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Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2019-10-29T15:30:00.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

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Smithsonian Channel

YouTube Channel:

smithsonianchannel

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edanmdm:yt_7WoZxaVczJU

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2020-09-09T15:30:00.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_CY4Cm08SjtQ

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2020-05-03T15:30:00.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_D_qJI4yBh80

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2018-09-07T15:30:01.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_QmJzKXIto3c

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2015-12-28T22:15:36.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

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edanmdm:yt_bA0O7VYrLp8

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2011-04-07T23:23:58.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_nCZnfxDBo9U

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2020-07-22T23:54:49.000Z

YouTube Category:

Entertainment  Search this

Topic:

Art, Asian  Search this

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FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_5LG2_X6OON4

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2022-06-17T14:56:05.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

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FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_gz-6ccgf5Aw

Creator:

National Museum of American History  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-10-01T16:24:41.000Z

YouTube Category:

Film & Animation  Search this

Topic:

American History  Search this

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SmithsonianAmHistory

Data Source:

National Museum of American History

YouTube Channel:

SmithsonianAmHistory

EDAN-URL:

edanmdm:yt__1LTWUpiBwU

Artist:

Fred Kabotie, 1900 - 1986  Search this

Sitter:

Unidentified Native American Man  Search this

Medium:

Gouache and pencil on cream paper

Dimensions:

29.2 x 20.3 cm (11 1/2 x 8" ), Estimate

Type:

Drawing

Date:

c. 1920

Topic:

Unidentified Native American Man: Male  Search this

Portrait  Search this

Credit Line:

Owner: National Gallery of Art

Object number:

2015.19.385

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm46c195a92-8e34-4ecc-9450-b3cd798c98fb

EDAN-URL:

edanmdm:npg_2015.19.385

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2011-06-21T15:38:21.000Z

YouTube Category:

Education  Search this

Topic:

Cultural property  Search this

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smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_JZzmwc5o898

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

YouTube Videos

Uploaded:

2018-05-02T17:00:23.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

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cxcpub

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

cxcpub

EDAN-URL:

edanmdm:yt_vIvNzr-MkBA

Artist:

Charles Saint-Priest, 1800 - 1900?  Search this

Sitter:

Winfield Scott, 13 Jun 1786 - 29 May 1866  Search this

Medium:

Oil on canvas

Type:

Painting

Date:

c. 1845

Topic:

Costume\Headgear\Hat  Search this

Nature & Environment\Clouds  Search this

Exterior\Landscape  Search this

Nature & Environment\Plant  Search this

Weapon\Sword  Search this

Exterior\Landscape\Battleground  Search this

Nature & Environment\Animal\Horse  Search this

Costume\Dress Accessory\Epaulet  Search this

Equipment\Sports Equipment\Equestrian Gear\Reins  Search this

Human Figures  Search this

Equipment\Sports Equipment\Equestrian Gear\Saddle  Search this

Winfield Scott: Male  Search this

Winfield Scott: Literature\Writer  Search this

Winfield Scott: Politics and Government\Presidential candidate  Search this

Winfield Scott: Politics and Government\Public official  Search this

Winfield Scott: Military and Intelligence\Army\Officer\General  Search this

Winfield Scott: Military and Intelligence\Army\Officer\War of 1812 army officer  Search this

Winfield Scott: Military and Intelligence\Army\Officer\Mexican War army officer  Search this

Winfield Scott: Congressional Gold Medal  Search this

Portrait  Search this

Credit Line:

Owner: Louisiana State Museum

Object number:

1955.83

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4f8c762e7-db93-4c4f-a346-8434873d8123

EDAN-URL:

edanmdm:npg_1955.83

Creator:

Whitney, Gertrude Vanderbilt, 1875-1942  Search this

Names:

American Ambulance Field Hospital (Juilly, France)  Search this

Greenwich House (New York, N.Y.)  Search this

Whitney Museum of American Art  Search this

Whitney Studio Club  Search this

Cushing, Howard Gardiner, 1869-1916  Search this

De Meyer, Adolf, Baron, 1868-1949  Search this

Miller, Flora Whitney  Search this

Strelecki, Jean de, count  Search this

Watson, Forbes, 1880-1960  Search this

Whitney, Harry Payne, 1872-1930  Search this

Extent:

36.1 Linear feet

Type:

Collection descriptions

Archival materials

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Date:

1851-1975

bulk 1888-1942

Summary:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Scope and Content Note:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).

Arrangement:

The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)

Biographical/Historical note:

New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.

Related Archival Materials note:

Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.

Provenance:

The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Philanthropists -- New York (State) -- New York  Search this

Topic:

Art patrons -- New York (State) -- New York  Search this

Women artists  Search this

Women sculptors  Search this

World War, 1914-1918  Search this

Genre/Form:

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Citation:

Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.whitgert

See more items in:

Gertrude Vanderbilt Whitney papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e

EDAN-URL:

ead_collection:sova-aaa-whitgert

Creator:

Alexander, Robert  Search this

Temple of Man (Venice, Calif.)  Search this

Names:

Temple of Man (Venice, Calif.)  Search this

Beattie, Paul, 1924-1988  Search this

Berman, Wallace, 1926-1976  Search this

Herms, George, 1935-  Search this

Hirschman, Jack, 1933-  Search this

Extent:

11.7 Linear feet

1.01 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Video recordings

Date:

1938-2015

Summary:

The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.

Scope and Contents:

The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.

Correspondence and artists files comprise the bulk of the collection and contain a wide variety of material pertaining to Temple of Man artists and affiliates, including mail art, over one hundred artworks, poetry, writings, exhibition announcements, clippings, and photographs. Artists include Anita Alexander, Bob Alexander, John Altoon, Aya, Paul Beattie, Michael Bergt, Wallace Berman, Charles Britton, Cameron, Bruce Connor, William Dailey, Gayle Davis, George Herms, Jack Hirschman, Maurice Lacy, Fred Mason, Kenneth Patchen, Peter Paul, Stuart Perkoff, Artie Richer, Tony Scibella, Ben Talbert, Zack Walsh, Edwin Ward, Marcia Ward, Saul White, Steve Wilson, and others. A small amount of born-digital material includes a video recording of Renick Stevenson, images of artworks, and photographs.

Arrangement:

The collection is arranged as six series.

Series 1: Biographical Material, 1938-1988 (0.2 linear feet; Box 1)

Series 2: Temple of Man Administrative Records, 1960-2010 (0.4 linear feet; Box 1, OV 13)

Series 3: Correspondence and Artists Files, circa 1948-2015 (9.8 linear feet, Boxes 1-6, 9-12, 30-33, OVs 14-28; 0.99 GB, ER01-ER02)

Series 4: Project Files, circa 1967-2014 (0.9 linear feet, Boxes 6-7; 0.015 GB, ER03)

Series 5: Printed Material, 1958-2014 (0.8 linear feet; Boxes 7-8, OV 29)

Series 6: Photographic Material, circa 1960-2009 (1 folder, Box 8; 0.001 GB, ER04)

Biographical / Historical:

Robert Alexander (1923-1987), also known as Bob and "Baza," was a poet, collagist, printer, assemblage artist, and ordained priest from Venice, California. Alexander founded the Temple of Man in 1960 in San Francisco, moving it to his home in Venice, California in 1968. The Temple served as a meeting place for artists, poets, and musicians, and contained a collection of artworks by Temple of Man members, also ordained priests. Many of the artworks which form the core of the collection were on display at the Alexander residence and are dedicated to Alexander and his wife Anita. Members also created and exchanged mail art, handmade cards, and poems with one another. After Alexander's death in 1987, the Temple of Man was directed by Anita Alexander and, since 1992, by a board of directors.

Related Materials:

Also found in the Archives of American Art are an oral history interview with artist George Herms conducted by Paul Karlstrom in 1993-1994, the papers of California artist and poet Wallace Berman, and the papers of curator and founding board member of the Temple of Man, Hal Glicksman.

Provenance:

Donated to the Archives of American Art by Alexander's widow Anita Alexander in 1990 and in 2017 and 2018 by the Temple of Man via George Herms, Officer, and Yoav Getzler, Registered Agent of record.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Poets -- California -- Venice  Search this

Collagists -- California -- Venice  Search this

Assemblage artists -- California -- Venice  Search this

Priests -- California -- Venice  Search this

Genre/Form:

Video recordings

Citation:

Robert Alexander papers and Temple of Man records, 1938-2015. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.alexbob

See more items in:

Robert Alexander papers and Temple of Man records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97be82627-46ab-4b66-8e3c-d3d79d85dc55

EDAN-URL:

ead_collection:sova-aaa-alexbob

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 106, Folder 65

Type:

Archival materials

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Railroads

Warshaw Collection of Business Americana Subject Categories: Railroads / 3: Manufacturers and Distributors of Railroad Cars, Equipment and Supplies

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87a1f25c7-0752-4020-a5c9-39f2fe3b708e

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-railroads-ref3537

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 106, Folder 65

Type:

Archival materials

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Railroads

Warshaw Collection of Business Americana Subject Categories: Railroads / 6: Publications / 6.3: Articles, Reports, Newspaper Clippings and General Histories

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8808ce605-f07e-4afe-ae82-b2d39c0cbac9

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-railroads-ref4283

Attribution:

Mathew Brady Studio, active 1844 - 1894  Search this

Sitter:

John McCloskey, 10 Mar 1810 - 10 Oct 1885  Search this

Medium:

Glass plate collodion negative

Dimensions:

Plate: 8.9 × 5.8 × 0.3 cm (3 1/2 × 2 5/16 × 1/8")

Type:

Photographic Negative

Date:

c. 1860-70

Topic:

Costume\Jewelry  Search this

Costume\Jewelry\Necklace  Search this

Interior  Search this

Home Furnishings\Furniture  Search this

Home Furnishings\Furniture\Seating\Chair  Search this

Costume\Jewelry\Ring  Search this

Home Furnishings\Furniture\Table  Search this

Religious\Cross  Search this

Costume\Outerwear\Cape  Search this

Costume\Dress Accessory\Sash  Search this

Costume\Robe  Search this

Home Furnishings\Tablecloth  Search this

John McCloskey: Male  Search this

John McCloskey: Religion and Spirituality\Clergy\Prelate\Cardinal  Search this

John McCloskey: Religion and Spirituality\Clergy\Priest  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection

Object number:

NPG.81.M159

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4b71699a2-7258-44e0-aced-d7a4278ca0ad

EDAN-URL:

edanmdm:npg_NPG.81.M159

Attribution:

Mathew Brady Studio, active 1844 - 1894  Search this

Sitter:

John McCloskey, 10 Mar 1810 - 10 Oct 1885  Search this

Medium:

Glass plate collodion negative

Dimensions:

Plate: 8.9 × 5.8 × 0.3 cm (3 1/2 × 2 5/16 × 1/8")

Type:

Photographic Negative

Date:

c. 1860-70

Topic:

Costume\Jewelry  Search this

Costume\Jewelry\Necklace  Search this

Interior  Search this

Home Furnishings\Furniture  Search this

Home Furnishings\Furniture\Seating\Chair  Search this

Costume\Jewelry\Ring  Search this

Home Furnishings\Furniture\Table  Search this

Religious\Cross  Search this

Costume\Outerwear\Cape  Search this

Costume\Dress Accessory\Sash  Search this

Costume\Robe  Search this

Home Furnishings\Tablecloth  Search this

John McCloskey: Male  Search this

John McCloskey: Religion and Spirituality\Clergy\Prelate\Cardinal  Search this

John McCloskey: Religion and Spirituality\Clergy\Priest  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection

Object number:

NPG.81.M160

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4ea62be22-9545-4c0d-bfb9-5db8b74abb4f

EDAN-URL:

edanmdm:npg_NPG.81.M160

Attribution:

Mathew Brady Studio, active 1844 - 1894  Search this

Sitter:

John McCloskey, 10 Mar 1810 - 10 Oct 1885  Search this

Medium:

Glass plate collodion negative

Dimensions:

Plate: 8.9 × 5.9 × 0.3 cm (3 1/2 × 2 5/16 × 1/8")

Type:

Photographic Negative

Date:

c. 1860-70

Topic:

Costume\Jewelry  Search this

Costume\Jewelry\Necklace  Search this

Interior  Search this

Home Furnishings\Furniture  Search this

Home Furnishings\Furniture\Seating\Chair  Search this

Costume\Jewelry\Ring  Search this

Home Furnishings\Furniture\Table  Search this

Religious\Cross  Search this

Costume\Outerwear\Cape  Search this

Costume\Dress Accessory\Sash  Search this

Costume\Robe  Search this

Home Furnishings\Tablecloth  Search this

John McCloskey: Male  Search this

John McCloskey: Religion and Spirituality\Clergy\Prelate\Cardinal  Search this

John McCloskey: Religion and Spirituality\Clergy\Priest  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection

Object number:

NPG.81.M161

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm421c6d733-0b88-4102-addb-3afdb43d31a2

EDAN-URL:

edanmdm:npg_NPG.81.M161