Search Results

Creator:

Colonna, Farrell: Design.  Search this

Fleckner, John A., 1941-  Search this

Farrell, John, 1944-  Search this

Crew, Spencer R., 1949-  Search this

Colonna, Ralph, 1937-  Search this

Extent:

2.1 Cubic feet

Type:

Collection descriptions

Archival materials

Packaging

Oral history

Labels

Design drawings

Audiocassettes

Date:

1975-1997

Summary:

Original artwork and final prints of wine labels, files on work for other clients, plus audio tapes of an interview of Farrell.

Scope and Contents:

The collection consists of eight series, the largest, Series I, being the wine labels. This series is arranged alphabetically by the name of the producer and each winery is in a separate folder. At times the name of the wine is different than the name of the producer and sometimes the winery produces wines under more than one name. If there is more than one name or if the name of the wine is different than the name of the producer, these other names are listed in parentheses following the name of the winery. Often the name of the winery changes, usually in minor way such as changing the designation from cellars or winery to vineyards or some combination of these terms. To the extent possible, the latest name is used. All wines produced by each winery are in the same folder. The labels consist of various preliminary drawings, more refined drawings and presentations, mounted presentations and printed labels and loose printed labels. Some or all of these types may be available for each winery. In some cases there is no indication whether or not Colonna, Farrell received the commission to create the final designs, as the only way we have of knowing that is if the final printed label is in the collection.

Series II consists of designs for various presentations to The Monterey Vineyard. The first folder contains drawings and some design mockups. The remaining four folders of the series each contains a special presentation of mounted designs. Series III is a set of handmade containers containing designs created by the firm. These special cases were carried by John Farrell and Ralph Colonna when they visited wineries to make a presentation in an attempt to obtain new business.

Series IV consists of one folder containing ideas for labels that cannot be attributed to any particular winery and older labels that were collected for inspiration. Series V is a folder containing work for clients not in the wine business. Series VI contains company information such as letterhead, a brochure and an article. Series VII is miscellaneous material and Series VIII is an interview of John Farrell conducted by John Fleckner and Spencer Crew of the National Museum of American History on April 17, 1997. There are two sets of tapes, an original and a duplicate, and only the duplicate is to be used by researchers.

Arrangement:

The collection is divided into eight series.

Biography:

John Farrell was born on Long Island, New York in 1944 and grew up in Minneapolis/St. Paul where his family had moved in early 1945. He had an early interest in art and design and started doing commercial design work while still in high school and continued to support himself as a designer in college. He attended the University of Minnesota. from 1962 through 1964 when he transferred to California State University-Hayward, from which he graduated after majoring in Art/Design. After college he moved to Denver to take a design position and then, in 1971, started a business there. In 1972 he did graduate work in design at Denver University, but did not receive a degree. Mr. Farrell wanted to return to California and in 1974 he followed his dream, settling in the Napa Valley.

Mr. Farrell started working out of his home, visiting local printers to find out who was working with them. When the printers told him "the wineries" he started talking to wine people. He said that he found a real need in Napa to put together packaging and help what were then local farming people with small businesses. Because of his skills, he was able to offer his clients a complete package, from the start of the design process to the finish.

Ralph Colonna was also born on the East Coast, in Beaver Falls, Pennsylvania in 1937. His family moved to California in 1944 when his father was transferred there and he grew up in the Upland, Ontario area of the Los Angeles Basin. He majored in advertising and graphic design at the Art Center College of Design in Pasadena, California in 1957-58, but did not graduate. From 1958 to 1961 Mr. Colonna worked for a number of design firms, until he started his own firm in Westwood in 1961. The firm moved a number of times as it grew to its maximum size of forty people. He sold the studio in 1971 and moved to the Napa Valley where he opened a gourmet cookware store, which still exists, at "Vintage 1870", an old warehouse and winery, in Yountville. While he had the store, Mr. Colonna did some graphics work for other stores in the area. The store was sold in 1978 so he could concentrate on the design business that he had started with Mr. Farrell.

John Farrell and Ralph Colonna met in 1974 and John Farrell showed his work to Ralph Colonna, who liked the work. In 1975 Mr. Colonna said he had been asked to make a presentation for a package design system to Domaine Chandon, which was just being built. Mr. Colonna and Mr. Farrell collaborated on the presentation, but did not get the job. However they enjoyed working together and decided to work together on some other projects though they kept their businesses independent.

History:

Messrs. Farrell and Colonna started to share work space and costs in 1975 and in 1976 decided to go into business in St. Helena together. In those early days, it was easy to set up a design shop and Mr. Farrell likes to say that it could be done for less than $100, as all that was needed was a T square and a drawing board.

Jeffery Caldewey had an office in the same building and was also doing early label design. In 1976 they all decided to join forces to avoid useless competition. Initially the company was a partnership called Colonna, Caldewey, Farrell: Designers. When Mr. Caldewey left the company in 1982 and went out on his own, the name of the business was changed to Colonna, Farrell: Design, the name under which it operated until October, 1999 when the name was changed to CF.NAPA. The business was incorporated in California in 1981 under the name of Design Research Institute Inc. As the company grew, it moved several times in St.Helena and in October, 1999 it moved to Napa after merging with LA6A, which also has offices in Cincinnati, Chicago and New York.

Once Messrs. Colonna and Farrell established themselves as credible package designers, many area wineries wanted to get to know them and their company. The company put together presentations and the principals went to various wineries to promote themselves. In effect they were salesmen as well as designers, but it enabled them to build relationships with various well known wineries such as Beringer, Mondavi, and Sutter Home, even though they might not be the sole supplier of design.

The wine business, however, began to change. New owners came in, many of whom had not been in the wine business before but had been doctors, brokers, etc. They were often looking for a life style change more than they were trying to make a lot of money. The idea was to live in a beautiful place and have a small business. Colonna, Farrell worked with these new people and they became a large part of the company's business.

The early Colonna Farrell designs parroted what was being done in French labeling at the time. This was a traditional look and helped establish credibility. But this changed for a number of reasons: the wineries wanted to look different from each other and Colonna, Farrell: Design didn't want to be identified with any particular "look". This led the company to establish relationships with various designers, illustrators, photographers and artists in general, in order to make its product designs more unique, a practice that continues to this day, though most of the design work is created by employees of the company.

After a while, many of the larger wineries began to be acquired by companies that were not from the Napa Valley. Often these were large conglomerates or distilleries such as Hiram Walker and Seagrams and the wineries were only a small portion of their business. This changed the complexion of many established wineries.

It also changed the way Colonna, Farrell did business, as the headquarters of the parent companies often were not in the Napa Valley. Messrs. Farrell and Colonna felt they had to pursue business where the headquarters were. This meant traveling to meet the decision makers and impress them with the company's range of services. It also led to new types of work for the company, though the focus was still in beverages. Most importantly, it meant that the principals did less and less design work and more and more sales and marketing and administration. But it also led to creating a business that was not totally dependent on the principals.

At the same time the nature of design work was changing. When the company was started, most of the work was done by hand, but today computers play a much larger role in the design process. A similar pivotal change was occurring in the printing industry as new technology allowed labels to change from simple rectangular shapes to die cuts, embossing, foil stamps, and other fanciful and complex techniques.

The company is now also involved in packaging design so that every facet of the identity of the winery is controlled. This includes, in addition to the labels, packaging, bottle shape, shipper cartons, gift packs, and promotional materials. The company also has the capability of dealing with the Bureau of Alcohol, Tobacco and Firearms and comparable regulators overseas. The business is still evolving and is now going beyond design into marketing and Colonna, Farrell, as a leader in the industry, is also evolving.

Related Materials:

Warshaw Collection of Business Americana, ca. 1724-1977 (Subject Category: Wine)

Provenance:

This collection was donated to the National Museum of American History, Archives Center on November 17, 1997 by John Farrell and Ralph Colonna, the principals of CF.NAPA, previously know as Colonna, Farrell: Design.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Wine labels  Search this

Wine and wine making  Search this

Genre/Form:

Packaging

Oral history

Labels

Design drawings

Audiocassettes

Citation:

Colonna, Farrell Wine Label Collection, 1975-1997, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0626

See more items in:

Colonna, Farrell Wine Label Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c66cce96-012e-4789-9b22-3467d3614239

EDAN-URL:

ead_collection:sova-nmah-ac-0626

Artist:

Carlin, J.  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Occupation--Beggar  Search this

State of Being--Disabled--Blind  Search this

Figure  Search this

State of Being--Evil--Danger  Search this

Control number:

AECI 06270155

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_111394

Artist:

Hamaar  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Figure male  Search this

Occupation--Beggar  Search this

State of Being--Disabled--Blind  Search this

Control number:

AECI 00980114

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_17269

Artist:

Armitage, Edward  Search this

Medium:

Oil

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Mythology--Classical--Oedipus  Search this

Mythology--Classical--Antigone  Search this

Figure group  Search this

State of Being--Disabled--Blind  Search this

Control number:

AECI 01620022

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_31729

Artist:

Armitage, Edward  Search this

Medium:

Oil

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Literature--Bible  Search this

Religion--Old Testament--Samson  Search this

State of Being--Disabled--Blind  Search this

Figure male  Search this

Occupation--Farm--Miller  Search this

Architecture--Civic--Prison  Search this

Control number:

AECI 01620091

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_31798

Artist:

Winner, W. E.  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Religion--New Testament--Christ  Search this

State of Being--Disabled--Blind  Search this

Literature--Bible  Search this

Figure group  Search this

Control number:

AECI 01700012

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_33251

Artist:

Wagner, M. L.  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Figure  Search this

Occupation--Domestic--Sewing  Search this

State of Being--Disabled--Blind  Search this

Control number:

AECI 01700231

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_33470

Artist:

Cowell, W. W.  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Figure  Search this

State of Being--Disabled  Search this

Control number:

AECI 01940027

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_39071

Artist:

Simon, J. 1675-1755  Search this

Raphael (copy after)  Search this

Medium:

Mezzotint

Type:

Graphic arts

Exhibition Catalogs

Date:

1876

Topic:

Religion--Saint--St. Peter  Search this

Religion--Saint--St. John  Search this

State of Being--Disabled--Physical Disability  Search this

State of Being--Phenomenon--Miracle  Search this

Figure group--Male  Search this

Control number:

AECI 01990329

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_40909

Artist:

Burnett, John 1784-1868  Search this

Wilkie (copy after)  Search this

Medium:

Engraving

Type:

Graphic arts

Exhibition Catalogs

Date:

1876

Topic:

Performing Arts--Music--Fiddle  Search this

Figure male--Child  Search this

State of Being--Disabled--Blind  Search this

Control number:

AECI 01990645

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_41225

Artist:

Zamacois, Ed.  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Performing Arts--Circus--Clown  Search this

State of Being--Disabled--Dwarf  Search this

Recreation--Sport & Play--Cachonette  Search this

Figure group  Search this

State of Being--Emotion--Anger  Search this

History--France  Search this

Control number:

AECI 03120282

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_66084

Artist:

Rogers, Randolph  Search this

Type:

Sculptures

Exhibition Catalogs

Date:

1876

Topic:

Literature--Lytton--Nydia  Search this

Figure female  Search this

State of Being--Disabled--Blind  Search this

Control number:

AECI 03120534

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_66336

Publisher:

Houghton Mifflin Company  Search this

Physical Description:

paper (overall material)

ink (overall material)

fabric (cover material)

blue (cover color)

Measurements:

overall: 19.4 cm x 13.5 cm x 3.9 cm; 7 5/8 in x 5 5/16 in x 1 17/32 in

Object Name:

book

Place made:

United States: Massachusetts, Cambridge

Date made:

1922

Subject:

Civics  Search this

Credit Line:

Gift of Dr. Richard Lodish American School Collection

ID Number:

2017.0095.001

Accession number:

2017.0095

Catalog number:

2017.0095.001

See more items in:

Home and Community Life: Education

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-cd3f-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1842655

Physical Description:

paper (bookcover material)

paper (overall material)

ink (overall material)

printed (overall production method/technique)

Measurements:

overall: 10 1/2 in x 8 in x 1/2 in; 26.67 cm x 20.32 cm x 1.27 cm

Object Name:

book

Object Type:

instructional materials

Place made:

United States: Pennsylvania, Philadelphia

Date made:

1888

Subject:

Geography  Search this

Credit Line:

Gift of Dr. Richard Lodish American School Collection

ID Number:

2017.3049.08

Nonaccession number:

2017.3049

Catalog number:

2017.3049.08

See more items in:

Home and Community Life: Education

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b4-7c83-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1867597

Creator:

McFarland, J. Horace (John Horace), 1859-1948  Search this

American Rose Society  Search this

Names:

J. Horace McFarland Company  Search this

Mount Pleasant Press  Search this

Extent:

30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )

Type:

Collection descriptions

Archival materials

Photographs

Black-and-white photographs

Lantern slides

Place:

Breeze Hill (Harrisburg, Pennsylvania)

Pennsylvania -- Harrisburg

Date:

1899-1974

Summary:

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

Scope and Contents note:

The J. Horace McFarland Collection includes over 2,700 black and white mounted photographs, 448 glass lantern slides, and 41 glass plate negatives of gardens throughout the United States dating from 1899 to 1963. A small number of images show gardens in Austria, Canada, England, Mexico, Scotland and Wales. Many of the images, which were generated and used by the J. Horace McFarland Company to illustrate trade catalogs and journal and newspaper articles, indicate the publication(s) in which they appeared. A series of portraits of rosarians, many of them featured in Modern Roses 6, rounds out the image collection. The McFarland Collection also includes color records, plants patents, and miscellaneous publications. Color records are plant 'portraits' that were painted by McFarland Company staff artists in watercolor. They were referenced by the printing department in order to render illustrations of plants in colors as close to the originals as possible. The plant patents are patents for plants issued by the United States Patent Office. They include the plant name, source, filing and patent dates, patent number, and growth characteristics. Most are accompanied by a colored image of the plant identified in the patent. The miscellaneous publications are various pamphlets and booklets published by the J. Horace McFarland Company.

Arrangement:

The collection is arranged into 5 series:

1) Garden images (including mounted photographs, glass plate negatives, and glass lantern slides)

2) Portraits of Rosarians

3) Color Records

4) Plant Patents

5) Miscellaneous Publications

Biographical/Historical note:

Dr. J. Horace McFarland (1859-1948) was an influential civic leader, author, publisher, horticulturist, and authority on roses. His printing company, Mount Pleasant Press (later the J. Horace McFarland Company), was based in Harrisburg, Pennsylvania. It published many of the seed and nursery trade catalogs in the United States during the first half of the twentieth century and was one of the first to apply color processes to commercial print applications. J. Horace McFarland Company staffers photographed thousands of different gardens and plant specimens throughout the United States. These images were used to illustrate numerous nursery and seed catalogs, journals and books. Among its many services, the firm sold various themed lectures illustrated by sets of hand-colored glass lantern slides.

McFarland wrote over 200 articles in popular journals as well as a dozen books on roses and gardening. He served as the first president of the American Civic Association from 1904-1924 and led several local and national campaigns to protect communities and scenic areas from urban blight and overdevelopment including the city of Harrisburg and Niagara Falls. McFarland, who served as the president of the American Rose Society (1930-1932) and helped establish a standardized rose identification and registration method, used the gardens on his own 2.5 acre property in Harrisburg, "Breeze Hill," to test hundreds of varieties of roses and plant cultivars. "Breeze Hill" was used as the backdrop for many photographs taken by McFarland's firm.

Related Materials:

The Pennsylvania State Archives in Harrisburg, Pennsylvania includes the J. Horace McFarland Company Records (Manuscript Group 453) and the J. Horace McFarland Papers (Manuscript Group 85).

The Historical Society of Dauphin County in Harrisburg, Pennsylvania includes the J. Horace McFarland Collection (MG 229).

Separated Materials note:

The Smithsonian Institution's Botany and Horticulture Library includes seed and nursery trade catalogs, books, and published materials from the J. Horace McFarland Company.

The United States Department of Agriculture's National Agricultural Library in Beltsville, Maryland has various photographic images, nursery catalogs, publications and miscellaneous records from the J. Horace McFarland Company in its J. Horace McFarland Collection.

Provenance:

Donated in 1992 by James W. Walsh, who purchased the J. Horace McFarland Company from its founder's heirs. (The business was later renamed the Roebuck Printing Company.)

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Printers -- United States  Search this

Horticulturists  Search this

Printers -- Pennsylvania  Search this

Gardening -- Washington (D.C.)  Search this

Seeds -- Catalogs  Search this

Seed industry and trade -- United States  Search this

Gardens -- United States  Search this

Seed industry and trade -- Catalogs  Search this

Rose breeders -- United States  Search this

Genre/Form:

Photographs

Black-and-white photographs

Lantern slides

Citation:

Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.

Identifier:

AAG.MCF

See more items in:

J. Horace McFarland Company collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb69dd45f0c-ce66-4097-bc0f-68f5be9a5b11

EDAN-URL:

ead_collection:sova-aag-mcf

Creator:

Saalburg, Allen Russell, 1899-1987  Search this

Names:

Bucks County Historical Society  Search this

Canal Press  Search this

Ink River Gallery  Search this

New York Graphic Society  Search this

Extent:

0.8 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Date:

1924-circa 2003

bulk 1940-1987

Summary:

The papers of painter, illustrator, and screenprinter Allen Saalburg, 1924-circa 2003, bulk 1940-1987, measure 0.8 linear feet. Included are professional correspondence, printed material, a scrapbook and photographs. Most photographs are of Saalburg and his artwork. Also found are biographical material and subject files.

Scope and Contents:

The papers of painter, illustrator, and screenprinter Allen Saalburg, 1924-circa 2003, bulk 1940-1987, measure 0.8 linear feet. Included are professional correspondence, printed material, and a scrapbook. Most photographs are of Saalburg and his artwork. Also found are biographical material and subject files.

Biographical material consists of a chronology. Correspondence is with New York Graphic Society and Bucks County Historical Society, Doylestown, Pennsylvania. Business conducted by Canal Press and exhibitions at Ink River Gallery are documented in the subject files. Books and World War II posters illustrated by Saalburg are among the printed material. A scrapbook consists mainly of printed material illustrated by Saalburg. Photographs include views of his home in Uhlerstown, Pennsylvania and the studio, Canal Press, in Frenchtown, New Jersey. Also found are photographs of a trip to Albrook Air Force Base, Panama Canal Zone, where he participated in an exhibition featuring paintings of military planes.

Arrangement:

This collection is arranged as 6 series.

Missing Title

Series 1: Biographical Materials, circa 2003 (Box 1; 1 folder)

Series 2: Correspondence, circa 1956-1969, 1982-1983 (Box 1; 0.2 linear feet)

Series 3: Subject Files, circa 1950s-1994 (Box 1; 0.1 linear feet)

Series 4: Printed Material, 1940-circa 1980s (Boxes 1-2, OV 3; 0.3 linear feet)

Series 5: Scrapbook, 1924-1927, 1941-1947 (Box 2; 0.1 linear feet)

Series 6: Photographs, circa 1930-circa 1980s (Box 1; 0.1 linear feet)

Biographical / Historical:

Allen Saalburg (1899-1987) was a painter, illustrator, and innovative screenprinter who spent most of his career working in Frenchtown, New Jersey. From 1917 to 1920 he studied painting at the Pratt Institute and the Art Students League. In the late 1920s, Saalburg worked in Paris and had a solo exhibition at Galerie Bernheim-Jeune before returning to New York in 1930.

Throughout his career, Saalburg illustrated covers for popular magazines. His paintings were shown in group exhibitions at the Art Institute of Chicago and Whitney Museum of American Art. Solo exhibitions included shows at Grand Central Galleries and Kraushaar Galleries in New York, and others in New Jersey and Pennsylvania. He produced complex prints based on his paintings and experimented with screenprinting onto non-traditional surfaces. A piece on plastic panels was commissioned for a pavillion at the 1964 New York World's Fair.

Allen Saalburg's marriage to Muriel King, a costume and fashion designer, ended in divorce. His second wife was Mary Faulconer, a painter. Allen Saalburg died in 1987 in Flemington, New Jersey.

Provenance:

Executor Prudence Crowther donated the Allen Saalburg papers in 2004.

Restrictions:

Use of original material requires an appointment.

The Allen Saalburg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

Topic:

Painters -- New York (State) -- New York  Search this

Artists' studios -- Photographs  Search this

Printers -- New York (State) -- New York  Search this

Illustrators -- New York (State) -- New York  Search this

World War, 1939-1945  Search this

Genre/Form:

Photographs

Scrapbooks

Citation:

Allen Saalburg papers, 1924-circa 2003, bulk 1940-1987. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.saalalle

See more items in:

Allen Saalburg papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9715d80fb-978b-42b4-a1b6-82d36ad7179b

EDAN-URL:

ead_collection:sova-aaa-saalalle

Associated Name:

Wilkes, Charles  Search this

Original artist:

Agate, A. T.  Search this

Graphic artist:

Halbert, A.  Search this

Printer:

Sherman, C.  Search this

Maker:

Lea & Blanchard  Search this

Measurements:

overall: 10 in x 13 1/16 in; 25.4 cm x 33.10001 cm

Object Name:

Plate

plate, printing

Object Type:

Engraving

Place made:

United States: Pennsylvania, Philadelphia

Date made:

1845

Related event:

U.S. Exploring Expedition  Search this

ID Number:

1999.0145.323

Accession number:

1999.0145

Catalog number:

1999.0145.323

See more items in:

Work and Industry: Graphic Arts

Wilkes Blocks

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a4-2f54-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_600561

Associated Name:

Wilkes, Charles  Search this

Original artist:

Agate, A. T.  Search this

Graphic artist:

Wright, W. F.  Search this

Rawdon  Search this

Hatch  Search this

Printer:

Sherman, C.  Search this

Physical Description:

copper (overall material)

steel (overall material)

Measurements:

overall: 28.1 cm x 33 cm; 11 1/16 in x 13 in

Object Name:

Plate

plate, printing

Object Type:

Engraving

Place made:

United States: Pennsylvania, Philadelphia

Date made:

1845

Related event:

U.S. Exploring Expedition  Search this

ID Number:

1999.0145.325

Accession number:

1999.0145

Catalog number:

1999.0145.325

See more items in:

Work and Industry: Graphic Arts

Wilkes Blocks

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a4-13ce-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_600563

Associated Name:

Wilkes, Charles  Search this

Original artist:

Agate, A. T.  Search this

Printer:

Sherman, C.  Search this

Publisher:

Lea & Blanchard  Search this

Engraver:

Jones, Alfred  Search this

Maker:

Agate, A. T.  Search this

Measurements:

overall: 26.3 cm x 33.5 cm; 10 3/8 in x 13 3/16 in

Object Name:

Plate

plate, printing

Object Type:

Engraving

Place made:

United States: Pennsylvania, Philadelphia

Date made:

1845

Related event:

U.S. Exploring Expedition  Search this

ID Number:

1999.0145.334

Accession number:

1999.0145

Catalog number:

1999.0145.334

See more items in:

Work and Industry: Graphic Arts

Wilkes Blocks

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a4-36ed-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_600572

Associated Name:

Wilkes, Charles  Search this

Original artist:

Agate, A. T.  Search this

Graphic artist:

Jewett, C.A.  Search this

Printer:

Sherman, C.  Search this

Maker:

Lea & Blanchard  Search this

Physical Description:

copper (overall material)

steel (overall material)

Measurements:

overall: 25.5 cm x 33.3 cm; 10 1/16 in x 13 1/8 in

Object Name:

Plate

plate, printing

Object Type:

Engraving

Place made:

United States: Pennsylvania, Philadelphia

Date made:

1845

Related event:

U.S. Exploring Expedition  Search this

ID Number:

1999.0145.350

Accession number:

1999.0145

Catalog number:

1999.0145.350

See more items in:

Work and Industry: Graphic Arts

Wilkes Blocks

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a4-3a00-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_600588