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Perry H. Wheeler collection

Landscape architect:
Wheeler, Perry H., 1914-1989  Search this
Photographer:
Stengle, James M., Dr.  Search this
Creator:
University of Georgia  Search this
Garden Club of America  Search this
Emory University  Search this
American Society of Landscape Architects  Search this
Names:
Arlington National Cemetery (Arlington, Va.)  Search this
National Arboretum (U.S.)  Search this
Washington National Cathedral (Washington, D.C.)  Search this
Bonnet, Henri, Ambassador  Search this
Bonnet, Henri, Madam  Search this
Estes, Billie Sol  Search this
Harriman, Pamela Digby Churchill Hayward, 1920-1997  Search this
Johnson, Lady Bird, 1912-  Search this
Mellon, Paul  Search this
Mellon, Rachel Lambert  Search this
Mesta, Perle Skirvin, 1889-1975  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Palmer, Bertha Honoré, 1849-1918  Search this
Truman, Margaret  Search this
Extent:
25.75 Cubic feet
3,958 Photographic items
Type:
Collection descriptions
Archival materials
Lists
Awards
Certificates
Invoices
Negatives
Correspondence
Clippings
Photographs
Invitations
Slides (photographs)
Photographic prints
Plans (drawings)
Place:
Canada
White House (Washington, D.C.)
Africa
Europe
Caribbean
South America
West (U.S.)
Georgetown (Washington, D.C.)
Date:
1880-1984
bulk 1950-1965
Summary:
The Perry H. Wheeler Collection includes the design, client and business records of Perry H. Wheeler, a landscape architect best known for his work on numerous townhouse gardens in the Georgetown neighborhood of Washington, D.C., during the 1960s as well as the redesign of the White House Rose Garden in collaboration with Rachel Lambert ('Bunny') Mellon during the Kennedy administration.
Scope and Contents note:
The Perry H. Wheeler Collection includes the design, client and business records of Perry H. Wheeler, a landscape architect best known for his work on numerous townhouse gardens in the Georgetown neighborhood of Washington, D.C. during the 1960s as well as the redesign of the White House Rose Garen in collaboration with Rachel ('Bunny') Lambert Mellon during the Kennedy adminstration. The collection includes photographic images, plans, drawings, client correspondence, plant lists, invoices, newspaper and magazine clippings, certificates, awards, and invitations. The bulk of the collection and most of the professional papers date from about 1950 to 1965 and relate to various garden design projects by Wheeler, many of them located in the Georgetown neighborhood of Washington, D.C. Of particular note are documents for Wheeler's public design work including the White House grounds, Washington National Cathedral, U. S. National Arboretum, President John F. Kennedy's gravesite in Arlington National Cemetery, and the British and Cambodian Embassies in Washington, D.C. Noteworthy correspondents include President and Mrs. John F. Kennedy, Ladybird Johnson, Mr. and Mrs. Paul Mellon, and Margaret Truman.

There are also over 3,000 35mm slides dating from the 1950s and 1960s that document Wheeler's personal travels to Europe, Africa, South America, the Caribbean, Canada, and the American West.
Biographical/Historical note:
Perry Hunt Wheeler (1913-1989), a Georgia native, began his higher education at Emory University, going on to graduate from the University of Georgia with a Bachelor of Fine Arts degree in 1937. Immediately afterward Wheeler enrolled in Harvard University from which he earned a graduate degree in Landscape Architecture in 1938. After graduation, Wheeler collaborated on garden projects in Atlanta, Georgia with fellow landscape architect Helen Hawkins Clarke. During World War II, Wheeler moved to Washington, D.C. to serve under the Office of Civilian Defense and the Office of Strategic Services Camouflage Division. Following the war, Wheeler worked at Garden House a Georgetown shop where he advised homeowners on tasteful garden design, accessories, and furnishings. By 1948 Wheeler had established a landscape architecture practice in Washington, D.C. His practice grew via word of mouth through Washington's social circles and through a shared office with landscape architect Rose Ishbel Greely, and later with architect Gertrude Sawyer.

In 1947, he formed a 'bachelor household' in Georgetown with James Snitzler. Later, at the invitation of Rachel Lambert "Bunny" Mellon, he and Snitzler created a second home outside of Washington called "Spring Hill" on property owned by Mellon. Shortly after Snitzler's death in 1968, Wheeler moved permanently to Middleburg, Virginia and continued to travel, lecture, and consult with clients. Wheeler semi-retired in 1981 to 'Budfield,' a property in Rectortown, Virginia where he passed away in 1989, leaving his estate to his partner, James M. Stengle.

Wheeler is best known for his work on private gardens in Washington's Georgetown neighborhood. He frequently employed the use of intricate brickwork, low-maintenance planting, and simple water features in creating his charming and functional designs. His most noteworthy commissions outside the private realm include collaboration with Bunny Mellon on the White House Rose Garden, designing a Garden Club of America-commissioned gazebo and its surroundings for the U.S. National Arboretum, and plantings for the National Cathedral and President John F. Kennedy's gravesite in Arlington National Cemetery.
Provenance:
Gift from the estate of James M. Stengle, 1993.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Presidents -- United States  Search this
Landscape architects  Search this
Presidents' spouses -- United States  Search this
Gardens -- Washington (D.C.)  Search this
Genre/Form:
Lists
Awards
Certificates
Invoices
Negatives
Correspondence
Clippings
Photographs
Invitations
Slides (photographs)
Photographic prints
Plans (drawings)
Citation:
Smithsonian Institution, Archives of American Gardens, Perry H. Wheeler collection.
Identifier:
AAG.WHE
See more items in:
Perry H. Wheeler collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-whe
Online Media:

Fred Mitchell papers

Creator:
Mitchell, Fred, 1923-  Search this
Names:
Mississippi Art Colony  Search this
Gonzales, Justo  Search this
Kline, Franz, 1910-1962  Search this
McQuade, James M.  Search this
Ochman, Jim  Search this
Pajerski, Elizabeth  Search this
Reed, Harry Hope  Search this
Rooney, Peter  Search this
Rucker, Patrick  Search this
Stevens, Dick, 1928-  Search this
Sultz, Phil  Search this
Extent:
14.3 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Sketches
Scrapbooks
Watercolors
Drawings
Date:
1938-2007
Summary:
The papers of Fred Mitchell, 1938-2007, measure 14.3 linear feet. Correspondence, writings, 29 diaries, and subject files, document his personal life and career as a painter and educator in New York City. The papers also include biographical materials, artwork, sketchbooks, printed material, and photographs.
Scope and Contents:
The papers of Fred Mitchell, 1938-2007, measure 14.3 liner feet. Correspondence, writings, 29 diaries, and subject files document his personal life and career as a painter and educator in New York City. The papers also include biographical materials, artwork, sketchbooks, printed material, and photographs.

Among the biographical materials are biographical notes, military records, passports, and resumes. Correspondence includes both professional and personal letters. Correspondents include friends, former students, colleagues, and individuals of romantic interest.

Writings by Mitchell include notebooks containing names and addresses, appointments, lists and a variety of notes. Diaries record Mitchell's personal and professional activities, plans, aspirations, and memories; also, many volumes contain loose items such as printed material, drawings, notes and letters. Other authors represented are Harry Hope Reed, Peter Rooney, and Patrick Rucker.

Subject files maintained by Mitchell concern friends, teaching activities, exhibitions; also, interests in art, dance, poetry, and music. Files on the Mitchell family concern four generations and include Elizabeth Pajerski, his artist sister with whom he sometimes exhibited. There are files on Coenties Slip artists and related exhibitions. Other subjects of note are a Franz Kline traveling exhibition curated by Mitchell, and Mississippi Art Colony. Individuals for whom threre are substantial subject files include Justo Gonzales, James M. McQuade, Jim Ochman, Peter Rooney, John W. ("Dicky") Stevens, and Phil Sultz.

Most artwork is by Mitchell and consists mainly of drawings and sketches. Artwork by others includes drawings and watercolors by Peter Rooney, students, and unidentified artists. Mitchell's sketchbooks (16 volumes) contain sketches, drawings, and a few finished watercolors.

Printed material is about or mentions Mitchell. Included are a variety of items such as exhibition catalogs and announcements, brochures, clippings, press releases, and concert programs. Photographs are of Mitchell with family and friends; artwork by Mitchell and other artists; exhibition installations and openings; and places including the Wall-South neighborhood just before the destruction of his studio and travel pictures.
Arrangement:
The collection is arranged in 9 series:

Series 1: Biographical Materials,1942-circa 2005 (Box 1; 0.4 linear feet)

Series 2: Correspondence, 1947-2004 (Boxes 1-2; 1.9 linear feet)

Series 3: Writings, circa 1940s-2004 (Boxes 2-3; 1.4 linear feet)

Series 4: Diaries, 1949-2002 (Boxes 4-6; 2.5 linear feet)

Series 5: Subject Files, 1943-2002 (Boxes 6-12; 6 linear feet)

Series 6: Artwork, circa 1940s-2002 (Boxes 12-13; 0.5 linear feet)

Series 7: Sketchbooks, 1955-1993 (Boxes 13, 15; 0.6 linear feet)

Series 8: Printed Material, 1938-2004 (Boxes 13-14; 0.5 linear feet)

Series 9: Photographs, 1940s-2002 (Box 14; 0.5 linear feet)
Biographical / Historical:
Fred Mitchell (1923-2013), a painter and educator who worked in New York City, was among the first artists to open a studio in Coenties Slip on the East River in downtown Manhattan.

A native of Meridian, Mississippi, Madison Fred Mitchell (always called Fred), won a Scholastic Magazine award and his work was shown in its "15th Annual National High School Art Exhibit" held at the museum of the Carnegie Institute in 1942. Mitchell studied at the Carnegie Institute of Technology for a year before entering the U. S. Army. After World War II ended, he resumed his education at Cranbrook Academy of Art (BFA 1946 and MFA 1956). He moved to New York in 1951 and became a member of the "Downtown Group." In 1952 he was among the organizers of Tanager Gallery and in 1954 founded the Coenties Slip School of Art.

Mitchell enjoyed a long career as a highly regarded teacher of drawing, painting, and art history. He taught at Finch College, the Positano Art Workshop in Italy, and Cranbrook Academy in the 1950s. During the 1960s, he was affiliated with Downtown Art Center at Seamens Church Institute in Coenties Slip, New York University, Cornell University, and Ithaca College. In the early 1970s Mitchell taught at Queens College, and from the mid-1980s-early 2000s served on the faculties of Parsons School of Design, Art Students League of New York, and City University of New York's Kingsborough Community College in Brooklyn.

He exhibited widely in group shows and solo exhibitions in the New York area and throughout the United States. Among these venues were: Howard Wise Gallery, Meridian Museum, Munson-Williams-Proctor Art Institute, State University of New York Binghamton, University of Oregon, and Whitney Museum of American Art.

After several years of declining health, Fred Mitchell died in New York City in 2013.
Provenance:
Fred Mitchell donated a small amount of printed material and photographs in 1972. The majority of the papers were donated in 2013 by Fred Pajerski, Fred Mitchell's nephew.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Photographs
Sketches
Scrapbooks
Watercolors
Drawings
Citation:
Fred Mitchell papers, 1938-2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mitcfred
See more items in:
Fred Mitchell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mitcfred
Online Media:

Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives

Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
320 Boxes
Type:
Collection descriptions
Archival materials
Photographs
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Shaw (Washington, D.C.)
Date:
undated
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents:
Subseries 4.1 includes black and white silver gelatin negatives. The majority of the negatives, not all, have been scanned.
Arrangement note:
The negatives are not arranged in a clear order, and the negatives document clients and subjects. Researchers will need to look in two different box sizes for negatives of different sizes that were originally housed together in freezer boxes but are now housed separately according to size. A number of freezer boxes are missing, this is the reason for box number gaps, and contain varying numbers of negatives. The physical number of boxes was condensed during rehousing but the original freezer box numbers were retained in combination on the new boxes. The beginning and end of a freezer box are indicated inside the new box by blue dividers.
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.1 forms part of Series 4, within the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans -- History -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Segregation  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
African American photographers  Search this
African American entertainers -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04.01
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04-01
Online Media:

Harry A. Duffy Papers

Creator:
Duffy, Harry A.  Search this
Duffy, Duane A.  Search this
Extent:
4 Cubic feet (5 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Financial records
Certificates
Date:
1881-2005
Scope and Contents note:
The collection documents the career of Harry Duffy, an appraiser and dealer in rare stringed instruments. Included are accounting records, correspondence, Duffy's files on certifications and appraisals, and articles and printed material.
Arrangement:
1 series.
Biographical/Historical note:
Authority on stringed instruments, who worked for the Wurlitzer Company.
Provenance:
Collection donated by Duane A. Duffy.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments  Search this
Stringed instruments  Search this
Appraisals  Search this
Violin  Search this
Genre/Form:
Correspondence -- 20th century
Financial records -- 20th century
Certificates
Citation:
Harry A. Duffy Papers, 1881-2005, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1162
See more items in:
Harry A. Duffy Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1162

William F. Buckley, Jr.

Artist:
Benedict J. Fernandez, 29 Apr 1936 - 31 Jan 2021  Search this
Sitter:
William Frank Buckley, Jr., 24 Nov 1925 - 27 Feb 2008  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 32.7 × 22.5 cm (12 7/8 × 8 7/8")
Sheet: 35.6 × 27.9 cm (14 × 11")
Mat: 55.9 × 40.7 cm (22 × 16")
Type:
Photograph
Date:
1978
Topic:
Interior  Search this
Printed Material\Book  Search this
Equipment\Smoking Implements\Cigar  Search this
Interior\Office  Search this
Nature & Environment\Smoke  Search this
William Frank Buckley, Jr.: Male  Search this
William Frank Buckley, Jr.: Literature\Writer  Search this
William Frank Buckley, Jr.: Education\Educator\Lecturer  Search this
William Frank Buckley, Jr.: Communications\Journalist\Editor\Magazine  Search this
William Frank Buckley, Jr.: Communications\Journalist\Columnist  Search this
William Frank Buckley, Jr.: Literature\Writer\Novelist  Search this
William Frank Buckley, Jr.: Society and Social Change\Founder  Search this
William Frank Buckley, Jr.: Communications\Broadcast Journalist\Commentator  Search this
William Frank Buckley, Jr.: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the artist
Object number:
NPG.80.174
Restrictions & Rights:
Usage conditions apply
Copyright:
© Benedict J. Fernandez
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm45ba7c3c5-6f01-417f-bdf8-8a9feb88feb3
EDAN-URL:
edanmdm:npg_NPG.80.174

The Second Great Match Game for the Championship

Maker:
Magee, John L.  Search this
Physical Description:
ink (overall material)
paper (overall material)
Measurements:
image: 19 in x 27 1/4 in; 48.26 cm x 69.215 cm
Object Name:
lithograph
Object Type:
Lithograph
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1867
Date of event depicted:
1866-10-22
Subject:
Carriages  Search this
Architecture, Commercial Buildings  Search this
Eating  Search this
Chronology: 1860-1869  Search this
Drinking  Search this
Uniforms, fraternal  Search this
Baseball  Search this
Related Publication:
Peters, Harry T.. America on Stone
Garvan, Anthony N. B. and Peter C. Welsh. Victorian American
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2809
Catalog number:
60.2809
Accession number:
228146
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Art
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a3-ca11-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325103

IBM B48171 Punch Cards with Collins Radio Company Logo

Maker:
IBM  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Cards, Group Of
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.08
Catalog number:
1996.0142.08
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-6e0f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690495

ICL New Zealand 4-354 Punch Cards

Maker:
International Computers Ltd  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Cards, Group Of
Place made:
New Zealand
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.19
Catalog number:
1996.0142.19
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-44ac-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690506

ICT 4-434 Punch Cards Associated with International Computers and Tabulators Limited

Maker:
International Computers Ltd  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Cards, Group Of
Place made:
United Kingdom: England
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.20
Catalog number:
1996.0142.20
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-2012-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690507

NECS/WIC 282 Punch Card from the Kansas University Computation Center

Maker:
Jersey Tab Card Corporation  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Card
Place made:
United States: New Jersey, Union
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.24
Catalog number:
1996.0142.24
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-21cf-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690511

JTC 73752 Punch Card Associated with the MIT Information Processing Center

User:
Massachusetts Institute of Technology  Search this
Maker:
Jersey Tab Card Corporation  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Card
Place made:
United States: New Jersey, Union
Place used:
United States: Massachusetts, Cambridge
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.26
Catalog number:
1996.0142.26
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-21d2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690513

IBM M70528 Punch Card for the University of Mississippi Computation Center

Maker:
IBM  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Card
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.27
Catalog number:
1996.0142.27
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-21d3-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690514

IBM Australia 760068 Punch Cards for the New South Wales Institute of Technology Computer Centre

Maker:
IBM  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Cards, Group Of
Place used:
Australia
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.28
Catalog number:
1996.0142.28
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746af-b265-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690515

IBM J89620 Deposit Punch Card

Maker:
IBM  Search this
Physical Description:
paper (overall material)
Measurements:
overall: .1 cm x 19 cm x 8.4 cm; 1/32 in x 7 15/32 in x 3 5/16 in
Object Name:
Punch Card
Date made:
1960s-1970s
Subject:
Mathematics  Search this
Credit Line:
Gift of Douglas W. Jones
ID Number:
1996.0142.30
Catalog number:
1996.0142.30
Accession number:
1996.0142
See more items in:
Medicine and Science: Mathematics
Computers & Business Machines
Punch Cards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-21d4-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_690517

Funeral program of Samuel D. Hooker, Jr.

Printed by:
Unidentified  Search this
Subject of:
Samuel D. Hooker Jr., American, 1913 - 2004  Search this
Owned by:
Eddie Faye Gates  Search this
Medium:
digital
Dimensions:
H x W: 3379pixels × 5204pixels
Type:
digital images
programs
digital media - born analog
Place depicted:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Place used:
Chicago, Cook County, Illinois, United States, North and Central America
Date:
2004
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Religion  Search this
Tulsa Race Massacre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.61
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5807325d2-c8cb-4607-b128-3ec8f841f5b3
EDAN-URL:
edanmdm:nmaahc_2014.117.61
Online Media:

Funeral program of William Walker

Printed by:
Unidentified  Search this
Subject of:
William Walker, American, 1881 - 1963  Search this
Vernon African Methodist Episcopal Church, American, founded 1905  Search this
Owned by:
Eddie Faye Gates  Search this
Medium:
digital
Dimensions:
H x W: 5528pixels × 6083pixels
Type:
digital images
programs
digital media - born analog
Place collected:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
1963
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Religion  Search this
Tulsa Race Massacre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.62
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd52b13c10a-bbc4-4c2e-9f7f-9f6d29ff7998
EDAN-URL:
edanmdm:nmaahc_2014.117.62
Online Media:

Funeral program of Hugh Hollins

Created by:
Jack's Memory Chapel, American, founded 1948  Search this
Subject of:
Hugh Hollins, American, 1913 - 2000  Search this
Owned by:
Eddie Faye Gates  Search this
Medium:
digital
Dimensions:
H x W: 5214pixels × 6720pixels
Type:
digital images
programs
digital media - born analog
Place collected:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
2000
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.63
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ff46bfb4-530f-4f99-9160-23e3e2d3b374
EDAN-URL:
edanmdm:nmaahc_2014.117.63

Funeral program of LeRoy Gibbs

Created by:
Princetta Newman, American, born 1943  Search this
Subject of:
Leroy Gibbs, American, 1910 - 1999  Search this
Vernon African Methodist Episcopal Church, American, founded 1905  Search this
Owned by:
Eddie Faye Gates  Search this
Medium:
digital
Dimensions:
H x W: 3416pixels × 5242pixels
Type:
digital images
programs
digital media - born analog
Place collected:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
1999
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.67
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b9b51667-8ba9-4819-a229-579429b8279d
EDAN-URL:
edanmdm:nmaahc_2014.117.67

Funeral program of Lt. Col. Major Clark

Printed by:
Jack's Memory Chapel, American, founded 1948  Search this
Owned by:
Eddie Faye Gates  Search this
Subject of:
Lt. Col. Major Clark, American, 1917 - 1999  Search this
Medium:
digital
Dimensions:
H x W: 5215pixels × 6705pixels
Type:
digital images
programs
digital media - born analog
Place collected:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
1999
Topic:
African American  Search this
Activism  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Military  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.68
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59f0711b7-73b2-4477-9afa-4a23a2aa0b50
EDAN-URL:
edanmdm:nmaahc_2014.117.68
Online Media:

Funeral program of Mary Lee Washington

Printed by:
Unidentified  Search this
Subject of:
Mary Lee Washington, American, 1917 - 2002  Search this
Antioch Baptist Church of North Tulsa, American, founded 1959  Search this
Owned by:
Eddie Faye Gates  Search this
Medium:
digital
Dimensions:
H x W: 5236pixels × 6727pixels
Type:
digital images
programs
digital media - born analog
Place collected:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
2002
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.69
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd54f237d30-c2bc-42e4-ac90-8611f3c05964
EDAN-URL:
edanmdm:nmaahc_2014.117.69
Online Media:

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