico, J., 1958-1959

Dana, Lester, 1956

Dana, Mr. and/or Mrs. Richard H., undated, 1958, 1964

Danbury Scott-Fanton Museum and Historical Society, Inc., 1958

Dane, Joseph Bert, 1958

Danhausen, Eldon, 1954

Daniel, Allen S., 1952

Daniel, Charles, 1932, 1959

Daniel, Edwin J., 1950

Daniell, George, 1956

Daniels, A. T., 1953

Danish Information Office, 1959

Dann, Gertrude H. (Mrs. David S.), undated, 1956, 1960

Bernard Dannenberg Galleries, 1966, 1968

Danoff, I. Michael, 1965

Danzig, Lamont E., 1969

Danzig, Mrs. Sidney J., 1963

Darbee, Mrs. William, 1939

D'Arcy Advertising Company, 1959

Darmstadt-Eberstadt, 1963

Darrah, Frank J., 1944

Darriau, Jean, 1956

Darrow, Paul, 1955-1956

Dart, Gawaine, 1960

Dartiel, 1969

d'Artista, Robert, 1952

Dartmouth College, 1930, 1935, 1944, 1948, 1951-1952, 1962-1963

Dartmouth College Club, 1959

Dartt, James G., 1949

Elsie Das Hawaiian Originals, 1962

Daughters of the American Revolution Museum, 1941

Davenport, Bill, 1964

Davenport Municipal Art Gallery, 1951-1952, 1958-1959, 1963, 1968

Davenport, Roselle, 1963

David, David, 1931, 1961

David Gallery, undated, 1966

David's Sholom, 1965

Davidson, undated

Davidson, Mrs. Daniel, 1955

Davidson, Leroy B., 1947

Davidson, W. F., 1939

Davis, Allan A., 1964

Davis and Heffner, 1951

Davis, Bernard, 1940

Davis, Bette, 1941

Davis, Dorland and Co., 1942

Davis, Mrs. Dwight F., 1938

Davis, Mrs. Edwin L., 1965

Davis, Emma Lou, undated, 1942

Davis, Ferdinand H., 1961

Davis, Floyd, 1938

Davis Galleries, undated

Davis, Ginger, 1968

Davis, Henry A., 1956

Davis, Hubert, 1941

Davis, Janet Evans, 1959

Davis, Kathe, 1959

Davis, Lew, 1959

Davis, Mary M. (Mrs. Keith), 1962

Davis, Richard, 1931

Davis, Richard B., 1966

Davis, Richard S., 1951-1954

Davis, Robert Tyler, 1943, 1959

Davis, Roselle and/or Stuart, 1931, 1946, 1953-1956, 1959, 1963-1965, 1967

Davis, Virginia Stetiley, undated

Davis, Mrs. Walter, 1963

Davison Art Center, 1952-1953, 1955 (see also: Wesleyan University)

Davisson, 1940

Dawson, Sam, 1959

Day and Meyer, Murray and Young Corp., 1968

Day and Zimmerman, Inc., 1955

Day, Lucy D. (Mrs. W. E., Jr.), undated, 1962

Days, Jacquelyn, 1968

Dayton Art Institute, 1934, 1939, 1949, 1951, 1953, 1955, 1958-1959, 1966-1967

Dayton Typographic Service, 1965

Dayton's Gallery, 1966

Deal, Ogden, 1960

Dealers of American Art, 1957 (see also: New York Dealers of American Art)

"Dealers Show American Art," 1941

Dearden, Francis Greenwood, 1952-1953

de Bedts, Ralph F. and/or Ruth, 1958, 1961

Decca Records, Inc., 1943

de Coninck, Suzanne, 1960

Decorators Club, Inc., 1939, 1941, 1943

De Cordova and Dana Museum and Park, undated, 1951, 1957-1958, 1959, 1961, 1963

de Cordova, Nancy, 1964

Major William F. Deegan Post No. 1, 1941

Defenbacher, Dan S., 1958, 1966

de Gampes, Enriqueta, 1953

de Golier, Mary Ann (Mrs. Ralph J.), undated, 1947, 1964, 1966-1967

de Graaf, Mrs. Peter, 1967

de Graaff, Mr. and/or Mrs. Jan, 1948, 1951-1952

Jack De Gregory and Company, 1967

de Groot, Adelade Milton, undated, 1941

De Haan, Norman R., 1965-1966

de Hauke, Cesar M., 1958-1959

DeHaven, Heidi, 1959

De Hovitz, Bernard, 1958-1959, 1961

Deitsch, Peter H., 1959

Deitsch Gallery, 1956

de Koven, Daniel, undated, 1950, 1956, 1959-1960

Delahantey, William E., 1954

deLara, Jea'Belle, 1957

Delavan, Elizabeth G. and/or Nelson B., Jr., 1963, 1965-1966

Delaware Art Center, 1959-1960, 1967 (see also: Society of the Fine Arts)

Delaware, University of (see: University of Delaware)

Delaware Valley Art Foundation, 1959

K. Delbanco, Incorporated, 1957

Delfino, Peter, undated, 1962

Isaac Delgado Museum of Art, 1949, 1959-1960

Delhorn, M. M., 1969

de Liagre, Alfred, 1959

Delloye, Charles, 1962

Delmonico's Hotel, 1964

Delphic Studios, 1933

Delta Letter Service, undated

Demarest Memorial Foundation, Inc., 1956-1957

de Menil, Mr. and Mrs., 1965

de Menil, Mr. and/or Mrs. Jean, 1951, 1955

de Menil, John, 1957, 1962

Demeter, Mary, 1958

De Mille, Agnes George, 1966

Demmer, Vera Haberle, 1962

Demmer, Victor, 1967

Demotte, L. J., 1933

Eva De Nagy Gallery, 1960

Dendal, Yves, 1957

Denenberg, Stuart R., 1966

De Niro, Helen M., 1952

Denman, Carl, 1963-1965

Denman, Jean and/or John C., undated, 1946-1949, 1951, 1953-1956, 1958-1960, 1962, 1964, 1966

Dennison, Carl L., undated, 1965-1968

J. M. Dent and Sons Ltd., 1959

Denver Art Museum, 1935, 1937-1939, 1942, 1951, 1955-1960, 1963, 1965-1966, 1968

Department of Commerce and Public Events, New York City, 1957

Department of Labor, 1952

Department of State, 1946, 1951, 1960-1963, 1965-1971 (see also: U.S. Department of State)

Department of the Army, Reorientation Branch, 1949-1950 (see also: U. S. Army)

De Pauw University, 1959

Deramus, Mrs. John, 1961

Derecktor, Lina P., 1956

Derkert, Carlo, 1963

Derrickson, Howard, 1949

Derskey, Morris, 1955

Derum, Ardis V., 1958

de Santamaria, Marta, 1955

De Schepper, Gerald R., 1964

De Sharp, Ernest, undated, 1942, 1944

J. Blaise de Sibour and Company, 1953, 1956-1957

Design -- , 1948, 1951

Design Associates Gallery International, 1967

Design Publishing Co., 1947

Deskey, Donald, 1932

Des Moines Art Center, 1949-1968

Des Moines Art Center, Junior Art Museum (see: Junior Art Museum of the Des Moines Art Center)

Des Moines Association of Fine Arts, 1934, 1939-1940

Des Moines Register and Tribune, 1955, 1957

Despres, Leon M., 1948, 1951-1952

Despres, Marion A. (Mrs. Leon M.), 1952

Detering Galleries, 1956-1958

Detroit Artists Market (see also: Mrs. H. Lee Simpson)

Detroit Institute of Arts, 1935, 1937-1946, 1948-1955, 1957-1960, 1962-1968

Detroit Museum of Art Founders Society, 1941, 1956-1957, 1960

Detroit School of Art, 1935

Detweiler, Joan (Mrs. Frank Hall), undated, 1962

Deutsch, Mrs. James, 1961

Devean, Ross R., 1940

Devernay, Joseph, 1966

Devine, Thomas, 1959

De Vito, Teresa M., 1961

Devlin Gallery, 1965

DeVoe, Nina, 1963

DeVoos, Julius J., 1966

Devree, Mr. and/or Mrs. Howard, 1940, 1955-1958, 1962

Dewald, Elsie, 1965

M. H. de Young Memorial Museum, undated, 1933, 1935, 1939, 1941-1943, 1945, 1946, 1949, 1965, 1968

d'Harnoncourt, René and/or Sarah, undated, 1951, 1968

Diamant, Linc, 1959

Diamond, Harold, 1958-1959

Diamond, Isidore, 1959

Dickinson College, 1965

Dickinson, Edwin W., 1959

Dickinson, Preston, 1930

Dickler, Gerald, 1964, 1965-1967

Dickson, George L., 1952

Dickstein, Samuel, 1941

Dienst Voor Schone Kunsten der Gemeente 'S-Gravenhage, 1954-1955, 1964 (see also: Gemeentemuseum)

Dijkstra, Sandra, 1967

Dilley, Ray, 1952

Dillon, C. Douglas, 1959

Dillon, Enid K. [Nikkie], 1968-1969

Diners Club, Inc., undated, 1959, 1967-1968

Dinko, Andrew, 1965

Dinner in Tribute to S. Hurok, 1967

Terry Dintenfass, Inc., 1962-1963, 1965, 1968, 1971 (see also: D Contemporary)

District of Columbia Public Library, 1962

Dobson, Merlin W., 1969

Dochterman, Lillian, 1962

Dodd, Mead and Company, 1941

Dodge, Mrs. B., 1956

Dodge, Hannah S. (Mrs. Ozias), 1955

Doemling, Robert W., 1959

Doerning, E. B., 1941

Doherty, Beatrice E., undated, 1955

Doi, Blanche, 1968

Doi, Isamu, 1966

Dole Company, 1968

Dole, William, 1967

Dollin, Lois Eaton, 1965

Dolphin, Harriet, 1968

Dombrowski, Jim, 1966

Dominat, Paul, 1961, 1963

Dominican Repbulic, Embassy of (see: Embassy of the Dominican Republic)

Donahue, Frank M., 1952

W. B. Donner and Company Advertising, 1953

Donoho, David, 1962, 1963

Donohue, Paula (Mrs. George M.), 1952-1953, 1955-1956, 1958

Donovan, Anne K., 1955

Ellen Donovan Gallery, 1953

Donson, Jerome Allan, undated, 1960, 1963

Dordan, Leonard, 1961

Doremus and Co., Ltd., 1964

Dorens and De Waal, 1950

George J. Dorfman and Company, 1958-1961, 1965-1967

Dorfman, Robert L., undated, 1969

Dorment, James, Jr., 1969

Dormer, James T., 1965

Dorne, Albert, 1940, 1941, 1952-1954

Dorner, Alexander, 1938

Dorsky Gallery, 1965

Doubleday and Company, Inc., 1966-1968

Doubleday Book Shop, 1959

Doudera, Gerard, 1961

Dougherty, Mrs. Frazer, 1967

Doughty, Frances, 1942

Douglas, Bernard, 1956

Frederick Douglass Institute, 1967 (see also: Museum of African Art)

George Douglass, Inc., 1966 (see also: Fine Arts Conservation Laboratories, Inc.)

Douty, Esther M. (Mrs. Harry M.), 1960

Dove, Mrs., 1958

Dove, Aline, 1965

Dove, Reds (Mrs. Arthur), undated

Dove, William, 1954, 1968

Dover, Cedric, 1959

Dover Publications, Inc., 1963, 1969

Dow and Stonebridge, 1965

Dowell, Violet Hayden, 1964

Dowling, Robert W., 1959

Downing, George E., 1967

Downtown Community School, 1955, 1957-1958

Downtown Gallery, undated, 1927, 1936, 1952, 1961

Downtown Gallery Welfare Fund, 1952

Dows, Olin, undated, 1940-1942

Doyle, Louis, 1955

Drabkin, David and/or Stella, undated, 1956-1959, 1967

Drake, Ed, 1963

Drake, H. B., 1965

Lawrence Drake Gallery, 1960

Drake University, 1948, 1954-1956, 1965

Walter Drake and Sons, Inc., 1965, 1968

Draper, Mary Childs, undated, 1958, 1961-1966

Dreier, Katherine S., 1944-1945, 1948-1949 (see also: Société Anonyme)

Dressner Company, 1965

Drew University, 1966

Drewes, William K., 1955

Drey, Walter, 1938

Dreyfuss, Doris, 1966

Dreyfuss, Henry, 1947, 1949-1951, 1953, 1956-1957, 1959, 1961-1962, 1966-1967

Driscoll, C. P., 1966

Driscoll, Thomas, 1959

Dryden Press, Inc., 1946

Duane, James C., undated, 1969

Dubinsky, Linda, 1961

Dublin, Mrs., 1927

Dubnow, Rochelle Meta, undated, 1960, 1964

Dubuque Art Association, 1958

Duca, Alfred, 1961

Duchamp, Marcel, 1965

Duchin, Eddie, 1941

du Cros, L. Teissier, 1961

Dudensing Galleries, Inc., undated, 1931-1933

Dudensing, Leroy, 1930

Dudensing, Richard, 1930-1931

Dudensing, Valentine, 1957

Dudley, Harold R., 1961

Duffy, James F., 1957

Duhamel, P. Albert, 1965

Duhl, Leonard J., 1957

Dumont Broadcasting Corp., 1957

Dunbar Accessories, 1955, 1956

Dunbar, Anna (Mrs. Davis), undated, 1941

Dunbar Furniture Corporation, 1955-1957, 1963

Duncan, Barbara, undated, 1955

Duncan, Charles, 1950

Dundee Designs, 1955

Dunham, Katherine, 1941

Dunham, W. Stacey, 1952

Dunhill Construction Corporation, 1965

Dunleavy, Anne, 1966

Dunn and Bradstreet, Inc., 1960

Dunn, Harry Hopkins, undated, 1941

Dunn International Exhibition, 1963

Dunn, James Taylor, 1961, 1963

Dupont, Harry F., 1939

Durand-Ruel, Inc., 1942

Durant, T. W., 1942

Durfen, Charles, Jr., 1964

Durlacher Bros., 1955

Durnan, Charles F., 1933

H. Duroff and Sons, Inc., 1963

Dutila, Mary, undated

Duval, Jean-Jacques, 1960

Duval, Sally, 1951

Duveen, Albert, 1940-1941

Duveen Brothers, Inc., 1935

Duveen, Joseph, 1931

Duveen, Lord, 1934-1935

Duveen-Graham Gallery, 1957

Dwight, Edward H., 1948

Dwinell, Betty, 1952

Dyke Air Conditioning Co., 1961

Dykes Lumber Co., 1964

Dyne, Michael, undated, 1965

Eagle, Joanne Shaw, 1964, 1967

Eakins Press, 1968

East Cleveland Museum Galleries, 1964

East End Electric Company, 1941

East Side House Winter Antiques Show, 1955

Eastchester Library, 1964

Eastern Airlines, Inc., undated, 1945, 1960, 1966-1967

Eastern Arts Association, 1956

Eastern Illinois University, 1964

Eastern Washington State Historical Society, 1962

George Eastman House, 1959, 1961, 1966

Eastman, John, Jr., undated, 1964, 1967

Eaton, Lawrence G., 1961

Eaves, Winslow Bryan, 1948

Ebenhart Antiques, 1959

Eberts, Mrs. Frank J., 1954

Ecke, Mrs. B. T., 1969 (see also: Tseng, Yu-Ho)

Ecke, Mrs. Gustav, 1964 (see also: Tseng, YuHo)

Ecke, Tseng, 1968 (see also: Tseng, Yu-Ho)

Ecker, Frances S., 1946

Eckstein, George, 1958

Economy Buying Service, 1960

Edblom, T. Thomas, 1957

Edelman, Bernard, 1958

Edelson, Gilbert S., 1967

Edelstein, Anna, 1959

Edelstein, Haskell, 1968

Edelstein, J. M., 1963

Edelstone, Martha M. and/or Sigmund E., undated, 1954

Edenburg, Dorothy Braude (Mrs. E. M.), 1954, 1956-1957

Edison, Julian I., 1961-1962

Thomas A. Edison Industries, 1957, 1959, 1965

Editorial Projects, Inc., 1960, 1964, 1968

Edizioni d'Arte Moderna, 1965

Edmundson Art Foundation, Inc., 1963

Edson, Enid, 1964

Educational Alliance, 1963

Educational Dimensions Corporation, 1968

Edwards, Archibald C., 1949-1950, 1954-1955, 1957, 1959, 1961, 1963-1964

Edwards, F. P., 1952

Edwards, Oscar, 1965

Edwards Products Company, 1964

Eeckhout, Paul, 1964

Effenbach, Lillian, 1963

Efron, George, 1953

Egan Gallery, 1961, 1966

Egner, Arthur F., 1933

Ehrenfeld, Pierre, undated

Ehrenfest, Fritz, 1942-1943, 1951

Ehrenfest, Paul and Elizabeth, 1961

Ehrlich, Mrs. C., 1961

Ehrlich, Simon, 1957

Ehsofon, Joan, 1957

Eidlitz, Dorothy Meigs (Mrs.Ernest Frederick), undated, 1950-1951, 1954, 1968

Einhorn, Harold, 1967

Einstein, William, 1951

Eisenberg, Stuart, 1967

Eisenberg, Theresa (Mrs. Benjamin K.), 1963

Eisendrath, Bill and/or Eva, undated, 1960-1961

Eisenstadt, Julius, 1965

Eisenstein, Mrs. Julian, 1960

Eisler, Mrs. Lee, 1958

Elber, Mrs. George A., 1953

Elber, Sylvia, 1953

Elerbee and Co., 1957

Elfirn, Peggy, undated

Eliot, Alexander, undated, 1954

Elish, Mrs. Herbert, 1964

Elisofen, Eliot, 1958, 1962, 1964

Elkoff, Marvin, 1964

Ellenberg, Max, 1969

Ellenhorn, David N., 1969

Ellerbee and Company, 1958

Douglas L. Elliman and Co., Inc., 1944

Elliott, Mr., 1960

Elliott, James H., 1955

Elliott, Laura, undated, 1956

Elliott, Mathilde Rice (Mrs. Richard M.), 1966

Ellis, Billie L. (Mrs. Donald), 1965

Ellis, G. William, undated

Ellis, Garland A., 1952, 1956-1957, 1960

Ellis, William, 1960

Ellison, A. K., 1952

Ells, Hal P., 1961

Elmore, Helen, undated

Elsen, Albert E., 1965

Elterman, David I., 1959

Elwell, George L., 1952

Elzer, Mr. and Mrs. Norman, 1963

Emau-el Midtown YM-YWHA, 1965

Embassy of Israel, 1969

Embassy of the Dominican Republic, 1964

Embassy of the Union of Soviet Socialist Republics, 1941, 1958-1959

Embassy of the United States of America, Oslo, 1953 (see also: Norwegian Embassy)

Embry, Debbie, 1961

Emerson, R. H., 1953

Emery Air Freight, 1967

Emil, Allan D. and/or Kate, undated, 1955, 1957-1958, 1961-1963, 1965-1967

Emilson, Mrs. Sten, 1963

Emmel, G. Leonard, 1953

Andre Emmerich Gallery, 1960, 1962

Empire Furnace and Stove Repair Co., 1939

Employer Aids, 196

Encyclopedia Americana -- , 1955

Encyclopedia Britannica -- , 1944-1946, 1948, 1950, 1958-1959, 1962, 1968

Encyclopedia Judaica Research Foundation, 1966

Encyclopedia of World Art -- , 1958

Endicott, Priscilla M.,1949

Engelking, Mrs. A. C., 1963

Engel, Herman J., 1963-1964

England, Mrs. Ben, 1966

Engleman, Mark, 1952

Enlow, Max, 1962

Enoch, Margaret M., 1967

Enterprise Magazine, Inc., 1956

Environment, 1963

Epp, Allen D., 1966, 1967

Epstein, Ellen and/or Henry J., undated, 1959-1960

Epstein, Jacob and/or Kathleen, 1956-1959

Equal Employment Opportunity Commission, 1965

Equitable Life Assurance Society, 1961, 1964

Erasco International Corporation, 1958

Erdelac, Joe, 1968

Eric, S. W., 1955

Erman, John M., 1966

Ermoyan, Genie, 1960

Ernst, Dallas, 1960

Ernst, Jimmy, 1958

Ernst, Virginia M., 1964

Erpf, Armand, undated, 1955-1956, 1959-1960, 1963-1965

Erwin, Hobe, 1949

Escarra-Champtier de Ribes, Marie Edmee, 1959-1960

Escola Nationale des Belles Artes (Brazil), 1931

Eshelman, John J., 1952

Esman, A. H., 1957

Esman, Rosa, 1958

Essex County Section, National Council of Jewish Women, Inc., undated

Esquir -- e, 1944, 1962

Esterly, John R. and/or Nancy B., 1961-1963

Estes, Anne (Mrs. L. H., Jr.), 1958

Ethe, Solomon, 1960

Etheridge, O., 1955

Etnier, Susan (Mrs. Carley), undated, 1934

Etra, Martin, 1962

Etrovich, Anthony W., 1951-1952

Ettinger, Henry, 1964-1965

Ettlinger, Marjorie and/or Richard L., 1961, 1964

Eulau, Mr. and/or Mrs. Milton B., 1965-1966

Eurich, Alvin, 1952

European Marble Co., 1968

Evans, Clifford, 1961, 1962-1963

Evans, Mrs. Harry, 1933-1934

Evans, Michael, undated

Evans, Richard II, 1962-1963, 1965, 1967

Evansville Museum of Arts and Sciences, 1968

Evansville Press, 1956, 1958

Evansville Public Museum, 1949, 1952

Evening and Sunday Bulletin -- , 1965

Evergood, Philip, undated

Everhart Museum, 1964

Everitt, Robert Staunton and/or Paulina, 1960, 1963

Everson Museum of Art, 1959, 1965-1966

Everts, Mrs. Frank J., 1954-1956

Evett, Kenneth, 1960

Ewing, Suzanna and Edgar, undated

Excelsior Savings Bank, 1946, 1953-1954, 1960

Exhibition Momentum (artists' group), 1954 (see also: Momentum)

Eyerly, Frank and/or Jeanette, 1953-1954, 1957, 1961

Fabry, Alois, 1958

Fadiman, Genee (Mrs. William), 1958, 1961

Fagen, Abel E., 1956, 1958

Fagen, Mildred R., undated, 1958-1959

Fainberg, M., 1934

Farleigh Dickinson College, 1952

Fairleigh Dickinson University, 1957-1963

Fairmount Temple, 1960

Fairweather, Sally (Mrs. Owen), undated, 1948-1950, 1954, 1967 (see also: Contemporary Art; Fairweather-Hardin Gallery)

Fairweather-Garnett Gallery, 1953

Fairweather-Hardin Gallery, 1952, 1954-1955, 1958-1960, 1962-1969 (see also: Contemporary Art; Fairweather, Sally)

Faison, S. Lane, Jr., 1963, 1965, 1967

Falk, A. C., 1959

Falk, Philip, 1966

George Fall Edition, 1958

Fall, Mrs. George, 1956

Falmer, Daniel W.,1956

Falzoni, Giodano, 1955

Family Weekly -- , 1959

Famous Artists Magazine -- , 1961, 1964, 1968

Famous Artists Schools, Inc., 1953, 1959, 1964, 1967

Far Brook School, 1957, 1959

Far Gallery, 1964

Farley, Marsha, 1957

Farnham, Emily, 1955-1956,1958, 1965-1968

William A. Farnsworth Library and Art Museum, 1948-1951

Farnsworth Television and Radio Corporation, 1944

Farrar, Margaret (Mrs. John), 1966

Farrar, Straus and Cudahy, Inc., 1956

Farrar, Straus and Young, Inc, 1954

Farrell, Helen Cottrell, 1957

Farrington, Carl S., 1961-1962

Fashion Institute, 1959

Faulkner, Ray N., 1943

Fawcett, Robert, 1963

Fawcus, 1965

Fay, Clark, 1933

Fearing, Kelly, 1951

Feder, Dan and/or Ruth, 1964-1965

Federal Air Conditioning Corporation, 1957, 1962

Federal Art Project, 1936-1937

Federal Civil Works Administration, 1934

Federal Storage Co., 1958

Federal Works Agency, Work Projects Administration, 1940-1943 (see also: Works Progress Administration)

Federation of Jewish Philanthropies, 1947, 1964

Fee, Irene, 1958

Feigen Palmer Gallery, 1966

Feigen, Richard Lee, 1955, 1964

Richard Feigen Gallery, Inc., undated, 1960, 1968

Feigman, Joyce and/or Saul, 1959-1960, 1963, 1966-1967

Fein, Barnet, 1965

Feiner, Mrs. Ben, 1954

Feiner, Wilhelmina Fox, 1954

Feingarten, Charles, 1954

Feininger, Julia and/or Lyonel, 1954-1955

Feld, Stuart, 1966

Felden, Victoria, 1962

Feldman, Barbara, 1960, 1962

Feldman, Gloria (Mrs. Marvin K.), 1962

J. Feldman Plumbing and Heating, 1941

Feldman, Joseph P., 1960

Feldman, Maurice, 1962

Feldman, Ralph, undated, 1953

Feldman, S. L., 1960

Feldman, Walter, 1952

Feldstein, Charles R., 1963, 1966

Felheim, La Salle, 1952

Feller, Amy A. Brocks, undated

Felson, H., undated

Fenmore, Maxwell J., 1964

Fenneberg, P., 1963

Fenster, Gershon, 1940-1943

Fenton, Lelia Timberman (Mrs. Gerald), undated

Ferargil, Inc., 1933-1934, 1939, 1943, 1947, 1950

Ferber, Martin J., 1955

Fergenson, A. Leon, 1959, 1961-1965

Ferguson, Mr. and Mrs., 1965

Ferine, James A., 1967

Fermi, Giulio, 1956

Ferrari, Louise, 1966

Ferrieu, Pierre H., 1964

Ferro, Mollie (Mrs. David J.), 1956

Ferry, W. Hawkins, 1953-1956

Ferzinger, Dan, 1963

Fessler, Mrs. James, 1945

Festival Foundation, Inc., 1957

Festival of the Bible in the Arts, 1960

Fidelity Appraisal Company, Inc., 1958

Field, Harold D., 1963

Field, Marshall, 1940, 1968-1969

Marshall Field and Company, 1934, 1941, 1956, 1958

Marshall Field Awards, Inc., 1956

Field, Mrs. Samson R., 1950

Field, Samuel K., 1960

Field, Virginia, 1952

Edward Fields Company, Inc., undated, 1946

Fields, S. R., 1953

Fiene, Ernest, 1958, 1960

Fifth Avenue Bus Advertising Co., 1934

Fifth Avenue Coach Co., 1932

Le Figaro -- , 1951

Figlia and Sons, Inc., 1966

Figueroa, Laura Lopea, 1954

Figure -- , 1956

Filene's, 1951, 1952, 1959

Filler, Louis, 1943

Film Associates, 1968

Filmer, Daniel, 1956

Filner, Catharine P., 1957

Filpi, John A., 1961

Filson, A. I., 1956

Finch College, 1964

Fine, Adolph, 1960-1961

Fine Art Committee, 1947

Fine Arts Associates, 1956

Fine Arts Society of San Diego, 1960

Fine Arts Conservation Laboratories, Inc., undated, 1960-1963, 1966 (see also: George Douglass, Inc.)

Fine Arts Expositions, 1934

Fine Arts Gallery of San Diego, 1935, 1943, 1945-1947, 1951-1952, 1961, 1965, 1968 (see also: San Diego Art Museum)

Fine Arts Patrons of Newport Harbor, 1964 Fine, Barnet, 1965-1966

Finger, O. M., 1943

Fink, David, 1956

Fink, Don, 1956, 1957

Fink, Frances S. (Mrs. Nathan H.), 1963

Fink, Nelson P., 1940

Finkel, Doris W., 1967

Finkelstein, Lester M., 1965

Finkelstein, Maurice, 1946-1947

Finley, David Edward, 1961

Finn, Mrs. Albert, 1963

Finn, Gloria, undated, 1958

Fione, A., 1952

Firemen's Fund Group, 1953

Firestone, Leonard K. and/or Sally C., 1957-1958, 1960

"First Municipal Art Exhibition," 1934

First National Bank of Fort Worth, 1951, 1962

First National Trust and Savings Bank of San Diego, 1959-1961

Firzacca, Patricia, 1965

Fis Printing Sales Co., 1964

Fischer, Leo, undated

Fischer, Max, 1957

Fischer, Merrill, 1955

Fischer, Mr. and/or Mrs. Roland, 1959-1960-1963

Fischmann, Milton, 1961-1962

Fisher, David, 1964

Franklin Fisher and Associates, undated, 1947-1948

Fisher, H. F., 1944

Fisher, James, 1965

Fisher, Nora, 1966

Fishko, Bella, undated, 1961

Fiske Free Library, 1969

Fiske University, 1956

Fisse, Mari M. (Mrs. Frank H.), undated, 1941

Fitch, George H., undated, 1949, 1956, 1958, 1968

Dord Fitz Galleries, 1956-1957

Fitzgerald, Robert, 1966, 1968

FitzGerald, Vincent, 1965

Thoms A. FitzSimon Galleries, 1955

Five Mile River Gallery, 1960

Five Towns Music and Art Foundation, Inc., 1952

Flack, Mrs. Frank M., 1961

Flair, 1949

Flair Galleries, 1965-1967

Flash Mail, 1942

Fleck, Mrs. Edward M., 1959

Fleet Publishing Corp, 1962

Fleischman, Barbara and/or Lawrence Arthur, undated, 1952-1959, 1961-1963, 1965

Fleischman, Martha, 1961

Samuel S. Fleisher Art Memorial, 1965

Fleschner, Laura and/or Malcolm K., 1962, 1968

Fleury, Leo A., undated

Flexner, James T.,1954

Flinn, Gladd, undated

Flint Institute of Arts, 1942-1944, 1956-1958, 1962-1965, 1967

Flock Process Corp., 1940

Florida Artists Group, Inc., 1949

Florida Gulf Coast Art Center, 1949-1953 (see also: Clearwater Art Museum)

Florida Presbyterian College, 1966

Florida State University, 1950, 1952-1953, 1958-1960

Florida, University of (see: University of Florida)

Florsheim, Helen and/or Richard, undated, 1957

Florsheim, Lillian, 1954

Floyd, Thomas H., 1960

Flying Tiger Line, Inc., 1963

Flynn, Harrison and Conroy, 1961

Focus -- , 1951

Fogel, Howard H., 1960

Fogel, Seymour, 1957-1958

Adelaide Fogg Art Gallery, 1958

Fogg Art Museum, undated, 1933-1934, 1940-1945, 1951-1954, 1956-1957, 1960-1961, 1963, 1965-1967, 1969 (see also: Sachs, Paul J.)

Lucien Lefebvre Foinet Co., 1965

Folbre, Terry, 1967

Folds, Thomas, 1951

Foley, John R., 1951, 1953, 1957

Foley's, 1949, 1954

Folio Shop, 1959

Folkway Art Center, 1953

Folsom, Mrs. Arnott R., 1949

Folsom Engraving Co., 1955, 1957-1961, 1963

Fonda, Henry, 1941

Fong, Bernice, undated, 1968

Food Fair Stores, 1956

Foote, Cone and Belding Advertising, 1949

Foote, Donna K., 1967

Foote, John, Jr., 1955

Foote, John H., Jr., 1947

"For Modern Living," 1949

Forbes, Edward W., undated

Force, Juliana, undated, 1930, 1940-1941, 1943

Ford, Benson, undated, 1950

Ford, Mr. and/or Mrs. Edsel, 1933-1934, 1937, 1941-1942

Ford, Eleanor, undated

Ford Foundation, 1958-1961, 1963

Ford, Mr. and/or Mrs. Henry II, 1948, 1953-1957

Ford, Jane (Mrs. Maynard), undated

Ford, Mary, undated

Ford Motor Co., 1955, 1962

Ford, O'Neil, 1956

Ford, Mrs. Walter B., 1961-1962

Fordham University, 1958

Foreman, Mairi, 1961

Forest, Jack J., undated, 1969

Forest Neighborhood House, 1950

Forman, B., 1960

Forman, Cecile, 1957

Forman, Fred, 1960

Forman, Mrs. Joseph, 1957

Forman, Maxine (Mrs. Maurice R.), undated, 1941

Formes -- , undated, 1932

Forsythe Gallery, 1964

Forsythe, Mrs. H. Frank, 1966-1967

Forsythe, Jessie W., 1950

Fort Dodge Federation of Arts, Inc., 1940

Fort, Leonard, undated

Fort Riley, 1961

Fort Wayne and Allen County Public Library, 1964

Fort Wayne Art School and Museum, 1941, 1952, 1958-1959, 1962-1965, 1967

Fort Wayne Arts Foundation, Inc., 1958

Fort Worth Art Association, 1941, 1949, 1951-1953, 1957, 1960, 1964, 1967

Fort Worth Art Center, undated, 1954, 1956, 1959, 1961-1962, 1964, 1968-1969

Fort Worth Star-Telegram -- , 1951

Fortess, Karl E., 1955-1956

Fortune -- , 1939-1942, 1944, 1946, 1948, 1950-1951, 1955-1956, 1958, 1967-1968

40 Plus Club, 1957

Forum Gallery, 1963-1965, 1968

Foshee, Rufus, 1961-1964

Fossum, Syd, 1941-1942

Foster, Evelyn, 1963

Foster, Jim, 1964-1965

Foth, Felicia and Warren, 1963

Foundation Library Center, 1958

Fountain Gallery of Art, 1962, 1965

Four Arts Gallery, 1955

Four Seasons Bookshop, 1954

Fouraker, Stanley R., 1954

Fowler, Alfred, 1949

Fowler, Murray, 1950

Fox, Jerome L., 1961

Fox, Timothy, 1966

Fraiberg, Louis, 1965

Frame, Bryan Ardis, 1951, 1953-1954, 1956-1957, 1961-1962

Franc, Marian K. (Mrs. Spencer W.), 1969

Francis, Henry Sayles, undated

Francis, Muriel B., 1959

Frank, Arthur, 1932

Frank Brothers, 1956

Frank, Mrs. Herbert, 1954-1955

Frank, Joseph, 1965

Frank, Mr. and/or Mrs. Leonard S., 1966

Frank Travel Service, 1964, 1965

Frankel, Thelma (Mrs. Louis), 1958

Frankenstein, Alfred V., 1943, 1948, 1952-1953, 1955-1958, 1962-1963, 1965

Frankenthaler, Helen, 1956

Frankfurter Allianz, undated

Franklin and Walsh, Inc., 1960

Franklin Institute, 1935

Frano, Theodore S., 1954

Fransoli, Thomas A., 1955

Franzheim, Kenneth, 1951-1953, 1955-1956

Fraser and Co., 1968

Robert Fraser Gallery, Ltd., 1963

Fratelli Fabbri Editori, 1966-1969

Frazier, Walter S., 1961, 1964

Frechie, Gordon R., 1964

Freda, Carl, 1965

Fredenthal, H. D., undated

Fredenthal, David and/or Marianne, undated, 1951, 1953-1954, 1957

John Fredericks, Inc., 1954, 1957

Frederics, Fred, 1946-1947, 1952

Frederics, John, 1953

Fredonia Products, undated

Free Library of Philadelphia, 1962, 1964

Freed, John, 1956

Freedman, Florence B. (Mrs. Joel), 1964

Freedman, Dr. and Mrs. Joel M., 1963

Freedman, Michelle, 1952

Freeman, Arthur R. and/or Linda, 1961-1967, 1969

Freeman, Betty and/or Stanley M., undated, 1955, 1957-1960, 1964

Freeman, Fred, 1956

Freeman, Mrs. Gaylord, 1961

Freeman, Hersch B., undated, 1960, 1962-1965, 1967

Freeman, Ira Henry, 1953

Freeman, Joseph T., 1956

Freeman, Karen, 1962, 1965

Freeman, Karen Jane, 1966-1967

Freeman, M. Joel, 1957

Freeman, Reuben L., 1951

Freeman, Richard B., 1935, 1958, 1966, 1969

Freen, Alfred, 1958

Freer, Mrs. M. H., 1968

Freer, Margaret O'Neil, 1969

Freeworth, Leslie, 1960

Freiday, Dean, 1955

Frelinghuysen, A. H., 1941

Frelinghuysen, H. O., 1942

Frelinghuysen, Henry, 1965

French and Co., Inc., 1961

French, John, 1959

Frenkel and Co., Inc., 1953, 1968

Fresno State Teachers College, 1944

Fretwell, Joseph, 1965

Morton Freund Advertising Agency, 1946

Frick Art Reference Library, 1944-1946, 1952

Fricker, Jeanine, 1966

Fricks, Mrs. Ray, 1961

Fried, Elaine, 1965

Rose Fried Gallery, 1963

Fried, Sam, 1956-1957, 1962-1963

Friedberg, M., 1963

Friedland, George, 1954, 1956, 1959

Friedland, Jerome A., 1963

Friedlander, Brent, 1961

Friedlander, Maurice, 1958

Friedman, Mrs. Howard, 1961

Friedman, Jane, 1955

Friedman, M. H., 1965

Friedman, Meyer, undated, 1954, 1956-1958, 1961

Friedman, R. H., 1956

Friedman, Rubin, 1932

Friedman, Townsend, 1934

Friemark, Robert, 1961

Friendly, Dorothy G. and/or Fred W., 1956-1957, 1959, 1961, 1963

Friends Hospital, 1955-1956

Friends of American Art, 1940

Friends of Contemporary Art, Inc., 1950

Friesel, Mrs. Herman, 1958

Frishkorn, Suzanne G., 1963

Frisoli, John D., 1960, 1964

Fritz, Ronald, 1953

Frizzell, Richard, 1961

Froese, Maack and Becker, 1954

Frost, Robert, undated

Frost, Theodore, 1961

Frudenthal, Frank, 1941

Allan Frumkin Gallery, Inc., 1963

Fry, Clements C., 1950

Charles and Emma Frye Free Public Art Museum, 1954

Fryer, Judith E., 1965

Fuessenich, F. W., 1956-1957

Fuji International Art, Inc., undated

Fujii, Mrs. John S., 1962

Fujita, S. Neil, 1959

Fuller, Charles F., 1945, 1947

Fuller, Mrs. Daniel B., 1951

Fuller, E. L., Jr., 1967, 1969

Fuller, Fay N., Jr., 1958

Fulloni, Mario, 1959

Fulton National Bank of Lancaster, 1957

Fund Insurance Companies, 1962

Wilfred Funk and Co., 1965

Furness, F. R., 1941

Furness, Withy and Company, Ltd., undated

G Contemporary Paintings, 1960, 1962-1963, 1966 (see also: James Goodman Gallery)

G Place Gallery, 1944 (see also: David Porter Gallery)

Gabe, Grace, 1960-1961, 1964-1965

Gabriel, Francis X., 1959

Gaer, Joseph, undated

Gaglielmi, Steve, undated

Gaglione, Thomas A., undated, 1952, 1955-1960, 1966 (see also: Mayo Hill Galleries; Wellfleet Art Gallery)

Gaidano, Mario, 1964

Gainesville Sun, 1969

Galanti, Leo F., 1960

Galen, Mrs. Roland, 1957

Galería de Arte Mexicano, 1953-1955

Galerie Beaux Arts, 1931

Galerie Gerda Bassenge, 1963

Galerie Marcel Bernheim, 1963

Galerie de Berri, 1952

Galerie Bonnier, 1963

Galerie Chalette, 1959

Galerie Coard, 1963-1967

Galerie Georges Giroux, 1949

Galerie Hybler, 1960, 1962

Galerie International, 1961

Galerie Intime, 1964 (see also: Ansley Graham's Galerie Intime)

Galerie National, 1961

Galerie S. Ben Wargin, 1965

Galerie Zak, 1934

Galesburg Civic Art League, 1942

Gallagher, Edward J., Jr., undated, 1953-1957, 1959, 1963-1964

Gallagher, Mrs. James E., 1952

Gallagher, Mary, 1929-1931

Gallagher, Mrs. P., 1962

Gallant, W. E., Jr., 1964

Gallatin, A. E., 1931, 1935, 1938

Galleria Milano, 1965

Galleria Penelope, 1964

Galleria Schneider, 1956

Galleries Perreau-Saussine, 1961

Gallery, Inc., 1948, 1957

Gallery Daché, 1967

Gallery Daphne, 1967

Gallery "G", 1956

Gallery House, 1939

Gallery Itoh, 1966 (see also: Itoh Gallery)

Gallery Konarak, 1968

Gallery of Contemporary Art, Australia, 1958

Gallery of Contemporary Art, Toronto, 1956-1957 (see also: Modern Art Gallery of Toronto)

Gallery of Fine Art, 1960

Gallery of Israeli Art, 1969

Gallery of Modern Art incorporating the Huntington Hartford Collection, 1964-1965

Gallery of Modern Art, Scottsdale, 1964

Gallery Pascal, 1965

Gallery Passport, Ltd., 1965

Gallery Productions, 1965

Gallery Reese Palley, 1968

Gallery Seventy-Seven, 1954

Gallery 10, 1961, 1962

E. and J. Gallo Winery, 1964

Gallowhur, George, 1937-1939

Gans, Helene P., 1958

Gans, Mrs. Leonard, 1958

Ganseman, Mme. Jean Paul, 1958

Gantt, Alberta Rae, 1953

Ganso Gallery, 1950

Garbisch, Bernice and/or Edgar W., undated, 1947-1949, 1955, 1957

Gardiner, Avis and/or Rockwell, 1953-1954

Gardner, Conway, 1939

Isabella Stewart Gardner Museum, 1935

Gardner, Margaret, undated

Gardner, Milton, 1961, 1963

Gardner, Paul, 1933-1934, 1950

Gardner, Ruth, 1957

Garelick's Gallery, 1955, 1957, 1959, 1962, 1964

Garfield, Evelyn G. (Mrs. Gustave B.), 1959

Garrett, Alice, 1935

Garrett, Shirley, undated, 1948, 1953

Garrett, William S., Jr., 1952

Gartenberg, Laura (Mrs. Albert), 1963

Gash, Mr. and/or Mrs. Frederick, 1951, 1959, 1967 (see also: Genauer, Emily)

Gast, Harold N., 1959

George Gastine Galleries, 1945

Gaston, Marianne, 1953

Gates, Doris Mead (Mrs. Clinton H.), 1964

George W. Gates and Company, Inc., 1945-1946

Gatling, Eva Ingersoll, undated

Gaudnik, Walter, 1962

Gaylor, Adelaide L. (Mrs. Wood), 1957, 1959, 1969

Geannader, Edward, undated

Geeslin, Campbell, 1962

Geeslin, Gene S., 1965

Geib, Wayne A., 1960

Geigy Chemical Corporation, 1968

Geis, James C., 1968

Geissman, Marcella, 1957

Gelber, Mrs. Walter, 1969

Gemeentemuseum, 1954, 1960-1961, 1964-1965, 1968 (see also: Dienst Voor Schone Kunsten der Gemeente 'S-Gravenhage)

Genauer, Emily, 1946-1948, 1953-1954, 1956-1957, 1959, 1961, 1963-1965, 1967 (see also: Gash, Mrs. Frederick)

General Adjustment Bureau, Inc., 1951, 1964, 1967

General Board of Evangelism of the Methodist Church, 1964 (see also: Methodist Church)

General Cable Corporation, 1951, 1964

General Council of the Mennonite Church, 1962

General Motors Corporation, undated, 1956, 1958, 1968

Geneseo State Teachers College, 1958

Geneva Historical Society, 1967

Gensac, Andre, 1962

Gentry -- , 1956

Geoffrey, Iqbal, 1963

George, Laverne, undated

George, Mr. and/or Mrs. Thomas, 1955-1956

Georgia Museum of Art, 1964

Georgia, University of (see: University of Georgia)

Gerber, Mrs. James, 1962

Gerber, Sidney, 1957, 1959

Germaise, Freitag and Altman, 1961

Gernard, Jack, 1966

Gerngross, Frances (Mrs. H. O.), 1966-1967

H. O. Gerngross and Co., Inc., 1965, 1967

Gersham, M., 1960

Gershoy, Eugenie, 1966-1967

Gershwin, George, 1932-1934

Otto Gerson Gallery, 1960-1961

Gersten, Isabelle and/or Joseph, undated, 1948, 1952-1953, 1955-1958, 1961

Gerwitz, Mrs. Paul, undated, 1961

Getlein, Dorothy and/or Frank, undated, 1958-1963, 1965-1966

Getler, Helen (Mrs. Monte), 1967

Getler, Marie Estelle, 1960

Gettysburg College, 1958

Gewarter, Roslyn, 1963

Gewirtz, Mrs. P., 1966

Ghent, Henri, 1968

Gianasi, Gail F., 1964

Giannadeo, Edward, undated, 1968

Gibbes Art Gallery, 1954-1955

Gibson, Walter S., 1957

Gidding's, 1955, 1956

Gifford, Damon, 1963

Gifford, Emily (Mrs. Harold), undated

Gilbert, Creighton, 1953

Gilbert, Edwin ("Gill") and/or Virginia, undated, 1955, 1957-1967

Gilbert, Holly, 1962

James Gilbert and Company, Inc., 1962

Gilbert, Peter, 1967-1968

Gilchrist, Bruce, 1956

Gillespie, Anna (Mrs. John), 1963

Gillespie, Sallie M., 1950

Gilliland, Mary M., 1967

Gilman Galleries, 1963

Gilson, Mrs. Robert H., 1967

Gilvary, James, 1953, 1964

Gima's Art Gallery, 1964

Gimbel, Mrs. Adam, 1952

Gimbel, Alva B. (Mrs. Bernard F.), 1938-1939, 1951-1952, 1956

Gimbel Brothers, undated, 1948, 1962-1965, 1967

Gimberts, W. A., 1957

Gingerich, Owen, 1963

Ginn and Company, 1964-1965, 1968

Robert H. Ginter and Co., Inc., 1960, 1962

Ginzberg, Charles, 1946

Giron, 1958

Girsch, M. L., 1957

Gittlin, Sheryl, 1964

Gladstone Hotel, 1959

Gladwin, Harold, 1947

Gladwin, Winifred Jones (Mrs. Harold), 1947-1949

Glamour -- , 1946, 1952

Glasco, Joseph, 1953

Glasgal, Isidor, 1941

L. Glashow Inc., 1962

Glass, Irving H., 1968

Glass, Sherry H., 1966

Glassboro State College, 1961-1962

Glens Falls Indemnity Company, 1950, 1962

Glick, I. J., undated

Glo Cold Air Conditioning and Refrigeration Co., 1955, 1958, 1960-1961

Globe Indemnity Company, 1939-1940

Gloeckner, André, 1965

Glott, Michael M., undated

Glueck, Grace, 1964, 1968

Gnudi, Cesare, 1965

Go -- , 1955

Godchaux, Adele, 1962

Goff, Lloyd, 1963, 1965

Gold, Mr. and/or Mrs. Joseph E., 1949, 1952-1953, 1955, 1957, 1960, 1964

Goldart, Natalie, undated

Goldberg, Mrs. Arthur, 1965

Goldberg, Gary, undated, 1968

Goldberg, Lisa, 1969

Goldberg, Margerie (Mrs. Jerome S.), 1967-1968

Goldberg, Samuel Sumner, 1959

Goldburg, Robert E., undated, 1955, 1959-1961, 1964

Golden, Cipe (Mrs. William), 1960-1961

Golden Gate International Exposition, 1938-1940

Golden Press, Inc., 1961, 1968

Goldenson, Mrs. David B., 1965

Goldfains, Z., 1940

Goldin, Leon Herman, 1957

Golding, Dorothy K. (Mrs. Arthur J.), 1966

Goldman, Adeline and/or Harold J., undated, 1962-1963, 1965-1967, 1969

Goldman, Harry E., 1956

Goldman, Jan (Mrs. R. H.), 1958

Goldman, Mera Lee (Mrs. Leonard), 1959

Goldman, Milton, 1956

Goldman, Mrs. S. H., 1958

Goldman, William, 1954

Goldsholl, Millie, 1963

Morton Goldsholl Design Associates, Inc., 1960

Goldsmith, Berthe K., 1935

Goldsmith, Bliss, Greene, Inc., 1953

Goldsmith Brothers, 1953, 1957, 1960, 1962-1965

Goldsmith, Harold S., 1937-1940, 1942, 1947-1949, 1951-1952 (see also: Popular Publications, Inc.)

Goldsmith, Morton R., 1938

Goldstein, Mr. and/or Mrs. Herbert, 1956, 1960-1961

Goldstein, Morton, undated

Goldstine, Abner D., 1963

Goldstone, Herbert A., 1963, 1965

Goldstone, Robert, 1958

Goldstone, Seymour E., 1964

Goldthwaite, Lucy, 1961

Golffing, Francis, 1955

Golinkin, Joseph Webster, 1962

Golterman, Patricia H., 1965

Gonzales, Lorraine and/or Richard J., 1955-1956, 1962, 1965-1966

Gooch, Gerald, 1967

Goodall, Don, 1949

Goode, Paul K., 1956

Goodman, Arthur H. and/or Jean, 1960, 1964-1965

Goodman, Bertram, 1955

Goodman, C. F., 1959

Goodman, Mrs. Charles F., undated

Goodman, Dorothy S. and/or Richard F., undated, 1965

Goodman, H. Nelson, 1939

Goodman, Harold, 1930

James Goodman Gallery, 1963-1968 (see also: G Contemporary Paintings)

Goodman, Moshe Y., 1964

Goodman, Nelson, 1948

Goodman, Percival, 1960

Philip H. Goodman and Associates, 1963

Goodman-Walker, Inc., 1937-1940

Goodrich, Esther F. (Mrs. Raymond H.), undated, 1957, 1960

Goodrich, Mr. and/or Mrs. Lloyd, undated, 1953, 1957

Goodrich, Madeline Lloyd, 1957

Goodrich, Mrs. Raymond H., 1961, 1963

Goodson-Todman, Inc., 1963

Goodwin, Claribel, 1960

Goodwin, James Patrick, 1958

Goodwin, Philip L., 1935, 1938-1939, 1944, 1947-1948, 1950, 1955, 1957

Goodwin, Susan T. (Mrs. H. Sage), 1957-1958

Goodyear, A. Conger, 1939, 1944, 1953, 1961-1962

Goodyear, John, 1963

Goossens, John, 1954

Gor, Regina (Mrs. Serge), 1960

Gordon, Anna, 1964

Gordon, Arnold W., 1961, 1964

Gordon, Celeste, 1955

Gordon, Harvey J., 1961

Gordon, John, undated, 1963, 1966

Gordon, Leah and/or Jack, 1964-1965

Gordon, Lois, 1952

Gordon, Roy, 1966

Gordon, S. Robert, 1960

Gordon, Selma, 1955

Gordon's Fifth Avenue Gallery, 1962

Robert Gordon's Technical College, 1959

Gorham, Mrs. Charles, 1961

Gorham Corporation, 1965-1966

Gorky, undated

Gorman, Eugene P., 1957

Gorsline, Douglas, 1960

Goslen, Mary, 1965

Gosman, M. W., 1967

Gosman, Mildred, 1958, 1960

Gotcliffe, Ted, 1963

Gotham Book Mart, 1958

Gotham Guide, 1958

Goto, Joseph, 1954

Gotthard Bank, 1959

Gottlieb, Adolph, 1967

Gottlieb and Schiff, 1956

Gottlieb, Carla, 1959

Gough, Galen, 1953

Gould, David, 1956

Gould, Mary Earle, 1956

Gourielli, Princess, 1952

Government Printing Office, 1956

Governmental Affairs Institute, undated

Henry Goverts Verlag, 1961

Grabow, Bart, 1957

Grace Church in Salem, 1958

Graf, Burket E., 1962, 1963

Graff, Marjorie S. (Mrs. Robert D.), 1963

Graham Gallery, 1961, 1962, 1963

James Graham and Sons, 1953, 1957

Graham, John, 1958, 1959

Ansley Graham's Galerie Intime, undated (see also: Galerie Intime)

Grail Center, undated

Grail Council of Christian Culture, 1958

Gramling, Mrs. David C., 1956

Grammar, George, undated, 1951, 1957-1958, 1968

Grand Central Art Galleries Incorporated, 1930-1933, 1935, 1939-1941, 1944-1949, 1955, 1957-1958

Grand, Mrs. J. H., 1959

Grand Rapids Art Gallery, undated, 1935- 1936, 1940, 1943, 1950, 1953-1956, 1959, 1961-1963

Grand Union Co., 1964

Graner, Ben and Melanie, 1958

Granick, Max, 1952, 1969

Granitz, Robert, 1957

Grant, Earle Wilkin, undated, 1937, 1949, 1956-1957, 1959-1963

Grantenstein, Jerome, 1959-1961

Graphis -- , 1960-1961

Graphische Sammlung Albertina, 1952, 1959 (see also: Albertina)

Graves, E. M., 1938

Gray and Rogers Advertising, 1946-1947

Gray, Cleve and/or Francine, undated, 1961, 1963-1964, 1969

Greason, Don, 1962

Greason, Mrs. E., 1959

Great Britain, Arts Council of (see: Arts Council of Great Britain)

Great Neck Cultural Center, 1963

Great Neck Education Association, Inc., 1953

Great Neck Public Schools, 1961

Great Neck Storage Co., Inc., 1960

Greeley, Bernice, 1965

Green, Mrs. A. Rodger, 1963

Green, Adolph, 1959, 1962, 1964

Green, Shirley L., 1968

Greenbaum, Edward S., 1948

Greenbaum, Wolff and Ernst, 1933

Greenberg, Caral Gimbel, 1959

Greenberg, Edward F., 1956

Greenberg, Hank, 1949

Greenberg Insurance Agency, 1959

Greenblatt, Jerome, 1953

Greene, Balcomb, 1939

Greene, Barbara (Mrs. Robert N.), 1958

Greene, C. S., 1965

Greene, Charles A., 1951

Greene, Gerda and/or Jerome L., undated, 1965-1967

Greener, George C., 1939

Greenfield, Elizabeth M. (Mrs. Albert N.), 1953-1954

Greenlund, Paul T., 1959

Greenspan, George, 1953, 1958, 1960, 1968

Sidney Greenspan and Company, 1961

Greenstein, Betty, 1963, 1967

Greenstone, Marion, 1963

Greenwich House, 1940

Greenwood Gallery, 1958

Gregg, John, 1946

Gregory, William D. II, 1954

Gregory, Yolánde Wagner (Mrs. Wayland), 1936

Gregory's Old Master Gallery, 1962

Gregson, Mrs. Wilfred J., 1963

Greiff, Ivan, Jr., 1962

Greiner, John H., 1952

Grenell, Judith (Mrs. Horber), 1962

Gresser, Seymour, 1963

Greyhound Corporation, 1963

Greystone Press, 1966

Griffin, Charles Ray, 1959-1960

Griffin, Harry L., Jr., 1961

Griffing, Marjorie and/or Robert, undated, 1963, 1965-1967

Griffis, Stanton, 1935, 1938

Griggs, Mary, 1939

Grimes, Bob, 1966

Grinnell College, 1962

Grinnell Galleries, 1963

Grippi and Waddell Gallery, Inc., 1964-1965

Grippi Custom Framing, 1961, 1963

Grippi Gallery, 1962

Grippi, Nick, undated, 1967-1969

Griscom, William, 1940

Griswold, Merrill, 1949

Griswold, Samuel A., undated, 1940

Griswold, W.E.S., 1958-1959

Grode, Robert J., 1965

Grohe, Glenn, 1943-1944

Grolier Club, 1953

Grolier, Inc., 1963

Grolier Society, Inc., 1963

Groner, Duncan G., 1950

Gropper Art Galleries, 1966

Grosberg, Herbert L., 1968

Grosman, Eugene, 1957-1958

Grosman, Joseph A., 1969

Gross, Edith (Mrs. Michael), 1966

Gross, John, 1959

Gross, Joseph, 1964

Julian Gross Advertising Agency, 1946

Gross, Robert E., 1946

Gross, Zenith H. (Mrs. Sidney), 1955

Grosse, Joseph L., 1938, 1940

Grosser, Maurice, undated, 1939

Grossfield, Sylvia (Mrs. Moses), 1961

Grossman, Emery, 1957, 1964-1965

Grossman, Jacob, 1935

Grossman, Martin B., 1967

Grossman, Morton, 1954, 1960

Grossman Publishers, Inc., 1963

Grosso and Company, 1965-1967, 1969

Group Gallery, 1968

Grove Press, Inc., 1954, 1959-1960

Grover-Cronin, Inc., 1956-1958

Grover, Donald, 1966

Grubb, Dora E., 1944

Gruber, Irene, 1962

Victor Gruen and Associates, Inc., 1956-1957

Grum, Germaine, 1957

Grumbach, George J., 1970

Grundy, Kenneth, undated, 1960

Guaranty Trust Company, 1955

Guarenas Country Club, S.A., 1956-1957

Guest, Mrs. Lester, 1958

Guest, William, 1963

Guggenheim, 1928

Guggenheim, Irene R. (Mrs. Solomon R.), undated, 1934, 1937-1938

John Simon Guggenheim Memorial Foundation, undated, 1934, 1938, 1940, 1944-1946, 1949, 1955, 1959, 1961, 1963, 1968

Guggenheim, Peggy, 1947

Guggenheim, Mrs. Simon S., 1938

Solomon R. Guggenheim Museum, undated, 1952, 1955, 1958, 1960, 1962-1969

Guggenheimer and Untermeyer, 1932

Guglielmi, Anne and/or O. Louis, undated, 1952-1953, 1956, 1958

Guglielmi, Stephen, 1967

Guglietti, Bronia Avella, undated

Guild Hall, 1956-1957, 1960-1961, 1963, 1966-1968

Guild of Creative Art, 1963

Guildhall Galleries, Ltd., 1960, 1964

Guitar, Mary Anne, 1963

Gulbenkian Foundation, 1964

Gulf State Advertising, 1959

Gumberts, W.A., 1948, 1951-1952, 1954

Lawrence C. Gumbiner Advertising Agency, 1959, 1963

Gump's Gallery, 1956-1958, 1960-1969

Gurry, Edmund A., 1933-1934, 1938

Gurwitz, Mrs. P., 1968

Gury, Jeremy, 1966

Gussow, Alan, 1956, 1961, 1971

Gussow, Bernard, 1932

Gustafson, Ingrid, 1965

Guthman, Leo S., undated, 1951, 1953-1958, 1960-1965, 1967

Guthman, Lynne, 1959

Guthman, Robert, 1958

Gutmanis, Ivars, 1965

Gwinn, David Marshall, undated, 1949, 1954-1955

H. K. Press, 1961

Haas, David M., undated, 1969

Haas, Lillian Huschel, 1932-1934, 1949

Haas, Mrs. Robert, 1959

Haberman, Philip W., Jr., 1967

Hackert, Karl, 1957

Hackett, Albert and/or Frances Goodrich, undated, 1947-1949, 1959-1963

Hackley Art Gallery, 1955, 1958-1959, 1964

Hadad, Marie, 1952 (see also: Société Libanaise Hadad)

Hadassah, 1952, 1960, 1962, 1966

Haddad, A., 1963-1964

Haefelin, Joseph C., 1965

Hagedorn, Charles, 1961

Hagel, Raymond C., 1965

Haggerty, Margaret, 1967

Hahn Bros. Fireproof Warehouses, Inc., 1960, 1966

Haimes, Herman, 1959

Haith, Anne (Mrs. William), 1968

Hale, Mrs. B. B., 1952

Hale, Frank C., 1948

Halff, Robert, 1959

Hall, Clifton, 1931-1934

Hall, Emma Swan, 1963

Hall, George W., Jr., undated

Hall, Jane (Mrs. S. E.), undated, 1953

Hall, Nona (Mrs. Thomas L.), 1960-1961

Hall, Sidney, 1957

Hallberg, R. E., 1953

Hallmark Art Award, 1949, 1957

Hallock, Robert, 1957

Hallstrom, Alice E. (Mrs. John L.), 1954

Halperin, Nathan, 1956

Halpert, Edith Gregor, undated, 1935

Halpert, Samuel, 1928, 1930

Halsell, M., 1964

Halseth, Elmer, 1963, 1965, 1967-1968

Halvorsen, Mrs. Bjorn, undated

Ham, Ganz and Connors, 1946-1947

Hamelsky, Samuel, 1952

Hames, Martin, 1963

Hamilton and Hamilton, 1962, 1969

Hamilton, Art Gallery of (see: Art Gallery of Hamilton)

Hamilton College, 1960-1961

Hamilton, George Heard, 1959

Hamilton, Mrs. H. R., 1959

Hamline University, 1950

Paul Hamlyn Publishers, 1964

Hammer, Arthur, 1956, 1960-1961, 1964

Hammer Galleries, 1966

Hammer, Ruth, 1959

Hammerslough, Mrs. John, 1959

Hammett, Mrs., 1952

Hammond, George M., 1964

Hampton Institute, 1941, 1951

Han, Raymond, 1960

Handy Associates, Inc., 1956

Handy, William Christopher, undated, 1941

Hanes, R. Philip, Jr., undated, 1961

Hanley and Woodward, Inc., 1965

Hanley, Mrs. T. E., 1959-1960

Hanna, L. C., Jr., 1946

Hanselman, Mrs. Jay B., 1961

Hansen, John, 1964, 1967

Hanson, Bill, 1963

Hantman, Murray, 1953

Har Zion Temple, 1964

Harari, Hananiah, 1943-1944

Harborfields High School, 1964

Harcourt, Brace and Company, Inc., 1957

Harcourt, Brace and World, Inc., 1963, 1968

Harcum Heart Affair, 1950

Hardin, Eleanor, 1962

Harding, Magnus Swenson, 1961

Hardison, Sammy, 1962-1963

Hardman, B. Sanford, 1955

Hardt, Anton, 1953, 1955, 1967

Hardy, Katherine Shaffer (Mrs. Frank A.), undated, 1964

Hare and Coolidge Antiques, 1946

Hare, Channing, 1956

Hare, Elizabeth Lape, undated

Hare, Mrs. Meredith, 1934

Haring, Alma L., 1959

Harlem Book Company, 1948-1949, 1961

Harley, Margaret Stewart (Mrs. George B.), 1968

Harmon, Ernestine (Mrs. John E., Jr.), 1956-1957

Harmon, Lily, undated

Harnick, Carl, 1966

Harnsworth, Margaret, 1955

Margaret Harold Books, 1965

Harper and Brothers, 1951, 1955, 1961-1962

Harper, Sharon, 1965

Harper, W. B., Jr., 1953

Harper's Bazaar -- , 1949, 1955

Harper's Magazine -- , 1953, 1961

Marie Harriman Gallery, 1940

Harrington, Mrs. J. J., 1967

Harris, David, 1952, 1953, 1955-1957

Harris, Elizabeth Stedman, 1951

Harris, Mrs. J. Maynard, 1960

Harris, Joyce, 1967

Harris, Leon A., Jr., 1956, 1968

Harris, Paul R., 1959

Harris, Paul S., 1940

Harris, Ray, undated

Harris, Roger, 1958

Harris, Stanley J., 1963

Harrison, Anne B., 1964

Harrison, Carter H., 1932-1933

Harrison, Mrs. George R., 1961

Harrison, Mr. and/or Mrs. Gilbert A., 1964, 1966, 1969

Harrison, Preston, 1926-1932, 1934-1936

Harrison, Rex, 1957

Harrison, Mr. and/or Mrs. Wallace K., 1951, 1953, 1964

Harrod, Mrs. G. R., 1958

Hart, Mrs. Archibald, undated

Hart, George O. ("Pop"), 1933

Hart, Jeanne Overbury, 1964

Hart, Mira (Mrs. William), 1956

Hart, Moss, undated, 1941

Hart Publishing Company, 1964

Hartfield, Mrs. Daniel, Jr., 1965

Hartford Accident and Indemnity Company, 1950

Hartford, Huntington, 1967

Huntington Hartford Collection (see: Gallery of Modern Art)

Huntington Hartford Foundation, 1958, 1962

Hartnell, Bettie, 1968

Harwood, C. Marvin, Sr., 1965

Hatoff, S., 1965

Hartt, Frederick, 1950

Harvard University, 1953, 1956, 1962

Harvard University Press, 1957-1958

Harvey, Robert, 1963

Hasenbush, L. Lee, 1962

Hashisaka, Mabel, 1967

Haskell, Benjamin, 1956

Haskell, Ernest, Jr., 1966-1967

Haspel, Leo A., 1957

Hastings College, 1958, 1961-1962

Hastings House Publishers, Inc., 1956

Haswell, Mr. and/or Mrs. Anthony, 1949, 1952, 1962, 1965-1966

Hatch, John (Jerry) David, 1965

Hatfield, Dalzell and Ruth, undated, 1944, 1951

Dalzell Hatfield Galleries, 1949-1950, 1952-1953, 1955, 1958, 1962, 1964, 1966

Hauberg, John H., Jr., undated, 1949-1950, 1952-1953

Haucke, Frederick, 1953

Haupt, Mr. and/or Mrs. Ira, 1951-1952, 1956-1957, 1961

Haverford College, 1956

Haverstick, Iola S., undated, 1960

Hawaii Statuary Hall Commission, 1966

Hawaii, University of (see: University of Hawaii)

Hawes, Johnny, Jr., 1959

Hawley, Henry H., 1956

Hawthorne Co., 1940, 1942

Hayden, Jeffrey, 1966-1967

Hayden, Richard, 1948

Hayes, Alzada (Mrs. R.), 1957

Hayes, Bart and/or Clare, undated, 1959, 1965

Hayes, Helen, 1956, 1957

Hayes, M. Vincent, 1967

Hayes, Roland, 1941

Hayes Storage, Packing and Removal Service, 1939, 1941, 1943, 1945

Hayes Storage Warehouse, Inc., 1946, 1960, 1965, 1967

Haynes, Ken, 1955

Hays, Susan Pope (Mrs. Richard M.), 1957

Hayward, Mrs. John, 1956

Fernand Hazan Éditeur, 1968

Hazard, Patrick D., 1961

Hazelrigg, Hal, 1956

Heald, Caroline C., 1936

Heald, Mr. and/or Mrs. Gordon T., 1964

Heald, James Nicholas, II, undated, 1964, 1967

Heastand, F. D., 1945, 1947, 1953

Heath's Gallery, 1966-1967, 1968-1969

Hebald, Milton, 1956-1957

Hebrew University in Jerusalem, 1957

Heckscher Museum, 1962, 1964, 1967

Hedge, Eleanor H., 1958

Hedman, Mrs. A. F., 1955

Hedstrom, Olaf H., 1955

Heermann, Norbert, undated, 1952, 1958, 1961

Heffenriffer, R. F., 1941

Heffner, C. M., 1952-1953, 1955-1956, 1958

Hefley, Martha, 1956

Heibonsha Limited, 1961

Heidner, Esther M. (Mrs. Fred C.), 1961

Heil, Walter, undated, 1943

Heineman, Bernard [Jack], Jr., undated, 1951-1952, 1955, 1957, 1959-1960, 1962-1965, 1967

Heins, Frances (Mrs. John P.), 1969

Heinz, H. J ., II, 1958

Heinz, Mrs. H. J., 1954

H. J. Heinz Company, 1965

Heist, Dorothy (Mrs. Robert Kendrick), undated

Helena Public Schools, 1960

Heller, Ben, 1962

Heller Deltah Co., Inc., 1946

Heller, Mrs. Edward, 1953

Heller, Herbert C., 1959

Heller, Irene Fanae, undated

Heller, Lawrence, 1951

Heller, William B., 1961, 1963-1965

Hellman, Lilian, 1948, 1961-1962

Hellstrong, Louise, 1958

Helm, Mackinley, 1963

"HemisFair '68," 1968 (see also: "International Exposition, HemisFair '68")

Hemmenway, Catherine C., 1961

Hemmingsen, R. V., 1963

Hemmingson, Victoria, 1965

Henderson, Hanford, 1960

Henderson, Priscilla A. B. (Mrs. A. I.), 1934-1955

Henderson, Ray, 1956

Hendrick, Mrs. James Pomeroy, 1961

Heninger, Helen, undated, 1963, 1969

Henquet, Roger, 1948, 1965

Henri, Robert, 1926-1927

Henry, David T., 1964

Henry, Helen (Mrs. Charles), undated, 1949

Henry, James F., 1958

Henry Street Settlement, 1958, 1962-1963

Hentschel, R. A. A., 1951-1954

Hepburn, Katharine, 1952

Herbert, Elmer, 1962

Herbert, James D., 1962

Herider, Ed. L., 1961

Heritage Gallery, 1960, 1964

Herman, Stanley, 1964

Herman, Vic, 1968

Herring, Audrey L., 1964

Herrington, Nell Ray (Mrs. A. W. S.), 1962, 1965

John Herron Art Institute, undated, 1934, 1949, 1951, 1953, 1957-1958, 1962-1964, 1967 (see also: Art Association of Indianapolis; Art School of the John Herron Art Institute)

Hertslet, G. Gordon, 1962, 1966

Hertz, Richard C., 1965

Hertzberg, Stuart E., 1967-1968

Heschel, Mrs. Abraham, 1961

Hess, Elaine Marie, 1965

Hess, Mrs. Thomas B., 1954

Hetzel, Margaret deL. (Mrs. Joseph L.), 1948

Hewitt, Ada M., 1953

Edwin Hewitt Gallery, 1953

Heydenryk, Henry, 1954, 1960, 1964

Heynick, Carla Marian, 1965

Hickok, M., 1958

Hiddens, Mrs. Earl, 1952

Hiersoux, Arne, 1966

Hi Fi/Stereo Review, 1960

High Museum of Art, 1950, 1955, 1961-1962, 1965-1968 (see also: Atlanta Art Association; Atlanta Art Association and High Museum of Art)

Highway Antique Shop, 1954

R. Hill and Son, Ltd., 1960

Hill, Ralph Nading, 1952, 1962

Hille, Elise B., undated

Hille and Curran, 1954

Hilleman, Alex L., 1956

Hiller, Paula, 1962

Hilles, Mrs. Frederick W., 1956

Hillman, Mrs. Joel, II., 1960

Hillside Hospital Clinic, 1949, 1953

Hillstrom, Richard L., 1958, 1962, 1964-1965

Hilltop Theatre, Incorporated, 1952

Hilsenrath, Yakov R., 1965

Hilson, Catherine [Katy] and/or John S., undated, 1958-1959, 1961-1966

Himel, Irving, 1963

Himmelsfarb, Samuel, 1955

Hines, Felrath, 1961

Hinkhouse, Inc., 1960, 1964

Hirsch, B., 1961

Hirsch, E. W., 1954

Hirschberg, J. Cotter, 1956

Hirschl and Adler Galleries, Inc., 1958, 1960, 1963-1965, 1968

Hirschland, Dr. and/or Mrs. F. H., undated, 1959

Hirschland, Paul Michael, 1945

Hirschburg, Mrs. Roy, undated

S. A. Hirsh Manufacturing Co., 1966

Hirshberg, Henrietta, 1961

Hirshhorn, Mrs. Arthur, 1960

Hirshhorn, Joseph H., 1946, 1948, 1951-1954, 1956, 1960, 1963, 1965

Joseph H. Hirshhorn Collection, 1959-1960, 1962-1963, 1965-1966

Hirshhorn, Lily Harmon, 1960

Hirshhorn, Naomi Caryl, undated, 1963, 1967-1969

Hirtt, Edgar, 1959

Hitchcock, Alfred, 1944

Hitchcock, Henry-Russell, 1945

Hobbs, Henriette, 1964-1965

Hobby, Mrs. William T., 1958

Hobi, Inc., 1968, 1969

Hochberg, David R., 1959

Hochberg, Jack, 1965

Hochschild, Walter, undated

Hockaday, Mrs. I. O., 1955

Hodes, Scott, 1963

Hodge, John, 1953

Hodges, Charles, 1968

Hodges, Steve, 1968

Hodgins, Eleann Treacy (Mrs. Eric), 1949-1950, 1953, 1960

Hofer, Philip, undated, 1948-1949

Hoff, Margo, 1954

Hoffberg and Oberfest, 1965

Hofflander, Jack, undated

Hoffman, Arthur J., 1941

Hoffman Fuel Co., Inc., 1966-1969

Hoffman, Mrs. H., 1953

Hoffman, Mrs. Lewis, 1957-1958, 1961

Hoffman, Louis, 1950, 1952

Hoffning, Hilda, 1953

Hofmann, Werner, 1961

Hofstra College, undated, 1956

Hofstra University, 1963-1964

Hogan, Carroll Edward, 1952, 1956, 1958, 1966-1967

Hogg, Ima, 1956-1957

Hoiles, Bee S., 1961

Hokin, Edward, 1952

Holabird and Root, 1948

Holabird and Root and Burgee, 1951

Holbrook, Alfred H., 1946-1951, 1953

Holbrook, Hollis, undated, 1963

Holbrook, Leona, 1949

Holcomb, Grant, III., 1967

Holden, C. Edwin, 1965

Holdridge, Barbara, 1960

Holes-Webway Co., 1967

Holiday, 1958, 1963

Holland-Goldowsky Gallery, Inc., 1960

Hollister, Paul, Jr., 1960

Holm, Marjorie M., 1957

Holman, Bud, 1955

Holman, Mrs. Cranston, 1961

Holmes, James S., 1963

Holmes, John, 1958

Holmes, Mary Jane, 1956

Holt, Mary B., 1955

Holt, Rinehart and Winston, Inc., 1962, 1967, 1969

Holt, Virginia (Mrs. Benjamin), undated, 1959

Hol[?]off, Alfred D., 1946

Holway, Martha, 1953

Holy Name Parish, 1960

Home and Hospital of the Daughters of Israel, Inc., 1951

Home Indemnity Company, 1955

Home Insurance Company, 1952

Hong Kong City Hall Gallery, 1963

Honig, Victor, 1968

Honolulu Academy of Arts, 1947-1948, 1959-1967

Honolulu Chamber of Commerce (see: Chamber of Commerce of Honolulu)

Honolulu Star-Bulletin, undated

Hooper, Mrs. Arthur U., 1955

Hoopes, Donelson F. and/or Ginny, undated, 1964

Hooten, Bruce, 1959

Hoover, Clara, 1955

Hoover, Lavergne Marcus, 1965

Hoover Processed Letters, Inc., 1958

Hope, Henry Radford, 1944, 1957, 1961

Hope Historical Society, 1956

Houston Museum of Contemporary Art, 1957 (see also: Contemporary Arts Museum of Houston)

Hopkins Center, undated

Hopkins, Harry L., 1934

Hopper, [illegible], undated

Hoppin Bros. and Co., 1954

Hoppin, Laurette K. (Mrs. Bayard C.), undated, 1952

Horizon -- , 1958

Grace Horn Galleries, 1938

Horne, Archibald C., 1933, 1935

Horne, Lena, 1958

Karen Horney Clinic, 1956-1957

Hornung, Clarence P., 1956

Horosko, Marian, 1963

Horowitz, Aren, 1963-1965

Horowitz, Mrs. Arnold, undated

Horowitz, Melvin S., 1968

Horrochs, Carol L., 1965

Horter, Elizabeth Lenz (Mrs. Earl), 1956, 1962, 1968

Horton, Miles G., Jr., 1957

Horwitch, Mrs. Arnold H., 1962

Hoskins, Beatrice (Mrs. Arthur), 1964

Hostetler, David, undated, 1964, 1967

Hotel and Club Voice -- , 1966

Hotel Publications, Inc., 1948

Hotel Statler, 1959

Hotel Winslow, 1964

Houghton, Arthur A., Jr., 1954

Houghton-Mifflin Company, 1962, 1965-1966, 1968-1969

Hound and Horn, Inc., 1933

Hourwich, Mr. and/or Mrs. George Kennan, 1956, 1967

Housatonic Valley Conference Incorporated, 1941

House and Garden -- , 1941, 1947, 1952

House Beautiful -- , 1952, 1958, 1963

House, Grossman and Vorhaus, 1933-1934

House of H. Heydenryk, Jr., 1956

House of Photography, Inc., 1956

Housen, Mildred (Mrs. Stanley Xavier), undated, 1946

Housse, C., 1958

Houston Artists Gallery, undated, 1958

Howard, Bessie J., 1935, 1960

Howard, Humbert, 1959

Howard, Jude (Mrs. William L.), 1961

Howard Savings Institution, undated, 1967

Howard, Sidney, 1937

Howard University, 1945

Howard, Mrs. W. L., Jr., 1958

Howarth, Shirley, 1965

Howe, Bruce, 1964

Howell, Joseph A., 1964-1965

Howell, Soskin, Publishers, Inc., 1944

Howell, W. H., 1952

Howells, William, 1944

Howes, John, 1965

Howland, Isabella, 1963

Houston, Norman O., 1948

Hryby, Peter, 1964

Hu, Gilman K. M., 1964

Hubbard, Barbara (Mrs. Earl Wade), 1958-1959, 1961

Hubbell, J. W., Jr., 1967

Huberman, Benjamin, 1967

Hudson, Mrs. Barclay M., 1945

Hudson, Mrs. C. Blaffer, 1962

Hudson, Edward R., Jr., 1968

Hudson Finishing Corporation, 1963

Hudson Fixtures, 1965

Hudson Forwarding and Shipping Co., Inc., 1934

J. L. Hudson Company, 1949, 1957-1959, 1962-1963, 1965, 1968

Hudson Painting and Decorating Co., Inc., 1963

Hudson, Richard, 1962

Hudson Shipping Co., 1965

Huffnagle Press, 1958

Hughes, Langston, 1948-1949

Thomas J. Hughes Construction Co., Inc.,1951

Hull, University of (see: University of Hull)

Hulse, Wilfred C., 1953, 1959-1960, 1962

Human Relations Council of Greater New Haven, Inc., 1966

Hume, J. H., 1966

Hunt, D. H. W., 1942

Hunt, Dorothy, 1942

Hunt Methodist Church, 1963

Hunt, Raymond H., 1940

Hunter College, 1967

Hunter, Sam, 1968

Hunter, Vincent C., undated, 1965

Huntington, Christopher, 1963

Huntington Galleries, Inc., 1952

Huntington, Nell, 1962

Huntington, Patricia S. (Mrs. John W.), 1960

Hurd, Frank E. and/or Lita, 1949-1952, 1955, 1963-1967

Hurley, Zita (Mrs. James E.), 1953

Hurok, S. (see: Dinner in Tribute to S. Hurok)

Hurtt, Clyde, 1959

Hurvitz, Nathan, 1963

Robert S. Hurwitz Advertising, 1962

Hurwitz, Max, 1952

Hussar, L., 1960

Hutchins, Mr. and/or Mrs. Curtis M., undated, 1958, 1965

Hutchinson, Mitchell, 1967

Hutzler, Esterlee, 1945-1947

Hyatt, Kenneth, 1934

Hyde, Candice (Mrs. Hugh), 1964

Mrs. Louis F. Hyde Collection, 1944

Hydeman, Albert, 1959

Hyman, Rubin, 1952

Hyman, Sigmund M., 1962-1963, 1966, 1968

Hyperion Press, 1943-1945

Ide, John J., 1957

Ideas, Inc., 1954

I. F. A. Galleries, Inc., 1960, 1966-1967

Ikonogenics Incorporated, 1963

Illinois Bell Telephone Co., 1966

Illinois Institute of Technology, 1962

Illinois State University, 1965-1966

Illinois, University of (see: University of Illinois)

Illinois Wesleyan University, 1941, 1947, 1948, 1950, 1952

Imbody, Ellen M. (Mrs. John Edwin), undated, 1960, 1961

Immigration and Naturalization, 1946

Imprimerie Union, 1964

Independent Credit Company, 1946

Indiana State Teachers College, 1960

Indiana University, 1941-1944, 1946-1947, 1949-1952, 1956-1958, 1960-1961, 1963-1964, 1967-1968

Indianapolis Art Association (see: Art Association of Indianapolis, Indiana)

Indianapolis Contemporary Arts Society (see: Contemporary Arts Sopciety, Indianapolis)

Industrial Home for the Blind, 1961

Ingenue -- , 1964

Ingersoll, Anna, 1942

Ingersoll, Mr. and/or Mrs. Ralph Sturgis, undated, 1933-1934, 1940-1942, 1950-1951

Ingle, Mrs. I. Paul, 1958

Ingraham, David, 1941

Ingraham, Marjorie, 1964

Inland Steel Research Laboratories, 1967

Institute of Contemporary Art, Boston, 1948, 1951-1962, 1965

Institute of Contemporary Arts, Washington, D. C., 1955, 1964

Institute of International Education, 1956, 1961

Institute of Modern Art, Boston, 1939-1943, 1945-1947

Institute of Physical Medicine and Rehabilitation, 1959-1960

Instituto Grafico Tiberino, 1962

Instructor -- , 1966

Insurance Company of North America, 1962-1963

Interboro Elevator Company Incorporated, 1940

Intercollegian -- , 1959

Intercultural Publications, Inc., 1956

Interior Space Design, 1961

Internal Revenue Service, 1936, 1956, 1959, 1961-1966 (see also: U.S. Treasury, IRS)

International Advertising Council, Inc., 1960

International Antiques Exhibitions and Sales, Inc., 1956

International Art Galleries, Inc., 1960

International Business Machines Corporation (IBM), 1943, 1945, 1952, 1958-1960, 1964

International Center for Typographic Arts, 1965

International Directory of Arts, 1960, 1962-1963, 1966

"International Exhibition of Sacred Art," 1961

"International Exposition, HemisFair '68," 1967 (see also: "HemisFair '68")

International Gallery, Inc., 1964

International Graphic Arts Society, 1961

International Journal of Religious Education, 1962

International Political Advisory Council, Inc., 1964

International Publishers, Inc., 1954-1955

International Rescue and Relief Committee, 1948, 1959

Intourist, 1959

Iolani Palace, 1962

Iowa State Teachers College, 1956

Iowa, University of (see: University of Iowa)

Iowa Wesleyan College, 1957

Iredale Storage and Moving Company, 1954, 1956

Ireys, John, 1959

Iris Cleaners and Launderers, 1968

"Irish Exhibition of Living Art," 1963-1964

Irving, Flora (Mrs. Michael), undated

Irving Galleries, undated, 1964-1966

Irvington House, 1957

Isaacs and Bernstein, Inc., 1964

Isaacson, Joseph D., 1941, 1963

Isaacson, Philip M., 1967

Iselin, O'Donnell, undated, 1934, 1939-1945, 1947-1948, 1952-1953, 1956, 1963

Isenberg, Julie (Mrs. Norman), 1963-1964

Isham, Lea C. (Mrs. Lincoln), undated, 1934

Israel, Bob and Susan, undated

Israel Consulate General, 1964

Israel, Embassy of (see: Embassy of Israel)

Israel Government Office of Information Service, 1963

Israel Institute of Technology, Inc., 1958

Israel, Mrs. Justin, undated

Israel Ministry of Education and Culture, 1966

Israel Museum, 1965-1968

Israel, R. A., 1967

Israel, Robert, 1967

Israeli Independence Ball, 1963, 1968

Israeli, Nathan, 1961

Italian Information Center, 1962

Ito, Miyoko, 1954

Itoh Gallery, undated, 1962, 1965, 1967-1968 (see also: Gallery Itoh)

Ives, Byron G., 1952

Ivyside Gallery, 1961

Izbicki, Raymond, 1967

Jacks, Grant L., Jr., 1953

Jackson, Mrs., 1964

Jackson, Katherine G. (Mrs. Andrew), 1951

Jackson, Martha K. (Mrs. David S.), 1946, 1948-1949, 1962

Martha Jackson Gallery, 1954, 1961

Jackson, Martin, 1955

Jacob, Joseph A., 1963

Jacobi, Arnot, undated, 1942

Jacobi, Lotte, 1964

Jacobs, Gilberta (Mrs. Martin), 1963

Jacobs, Jack S., 1959

Jacobs, Mr. and/or Mrs. Martin D., 1963

Jacobs, Marvin, 1962

Jacobs, Mrs. S. Allan, 1964

Jacobs, William K., Jr., 1962, 1964

Jacobson, Raymond I., 1968

Jacobson, Mrs. Walter, 1941

Jacobson's Fine Arts, 1963

Arthur Jaffé Heliochrome Company, 1959

Jaffe, Henry, 1952

Jaffe, Irma B., 1967

Jaffe, Mildred, 1949

Jaffe, Mr. and/or Mrs. Sam, 1949, 1953

Jaffe, William B., 1952-1953, 1956

Jagendorf, M., 1938

Jager, Mrs. Eric H., 1957-1958

James, Chris B., undated

James, D. L., 1937

James, Mrs. Marquis, 1942

James, Oliver B., 1946-1949, 1951-1954

James, Olivia (Mrs. Bayard), 1936

James, Rebecca Salsbury, 1961

Jamison, Juanita M. (Mrs. James E.), 1942

Janis, H., 1956

Janis, Martin, 1934, 1948, 1953

Janis, Sidney, 1941-1942, 1962

Sidney Janis Gallery, 1954-1955, 1958

Janney Machine Corp., 1965

Janson, H. W. (Pete), undated, 1945-1946

Janss, Edwin, Jr., 1963

Janus -- , 1967

Japanese Ambassador, 1966

Jaretski, Mr. and/or Mrs. Alfred, Jr., 1957, 1964

Jarislowsky, Otti Elizabeth, 1964

Jarislowsky, Mr. and/or Mrs. Stephen A., undated, 1953-1954, 1955, 1957-1958

Jarocki, Barbara, 1966

Jay-Thorpe, Inc., 1946

Jedel, Harrison, 1961

Jefferson, Cyrus M., 1960

Jefferson Gallery, 1965-1969

Jefferson Place Gallery, 1961

Jeffries, Frances A. (Mrs. Lawrence), 1961

Jennings, 1942

Jennings, Elizabeth McNeal, 1953

Jennings, Oliver B., undated, 1940, 1943-1944, 1958

Jensen, Amy La Follette and/or Howard, undated, 1962, 1963

Georg Jensen Co., 1955-1957, 1962

Jensen, Lawrence N., 1958

Jensen Productions, 1962-1963

Jergens, Mary E. (Mrs. Andrew), 1955, 1956

Jessar, Gayle and/or Ralph Alfred, 1958-1960, 1962-1963

Jessup, Inc., 1950

Jessup, Mrs. John C., 1951

Jette, Edith K. and/or Ellerton M., undated, 1959-1960, 1964-1965

Jewell, Edward Alden, 1932-1934, 1937, 1941, 1947

Jewish Art Center, 1956

Jewish Center of Buffalo, Inc., 1955-1956

Jewish Community Center of Bayonne (see: Bayonne Jewish Community Center)

Jewish Community Center of Bridgeport, 1968

Jewish Community Center of Elizabeth, 1960

Jewish Community Center of Harrison, 1961

Jewish Community Center of Milwaukee, 1958-1961

Jewish Community Center of Greater Washington, 1959

Jewish Community Center of Worcester, 1965

Jewish Community Center of Youngstown, 1952, 1958

Jewish Community Centers of Cleveland, 1950, 1953

Jewish Federation and Council of Greater Kansas City, 1946

Jewish Frontier -- , 1959

Jewish Heritage Foundation, 1961, 1963-1964

Jewish Museum, 1948, 1953, 1956, 1959, 1962-1967

Jewish National Fund, 1947

Jewish Social Services Agency, 1967

Jewish Theological Seminary of America, 1947-1948, 1963, 1966

Jewish Voice -- , 1958

Joel, Anne H., 1967

John-Frederics, Inc., 1942

Johns, Mrs. Walter T., 1959

Johnson, Ann C., 1960

Johnson, Alden P., 1959

Johnson, Mrs. Bruce, 1967

Johnson, C. K., 1943, 1956

Johnson, Carl, 1963

Johnson, Charles W., 1966

Johnson, D. Robert, 1965

Johnson, Dorothy, undated, 1966-1967

Johnson, Elaine Louise, 1952

Johnson, Esther (Mrs. J. S.), 1955, 1960

Johnson, Floyd, 1951

Johnson, Mrs. Frederick W., 1960

Johnson Galleries, 1955

Johnson, Henry R., 1955

Johnson, Hugh, 1935

Johnson, President and/or Mrs. Lyndon B.,1964-1965

Johnson, Paul, 1934

Johnson, Philip C., undated, 1950

Johnson, Mr. and/or Mrs. Robert S., 1960, 1964

Johnson, Ruth Carter (Mrs. J. Lee, III), undated. 1966-1967

Johnson, Mr. and/or Mrs. Seward, 1955, 1960

Johnson Wax Collection, 1967

Johnston, Dorothy M., 1953

Johnston, Mary E., 1942

Johnstone, D. Gordon, 1968

Jones, 1958,

Jones, Alfred E., Jr., 1951-1952

Jones and Erwin, Inc., 1941-1942, 1950

Jones, Anne, 1963

Jones, Barbara, 1967

Jones, Dorothy J., 1963

Jones, Mr. and/or Mrs. E. Powis, 1949, 1951

Jones, Mr. and Mrs. Edward Paul, 1950

Jones, Frances Bird (Mrs. Charles S.), 1964

Jones, Helen M. (Mrs Everett H.), 1957, 1959-1962, 1964, 1967

Jones, Mrs. John Leddy, 1956

Jones, John M., 1944-1945

John Price Jones Corp., 1948

Jones, Joyce, 1958

Jones, Leslie, 1955

R. B. Jones and Sons Inc., Insurance, 1946

Joost, Nicholas, 1959

Jordan, E., 1958

Jorgulesco, Mrs. Jon, 1962

Josebler[?], Ronald, 1952

Josende, Leo P., 1956

Josephson, Matthew, 1960-1961

Josey, Verda, 1952

Joslyn Art Museum, 1955, 1959-1968

Joslyn Memorial Art Gallery, 1941-1942, 1949

Journal American -- , 1958

Journal Press, 1957

Joyner, J. Brooks, 1968

Judaism, University of (see: University of Judaism)

Judis, Bernice, 1951

Judlin Typerwriter Service, 1968

Juhl, Finn, 1963, 1966

Julian, Ira and/or Ruth, undated, 1963, 1966, 1968

Julliard School of Music, 1940-1941

Jungmeyer, Edith and/or Jack, Jr., undated, 1955, 1961, 1967

Junior Art Gallery, Incorporated, 1952, 1955-1957, 1960-1961, 1963

Junior Art Museum of the Des Moines Art Center, undated

Junior Council of the Museum of Modern Art, undated

Junior League of the City of New York, Inc., undated

Junior League of Mount Kisco, New York, Inc., 1956

Jurgens, John Albert, undated, 1952

Jurin, Benjamin M., 1953

Kaastra Gallery, 1955

Kacheigis, George J., 1951

Kachurin, Leon, 1961

Kacmarcik, Frank, 1960-1961

Kadison, Lily (Mrs. Milton), undated

Kaerwer, Barbara M. (Mrs. Howard E., Jr.), 1958

Kaganovitch, Max, 1956

Kahane, Melanie, 1958-1960

Kahn, Albert, 1937

Kahn and Co., Inc., 1966

Kahn, Anita, 1964

Kahn, Mrs. Arthur, 1964

Kahn, Charles L., 1960

Kahn, Edmund J., 1947-1949, 1956-1960, 1963

Kahn, Mrs. Gilbert, 1951

Kahn, Jacob P., 1960

Kahn, Milton, 1959

Kahn, Olivia, undated

Kahn, Robert I., 1963

Kahn, Sol J., 1962

Kahr, Mrs. Sidney, 1961

Kaiser, I. Howard, 1953

Kalamazoo College, 1963

Kalamazoo Institute of Arts, 1940-1941, 1943, 1955, 1960-1962, 1966-1967, 1969

Kalens Fine Arts, 1958

Kalil, Ford A., Jr., 1963

Kamath, Eugenie, 1962

Kamens, Irvine, 1955

Kaminiski, Josefa, 1955

Kamperman, George, 1938, 1941-1943

Kampermann, Mrs. Ike, 1961

Kander, Allen and/or Juanita N., undated, 1957-1960

Bernice Kandel and Associates, 1961

Kane, L. M.,1949

Kanegis Gallery, 1958

Kanin,Garson, 1942

Kanof, Abram and/or Frances, undated, 1949, 1951-1952, 1955, 1959-1960, 1963-1967

Kansas City Art Institute and School of Design, 1932, 1948-1950, 1960, 1962-1963

Kansas City Public Library, 1964

Kansas Institute of Art, 1933

Kansas State University, 1962

Kansas, University of (see: University of Kansas)

Kantor, Paul, undated, 1956, 1966-1967

Paul Kantor Gallery, 1955-1957, 1959-1960

Kanzler, Mrs. Ernest, 1941

Kaplan, Alice and/or Jacob M., undated, 1959, 1962, 1967

Kaplan, Bernard, 1958

Elayne Kaplan Gallery, 1966

Kaplan, Julian M., 1957-1959

Kaplan, Mrs. Morton, 1967

Kaplan, Phil, 1961, 1964

Kaplan, Richard, 1968

Kaplansky, M. B., 1959-1965, 1967

Kaplin, Tom, 1959

Kapp, David, 1951

Kardon, Janet and/or Robert, 1959, 1961, 1963

Karfiol, Bernard and/or Margaret, undated, 1937

Karfiol, George, undated

Karidis, Jerome, 1955

Karner, Walter, 1963

Karnes, Marilyn, undated, 1960-1961

Karolevitz, Robert F., 1969

Karolik, Maxim, undated, 1950-1952, 1954-1955

Karsh, Estrellita and/or Yosuf, 1966-1968

Karter, Lawrence B., 1960-1961, 1963

Kasmin Limited, 1964

Kass, Fred L., 1967-1968

Kassan, Elizabeth, 1965

Kastelas, Milton, 1955

Kastor, Hugo, 1950, 1952-1953

Katonah Gallery, 1956-1957, 1961-1963, 1966

Katz, Karl, undated, 1967

Katz, Rosalie K., 1957, 1965

Katz, William, 1961

Katzman, Herbert, 1953-1954

Katzman, Sidney, 1956

Kauder, Warren G., 1967

Kaufman Art Gallery, 1952

Kaufman, Beatrice, undated, 1942

Kaufman, Dorothy, 1966

Kaufman, Mrs. George S., 1932, 1942-1943

Kaufman, Max, 1956

Kaufmann Department Stores, 1956

Kaufmann, Edgar, Jr., 1940, 1958, 1962

Kaufmann, Steven N., 1957, 1965

Kavanaugh, Mrs. Dunn, 1951

Kawakami, Dan, 1967

Kawakami, Keija, 1969

Kay, Jane E., undated

Kayden, Mr. and/or Mrs. Herbert J., undated, 1951, 1954, 1956, 1966-1967

Kaye, Earl W., 1960

Kaye, Harold, 1955-1957, 1963

Kaye, Mort, 1956

Kaz, Kaye, 1968

Kaz, Nathaniel, 1941

Kealiinohomoku, Joanne, 1960

Kealiinohomoku, Thomas, 1960

Keating, Mary Aubrey, 1935, 1942, 1945

Keating, T. W., 1959

W. R. Keating and Co., 1959, 1962, 1964-1966

Keck, Caroline K. and/or Sheldon, undated, 1949-1952, 1954-1959, 1961

Keefe, Mrs. W., 1941

Keesling, Mrs. Francis V., Jr., 1961

Kegel und Konietzko, 1966

Keighley, Mrs. William, 1953

Keiser, Nancy Lee (Mrs. R. K.), 1964

Keiter, Richard. 1942

Keith, Paul, 1964

Robert Keith Furniture and Carpet Company, 1941-1942

Kellenberg, Harry, 1956

Keller, Graeme (Mrs. Erwin), 1964

Keller, Mrs. Joseph M., 1960

Kelley, Chapman (see: Atelier Chapman Kelley)

Kelley, Dorothy, 1951

Kelley, Theron L., 1952

Kelley, William Muir, 1952

Kellner, Mary, undated, 1943

Kellogg, Marion B., undated

Kelly, Andrew, 1933, 1947

Kelly, Anna L., 1929-1932, 1935, 1938-1939 (see also: Mrs. John D. Rockefeller, Jr.)

Kelly, Anne, undated, 1937-1938

Kelly, Daniel M., 1964

Kelly, Harriet (Mrs. Stephen Eugene), 1956-1957

Kelly, Leon, 1955

Kelly, Lillian and/or Stephen, 1955

Kelly, Sarah Hunter, 1966-1967

Kelly, Tom, 1967

Kelly, Mrs., 1957

Kem, James M., 1940

Kemeny, Arpad, 1953

Kemper, William T., Jr., 1954, 1956-1958, 1960, 1963-1965

Kempner, May (Mrs. I. H., Jr.), 1964-1965

Kemsley Newspapers Ltd. of London, 1956

Kende Galleries, Inc., 1946-1947

Kennebec Valley Art Association, 1965-1966

Kennedy, Edward, 1961

Kennedy Galleries, Inc., 1962, 1968, 1970

Kennedy, George C., 1957

Kennedy, Hattie Weir and/or John H., 1955-1956

Kennedy, J. M., 1934

Kennedy, Jane Robson, 1956

John F. Kennedy Center for Performing Arts, 1965

Kennedy, John H., 1955-1956

Kennedy, William, 1966

Kent State University, 1967-1968

Kentucky Guild Art Train, 1961

Kentucky Guild of Artists and Craftsmen, 1961

Kentucky, University of (see: University of Kentucky)

Kerby, Robert E., 1964

Kerner, Richard, 1956

Kerrigan, Anthony, 1956

Kerwin, Madeline, 1941

Ketterlinus Lithographic Manufacturing Company, 1955

Kety, Josephine G. (Mrs. Seymour S.), 1963

Key Productions, Inc., 1965

Kiam, Victor, 1961

Kieghley, William, 1949

Kiko Galleries, 1967

Killiam, Walt, 1962

Kincaid, William Wallace, 1941

Kindlers Malerei Lexikon, 1965

King, Mrs. Alexander, 1963

King, Alice (Mrs. Ivan), undated, 1960

King and Higham, Inc., 1941

King and Weese Studios, 1956

King, Hazel, 1946

King Korn Stamp Company, 1964

King, Vincent G., 1964

King, Virginia, undated

King, William, 1952-1953

Kingman, Betty, 1963

Kingsley, Carter R., 1947

Kingstein, Jonah, 1953

Kinnicutt, Francis P., 1937, 1958-1959

Kinyer, James M., 1958

Kinzel, Carol, 1952, 1956

Kiplinger Tax Letter, 1951

Kiplinger Washington Letter, 1960

Leonid Kipnis Gallery, 1955

Kipp, Roy Frank, 1946

Kipper, Katrina, 1952

Kirk, Katherine, 1961

Kirk, Phyllis, 1961

Kirkbride-Bradley Art Gallery, 1962

Kirkwood Motel, 1955

Kiro, Nadia (Mrs. Boris M.), 1958

Kirsch, Dwight, 1941, 1948, 1953, 1958, 1960

Kirsch, John, 1952

Kirstein, Lincoln, 1943-1944

Kislova, L., 1960

Kissin, Eve (Mrs. Benjamin), undated

Kitchener, David, 1965

Kiyokawa, Taiji, undated, 1962

Klass, Enid, undated, 1966-1969

Klawans, Harold L., Jr., undated

Kleeman Galleries, 1941

Kleeman, Henry, 1941

Kleeman-Thorman Galleries, Ltd., 1934

Klein, Eileen Ina, 1960

Klein, Harris J., 1968

Klein, Jerome, 1958, 1961, 1966

Klein, Louis, 1956

Klein, William J., 1966

Kline, Art, 1968

Kling, Ken, 1946

Kling, Roger, 1965

Knapp-Monarch Company, 1956

Knauber, Alma Jordan, 1948

Kneeland, Henry T., 1956

Kneznek, S. N., 1964

Knickerboch, D., Sr., 1956

Knight, Betsy, 1965

Knipschild, Robert, 1952-1954

M. Knoedler and Co., Inc., undated, 1932, 1939, 1941-1945, 1949, 1951-1954, 1956-1957, 1960, 1967-1968

Hans Knoll Associates, 1947, 1956, 1959

Alfred A. Knopf Incorporated, 1948, 1954, 1957, 1960, 1962, 1964

Knopf, Paul M., 1966

Knopp-Hunter Galleries, 1956

Knowlton, Monique, 1964

Knox, Katharine McCook, 1962, 1965

Knox, Mabel Isabel (Mrs. Alexander), undated, 1934

Knox, Seymour H., 1939, 1940, 1961, 1966

Seymour H. Knox Foundation, 1963, 1967

Kobler, Virginia, 1962

Koch, John Paul, 1966

Koch, Pyke, undated, 1960

Kochen, Anna M., 1959

Kodansha Famous Artists Schools, 1968

Kodner, Martin, 1959

Koenig and Bachner, 1958

Koenigsberg, Harry L., 1964-1967

Kogel, George, 1957

Mel Kohler Interiors, 1966

Kohn and Kohn Antiques, 1951

Kolarsey, Lynne, 1963

Kolker, Judith R. (Mrs. Jonathan W.), 1966

[Kollech?], Teddy, undated

Kolmar, Richard, 1950

Kolodin, Irving, 1960

Kolten, Frances, undated

Komor, Mathias, 1961

Komroff, Susan, 1961

Kondon, Vana E., 1968-1969

Kondrat, Hope N., 1967

Konrad, Olga, 1965

Kook, Edward, 1946-1947, 1953, 1955-1956, 1963

Kootz, Jane and Samuel, 1960

Samuel M. Kootz Gallery, Inc., undated, 1956-1958, 1963

Kopeman, Benjamin, 1937

Kopp, Helen, 1945

Kopp, Sidney S., 1941-1942

Kopplin, Hermann Martin, undated

Korda, Mrs. C. W., 1956

Korff, Sally, 1960

Korman, Barbara, 1957

Korman, Marvin, 1960, 1963

Kornblau, 1958

Korody, Erica, 1960

E. J. Korvette, Inc., 1964

Koshiba, H. T., 1936

Koven, Gustav H., 1961

Kowal, Jan S., 1956

Kozlow, Richard, undated, 1955

Kramer, Harold J., 1963, 1969

Kramer, Helen Kroll and/or Milton Lurie, undated, 1945-1946, 1950, 1953, 1955, 1958, 1961-1968

Kramer, Hilton, 1968

Kramer, Howard, undated

Kramer, Joseph L., 1964

Kramer, Robert, undated, 1962, 1965

Kramer, William Mortimer, 1962-1963

Krannert Art Museum, undated (see also: University of Illinois)

Krass, Mrs. Nathan, 1934

Kraus, Hans, 1968

Krause, Gertrude Ruth, 1962

Kraushaar, Antoinette, 1956-1957, 1965

Kraushaar Galleries, undated, 1934, 1945, 1948-1949, 1959, 1960-1962, 1964-1965

Kream, Marilyn, 1966

Krechniak, Mrs. J. M. (Helen Bullard), 1959

Kreeger, Carmen M. and/or David Lloyd, 1965-966

Kreger, Mary S. (Mrs. Henry L. F.), 1963

Kreiselman, Marian, 1959

Krentz, Adelaide S., 1960

Krentzin, Earl, 1959

Kress, Mrs. Walter H., 1958

Kreutz, Irving, undated, 1958

Kreutzer, Palma C., 1965

Kreymborg, Alfred J. and/or Dorothy, undated, 1962, 1966-1968

Kriebel, Charles, 1959

Kriegler, Joseph, 1962, 1967

Krim, Mrs. Arthur O., 1967

Kriz, Mrs. E. R., 1933

KRIZ Radio, 1966

Krogh, Elden, 1958

Borris Kroll Fabrics, Inc., 1958, 1961, 1967

Kroll, Hammond, 1941-1942

Kroll, Leon, undated, 1933-1935, 1953

Kronenberg, Bernard, 1956

Krook, Bernice, 1960, 1962

Kropf, Julius, 1953

Krug, Harry, 1967

Kruidnier, David, 1955, 1961

Kruik, Arie B., 1953, 1958

Kryzytski, Halina, 1959

Kryzytski, Serge, 1959

Kuh, Katharine, 1954, 1961-1966

Kuhl, Orville J., 1959

Kuhn, Hedwig Stieglitz, 1963

Kuhn, Margaret M. (Mrs. William R.), 1942

Kuhn, Walt, 1946

Kuhne, James, 1934, 1935

Kuipers, R., 1960-1961, 1969

Kuleck, Mrs. Sanford, 1957

Kulicke, Barbara, 1956

Kung, David, undated, 1962

Kunic, Helen M. L., 1969

Kuniyoshi, Sara and/or Yasuo, undated, 1941-1942, 1953-1954, 1957, 1963-1964, 1967

Kunstadter, Sigmund W., 1956

Kunstneres Hus, Norway, 1953

Kunstsammlung Nordrhein-Westfalen, 1963

Kuntz, Adelaide, 1933

Kuntz, Mrs. Charles, 1960

Kuntz, Joseph J., 1965

Kuntz, Robert M., Jr., undated, 1961

Kupferman, Lawrence, 1943, 1947

Kurson, Phyllis (Mrs. Kenneth Morse), 1957-1958

Kurtz, Alice H. (Mrs. J. Roland), 1939

Kurtz, Olga, 1967

Kusama, Yayoi, 1957, 1959

Kutak, Robert J., 1967

Kutela, Mary, 1962

Kutztown State College, 1963

Kwalleh, Nancy, 1966

Labor, Department of (see: Department of Labor)

La Caille, Joan, 1964

Lachaise, Isabel P. (Mrs. Gaston), 1952-1953

Lacy, Joseph H., 1955

Ladies' Home Journal -- , 1949, 1954

La Fase, Sam, 1958

La France Industries, 1944

La Guardia, Fiorello H., 1934-1935, 1941

Laisy, Emily (Mrs. Albert W.), undated

La Jolla Art Center, 1957-1958, 1960-1961, 1965-1968

Lake, Frederic E., 1963

Lakeview Center for the Arts, 1965

Lakin, Millicent, 1965

Laliberte, Norman, 1962

Lamb, John A., 1962, 1967

Lamb, Mildred H. and/or Paul, undated, 1927, 1933-1935, 1938-1940, 1948-1949, 1956, 1958-1959, 1961

Lambert, Mrs. J. Wooster, 1933

Lambert, Mrs. W., 1933-1934

Lampard, Marie T., 1963

La Napoule Art Foundation, 1955, 1964

Lancaster, Presley, 1957

Landau-Alan Gallery, 1968-1969 (see also: Landau Gallery; Alan Gallery)

Landau, Barry and Bobby, undated

Landau Gallery, 1951, 1955-1965

Landau, Mimi (Mrs. Gerald), 1965

Landgraff, Edna R., 1958, 1960

Landegren, Michael E., 1934

Albert Landry Galleries, 1960, 1968

Landy, Lynn (Mrs. Richard), 1964, 1965

Lane, Alvin S., 1965-1966, 1968-1969

Lane, Saundra and/or William H., undated, 1952-1969

Lanepee, Ernestine, 1957

Lang, H. Jack, 1955

Lang, Mary and/or Sylvan, 1948-1949, 1952-1953, 1955-1960, 1962-1963, 1966

Langford, Mrs. George, 1958

Langman, Anne W., 1957-1958, 1960

Langman, Lynn, undated

Langman, Nan, 1957

Langmuir, Peter B., 1965

Langston, Bryant W., 1961

Lanier Business Products, 1972

Lannan, J. Patrick, 1967

Lansen-Naeve Corp., 1963

Lansford, Alonzo, undated

Lansing Storage Company, 1960

Lansky, Maurice, 1967

Lanyon, Ellen, 1954

Lape, Esther Everett, 1945

La Port, R. J., 1964

Lariar, Laurence, 1954

Larkin, Oliver W., 1951, 1959

C. J. La Roche and Company, Inc., Advertising, 1951

Larsen, Karsten, 1953-1954

Larsen, Peter, 1953

Larsen-Roman, Lucy, 1959

Lasker, Mrs. Albert D., 1961

Lasser, Denise (Mrs. Richard), 1966

Lassiter, Barbara B. (Mrs. Frederic H.), 1967

Lassiter, Charles K., 1956

Lathan, Emily, 1963

Latner, Albert J., 1968

Muriel Latow Gallery, 1955

Laucke, Anthony, 1958

Laughlin, Alice D., 1946

Laughlin, Ann, 1957

Laughlin, Mrs. James, 1959

Laurent, Mimi and Robert, undated, 1945

Laurents, Arthur, 1956

Lauter, Robert S., 1961

Lavaggi, R., 1958

Lavaty, Frank A., 1955

Laveman, Joseph D. and/or Portia W., 1946, 1950, 1953, 1955-1957, 1959

Lavenson Bureau of Advertising, Inc., 1964

Lavenson, Jay, 1956

LaVenture, William B., 1963, 1965-1968

Lawrence, Eliot, 1956

Lawrence Gallery, 1960

Lawrence, Jack, undated, 1950, 1956-1957, 1959-1968

Lawrence, Jacob, 1953

Lawrence, Kay, 1960

Lawrence, Leonard H., 1964

Lawrence-Myeden Foundation, 1964

Lawrence, Paula, undated, 1961

Lawrence, Richard H., undated

Lawrence, Ruth (Mrs. James C.), 1965

Lawrence, Sandra, undated

Sarah Lawrence College, 1957, 1959

Lawrence, Seymour, 1956

Laws, Joan, 1959

Lawson, Adele, 1952-1953

Layton Art Gallery, 1932

Layton School of Art, 1955, 1958

Lazarnick, George, 1962

Lazarow and Co., 1967

Lazarus, Fred, Jr., 1950

Lazarus, Nancy, 1951

Lea, Wesley, 1953

Leach, Mrs. Ford H., 1957

Leaf, Milton, 1942

League in Aid of Crippled Children, Inc., 1952

Leahy, Richard G., 1961-1962, 1965-1966, 1968

Leahy, Sarah G., 1961

Leahy's, 1967-1968

Leamon, J. Thomas, 1963

Leavitt, Hart, 1969

Leavitt, Thomas, 1961, 1968

Lebovitz, Sue (Mrs. Herman C.), 1965

Leckay, Myron, 1934, 1943-1944

Le Corbeiller, Jean, 1959

Lederer, Lucy, 1958

Albert R. Lee and Co., Inc., 1946, 1952-1954, 1956, 1961-1964, 1966

Lee, Amy Freeman, 1952

Eva Lee Gallery, Inc., undated, 1960-1968

Lee, Mrs. Henry, 1957

Lee, Mr. and/or Mrs. Herbert C., 1960, 1964, 1966, 1968

Lee, Marshall, 1965

Lee, Sherman E., 1941, 1942

Tom Lee, Ltd., 1956-1957

Lee, Toomey and Kent, 1964

Leeds, Lawrence, 1934

Leepa, Allen, 1959

Leepa, Harvey, 1963

Leeper, Blanche and John Palmer, 1956-1967

Lefkowitz, Louis J., 1965

Lefort, Warren G., 1958 Lege, Frances Snowden (Mrs. Frederick M.), undated, 1967

Lehigh University, 1951, 1954-1955, 1962

Lehman, Mrs. Arthur, 1956

Lehman, Elliott, 1961

Lehman, Lucille, undated

M. Lehmann, Inc., 1957

Lehmbruck, Manfred, 1966

Lehtonen, L., undated

H. Leiber Company, Inc., 1952

Leibold, Mrs. Carl, 1932-1933, 1940

Leibold, Frank, 1966

Leicester Galleries, undated, 1958-1962, 1964-1967

Leigh, David I., 1965-1966

S. D. Leisdorf and Co., 1968

Lekus, Max, 1959

Eleanor LeMaire, Inc., 1955-1959, 1961, 1963

Lemann, Bernard, 1934

Lenert, Belle, 1934

Lenin and Mitchell, Inc., Advertising, 1947

Lennen and Newell, Inc., 1959

Lenney, Annie, 1967

Leofanti Studios, 1958

Leonard, Esther, 1963

Leong, James C., 1957, 1960

Leopold, Eunice R. (Mrs. Irving H.), undated, 1965

Lerner, Abraham, 1960

Lerner Photography, Inc., 1968

Lerner Publications Company, 1965

Lescase, William, 1962

Leslie, G. D., 1936

Leslie, Warren, 1961-1962

Lesser, Mrs. Julius, 1964

Lesser, Marjorie F., 1962, 1964

Lesser, Sol, 1962

Lester, Lee, 1964

Lethbridge, Rodney, 1954

Leval, Fernand, 1960

Levenson, Claire B. (Mrs. Joseph), 1967

Leventhal, Lucille, 1961

Leventon, Vladimir, 1953

Levi, Arch C., 1959

Levi, Corrado, 1959

Levi, Julian, 1953, 1955, 1957-1958

Levi, Thyda H. (Mrs. Robert H.), undated, 1962

Levick, Irving and/or Mildred, 1959, 1961-1963

Levick, L. E., 1965

Levin, Mrs. E. E., 1956

Levin, Herman, 1932

Levin, Hoke and/or Maxine, undated, 1951, 1954, 1956, 1958-1959, 1962-1963

Levin, Mrs. Isadore, 1956

Levin, Martin, 1963

Levine, Helen G. (Mrs. Lawrence M.), 1967

Levine, Herbert, 1957-1958

Levine, Jack and/or Ruth, undated, 1939, 1949, 1953

Levine, Max, 1957

Levine, Saul, 1959

Levine, Seymour, 1961

LeViness, W. Thetford, 1961

Levinger, Mr. and/or Mrs. Paul, 1960, 1963

Levinson, Edwin D., 1952

Levitt, Irving and/or Shirley, undated, 1957, 1962-1965

Levitt, Marvin, undated, 1957- 1958

Mortimer Levitt Gallery, 1948

Levonius, Irma (Mrs. Charles K.), 1963

Levy, Mrs. David M., 1941-1942

Levy, Esther L., 1958

Gaston Levy Studios, Art Restoring, 1966

Levy, Mrs. Gustave, 1961

Levy, Herbert S., 1957

Levy, Jane, 1958

Levy, Jean and/or Julien, undated, 1958-1960, 1962, 1964

Levy, Jerome B. and/or Marion, 1967-1968

Julien Levy Gallery, 1936

Levy, Norman F., 1967

Levy, Norman J., 1956, 1961

Levy, Robert Charles and/or Rosalie A., 1957-1958, 1962

Levyne, Sidney, 1948

Lewandowski, Dolores and/or Edmund D., undated, 1941, 1953, 1958-1959, 1961

Lewbin, Hyman J., 1955-1956

Lewenthal, Reeves, 1944

Lewin, Albert, 1946

Lewin, Bernard, 1965

Lewin, Tobias, 1960

Bertha Lewinson Gallery, 1960

C. Russell Lewis Paint Stores, 1953

Lewis, Edward B., 1943

Lewis, Elizabeth C. (Mrs. Leslie L.), 1959-1960

Lewis, Francis H., 1946

Lewis, Harold, 1960

Lewis, Jerry D., 1934-1935

Lewis, Mrs. Madison H., 1950

Lewis, Robert Q., 1963

Lewis, Samuel, 1956

Lewis, Veronica, 1962

Lewisohn, Alexander, 1950

Lewisohn, Margaret F. and/or Samuel A., undated, 1941, 1947-1948, 1951

Lexington Stationery and Cigars, 1961-1963, 1965, 1968

Liba, Richard Dana, 1942

Libhart, Henry M., 1958

Librarie Galerie La Hune, 1955-1956

Library of Congress, 1941-1942, 1946, 1957-1961, 1966-1968

Libri Fabbri Ferrari, 1959

Libsohn, Sol, 1961

Lichten, Frances, 1951

Lichtenberg, Linda, undated, 1965

Lichtenstein, Mr., 1964

Lichtenstein, Frank H. and/or Sarah Jane, 1950, 1954-1955, 1957, 1959

Lichtenstein, Mrs. Lawrence M., 1961

Liddle, Charles M., 1957

Liddy, Rita T., 1953

Lie, Jonas, 1934

Lieberman, Grace K., 1950

Lieberman, Nathan, 1930

Lieberman, William S., undated, 1964, 1968

Liberty Paint Supply Co., 1941

Liebhold, Franz, undated

Liebman, Alice M., undated

Liebman, Mrs. Charles, 1934

Liebowitz, Mrs. J. S., 1967

Liebowitz, Mrs. Robert, 1957

Liechty, Rod, 1962

Liehue[?], Aline M., 1934

Life -- , 1939-1940, 1954-1955, 1958-1960, 1963

Liggett, Richard A., 1960

Lighthouse, 1962

Lightolier, 1965-1966

Lilly, Joseph and/or Margaret, undated, 1934, 1944-1945, 1949

Lilly, Rita T., 1953

Limited Editions, 1945

Limited Editions Club, 1967

Abraham Lincoln High School, undated

Lincoln County Cultural and Historical Association, 1960

Lincoln National Life Insurance Co., 1966-1967

Lincoln Storage, 1953

Linden and Deutsch, 1965

Linden, Bella L. and/or Leonard, Jr., undated, 1963-1969

Lindenwood College, 1949

Linder, Mr. and/or Mrs. Bertram N., undated, 1962

Linder, H. F., undated, 1958

Linger Werke, 1966

Linnenkamp, Irmela and/or Rolf, 1964, 1965

Lionni, Leo, 1955

Lipman, Howard and/or Jean, undated, 1940, 1951, 1954, 1957, 1960, 1962

Lippincott, Benjamin E. and/or Gertrude, undated, 1934, 1959, 1962, 1964

Lipchitz, Jacques, 1959

Lipschultz, M. A., 1961

Lipson, David S., 1952

Lipson, Stuart, 1966

Lipton, Harold L., 1960

Lisa and David Co., 1962

Lishka, Julie, 1960

Liss, George M., 1968

List, Mr. and/or Mrs. Albert A., 1964-1966

Liszkowska, Janina (Nina), 1929-1932

Little, Brown and Company, 1958, 1965, 1968

Little, Emma H., 1953

Little Gallery, undated, 1956, 1957, 1959, 1961, 1966

Little Gallery Frame Shop, 1960

J. J. Little and Ives Co., Inc., 1960-1961

Little, Nina Fletcher, 1955, 1959

Little Red School House, undated

Little Studio Gallery, 1964

Littlefair, Duncan E., 1958

Livingston, B., 1934

Livre de Poche, 1966

Ljubljana Modern Gallery, 1965

Lloyd and McCarthy, Inc., 1945, 1949, 1950, 1952

Lloyd, Horatio Gates and/or Lallie, 1941, 1956-1958, 1963

Lloyd, Margaret H. (Mrs. Richard W.), 1963

Loccheim, Aline, 1952

Loch Haven Art Center, 1965-1966

Locher, Robert E., 1947, 1949, 1954

Locke, Alain, undated, 1929, 1941-1944

Locke, John, 1950

Locker, Theodore, 1964

Loeb, Mr. and/or Mrs. Henry A., undated, 1954-1955, 1959, 1963, 1965-1966

Loeb, Jane, undated

Loeb, Judy Krueger, 1968

Loeb, Louise, undated

Loeb, Richard A., 1941, 1943, 1949, 1954, 1956-1957, 1963

Loebl, Jerrold, 1958-1962

Loew, David L., 1949, 1955

Raymond Loewy Associates, 1957-1958

Lofstrom, James E. and/or Virginia, 1959-1961

Logan, Mrs. Joshua, 1965

Logan, Peter S., 1966

Logsdon, Mabel, 1953

Lohr, George, 1958

London Sunday Times -- , 1954 (see also: -- Sunday Times of London -- )

Loningo, Frances S. (Mrs. Hinton), 1956

Long Beach Island Foundation, 1964

Long Beach Museum of Art, 1960

Long Island Arts Center, Inc., 1964

Long Beach, City of (see: City of Long Beach)

Longchamps Restaurant, 1968, 1969

Look -- , undated, 1947-1949, 1951, 1954, 1964-1965

Loomis, Mrs. Alfred, 1961

Loper, James and/or Mary Lou, 1963

Lorillard, Mrs. S., 1960

Loring, Porter, 1947

Lortz, Richard, 1956

Los Angeles County Fair Association, 1953

Los Angeles County Museum, 1944, 1949, 1951, 1957, 1959-1965, 1967, 1968-1969

Los Angeles Municipal Art Department, 1965

Los Angeles Museum of Art, undated, 1934, 1936, 1939, 1944, 1949

Los Angeles Times -- , 1951

Lott, John S., 1961

Louccheim, Mrs., 1950

Louccheim, Walter C., 1955

Loud, Mrs. William C., 1958

Louisiana Art Commission, 1951

Louisiana State University, 1936, 1949-1950, 1953, 1964

Louisville, University of (see: University of Louisville)

Louvre Artists' Materials, 1950

Love, Howard O., 1961-1962

Low, Claire B. (Mrs. Frank H.), undated

Low, Sanford, 1959, 1960

Lowe, Fred W., 1956

Lowe, Harry, 1968

Lowenthal, Edith and/or Milton, undated, 1946-1947, 1949-1951, 1953, 1955-1958, 1960-1969

Julius Lowey, Inc., 1953

Lowis, Samuel, 1956

Lowney, P. J., 1940

Lowrey, John, Jr., 1961

Lubarsky, Ruth (Mrs. Lester), 1957

Lubin, Louis, 1957, 1967

Luce, Clare and Henry R. (Harry), 1950, 1962

Luce, Molly, undated

Luce-Romeike, 1964

Lucien, Edward, 1967

Lucini, Emilio, 1963

Luck, Robert H., 1965

Lucom, Bertha and/or David S., undated, 1957, 1965

Luddington, Mr. and Mrs. Nicholas L., 1963

Ludgin, Earle and/or Mary, undated, 1943-1945, 1948-1949, 1951, 1953-1954, 1957

Ludington, Wright S., undated, 1934, 1939, 1941-1948, 1950, 1952-1953, 1964-1965

Lueloff, Mrs. R. T., 1956

James Luer and Co., 1946

Luim, John R., 1963

Arthur S. Lukatch, Inc., 1947-1948, 1952, 1954

Irving S. Lukatch, Inc., 1946

Stanley Lukatch, Inc., 1946

Lukens, Savage and Washburn, 1954

Lulli, Antonio, 1965, 1967-1968

Lumenfeld, Mr. and Mrs. Norman, 1956

Lumet, Sidney, 1960

Lunde, Asbjorn, 1966

Lundeen, Lowell, 1966

Lupfer, Mrs. C.M., 1934

Luria, Milton, 1969

Lurie, Boris, 1957

Lurie, Frances H., undated, 1960

Lurie, Walter, 1948-1950, 1956

Luster, Hyman I., 1951

Lutheran Church in America, 1966

Lutheran Society for Worship, Music and the Arts, 1966

Lutheran Student Foundation, 1967

Lutzker, Marilyn, 1963

Lyman Allyn Museum, 1935-1936, 1956-1967

Kenneth Lynch and Sons, 1965

Lynch, William L., 1969

Lynes, Russell, 1946, 1961

Lyngby-Taarbaek Kommune, 1964

Lynn, James B., 1961, 1967

Lynnbrook Public Schools, 1957

M and M Transportation Co., 1968

M and R Directories, 1964

Maas, John, undated

MacAgy, Betty and/or Douglas, undated, 1963

MacAgy, Douglas, 1963

Macagy, Jermayne, 1958

Macagy, Jerry, 1956

MacAlister, Paul R., 1962

Macbeth Gallery, 1955 (see also: William Macbeth Incorporated)

Macbeth, Robert, 1933

William Macbeth Incorporated, 1935, 1943, 1951, 1953 (see also: Macbeth Gallery)

MacDonald, Kenneth, 1954

MacDougall, Ranald, 1959

Macdowell, John Henry, 1960

MacGibeny, Bruce, 1967

MacGregor, Robert M., 1957

Mach, Janet (Mrs. E. L.), 1967-1968

Machlin, Sheldon, 1963

Mack, Charlotte, undated, 1949, 1953-1954

Mack, Preston W., undated, 1965, 1967

MacKendrick, Lillian, 1955

Maclean's -- Magazine, 1960

Macmillan Co., 1969

MacMillan, Henry Jay, 1959-1960

MacMullen, Stanley L., 1954

Charles H. MacNider Museum, 1965-1969

Macomber and Company, Inc., 1956

MacPherson, James, 1965

R. H. Macy and Co., 1934, 1939, 1953

Mad Welshman's, 1956

Madeira, Louis C., IV, 1952

Mademoiselle -- , 1960

Madigan, Dick, 1966

Madigan, Podd, 1969

Madison College, 1959

Madison Credit Bureau, Inc., 1951

James Madison High School, 1935, 1965

Madison Square Garden Corporation, 1965-1967

Madlener, Mrs. Otto, 1961

Madson, Jack, 1958

Magazine Management Company, 1951

Magazine of Art -- , 1950

Magazine of Building -- , 1952

Magill, James P., 1957

Mahl, Claire, 1963

"Maid to Order" Maid Service, 1968

Maine Coast Artists, 1965, 1968-1969

Maine, Florene, 1951-1953, 1955

Maine, University of (see: University of Maine)

Mainichi Newspapers, 1953

Maitland, Mrs. Leslie M., 1932

Makler Gallery, 1960

Makler, Hope and/or Paul Todd, undated, 1958-1960

Malitsky Art Books, 1954

Mallach, Esther D., 1964

Malmö Museum, 1966

Malone, Adrian H., 1951, 1952, 1954

Malone, Lee, 1963

Malone, Robert R., 1967

Maloney, Vincent H., 1964

Malowe Robert, undated

Man, Levy and Nogi, Inc., 1961

Management Methods -- , 1954

Manchester College of Art and Design, undated

Mandel, Estelle, undated, 1951-1953

Mandelbaum, Robert A., 1966

Manealoff, Dorothy C., 1944

Manhassett Press, undated

Manhattan East -- , undated

Manhattan Moving and Storage, 1967

Manhattan Savings Bank, 1953

Manhattan Storage and Warehouse Company, 1951

Mann and Brown, 1961

Mann, Charles, 1960

Mann, Gerald C., 1956

Manning, Gordon P., 1956

Manuella, Frank R., 1967

Manus, Mrs., 1956

Manzelmann, Richard, 1967

Maon Hagalmud, 1965

Maple Heights, Inc., 1964

Marantz, Evelyn and Johnny, undated

Marantz, Mrs. Leon A., 1956

Marashack, Al, 1960

Marboro Books, 1960

Marc-Long Associates, 1962-1963

Marcus, Betty and/or Edward S., undated, 1950, 1952-1954, 1956-1959, 1963

Marcus, Edward, 1954, 1956-1957, 1959

Marcus, Laurence, 1957-1958

Marcus, Mrs. Leonard, 1957

Louis Marcus Corp., 1955

Marcus, Mary and/or Stanley, undated, 1946-1947, 1949-1953, 1955-1962, 1964-1965, 1967

Marcus, Mitchell, 1964

Mareck, George R., 1959

Maremont, Adele and/or Arnold Harold, 1945, 1955-1960, 1963

Margolis, Michael H., 1965

Margulies, Harold, 1961

Marien Historical Association, 1955

Marin, John C., Jr. and/or Norma, undated, 1947, 1960-1967

Norma and John C. Marin Foundation, Inc., 1958

Marion High School, 1952

Markewich, Robert, 1964

Marks, Claude, 1963

Marks, S. J., 1964

Markson, Annabelle and/or Yoland D., undated, 1955-1956, 1959, 1961, 1964

Markson, Joyce and/or Robert T., undated, 1952-1955, 1959-1961

Markson, Oscar, 1959, 1961

Markus, Henry A., 1964

Marlborough Fine Arts, Ltd., 1961

Marlborough Gallery, undated

Marlin, Edward, 1956

Marlowe, Marjorie, 1953

Marquand, Mrs. John P., 1941, 1948

Marquette University, 1961

Mars, Florence, 1954

Jordan Marsh Co., 1962

Marsh and McLennan, 1965

Marsh, Esther (Mrs. Stan), 1962

Marsh, Mrs. Reginald, 1955

Marshall, Becky (Mrs. E .J.), undated, 1958-1959

Marshall, Elizabeth, 1958

Marshall, H. James, 1958-1959

Marshall, Joseph, 1959

Marshall, Mary E. (Mrs. Ray A.), 1968

Marsteller, William A., 1964

Martin, Anna Bridgewater, undated, 1962

Martin, Anne, 1956

Martin, Mr. and/or Mrs. Easoni, 1950

Martinson, Joseph B., 1962

Marvel, Gladys (Mrs. Josiah), undated, 1956, 1960, 1964

Marvel, Lee, 1965

Marx, Allen, 1944

Marx, Harpo, 1944, 1947

Marx, Samuel A., 1951, 1956

Marx, Mrs. Samuel A., 1948

Maryland Institute, 1957

Maryland, University of (see: University of Maryland)

Maser, Herman G., 1963

Maslan, Mrs. Aaron L., 1958

Maslon, Mrs. Samuel, 1948

Mason, Mrs. Arthur, undated, 1960

Mason, Mrs. Clyde R., 1963

Massa, Robert F., 1939

Massachusetts Institute of Technology, 1950, 1959, 1960, 1968 Massachusetts State Association of Architects, 1958

Massachusetts, University of (see: University of Massachusetts)

Massalon Museum, 1954

Massie, Mr. and/or Mrs. Edward, 1955

Masters, A. Edward, 1964

Masters Mart, Inc., 1951

Masters, Steve, 1939

Mathews, Jean (Mrs. Irving), 1958

Mathias, James F., 1968

Matisse, Pierre, 1945

Matthews, Gene, 1962-1963

Matthews, Mrs. Norman, 1964

Mattos, Betty, 1956

Mattuck Museum, 1968

Matson, Mrs. Benjamin Philip, undated

Matsuoka, Isaac Jiro, undated, 1963

Mauze, Jean, 1953

Maxon, John, 1959

Maxwell Associates, Inc., 1960

Maxwell, Barbara, 1966

Maxwell Galleries, undated, 1945, 1959, 1963

May, Morton D., 1950-1951, 1953-1954

Mayer, Albert, 1933

Mayer Gallery, undated

Mayer, Jerome, 1960-1961

Mayer, Robert B., 1962, 1965

Mayers, John J., 1960, 1965

Mayo Association, 1953

Mayo Clinic, 1953

Mayo Hill Galleries, Inc., 1952-1956 (see also: Gaglione, Tom)

Mayor's Golden Anniversary Committee, 1948

Mayor's Office, 1934, 1941-1942

Maze, Laurence E., 1958-1959

Mazo, Sara, 1961

McAfee, Aaron, 1948

McAndrew, John, 1949, 1953

Mother McAuley Liberal Arts High School, 1967

McBride, Henry, 1933, 1935, 1955

McBride, Margaret, 1964

Robert N. McBride and Company Publishers, 1934

McCall's -- , 1954, 1967-1968

E. S. McCann and Son, Inc., 1965, 1966

McCauley, Jane, 1964

McCausland, Elizabeth, 1941-1942, 1955

McClain, Tom G., 1969

McClelland, Donald and/or Janet, undated, 1966-1968

McClintock, James I., 1960-1961

McClish, B. Douglas, 1967

McCormick-Armstrong Co., 1954

McCormick, Mrs. Cyrus, 1952-1953

McCormick, Mrs. Hamilton, 1933

McCormick, Michael H., 1955

McCracken, John, 1944

McCrone, E. E., 1946-1947, 1952

McCulloch, Edith L. (Mrs. Frank W.), 1955

McCurdy, Charles, 1958

McCutcheon, John T., 1933

McDermid, Alice C. and/or Ralph Manewal, undated, 1962

McDermid, Ralph M., undated

McDonald, Don and Janet, 1967

McDonald, Jill, 1969

McDonnell, Joseph A., 1961

McDowell, Obolensky, Inc., 1959

McElroy, Michael, 1950

McElwee, Mary L., 1956

McFadden Studio, 1964

McFarland, Jeanne E. (Mrs. Robert), 1964

McFee, Henry, undated, 1926

McGill - University of Montreal Art Exhibit, 1957-1958

McGinnis, Patrick B., 1960

McGonagle, William A., 1963-1964, 1967

McGowan, Kenneth, 1967

McGraw-Hill Book Company, undated, 1957-1958, 1960, 1964-1965, 1967

McGuire, William, 1959

McHue, John, 1957

McIlhenny, Henry P., 1958-1965

McInerney, William K., 1959

McIntyre, Robert, 1958

McIntyre, Mrs. Warren O., 1953

McInvaill, Harry, Jr., 1952

McKee, Mrs. G., 1954

McKim, William L., 1943

McKinley, Helen, 1946

McKinney, Roland, 1939, 1960

McKnight, Henry T., 1956

McLanathan, Richard, 1959, 1962

McLaughlin, John D., undated

Betty McLean Gallery, 1953-1954

McLeod, Archibald, 1967

McMahon, Audrey (Mrs. A. Philip), undated, 1967-1968

McMahon, Richard P., 1963

McMichael, Jeanne, 1959

McMillan, F. R., 1953

McNally, Mrs., 1948

Marion Koogler McNay Art Institute, 1954, 1956-1960, 1962-1964, 1966, 1968

McNitt, Frank, 1935

McNulty, Kneeland, 1966

McVickar, Polly, 1958

McVicker, J. Jay, 1951

McVitty, A. E., 1934

Mebel, Frederick R., 1963

Mechling, Ethel Love (Mrs. B. Franklin), 1958-1959

Medical Aspects of Human Sexuality, 1968

Medical Economics, Inc., 1967

Medical Press, Inc., 1952-1953

Medoff, Mrs. David, 1956

Medvin, Henry, 1968

Megill, Donald, 1962

Mehlman, Justine and/or Samuel, undated, 1965, 1968

Meigs, Mary, 1965

Meigs, Walter (Pete), undated, 1952, 1956-1958

Meilach, Donna Z., 1965

[Meir?], undated

Meiss, Millard, 1944

Meister, Mrs. A. A., 1959

Meklman, Justine and Sam, 1965

Melamed, Abraham, undated, 1959-1960, 1966

Melamed, Abraham and/or Hope Goodman, 1959-1960, 1962-1963, 1966

Melamed, Myron, 1968

Mellon Galleries, 1932-1934

Mellquist, Jerome, 1951-1953

Melnick, Mrs. Daniel, 1961

Melnick, Joseph L., 1963

Melrose Glass Co., 1965

Meltzer, Adele, 1935

Meltzer Gallery, 1957, 1961

Meltzer, Milton, 1966

Meltzer, Paul B., 1962

Memphis Academy of Arts, 1964

Mencken, Mrs. H. G., 1959

Mendoza, Don Eugenio, 1951

Mendoza, George, 1960

Mengeriel, Helene, 1935

Mennonite Church (see: General Council of the Menonnite Church)

Meo, Salvatore, 1956, 1958

Merck, Sharp and Dohme International, 1958

H. Merdinger and Co., 1963

Mergendahl, T. E., Jr., 1959

Mergentine, Charles, 1958

Mergentine, Marguerita, undated

Merians, S., 1968

Meriden Gravure Company, 1959

Meridian Area Associates, 1959

Merinoff, D., 1952

Charles E. Merrill Books, Inc., 1965

Merrill, Edys, undated, 1943

Merril, Victoria L. (Mrs. Edward A.), 1958-1959, 1961

Mersey, Marcia (Mrs. David), 1963

Messer, Thomas, 1956

Meta Mold Aluminum Company, 1954

Metcalf, Arthur G. B., 1958

Metcalf, Elizabeth P. (Mrs. Thomas), 1951, 1953

Methodist Church, 1967-1968 (see also: General Board of Evangelism of the Methodist Church)

Mètiers d'Art Caribbean Art Center, 1965

Metropolitan Broadcasting Television, 1963

Metropolitan Fair and Expo Authority, 1962

Metropolitan Lighting and Fixture Co., Inc., 1967

Metropolitan Museum of Art, undated, 1931-1935, 1938, 1942, 1945, 1948, 1950, 1953-1960, 1963-1970

Meyer, Charles A. and/or Suzanne S., 1965, 1967

Meyer, Heather, 1969

Meyer, Jeralyn P., 1962

Meyer, Marion (Mrs. O. G.), 1964

Meyer, Marjorie W., undated

Meyer, Mrs. Matthew A., 1967

Meyers, Charles, 1960

Meyers, Claire and/or Sidney, 1965, 1967

Meyers, Evelyn and/or Raymond R., 1953, 1956, 1961, 1967

Meyers, Lucille G. (Mrs. Philip M.), undated, 1960, 1962, 1968

Meyers, Muriel (Mrs. Lawrence A.), 1967

Meyers, Raymond, 1967

Meyersburg, Dorothy, undated

Meystre, Edith, 1957

Miami Museum of Modern Art, 1964-1965

Miami, University of (see: University of Miami)

Miceli, Antonio, 1965

Michael, Marie Louise, 1960

Michaels, Stan, 1958-1959

Michener, James A., 1961-1963

Michener, Mrs. James A., 1961

Michigan Art Education Association, 1960

Michigan State College, 1955

Michigan State University, 1955-1956, 1959-1960, 1964, 1967-1968

Michigan, University of (see: University of Michigan)

Middlebury College, 1951, 1957

Middleton, Howard, 1957

Midonick, Dorothy and/or Millard L., undated, 1962-1967, 1969

Midtown Galleries, 1945, 1949, 1955, 1960-1961

Midway Hardware and Electrical Co., 1945

Midwestern University, 1962

Midwood Industries, Inc., 1961

Mikelson's, 1955

Milam, John J., 1963

Milch Galleries, 1933, 1941, 1952, 1955, 1960-1962

Military District of Washington, Historical Properties Section, 1946

Millard, Charles W., 1965, 1968

Miller and Chevalier, 1962

Miller, Annette M. (Mrs. David H.), 1967-1969

Miller, Arthur, 1957

Miller Company, undated, 1945, 1947, 1952, 1956 (see also: Tremaine, Burton G., Jr., and/or Emily Hall)

Miller, Dorothy, 1956, 1961

Miller, Earl, 1955

Miller, Edgar B., 1959

Miller, Edward, 1968

Miller, Eleanor, 1955

Miller, Fred, 1962

Miller, Gladys N. (Mrs. Rudolph), 1963

Miller, Grace G. Macculloch, 1967

Miller, Mr. and Mrs. Harvey, 1962

Miller, Helen and/or Max, 1950-1951

Herman Miller Furniture Co., undated, 1952, 1956

Miller, Mrs. Lawrence K., 1962

Miller, M., 1949

Miller, Mary T., 1952

Miller, Mrs. Melvin, 1963

Miller, Mildred, 1958

Miller, Milton H., 1959

Miller, N. Richard, 1966-1967

Miller, Nancy K. (Mrs. Morris F.), 1967

Miller, Pamela B., 1962

Miller, Ronald W., 1963

Miller, Robert, 1953

Miller, Tracy, undated, 1965, 1967-1968

Millett, Martha R. and/or Stephen, undated, 1962-1963, 1967-1968

Millier, Sarah P., 1949

Milligan College, 1963

Milligan, George F., 1964

Milliken, Arthur, 1937-1938

Milliken, William A., undated

Millman, Edward, 1953, 1958, 1960

Mills, 1957

Mills College, 1949, 1960

Mills, Dorothy, 1960

Mills, Mr. and/or Mrs. Frederic C. L., 1963-1964

Mills, Jane Leffingwell (Mrs. Alfred G.), 1965

Mills, Richard L., 1953, 1955, 1960

Millsaps, Daniel, undated, 1962

Millstein, Irving, 1963

Milrad, Aaron M., 1967

Milter, Mildred, 1958

Milton, Abby R., undated

Milton College, 1965

Milton, Mrs. David, 1930-1931

Miltzlaff, M. H., 1964

Milwaukee Art Center, 1935, 1943, 1945, 1950-1951, 1953, 1955, 1957-1958, 1959, 1961-1968

Milwaukee-Downer College, 1960

Milwaukee Journal -- , 1968

Miner, Ann, 1968

Minginoursh, Nicholas, 1964

Ministry of Finance, Denmark, 1960

Minneapolis Institute of Arts, undated, 1950-1951, 1953-1957, 1959, 1961-1963,1967, 1969

Minneapolis School of Art, 1952-1953, 1961

Minneapolis Society of Fine Arts, 1960

Minnesota Education Association, 1961

Minnesota Historical Society, 1966

Minnesota, University of (see: University of Minnesota)

Minnick, Francis, 1954

Mint Museum of Art, 1952, 1964-1967

Mintz, Harry, 1954

Mintzes Contracting Co., Inc., 1955

Miro, Melissa, undated

Mirski, Aida and/or Boris, undated, 1947-1949, 1951-1963, 1965-1968

Misch, Robert Jay, undated, 1964-1965

Mishell, Helen (Mrs. Daniel R.), undated, 1961-1962

Mishler, Carlos M., 1956

Miskell, Ford F., 1966

Miss United States Pageant, Inc., 1956

Mississippi State College for Women, 1956

Mistner, Walter, 1956

Mitch, Miriam, undated

Mitchell, Richard, 1967

Mitchell, Sara Edwards, 1966

Mitchell-Smith, Mary, 1963

MKI Gallery, 1965-1966

Moak, Peter V., 1963

Mobile Galleries Company, 1963

Mobley, Mrs. Charles Arden, Jr., 1950

Mobley, Flora Y., undated, 1950

Mock and Blum, 1955

Mocsanyi, Paul, 1959

Modelleda, Mercedes, 1958

Modern Art Foundry, Inc., 1958, 1965-1966

Modern Art Gallery of Toronto, 1957, 1966 (see also: Gallery of Contemporary Art, Toronto)

Moderna Museet, Stockholm, 1963

Modernage Furniture Corp., 1935

Moe, Ole Henrik, 1955-1956, 1958

Moise, Adelaide M. and/or William L., undated, 1960-1967

Moldover, Aaron, 1955

Momentum (artists' group), 1954 (see also: Exhibition Momentum)

Arnoldo Mondadori Editore, 1969

Monmouth Museum, 1965

Monroe, Marilyn, 1957

Montclair Art Museum, 1934, 1935, 1951-1952, 1963, 1966, 1969

Montclair State College, 1959

Montgomery, Charles, 1949

Montgomery, L.A.D., 1953

Montgomery, Lucy (Mrs. Kenneth), 1958, 1963

Montgomery, Margaret K. (Mrs. Robert L.), undated

Montgomery, Mrs. Roger, 1952

Montgomery, Seymour, 1951

Montreal Museum of Fine Arts, 1953, 1964

Moore, Alice K., 1941

Moore, C. Elmer, 1966

Moore College of Art, undated, 1965

Moore, Dawn, 1952

Moore, Fanny H. (Mrs. Paul), 1943, 1948, 1950

Moore, Marian D., 1966

Moore, Marianne, 1959

Moore, Patricia, 1965

Moore, Richard D., 1965-1966

Moore, Robert N., 1961-1962

Moore, Winifred, 1964

Moorepark, Howard, 1938-1939

Moorman, Mr. and/or Mrs. Louis J., 1960

Moos Gallery, 1959

Moran, John A., 1964

Morgan and Bros. and the Manhattan Storage Co., 1959

Morgan, Harry M., 1966

Morgan, Lila (Mrs. James F.), 1965-1966

Morgan, Maud (Mrs. Patrick), undated

Morgan, Randall, 1961

Morge Delivery Company, Inc., 1945

Morgenthau, Mr. and/or Mrs. Henry, Jr., 1935, 1948

Morner, Hampus, 1952-1953

Morris, Don, 1962

Donald Morris Gallery, 1963, 1965-1966, 1969

Morris, Florence A., undated

Morris, George L. K., undated, 1951, 1953, 1958-1959, 1965-1966

Morris, Mrs. George Maurice, 1968

Morris, Robert M., 1967

Morris, Stephen V. C., 1967

Morris, Suzy, 1952

Morris, Willamene S. (Mrs. Herbert Cameron), undated, 1958

Morris, William H., 1965, 1966

Morrison, Don, 1964

Morrison, Elliot, undated, 1960

Morrison Street Gallery, 1958

Morse, Gene, 1962

Morse, Margaret (Mrs. McLennan), undated, 1961, 1964-1965

Morse, Peter, 1962, 1965

Morse, Richard E., 1958

Mortgage Corporation of New York, 1940

Mortimer, Frank, 1962

William H. Mortimer Co., Inc., 1962

Morton, Sophia P. (Mrs. Sterling), 1960

Moskowitz, Ira, 1963

Mosman, Warren T., 1952-1953

Moss, Aubrey L., 1958

Moss, Emanuel C., 1961-1962

Moss, Joe, 1965

Moss, Susan, undated, 1966

Mostel, Zero, 1963

Motive, 1949, 1966

Motor Club of America, Inc., 1954

Mount Holyoke College, 1943, 1949, 1953-1954, 1961

Moyen, H. M., 1952-1953

Muhlbert, Jan Keene, undated

Muhlenberg, C. H., Jr., 1947

Muhlenberg College, 1962, 1967

Mull, Jane A., 1954

Alexander Mulligan and Son, 1940

Mulligan, George, 1965

Mullins, Edward S., 1963

Mulvane Art Center of Topeka, 1950-1951,1959-1960

Mumford, Bryant, 1945-1946

Munch, Arthur C., 1959

Munger, Eleanor W., 1958

Munger, Pliny Fisk, 1946, 1959, 1962

Municipal Art Society of New York, undated, 1960

Municipal Museum of the City of Baltimore, undated, 1931-1932, 1938 (see also: Peale Museum)

Municipal Museum, Hague, 1964 (see also: Gemeentemuseum)

Municipal Museums of Amsterdam, 1950, 1956, 1959-1960 (see also: Stedelijk Museum)

Municipal University of Omaha, 1965

Munro, Alan, 1955

Munson Gallery, Inc., undated, 1959-1961, 1966

Munson-Williams-Proctor Institute, 1945-1947, 1950-1951, 1953-1963, 1965-1969

Munsterberg, Hugo, undated, 1943

Munsterberg, Peggy, 1944

Muramater, Honosuke, 1957

Murchison, John D., 1964

Murdock, Chloe, 1955

Murdock, Louise C., Estate of, undated, 1941-1942, 1945, 1947, 1949, 1951-1957, 1960-1961, 1965 (see also: Navas, Elizabeth)

Murphy, Grace E. Baislow (Mrs. Robert Cushwell), 1942-1943

Murphy, James P. J., 1955

Murray, Joan, 1957

Musée Cernuschi, 1962

Musé d'Art Juif, 1956

Museo Nacional de Arte Moderno, Mexico, 1965

Museu de Arte Contemporânea, Sao Paulo, 1963

Museu de Arte Moderna, Sao Paulo, 1956

Museum of African Art, 1964-1969 (see also: Center for Cross-Cultural Communication; Robbins, Warren M.)

Museum of American Folk Art, 1968

Museum of Art of Ogunquit, undated, 1952-1959, 1962-1963, 1968

Museum of Art of the Rhode Island School of Design, 1943-1947, 1950-1951, 1953, 1955-1956, 1966 (see also: Rhode Island School of Design)

Museum of Art, Science and Industry, Bridgeport, 1960, 1963-1966

Museum of Contemporary Art, Chicago, 1967

Museum of Contemporary Crafts, 1961, 1965

Museum of Cranbrook Academy of Art, 1944-1948, 1950, 1952-1955

Museum of Early American Folk Arts, undated, 1962-1963

Museum of Far Eastern Antiquities, 1962

Museum of Fine Arts, Boston, 1935-1944, 1946-1949, 1951, 1953-1969 (see also: School of the Museum of Fine Arts, Boston)

Museum of Fine Arts, Houston, 1931, 1935, 1953-1957, 1962-1963, 1965

Museum of Fine Arts, Springfield, 1942, 1944, 1963, 1966, 1969 (see also: Springfield Museum of Fine Arts)

Museum of International Folk Art, 1955

Museum of Irish Art, undated

Museum of Modern Art, undated, 1930, 1932-1935, 1938-1939, 1941-1944, 1946-1968

Museum of Modern Art, Junior Council (see: Junior Council of the Museum of Modern Art)

Museum of Modern Art, Kamakura, Japan, 1963, 1965

Museum of Modern Art, Miami (see: Miami Museum of Modern Art)

Museum of New Mexico, 1959, 1963

Museum of the City of New York, 1952, 1958

Museum Tel Aviv, 1954-1955

Museum, Texas Technological College, 1953, 1958-1960 (see also: Texas Technological College)

Museum voor Schone Kunsten, Ghent, 1964

Myden, Walter P., 1955, 1959, 1961, 1964-1965, 1967

Myer, Peter L., 1966

Myers, B., 1957

Myers, H. F., 1957

Myers, Jimmy, 1951

Myers, L. S., 1959

Myers, Mrs. Philip M., 1959

Myersburg, Dorothy, 1952

Myerson, Martin, 1959

Myrick, Burny, 1951, 1953

Mystic Seaport, 1955

Nadel, E. Eddy, Estate of, 1969

Nadler, Harry, 1958

Nakamura, Edward H., 1966-1967

Nantz, Martin, 1965

Napoule Art Foundation (see: La Napoule Art Foundation)

Nardgren, Oke, 1945

Narotzky, Norman D., 1957, 1959

Nash, Alice, 1963

Nash, Susan Higginson, undated, 1940-1941

Nasher, Patsy and/or Raymond D., undated, 1954, 1958, 1962-1965, 1967-1969

Nassau Galleries, Inc., 1954, 1956-1958

Nassaux, Frederic, 1968-1969

Nathan, Ann and/or Walter, 1964, 1968

Charles S. Nathan, Inc., 1965

Nathan, Mrs. Emil, III, 1965

Nathan, Emily S., 1943, 1953, 1958, 1960-1961, 1963

Nathan, Fred C., 1932

Nation -- , 1962

National Academy of Design, 1944, 1951

National Antiques Show, 1956, 1962, 1964-1965

National Art Education Association, 1962

National Art Museum of Sport, Inc., 1968

National Arts and Antiques Festival, 1965

National Association of Fine Arts Dealers, 1962

National Blank Book Company, 1960-1961

National Broadcasting Company, Inc., 1953, 1957, 1960-1961

National Carloading Corporation, 1952

National Collection of Fine Arts, undated, 1944, 1964-1969, 1974

National Council for United States Art, Inc., 1954-1955, 1961

National Council for the Arts and Government, 1956, 1962

National Council of Jewish Women, Inc., undated, 1955-1956, 1958-1959, 1963, 1965-1966

National Council of Jewish Women, Inc., Essex County Section (see: Essex Country Section, National Council of Jewish Women, Inc.)

National Council of Women of the United States, Inc., 1960, 1968

National Educational Television and Radio Center, 1964

National Foundation, 1961, 1962

National Gallery, Norway, 1961

National Gallery of Art, undated, 1940-1941, 1945-1946, 1948, 1950-1951, 1956-1958, 1961-1962, 1964-1965

National Gallery of Canada, 1953

National Gallery of Victoria, 1958

National Institute of Arts and Letters, 1951, 1953, 1956, 1958, 1961, 1964, 1966- 1967

National Jewish Hospital of Denver, 1959

National Museum, Sweden, 1950, 1960-1961, 1963, 1966

National Museum of Modern Art, Tokyo, 1954

National Portrait Gallery, 1965-1967

National Recovery Administration, 1933-1934

"National Religious Art Exhibition," 1964

National School of Fine Arts, Argentina, 1959

National Society of American Art, undated

National Society of Interior Designers, Inc., 1959

National Wholesalers Board of Trade, Inc., Ltd., 1931

Naval Air Material Center, 1953

Navas, Elizabeth S. (Mrs. Rafael), undated, 1939-1946, 1948-1949, 1951-1957, 1961, 1965 (see also: Murdock, Louise C., Estate of)

Nazareth College of Rochester, 1967-1968

NBC, undated, 1965

Neal, Quintin, 1966

Nebraska Art Association, 1939, 1953-1954, 1956, 1959, 1962-1963

Nebraska Congregational Conference, 1962

Nebraska, University of (see: University of Nebraska)

Necker, Claire, 1968

Negro Digest -- , 1951

Neikrug Galleries, Inc., 1967

Neilson, Winthrop, 1950

Neiman, Deana, undated

Neiman, Irmgard Hess, undated, 1965

Neiman, LeRoy, 1957

Neiman-Marcus, undated, 1962, 1967

Nelson, Blair, 1956

Nelson, C. E., 1965

Elizabeth Nelson Galleries, 1954

George Nelson and Company, Inc., 1959, 1961

Nelson, O. E., 1961-1962, 1968

William Rockhill Nelson and Mary Atkins Museum of Fine Arts, 1962-1963, 1965-1966

William Rockhill Nelson Gallery of Art, 1933-1934, 1936, 1940-1942, 1944-1947, 1951, 1953, 1955-1956, 1958-1960

William Rockhill Nelson Trust, 1933, 1937, 1965-1966

Nemser, Cindy, 1967

Ness, Harold B., 1958, 1967-1968

Nesse, Julius, 1967

Nesterman, Hy, 1960, 1963, 1965

Neuberger, Roy R. and/or Marie, undated, 1941-1942, 1945-1946, 1948-1949, 1951, 1953, 1955-1958, 1961-1968

Neuman, Hans, 1961

Neuman, Robert S., 1952

Neumann, Lotar, 1968

Nevada, University of (see: University of Nevada)

Nevis, Paul, 1958

New-Age Color Slides, 1956

New-Age Gallery, Inc., 1950-1951

New American Library of World Literature, 1953

New Britain Institute of Art, undated, 1942, 1965-1966 (see also: Art Museum of the New Britain Institute)

New Directions, 1951, 1957, 1961

New Gallery, undated, 1955-1956, 1961

New Haven Jewish Community Center, 1955, 1957, 1961

New Haven Railroad, 1968

New Jersey State Museum, 1946, 1950-1953, 1955, 1959-1961, 1963-1967, 1969

New Lincoln School, 1964

New Mexico, University of (see: University of New Mexico)

New Orleans Arts and Crafts Club (see: Arts and Crafts Club of New Orleans)

New Orleans Jazz Museum and Archives, 1966

New Republic -- , 1955, 1960

New, Robert H., 1963

New Rochelle Art Association, 1951, 1962

New School Art Center, 1964

New School for Social Research, 1952, 1955, 1960, 1962-1963, 1966, 1968

New York Board of Fire Underwriters, 1945

New York Central, 1965, 1967

New York Circulating Library of Paintings, Inc., 1952

New York City Board of Education (see: Board of Education of the City of New York)

New York City Board of Transportation (see: Board of Transportation of the City of New York)

New York City Center Gallery, 1955

New York City Commissioner of Borough Works, 1959

New York City Council for Art Week, Inc., 1941

New York City Department of Buildings, 1960, 1964

New York City Department of Commerce and Public Events (see: Department of Commerce and Public Events, New York City)

New York City Finance Department, 1937 (see also: City of New York, Department of Finance)

New York City Fire Department, 1966

New York City Mayor's Advisory Committee for the Aged, undated

New York City Police Department, 1964

New York City Sales Tax Division, 1943

New York City's 300th Anniversary, 1953

New York Committee for Stevenson, Kefauver and Wagner, 1956

New York Council to Abolish the House Un-American Activities Committee, 1961

New York County, County Clerk (see: County Clerk, New York County)

New York Dealers of American Art, 1957 (see also: Dealers of American Art)

New York Graphic Society, undated, 1956-1966, 1968

New York Guild for the Jewish Blind, 1956

New York Herald Tribune -- , 1959, 1961, 1963, 1966

New York Hilton, 1963

New York Hospital, 1956 (see also: Society of the New York Hospital)

New York Journal American -- , 1940, 1963

New York, New Haven and Hartford Railroad Co., 1966

New York Post -- , 1960

New York Psychoanalytic Institute, 1957-1958

New York Public Library, undated, 1933, 1950-1951

New York Shakespeare Festival, 1962

New York Star -- , 1948

New York State Art Teachers Association, undated

New York State College of Home Economics at Cornell University, 1945

New York State Council on the Arts, 1964-1966

New York State Department of Labor, 1962, 1964, 1967

New York State Department of Law, 1968

New York State Department of Taxation, 1956,1958

New York State Exposition, 1965-1966

New York State Fair, 1961

New York State Historical Association, 1949, 1956, 1960

New York Steam Corporation, 1941-1942

New York Studio School of Art, 1965

New York Telephone Company, 1940-1941, 1958, 1960, 1965

New York Times -- , undated, 1951, 1953, 1960-1965, 1967-1968

New York University, 1955, 1960, 1965-1966

New York University-Bellevue Medical Center, 1959-1960

New York World-Telegram -- , 1949

New York World's Fair Corporation, 1965

New York World's Fair, Department of Contemporary Art, 1939

New Yorker -- , 1950-1951, 1953, 1958, 1965, 1967

New Zealand Embassy, 1966

Newark Museum, 1935, 1940-1942, 1944-1946, 1949-1950, 1952-1954, 1958-1959, 1963- 1964, 1966-1968

Newberry, Joan, undated

Newberry, John S., Jr., 1945, 1949, 1951, 1961, 1964

Newcomb-Macklin Co., 1958

Newhall, Jennifer, 1967

Newhouse Galleries, 1940

Newman, Arnold, undated, 1943-1945

Newman, Dean, 1949

Newman, Lucille, 1962

Newman, Mrs. Philip, 1959

Newman, Rose, 1965

Newman, William A., 1968

Newman, Mrs. William T., 1962

Newport Harbor, Fine Arts Patrons (see: Fine Arts Patrons of Newport Harbor)

News Sentinel -- , 1966

Newsday -- , 1967

Newspaper Women's Club of New York, 1964

Newsweek -- , undated, 1942, 1950, 1954, 1956-1958, 1960-1961, 1965-1966, 1968

Newtown Bee -- , 1966-1968

Newtown, Conn. Board of Selectmen, 1957

Nichols, J. C., 1933-1934, 1937, 1939

Nichols, Marilyn A., undated, 1961

Nichols, Nicholas H., 1965-1966

Nickle, Robert, 1951

Nihombashi Gallery, 1965-1966, 1968

Nikkel, Vernon, undated, 1952, 1954, 1964

Nikko Co., Ltd., 1962-1963

Nilson, Mrs. R. A., 1964

Nipp, Francis S., 1953

Nippon Express, 1965

Nordness Gallery, undated 1958-1966

Norfolk Museum of Arts and Sciences, 1950, 1954, 1960-1961, 1965, 1967

Norman, Ben, 1965

Norman, Charles, 1966

Norman, Dorothy, 1946

Norris, Ben, 1962

North Alabama Missions, 1961

North Carolina Agricultural and Technical College (see: Agricultural and Technical College of North Carolina)

North Carolina Collectors, 1966

North Carolina Museum of Art, 1956-1957, 1960

North Carolina State Art Society, 1963

North Carolina, University of (see: University of North Carolina)

North Dakota, University of (see: University of North Dakota)

North Hills YM-YWHA, 1963

North, Phylis, undated

North Shore Arts Festival, 1957-1959, 1961

North Shore Child Guidance Association, Inc., 1957, 1967

North Shore Congregation Israel, 1958

North Shore Hospital, 1964

North Texas Museums Resource Council, 1967

Northeast, Irene, 1968

Northern Illinois University, 1960

Northern Trust Company, 1945, 1952-1953, 1955, 1957-1958 (see also: Smith, Solomon Byron)

Northern Virginia Fine Arts Association, 1965-1966

Northpark National Bank of Dallas, 1965-1966

Northrup, Guy, Jr., 1953

Norton, Ann and/or Ralph H.undated, 1941-1943, 1946-1948, 1952-1954, 1958

Norton Gallery and School of Art, 1941-1943, 1947, 1950-1953, 1956-1959, 1961-1968 (see also: Palm Beach Art Institute)

Norton, Marion S., 1952

W. W. Norton and Co., Inc., 1957

Norwegian Embassy, 1954 (see also: Embassy of the United States of America, Oslo)

Norwich Art School, 1957

Notre Dame University, undated, 1931 (see also: University of Notre Dame)

Noun, Louise R. and/or Maurice H., 1951-1952, 1960, 1962, 1965, 1968

Nugent, M. A., 1964

Nuland, Evelyn and/or William, 1969

Nu-Lite Corporation, 1959, 1966

Null, Mrs. Henry, 1965

Numero Gallery, 1962

Nunes, Gordon M., 1955

Nunsing, Stephan P., American Embassy, London, undated

Nusland, Dr., undated

Nydick, Irwin, 1960

Oakes, Audrey, 1961

Oakland Art Museum, 1964

Oakland University, 1966

Oberfest, Abraham, 1962, 1964-1968

Oberlin College, 1938-1939, 1942, 1944-1947, 1951, 1954, 1967

Obluck, Warren, 1966

Dale O'Brien Company, 1949

O'Brien, Mrs. Eugene, 1964

O'Brien, Libby, 1963

Occidental College, 1955

O'Connor, Cornelius, 1956

O'Connor, Francis V., 1968

O'Connor, John, Jr., 1955, 1958

Odol Chemical Corporation, 1965

Odom, Jaime N., 1953

Odorfer, Adolf, 1945

Oehlschlaeger, Frank J., 1946, 1954

Office Appliances, 1958

Office Management, 1953-1954, 1958

Office of International Information and Cultural Affairs, 1946

Office of Military Government for Germany (U.S.), 1948

Office of Special Service Headquarters, Camp Kilmer, N.J., 1943

Office of War Information, 1945

Charles Z. Offin Advertising, Inc., 1947, 1951, 1953, 1958, 1960, 1962-1964, 1966-1968

Ohannessian, Griselda, 1968

Ohio State University, 1953, 1958-1959, 1960, 1963

Ohio University, 1931, 1946, 1952-1954, 1958, 1964

Ohio Wesleyan University, 1954, 1956, 1958, 1960

Oi, Lam, 1967

Oka, Wilfred M., 1968

O'Keeffe, Georgia, 1946, 1952, 1954-1956, 1958, 1960, 1963-1964

Okeley, Edward, 1940

Okimoto, T., 1967

Oklahoma Art Center, 1946, 1967-1968

Oklahoma Printmakers Society, 1960

Old Town Galleries, 1969

Old Westbury Gardens, Inc., 1960

Oldfield, Otis, 1931

Olds, Elizabeth Fogg (Mrs. Lawrence B.), undated, 1963

Olds, Ella Raines (Mrs. Robin), 1951

Olin, Gladys, 1960

Olivia Associates, Ltd., 1967

Olsen, Fred, 1950

Olson, Elizabeth R. (Mrs. Reuben L.), 1954

Omaha Agricultural and Mechanical

College, 1957

Omaha Municipal Univeristy (see: Municipal University of Omaha)

Omnibook, 1949

120 Antiquities (see: Locher, Robert E.; Weyand, Richard)

O'Neill, Marie, 1960-1961

O'Neill, Terrence J., 1962

Ontario East Gallery, 1966

Openair Museum, 1962

Oplinger, Curt, 1955

Oppenheim Collins Co., 1958

Oppenheim, Donny, 1962

Oppenheimer, Arthur, 1946

Pabst Brewing Company, 1953

Paccassi, Virginia, 1946

Pace College, 1958

Pach, Walter, 1944

Pacific Art Review, 1942

Pack, Richard M., 1966

Packard, Artemus, 1931

Padawer Galleries, 1959-1960

Paddock, William, 1962

Padgett, Gail, 1967

Paepcke, Elizabeth and/or Walter P., 1949-1951, 1953, 1957, 1966, 1968

Page, Charles, 1962

Page, Homer, 1962

William A. Pahlmann Associates, Inc., 1964

Paine Art Center and Arboretum, undated, 1964

Paine, Ellen Lea (Mrs. Peter Standish), 1951

Paine, Stephen D., 1962-1963

Paitevin, Mercedes, 1969

J. Pak, Inc., 1962, 1963

Pakehita, Natenko, 1954

Palette Art Co., Inc., 1952, 1964

Paley, George E., 1959

Paley, Lillian, 1961

Paley, Mr. and/or Mrs. William, 1952, 1966

Pall, David B., 1966, 1968

Palm Beach Art Institute, 1962, 1964 (see also: Norton Gallery and School of Art)

Palm Beach Post -- , 1965

Palmer, Eleanor, 1965

Palmer, Fred L., 1960, 1963, 1966

Palmer, Hans C., 1964

Palmer, Herbert B., undated, 1966, 1968

Palmer House Galleries, 1958

Palmer, J. Wood, 1956

Palmer, Mrs. L., 1962

Palmer, Mary C. (Mrs. Gerald J.), 1962

Palmer, Roland S., 1930

Pan American Union, 1950

Pan American World Airways, 1958, 1964

Pandolfini, Joseph, 1940

Pantheon Books, Inc., 1954, 1961-1963

Paplanus, Samuel, 1953, 1962, 1964

Pappas, Louis, 1957

Pappenheimer, Louise B. (Mrs. Ralph), 1949-1950

Papsdorf, Fred, 1942

Parade, Inc., undated

Pare, Gladys R. (Mrs. Robert E.), 1953

Paris, Robel, 1952

Pariser, Susan M., 1961

Park, Arthur R., 1956

Park Gallery, 1951, 1960, 1962-1963

Park, Julian, 1956

Park Synagogue, 1961, 1965

Parke-Bernet Galleries, Inc., undated, 1939, 1946, 1953, 1955-1958, 1961, 1964-1965, 1967-1968

Parke, Samuel C., Jr., 1967

Parker, Bill, 1958

Parker, Inez Grant, undated

Parker, James Reid, 1950

Parker, Thomas, 1952

Parkinson, Elizabeth B. (Mrs. Bliss), undated, 1950, 1955, 1957, 1959, 1962

Parlett, Lynda, 1964

Betty Parsons Gallery, 1961

Parkway Triangle Construction Co., 1959

Parnes, Sidmore, 1959

Parrish Art Museum, 1946, 1956, 1966

Parsons College, 1953

Parsons, Harold W., 1945

Parsons School of Design, 1961

Part-Time People, Inc., 1966-1967

Parzen, Dr. and Mrs. George, 1962

Pasadena Art Institute, 1944, 1947, 1951, 1966

Pasadena Public Library, 1958

Pascal, E. L., 1965

Pascal, Vern, 1966

Passedoit, Georgette, 1961

Paston, S., 1959

Patterson, William J. J., 1952

Pattison, Abbot L., undated, 1953-1954, 1956-1958, 1960, 1967-1968

Patzig, Cynthia Lee, 1967

Paul, Henry, 1951

Paullin, Ethel Parsons (Mrs. Telford), 1956

Paulist-Newman Press, 1969

[Payson?], Helen, 1953

Peabody Book Shop, 1930

George Peabody College for Teachers, 1963-1965

Peace, Bernie, 1965

Peacock Memorials, Inc., 1958

Peake, Channing, 1955

Peale Museum, 1931, 1955 (see also: Municipal Museum of the City of Baltimore)

Pear, B. Lincoln, 1964

Pearle, Elsie (Mrs. Stanley C.), undated, 1960, 1962-1963, 1967-1968

Pearson, Lucia S., undated, 1965

Pearson, Norman Holmes, 1969

Pearson, Ralph M., 1943, 1948, 1953

Pease, Roland Folsom, Jr., 1960, 1964

Peat, Marwick, Mitchell and Co., 1967

Peavy, Paulina, 1952

Pecher, William, 1969

Peck, Augustus, 1930-1931

Peden, Dell, 1959

Pei, I. M., 1960

L. E. Pelletier and Associates, Inc., 1968

Pelligrini and Cudahy, Publishers, 1950, 1953

M. Pelligrino and Co., 1963

Penguin Books Ltd., 1963-1964, 1966

Penick, Mary Monroe, undated

Penn, Bill, 1953

William Penn Memorial Museum, 1966

Wm. Penn Publishing Corporation., 1957, 1966

Penney, Charles P., Jr., 1963-1965

Penney, James and/or Rachel, 1943, 1961

Pennington, Mary Anne, 1965

Pennsylvania Academy of the Fine Arts, undated, 1931, 1934, 1940-1948, 1950-1965, 1967

Pennsylvania College for Women, 1952

Pennsylvania Museum Commission, 1966

Pennsylvania Railroad Company, 1947, 1965

Pennsylvania State College, 1931, 1937

Pennsylvania State University, 1955-1959, 1961, 1963-1965

Pennsylvania, University of (see: University of Pennsylvania)

Pennypacker, John, 1955

Penobscot, 1966

Pensanto, Joyce, 1961

Peoples Bank of Johnstown, 1941

Pepper, Ben, 1941

Pepper, Charles Hovy, undated

Pepsi-Cola Company, 1945, 1947

Pepsi-Cola's Annual Art Competition, 1946

Pereira, Irene Rice, 1945, 1965

Perelman, Laura West, undated

Perelman, S. J., 1956, 1965

Peril, Barry R. and/or Marilyn, undated, 1964-1968

Perin, Bradford and/or Nancy, 1941, 1967

Perkins, Alta B., 1955

Perkins, F. H., 1930

Perkins, Philip, 1946

Perkins, Ralph, Jr., 1952

Perleman, S. J., 1938, 1942

Perlestein, S., 1943

Perlin, Bernard, 1946

Perlin, Zalmar, 1951, 1953

Perlman, Bennard B., 1962

Perlman, Betty (Mrs. Aaron W.), 1961

Perlman, Meyer, 1953

Perlmutter, Jack, 1946

Perlmutter, Victor, 1958

Frank Perls Gallery, undated, 1942, 1949-1957, 1964

Perls, Klaus, 1963

Perper, Mark, 1934, 1942-1943

Perrin, Madeline, undated

Perry, Anna, 1964

Perry, Donna S., undated, 1963

Perry, Norman, undated, 1946

General John J. Pershing Memorial Committee, 1954

Perspectives U.S.A. -- , 1952

Pertzoff, Constantin A., 1953

Perutz, George, undated, 1964, 1966-1969

Peruvian Ambassador, undated

Peshkin, Mrs. Milton, 1957

Peterman, C. H., 1966-1967

Peters, Alice, 1960

Peters, Joseph, undated, 1964

Peters, Muriel, 1941

Peters Signs, 1940-1941

Peterson, Charles, 1955

Peterson, S. Marjorie, 1967

Petschek, Stephen, 1962

Peyser, Mark, undated

Pfeiffer, Heinrich, 1933

Pfeiffer, Ken H., 1951

Phaneuf, Richard, 1964

Phelan, Frances C., (Mrs. George A.), 1961

Phelps-Stokes Fund, 1963

Philadelphia Art Alliance, undated, 1931, 1939, 1942, 1947, 1952-1954, 1956, 1959-1960, 1964

Philadelphia Inquirer -- , 1952

Philadelphia Maritime Museum, 1964

Philadelphia Museum College of Art, 1962-1964

Philadelphia Museum of Art, undated, 1939, 1941-1946, 1948-1955, 1957-1963, 1965-1969

Philadelphia Print Club (see: Print Club (Philadelphia))

Philadelphia Water Color Club, 1950-1951

Philbrook Art Center, 1939, 1941-1942, 1944, 1947-1948, 1952, 1962-1964, 1967

Phillips, Mrs. Charles S., 1953

Phillips Collection, 1951, 1953, 1964, 1967 (see also: Phillips Memorial Gallery; Phillips Gallery)

Phillips, Duncan and/or Marjorie, 1930-1931, 1942-1943, 1951, 1954, 1966

Phillips Exeter Academy, 1960, 1962, 1966

Phillips Gallery, 1954-1955, 1957, 1959, 1961-1962

Phillips, Harlan B., 1964

Phillips, James, undated, 1956

Phillips, Mrs. John G., undated

Phillips Memorial Gallery, undated, 1931, 1940-1942, 1944-1947, 1949 (see also: Phillips Collection; Phillips Gallery)

Phillips, Mrs. Seymour, 1959

Phillips, Stephen, 1961

Phoenix Art Museum, undated, 1959-1960, 1962, 1964-1966

Phoenix Assurance Co., 1962-1963

Phoenix Fine Arts Association, 1954, 1959

Piaskowski, Nata, 1966

Picadilly Gallery, 1962

Picard Gallery, 1959

Picher, William, undated, 1968

Pick, Frederic G., 1952

Pictures on Exhibit -- , 1940-1941, 1951-1952, 1954, 1956, 1959, 1961-1962

Pictures Publishing Company, 1946

Pierce, Ethel May, 1965

Pietrzak, Richard, 1968

Pike, Marion, 1955

Pilgrim Airlines, 1968

Pillsbury, Edmund, 1964

Pillsbury, Mrs. John S., 1961-1962, 1964

Pinchuck, Mrs. D., 1961

Pinckney, Pauline A., 1939-1940, 1955-1956

Pincus, I. N., 1959

Pine Cupboard Antique Shop, 1953

Pine Shops, Inc., 1951, 1953

Pineles, Cipe, 1960 (see also: Burtin, Cipe Pineles)

Pines, David, 1959

Pines Publications, Inc., 1959

Pinkerton's, Inc., 1965

Pinney, Richard D., 1958

Piper, Raymond F., undated, 1956

Pipes, James, 1947

Pipes, Raymond F., 1955

Pippin Press, 1948-1949

Piroumoff, Nina, undated

Pirtle, Eugene, 1956

Pitt and Scott Limited, 1962

Pittman, Hobson, 1934

Pittman Publishing Co., 1962

Pitts, Anne, 1968

Pittsburgh, University of (see: University of Pittsburgh)

Plach, Eva R., undated

Plack, Mrs. Louis E., 1947

Paul Planert Associates, 1962, 1965, 1967

Platel, Edward Charles, 1963

Platt Steel and Supply Co., 1962

Plaut Travel, Inc., 1959

Playboy -- , undated, 1958, 1960

Playhouse Gallery, undated, 1958, 1961

Plaza Palette, 1959

Pleadwell, Theodora H., 1946, 1954-1955

Pleasants, Frederick R., 1961

Pleasants, J. Hall, 1941

Pleet, Gilbert, 1957

Plimpton, George F. and Mary Wilcox, undated, 1931

Ploch, Henry H., Jr., undated, 1964, 1967-1969

Plymouth Rock Publications, Inc., 1958

PM -- , 1940

Pocket Books, 1953

Podell, D. L., 1940-1942

Pohl, La Vera, 1940

Pohl, William M., 1931

Poland, Reginald, undated, 1966

Polier, Midonick and Zinsser, 1961-1962, 1964 (see also: Midonick, Millard L.)

Pollack, Frederick, 1960

Pollack, Peter, undated, 1941, 1954, 1956-1957, 1960-1964, 1967-1968

Pollack, Sidney, 1942

Pollak, Mrs. James E., 1966

Pollak, Maurice, 1957

Pollak, Robert, 1955

Pollitzer, Anita, undated, 1954

Pollock, Lawrence S. and/or Shirley, 1960, 1962-1963

Polster, Edythe, 1961

Pomerantz, Louis, undated, 1949, 1951-1953, 1961, 1965

Pomona College, 1946, 1958

Pond, Everett H. and/or Emily H., 1940, 1954

Pool, Dr. and Mrs. J. Lawrence, undated

Pool, James L., 1961, 1964

Poor, Ann, 1956

Poor, Henry V., 1927

Poplack, William J., 1962

Popper, Mrs. Arthur, 1946

Popplereuther, Hans O., 1950

Popular Publications, Inc., 1951-1953 (see also: Goldsmith, Harold S.)

Port of New York, 1958

Porte-Petit, J. Antonio de Villers, 1967-1968

Porter, Cole, 1940-1943, 1945

David Porter Gallery, 1945, 1951 (see also: G Place Gallery)

Horace C. Porter Antiques, 1955

Porter, Milton, 1949

Porter, Sylvia, 1956

Porter, Teresia B., 1961

Portland Art Museum, 1939-1947, 1950-1953, 1956-1958, 1960-1961, 1963-1964, 1966, 1969

Portland State College, 1958, 1968

Portraits, Inc., 1960

Portrayals of the Finer Arts and Span of Progress Exhibits, 1952

Post, A. Alan, undated, 1942-1943

Post, Mrs. C. K., 1940

C. W . Post College, 1964

Post, Diane, undated

Post, Mrs. Jack E., 1959

Postal Telegraph and Cable Co., undated, 1942

Postmaster, 1942, 1961, 1963-1965

Potamkin, Mr. and/or Mrs. Meyer, 1952, 1954-1956, 1965, 1968

Potsdam State University (see: State Teachers College, Potsdam, N.Y.; State University Teachers College, Potsdam, N.Y.)

Potter, Mr., 1955

Potter, Arnold, 1963

Potter, Bertha H., 1932

Clarkson N. Potter, Inc., 1961, 1967

Potter, Margaret, undated

Potts, Ada G. (Mrs. C. S.), 1956

Potts, Mrs. John, 1961

Pousette-Dart, Nathaniel, 1953

Powel, Mrs. Samuel, 1961

Powell, Helen (Mrs. Charles), 1952

Powell Floor Machine Co., Inc., 1940

Powell, Mrs. Roe M., 1964

Powell, Mr. and Mrs. Watson, n..d.

Powell, Watson, Jr., 1962-1963

Powelson, Harry, 1962

Powers, John G., 1970

Pozzatti, Rudy O., 1951

Practicing Law Institute, 1956

Praeger, Evelyn G., 1961-1962, 1964, 1966-1967

Praeger, Frederick A., 1961, 1965, 1968

Praeger, Mr. and/or Mrs. Leo, 1962-1963

Prasso, Leona E., 1958

Pratt Center for Contemporary Printmaking, 1967-1969

Pratt, Dallas, 1959

Pratt Institute, undated, 1958-1963, 1965-1968

Premiere Art Gallery, 1961-1962

Preminger, Otto, 1959-1960

Prentice-Hall, Inc., 1956, 1962, 1966

Presbyterian Life -- , 1968

Presley, Jane, 1962

Prestige Personnel Agency, 1967

Preston, Catherine and/or Robert, 1963

Preston, Flora Mobley, 1959, 1966

Preston Gallery, 1962

Prestopino, Gergorio, undated, 1945, 1958

Preusser, Don, 1955

Preusser, Robert, 1952-1954, 1960

Previn, André and/or Dory Langdon, undated, 1959-1968

Price, Edmund T., 1951, 1958-1959

Price, F. N., 1945

Price, Glenn, 1951

Price, Maurice A., 1958

Price, Vincent L., undated, 1949, 1956, 1959, 1962

Pride, Robert G., 1961

Primoff, M. W., Mr. and/or Mrs., 1958-1959

Princeton Press, Inc., 1954-1956

Princeton Print Club, 1941

Princeton University, 1930-1931, 1934, 1960-1961, 1966

Princeton University Press, 1955, 1959

Pringle, Rosa, 1956

Print -- , 1958

Print and Drawing Society of North Carolina, 1964

Print Club (Philadelphia), 1929-1930, 1935, 1951-1953, 1955-1958, 1960, 1961-1963, 1965, 1967

Print Club of Rochester, 1935

Print Council of America, 1957-1962, 1964-1965

Print Makers Society of California, 1931

Prior, Ann and/or Harris K., undated, 1958, 1963, 1965

Prior, Roger W., 1931

Pritchard, Edith M. F., 1959

Pritz, N., undated

Harvey Probber, Inc., 1958, 1965

Proctor snd Gamble Company, 1958

Progressive Citizens of America, 1947

Progressive Packaging, Inc., 1963

Promenade, undated, 1959

Prosser, Hortense H. (Mrs.John), 1961-1963

Providence Art Center, 1953

Providence Art Club, 1955, 1961-1963

Providence Lithograph Company, undated, 1968

Provincetown Art Association (Incorporated), 1946, 1964

Provincetown Art Festival, 1958

Prown, Jules D., 1957

Proy, Michael E., 1950

J. T. Pryor, Jr., 1942

Public Education Association, 1961

Puerto Rico, University of (see: University of Puerto Rico)

Pulaski Council of Milwaukee, 1946

Pullitzer, Joseph, Jr., 1953

Pullman Co., 1966

Puma, Fernando, 1944, 1952

Punte, G., 1963

Purdue University, 1962, 1964, 1966

Pure Oil, 1961

Pushkin Fine Arts Museum, 1963

Pustilnik, Mr. and Mrs. Jerome, 1965

Putnam, Kingman W., 1949

G. Putnam's Sons, 1935

Putzel, Howard, 1940

Putzker, Heidi and Ralph, 1951

PWPA, 1936

Pyle, Albert and/or Polly, 1965, 1967

Pyle, Richard Temple, undated, 1951, 1958

Quadrum Revue Internationale d'Arte Moderne, 1964

Quaker Storage Co., Inc., 1966

Quandt, Russell J., 1953, 1968

Quarrie Corporation Publishers, 1946

Quatre Chemins, 1930-1931

Queens College, 1960, 1962-1963

Quest, Dell, undated, 1965

Quick -- , 1952, 1953

Quigley Music Studios, 1952

Quinn, J. William, 1966

Quinn, John R., 1963

Quinn, Ruth, 1965

Quinnipac College, 1968

Quintel, Lorraine, 1953

Rabinowitz, Jarold W., 1953

Ernest Raboff Gallery, 1963

Alexandre Rabow Galleries, undated, 1952-1953, 1955-1956

Racolin, Alexander E., 1958, 1960

Radio Advertising Bureau, Inc., undated, 1956

Radulovic, John, undated

Radwany, Emery A., 1951

Raffo, Steve, 1952, 1965

Raiff, Stanley, 1959

Railway Express Agency Incorporated, undated, 1945-1946, 1953, 1957-1958, 1960, 1962-1967

George Rainbird, Ltd., 1964

Rains Auction Rooms, Inc., 1934

Raines Galleries, 1935, 1937

Rainey, John, 1958

Rainsford, Richard A., 1963

Raker, Mildred, 1954

Rambusch Decorating Co., 1955, 1958-1959

Ramsay, John, 1942

Rand, Mr. and/or Mrs. Jacob, 1945-1946, 1948, 1952-1953, 1957

Rand, Nettie, 1949, 1951-1952, 1954, 1957

William Rand, Inc., 1955

Randal, Jules C., 1944

Randall, Anthony, 1952-1953

Randall, James D., 1961

Randlev, Karen Ruth, undated, 1963

Randolph, A. Philip, 1942

Randolph County Schools, 1954

Randolph-Macon Woman's College, 1946-1947, 1953, 1956-1965, 1966, 1968

Random House, Inc., 1952-1953, 1956, 1963, 1965

Randells, Neil J., undated, 1964

Ransohoff, J. Louis, 1946

Raoul, Rosine, 1964

Raphael, Annette, undated, 1958

Raphael, T., 1959

Rapp, Carol, 1962

Rappaport, Beatrice (Mrs. J. L.), 1950

Rappaport, Roslyn, 1955

Rapoport, Olga, undated

Raskas, Bernard S., 1960-1961, 1964, 1969

Rassmussen, R. Jens, 1961-1962

Ratenburg, W. H., 1943

Rathbone Books Ltd., 1959

Rathbone, Perry, 1963

Ratico, Ruth G., 1958

Rattner, Abraham and/or Esther, undated, 1956, 1958-1960, 1962, 1964-1966, 1968

Rattner, Lewis J., 1964

Rau, Anne, undated

Rau, Penny, undated, 1952

Rau, Robert, 1959

Rau-Kealy, Frieda, 1959

Rausokoff, Mrs. J. L., 1940

Ravin, Ellen, 1970

Ravinia Festival Association, 1958

Rawlings, John, 1947

Rawson, Catharine G., 1956

Ray and Ray, 1970

Rayburn, Harold E., 1965, 1967-1968

Raymond and Raymond Art Galleries, 1938

Raymond and Raymond, Inc., 1945, 1950

Raymond, Bernard, 1950, 1953

RCA Communications, Inc., 1962, 1965

Readers' Subscription, Inc., 1960, 1961

Reading Public Museum and Art Gallery, 1950

Réalités -- , 1965, 1967

Reconstructionist -- , 1958

Redbook Magazine -- , 1963

Redding, Eleanor (Mrs. H . E.), 1964

Redka, Eugenia, 1956

Carroll Reece Museum, 1968

Reed College, 1963

Reed, Elizabeth (Mrs. John E.), 1953

Reed, Isadora Bennett, 1965

Reengum, Jerry J., 1952

Reep, Edward, 1967

Reese, Betty, undated

Reese, Mr. and/or Mrs. Charles Lee, Jr., 1956, 1963

Reeves, Ruth, undated, 1947

Reeves, W. Harrison, 1966

Refregier, Anton, 1960

Regenstein, Helen M., undated, 1962

Regenstein, Louis, Jr., 1960, 1963, 1965

Register, James P., 1963

Rehm, Mary Torr, 1958, 1967-1969

Frank K. M. Rehn, Inc., 1955-1958, 1960

Reiber, John G., 1943

Reich, Sheldon, 1963, 1965

Reichard, Myron L., 1963

Reichardt, Jessica, 1962

Reichhold, Henry H., 1945

Reichman, Fred, 1964

Reichmann, Edith, 1968

Reid, Alma M., 1955

Reid, Anne Cooke, 1960

Reid, Mrs. Ira, 1960

Reimer, C., 1960

Reimer Inc., 1962, 1964

Ethel Linder Reiner Productions, 1957

Reingold, Gail M., 1964

Reinhold Book Division, 1967, 1969

Bernard Reis and Company, 1953, 1966-1968

Reisman, Marshall M., 1957-1958, 1961-1962

Reisner, Neil, 1965

Reiss, Wallace, undated, 1952-1953

Reitman, John, 1961

Reliable Office Furniture Co., 1960

Renaissance Society of the University of Chicago, 1945, 1948-1949, 1954, 1957, 1961

Renders, Mrs. John F., 1964

Rendle, D. E., 1965

Rensselaer Polytechnic Institute, 1958-1959

Charles H. Renthal and Company, 1967

Reporter -- , 1953

Resor, Helen and/or Stanley, 1935, 1938-1939

Restrepo, Pedro, 1966

Revel, Henry L., 1964

Revere Copper and Brass Incorporated, 1934

Revere Paper Products Corp., 1965

Rex Envelope Co.., 1964

Reynard, Grant, 1962

Reynolda House, 1967

Reynolds, 1960

Reynolds, Harold F., 1947

Reynolds, John J., 1965-1966

Reynolds, Joseph N., 1961

Reynolds Metals Company, 1959-1960

Rex, Frances L., 1952

Rhode Island School of Design, 1935, 1939, 1956, 1966 (see also: Museum of Art of the Rhode Island School of Design)

Ribicoff, Belle and/or Irving F., undated, 1959-1960, 1964

Stewart Ricard Gallery, 1959

Rice, Dr., 1952

Rice, Elmer, 1944, 1962-1963

Rice, Marion, 1958

Rice, Martin, 1953

Rice, Maurice A., 1958

Rice, Shirley R., 1960

Rich, A. John, 1966

Rich Displays, 1964

Richards, Beatrice (Mrs. Bartlett), 1957

Richards, Helen Hughes, undated

Richards, Joe, 1961

Richards, John Alan, undated, 1945, 1960

Martin Richards, Inc., 1952-1953

Richards, Rowland, 1946

Richardson, Page G., 1954

Richardson, Thomas L., 1963

Richert, Bill, undated

Richman, Robert, 1955

Richmond, Anne (Mrs. Aaron), undated, 1959

Richmond, Frederick, 1960

Richmond, Larry, 1957, 1963

Richter, Horace, 1959

Stewart Rickard Gallery, Inc., 1960-1963

Ridley, Emily Derr, 1943

Ridley, Orrin R., 1963

Rie, Robert, 1966

Riesnfeld, Victor, 1953

Riff's, 1953

Riker, Jerome, 1955

Riley, Eleanor Piper (Mrs. R. C.), 1950

Riley, Marie (Mrs. Bernard J.), 1952

Riley, Mary, 1955

Riley, Mary Alexander (Mrs. Chapin), 1952-1953

Riley, Maude, undated

Riley, Verna P. (Mrs. Chester L.), 1965

Rimmel, P. Grebe, 1956, 1965

Ringel, Frederick J., 1954

Ringer, Lotta (Mrs. Philip), 1954-1955

John and Mabel Ringling Museum of Art, 1949-1950, 1955, 1957-1958, 1962-1965

Ringold, Evelyn (Mrs. Herbert H.), 1960

Ripley, S. Dillon, 1967

Ritchey, Virginia, 1962

Ritchie, Andrew C. and/or Jane, undated, 1960

Ritter, Ralph L., 1956

Ritz Associates, Inc., undated

Ritz Tower, 1965, 1967-1968

Rival, Freddy, undated, 1958

River Dell Senior High School, 1964

Rivers, Larry, 1967

Riverside Radio, WRVR, 1960

Rixey, Lilian, 1964

Road, John, undated

Roadside Art Gallery, 1959

Robbins, Jerome, 1965

Robbins Library, 1962

Robbins, N.J., 1967

Robbins, Warren M., 1961-1964, 1966 (see also: Center for Cross-Cultural Communication; Museum of African Art)

Roberson, Edgar Paul, Jr., 1956

Roberson, Genevive, 1964

Roberts, 1937

Roberts and Reimers, Incorporated, 1941

Roberts, James M., 1955

Roberts, Laurence, 1956

Roberts, Mr. and/or Mrs. Michael, 1968

Robin, Mary, undated

Robins, Janet L. (Mrs. H. S.), 1959-1960

Robinson, Andrew, 1962

Robinson, Boardman, 1934

Robinson, Carol, undated

Robinson, Edward G., undated, 1934, 1942, 1945-1946, 1948, 1956-1957

Robinson, Eleanor, 1937-1938

Robinson, F. E. M., 1961-1962

Robinson, Frances, 1935

Robinson, George, 1944

Robinson, Grace M. (Mrs. Romney), undated, 1955

Robinson, Hazel Andre, 1963

Robinson, John-David, 1959, 1961

Robinson, Mary Turlay, 1952-1953

Robinson, Sallie White, 1956

Robinsons, Inc., 1958

Esther Robles Gallery, undated, 1960-1961

Robsjohn-Gibbings, Ltd., 1951, 1960

Robsjohn, J. H., 1950

Robson, Mark, 1950, 1960

Sara Roby Foundation, 1962

Roche, Martha, 1956

Rochester Memorial Art Gallery, 1945-1946, 1954, 1957, 1959, 1961, 1963-1965

Rochester Print Club (see: Print Club of Rochester)

Rochester, University of (see: University of Rochester)

Rock-Hil-Uris, Inc., 1963

Rock of Ages, 1958

Rock Springs High School, 1961, 1963

Rockefeller, 1929

Rockefeller, Abby A., undated, 1930, 1934, 1941-1943

Abby Aldrich Rockefeller Folk Art Collection, 1955-1957

Rockefeller, Barbara, 1955

Rockefeller, Blanchette and/or John D. III, 1935, 1938, 1945-1946, 1949-1951, 1956, 1960, 1962-1964

Rockefeller Center Galleries of American Art, Inc., 1933

Rockefeller Center, Inc., 1932

Rockefeller Center Weekly, 1937

Rockefeller, Mr. and/or Mrs. David, undated, 1952, 1955, 1957-1958, 1961, 1965-1967

Rockefeller Foundation, 1937, 1941, 1961

Rockefeller, Mr. and/or Mrs. John D., Jr., undated, 1930-1933, 1935, 1938, 1941-1942

Rockefeller, John D., II, 1955

Rockefeller, Laurance Spelman, and/or Mary F., undated, 1935-1937, 1946-1948, 1950-1957, 1965

Rockefeller, Mary Clark, undated

Rockefeller, Mary and/or Nelson A., undated, 1932-1939, 1941-1942, 1944-1949, 1951-1952, 1955-1956, 1959-1960, 1962, 1965-1967

Rockefeller, Winthrop, 1960, 1966

Rockford Art Association, 1965

Rocknem, Robert E., 1965

Rodale Press, 1968

Rodgers, William H., 1967-1968

Roditi, Edouard, 1947, 1951, 1955

Rodman, Selden, undated, 1945, 1947, 1951, 1955, 1957, 1959-1960

Rodriguez, José, 1968

Roebling, Mary G., undated, 1959, 1961

Roebling, Olga, undated

Roebling, Paul, 1959, 1962

Roelofs, Mrs. Richard, 1964

Roemer, Helen J. (Mrs. James A.), undated, 1959, 1962, 1965

Roese, Maack and Becker, 1954

Roffman, Richard E., undated, 1954

Rogers, 1960

Rogers, Charles Bolles, undated, 1959

Rogers, Helen and Myron, undated

Rogers, Mrs. Huddleston, 1947

Rogers, Mrs. J. T., 1961

Rogers, Jane, 1946

Rogers, Miriam, 1963

Rogers, Phyllis J., 1967

Rogers, Mrs. Richard, 1965

Rogers, Saul E., 1937

Rogers, Mrs. William, 1967

Rohlfing, Christian, undated

Roko Gallery, 1962

Rollins College, 1962

Romaine, Lawrence B., 1954

Roman Bronze Works, Inc., 1958

Romansky, Alvin S., 1950, 1963

Romany Marie, 1955

von Romberg, Emily (Mrs. Maximillian), undated

Rome Manufacturing Company, undated

Rome, Morton E., undated, 1953, 1958, 1962, 1968-1969

Romeike Press Clippings, 1955, 1958, 1960-1963, 1965

Romer, Mrs. A. T., undated, 1964

Rood, Dorothy B. A. and/or John, undated, 1954-1957, 1959-1961, 1965-1966

Roos, Allan, 1959

Roos, Mrs. Frank J., 1968

Roosevelt, Elliott, 1958

Roosevelt Field Art Center, Inc., 1958

Roosevelt, President and/or Mrs. Franklin Delano, undated, 1935-1936, 1941

Roosevelt Memorial Association, Incorporated, 1961

Roosevelt, Mrs. Philip J., 1934

Root, Edward W. and/or Grace, undated, 1930-1931, 1936, 1938, 1945-1946, 1950-1951, 1953, 1958, 1963

Rose, Billy, undated, 1948, 1954-1956, 1959, 1961-1963

Rose, Daniel, 1961

Stanley Rose Galleries, 1936, 1938-1939

Roseman, Shirley, undated

Rosen, 1945

Rosen, David, 1946, 1952, 1955-1956, 1959

Rosen, James, undated, 1966

Rosen, Louis, 1964

Rosen, Lydia, 1947

Rosen, Samuel, 1961

Rosebaum, Aaron, 1960

Rosenbaum, Katie M., 1964

Rosenbaum, Mrs. Maurice, 1964

Rosenberg, James N., 1956

Rosenberg, Libbie L. (Mrs. Samuel), 1946

Rosenberg, Morton G., 1960, 1961, 1962

Rosenberg, Dr. and/or Mrs. Norman, 1963, 1967

Paul Rosenberg and Co., 1958, 1961, 1964

Rosenbloom, Charles J., 1955

Rosenblum and Kramer, Inc., 1955, 1958, 1965, 1968-1969

Rosenbluth, Nathan, 1953

Rosenfeld, Elaine G., 1964, 1966

Rosenfeld, Mrs. Joseph, 1967

Rosenfeld, Samuel L., 1960, 1962

Rosenfield, Donnie, 1967

Rosenfield, Louis I., 1962

Rosenquist, Mrs. Ivan, 1955-1956

Rosenshine, Annette, undated, 1932, 1952, 1954

Rosenstein, Adele B., undated, 1965-1968

Rosenstein, Mrs. Lewis, 1935

Rosenstein, Marian and/or Neil, 1961-1964, 1968

Rosenstiel, Robert F., 1959

Rosenthal, Allan H. and/or Lenore, 1952-1953, 1962, 1964

Rosenthal and Co., 1962

Rosenthal and Klein, 1960

Rosenthal, Bernard, 1952

Rosenthal, Mrs. Charles, 1955

Michael M. Rosenthal and Co., Inc., 1953, 1955

Rosenthal, Peter J., 1962

Rosenthal, Shepherd and Cobern, 1960

Rosenwald, Lessing J., 1959

Roshal, Jean M., 1958

Roskin, Jules J., 1945-1946

Rosoff, William L., 1966

Ann Ross Gallery, 1954

Ross, Daniel, 1961

Ross, Felice, 1965

Ross, John, 1964

Ross, Mr. and/or Richard M., 1962, 1965, 1967

Ross, Sidney B., 1933, 1959

Ross-Talalay Gallery, 1958

Rossi, Jean C. (Mrs. Eugene), 1964

Rossiter, Henry P., undated

Rossman, Louise, 1951

Roswell Museum, 1957-1958, 1962, 1967

Rotblatt, Evelyn, 1962

Roth, Jack, 1961

Rothbart, Albert, undated, 1934

Rothbein, Renee, 1952

Rothberg, Howard, 1957

Rothner, Mrs. Jacoby T., 1946

Rothschild, Lincoln, 1944

Round-the-World Fair, 1960

Rouk, Mrs. Joseph, 1955

Rourke, Constance, undated, 1937-1938

Rowan, Edward B., 1942, 1943

Rowantrees Pavillion, 1950-1951

Roy, Emily, 1961-1962

Roy, John, 1934

Roy, Malcolm D., 1968, 1970

Royal Museum of Fine Arts, Denmark, 1960, 1968

Royal Ontario Museum, 1960-1962

Royce, Jack, 1963

Royce, Mrs. Fred, undated, 1967

Royer, M. J., 1955

Rubel, C. Adrian, 1962

Ruben, Mrs. Edmund R., 1953

Rubenstein, Ben, 1964-1965

Rubenstein, Helena, 1942

Rubicoff, Belle Krasne (Mrs. Irving S.), 1957

Rubin, Baum and Levin, 1961, 1964-1966 (see also: Baum, Frederick; Rubin, Wachtel, Baum and Levin)

Rubin, E., 1959

Rubin, Mrs. Eddie, 1963

Rubin, Harry, 1963

Rubin, Mr. and Mrs. Henry, 1963

Rubin, Hyman, 1962

Rubin, Lil and Hyman, 1960

Rubin, Samuel, 1959

Rubin, Wachtel, Baum and Levin, 1967, 1969-1970 (see also: Baum, Frederick; Rubin, Baum and Levine)

Rubner, Marianne M. (Mrs. Maurice), 1963, 1965

Ruder, Bernet B., 1939

Ruder and Finn, Incorporated, 1959-1960, 1963-1965

Rudin, Fred D., 1968-1969

Rudin, Irma, 1969-1970

Rudin, Louis E., 1961

Rudman, Mrs. S., 1960

Rudolph, Louis, 1957, 1959-1961

Ruff, Carl, 1946

Rugile, Paul, 1960

Ruhrfestspiele Recklinghausen, 1965

Rumsey Hall School, 1963

Runcie Club, 1954

Rupel, Esther F., 1969

Rusitzky, Louis M., 1962

C. M. Russell Gallery, 1955

Russell, Carole (Mrs. Paul S.), undated

Russell, Ethel King (Mrs. Charles H., Jr.), undated, 1936

Russell, J. Townsend and/or Lois R., 1962

H. L. Rust Company Real Estate Loans and Insurance, 1950

Rutman, Nell, 1952

Ruttenberg, Harold J., 1967-1968

Ryan, Glendenning, 1933

Ryan, Gordon James, 1967

Ryerson, Edward, 1953

Saarinen, Aline (Mrs Eero), undated, 1955-1956, 1962-1963

Eero Saarinen Associates, 1954-1956, 1958

Sabado, Robert G., 1962

Sabersky, William M., 1963

Sacartoff, Elizabeth, undated, 1940, 1944-1946

Sacco, Giovanni, 1959

Sachs, Mrs. Jordan H., 1960

Sachs, Morris, 1956

Sachs, Paul J., undated, 1933, 1951-1953, 1955, 1958 (see also: Fogg Art Museum)

Sachs, Mr. and Mrs. Paul J., 1950

Sackton, Alexander, 1963

Sadik, Marvin, undated

Sadron, Maurice, 1930

Saffian, Jack, 1965-1967

Safrai Art Galleries, 1955

Sahlman, Ira, 1961

Saidenberg Gallery, 1959-1960

St. Albans School, 1959

St. Armand's Gallery, 1959, 1962-1964,1968

St. Boltoph Club, 1947

St. Brice, Robert, 1958

St. Cloud State College, 1960-1963

St. George, Armand R., 1965

St. John the Baptist Church, 1956

St. John, Bruce, undated, 1960

St. Lawrence, Katherine (Mrs. William), 1961

St. Lawrence University, 1961

St. Louis Artists' Guild, 1962

St. Louis Board of Education, 1964

St. Louis City Art Museum (see: City Art Museum of St. Louis)

St. Louis Post-Dispatch, 1947

St. Louis Union Trust, 1964

St. Margaret Mary School, 1965

St. Mark's Church, 1958

St. Martin's Press, 1966

St. Mary's College, 1957-1958

St. Monica's Rectory, 1964-1965

Saint Olaf College, undated, 1955, 1965-1966

Saint Paul Art Center, 1962, 1965-1966

Saint Paul Fire and Marine Insurance Co., 1954

Saint Paul Gallery and School of Art, 1953, 1961, 1963, 1965

St. Petersburg Times, 1969

Saint Rose of Lima Church, 1966

Sainz, Francisco, 1954

Saklatwalla, Ann and/or B. D., undated, 1927-1937, 1944-1945

Saks Fifth Ave., 1957, 1961

Saks, Mrs. Julian, 1966

Salantrie, Frank, 1958-1959

Salem College, undated, 1945-1947

Salemon, William E., 1964

Salisbury, William, 1931, 1934

Salomson-Keezer, Toussie, 1957, 1959, 1962

Salpeter, Harry, 1945

Harry Salpeter Gallery, 1958, 1960-1962, 1965-1966, 1968

Salsbury, Charles B., 1952

Saltonstall, 1961

Saltonstall, John L., Jr., 1950, 1960

Saltonstall, Nathaniel, undated, 1945-1946, 1950, 1952-1954, 1956-1957, 1959-1961, 1963-1966

Saltzman, Mrs. Arnold A., undated

Saltzman, William, 1964

"Salute to Seasons," 1957

Salz, Sylvia J. (Mrs. Jerome), 1965

Salzberger, Edyth W. (Mrs. Henry X.), 1967

Salzer, Oscar, undated

Salzman, Joan R. (Mrs. Arnold), 1958

Salzman, Rosalind (Mrs. Max M.), 1967

Sammartino, Peter, 1957

Samoiloff, Carlene, 1961-1962

Sample, John Glen, 1959-1960

Sampliner, Gay, 1961

Sampson, Carol (Mrs. B. J.), 1959, 1961

Spencer A. Samuels and Co., Ltd., 1967-1968

San Antonio Art League, 1959, 1965 (see also: Witte Memorial Art Museum)

Sandak, Inc., 1960, 1968

Sandberg, 1958

Sandberg Municipal Museum, 1950

Sandberg, Robert Alexis, 1965

Sandberg, W., undated

Sander, Mrs. K., 1961

Sanders, Morris B., Jr., 1934

San Diego and Point Magazine, 1959

San Diego Art Museum, 1951 (see also: Fine Arts Society of San Diego)

San Diego Fine Arts Festival, Inc., 1968

San Diego Fine Arts Gallery (see: Fine Arts Gallery of San Diego)

San Diego Society of Fine Arts (see: Fine Arts Society of San Diego)

San Diego Union, 1955

Sandler, Herbert and/or Marion O., undated, 1962-1968

Sandler, Ted, 1946, 1948

Sándor, Molnár, 1967

Sandoval, Corliss, 1965

San Francisco Art Association, 1934

San Francisco Museum of Art, undated, 1935, 1939, 1944, 1946-1947, 1949, 1951, 1954-1956, 1958-1959, 1960-1963, 1966-1969

Sanger, Eleanor N. (Mrs. E. M.), 1960

San Jose State College, 1967

San Marino League, 1964

Sanstrom, Robert, 1969

Santa Barbara Museum of Art, undated, 1940, 1942-1947, 1950, 1951-1955, 1957, 1959-1968

Santini Brothers, Inc., undated, 1960-1961, 1963, 1965-1968

Saporita, John, 1952, 1955, 1961

Sapp, Kitt George, 1951

Sarah Lawrence College, 1942

Sarasota Art Association, 1957-1958

Saretzky, Mrs. Gary D., 1967

Sargent, Barbara and/or Martin, undated, 1959-1960, 1963, 1966

Sargent, W. R., 1956

Sarnoff, Mrs. Robert, 1952

Sarot, Irving Arthur, 1963

Satoru, Abe, undated, 1961, 1969

Saturday Gallery, undated, 1953

Saturday Review -- , 1946, 1958, 1964

Sauder Furniture Store, 1956

Sauder, I. Emanuel, undated, 1935-1936

Saunders, Josephine Eckert, undated, 1948

R. J. Saunders and Co., Inc., undated, 1956, 1958-1960

Savoy Art and Auction Galleries, 1964

Sawens, Arnold, 1962

Sawyer, Kenneth, 1959

Scalabrini, Roberto, 1964-1965

Scandinavian Airline Systems, 1963

Schäffer, Nic, 1963

Schaefer, Herwin, 1958, 1961

Schaefer, Rudolf, 1958

Schaeffer, Bertha, 1959, 1965, 1967, 1969

Schaeffer, Mr. and Mrs. Robert, 1956

Schamberg, Ira Leo, 1960, 1967

Schanker, Louis, undated, 1947

Schapps, Mrs. Jack, 1954

Harvey L. Schary, Inc., 1966

Schary, Miriam, 1956

Schatzki, Walter, 1954

Scheaffer, Louis, 1966

Schenck, Betty (Mrs. Edgar C.), undated, 1960-1961, 1967

Schepps, J., 1940

Schepps, Jacob J., 1962

Scheuer, Simon H., 1947, 1953, 1960

Schiff, Bennett, 1963

Schiffer, Herbert F., 1966

Schiffren, Ellen, 1959

Schiller Decorating Co., Inc., 1955

Schiller, Mrs. J. D., 1967

Schilthuis, Willliam C., 1956, 1964, 1967

Schimmel, Douglas, 1963

Schindler, Rochelle, 1965

Schlageter, Bob, 1966

Schler, Mrs. William, 1946

Schlessinger, Paul, 1963

Schlosser, Leonard Benjamin, undated, 1955-1956, 1961-1962, 1965

Schluger, Helen and/or Saul, 1953, 1955, 1957

Schmeckebier, Laurence, 1958, 1960-1961

Schmidt, Eric von, 1956

Schmidt, Louise W., 1961

Schmitz, Marie L., 1962

Schnakenberg, Henry, 1949, 1962-1965

Schneid, Otto, 1961

Schneider, Cy, 1958

Schneiderman, Dorothy, 1964

Schnell, Ernest B., 1962

Schnidt, Walter, 1967-1968

Schnitzer, Arlene (Mrs. Harold), 1961

Robert Schoelkopf Gallery, 1969

Schoen, Armund J., 1957

Schoen, Jean (Mrs. Morris), 1965

Schoen, Lee, 1966

Schoener, Allon T., 1954

Schoener, Jason L., undated

Schoenfeld, Richard, 1965

Schoenheimer, Mrs. W. L., 1960

Schohol, Margaret, 1944

Scholastic Magazines, 1958, 1962

School of the Museum of Fine Arts, Boston, 1941, 1953

School of Visual Arts, 1961

Schoonover, Elsie M., 1953

Schraff, Alexander, undated

Schramm, Dorothy and/or James S., undated, 1943-1947, 1950-1965, 1967

Schramm, Stephen J., 1963, 1965

Schreiber, Georges, 1933, 1948

Schreiber, Taft, 1964

Schreiver, George A., 1946

Schroeder, Mrs. K. M., 1967

Schulman, 1960

Schulman, Mrs. Benjamin, 1967

Schulman, Mrs. Bernard, undated, 1955

Schulman, Mr. and/or Mrs. Jacob, undated,1953, 1955-1960, 1962-1969

Schulman, Marvin, 1964

Schulman, Robert, 1960

Schulte, Arthur D., 1958

Schulte, Charles F., 1957

Schulte, John S., 1953

Schultz, George L., 1968

Schulz, M. F., 1965

Schulz, Werner, 1967

Schum, Betty, 1965

Schuman, Jack C., 1961

Schumm, Henrietta M., 1965

Schumm Traffic Agency, Inc., 1959, 1962, 1967-1968

Schurman, Jacob Gould, III, 1957

Schuster, G. S., undated

Schuster, Mr. and/or Mrs. M. Lincoln, 1956, 1957

Paul Schuster Art Gallery, 1960

Schuwater, Ray, 1963

Schwab, Eloisa, 1934

Schwabach and Co., 1958

Schwabacher, W. S., 1934, 1948

Schwachman, Irene (Mrs. Harry), 1958

Schwalb, Richard A., undated

Schwartz, Alan E., 1957

Schwartz, Estelle (Mrs. Jack G.), 1962

Schwartz, Gerald G., 1966

Schwartz, Lee H., 1956-1957

Schwartz, Mrs. Philip, 1962, 1967

Schwartz, William S., 1935

Schwarz, John, 1940

William A. Schwarz and Son, Inc., 1955

Schwarzchild, Henry, 1958

Schwarzkopf, I. M., undated, 1945-1947, 1951-1954, 1956-1961, 1963-1964

Schwarzkopf and Lukatch, Inc., 1945, 1948

Schwebel, Susan, 1960

Schweitzer, Gertrude, 1955

Schyler, H. H., 1945

Science and Medicine Publishing Co., Inc., 1960, 1962

Scientific American -- , 1956

Scobey Fireproof Storage Company, 1957

Scobey, Joan, 1959-1960

Agnes Scott College, 1956

Scott, Charles H., 1954

Scott, David, undated, 1969

Scott, Delmore, 1953-1955

Scott, Dorothy, 1955

Scott, Foresman and Company, 1953

Scott, Howard, 1955

Scott, Robert S., 1966

Scott, Tirsa (Mrs. Dana), 1966

Scott, William E., 1961

Scott, Zachary, 1963

Scottsbluff Public Library, 1958

Scottsdale Gallery of Modern Art (see: Gallery of Modern Art, Scottsdale)

Charles Scribner's Sons, 1953, 1958, 1961

Scull, Christine Biddle, undated, 1955

Sculptors Guild, Inc., 1961, 1964, 1967

Sculpture House, 1958, 1960, 1966-1967

Seacrest, Mildred E. (Mrs. Frederick S.), undated, 1961

Sears, Joan N. (Mrs. Robert A.), 1962

Sears, Roebuck and Co., 1962

Seatt, Tirsa (Mrs. David), undated

Seattle Art Museum, 1935-1936, 1950-1951

Seattle Peace Information Center, 1962

Seattle World's Fair, 1961, 1962

Sebold, Louise and/or J. T., undated, 1962

Security Insurance Company of New Haven, 1953

Security Storage Company, 1946, 1968-1970

Seeberg, Mrs. Edward, 1964

Seeger, Joachim, 1952

Seeger, Stanley, 1956

Seegerman, Allen Warren, undated

Segal, Bernard, 1964

David Segal Associates, 1960

Segal, Leslie A., 1961

Segat, Albert, 1967

Seiberling, Frank, Jr., 1946

Seid, Walter, 1962, 1965, 1968

Seide, Charles, 1946

Seidel, John G., 1956

Seiff, Mathilde C., 1947

Seipp, Katerina, 1962

Selch, Patricia B. (Mrs. Frederick Richard), 1962

Selden, Carl, 1960

Selden, Marjorie Jester (Mrs.Percy), 1963

Seldis, Henry J., undated, 1964-1966

Selig, Manfred, 1960

Selig Manufacturing Co., 1967

Seligman, Germaine, 1958

Otto Seligman Gallery, 1958, 1964

Seligmann, Herbert J., undated, 1953

Jacques Seligmann and Co., Inc., 1955, 1957-1958

Selinger, Paul E., 1968

Sellin, David, undated, 1959, 1964

Seltzer, Phyllis, 1956

Laurence H. Selz Organization, Inc., 1958

Selz, Peter, 1958

Selznick, David O., 1949

Semans, Mary T. (Mrs. James), undated, 1961

Der Senator für Volksbildung, 1951

Senior, John L., Jr., 1950

Senior, Robert, 1965

Senturia, Mrs. Hyman R., 1960

Sepeshy, Dorothy, undated

Sepeshy, Zoltan, 1957-1959

Serigraph Galleries, 1954

Serv-Well Waxing and Maintenance Co., 1946

Serwer, Lawrence, 1944

Charles Sessler Booksellers, 1955-1956, 1960, 1964-1965

Settle, Elmer, 1959

Seventeen, 1949

Sevich, Mildred and Irving, undated

Sewell, Mrs. R. Barclay, 1955

Sexton, John L., 1940, 1945

Sexton, Peggy (Mrs. Robert), 1965

Seymour, Harold J., 1934-1935

Seymour, Willard, 1946

Shadbolt, Jack, 1963

Shafer, Cameron C., II, 1960

Shahn, Ben and/or Bernarda, undated, 1954-1956, 1958-1962, 1964

Shahn, Philip, 1959

Shahn's "Passion of Sacco and Vanzetti," undated

Shaker Community, Inc., 1961-1966

Shakertown at Pleasant Hill Kentucky, Inc., 1963-1964

Shands, H. C., 1964

Shannon Electric Co., 1967

Shannon, Leo, 1968

Shannon, Ogden K., 1953, 1955-1956

Shannon, Sara Roby (Mrs. Edward), 1966-1967

Shapiro, Albert M., 1964

Shapiro, Daisy V., 1959-1961

Shapiro, Florence (Mrs. Irving), 1957

Shapiro, Joe and Julia, undated, 1963

Shapiro, Joseph Randall, 1945, 1952, 1962-1964

Shapiro, Mr. and/or Mrs. Louis, 1956, 1964

Shapiro, Saul, 1953, 1956, 1958

Shapleigh, Warren M., 1967

Sharaf, Alexandra, 1968

Sharkey, Alice, 1944

Sharnoff, Mark, 1966

Sharon Creative Arts Foundation, 1961

Sharp and Dohme Incorporated, 1946-1947

Sharp, Gretchen (Mrs. Jack S.), 1962

Shatz Painting Co., 1955

Shaw, A., 1947, 1964

Shaw, Joanna M., 1960-1962

Shaw, Matt, 1967

Shaw, Ray, 1963

Shawkey, Sigmund J., undated, 1961

Shaye, Lillian and/or Nathan, 1960

Sheafer, Emma A., undated

Sheafer, Mrs. Lesley, 1935

Shearer, Teddy, 1940

Sheeler, Charles and/or Musya, undated, 1942, 1953, 1957, 1961-1965, 1967

Shelburne Museum, Inc., undated, 1951-1954, 1956-1957, 1960, 1961-1965, 1967-1968

Sheldon, Cheney, 1934

Sheldon Memorial Art Gallery, 1967

Sheldon, Olga (Mrs. Adams Bromley), undated, 1961, 1963, 1965

Shenefield, John, 1964

Shepatin, Eleanor (Mrs. Nathan), 1963

George Shepherd and Son, 1965

Shepherd, James L, Jr., 1958

Sheppard, Edgar, 1968

Sheppard, William, undated

Sherburne, Eugene J., 1956

Sherman, Charles, 1952

Sherman, H. P., undated, 1961

Sherman, Laury, 1966

Sherrill, James W., 1952

Sherwell, G. Butler, 1942

Sherwood, Brinton, 1959-1960

Sherwood, Richard E., 1960-1961, 1963

Shield of David, 1965

Shipley, David H., 1963

Shipman, Mary Dana (Mrs. Arthur J., Jr.), 1965

Shoolman, Regina, 1946

Shopp, Robert O.,1962

Shorefront YM-YWHA of Brooklyn, 1963

Shorewood Press, 1960, 1962-1963, 1965-1966

Shorofsky, Mrs. Gerald, 1966

Shortess, George K., 1968

Shosteck, Patti (Mrs. Herschel), 1963

Shotwell, Marcia S. (Mrs. David R.), 1962

Show, 1962, 1965

Shriver, Robert Sargent, Jr., 1962

Shropshire, Dorothy (Mrs. H. W.), 1963

Shubert, Irwin, 1947

Shubert, Mrs. Irvin, 1961

Shulman, Deana (Mrs. Herbert), undated, 1964-1966

Shulman, Mr. and/or Mrs. Herman, 1935, 1944-1945, 1947, 1952, 1955

Shulman, Rea K., (Mrs. Harry), undated, 1953-1955

Shwalb, Richard A., 1963, 1965, 1967-1968

Shyobo, Kawade, 1955

Shyrock, Burnett H., 1943

Siani, Emma A., 1965

Sicron, Sarah, 1967-1968

Siden, Franklin D., 1962

Franklin Siden Gallery, Inc., 1966

Sidenberg Gallery, 1956

Sieber and McIntyre, Inc., 1966

Sieburg, Virginia, 1965

Siegel, Adrien, 1953

Siegel, Arthur, 1969

Siegel, Donald S., 1961-1962

Harold J. Siegel Company Publicity, 1953

Siegel, Joshua, 1965

Siegal, Natalie, 1967

Siemonn, George and/or Mabel Garrison, 1960-1962

Siger, Leonard P., 1966

Silber, Mrs. Robert, 1960

Silberell, Peter, 1963

E. and A. Silberman Galleries, Inc., 1955

Silberstein, Mrs. Robert G., 1966

Silerman, Mabel G., undated

Silliaman University, 1962

Sills, Philip, undated, 1959, 1962, 1965

Silman, Robert, 1936

Silva, Rufino, 1960

Silver Burdett Company, 1967-1968

Silver, Hanna, 1966

Silverman, Samuel, 1957

Silvermine Guild of Artists, Inc., 1963

Silverstein, Morma, 1951

Simms, Richard A., 1966, 1968

Simon, A., 1952

Simon and Schuster, 1966

Simon, Anne Westheimer, 1961

Simon, Ben and Nan, 1965

Simon Brothers, 1952

Simon, Charles and/or Irene B., 1959, 1962-1964, 1968-1969

Simon, Mrs. Leo S., undated, 1953-1954, 1962, 1964

Simon, Mrs. Leon, 1951

Simon, Maron J., undated, 1949, 1952, 1964

Simon, Mr. and/or Mrs. Robert E., undated, 1965

Simon, Sidney, 1954

Simon, Walter A., 1950

Simpson, Frances Ruth, 1965

Simpson, Mildred, 1935

Sinai Temple, 1964

Singer, E., 1961

Singer, Herbert M., 1962

Sinkinson, F., 1966

Sinkoff, Marvin, 1962, 1964

Sinnamon, Lynwood D., Jr., 1965

Sioux City Art Center, 1958

Siporin, Judy, undated

Siporin, Miriam and/or Mitchell, undated, 1939, 1941, 1953-1955, 1962

Siporin, Rachel Jane, undated

William Sirefman Plumbing and Heating, 1941-1942

Sirmans, James, undated, 1963-1964

Sirota, Hilda A. (Mrs. Ira L.), 1959

Sirotto, Allen D. (Chick), 1959-1960, 1962

Sisk, Robert V., 1967-1968

Sivard, Robert, 1959

Sivard, Ruth, 1959

Sixtieth Street Gallery, 1935

Skidmore College, 1944

Skidmore, Owings and Merrill, 1956-1958, 1961

Skinner, Cornelia Otis, 1954

Skowhegan School of Painting and Sculpture, undated. 1952-1957, 1960-1961, 1963-1967, 1969

Skutch, Robert Frank, 1945, 1947

Slater, H. N., 1946

Slater, Martin, 1953

Slater Memorial Museum, 1954, 1958

Slater, Nelson, undated

Charles E. Slatkin Galleries, 1959

Slavitt, Lynn M. (Mrs. David), 1963-1964

Slick, Thomas, 1956-1958, 1960-1962, 1967

Charles J. Slicken Company, 1963

Sloan, Eugene, 1963

Sloan, Mr. and/or Mrs. J. Seymour, 1959, 1962

Sloan, Sonny, undated

Sloan, Sylvia, 1948

Slonim, Evelyn, undated

Slonim, Jay, 1957

Slonim, Jill, 1959

Slosberg, Helen S. (Mrs. S. L.), 1958

Slosson, Theodore, 1955

Slotnick, Merv, undated, 1964

Slusser, Jean Paul, 1964

Small, Amy G., undated

Small, Marvin and/or Sylvia, undated, 1955-1956

Smallens, Mimi K. (Mrs. Alexander, Jr.), 1961-1962

Smathers, Senator George, 1957

Smeltzer, Anne, 1946, 1948

Smiley, George W. and Helen, 1949

Smiley, Leonard V., 1952

Smith, Adele Godschaux (Mrs. Bradley), 1952

Smith, Alfred C., 1946

Smith, Alfred E., 1932

Smith, Anne G. (Mrs. Parker B.), undated, 1946

Smith, Mr. and/or Mrs. Arnold, 1963

Smith, Beauchamp, 1962

Beverly Smith and Sons, Ltd., 1964

Smith, Burwell, 1945-1946

Smith, Carleton, 1949

Smith, Charles E., 1945

Smith, Charles Edward, 1965-1966

Smith College, 1940-1950, 1954-1955, 1958-1960, 1967

Smith, Gene, 1965

Smith, Howard E., 1964

Smith, Jerome B., 1966, 1968-1969

Smith, Kent H., 1956

Smith, Lawrence C., 1951

Smith, Lillian (Mrs. Stephen), 1949, 1955

Smith, Louise (Mrs. Bertram), undated, 1953, 1955-1957, 1963

Smith, Mollie Higgins, 1952

Smith, Olive Cole, 1941, 1945

Smith, Rita and Bradley, 1962

Smith, Sidney, 1946

Smith, Solomon Byron, 1950-1952 (see also: Northern Trust Company)

Smith, Suzanne Mullett, 1946

Smith, Wallace H., undated, 1962

Smith, Mr. and/or Mrs. William Gordon, Jr., 1955, 1958

Smithsonian Institution, undated, 1931, 1933, 1954-1957, 1959, 1961, 1963-1969 (see also: Archives of American Art; National Collection of Fine Arts)

Smokler, Bert L., 1956

Smyth, Nelson, 1967

Smythe, Lanier, 1965

Sneteony, E. E., 1959

Snider, Gratia, 1962

Snider, Stanley, 1962

Snow, V. Douglas, 1963-1964

Snyder, Ben, 1956

Snyder, Mrs. C., 1961

Snyder, Charles Russell, 1954

Henry Sobel and Co., 1961

Soby, James Thrall, undated, 1945-1948, 1953-1954, 1956-1961

Société Anonyme, 1948-1949 (see also: Katherine S. Dreier)

Société Libanaise Hadad, 1952 (see also: Hadad, Marie)

Society for Contemporary American Art, 1956

Society for the Advancement of Judaism, 1964

Society of Architectural Historians, 1959

Society of Arts and Crafts, 1930-1934, 1949 (see also: Art School of the Detroit Society of Arts and Crafts)

Society of Illustrators, undated

Society of Independent Artists, Inc., 1934

Society of Philatelic Americans, 1965

Society of the Four Arts, undated, 1941, 1943, 1947-1948, 1950, 1952, 1955-1956

Society of the New York Hospital, 1951 (see also: New York Hospital)

Socin, Jay, 1961, 1964

Socolow, Alfred, 1959

Sofia Bros., Inc., 1968

Sokoloff, Arthur, 1966

Solinger, David M., 1949-1962, 1964, 1967

Solman, Helen Gray and/or Edw. C., undated, 1962

Solnary, Carl, undated

Soloman, Harry, 1944, 1946, 1955

Solomon, Hyde, 1953

Solomon, Norman, 1964

Solomon, Samuel M., 1963

Sommers, Davidson, 1964

Songwriters' Protective Association, undated

Sonnenberg, Mr. and/or Mrs. Benjamin, undated, 1950-1951, 1953

Sonner, Eric, 1962

Soote, John, Sr., undated

William H. Sopher and Co., Inc., 1951, 1954

Sorce, Anthony John, 1969

Sornik, Lillie E., 1961

Sorvari, Arnold, 1965

Sotheby and Co., 1964, 1968

Sour, George B., 1961, 1963

South Bend Art Association, 1963, 1965

South County Art Association, 1947

South Plains Art Guild, 1955-1956

Southern Art Museums Directors Association, 1955

Southern California Council for a Sane Nuclear Policy, 1962

Southern Conference Educational Fund, Inc., 1966

Southern Methodist University, 1957-1958

Southern Illinois Normal University, 1943

Southern Illinois University, 1954, 1962, 1965-1966

Southern New England Telephone Company, 1946, 1962

Southman, H. S., 1944

Southwestern Art Association, 1941

Soviet Friendship Societies, 1961

S.P.A. Journal [Society of Professional Artists?], 1965

Spaet, Fannie, 1949

Spaeth, Eloise and/or Otto Lucien, undated, 1941, 1943-1946, 1950, 1952-1953, 1955-1956, 1958, 1960-1961, 1965-1966

Spall, Pamela, 1966

Ira Spanierman Gallery, 1967

Spark, Victor D., 1941

Spaulding, Mrs. Philip E., 1948

Special Work, Inc., 1933

Spector, Marlene, 1965

Spector, Mrs. Morris, undated, 1967

J. B. Speed Art Museum, 1961, 1964

Speed, Robert Malcolm, 1962

Speed-o-lite, 1962-1963

Speiller, William M., 1968-1969

Speiser, Maurice J., 1933-1934, 1936

Spellmeyer, Irene E., 1952

Spelman College, undated, 1964-1966

Raymond Spelman Industrial Design, 1964

Spence, Willard, 1964

Spencer, Catherine Brett, 1956, 1963, 1966, 1968

Spencer, Henry M., 1967

Spencer, Mildred, 1963-1964

Spencer, Suzanne D., 1964

Sperie, Frederick M., 1961

Sperry, Albert F., 1955

Spertus, Herman and/or Sara, 1957-1959, 1964

Spewack, Bella, undated, 1936

Spiegel, Rosalynde G., 1957

Spiegelberg, Bruce, 1962

Spielberger, Alane, 1965

Spielman, Sheila (Mrs. Philip), 1964

Spillars, Ed, 1951-1952

Spiller, Jeanne W. (Mrs. Henry), 1959

Spinola, Cyril A., 1958

Spira, Henry E., 1964

Spiral Press, 1954

Spiro, Harry, 1969

Spittal, William Guy, 1962

Spitzer, Frederick R., 1960

Spivack, Dorothy and/or S. S., undated, 1944, 1960, 1964, 1967-1968

Spoerer, George Richard and/or Hester L., 1940-1941

Sports Illustrated -- , 1954

Sprague and Carleton Incorporated, 1963

Spreckles, Emily, undated

Sprinchorn, Carl, undated, 1954, 1956, 1958-1961, 1964

Springfield Art Association, Illinois, 1950, 1958

Springfield Art Museum, 1945, 1949-1950, 1952

Springfield Museum of Art, 1934-1935, 1947

Springfield Museum of Fine Arts, 1950-1954, 1956, 1959 (see also: Museum of Fine Arts, Springfield)

Springold, Frances, 1958, 1965

Springold, Nate B., undated, 1955, 1956

Springs Cotton Mills, 1962-1963

Springville High School Art Association, undated, 1946-1947, 1950, 1953, 1958, 1965, 1967

Springville Insurance and Realty Co., 1950

Sprouse, Edith M. (Mrs. James M.), 1955

Spruance, Benton, undated

Square D Company, 1955

SRO, 1948

Staatliche Kunsthalle Baden-Baden, 1963

Stainbrink, Mrs. Edward, 1961

Stainow, Gregory, 1960, 1964-1965

Stair, Gobin, 1958

Stall, Jeffrey R., 1969

Stamats, Mrs. Peter, 1962

Stand 207, 1960

Standard Education Society, Inc., 1955, 1958

Standish, Rosamund T. (Mrs. Welles A.), undated

Stanek, Elizabeth J., 1963

Stanford University, 1955-1956, 1960

Stanton, Arthur, 1962

Stanton, Frank, 1957-1959, 1963

Stanton, Louise, 1954

Star, Leonard, 1967

Stark, Jane T. (Mrs. Richard S.), 1958

Stark, R., 1946

Stark, William H., 1966

Stark, William James, undated

Starr, Mr., 1966

Starr, Alfred, 1947

Starr, L. D., 1961

Starr, Leonard, 1967

State College of Washington, 1946-1947

State Historical Society of Wisconsin, 1952, 1957

State of New York, Department of Labor, 1951 (see also: New York State Department of Labor)

State of New York, Department of Social Welfare, 1955, 1961

State Teachers College, Potsdam, N.Y., 1943 (see also: State University Teachers College, Potsdam, N.Y.)

State University of Iowa, 1941, 1945-1946, 1948, 1950-1951, 1953, 1955, 1958, 1960, 1962-1964

State University of New York State Teachers College, New Paltz, 1953-1954, 1956

State University Teachers College, Potsdam, N.Y., 1953 (see also: State Teachers College, Potsdam, N.Y.)

Staten Island Institute of Arts and Sciences, 1959, 1961

Staten Island Museum, 1959

Statsinger, Evelyn, 1951, 1954

Staub, Nancy Liesbethe, 1967

Stauffer, John A. and/or Valerie, 1959-1960, 1962, 1968

Stauffer, Josephine, 1945

Steadman, William E., 1966

Stebbins, Theodore E., Jr., 1962

Stecker, Robert, 1956

Stecker, Rose Gimbel, 1960

Stedelijk Museum, undated, 1949-1951, 1956-1958, 1960-1961, 1964, 1967 (see also: Municipal Museums of Amsterdam)

Stedman, Gerda (Mrs. Samuel Lee), 1963

Stedman-Harris Co., 1957

Steel Guide Distributors, Inc., 1965

Steele, Fletcher, 1959

Steele, Mary Evarts (Mrs. John Nelson), 1952

Steele, William T., 1958-1960

Steen, Barbara. 1961

Stehley, Virginia A., 1950, 1966

Steig, William, Mr. and/or Mrs., undated, 1942, 1956, 1961

Stein, Donna, 1967

I. Stein and Sons, 1950

Stein, Mrs. J. E., 1954

Stein, Jeanette S. and/or Sydney, Jr., undated, 1951, 1963-1964

Stein, Pauline, 1961

Stein, Peter S., undated

Stein, Robert F., 1963

Stein, Mrs. Rubin, 1957

Steinberg, Dorothy M. (Mrs. Perry S.), 1956

Steinberg, Harris B., undated, 1957-1958, 1961

Steinberg, Mr. and/or Mrs. Jay Z., 1951, 1954

Steinberg, Mrs. Milton, 1965

Steinberg, Robert S., 1967

Steinbrocker, H., undated

Steindler Gallery, 1962

Steine, David, 1954

Steinfirst, Susan, 1964

Steinhardt, J. Laura M., 1946

Stella, Michael, 1953, 1959

Stella, Serge, 1950, 1953

Stember, Sheila, 1963

Stendler, Celia, 1960

Stenvall, John F., 1946

Stephens College, 1954-1955

Sterling, Audrey and Bobby, 1964

Stern, Mrs. Alfred, 1952

Stern Brothers, 1956, 1966

Edward Stern Co., 1947

Stern, Geraldine, 1965

Stern, Jane M. (Mrs. George A.), 1956

Stern, Louis E., 1929-1931, 1946, 1954, 1957-1958

Stern, Rita, 1956

Sternberg, H. Sumner, 1955-1956

Sternberg, Harris, 1962

S. G. Sterne and Company, 1940

Sternfield, Edward, 1968

Stevens, George F., 1958

Stevens, Joseph T., 1961

Stevens, Roger L., 1950, 1952, 1964-1965, 1967

Stevens, Walter H., 1964

Stevenson, Adlai E., 1956, 1960-1961

Stevenson, Elizabeth, 1966

Stevenson for President Committee, 1956

Stevenson, John Fell, 1967

Stewardson, William E., 1960

Stewart, Janet Lenzner, 1963, 1967-1968

Stewart, M. J., 1962

Stewart, Michael, 1966

Stewart, Waldo, 1956

Stiles, George, 1956

Stiles, George and Virginia, 1957

Stillwell, John B., 1954

Stix, Hugh S., 1956

Stix, Thomas, 1954

Stoddard, Helen E. and/or Robert Waring, 1957, 1961-1964

Stokes, Elizabeth S., 1953-1954, 1959-1960

Stokowski, Mrs. Leopold, 1954

Stoll, Mrs. Herbert, 1959

Stoloff, Charles I., 1963

Stoloff, Carolyn, 1952

Stone, Alex B., 1958

Stone, Deborah, 1964

Stone, Dewey D., 1959-1960

Stone, Faye Gloria (Mrs. David G.), 1957

Stone, H. H., 1961

Stone, Harry K., 1936, 1955

Stone, Jerome H., 1957-1958, 1961

Stone, Lester B., 1944

Stone, Stephen A. and/or Sybil, undated, 1952, 1955-1969

Stones, Brian, undated, 1959

Stoney, George C., 1962

Stony Point Folk Art Gallery, 1955, 1958

Storm King Art Center, 1966

Storrs-Booz, Monique, 1967

Story, Ala, undated, 1965, 1967-1968

Story, James, 1963

Story, Lewis, 1966

Storza, Eleana (Mrs. Francis), 1956

Stouffer's Restaurant Corp., 1957

Straight, Michael, 1955

Straight, Stephen M., 1963, 1965

Stralem, Donald J., 1957

Strand, Ruth, 1956

Strater, Henry (Mike), 1952, 1956-1957, 1959

Strathmont Museum, 1958, 1960

Stratton, Catherine M. (Mrs. Julius A.), 1967

Straus, Carol and/or Robert David, undated, 1945-1946, 1948-1949, 1951-1958, 1961-1964, 1966-1968

Straus-Frank Company, 1953

Straus, Gerhard D., 1959-1960, 1962, 1964

Straus, Lois M. (Mrs. Gerhard D.), 1958-1959, 1962

Straus, Percy, Jr., 1953

Straus, Robert, 1933-1935

Straus, Robert K., 1954

Strauss, Harold and/or Mildred, 1961-1964

Strauss, Jenny N. (Mrs. Leonard), undated, 1948, 1951, 1953

Strauss, Maurice J., 1938

Street, John, 1956

Strick, Joseph, 1957-1959, 1963

Stritzler, N., 1957

Strobelite Co., 1960

Strong, Alice and/or L. Corrin, undated, 1953, 1955, 1957, 1959-1960, 1964

Struck, Paul A., 1944

Struck, William C., 1962

Stryker, Donald W., 1962

Stuart Art Gallery, 1944-1945

Stuart, Betty Thornley, 1954

David Stuart Gallery, 1967

George M. Stuart, Inc., 1954, 1962, 1965, 1967-1968

John Stuart, Inc., 1960

Stuckey, James, 1967

Studin, Robert M., 1964

Studio Craft Shop, n.d

Studio International -- , 1964

Studio School of Art, 1937

Studio Second, 1959

Sturges, Elizabeth (Mrs. Hollister), undated, 1960

Sturman, George, 1963

Stwin, Fred, 1955-1956

Suares, C., 1960

Suba, Susanne, 1944

Sudler, James S., 1954

Robert Sugden School, Inc., undated

Sugerman, Mrs. B., 1955, 1956

Sukoff, Mrs. Marvin, undated

Sullivan, Betty (Mrs. John A.), 1966-1967

Sullivan, Daniel H., 1954-1955

Sullivan, M., 1945

Sullivan, Max W., 1965

Sullivan, Philip B., 1955-1956

Sulmeyer, Irving, 1963

Sulmeyer, Noreen, 1959-1960

Sulzberger, Arthur Hays, 1935

Sulzberger, Jean, 1952

Summers, Martin, 1958

Sun Magazine -- , 1958-1959

Sunami, Soichi, 1965, 1968-1969

Sunday Times of London -- , 1962 (see also: -- London Sunday Times -- )

Sunshine, Lotte, 1968

Survey of Contemporary American Art, 1955

Sussman, Arthur H., 1964

Sussman, Ernest, 1953

Sussman, Eva W., 1969

Suter, Carl R., 1967

Sutnar, Ladislav, 1964

Sutter, Mrs. Walter, 1955

Swain School of Design, 1960

Swan, Mabel Minerva, 1957

Swann, Erwin D., 1961

Swanson, Swanson and Boeye, 1966

Swanström, Rune, 1956, 1957

Swarthmore College, 1964

Swartz, Arnold, 1955

Sweeney, Anne P. (Mrs. E. F., Jr.), 1966-1967

Sweeney, James Johnson, undated, 1949, 1956

Sweet Briar College, 1950

Sweet, Frederick, undated

Sweet, Mrs. Gordon, 1945

Sweet's Catalog Service, 1947

Swetzoff Gallery, 1953-1956, 1958, 1961-1963

Swift, Mrs. Charles, 1940

Swope, Horace M., 1930, 1935

Sheldon Swope Art Gallery, 1942, 1944-1946, 1948, 1950, 1961-1962, 1965-1966

Sword, Arthur W., 1952

Swoyer, Arline D., 1964

Swyers, Michael, undated, 1960-1961

Sydney, George, 1943

Symonds, Bernard K., 1955

Syracuse Museum of Fine Arts, 1953, 1959

Syracuse University, undated, 1956, 1958-1968

Szanto, Jack, 1968

Szekely, Gillian M., 1968

Szold, Brandwen and Shubert, 1943-1947, 1951-1952

Szold, Robert, undated

Taddei, M., 1953, 1955

Taetzsch, Lynne, 1963

Tafel, Edgar, 1962

Taft Museum, 1950-1951, 1963-1964

Tagliabue, Angelo, 1958, 1959

Tahcheechee, Leon, 1930

Tait Appraisal Co., 1954

Takayesu, Ben G., 1964-1965, 1966-1967

Takehita, Natsuko, 1954

Takemoto, undated

Talad, Richard and Sonya, undated

Taliferro, Mrs. J. R., 1954

Tam, Gerry and/or Reuben, 1953, 1960

Tamarind Lithography Workshop, Inc., 1961, 1963, 1966

Tampa Art Institute, 1958

Tanglewood Gallery, 1958-1961, 1963

Tannenbaum, Joseph, 1967

Tannenbaum, Julius, 1952

Tannihill, Robert Hudson, undated, 1932-1937, 1939, 1941, 1944-1948, 1952, 1954, 1963

Tarbell, Roberta K. (Mrs. James V.), 1966-1967

Tarleau, Mrs. Thomas N., 1961

Tarlow, Al. E., undated, 1959-1961, 1963, 1965

Tarnopol, Emil, 1960

Tarr, Mrs. Thomas A., 1952-1954

Tatar, Richard P., 1966, 1969

Tatar, Seymour M., 1967

Tate Gallery, 1956-1957, 1960-1963

Taubman, Reva (Mrs. A. Alfred), 1960

Taussig, Theodore D., 1947-1948, 1951-1962

Tavara, Zulema, 1950

Durand Taylor Co., 1956

Taylor, G. C., 1966

Taylor, J. Scott, 1965

Taylor, John N., 1955

Taylor, McKay, 1961

Taylor, Pamela, 1950

Taylor, Winthrop, 1958

Tedeschi, Alberto Bruni, 1957

Tedesco, N., 1951

Teitz, Richard Stuart, 1968

Tekizan, Seitaro Bamba, 1958

Telanserphone, Inc., 1956, 1961, 1966

TeleCircuit Company, undated

Telfair Academy of Arts and Sciences, Inc., 1968

Temple, Alan H., 1952

Temple Beth El, 1958, 1969

Temple B'nai Jeshurum, 1949

Temple B'rith Sholom, 1958

Temple, Mrs. E. B., 1946

Temple Emanu-el, undated, 1963-1965

Temple, Gloria E., 1953

Temple Israel, 1959, 1964-1965

Temple, Mrs. John, 1952

Temple, Latané, 1957

Temple University, 1967

Tenth Muse, 1968

Ten-Thirty Gallery, 1948

1020 Art Center, 1954, 1957

Tennessee Fine Arts Center, 1962

Tennyson, Jean, 1942

Tepper, Mr. and/or Mrs. Benjamin, 1946-1947, 1950

Terhune, Anne Gregory (Mrs. Harry E.), undated, 1966-1967

Terken, John, 1966-1967

Terner, Emanuel M., 1964

Terry Art Institute, 1949

Texas Christian University, 1950-1953

Texas Technological College, 1960-1962 (see also: Museum, Texas Technological College)

Texas, University of (see: University of Texas)

Thabor Collection Bureau, 1966

Thames and Hudson, Ltd., 1961, 1963, 1968

Thannhauser, Barbara L., 1963

Thannhauser, Justin K., 1950, 1955, 1957, 1959

Thannhauser, Leslie, 1929

Thaw, Eugene, 1965

Thébaud, Jules, 1962

Thecla, Julia, 1954

Theobald, Frank, 1963

Thibaut, Richard E., Jr., 1953

Thiebaud, Wayne, undated, 1961

Things -- , 1964

13 West Gallery, 1963

This Week -- Magazine, 1954, 1962

Thoby-Marcelin, Eva, 1959

Thoener, George E., 1964, 1967-1968

Thoma, Belle B., 1959

Thomas, Mrs. B. B., 1959

Thomas, E. A., 1946-1947

Thomas, Herrel George, 1952, 1954

Thomas, Julie, 1965

Thomas, Marion, 1943, 1945

Thomas, Vincent, 1962-1963

Frederic B. Thomason, Inc., 1936-1937, 1939-1941

Thomm, Mrs. John F., 1963

Thompson, Andrew Z., 1959

Thompson, George David, undated, 1935

J. Walter Thompson Company, 1941-1942, 1946

Thompson, Mrs. Lawrence, 1963

Thompson, Lynne, 1957

Thompson, Mrs. Rector M., Jr., 1961

Thompson, William W., 1953

Thoms, Floyd L., 1958

Thomson, Virgil, 1962

Thomson, William, 1967

Thoresen, Inc., 1965

Thorndike, R. A., 1958

Thorne's Transfer Co., 1961, 1965

Thorne's Warehouse, 1946

Thrall, Donald, 1951, 1953, 1955

Three Two Seven Gallery, Inc., 1961

Thurber, Helen and/or James, 1937, 1962-1963

Thurber, James, 1937

Thurek, Harry, 1956

Thuyssen, Fran, 1955

Tibbetts, Helen A., undated

Tiber Press, 1955

Tiffany and Co., 1965

Louis Comfort Tiffany Foundation, 1947, 1958, 1962

Tillich, Paul, 1961-1962

Tillotson, Stephen, 1951

Time Incorporated, undated, 1931, 1938, 1944, 1947, 1950-1951, 1953-1955, 1957, 1959-1961, 1963-1965

Time-Life Books, 1966-1967

Tincher, Virginia L., 1960

Tindall, Morris Hancock, 1956

Tinkham, Sally Gresham (Mrs. David J.), 1961

Tinsley, Milton, 1957

Tintner, Leóntine Camprubi, 1961-1962

Tips About Town -- , 1945

Tisch, William, 1957

Tischler, Henrietta (Mrs. Kenneth), 1962

Tishman, Paul, 1950

Titelman, Frank M. and/or Rose, 1964-1967

Titelman, Richard, 1969

Titus, William E., 1968

Tobian, Louis, Jr., 1960

Tobias, Mr. and/or Mrs. Abraham Joel, 1962, 1968

Tobias, Leslie, undated

Tobias, William, 1958

Tobin, Mrs. Edgar, 1964, 1966

Edgar Tobin Aerial Surveys, 1963

Tobin, Robert L. B., undated, 1962-1968

Today's Art -- , 1965

Tofel, Jennings, undated, 1952

Toledo Museum of Art, 1935-1936, 1942-1944, 1946-1947, 1950, 1952-1957, 1959-1960, 1964, 1966, 1969

Tolin, Mrs. David, 1954

Tom, Stanley, 1956

Tompkins, Robert Schuyler, 1954-1955

Arthur Tooth and Son, 1966

Tooth, Dorothy, 1963

Tooth, Dudley, 1963

Tooze, Arthur E., 1943

Topper, Victor, undated, 1960, 1964, 1966-1967

Toronto, Art Gallery of (see: Art Gallery of Toronto)

Toronto Museum of Fine Arts, 1956

Toronto, University of (see: University of Toronto)

Torrey, Arthur H., 1936, 1950

Arthur H. Torrey - Tay Hohoff, 1937

Totelite, 1965-1966

Tourtellot, Arthur, 1952

Tovish, Harold, 1951, 1956

Town and Country -- , 1942, 1946, 1955

Town Hall, 1951

Townley, Hugh, 1960

Tracey, Elinor, 1940

Tracy, Mrs. Robert J., 1968

Tragos Gallery, 1966

Trainer, Kathryn, 1964

Trasel, Helen (Mrs. Edward George, Jr.), 1954

Tratt and Tratt, 1942

Trattler, Ruth, 1964

Traube, Mildred, 1962

Travelers Insurance Company, 1941, 1963

Traveling Art, Incorporated, 1954

Traver, John Dubois, 1936, 1940

Treasury Department, 1934, 1937, 1943-1944, 1962 (see also: U.S. Treasury, Department of Internal Revenue)

Treiman, Joyce Wahl, 1954

Tremaine, Burton G., Jr. and/or Emily Hall, 1935, 1945-1947, 1952, 1956, 1958-1959, 1961 (see also: Miller Company)

Triangle Publications, undated, 1962

Trianon Press, 1962, 1965

Trice, Trudi, 1957

Trinity College, 1961-1962

TriStates Arts Council, 1961

Trites, Beatrice, 1961

Triton Hotel, 1960

Triton Press, Inc., 1963, 1966

Trolin, Mr. and/or Mrs. Henry J., 1958-1960, 1962

Troop, Miriam, 1968

Trotter, Joanne Vaughan (Mrs. Frederick E.), undated, 1963, 1965, 1967-1968

Trotzky, Jean N. (Mrs. Lewis A.), 1958- 1959, 1969

Trounson, Charlotte, 1960

Trovato, Joseph S., 1966

Troy, Mrs. John, 1965

Truax, Carol, 1960

Truman, Harry S., 1959

Trumbo, Dalton, 1961

Trump, Ross M., 1957

Tschirky, Leopold, 1956

Tschudin, Olga (Mrs. Robert Charles), undated

Tseng, Yu-Ho, 1960 (see also: Ecke)

Tsuchidana, Harry, 1960

Tu Fano, Miguel, 1967

Eve Tucker Galleries, 1964

Tucker, Jean S. and/or Joseph L., undated, 1959-1963

Tucker, Marcia, 1967

Tucson Art Center, 1966

Turek, Harry, 1950-1951

Turnbull, Murray, 1950

Turner, Mary S. (Mrs. Bert A.), 1960

Turner, Viola, 1961

Charles E. Tuttle Company, 1955-1956

TWA, 1963, 1965

Twentieth Century Club, 1961-1962

Twin Editions, 1950

Tynan, Kenneth, 1962

Tyson, Carroll, 1945

Tyson, Helen, 1952

Uhler, Madeline (Mrs. Alfred), 1965

Uhlmann, Paul, Jr., undated, 1945-1946, 1950

Uhlmann, R. Hugh, 1947

Uhr, Jewel and/or Nathaniel, undated, 1935, 1937, 1942-1945, 1949, 1955-1956, 1961-1962, 1965, 1968

Uhry, Alene (Mrs. Ralph K.), 1965

Uht, Carol K., 1953-1954

N. V. Uitgeversmaatschappij Elsevier, 1963

Ullman, Mrs. Charles, undated

Ullman, Eddie, 1957

Ullman, Mrs. G., 1957

Ullman, Harold P., 1961

Ulrich's Books, Inc., 1963

Unarco Industries Inc., 1963

Underhill, Stanley, 1962

Underhill, Farnum S., 1957

Union College, 1961-1962, 1967

Union of American Hebrew Congregations, 1948, 1959, 1961

Union of Soviet Socialist Republics, Embassy of (see: Embassy of the Union of Soviet Socialist Republics)

Union Theological Seminary, 1964

Union Towel Supply, 1963, 1965-1966

United Auto Workers, 1955-1956

United Church Herald, 1965

United Educators, Inc., 1964

United Hospital Fund of New York, undated, 1948

United Jewish Appeal, 1959

United Jewish Federation of Pittsburgh, 1967

United Medical Service, Inc., 1960-1962

United National Association of Post Office Clerks, undated

United Nations, 1951

United Nations Educational, Scientific and Cultural Organization, 1950

UNICEF (United Nations International Children's Education Fund), 1958

U.S. Appraiser of Merchandise, 1962

U.S. Army Air Corps, 1944

U.S. Army Air Force, 1943-1944

U.S. Chamber of Commerce, 1959

United States Committee of the International Association of the Plastic Arts, 1956

U.S. Customs Service, 1951, 1967 (see also: Customs Bureau)

U.S. Department of State, 1952 (see also: Department of State)

United States Educational Commission for France, 1956

U. S. Government Printing Office (see: Government Printing Office)

United States Information Agency, 1955-1967

United States Post Office, 1941

U.S. Steel Corporation, 1953

United States Time Corporation, 1946

United States Treasury, Internal Revenue Service, 1955, 1958, 1962-1963 (see also: Internal Revenue Service; Treasury Department)

U.S. Trucking Corp., 1959

Universal Metal Chain Co., Inc., 1967

Universite Libre, Belgium, 1958

University Center in Virginia, 1969

University of Alabama, 1941, 1948, 1953, 1962

University of Alaska, 1965

University of Alberta, 1962

University of Arizona, 1945, 1955, 1962-1969

University of Arkansas, 1950-1951, 1953-1954, 1960

University of California, undated, 1953-1946, 1966-1969

University of Chicago, 1948-1951

University of Cincinnati, 1968

University of Colorado, 1950, 1954, 1957-1958, 1967

University of Connecticut, 1956, 1959, 1967-1969

University of Dallas, 1965

University of Delaware, 1949, 1953, 1967-1968

University of Florida, 1949, 1952-1953, 1960, 1966-1969

University of Georgia, 1949, 1951, 1954-1955, 1957-1959, 1964-1965, 1967-1969

University of Hawaii, 1960-1961, 1966

University of Hull, 1965

University of Illinois, 1947-1948, 1950-1955, 1957, 1959, 1961-1965, 1967-1969 (see also: Krannert Art Museum)

University of Iowa, 1953, 1958, 1963, 1967

University of Judaism, 1966

University of Kansas, 1948, 1957-1959, 1961

University of Kentucky, 1958-1960, 1965, 1967-1968

University of Louisville, 1940, 1953-1954, 1960-1961

University of Maine, 1950-1953

University of Maryland, 1959, 1966-1967

University of Massachusetts, 1968-1969

University of Miami, 1950-1955, 1959-1960, 1965-1968

University of Michigan, 1950-1951, 1954, 1958, 1960, 1962-1963

University of Minnesota, 1942, 1949-1953, 1955, 1957-1958, 1960, 1962-1963, 1966, 1968

University of Nebraska, undated, 1939-1958, 1961-1965, 1967-1968

University of Nevada, 1962

University of New Mexico, undated, 1963-1964, 1966, 1968

University of North Carolina, 1948, 1961-1962, 1965-1968

University of North Dakota, 1964

University of Notre Dame, 1958-1959, 1962-1965, 1967-1968

University of Oklahoma, 1949-1950, 1958, 1963-1964

University of Oregon, 1945-1946, 1955

University of Pennsylvania, 1958, 1966

University [of Pennsylvania] Museum, 1942

University of Pittsburgh, 1955-1956, 1962-1963

University of Puerto Rico, 1956

University of Rochester, 1963, 1968

University of Southern California, 1950, 1955, 1957, 1959

University of Texas, 1944-1946, 1950-1951, 1960, 1963, 1965

University of Toronto, 1962

University of Utah, 1950, 1956-1958, 1960-1961, 1964, 1967-1968

University of Vermont, 1956-1962, 1964-1965, 1968

University of Virginia, 1952, 1956

University of Washington, 1965, 1968

University of Wisconsin, undated, 1946-1947, 1949, 1951, 1953, 1956, 1958-1962, 1964-1965, 1967

University of the Americas, 1965

University Press of Cambridge, Inc., 1953, 1955-1957, 1960-1961, 1963

University Prints, 1951, 1956-1958

University Settlement, 1967

Upjohn Company, 1961

Upstairs Gallery, undated, 1958

Uris, Mrs. Harold, 1956

Uslan, Mrs. Arthur, undated, 1967

Utah, University of (see: University of Utah)

Utley, Gordon D., 1968

Utter, Bror, 1951

Curt Valentin Gallery, Inc., 1952

Valentine, Helen, undated, 1957, 1959

Valparaiso University, 1961-1967

Valva Realty Insurance, 1965-1966

van Bark, Peter, 1945, 1946-1947

van Bark, Virginie, undated, 1946-1947, 1953

Van Camp, Betsy and George, 1955

van Caulaert, Jean Dominique, 1959

Vance, Donna (Mrs. Norman), 1959

Vance, J. Colville, 1953

Van Cleef, Jeanne W. (Mrs. Paul), 1949

Vancouver Art Gallery, 1952, 1954

Vandalia Community Schools, 1952

Vandenberg, J., 1948-1950, 1956

Vanderbes, Patsy Baum (Mrs. Romano), undated,1966 (see also: Baum, Patricia Ann)

Vanderbilt University, 1940-1941

Van Dyke, Mrs. L. S., 1962

Van Goethem, Paul, 1960

Vanguard Film Company, 1948

Van Loan, Dorothy, undated

Van Loen, Alfred, 1960

van Someren, Peter, 1963

Van Vechten, Carl, 1941, 1949

Van Veen, Felicia (Mrs. Stuyvesant), undated, 1965

van Weeren-Griek, Hans, 1954

Varrella, Amelio J., 1965

Vassar College, 1934, 1950, 1954, 1963-1965, 1968-1969

Vega, Max Fernando Braun, 1959

Velthuizen, Andries, 1965

"Venice Biennale," 1956-1957 (see also: "La Viennale di Venezia")

Venn, Diggory, 1953

Verlag Gerd Hatje, 1958-1959

Verlag M. Dumont Schauberg, 1963, 1966

Vermont, University of (see: University of Vermont)

Vernet, Albee, 1959

Vestal, David, 1947

Vetter, Edward O., 1966

Vick, Frances R. (Mrs. Frederic G.), 1950

Victorian Shop, 1955-1956

Vidar, Frede, 1933

Vidor, King, 1944, 1946, 1953

Vieth, Ulrich, 1967

James Vigeveno Galleries, 1944-1946, 1948, 1950, 1956

Viking Press, Inc., 1960, 1962

Village Art Center, 1953

Village Newspaper Service, 1962, 1965-1966

Virginia Museum of Fine Arts, 1945-1957, 1959-1962, 1964-1966, 1968-1969

Virginia State College, 1950, 1952-1953

Virginia, University of (see: University of Virginia)

Visions 65, 1965

Visitors East, 1966

Visson, Vladimir, 1955

Visual Education Consultants, Inc., 1966-1967

Voca Corporation, 1967

Vocational Advisory Service, 1962

Vo-Dinh, 1967

Vogel, Bernard, 1960, 1962

Vogel, Mrs. David, 1963

Vogel, Eleanor, 1961

Vogel, I. H., 1952

Vogue -- , undated, 1939, 1946, 1949-1950, 1952-1954, 1956-1958

von Haesler, William, 1960

von Keller, Beatrice, 1949

von Nardoff, Elfrida, undated, 1960

Von Schlegell, David, 1947

Von Schlegell, William, 1934

von Svoboda, Alex, 1961

Vorhaus, Martin G., 1935-1936, 1939

Robert C. Vose Galleries, 1943, 1949

Vose Galleries, Inc., 1958, 1963

VR Interiors, 1956

V'Soske, Inc., undated, 1960

WABC-FM, 1964

Wacaster, Mrs. A. E., undated, 1945-1946

Anna Wachsman Color Photography, 1959

Waddell, Chauncey, 1964

Waddington Galleries, undated, 1963-1964

Wadsworth Athenaeum, undated, 1933-1935, 1938, 1941-1942, 1946-1967

Wagner College, 1963

Wagner, Harvey M., 1964

Wagner, Karl A., 1952

Wagner, Oscar, undated

Wagner, Sherle, 1955

Wagner-Taylor Company, 1953

Wagner, Vernon M., 1963

Wagstaff, Sam, 1967

Wakeley, Mrs. R. W., 1945

Walabe, Paul K., 1965

Walbridge, Norton S., 1964, 1968

E. H. Waldeck Co., 1964

Walden School, 1958

Waldman, Mrs. N. E., 1958

Waldstein, Benjamin, 1960

Walker, Anne Kendrick, 1943-1944

Walker Art Center, undated, 1941, 1943-1969

Walker, Catherine H., 1934

Walker, Edith G. (Mrs. Samuel G.), undated, 1940-1941

Walker Engraving Corporation, 1955

Walker-Goulard-Plehn Company, 1965

Walker, Hudson D., 1959, 1963

Walker, Jennie (Mrs. Stephen J.), 1957, 1962

Walker, Mr. and/or Mrs. Maynard, undated, 1943, 1954, 1964

Maynard Walker Galleries, 1939, 1955, 1958

Walker, Raymond, 1943

Walker, Samuel S., Jr., 1959

Wall, Grace W., 1967

Wall Street Journal -- , 1964

Wall Street Synagogue, 1954

Wallace, Hugh C., 1963

Wallace, Moira, 1940, 1946

Wallach, J. B., 1956

Wallenstein, Alfred, 1941

Wallenstein, Mrs. Alfred, 1941, 1952

Wallenstein, Barry, 1966

Wallis, J. H., 1941

Wallowick, David, 1965

Wallowitz, Charles, 1968

Walsh, Gene, undated

Walsh, John, 1962

Walt, Blise Dodson (Mrs. Edward), 1956

Walter, Don, 1967

Walter, Pat, 1967

Walter, Paul F., 1957

Walters Art Gallery, 1946

Walters, Carl and/or Helen, 1939, 1945-1946

Walters, Daniel A., 1933-1934

Walters, Faye, 1949

Walters, John H., Jr., 1964

Walters, Raube, 1946-1947

Walther, Henry W. E., 1940

Wang Chi-Yuan, 1955

John Wannamaker's, 1934

War Assets Administration, 1948

War Department, 1942-1944

War/Peace Report, 1962, 1964

War Production Board, 1944

Warburg, Edward M. M., 1941-1942, 1968-1969

Warburg, Mr. and/or Mrs. Frederick, 1960, 1962

Ward, Charlotte, 1955

Ward, Lyle E., 1955

Ward, Mildred (Mrs. Paul), 1967

Ward, William, 1955

Warde, Frances, 1963

Wardell, Carolyn, 1961

Wardner, G. Philip, 1952

Waring, Helen Ford (Mrs. George L.), 1962

Warmbein, K. C., 1954

Warner Brothers Company, 1965

Warner, George Coffing, 1940

Warner, Mrs. Harold Hambridge, 1942

Warner, Harry, 1944

Warner, Keith, 1943-1945, 1957

Warner, Rawleigh, Jr., 1967

Warrek, G. R., 1965

Warren, Samuel B., 1954

Warring, Helen R., 1962

Warring, James E., 1966

Washburn, Mr. and/or Mrs. Gordon, 1950, 1960

Washington and Lee University, 1955

Washington Art league (see: Art League of Washington)

Washington, Barbara (Mrs. Selden), 1959

Washington Cathedral, 1957

Washington County Museum of Fine Arts, 1945

Washington, D.C. Institute of Contemporary Arts (see: Institute of Contemporary Arts, Washington, D.C.)

Washington, D.C. Public Library (see: District of Columbia Public Library)

Washington Gallery of Modern Art, 1962-1963, 1965, 1967

Washington International Art Letter, undated, 1962-1964

Washington Irving Gallery, 1960

Washington Post -- , 1961, 1963, 1965

Washington Square Galleries, 1964

Washington State College (see: State College of Washington)

Washington University, 1946-1947, 1950-1953, 1955, 1956, 1961, 1963-1966

Washington, University of (see: University of Washington)

Wasserman, Harvey R., 1958

Wasserman, Dr. and Mrs. Louis, 1959

Wasserman, Max, 1964

Watabe, Paul K., 1966

Waters, Ethel, 1941

Waters, George, 1961

Waters, Mrs. Norman, 1965

Waters, R. T., 1955, 1959

Watherston, Margaret M., 1959-1969

Watson, Dr. and Mrs., undated

Watson, Dori, 1969

Watson Elevator Co., 1960

Watson, James Sibley, 1959

Watson, Mrs. James Sibley, 1963

Watson, Jean, 1940, 1941

Watson, Thomas J., undated, 1940-1942

Watter, Doris and/or Michael, undated, 1953, 1955, 1958-1961

Watter, Sonia, undated, 1956

Waugh, Elizabeth, 1961

Waugh, Samuel Clark, undated, 1943-1945, 1947, 1949-1950, 1960, 1962

Waxler, Jack, 1960

Wayne, June, 1955

Wayne, Irving, 1957

WBAI Radio, undated

WBNS, 1962

WCBS-TV, 1963, 1965

Weakland, I. W., 1971

Weathermatic Corporation, 1965, 1967-1968

Weaver, Richard W., 1963

Weaver, Shirley F. (Mrs. William F., Jr.), 1955

Webb, Aline U., 1965

Webb and Lynch, 1953, 1961

Webb, Electra and/or James Watson, undated, 1941, 1945-1946, 1949-1961

Webb, J. Watson, Jr., 1953, 1960-1964, 1968

Webb, Richard, undated

Webb, Mrs. Vanderbilt, 1960

Webber, Vera, 1958

Weber, undated

Weber, Bill, Jr., 1964-1965, 1967-1968

Weber, Esther (Mrs. Henry), undated, 1957

Weber, Frances and/or Max, 1956, 1961, 1963, 1966, 1968

Weber, Joy S., 1963, 1967

Weber, Mrs. Orlando F., undated

Wechsler, Nancy F., 1940

Wedertz, Bill, undated, 1958

Weed, E. L., 1952

Wehle, John L., 1965

Wehlschager, Frank, 1945

Wehr, Ethel (Mrs. Edward R.), undated, 1957-1960

Wehrbeck, Wilfred, 1958

[Weibe?], Donald, undated

Weichsel, John, 1963

Weidler, Charlotte, 1960

Weidner, Roswell, 1941, 1963

Weil, Richard K., 1959

Weinbeer and Son, 1952-1953, 1960

Weinbeer, Charles P., 1946

Weinberg, Helen Joy, 1954, 1963

Weinberg, Jane G. (Mrs. Louis E., Jr.), 1954-1955, 1960-1962

Weiner, Fred, 1967

Weiner, Lilian (Mrs. Herman), 1963

Weiner, Lucille, 1952

Weiner, Ted A., 1952-1954, 1967

Weingarten, Victor, 1966

Weinstein, Lewis V., 1959

Weinstein, Max, undated, 1958-1960

Weinstock, Leonard, 1965

Weinstock, Dr. and Mrs. Leonard M., 1963

Weintraub, William H., 1946

Weiss, Bernice 1959

Weiss, Dave E., 1963

Weiss, Edward H., 1967

Weiss, Laurie (Mrs. James B.), 1964

Weiss, Marguerite, undated, 1941, 1946-1947

Weiss, Martin L., 1951-1955

Weiss, N. Spencer, 1948

Weiss, Stymean Karlen, 1952

Weissberger and Frosch, 1956

Weissberger, L. Arnold, undated, 1957-1962, 1966

Weissman, Barbara, 1963

Weitzen, Elaine Graham, undated, 1968

Weitzman, Charles, 1967

Weitzmann, Mary, 1946

Weller, Allen, 1964

Welles, Jane, 1969

Wellesley College, undated, 1947, 1950, 1952, 1954, 1958-1959

Wellfleet Art Gallery, 1963 (see also: Gaglioni, Thomas)

Wells College, 1953

Wells, Fred N., 1959

Wells, James Lesene, 1931

Wells, Walter J., 1950

Rudolf Wendel, Inc., 1945

Wenger, J., 1961-1962, 1964

Wengler, Harold, 1941

Anna L. Werbe Galleries, 1959-1960

Werner, Alfred, 1959, 1964

Werner, Charlotte and Walter, 1960

Werner, M. R., 1952

Werner, Nat, 1952

Werner, Newton D., 1967

Werner, Walter, 1955, 1956, 1957, 1959, 1960

Werthan, Mary Jane (Mrs. Albert), 1965

Wertheim, Mr. and/or Mrs. Maurice, 1941, 1943, 1963

Wertheimer, Jerome, 1964

Wescher, Herta, 1958, 1962, 1966

Wescher, Paul, 1953

Weschler, Anita, 1946

Wescott, Mrs. L. B., 1960

Wesley, Elaine, 1962

Wesleyan University, 1955, 1962, 1965 (see also: Davison Art Center)

Benjamin West Society, 1945

West, Clifford, 1967

West Orange Chamber of Commerce, 1965

West, Samuel A., 1960

Westchester Art Association, undated

Westchester Art Society, 1965

Westergren, Mrs. G. S., 1962-1963

Western Adjustment and Inspection Company, undated, 1951, 1955, 1959

Western Association of Art Museum Directors, 1956

Western Family, Inc., 1957

Western Illinois University, 1965

Western New Mexico University, 1966

Western Printing and Lithographing Co., 1968

Western Union Telegraph, 1942

Westheimer Transfer and Storage Co., Inc., 1955

Westinghouse Broadcasting Company, Inc., undated, 1963-1966

Westminster Press, undated, 1960-1961

Westmoreland County Museum of Art, 1958-1960

Westport Community Art Association, 1956, 1963

Wetmore, Edith, undated, 1942

Wetmore, Dr. and/or Mrs. Robert Jackson, 1961-1962

Wettereau, Robert L., 1957-1958

Wettling, George and Jean, undated

Weyand, Richard, 1950

Weyerhaeuser, Carl A., undated, 1956

E. Weyhe, Inc., 1954, 1962

Whale Oil Company, 1965

Wheaton College, undated, 1944, 1950, 1952, 1960

Wheeler, Edward Everett III., undated, 1962

Wheelright, Mrs. Robert, 1941

Whelan, Gloria (Mrs. Joseph), 1955

Whicker, James William, 1945

Whipper, Leigh, 1943

White, Mrs. Davenport, 1959

White, Doris, 1962

White House, 1962-1963

White House Historical Association, 1962

White, June, 1958

Ruth White Gallery, 1957

White, Vera (Mrs. S. S., III.), 1942, 1957

White, Winsor, 1952

William Alanson White Institute, 1957

Whitechapel Art Gallery, 1956

Whitehead, James L., 1965

Whitehead, John N., 1942

Whitehill, Clayton, 1947

Whitehill, Jean L., 1951

Whitehorn, Eugene D., 1952

Whitlock, C. E. H., 1952-1953

Whitlock's, 1945

Whitman, Jack, 1952

Whitney, Mr. and/or Mrs. John Hay, 1941, 1948, 1952, 1955, 1967

John Hay Whitney Foundation, 1960-1961

Whitney Museum of American Art, undated, 1931, 1933, 1935, 1939, 1941-1949, 1951-1969

William C. Whitney Foundation, 1955

Who's Who in America -- , 1952

Who's Who in American Art -- , 1961, 1964

Who's Who in Graphic Art -- , 1960-1961

Who's Who of American Women -- , 1969

Whyte, A. Robert, 1968

Whyte Gallery, 1946

Whyte, M. Donald, 1939

Wichita Art Association, 1958

Wichita Art Museum, undated, 1939, 1946-1947, 1952, 1956, 1960-1961, 1963, 1965, 1968

Wichita City, 1961

Wick, Mrs. George, 1968-1969

Wick, Robert M., 1961

Wicker, Philip J., 1943

H. B. Wiggin's Sons Company, 1940, 1945

Wight, Alice S. (Mrs. Carol), 1956

Wight, Frederick, undated, 1955, 1958, 1963

Wigodsky, Herman S. and/or Jo Ann, 1953-1954, 1961

Wijsenbeek, L. J. F., undated

Wilbraham Academy, 1937, 1964

Wilbur, Brayton, 1954, 1962

Wilcox, Jane (Mrs. Merton Frederick), 1960

Wild, Mrs. Morton, 1946

Wilde, Mrs. Charles, 1958

Wildenstein and Company, Inc., 1946, 1952, 1955, 1957, 1969

Wilder, Mitchell A., 1958-1960, 1967

Wilderness Road Trading Post, 1953

Wile, Dorothy K. (Mrs. E.), undated

John Wiley and Sons, Inc., 1960

Wilhaus, Bill, undated

Wilinsky, I. J., 1953, 1962, 1968-1969

Wilk, Max, 1962

Wilke, Ufert, 1944

Willard, Charlotte, 1958-1960, 1964-1966

Willard Gallery, 1955, 1958, 1960-1964

Willard, Virginia, 1962

Willaumez, Marilyn Karnes, 1963

Willey, Nancy, undated, 1959

William and Mary College, 1963 (see also: College of William and Mary)

William Penn Place Corporation, 1953

Williams, Alexander, 1941

Williams, Alice and/or Herman W. Warner, Jr., 1945-1946, 1962, 1964-1966, 1968

Williams, Bill and/or Alice, undated, 1965

Williams, Mr. and Mrs. Charles, 1950

Williams College, 1958-1959, 1961, 1963

Williams, Dan, 1934

Williams-Fleetwood Heating Corp'n., 1950

Williams, H. C., 1948

Williams, Herman, undated

Williams, J. C., 1934

Williams, John L., 1946

Williams, Mary, undated

Williams, Mary F., 1965

Williams, Mrs. Parker, 1935

Williams, Mrs. Robert F., 1962

Williams, Rodney W., 1942

Williams, W. C., 1940

Williams, William C., 1954, 1957-1959

Williams, William Carlos, 1948

Williamsburg (see: Colonial Williamsburg)

Williamson, Clara, 1950

Williamson, Judy, undated, 1962

Willing, Charles, 1959

Willis, Martha B. (Mrs. James M.), 1962-1963

Willoughby, Bob, 1959, 1966

Wills, Grace D., 1955

Wilmington Society of the Fine Arts, 1942, 1946-1947, 1953-1954, 1956, 1958, 1960-1961, 1965, 1968 (see also: Delaware Art Center)

Wilson and McIlvaine, 1963, 1964, 1965, 1967, 1968, 1969

Wilson, Mrs. Anthony, 1957

Wilson, Bob, 1956

Wilson, David, 1961

Wilson, Edwin C., 1955, 1957-1959, 1962

Wilson, Glenn D., 1958

Wilson, Irene, 1965

Wilson Picture Frames, 1958

Wilson, Stanley, 1956

Wilson's House of Suede, 1959

Wiltwyck School for Boys, Inc., 1955-1957

Wimpfheimer, Ann, 1954

Winchester Associates, 1967

Windfohr, Anne Bernett (Mrs. Robert F.), 1948-1949, 1951, 1953-1955, 1957

Windham College, 1965, 1967

Windward Artists Guild, 1964-1965

Wines, James N., 1956

Wing, Adeline, 1950-1951

Wingate, David A., 1959-1962

Wingate, Ealan, 1959

Winkelman, Peggy and Stanley, 1964

Winkler, John K., 1933

Winman, L. J., 1959

D. P. Winnie Co., Inc., undated, 1960, 1963, 1965

Winnipeg Art Gallery, 1967

Winnipeg Art Gallery Association, 1953, 1955

Winslow Hotel, 1960

Winston, Donald, 1956-1958, 1960

Winston, Francesca S., Estate of, 1957

Winston, Harry Lewis and/or Lydia, 1941, 1944-1945

Winston-Salem Gallery of Fine Arts, 1961

Winter, Ella, 1940

Winters, Mr. and/or Mrs. L., 1952

Wintersteen, Mrs. John, 1947

Winterthur Museum, 1962-1964, 1968-1969

Winthrop, Murray Crane III., 1936

Winton, Frank J., undated, 1965-1967

Wisconsin State Historical Society (see: State Historical Society of Wisconsin)

Wisconsin, University of (see: University of Wisconsin)

Wisdom, 1956

Wise, Donald, 1965

Wise, Howard E., 1957

Howard Wise Gallery, 1962, 1964

Wise, Leo, 1964

Wiswell, Doris, undated, 1955

Wiswell, George, 1955

Witherspoon, Mrs. J. T., Jr., 1946

Witherstine, Donald F., 1947

Witte Memorial Museum, 1946, 952-1953, 1959-1961, 1963-1965 (see also: San Antonio Art League)

Wittenberg College, 1950

Wittenberg, Philip, 1932-1935

Wittenborn and Company, 1960

George Wittenborn, Inc., 1962

WMFT Perspective, 1962

WNBC, 1953

WNDT, 1963

WNYC, undated, 1944, 1952

Woechle, Fritz, 1962

WOI-TV, Ames, Iowa, 1953

Wolanin, Barbara A., 1969

Wolf, Burton, 1953

Wolf, Jay R., undated, 1962-1964, 1966-1968

Wolf, Marcia and/or Stanley J., 1952-1953, 1955-1956, 1959, 1965-1966

Wolf, Rose, 1945

Wolff, Herbert, 1968

Wolff, Remsen, 1968

Wolfson, Erwin S., 1957-1958

Wolkoff, Donald M., 1960

Woll, Bennett, 1953

Wollens, Bernard, undated, 1962

Wollowick, David, 1965

Wolsey, Thomas, 1958-1959

Woman's Day -- , 1964

Women's American ORT, 1955

Women's City Club of New York, Inc., 1953, 1960

Women's Press Club of New York City, 1961

Womer, Robert L., 1961

Wood, Mrs. D. L., 1969

Wood, Myron, 1964

Wood, Mrs. P., 1958

Wood, Richard H., 1954, 1956

Wood, Mr. and/or Mrs. Robert W., Jr., 1959

Wood, Roy W., 1960

Wood, Sheldon H., Jr., 1965

Wood, William P., 1958, 1968

Woodie, 1931

Woodruff, Hale, 1943, 1945, 1947

Woods, Charles F., 1955

Woods, Sarah L. (Mrs. Thomas C.), 1957

Woodstock Artists Association, Inc., 1948, 1956

Woodstock Foundation, 1957, 1962

Woodward Foundation, 1961-1962, 1965

Woodward, Sarah R. (Mrs. Stanley), 1962, 1964

Woody, Marquis W., 1961

Wookey, Richard H., 1952-1953

Woolworth, Robert F., 1958

Worcester Art Museum, undated, 1934, 1935, 1939, 1941-1943, 1945-1947, 1950, 1952, 1955, 1957, 1959-1961, 1963-1965, 1967

Worker, 1959

Workman, David Thorpe, undated, 1961-1965

Works, George, Jr., 1952

Works Progress Administration, undated, 1935-1936, 1939-1940 (see also: Federal Works Agency, Works Progress Administration)

World and Its People -- , 1966

World House Galleries Corp., 1960

World Journal Tribune, Inc., 1966

World Publishing Co., Inc., 1963

World's Fair Art Project, 1940

World's Fair of 1940, 1940

Worldwide Books, Inc., 1964

Wormley, Edward J., 1947, 1949, 1955, 1959

Worms, Mrs. Charles H., 1945

WPAT, 1963

Wragge, B. H., 1945

Wragge, Sydney, 1948, 1960

Wright, Carl, 1960-1963

Wright, Dorothy B. (Mrs. Golding), 1952

Wright, Mrs. Frank W., 1952

Wright, Iris, 1942

Wright, Jann W., undated, 1959

Wright, Marjorie P. and/or William L., 1952-1953

Wright, Richard, 1941

Wu, Nelson, 1960

Wulf, Victor R., 1965

Wurdemann, Helen, 1955

Wyckoff, Mrs. Richard D., 1965

Wyman, Mrs. Charles, 1953

Wyman, M. Richard, 1963

Wynne, Angus G., Jr., 1952

Wyoming Arts Council, 1966

Yaddo, undated, 1952

Yale University, 1932, 1935, 1949-1951, 1954-1956, 1958-1966, 1967, 1969

Yamasaki, Minoru, 1963

Yancey, Foster, 1952

Yane, Margaret, 1955

Yasinow, J. B., undated, 1957

Year -- , 1953, 1954, 1962

Yiddisher Kemfer, 1959

Yochelson, Kathryn M. (Mrs. Samuel), undated, 1955-1957, 1959-1960, 1963-1964

Yochelson, Leon, undated, 1965

Yochim, Louise D., 1965

Yonkers, Richard T., 1959

York, Mr. and/or Mrs. Holcomb, 1934-1935, 1964-1965

Yoseloff, Thomas, 1962

Young, Art, 1933-1934

Brigham Young University, 1960-1961

Young, Cameron, 1952

Young Collections, 1956, 1959, 1963 (see also: Dallas Young Collections)

Young, George, 1964-1965

Young Men's Christian Association of Pittsburgh, 1945-1946

Young Men's/Young Women's Hebrew Association, 1959-1960

Young Men's/Young Women's Hebrew Association of Brooklyn, undated

YM/YWHA of Essex Co., 1967

Young Men's/Young Women's Hebrew Association of Philadelphia, 1961

Young Women's Christian Association, 1946

Zabarsky, M., 1965-1966

Zabriskie Gallery, 1963

Zadok, Mr. and/or Mrs. Charles, 1948-1950

Zajac, Jack, 1967

Zander, Arthur J., 1955

Zander, W. D., 1958

Zanseville Art Institute (see: Art Institute of Zanesville, Ohio)

Zarem, Jack Daniel, 1950

Zauho Press, 1955

Zeffer, Mr., 1968

Zeisler, Richard, 1956

Zeitlan and Ver Brugge Booksellers, 1961- 1962, 1964

Zeller, Anne, 1959-1960

Zerbe, Karl, undated, 1951, 1953, 1958

Zerdek, undated

Zeugnisse dur Angst in der modernen Kunst, 1963

Zevin, Lillian C. (Mrs. Ben D.), 1963

Zieget, Julius, 1963

Ziegler, Laura, 1956

Zierler, William S., 1959-1960

Zimmerman, Mrs. Isadore J., undated, 1960

Zimmerman, William, 1957-1959

Zinkler, Anne (Mrs. L.), 1959

Zinn's Ltd., 1958

Zinsser, William, 1950, 1955, 1957

Zion, Robert, 1959

Zipkin, Jerome R., undated, 1946, 1951, 1955, 1959-1960, 1965

Zirinsky, Julius, 1966

Zittle, Virginia B., undated, 1964

Zittle, Walden M., 1964

Zoler, Emile C., 1953

Zone, Stephen, 1953

Zorach Fountain Committee, Bath Garden Club, 1960

Zorach, Marguerite and/or William, undated, 1956-1958, 1960, 1963-1965, 1967

Zorach, Tessim, 1965-1968

Zsissly, 1943

Zucker, Louis C., 1959

Zucker, Mrs. Seth, 1960

Zulawoski, Joseph J., 1954

Zurich Insurance Company, 1963

Zurier, Max M., 1955-1959, 1961

Zytowski, Donald G., 1963

Unknown and Illegible -- :

Adele, undated, 1947-1948, 1951, 1959-1961, 1963, 1965, 1967-1968

Alan, 1962

Albert, undated, 1962

Albert and Polly, 1964, 1966

Alice, undated, 1964-1965

Alfred, 1947

Aline, 1948

Ann, 1956

Anne, undated

Aubrey and Mose, undated

Audrey, undated

Barbara and Jimmy, 1956

Bea, 1947

Bella, 1945

Benjamin, undated

Bert, 1955

Betty, 1952-1953, 1956, 1964

Bill, undated, 1953, 1956, 1958, 1960, 1965

Bitly, 1962

Bob, undated, 1944, 1947, 1960, 1962

Buck, 1958

Carol and Robert, undated

Celia, undated

Channing, undated

Charles, 1959

Charles W., 1957

Cipe P., undated, 1952, 1959

Dan, undated, 1931, 1943, 1945

Daniel, 1968

David, 1951, 1953, 1965

D.C.G., 1932

Dick, 1959

Dick McL., 1959

Dolores and Ed, undated

Donna, 1961

Doris, undated

Dorothy, 1963

Duncan F., 1940

E. B., 1967

E. G., 1964

E. W., 1955

Earle, 1949

Ed, undated, 1953, 1955-1956

Eddie, 1957

Edith, undated, 1948-1949, 1958

Edith and Mickey, 1949, 1951, 1953

Edmund, 1933

Edward, 1957, 1964

Elizabeth, undated, 1945, 1952

Emil, 1961

Ernest, undated

Estelle, 1945

Esther, 1934-1935

Esther and John, 1949

Ethel, 1965

Eunice, undated

Flossie, 1963

Frances, 1963

Frances, Max, and Jory, 1961

Frank, 1951, 1960

Frank and Lita, 1963

Fred, undated, 1954, 1958, 1962

George, undated, 1949

Gil, 1958-1959

Gus, 1955

Harold, 1948

Harriet, 1955

Harry, 1948, 1958, 1961

Helen, undated, 1946, 1955, 1958, 1961, 1965-1968

Helen and Milton, 1959

Henry, undated

Hilda, 1967

Howard, 1955, 1961

Henry, 1951

Jack, 1959-1960

Jack and Walter, undated

Jake, 1957

Jay, 1963

Jean and Lawrence, undated

Jerry, 1961

Jerry and Gerda, undated

Jim, undated, 1945, 1960

Joan, 1957, 1966

Joe, 1940, 1952

John, 1946-1947, 1949, 1958, 1960

Joseph, undated

Julian, 1953

Karen, 1967

Karl, 1958

Karl K., undated

Kate, undated, 1950, 1961

Katherine, 1961

Ken, 1953-1954

Laverne, undated

Lawrence, undated, 1942, 1950, 1958

LeRoy, undated

Lisa, 1964

Lita, 1964

Louis, 1949-1950

Lucie, 1963

Mari, 1956-1957

Marilyn, 1966

Margaret K., 1960

Margot and Seth, undated

Marguerite, 1959

Marian, undated

Marion C., 1963

Marion and Herb, 1962

Mary, undated, 1951, 1956

Maurice, 1960

Max, 1962

Maxim, undated

Me, 1966

Michael, 1958

Mike, 1961

Mike F., undated

Mike, Marianne and David, 1948

Mildred, undated, 1939-1940

Millie, 1956

Milton, undated

Miriam, undated, 1955-1956

Mitch, undated, 1958, 1960

Morris, undated

Nat, 1941, 1946, 1956, 1966

Niura, 1967

Norma, 1956

Norma and Eddie, 1951

Ottie and Sunny, 1931

Patsy, 1959-1960

Patsy, Howard, Sally, and Ron, undated

Paula, undated

Paul, 1956

Peggy, 1954

Pete, 1963

Polly and Albert, 1961, 1963

Presto, undated

R. G., 1966

Raymond, 1953, 1958

Regina, undated, 1959-1960

Renée, 1961

Reuben, 1953

Rob, undated, 1957

Robert, 1936, 1945, 1959-1961, 1963

Roland, 1962

Ronnie, undated, 1961, 1963

Rosalie, undated

Rosalind, 1966

Roy and Marie, 1952

Ruth M. (Mrs Henry W.), 1947

Ruth, Jack, and Susie, 1959

Sally, undated, 1931, 1960-1961

Sally and Howard, 1961

Sam, 1944

Saundy, 1967

Sonia, 1953

Steve, 1958, 1963

T., undated

Ted, undated

Tess, 1965

Todd, 1961

Tom, 1953-1954

Tom J., undated

Tommy, 1959

Vincent, undated

Virginia, 1956, 1958, 1964-1966

Walter and Jack, 1959, 1968

[unknown], 1936

[illegible], undated, 1931, 1945-1946, 1951, 1956-1959, 1963

[incomplete; without signature], undated, 1953, 1961, 1967, 1968
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Downtown Gallery records are owned by the Archives of American Art, Smithsonian Institution. Rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Prior to publishing information regarding sales transactions, researchers are responsible for obtaining written permission from both artist and purchaser involved. If it cannot be established after a reasonable search whether an artist or purchaser is living, it can be assumed that the information may be published sixty years after the date of sale.
Collection Citation:
Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution.
AAA.downgall, Series 1
See more items in:
Downtown Gallery records
Archival Repository:
Archives of American Art

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