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J. Horace McFarland Company collection

Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Names:
J. Horace McFarland Company  Search this
Mount Pleasant Press  Search this
Extent:
30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Type:
Collection descriptions
Archival materials
Photographs
Black-and-white photographs
Lantern slides
Place:
Breeze Hill (Harrisburg, Pennsylvania)
Pennsylvania -- Harrisburg
Date:
1899-1974
Summary:
The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.
Scope and Contents note:
The J. Horace McFarland Collection includes over 2,700 black and white mounted photographs, 448 glass lantern slides, and 41 glass plate negatives of gardens throughout the United States dating from 1899 to 1963. A small number of images show gardens in Austria, Canada, England, Mexico, Scotland and Wales. Many of the images, which were generated and used by the J. Horace McFarland Company to illustrate trade catalogs and journal and newspaper articles, indicate the publication(s) in which they appeared. A series of portraits of rosarians, many of them featured in Modern Roses 6, rounds out the image collection. The McFarland Collection also includes color records, plants patents, and miscellaneous publications. Color records are plant 'portraits' that were painted by McFarland Company staff artists in watercolor. They were referenced by the printing department in order to render illustrations of plants in colors as close to the originals as possible. The plant patents are patents for plants issued by the United States Patent Office. They include the plant name, source, filing and patent dates, patent number, and growth characteristics. Most are accompanied by a colored image of the plant identified in the patent. The miscellaneous publications are various pamphlets and booklets published by the J. Horace McFarland Company.
Arrangement:
The collection is arranged into 5 series:

1) Garden images (including mounted photographs, glass plate negatives, and glass lantern slides)

2) Portraits of Rosarians

3) Color Records

4) Plant Patents

5) Miscellaneous Publications
Biographical/Historical note:
Dr. J. Horace McFarland (1859-1948) was an influential civic leader, author, publisher, horticulturist, and authority on roses. His printing company, Mount Pleasant Press (later the J. Horace McFarland Company), was based in Harrisburg, Pennsylvania. It published many of the seed and nursery trade catalogs in the United States during the first half of the twentieth century and was one of the first to apply color processes to commercial print applications. J. Horace McFarland Company staffers photographed thousands of different gardens and plant specimens throughout the United States. These images were used to illustrate numerous nursery and seed catalogs, journals and books. Among its many services, the firm sold various themed lectures illustrated by sets of hand-colored glass lantern slides.

McFarland wrote over 200 articles in popular journals as well as a dozen books on roses and gardening. He served as the first president of the American Civic Association from 1904-1924 and led several local and national campaigns to protect communities and scenic areas from urban blight and overdevelopment including the city of Harrisburg and Niagara Falls. McFarland, who served as the president of the American Rose Society (1930-1932) and helped establish a standardized rose identification and registration method, used the gardens on his own 2.5 acre property in Harrisburg, "Breeze Hill," to test hundreds of varieties of roses and plant cultivars. "Breeze Hill" was used as the backdrop for many photographs taken by McFarland's firm.
Related Materials:
The Pennsylvania State Archives in Harrisburg, Pennsylvania includes the J. Horace McFarland Company Records (Manuscript Group 453) and the J. Horace McFarland Papers (Manuscript Group 85).

The Historical Society of Dauphin County in Harrisburg, Pennsylvania includes the J. Horace McFarland Collection (MG 229).
Separated Materials note:
The Smithsonian Institution's Botany and Horticulture Library includes seed and nursery trade catalogs, books, and published materials from the J. Horace McFarland Company.

The United States Department of Agriculture's National Agricultural Library in Beltsville, Maryland has various photographic images, nursery catalogs, publications and miscellaneous records from the J. Horace McFarland Company in its J. Horace McFarland Collection.
Provenance:
Donated in 1992 by James W. Walsh, who purchased the J. Horace McFarland Company from its founder's heirs. (The business was later renamed the Roebuck Printing Company.)
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Printers -- United States  Search this
Horticulturists  Search this
Printers -- Pennsylvania  Search this
Gardening -- Washington (D.C.)  Search this
Seeds -- Catalogs  Search this
Seed industry and trade -- United States  Search this
Gardens -- United States  Search this
Seed industry and trade -- Catalogs  Search this
Rose breeders -- United States  Search this
Genre/Form:
Photographs
Black-and-white photographs
Lantern slides
Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.
Identifier:
AAG.MCF
See more items in:
J. Horace McFarland Company collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb69dd45f0c-ce66-4097-bc0f-68f5be9a5b11
EDAN-URL:
ead_collection:sova-aag-mcf
Online Media:

Institute of Contemporary Arts records

Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Names:
Meridian House Foundation  Search this
People-to-People (Organization)  Search this
United States. Veterans Administration  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Copland, Aaron, 1900-1990  Search this
Cummings, E. E. (Edward Estlin), 1894-1962  Search this
Eliot, T. S. (Thomas Stearns), 1888-1965  Search this
Fangor, Wojciech, 1922-  Search this
Gabo, Naum, 1890-1977  Search this
Giampietro, Alexander  Search this
Gordimer, Nadine  Search this
Graves, Robert, 1895-1985  Search this
Gropius, Walter, 1883-1969  Search this
Hawkins, Erick  Search this
Huxley, Aldous, 1894-1963  Search this
Jahn, Janheinz  Search this
Phillips, Duncan, 1886-1966  Search this
Raine, Kathleen, 1908-2003  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richman, Robert  Search this
Richter, Hans, 1888-1976  Search this
Sage, Kay  Search this
Tanguy, Yves, 1900-1955  Search this
Williams, William Carlos, 1883-1963  Search this
Extent:
36 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
School records
Date:
1927-circa 1985
bulk 1947-1967
Summary:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.
Scope and Contents:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

Robert Richman's professional and personal relationships with numerous artists and writers which the ICA hosted in D.C. are documented in Correspondence and Artists' Files. Correspondence files include letters from Joseph and Anni Albers, Alfred Barr, e.e. cummings, Alexander Giampietro, Naum Gabo, Walter Gropius, Erick Hawkins, Duncan Phillips, Hans Richter, Kay Sage and Yves Tanguy, and William Carlos Williams. Also found is correspondence with benefactors, board members, and arts organizations regarding exhibitions and administrative details; and with teachers and the Veteran's Administration regarding school issues.

Artists' Files contains mostly incoming and outgoing correspondence, but also found are biographies, exhibition printed materials, handwritten notes, newspaper clippings and scattered portrait photographs. Of interest are files on Aaron Copland, e.e. cummings, T.S. Eliot, Wojciech Fangor, Nadine Gordimer, Robert Graves, Aldous Huxley, Janheinz Jahn, Kathleen Raine, and Sir Herbert Read.

In addition to Correspondence and Artists' Files, materials regarding ICA's programming, such as correspondence with artists and galleries, press releases, shipping records, financial records, printed materials, photographs, inventory and price lists, are found in ICA Program Files.

The ICA and Robert Richman collaborated with numerous arts and international exchange organizations to organize exhibitions, performances, symposium, and to host visiting artists. Materials regarding such collaborations are found in Organizations and includes correspondence, scattered financial records, notes, and printed materials such as bulletins, brochures, schedules, reports, and press releases. This series also includes substantial material related to the Fine Arts Committee of the People-to-People Program, an international exchange initiative of President Dwight D. Eisenhower begun in 1956.

The school's records include correspondence, notebooks (attendance books), teacher files documenting classes and grades, extensive student files and student enrollment cards, mailing lists, class cards, and notes for classes taught by Robert Richman.

Administrative and Financial Files include accounting and banking records, budgets, founding documents, fundraising records, grants records, mailing lists, membership lists, and Meridian House Foundation records.

ICA's programs are also documented by comprehensive printed materials arranged by ICA seasons, 1947-1967. Printed materials include program calendars, exhibition announcements, invitations, membership forms, and press releases. Also found are newspaper clippings and three oversized clippings scrapbooks.

Photographs include black and white photographs and negatives of people, most of whom are unidentified. Robert Richman's personal papers includes personal correspondence, correspondence related to "New Republic," handwritten and typed writings, some bills, and his curriculum vitae.

Unrepresented in this collection are records of ICA's ICONART Collection (Contemporary Arts Archives), an archive of films and tapes of artists' performances, lectures and events held by ICA.
Arrangement:
The collection is arranged as 9 series.

Missing Title

Series 1: Correspondence, 1937, 1944-1980 (2.7 linear feet; Boxes 1-3)

Series 2: Artists' Files, 1943-1967, 1970-1979 (4.9 linear feet; Boxes 3-8)

Series 3: ICA Program Files, circa 1947-1968 (5.2 linear feet; Boxes 8-13, 27)

Series 4: Organizations, 1927, 1940s-1967 (7.3 linear feet; Boxes 13-20, OV 39)

Series 5: ICA School Files, 1945-1953 (7.0 linear feet; Boxes 21-27)

Series 6: Administrative and Financial Files, 1945-1979, 1983 (5.2 linear feet; Boxes 28-33, 38)

Series 7: Printed Materials, 1945-1970 (2.9 linear feet; Boxes 33-35, 38)

Series 8: Photographs, circa 1930s-1960s, circa 1985 (0.4 linear feet; Boxes 35-36)

Series 9: Personal Papers of Robert Richman, 1940s-1980 (0.4 linear feet; Boxes 36-37)
Biographical / Historical:
The Washington, D.C. arts and educational organization, Institute of Contemporary Arts (ICA), was founded by poet Robert Richman in 1947 to bring arts and culture to the nation's capital. The school, originally named the King-Smith School of Creative Arts, was redesigned and renamed Institute of Contemporary Arts by Richman in 1948. The school's philosophy was based on Sir Herbert Read's Education Through Art, and provided professional training in painting, sculpture, literature, music, and theater. In addition, the ICA operated an evening school and brought prominent artists and literary figures to the nation's capital for exhibitions, concerts, workshops, lectures, readings, and performances. Teachers at the school included potter Alexander Giampietro, sculptor David Aaron, designers Beatrice Takeuchi and Hubert Leckie, and painter Kenneth Noland.

The school closed in August 1951, but the ICA continued to provide an impressive roster of programs and performances held at the Corcoran Gallery of Art and other D.C. institutions, such as exhibitions by Naum Gabo, Bernard Leach, Isamu Noguchi, and Hans Richter; readings by W.H. Auden, T.S. Eliot, Katherine Anne Porter, and Dylan Thomas; lectures by Charles Eames, Aldous Huxley, Octavio Paz, and Frank Lloyd Wright; and performances by Aaron Copland, Paul Hindemith, José Limón Dance Company, and Ravi Shankar. The organization also sponsored visiting professorships for international artists and writers, such as Nadine Gordimer, and hosted an annual Congress of Artists and Writers from 1959-1964.

In the late 1950s and early 1960s, the ICA was successful in securing some large grants to continue and expand its programming and to secure permanent space at the Meridian House Foundation. However, by the late 1960s the organization's programming declined.

ICA founder Robert Richman was a poet and literary editor at New Republic magazine in the early 1950s. He was active in the arts community in D.C. and in international exchange organizations, including the Fine Arts Committee of the People-to-People Project, an initiative started by President Dwight D. Eisenhower in the late 1950s. Robert Richman passed away in 1987.
Provenance:
The Institute of Contemporary Arts records were donated by Maida Richman, the wife of the ICA's founder, Robert Richman, in 1986.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Arts organizations -- Washington (D.C.)
Genre/Form:
Scrapbooks
Photographs
School records
Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.instcona
See more items in:
Institute of Contemporary Arts records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9368d211f-9a2e-4036-9496-d8169fec534e
EDAN-URL:
ead_collection:sova-aaa-instcona
Online Media:

Artists' Files

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Extent:
4.9 Linear feet (Boxes 3-8)
Type:
Archival materials
Date:
1943-1967
1970-1979
Scope and Contents:
Artists' Files contains mostly incoming and outgoing correspondence with artists, authors, poets, musicians, composers, choreographers, and others, regarding arrangements of ICA-sponsored performances, lectures, and visiting professorships. Also found are biographies, exhibition printed materials, handwritten notes, newspaper clippings and scattered portrait photographs. Of interest are files on Nadia Boulanger, Aaron Copeland, e.e. cummings, T.S. Eliot, and Aldous Huxley, as well as lecture tour files for Wojciech Fangor, Nadine Gordimer, Robert Graves, Janheinz Jahn, Kathleen Raine, and Sir Herbert Read. The bulk of the materials date from 1943-mid-1960s.
Arrangement:
Folders are arranged alphabetically by artist's last name.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.instcona, Series 2
See more items in:
Institute of Contemporary Arts records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dcdbdc9e-5173-4aa5-850d-5ff019153c96
EDAN-URL:
ead_component:sova-aaa-instcona-ref57

Printed Materials

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Extent:
2.9 Linear feet (Boxes 33-35, 38)
Type:
Archival materials
Date:
1945-1970
Scope and Contents:
Found are comprehensive printed materials from 1947-1967 for ICA's programs, including program calendars, exhibition announcements, invitations, membership forms, and press releases. Also found are newspaper clippings regarding performance and exhibition reviews, arts funding, the current state of the arts, and articles related to artists; and three oversized clippings scrapbooks. There is scattered printed material from other organizations, indicated as such on folder titles.
Arrangement:
Folders are arranged alphabetically by type of material.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.instcona, Series 7
See more items in:
Institute of Contemporary Arts records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c0df6dd3-e411-495f-ae17-627dfa3a1022
EDAN-URL:
ead_component:sova-aaa-instcona-ref702

Newspaper Clippings

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 34, Folder 12-26
Type:
Archival materials
Date:
1945-1967
Scope and Contents:
Oversized material housed in Box 38, Folder 3
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9af2b503f-2433-447d-8114-11b6ec30deb7
EDAN-URL:
ead_component:sova-aaa-instcona-ref733

Oversized Newspaper Clippings

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 38, Folder 3
Type:
Archival materials
Date:
1957
Scope and Contents:
Oversized material from Box 34, Folder 19
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9da549eac-e699-481b-abbe-957234ead300
EDAN-URL:
ead_component:sova-aaa-instcona-ref735

Newspaper Clippings

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 35, Folder 1-11
Type:
Archival materials
Date:
1961-1967
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cbaa0721-e441-4da3-8a73-70e527755e42
EDAN-URL:
ead_component:sova-aaa-instcona-ref737

Newspaper Clippings, Historic Presidential Events

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 35, Folder 12
Type:
Archival materials
Date:
1945
1960
Scope and Contents:
Oversized material housed in Box 38, Folder 3
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98b37e408-828f-4dea-af8a-4a67a9457435
EDAN-URL:
ead_component:sova-aaa-instcona-ref738

Oversized Newspaper Clippings, Historic Presidential Events

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 38, Folder 3
Type:
Archival materials
Date:
1945
1960
Scope and Contents:
Oversized material from Box 35, Folder 12
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94131a312-005b-4ed5-9113-d994856af41a
EDAN-URL:
ead_component:sova-aaa-instcona-ref739

Scrapbooks of Newspaper Clippings [3 books]

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 35, Folder 26
Type:
Archival materials
Date:
1962-1967
1958-1959
Scope and Contents:
Oversized material housed in Box 38, Folders 4-6
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9902c89f7-3229-4a4e-bf30-d67d2b919793
EDAN-URL:
ead_component:sova-aaa-instcona-ref751

Oversized Scrapbook of Newspaper Clippings

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 38, Folder 4
Type:
Archival materials
Date:
1958-1959
Scope and Contents:
Oversized material from Box 35, Folder 26
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dde16bac-5873-4db8-9dee-c88128ee85fc
EDAN-URL:
ead_component:sova-aaa-instcona-ref753

Oversized Scrapbook of Newspaper Clippings

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 38, Folder 5
Type:
Archival materials
Date:
1964-1965
Scope and Contents:
Oversized material from Box 35, Folder 26
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ef3a3c34-a6de-4fb5-a420-2131fa052cc8
EDAN-URL:
ead_component:sova-aaa-instcona-ref754

Oversized Scrapbook of Newspaper Clippings

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 38, Folder 6
Type:
Archival materials
Date:
1962-1967
Scope and Contents:
Oversized material from Box 35, Folder 26
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9742ec689-8a1f-4057-ab5f-ebfbb67be653
EDAN-URL:
ead_component:sova-aaa-instcona-ref755

Printed Material

Collection Creator:
McLaughlin, John, 1898-  Search this
Extent:
1.5 Linear feet (Box 2-3, 5)
Type:
Archival materials
Date:
1932-1979
Scope and Contents:
Printed material consists of exhibition catalogs for McLaughlin's group and solo shows, exhibition announcements, magazine and newspaper clippings, brochures, press releases, and miscellaneous materials.
Arrangement:
This series is arranged by type of material, then organized chronologically within each grouping.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mclajohn, Series 6
See more items in:
John McLaughlin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw943ab6826-b164-4c69-9011-12461183069d
EDAN-URL:
ead_component:sova-aaa-mclajohn-ref24

Afrique Occidentale Francaise. - Dahomey Un Chef de Canton

Creator:
Impriméries Réunies de Nancy  Search this
Extent:
1 Postcard (collotype., b&w, 14 x 9 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Place:
Africa
Benin
Date:
[ca. 1910]
Scope and Contents:
Postcard image of two men, one seated with a pipe in his mouth and newspaper on his knee and the other man standing behind him. Printed text on recto reads: "Afrique Occidentale Francaise. - Dahomey; Un chef de Canton." Translated caption reads: [French West Africa. - Dahomey / A District Chief].
Additional printed text on recto reads: "Imprimeries Réunies, Nancy."
Printed text on verso reads: "Carte Postale; Correspodance; Adresse."
Local Numbers:
EEPA DM-15-10
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Leaders  Search this
Portraits -- Africa  Search this
Genre/Form:
Postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA DM 1985-144002
See more items in:
African Postcard Collection
African Postcard Collection / Series 4: Benin (Dahomey) (DM)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7c11ac420-5a04-4bce-801f-c912062f035c
EDAN-URL:
ead_component:sova-eepa-1985-014-ref3879

Mequon -- Little House in the Big Woods

Former owner:
Kuehn, Otto  Search this
O'Malley, Peter  Search this
Keegan, Richard  Search this
Landscape architect:
Stark, Judith Z.  Search this
Prairie developer:
Prairie Nursery  Search this
Provenance:
Green Tree Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Little House in the Big Woods (Mequon, Wisconsin)
United States of America -- Wisconsin -- Ozaukee County -- Mequon
Scope and Contents:
The folder includes worksheets, plant list, and photocopies of newspaper articles.
General:
The eleven acre property includes a country Cape Cod style house, nine acres of hardwood trees, perennial and vegetable gardens designed by landscape architect Judith Stark (ASLA), a prairie, fairy garden, frog pond with a water garden and a mowed meadow next to a volley ball field. Stone walls separate the perennial garden from the prairie and set off play areas, and four custom wooden gates define access to the prairie. The vegetable garden alongside the house has rustic fencing, a rose bed and a rustic rose arbor. The perennial garden displays flowers suited to the climate, while on the other side of a stone wall in the 1.5 acres of prairie the flower are less organized. Woodlands include an American beech grove and a spruce grove as well as a treehouse and a 'Winnie the Pooh' tree. The fairy garden is set among spring bulbs on pebble paths and brought inside during the winter. Each year the property becomes a 'county fair' when the grandkids and their friends bring pet animals for 'judging' and parades.
The semi-rural location included woods, farm fields and hunting preserve with a cabin in a 167 acre tract before this house was built by a previous owner. The current owners converted the garage into a library, changed windows and added a free standing garage.
Persons associated with the garden include: Otto Kuehn (former landowner, 1940); Peter O'Malley (former owner, 1979-1986); Richard Keegan (former owner, 1986-1988); Judith Stark, ASLA (landscape architect, 1990s); Prairie Nursery (prairie developer, 1995).
Related Materials:
Little House in the Big Woods related holdings consist of 1 folder (25 digital images and 25 corresponding digital prints)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Wisconsin -- Mequon  Search this
Vernacular gardens  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WI045
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Wisconsin
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6f6467b76-46f6-4a04-8e20-8b76c39bb6ab
EDAN-URL:
ead_component:sova-aag-gca-ref11671

Dallas -- Harlan Crow Garden

Landscape designer:
Hocker, David  Search this
Landscape architect:
David Rolston Landscape Architects  Search this
Landscape design:
Lambert Landscape Company  Search this
Provenance:
Founders Garden Club of Dallas  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Harlan Crow Garden (Dallas, Texas)
United States of America -- Texas -- Dallas
Scope and Contents:
The folders contain a work sheet; site plan; narrative description; and copies of plans, maps, and articles.
General:
Established in 1917, the property consists of 7.5 acres. The present owners created a garden while maintaining the classic quality of the original garden. There are many mature trees such as American elm, magnolia, and live oaks. Azalea and dogwood, water features and statue garden were added. Color is dominant in the garden scheme, with extensive seasonal plantings. Blooming azalea in spring follow the tulip magnolia trees. Crepe myrtles bloom throughout the summer. The sprawling open back lawn slopes down to the lake. The garden is surrounded with brick walkways. A sculpture garden contains statues of dictators throughout history.
In January of 2013, the owner bought an adjacent lot that formerly housed a rental property. The rental structure was torn down and planted a peach orchard.
This garden was initially documented for the Archives of American Gardens in 2006. Updates of the garden documentation were provided in 2010 and 2012.
People associated with this property include: Hugh Prather (former owner, 1917-1922); Electra Wagner (former owner, 1922-1926); The Thomas Family (former owners, 1926-1940); Lambert Landscape Company (landscape design and maintenance, 1988-2001); Eduardo Puenk (property groundskeeper, 2005-present); Philip Lung, Texas Land Care (landscape installation and maintenance, 2001-present); David Hocker (assistant landscape architect, 2001-present); and David Rolston (landscape architect, 2001-present).
Related Materials:
Harlan Crow Garden related holdings consist of 3 folders (34 35 mm. slides + 3 photographic prints)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Texas -- Dallas  Search this
Formal gardens  Search this
Sculpture gardens  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File TX060
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Texas
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb621ed4797-59eb-4392-a382-f6615d88adb8
EDAN-URL:
ead_component:sova-aag-gca-ref13465
Online Media:

Cincinnati -- River High

Landscape architect:
Christie, Eleanor H.  Search this
Taylor, Albert Davis  Search this
Battin, Dalton W.  Search this
Bentley, John A.  Search this
Steele & Whittaker Landscapes, Inc.  Search this
Vivian Llambi & Associates Inc.  Search this
Former owner:
Warrington, George H.  Search this
Richardson, Rosemary Sawyer  Search this
Landscape designer:
Hoffman, Stu  Search this
Provenance:
Cincinnati Town and Country Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
River High (Cincinnati, Ohio)
United States of America -- Ohio -- Hamilton County -- Cincinnati
Scope and Contents:
The folders include work sheets, copies of landscape plans, newspaper and periodical articles, additional visual images, and planting lists.
General:
"River High" represents one of Cincinnati's most characteristic architectural types: the large house set on a wooded hill-top and oriented toward a view of the Ohio River Valley. Built in 1912, the house combines English Georgian and American Colonial Revival with influences of the Arts and Crafts style. "River High" is perceived at first as a long, substantial, dark red brick mass with the original slate roof, lying athwart a shallow bowl of lawn, with the drive winding down to the entrance and sweeping back to the road. The architects' intent was to block the view until the house had been penetrated; when the riverscape appears at the end of the central hallway. The house consists of three main blocks. The lower porch on the left opens onto the reconstructed formal garden that extends the axis of the house eastward. The lower porch leads out onto the lawn that descends gradually through a formal parterre with a pool and fountain. Symmetrical plantings frame this lower lawn. In 2005 the front arrival courtyard was transformed and is now centered with the formal front entrance in keeping with the symmetrical Georgian style of the house. The new design features a fountain with waterfall and a sculpture of two great blue herons as well as seasonal display beds for annuals, a serpentine retaining wall, landscape lighting, and a unique bench sculpture. Completing the picture are custom-designed wrought iron gates, 19th-century Italian urns, and ornamental and shade trees.
Person(s) associated with the property and garden include: George H. Warrington (former owner, 1912-1951); Rosemary Sawyer Richardson (former owner, 1951-1989); Albert Davis Taylor (landscape architect, 1917); Eleanor H. Christie (landscape architect, ca. 1917-1951?); Dalton W. Battin (landscape architect, 1980); Stu Hoffman, Natorp Landscape Organization, Inc. (landscape designer, 1987); Steele & Whittaker Landscapes, Inc. (landscape architects, 1991); Vivian Llambi & Associates Inc. (landscape architects, 1996); and John A. Bentley (landscape architect, 2005).
Related Materials:
River High related holdings consist of 2 folders (51 35 mm. slides; 5 photographic prints)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Ohio -- Cincinnati  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File OH217
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Ohio
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6ab60831a-168c-4e77-a3c7-c18ecec9d374
EDAN-URL:
ead_component:sova-aag-gca-ref15431

Philadelphia -- Boxly

Former owner:
Penn, William  Search this
Pastorius, Francis Daniel  Search this
Du Barry, Joseph  Search this
Sheridan, Owen  Search this
Taylor, Frederick Winslow, 1856-1915  Search this
Taylor, Frederick Winslow, Mrs.  Search this
Peck, Frederick W. G.  Search this
Peck, Frederick W. G. Mrs.  Search this
Architect:
Fielding, Mantle, 1865-1941  Search this
Landscape architect:
Gallagher, Percival  Search this
Peck, Frederick W. G.  Search this
Olmsted Brothers  Search this
Civil engineer:
Vandu Zee, Harold (civil engineer)  Search this
Gardener:
Bender, Robert  Search this
Provenance:
The Garden Club of Philadelphia  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Boxly (Philadelphia, Pennsylvania)
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
Scope and Contents:
The folders include worksheets, photocopies of newspaper and other printed references about the garden, and photocopies of photographs of the garden when it was owned by Mr. and Mrs. Frederick Winslow Taylor (before 1951).
General:
"Boxly" was originally established by Joseph Du Barry (a friend of Joseph Bonaparte) as "Mulberry Farm." The property was the center of an unsuccessful silk industry in the early 19th century. It was later purchased by the famous efficiency engineer Frederick Winslow Taylor, who built the first undulating putting green (for golf) in America at the property. He renamed it "Boxly" because of its then 100-year-old boxwood bushes. The property was redesigned in the 1950s and 1960s.
Persons associated with the property include: William Penn (former owner, 1681-1683); Francis Daniel Pastorius (former owner, 1683-?); Joseph Du Barry (former owner, 1803-?); Owen Sheridan (former owner, 1833-?); Mr. and Mrs. Frederick Winslow Taylor (former owners, 1901-1951); Mr. and Mrs. Frederick W. G. Peck (former owners and landscape architect, 1951-1998); Mantle Fielding (architect, 1901-1905); the Olmsted Brothers (landscape architects, 1901-1910); Percival Gallagher (landscape architect, 1901-1910); Harold Vandu Zee (civil engineer, 1901-1915); and Robert Bender (gardener, 1902-?).
Related Materials:
Boxly related holdings consist of 3 folders (4 glass lantern slides; 63 35 mm. slides; 17 photonegatives)
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 00168, F. W. Taylor (Clark, J.S.).
See others in:
Maida Babson Adams American Garden Collection, ca. 1960-1994.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Pennsylvania -- Philadelphia  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA009
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6eecd6092-7c89-4e8f-9859-2299b3d74d87
EDAN-URL:
ead_component:sova-aag-gca-ref16501

Cohasset -- Cedar Ledges

Former owner:
Baily, William  Search this
Whittington, William  Search this
Higginson, Charles  Search this
Higginson, Rebekah  Search this
Garden designer:
Wylde, Cecil  Search this
Provenance:
Cohasset Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Cedar Ledges (Cohasset, Massachusetts)
United States of America -- Massachusetts -- Norfolk -- Cohasset
Scope and Contents:
The folder includes worksheets and a planting list.
General:
Cedar Ledges is a historic property of nearly three acres that features trees reminiscent of the years the current owners spent in the Foreign Service, and more recently Native American trees, shrubs and wildflowers. The property has been owned by members of just two families since the 1730's, and has descended in the present owner's family since the 1920s. Native granite ledges form a rock garden with a waterfall that trickles into a lily pond, with a clump of birch trees, mature cedar trees, and Japanese maples along with ferns, azaleas and spring bulbs. A formal rectangular garden has been switched from roses to dwarf fruit trees, bordered by boxwood hedges, espaliered apple trees, raspberries and blackberries trained to arches.
Nearby grove of Eastern red cedars is under planted with flowering shrubs, spring bulbs and perennials and edged with elderberries and gooseberries. A vegetable and herb garden in raised beds also serves as a nursery for young fruit trees. A woodland path features trees and shrubs with colorful bark that add interest in the winter, including red and yellow twig dogwoods. A garden devoted to birds and memories features tall pines, a lower story of trees that fruit, flowering ground covers and an old twisted juniper. A hundred-foot long perennial border with old-fashioned flowers and flowering shrubs adds color. A small stream is decorated with wildflowers, dogwood, crabapple and sweet gum trees. Near the road a spring garden includes bulbs and ferns, lilacs along a granite ledge and wisteria.
The seaside garden at Cedar Ledges has been cited by the Massachusetts Horticultural Society, with plants in the lower meadow including hibiscus, rugosa roses, bayberry, broom and tamarisks that thrive in the increasing salinity of the soil caused by more frequent high tide flooding. The owners stopped using pesticides and chemical fertilizers in the 1960s, convinced by the research of Rachel Carson, and practice organic gardening methods including composting, mulching with beach seaweed, companion planting, and introducing beneficial insects. Their gardens are havens for birds, butterflies, bees and small mammals with thickets for shelter and many varieties of berries for food. Birds that nest on the property include great-horned owls, Baltimore orioles and hummingbirds.
Persons associated with the garden include: William Bailey (former owner, c. 1732-c.1760); William Whittington and Lothrop family (former owner, 1926-1936); Charles Higginson (former owner, 1926-1936); Rebekah Higginson and Edwin J. Cohn (former owners, 1926-1956); Joseph Barrow (gardener, 1932-1965); Samuel Esposito (gardener, 1965-1985); Cecil Wylde (garden designer, 1975); Gary Barrow (arborist, 1985-present).
Newspaper articles and photographs printed in the Boston Herald, Boston Globe, and Washington Post.
Related Materials:
Cedar Ledges related holdings consist of 1 folder (32 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Massachusetts -- Cohasset  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File MA384
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Massachusetts
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb60b3157dd-1b56-405f-b989-aa57f57fd027
EDAN-URL:
ead_component:sova-aag-gca-ref17594

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