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Carl Zigrosser papers

Topic:
Modern school magazine
Creator:
Zigrosser, Carl, 1891-  Search this
Names:
American Artists Group  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Institute of Chicago  Search this
Art in America  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Arms, John Taylor, 1887-1953  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Boyd, E., 1903-1974  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Calder, Alexander, 1898-1976  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Castellón, Federico, 1914-1971  Search this
Colker, Ed, 1927-  Search this
Cook, Howard Norton, 1901-1980  Search this
Dehn, Adolf, 1895-1968  Search this
Durieux, Caroline, 1896-1989  Search this
Dwight, Mabel, 1876-1955  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Girard, André  Search this
Hayter, Stanley William, 1901-1988  Search this
Hopper, Edward, 1882-1967  Search this
Huntley, Victoria Hutson, 1900-1971  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kent, Rockwell, 1882-1971  Search this
Keppel, Frederick, 1845-1912  Search this
Kimball, Fiske, 1888-1955  Search this
Kohn, Misch, 1916-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lankes, Julius J., 1884-1960  Search this
Lasansky, Mauricio, 1914-  Search this
Mauzey, Merritt, 1898-  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert), 1907-  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy, 1905-1997  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pach, Walter, 1883-1958  Search this
Rivera, Diego, 1886-1957  Search this
Ronnebeck, Arnold, 1885-1947  Search this
Rose, Ruth Starr, 1887-1965  Search this
Rosenwald, Lessing J. (Lessing Julius), 1891-1979  Search this
Ruellan, Andrée, 1905-2006  Search this
Schniewind, Carl Oscar, 1900-1957  Search this
Seidenberg, Roderick, 1889-1973  Search this
Spratling, William, 1900-1967  Search this
Spruance, Benton, 1904-1967  Search this
Sternberg, Harry, 1904-2001  Search this
Stieglitz, Alfred, 1864-1946  Search this
Teng, Kuei  Search this
Valentin, Curt, 1902-1954  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Weston, Edward, 1886-1958  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
30 Linear feet ((on 63 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1891-1971
Scope and Contents:
Personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on prints and printmaking and his personal relationships with artists.
Included are: correspondence with family and with over 900 printmakers, painters, sculptors, acquaintances, friends, associates, organizations, museums, publishers, and magazines; general correspondence, notes, clippings, and manuscripts pertaining to The Modern School Magazine; files of correspondence from Zigrosser's work at: the Philadelphia Museum of Art, 1932-1971; John Simon Guggenheim Memorial Foundation; Solomon R. Guggenheim Foundation and Museum, 1946-1971, including correspondence with Frank Lloyd Wright concerning the Guggenheim Memorial Museum; Print Council of America, 1954-1971, regarding exhibitions, council meetings and other matters; and the Tamarind Workshop, 1960-1971.
Of particular interest is material relating to the 1913 Armory Show, including Zigrosser's annotated catalog, notes and sketches. Also included are speeches and notes, 1930-1968; manuscripts for lectures and unpublished materials; memorabilia; a photo album of sculpture by John B. Flannagan; art work, including prints and drawings by Karig Nalbandian, prints by Rockwell Kent, and oversized works of art on paper by Mabel Dwight, Wanda Gag and Kent; family photograph album; journals and pamphlets (covers only); and diaries, 1916-1971, discussing personal and professional events such as art openings, conversations and activities with Rockwell Kent, Alfred Stieglitz, and Georgia O'Keeffe, among others.
Among the correspondents are: the American Artists Group, John Taylor Arms, Art in America magazine, Art Institute of Chicago, Alfred Barr, E. Boyd, Charles Burchfield, Alexander Calder, Fitz Roy Carrington, Federico Castellon, Ed Colker, Howard N. Cook, Crown Publishers, Adolf Dehn, Caroline Durieux, John Bernard Flannagan, Andre Girard, Stanley William Hayter, Edward Hopper, Victoria Hutson Huntley, Independent Citizens Committee for the Arts, Sciences and Professions, R. Sturgis Ingersoll, Frederick Keppel, Rockwell Kent, Fiske Kimball, Misch Kohn, Yasuo Kuniyoshi, Julius Lankes, Mauricico Lasansky, Merritt Mauzey, Kneeland McNulty, James A. Michener, Marian Mitchell,
Museum of Non-Objective Painting (Solomon R. Guggenheim Museum), Karnig Nalbandian, Dorothy Norman, Georgia O'Keeffe, Walter Pach, Harold Paris, Print Club (Philadelphia), Diego Rivera, Ruth Starr Rose, Arnold Ronnebeck, Lessing J. Rosenwald, Andre Ruellan, Carl Oscar Schniewind, Roderick Seidenberg, William Spratling, Benton Spruance, Alfred Stieglitz, Harry Sternberg, Tamarind Lithography Workshop, Kuei Teng, U.S. Office of War Information, Curt Valentin, Heinz Warneke, Edward Weston, Weyhe Gallery, Whitney Museum of American Art, Harry Wickey, and Adja Yunkers.
Biographical / Historical:
Print curator; Philadelphia, Pa.; d. 1975. Graduated Columbia University in literature. Worked with prints in New York City at Keppel and Co. and Weyhe Gallery; print curator at Philadelphia Museum of Art 1940-1963; author of books on prints and art works.
Provenance:
Lent for microfilming, 1991, by the University of Pennsylvania Special Collections Department, Van Pelt Library. Zigrosser donated the papers to the University in 1972. Portions of the papers not microfilmed include research files, manuscript materials for published work, family records, and journals.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from the Curator of Manuscripts, Rare Book & Manuscript Library, University of Pennsylvania. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- United States  Search this
Printmakers -- United States  Search this
Museum curators -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American  Search this
Prints -- societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Identifier:
AAA.zigrcarl
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c88ba1db-1061-48d2-bae9-77dd7e7f65c5
EDAN-URL:
ead_collection:sova-aaa-zigrcarl

Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005

Creator:
Koppelman, Chaim, 1920-  Search this
Subject:
Stamos, Theodoros  Search this
Anuszkiewicz, Richard  Search this
Dienes, Sari  Search this
Herz, Nat  Search this
Kandinsky, Wassily  Search this
Koppelman, Dorothy  Search this
Kranz, Sheldon  Search this
Lichtenstein, Roy  Search this
Ozenfant, Amédée  Search this
Pond, Clayton  Search this
Rebay, Hilla  Search this
Picasso, Pablo  Search this
Siegel, Eli  Search this
Solomon R. Guggenheim Foundation  Search this
Terrain Gallery  Search this
Audubon Artists (New York, N.Y.)  Search this
Associated American Artists  Search this
American Federation of Arts  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Print Council of America  Search this
School of Visual Arts (New York, N.Y.)  Search this
Type:
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Citation:
Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.
Topic:
Artists' studios  Search this
Gallery owners -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13589
(DSI-AAA_SIRISBib)268639
AAA_collcode_koppchai
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_268639
Online Media:

Chaim and Dorothy Koppelman papers

Creator:
Koppelman, Chaim, 1920-2009  Search this
Names:
American Federation of Arts  Search this
Associated American Artists  Search this
Audubon Artists (New York, N.Y.)  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Print Council of America  Search this
School of Visual Arts (New York, N.Y.)  Search this
Solomon R. Guggenheim Foundation  Search this
Terrain Gallery  Search this
Anuszkiewicz, Richard  Search this
Dienes, Sari  Search this
Herz, Nat, 1920-1964  Search this
Kandinsky, Wassily, 1866-1944  Search this
Koppelman, Dorothy  Search this
Kranz, Sheldon  Search this
Lichtenstein, Roy, 1923-1997  Search this
Ozenfant, Amédée, 1886-1966  Search this
Picasso, Pablo, 1881-1973  Search this
Pond, Clayton, 1941-  Search this
Rebay, Hilla, 1890-1967  Search this
Siegel, Eli, 1902-  Search this
Stamos, Theodoros, 1922-1997  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Date:
circa 1930s-2006
bulk 1942-2005
Summary:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.
Scope and Content Note:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

Scattered biographical material includes resumes, artist's statements, copies of entries in Who's Who directories, and miscellaneous items.

Correspondence includes personal correspondence and general correspondence. Personal correspondence mostly consists of Chaim Koppelman's letters written to Dorothy while he was serving in the U.S. Army during World War II. He describes his daily activities, observations on army life, and his travels while stationed in England, France, and Germany. Of interest is Chaim Koppelman's letter to Dorothy describing his meeting Picasso and visiting the artist's studio. Personal correspondence also includes Chaim and Dorothy Koppelman's letters with family and friends. Notable correspondents include Sari Dienes, Nat Herz, Sheldon Kranz, Amédée Ozenfant, Hilla Rebay, and Theodoros Stamos. Hilla Rebay's letters to Chaim Koppelman discuss museum-related activities at the Solomon R. Guggenheim Foundation, including the Guggenheim's memorial exhibition for Wassily Kandinsky. There is also a file of letters from Eli Siegel to Chaim Koppelman. General correspondence includes mostly incoming letters to Chaim Koppelman from collectors, colleagues, students, and arts institutions. Frequent correspondents include: Associated American Artists, American Federation of the Arts, Audubon Artists, DeCordova and Dana Museum and Park, Pratt Graphics Center and Print Council of America.

Writings and notes contain annotated typescripts and handwritten drafts by Chaim and Dorothy Koppelman. Chaim Koppelman's writings include essays and talks on art, artists, and printmaking based on Aesthetic Realism; also found are some poems. Dorothy Koppelman's writings consist of artist's statements and essay-length pieces that were prepared for Aesthetic Realism talks on the work and lives of artists, held at the Terrain Gallery of the Aesthetic Realism Foundation and other venues. Also found is a sound recording of Chaim Koppelman's 1968 conversation with Richard Anuszkiewicz, Roy Lichtenstein, and Clayton Pond; the artists discuss the influence of the Siegel Theory of Opposites on their work.

Subject files document the activities, projects, and professional affiliations of Chaim and Dorothy Koppelman. Included are materials on exhibitions, applications for fellowships and grants, awards, drafts of writings, donations and acquisitions of artwork by museums. Teaching files provide an overview of the faculty positions held by Chaim and Dorothy Koppelman over the course of their careers. Found are extensive files on Chaim Koppelman's tenure at the School of Visual Arts. Exhibition files chronicle the Koppelmans' solo and group shows at the Terrain and other venues; substantive files contain Chaim Koppelman's correspondence with museums and arts institutions and sales information.

Two scrapbooks contain exhibition-related materials, such as artists' statements, press releases, awards, printed material, and photographs of artwork. Artwork includes sketches and illustrated letters by Chaim Koppelman. There are twenty annotated sketchbooks by Chaim Koppelman and a sketchbook by Dorothy Koppelman. Photographs and snapshots are of Chaim and Dorothy Koppelman; many of the snapshots of Chaim Koppelman and others document his army service while stationed in the United States and Europe. Four photograph albums include black and white photographs of Chaim and Dorothy Koppelman in their studio; included are snapshots of the Koppelmans with family and friends at exhibition openings, gatherings, and on their travels. There are photographs of Regina Dienes, Gerson Lieber, Bernard Olshan, Joseph Solman, and Theodoros Stamos.
Arrangement:
The collection is arranged as 12 series:

Missing Title

Series 1: Biographical Material, 1940-2001 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1942-2003 (Box 1; 0.6 linear feet)

Series 3: Writings and Notes, 1930s-1989, 2005 (Box 1; 0.2 linear feet)

Series 4: Subject Files, 1942-2004 (Boxes 1-2; 0.8 linear feet)

Series 5: Teaching Files, 1940s-2006 (Box 2; 0.4 linear feet)

Series 6: Exhibition Files, 1940s-2005 (Boxes 2-3; 0.6 linear feet)

Series 7: Personal Business Records, 1944-1969 (Box 3; 3 folders)

Series 8: Scrapbooks, 1942-2003 (Box 3; 2 folders)

Series 9: Printed Material, 1937-1971, 2004 (Box 3; 0.25 linear feet)

Series 10: Artwork, 1933-1949, 1980-2000 (Box 3; 3 folders)

Series 11: Sketchbooks, 1944-2005 (Boxes 3-4; 0.8 linear feet)

Series 12: Photographs, 1930-circa 2004 (Box 4; 0.25 linear feet)
Biographical Note:
Chaim Koppelman (1920-2009) lived and worked in New York as a printmaker, educator, and Aesthetic Realism consultant. Painter, gallery director, Aesthetic Realism consultant, and educator Dorothy Koppelman (1920-) resides and works in New York City.

Chaim Koppelman was born in Brooklyn in 1920. Koppelman studied at the American Artists School with Carl Holty and at the Art Students League with Jose De Creeft and Will Barnet. Simultaneously, he began to study in classes taught by Eli Siegel, critic, poet, and founder of the philosophy Aesthetic Realism. In 1942, Koppelman was drafted in the U.S. Army. Before going overseas in 1943, he married Dorothy Myers. In the army, Koppelman continued his studies in painting and sculpture, where he attended the Art College in Western England, Bristol, and the Beaux Arts School in Reims, France. Chaim Koppelman took part in the Normandy invasion and was awarded the Bronze Star for his service.

After Koppelman returned to New York in 1944, he studied at the Amédée Ozenfant School, where he eventually became Ozenfant's assistant. Around this time, Koppelman turned from painting and sculpture to printmaking. In 1955, Chaim Koppelman, his wife, Dorothy, and other artists and poets studying Aesthetic Realism established the Terrain Gallery. For many years, Koppelman was the head of the gallery's Print Division and then later became an advisory director.

Chaim Koppelman held a number of teaching positions in universities and arts institutions. He lectured at Brooklyn College, the Art Education Department from 1950-1960. In 1959, Koppelman founded the Printmaking Division at the School of Visual Arts, where he served on the school's faculty until 2007. At the Aesthetic Realism Foundation, he taught artists how to relate their artwork and their everyday lives. He wrote: "After having tested his aesthetic concepts in literally thousands of works of different periods, in different styles, in different media, I say that Eli Siegel's Theory of Opposites is the key to what is good or beautiful in art….When Eli Siegel showed that what makes a work of art beautiful—the oneness of opposites—is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind."

Among the awards Chaim Koppelman received were: two Tiffany Grants, 1956, 1959; New York Artists Equity Annual Awards Honoring Will Barnet, Robert Blackburn, Chaim Koppelman, 1992; and the Purchase Prize, Art Students League in 2005. Koppelman was a member of the National Academy and a member of the Society of American Graphic Artists (SAGA). In 2004, SAGA presented him with the Lifetime Achievement Award. In addition to his solo and group exhibitions at the Terrain Gallery, Chaim Koppelman's work was featured at the Beatrice Conde Gallery, International Print Center (New York), Library of Congress, and Minneapolis Institute of Arts. His prints are in the collections of the Guggenheim Museum, Museum of Modern Art (New York), Metropolitan Museum of Art, Victoria and Albert Museum in London, and the National Gallery.

In December 2009, Koppelman died at age 89 in New York City.

Born in 1920, Dorothy Koppelman attended Brooklyn College, the Art Students League, and American Artists School where she trained under Joseph Solman. During this time, she began to study poetry, and the relation of art and the self in classes with Eli Siegel, the founder of Aesthetic Realism.

Dorothy Koppelman has had a number of solo and group exhibitions at the Terrain Gallery. She has also shown her paintings at the Atlantic Gallery, Art Gallery of Binghamton, New York, Beatrice Conde Gallery, the Broome Street Gallery, and at MoMA, Brooklyn Museum, Newark Museum, the Whitney Biennial 2006 Peace Tower, the National Academy, and the Butler Art Institute.

Dorothy Koppelman has served on the faculty at several arts institutions: the National Academy, Brooklyn College School of Education, and the School of Visual Arts. She has given presentations on Aesthetic Realism at the Fondazione Piero della Francesa in Italy, and with Carrie Wilson at the 31st World Congress of the International Society for Education through Art (InSEA). On August 16, 2002, in a talk given on Eli Siegel Day in Baltimore, she said, "Eli Siegel explained the true meaning of art for our lives. No one—no scholar, no artist, no person—in all the centuries ever saw this before: that we can learn about ourselves from the very technique of art!...He showed that far from being in a separate world, art has the answer to the trouble in this one."

She is a member of several professional organizations including the American Society of Contemporary Artists and New York Artists Equity. She has received an Honorable Mention from the Brooklyn Society of Artists, 1957; a Tiffany Grant for painting, 1965; and awards from the American Society of Contemporary Artists, 1996, 1999. Dorothy Koppelman's work has been included in the collections of Hampton University, Virginia; Rosenzweig Museum, Durham, North Carolina; New-York Historical Society; Yale University; the National Museum of Women in the Arts, as well as other institutions.

Dorothy Koppelman lives in New York City. She is a consultant on the faculty of the Aesthetic Realism Foundation, where she also teaches the Critical Inquiry, a workshop for artists. She serves on the Board of Directors of the Aesthetic Realism Foundation, and is President of the Eli Siegel/Martha Baird Foundation. She continues her study in classes with Ellen Reiss, Aesthetic Realism Chairman of Education.
Related Materials:
The Archives of American Art also holds the Terrain Gallery records of which Dorothy Koppelman is the director.
Provenance:
The collection was donated by Chaim and Dorothy Koppelman in 2006.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios  Search this
Gallery owners -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Citation:
Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koppchai
See more items in:
Chaim and Dorothy Koppelman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988e54036-6f92-4d0d-89e9-c638ba3bf216
EDAN-URL:
ead_collection:sova-aaa-koppchai
Online Media:

Folders 2-9 VII Sao Paulo Biennial. 63-213. 1962-64. Sep. 28- Dec. 22, 1963. Three U.S. exhibits: sculptures, "Ten American Sculptors," and paintings chosen by the Walker Art Center, Minneapolis, MN; contemporary prints sent by the Print Council of Ame...

Container:
Box 79 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 16: Numbered Exhibitions, c. 1954-1981 / Box 79
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e11543

Folders 6-7 Print Council of America. 63-377. 1963-66. Circulated in the Far East. Initial showing: Oct. 1-Nov. 15, 1963, Singapore. Last showing: Korea. From the 1959 exhibition, American Prints Today. Catalogs, catalog list and valuations, correspond...

Container:
Box 81 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 16: Numbered Exhibitions, c. 1954-1981 / Box 81
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e11642

Folders 5-6 Eleven American Printmakers. 63-420. 1963-65. An exhibition organized by the Print Council of America for the VII Sao Paulo Biennial, 1963. Shown in Colombia. Catalogs and catalog lists, reports, press clippings, photographs of exhibited wo...

Container:
Box 83 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 16: Numbered Exhibitions, c. 1954-1981 / Box 83
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e11733

Folders 3-9 30 Contemporary American Prints. 63-438. 1963-67. Initial showing: March 24-April 1, 1965, Asociacion Hispano-Americana de Cultura, Madrid, Spain. Circulated Europe for two years. Last showing: Bonn, Germany. Subject: Print Council of Ameri...

Container:
Box 84 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 16: Numbered Exhibitions, c. 1954-1981 / Box 84
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e11787

Folder 17 Print Council of America, 1957-1970

Container:
Box 37 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 9: Professional Art Organizations, 1955-1978 / Box 37
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e6635

Print Council of America records, 1951-2020

Creator:
Print Council of America  Search this
Subject:
Degas, Edgar  Search this
Fine, Ruth  Search this
Haverkamp Begemann, Egbert  Search this
Ostrow, Stephen E.  Search this
Reed, Sue Welsh  Search this
Print Council of America. Newsletter  Search this
Type:
Interviews
Photographs
Sound recordings
Transcripts
Citation:
Print Council of America records, 1951-2020. Archives of American Art, Smithsonian Institution.
Topic:
Curators -- United States  Search this
Printmakers  Search this
Prints  Search this
Prints -- Societies, etc  Search this
Prints -- Technique -- United States  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)8581
(DSI-AAA_SIRISBib)210760
AAA_collcode_princoun
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210760
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Carl Zigrosser papers, 1891-1971

Creator:
Zigrosser, Carl, 1891-1975  Search this
Subject:
Arms, John Taylor  Search this
Barr, Alfred H., Jr.  Search this
Boyd, E.  Search this
Burchfield, Charles Ephraim  Search this
Calder, Alexander  Search this
Carrington, Fitz Roy  Search this
Castellón, Federico  Search this
Colker, Ed  Search this
Cook, Howard Norton  Search this
Dehn, Adolf  Search this
Durieux, Caroline  Search this
Dwight, Mabel  Search this
Flannagan, John Bernard  Search this
Girard, André  Search this
Hayter, Stanley William  Search this
Hopper, Edward  Search this
Huntley, Victoria Hutson  Search this
Ingersoll, R. Sturgis (Robert Sturgis)  Search this
Kent, Rockwell  Search this
Keppel, Frederick  Search this
Kimball, Fiske  Search this
Kohn, Misch  Search this
Kuniyoshi, Yasuo  Search this
Lankes, Julius J.  Search this
Lasansky, Mauricio  Search this
Mauzey, Merritt  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert)  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy  Search this
O'Keeffe, Georgia  Search this
Pach, Walter  Search this
Rivera, Diego  Search this
Ronnebeck, Arnold  Search this
Rose, Ruth Starr  Search this
Rosenwald, Lessing J. (Lessing Julius)  Search this
Ruellan, Andrée  Search this
Schniewind, Carl Oscar  Search this
Seidenberg, Roderick  Search this
Spratling, William  Search this
Spruance, Benton  Search this
Sternberg, Harry  Search this
Stieglitz, Alfred  Search this
Teng, Kuei  Search this
Valentin, Curt  Search this
Warneke, Heinz (Heinrich)  Search this
Weston, Edward  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd  Search this
Yunkers, Adja  Search this
Art in America  Search this
American Artists Group  Search this
Art Institute of Chicago  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Armory Show (1913: New York, N.Y.)  Search this
Citation:
Carl Zigrosser papers, 1891-1971. Archives of American Art, Smithsonian Institution.
Topic:
Modern school magazine  Search this
Art, American  Search this
Prints -- Societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Theme:
Diaries  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10859
(DSI-AAA_SIRISBib)214612
AAA_collcode_zigrcarl
Theme:
Diaries
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214612

Print Council of America

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5224, Frame 1027-1034
Type:
Archival materials
Date:
1960
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e35f7328-448a-423c-b105-4110333fae33
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3087

Print Council of America

Collection Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Container:
Box 9, Folder 33
Type:
Archival materials
Date:
1981-2000
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Kainen papers
Jacob Kainen papers / Series 2: Correspondence/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94806ce7e-58fe-4a36-a0ba-58be462501df
EDAN-URL:
ead_component:sova-aaa-kainjaco-ref327

Print Council of America Certificate (sign; see Box 106)

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 100, Folder 16
Type:
Archival materials
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 7: Administrative and Financial Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw923ac6e1c-a140-4639-82fb-fd4c32eff6d1
EDAN-URL:
ead_component:sova-aaa-fendgall-ref1346

Print Council of America Certificate

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 106, Folder 4
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 7: Administrative and Financial Files / Oversized Administrative Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94924d2e9-a1fb-48dc-b7e6-fe06fcafae7a
EDAN-URL:
ead_component:sova-aaa-fendgall-ref1394

Print Council of America

Collection Creator:
Castleman, Riva  Search this
Container:
Box 4, Folder 48
Type:
Archival materials
Date:
1995-2002
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Riva Castleman papers, 1871, 1930-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Riva Castleman papers
Riva Castleman papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b1ed0ca-b13a-4f3d-bd51-3d2e244f1df3
EDAN-URL:
ead_component:sova-aaa-castriva-ref77

P, General

Collection Creator:
Castleman, Riva  Search this
Container:
Box 4, Folder 49
Type:
Archival materials
Date:
circa 1950-2009
Scope and Contents:
Includes Print Collector's Newsletter and Print Council of America
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Riva Castleman papers, 1871, 1930-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Riva Castleman papers
Riva Castleman papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945559034-ac95-4cf6-ad45-dcfc9856dd3a
EDAN-URL:
ead_component:sova-aaa-castriva-ref78

Print Council of America

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 15
Type:
Archival materials
Date:
1957-1963
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Adolf Dehn papers / Series 2: Correspondence / 2.2: Business Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw924c008aa-3fcd-431f-b663-de32d7e5c558
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref162

Duo F

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976  Search this
Medium:
Inkless intaglio on paper
Dimensions:
sheet: 15 x 22 5/16 in. (38.1 x 56.6 cm) image: 5 1/16 x 13 9/16 in. (12.9 x 34.4 cm)
Type:
Print
Date:
1959
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.31
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22f2a0371-90dc-44e2-894b-a2b0a81b608e
EDAN-URL:
edanmdm:hmsg_66.31

Print Council of America [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
New York (N.Y.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_101886

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