Skip to main content Smithsonian Institution

Search Results

Collections Search Center
6,145 documents - page 1 of 308

The Man Who Decoded the Culture of Tierra Del Fuego

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2019-10-29T15:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_7WoZxaVczJU

Was This Ancient Egyptian Tomb Ransacked by Priests?

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2020-09-09T15:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_CY4Cm08SjtQ

This Ancient Egyptian Tomb Was Used for Two Different Burials

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2020-05-03T15:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_D_qJI4yBh80

What Hieroglyphics Say About the Women of Ancient Egypt

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2018-09-07T15:30:01.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_QmJzKXIto3c

The Extravagant Plot to Make Grace Kelly a Princess

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2015-12-28T22:15:36.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_bA0O7VYrLp8

Hide/Seek: "The Mouses's Tale" by Jess (Burgess Collins) - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2011-04-07T23:23:58.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_nCZnfxDBo9U

Moment of Zen: Buddhist Teachings for Turbulent Times

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2020-07-22T23:54:49.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_5LG2_X6OON4

Mind Over Matter: Zen in Medieval Japan - Exhibition Highlights

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2022-06-17T14:56:05.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_gz-6ccgf5Aw

My Name is Pauli Murray | History Film Forum

Creator:
National Museum of American History  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-10-01T16:24:41.000Z
YouTube Category:
Film & Animation  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt__1LTWUpiBwU

Hopi Snake Priest

Artist:
Fred Kabotie, 1900 - 1986  Search this
Sitter:
Unidentified Native American Man  Search this
Medium:
Gouache and pencil on cream paper
Dimensions:
29.2 x 20.3 cm (11 1/2 x 8" ), Estimate
Type:
Drawing
Date:
c. 1920
Topic:
Unidentified Native American Man: Male  Search this
Portrait  Search this
Credit Line:
Owner: National Gallery of Art
Object number:
2015.19.385
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm46c195a92-8e34-4ecc-9450-b3cd798c98fb
EDAN-URL:
edanmdm:npg_2015.19.385

Naxi Closing Ceremony

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2011-06-21T15:38:21.000Z
YouTube Category:
Education  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_JZzmwc5o898

A Tour of NGC 6231

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2018-05-02T17:00:23.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
cxcpub
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
cxcpub
EDAN-URL:
edanmdm:yt_vIvNzr-MkBA

General Winfield Scott

Artist:
Charles Saint-Priest, 1800 - 1900?  Search this
Sitter:
Winfield Scott, 13 Jun 1786 - 29 May 1866  Search this
Medium:
Oil on canvas
Type:
Painting
Date:
c. 1845
Topic:
Costume\Headgear\Hat  Search this
Nature & Environment\Clouds  Search this
Exterior\Landscape  Search this
Nature & Environment\Plant  Search this
Weapon\Sword  Search this
Exterior\Landscape\Battleground  Search this
Nature & Environment\Animal\Horse  Search this
Costume\Dress Accessory\Epaulet  Search this
Equipment\Sports Equipment\Equestrian Gear\Reins  Search this
Human Figures  Search this
Equipment\Sports Equipment\Equestrian Gear\Saddle  Search this
Winfield Scott: Male  Search this
Winfield Scott: Literature\Writer  Search this
Winfield Scott: Politics and Government\Presidential candidate  Search this
Winfield Scott: Politics and Government\Public official  Search this
Winfield Scott: Military and Intelligence\Army\Officer\General  Search this
Winfield Scott: Military and Intelligence\Army\Officer\War of 1812 army officer  Search this
Winfield Scott: Military and Intelligence\Army\Officer\Mexican War army officer  Search this
Winfield Scott: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: Louisiana State Museum
Object number:
1955.83
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4f8c762e7-db93-4c4f-a346-8434873d8123
EDAN-URL:
edanmdm:npg_1955.83

Gertrude Vanderbilt Whitney papers

Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Names:
American Ambulance Field Hospital (Juilly, France)  Search this
Greenwich House (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Whitney Studio Club  Search this
Cushing, Howard Gardiner, 1869-1916  Search this
De Meyer, Adolf, Baron, 1868-1949  Search this
Miller, Flora Whitney  Search this
Strelecki, Jean de, count  Search this
Watson, Forbes, 1880-1960  Search this
Whitney, Harry Payne, 1872-1930  Search this
Extent:
36.1 Linear feet
Type:
Collection descriptions
Archival materials
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Date:
1851-1975
bulk 1888-1942
Summary:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.
Scope and Content Note:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).
Arrangement:
The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)
Biographical/Historical note:
New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.
Related Archival Materials note:
Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.
Provenance:
The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Philanthropists -- New York (State) -- New York  Search this
Topic:
Art patrons -- New York (State) -- New York  Search this
Women artists  Search this
Women sculptors  Search this
World War, 1914-1918  Search this
Genre/Form:
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitgert
See more items in:
Gertrude Vanderbilt Whitney papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e
EDAN-URL:
ead_collection:sova-aaa-whitgert
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Gertrude Vanderbilt Whitney papers digital asset number 1
  • View Gertrude Vanderbilt Whitney papers digital asset number 2
Online Media:

Robert Alexander papers and Temple of Man records

Creator:
Alexander, Robert  Search this
Temple of Man (Venice, Calif.)  Search this
Names:
Temple of Man (Venice, Calif.)  Search this
Beattie, Paul, 1924-1988  Search this
Berman, Wallace, 1926-1976  Search this
Herms, George, 1935-  Search this
Hirschman, Jack, 1933-  Search this
Extent:
11.7 Linear feet
1.01 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Date:
1938-2015
Summary:
The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.
Scope and Contents:
The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.

Correspondence and artists files comprise the bulk of the collection and contain a wide variety of material pertaining to Temple of Man artists and affiliates, including mail art, over one hundred artworks, poetry, writings, exhibition announcements, clippings, and photographs. Artists include Anita Alexander, Bob Alexander, John Altoon, Aya, Paul Beattie, Michael Bergt, Wallace Berman, Charles Britton, Cameron, Bruce Connor, William Dailey, Gayle Davis, George Herms, Jack Hirschman, Maurice Lacy, Fred Mason, Kenneth Patchen, Peter Paul, Stuart Perkoff, Artie Richer, Tony Scibella, Ben Talbert, Zack Walsh, Edwin Ward, Marcia Ward, Saul White, Steve Wilson, and others. A small amount of born-digital material includes a video recording of Renick Stevenson, images of artworks, and photographs.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Material, 1938-1988 (0.2 linear feet; Box 1)

Series 2: Temple of Man Administrative Records, 1960-2010 (0.4 linear feet; Box 1, OV 13)

Series 3: Correspondence and Artists Files, circa 1948-2015 (9.8 linear feet, Boxes 1-6, 9-12, 30-33, OVs 14-28; 0.99 GB, ER01-ER02)

Series 4: Project Files, circa 1967-2014 (0.9 linear feet, Boxes 6-7; 0.015 GB, ER03)

Series 5: Printed Material, 1958-2014 (0.8 linear feet; Boxes 7-8, OV 29)

Series 6: Photographic Material, circa 1960-2009 (1 folder, Box 8; 0.001 GB, ER04)
Biographical / Historical:
Robert Alexander (1923-1987), also known as Bob and "Baza," was a poet, collagist, printer, assemblage artist, and ordained priest from Venice, California. Alexander founded the Temple of Man in 1960 in San Francisco, moving it to his home in Venice, California in 1968. The Temple served as a meeting place for artists, poets, and musicians, and contained a collection of artworks by Temple of Man members, also ordained priests. Many of the artworks which form the core of the collection were on display at the Alexander residence and are dedicated to Alexander and his wife Anita. Members also created and exchanged mail art, handmade cards, and poems with one another. After Alexander's death in 1987, the Temple of Man was directed by Anita Alexander and, since 1992, by a board of directors.
Related Materials:
Also found in the Archives of American Art are an oral history interview with artist George Herms conducted by Paul Karlstrom in 1993-1994, the papers of California artist and poet Wallace Berman, and the papers of curator and founding board member of the Temple of Man, Hal Glicksman.
Provenance:
Donated to the Archives of American Art by Alexander's widow Anita Alexander in 1990 and in 2017 and 2018 by the Temple of Man via George Herms, Officer, and Yoav Getzler, Registered Agent of record.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Poets -- California -- Venice  Search this
Collagists -- California -- Venice  Search this
Assemblage artists -- California -- Venice  Search this
Priests -- California -- Venice  Search this
Genre/Form:
Video recordings
Citation:
Robert Alexander papers and Temple of Man records, 1938-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alexbob
See more items in:
Robert Alexander papers and Temple of Man records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97be82627-46ab-4b66-8e3c-d3d79d85dc55
EDAN-URL:
ead_collection:sova-aaa-alexbob
Online Media:

Priests, A. F., Duluth, Minnesota

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 106, Folder 65
Type:
Archival materials
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Railroads
Warshaw Collection of Business Americana Subject Categories: Railroads / 3: Manufacturers and Distributors of Railroad Cars, Equipment and Supplies
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87a1f25c7-0752-4020-a5c9-39f2fe3b708e
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-railroads-ref3537

Priests, A. F., Duluth, Minnesota

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 106, Folder 65
Type:
Archival materials
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Railroads
Warshaw Collection of Business Americana Subject Categories: Railroads / 6: Publications / 6.3: Articles, Reports, Newspaper Clippings and General Histories
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8808ce605-f07e-4afe-ae82-b2d39c0cbac9
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-railroads-ref4283

John McCloskey

Attribution:
Mathew Brady Studio, active 1844 - 1894  Search this
Sitter:
John McCloskey, 10 Mar 1810 - 10 Oct 1885  Search this
Medium:
Glass plate collodion negative
Dimensions:
Plate: 8.9 × 5.8 × 0.3 cm (3 1/2 × 2 5/16 × 1/8")
Type:
Photographic Negative
Date:
c. 1860-70
Topic:
Costume\Jewelry  Search this
Costume\Jewelry\Necklace  Search this
Interior  Search this
Home Furnishings\Furniture  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Jewelry\Ring  Search this
Home Furnishings\Furniture\Table  Search this
Religious\Cross  Search this
Costume\Outerwear\Cape  Search this
Costume\Dress Accessory\Sash  Search this
Costume\Robe  Search this
Home Furnishings\Tablecloth  Search this
John McCloskey: Male  Search this
John McCloskey: Religion and Spirituality\Clergy\Prelate\Cardinal  Search this
John McCloskey: Religion and Spirituality\Clergy\Priest  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection
Object number:
NPG.81.M159
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b71699a2-7258-44e0-aced-d7a4278ca0ad
EDAN-URL:
edanmdm:npg_NPG.81.M159

John McCloskey

Attribution:
Mathew Brady Studio, active 1844 - 1894  Search this
Sitter:
John McCloskey, 10 Mar 1810 - 10 Oct 1885  Search this
Medium:
Glass plate collodion negative
Dimensions:
Plate: 8.9 × 5.8 × 0.3 cm (3 1/2 × 2 5/16 × 1/8")
Type:
Photographic Negative
Date:
c. 1860-70
Topic:
Costume\Jewelry  Search this
Costume\Jewelry\Necklace  Search this
Interior  Search this
Home Furnishings\Furniture  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Jewelry\Ring  Search this
Home Furnishings\Furniture\Table  Search this
Religious\Cross  Search this
Costume\Outerwear\Cape  Search this
Costume\Dress Accessory\Sash  Search this
Costume\Robe  Search this
Home Furnishings\Tablecloth  Search this
John McCloskey: Male  Search this
John McCloskey: Religion and Spirituality\Clergy\Prelate\Cardinal  Search this
John McCloskey: Religion and Spirituality\Clergy\Priest  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection
Object number:
NPG.81.M160
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4ea62be22-9545-4c0d-bfb9-5db8b74abb4f
EDAN-URL:
edanmdm:npg_NPG.81.M160

John McCloskey

Attribution:
Mathew Brady Studio, active 1844 - 1894  Search this
Sitter:
John McCloskey, 10 Mar 1810 - 10 Oct 1885  Search this
Medium:
Glass plate collodion negative
Dimensions:
Plate: 8.9 × 5.9 × 0.3 cm (3 1/2 × 2 5/16 × 1/8")
Type:
Photographic Negative
Date:
c. 1860-70
Topic:
Costume\Jewelry  Search this
Costume\Jewelry\Necklace  Search this
Interior  Search this
Home Furnishings\Furniture  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Jewelry\Ring  Search this
Home Furnishings\Furniture\Table  Search this
Religious\Cross  Search this
Costume\Outerwear\Cape  Search this
Costume\Dress Accessory\Sash  Search this
Costume\Robe  Search this
Home Furnishings\Tablecloth  Search this
John McCloskey: Male  Search this
John McCloskey: Religion and Spirituality\Clergy\Prelate\Cardinal  Search this
John McCloskey: Religion and Spirituality\Clergy\Priest  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection
Object number:
NPG.81.M161
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm421c6d733-0b88-4102-addb-3afdb43d31a2
EDAN-URL:
edanmdm:npg_NPG.81.M161

Modify Your Search







or


Narrow By