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Voices from the Temple Mound a collaboration with Preston Singletary and Marcus Amerman

Author:
Singletary, Preston 1963-  Search this
Author:
Amerman, Marcus 1959-  Search this
Blue Rain Gallery  Search this
Physical description:
24 unnumbered pages color illustrations, color portraits 21 cm
Type:
Exhibitions
Art
Expositions
Exhibition catalogs
Place:
United States
États-Unis
Date:
2010
21st century
21e siècle
Topic:
Glass art  Search this
Tlingit art  Search this
Choctaw art  Search this
Mississippian culture  Search this
Mound-builders  Search this
Indian art  Search this
Indian sculpture  Search this
Artistic collaboration  Search this
Glass artists  Search this
Art du verre  Search this
Art tlingit  Search this
Art choctaw  Search this
Culture du Mississippi  Search this
Collaboration artistique  Search this
Verriers d'art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1118274

Records of Think Surgical, Inc.

Creator:
Think Surgical, Inc. (Fremont, California)  Search this
Names:
Bargar, William L.  Search this
Erbe, Klaus  Search this
Foley, Robert  Search this
Forstein, Micah  Search this
Nacion, Ramon  Search this
Newcomb, Alex  Search this
Engineer:
Hanson, Randall  Search this
Whiseant, Steve  Search this
Zuhars, Joel  Search this
Extent:
5.5 Cubic feet (17 boxes, 1 map folder, digital files)
Type:
Collection descriptions
Archival materials
Date:
1983-2010
bulk 1991-1994
Summary:
The collection documents the development of ROBODOC™, the first robot to perform surgery on a human in the United States through correspondence, memoranda, press clippings, press releases, engineering drawings, regulatory policies and procedures, photographs, and audiovisual materials.
Scope and Contents:
The collection documents the development of ROBODOC™, a robotic surgical system that would redefine precision joint replacement procedures. The collection contains correspondence, memoranda, press clippings, press releases, engineering drawings, regulatory policies and procedures, photographs, and audiovisual materials documenting the development of the ROBODOC™. The collection is strong in documentation about regulatory policies and procedures the company undertook for approval from the Food and Drug Administration.
Arrangement:
The collection is divided into six series.

Series 1: Project History and Background Materials, 1985-2003

Series 2: Engineering Materials, 1989-2000, bulk 1991-1993

Series 3: User Guides, 1991-2001

Series 4: Food and Drug Administration, 1987-2001

Series 5: Press Clippings, 1983-2010

Series 6: Audiovisual Materials, 1988-2009
Historical:
ROBODOC™ was the first robot to perform surgery in the United States. It was developed in 1986 by IBM's Thomas J. Watson Research Center, and researchers at the University of California, Davis. They formed a collaborative initiative to develop a surgical device for Total Hip Arthroplasty (THA). The team included William Bargar, M.D., Howard "Hap" Paul, D.V.M (1949- 1993), and engineers, Brent Mittelstadt and Peter Kazanides. See US Patent 5,769,092 for Computer-aided system for revision total hip replacement surgery and US Patent 5,806,518 for Method and system of positioning surgical robot, 1998. The original company, Integrated Surgical Systems (ISS) was incorporated in 1990.

The goal of ISS was to create a robotic surgical system that would redefine precision joint replacement procedures. Drilling into bone by hand is not always precise, and often requires glue to fill in empty spaces. Additionally there is a danger the bone will splinter. In this regard, ROBODOC is similar to computer-controlled machine tools. ROBODOC "mills" the bone or joint for accurate fitting similar to machine tools.

In May of 1990 the device was successfully tested on dogs. Since 1998 when it received 510 (K) clearance from the U.S. Food and Drug Administration for Total Hip Arthroplasty over 28,000 procedures have been performed worldwide.

ROBODOC™ was eventually sold in 2007 to Novatrix Biomedical, Inc. which formed Curexo Medical, Inc. to handle the acquisition of Integrated Surgical Systems, Inc. (ISS). ISS became THINK Surgical, Inc. in 2014.
Related Materials:
Materials in the Archives Center

Odex I Walking Robot Collection (AC0203)

Massie/McLurkin Innovative Lives Presentation and Interviews (AC0603)

Computer oral History Collection (AC0196)

Gerber Scientific Instrument Company Records (AC0929)
Provenance:
Collection donated by Think Surgical, Inc. through Dr. Mun In-Ki, CEO and President, April 2016.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Inventions -- 20th century  Search this
Inventions -- 21st century  Search this
Inventors -- 20th century  Search this
Inventors -- 21st century  Search this
Medical Equipment  Search this
Medical innovations  Search this
Orthopedics  Search this
Identifier:
NMAH.AC.1378
See more items in:
Records of Think Surgical, Inc.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8601b4863-51f3-42bd-93a9-45bf2acd55f5
EDAN-URL:
ead_collection:sova-nmah-ac-1378
Online Media:

Jonathan Lyndon Chase sheets Kohn Gallery

Author:
Chase, Jonathan Lyndon 1989- Works Selections  Search this
Michael Kohn Gallery  Search this
Physical description:
72 pages color illustrations, portraits 23 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
California
Los Angeles
Californie
Date:
2018
21st century
21e siècle
Topic:
Painting, Modern  Search this
Painters  Search this
Gender identity--Painting  Search this
Gender identity--Social aspects--Painting  Search this
Portrait painting  Search this
Human figure in art  Search this
Peinture  Search this
Peintres  Search this
Identité sexuelle--Peinture  Search this
Identité sexuelle--Aspect social--Peinture  Search this
Peinture de portraits  Search this
Corps humain dans l'art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1116897

Gallery of the 21st Century (Santa Fe, N.M.) [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Santa Fe (N.M.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_99487

Edgecraft Corporation Records

Creator:
Smith, Jeff, 1939-2004  Search this
Child, Julia, 1912-2004  Search this
Guthrie, Janet, 1938-  Search this
Edgecraft Corporation  Search this
Friel, Daniel D.  Search this
Claiborne, Craig  Search this
Yan, Martin, 1948-  Search this
Extent:
2 Cubic feet (3 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Catalogs
Articles
Financial records
Business records
Press releases
Correspondence
Audio cassettes
Videocassettes
Photographs
Point-of-purchase displays
Advertisements
Design drawings
Clippings
Date:
1984-2016, undated
Summary:
Collection documents the development and marketing of the Chef's Choice brand of knife sharpeners.
Scope and Contents:
The collection documents the development, marketing, and sales of the Chef's Choice brand of knife sharpeners to a home-based consumer market. Materials include both American and foreign print advertisements, press releases, press kits, point-of-purchase displays, magazine articles, catalogs, photographs, trade literature, audiovisual materials including VHS recordings of demonstrations, design drawings, business records, and scrapbooks. Of interest is the materials relating to chefs and food service industry professionals and EdgeCraft Corporation's evolution from serving the home cook to manufacturing products for commercial use. The collection is arranged in two series: Series 1, Company Records, 1984-1993, undated and Series 2, Product Information, 1984-2016, undated.
Arrangement:
The collection is arranged into two series.

Series 1, Company Records, 1984-1993, undated

Series 2, Product Materials, 1984-2016, undated
Biographical / Historical:
EdgeCraft Corporation, founded by Daniel Denwood Friel (1920-2012), introduced the Chef's Choice brand to the consumer market in 1984. Chef's Choice brand's first product was the electric knife sharpener which debuted in 1985. The electric knife sharpener was the invention of Friel, a retired chemical engineer. Born to Samuel Edward Whiting Friel and Martha Reynolds Friel in Queenstown, Queen Anne's, Maryland, Friel received a Bachelor of Science degree in Chemical Engineering from Johns Hopkins University in 1942. He began his career on the Manhattan Project at the University of Chicago in 1943. Mr. Friel's career path continued with thirty-nine years of experience as a chemical engineer with the DuPont Company. His retirement from DuPont was short lived as he turned his attention to the development of his new company, EdgeCraft Corporation, and an ever-increasing line of products. EdgeCraft Corporation, located in Avondale, Pennsylvania, continues to manufacture a large selection of electric and manual knife sharpeners, kettles, electric food slicers, waffle makers, electric grills, grinders, and hot beverage makers.
Related Materials:
Archives Center, National Museum of American History

Julia Child Award Winners Collection NMAH.AC.01371

Smithsonian Institution Archives

Smithsonian Associates, Resident Associate Program, Accession 03-086
Provenance:
Collection donated by the Edgecraft Corporation, 2016.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cutlery trade  Search this
Kitchen utensil industry  Search this
Knives  Search this
Kitchen utensils  Search this
Knife sharpening  Search this
Genre/Form:
Catalogs -- 20th century
Articles -- 20th century
Financial records -- 20th century
Business records -- 20th century
Articles -- 21st century
Press releases -- 20th century
Correspondence -- 20th century
Audio cassettes -- 20th century
Videocassettes -- 20th century
Photographs -- 20th century
Point-of-purchase displays -- 20th century
Advertisements -- 20th century
Design drawings -- 20th century
Clippings -- 20th century
Citation:
Edgecraft Corporation Records, 1984-2016, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1382
See more items in:
Edgecraft Corporation Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8db253f65-c5ed-4e2a-91e1-f34ee3d665d0
EDAN-URL:
ead_collection:sova-nmah-ac-1382

Sexuality / edited by Amelia Jones

Editor of compilation:
Jones, Amelia  Search this
Physical description:
236 pages ; 22 cm
Type:
Books
Date:
2014
20th century
21st century
Topic:
Sex and art  Search this
Art--Psychology  Search this
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1055331

Sailor, statesman, symbol: reflecting on John McCain and the Vietnam War

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Fri, 31 Aug 2018 14:54:02 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_f608a3237219e9f2fd1612299d514603

DC Cowboys Dance Company Records

Creator:
DC Cowboys Dance Company  Search this
Extent:
7.5 Cubic feet (22 boxes, 3 oversize folders)
Type:
Collection descriptions
Archival materials
Articles
Photographs
Correspondence
Press releases
Business records
Dvds
Financial records
Compact discs
Date:
undated
1994-2012
Summary:
The records of the DC Cowboys Dance Company, an all-male, gay, non-profit dance company based in Washington, DC. that was active from 1994-2012. They peformed nationally and internationally live and on television, "celebrating diversity through dance."
Scope and Contents:
The DC Cowboys Dance Company Records contain the business and financial papers of the company, such as memoranda and correspondence; choreography routines; printed materials such as press releases and articles; fundraising materials; photographs; audiovisual materials; and the pre-recorded music used for their various dance routines. The records are arranged chronologically in three series.

Series 1: Company Files, 1994-2013, undated, is arranged chronologically by year and maintains the original order received from the donor. The files cover the entire life of the company and its peformances within the United States as well as internationally. The files contain correspondence, contracts, dance routines, fundraising initiatives, event information and advertising materials, travel and lodging arrangements, tourist information, and photographs.

Series 2: Financial, 1996-2011, undated, is arranged chronologically. The files contain receipts, money receipt books, financial statements, balance sheets and those materials related to the financial aspect of running the company.

Series 3: Audiovisual, 1994-2012, undated, contains compact discs (189) of pre-recorded music used for the company's various dance routines. The music was prepared for each booking and most often identified with the title of the booking and the date. Much of the music on these discs is under copyright since they are recordings done by original artists or professional covers of songs that were contemporary with the company's performance during any given year. There are also DVDs (five) detailing the production of varous fund raising DC Cowboys calendars and one audio cassette tape.
Arrangement:
This collection is divided into three series.

Series 1: Company Files, 1994-2013, undated

Series 2: Financial, 1996-2011, undated

Series 3: Audiovisual, 1994-2012, undated
Biographical / Historical:
"History of the DC Cowboys Dance Company - Celebrating diversity through dance"

The DC Cowboys Dance Company, an all-male, gay dance company, entertained audiences around the world from 1994 to 2012. Internationally acclaimed, the DC Cowboys specialized in providing exciting, high-energy, jazz-style, dance entertainment which spanned all musical genres, from contemporary country to club dance party, pop, to classic Broadway numbers for all types of occasions. Shows were customized to the venue—both gay-specific and mainstream events—and featured anywhere from one song to multiple sets of three to four songs each. Combining a little traditional country-western with jazz, musical theater and a masculine sex appeal, the DC Cowboys' high-energy choreography made the company one of the most-sought after gay dance groups in the world.

Founder and Artistic Director Kevin Platte started the dance company in August 1994 after seeing a similar gay, country-western dance group in California. Platte recruited 11 dancers—mostly friends—from a Washington, D.C., gay, country-western bar named Remington's. He approached the best dancers based on watching them two-step and line-dance at the bar. The dancers formed the troupe for the sole purpose of performing at the Atlantic States Gay Rodeo Association's (ASGRA) annual rodeo in Washington, D.C., in September 1994.

Platte thought the performance would be a one-time event. But based on an overwhelming reception, the dancers decided to continue the group. This required weekly rehearsals, the creation of a dance "repertoire" and a larger commitment from the dancers. Of the original 12 members, only six were up to the task. These six original members then had to find more dancers and identify other performance venues. Mainstay venues soon included the Capital Pride Festival every June and the Atlantic Stampede Gay Rodeo event every September.

In September 1995, Metro Weekly placed them on the cover of their magazine, giving them greater exposure and more clout. The Cowboys used this coverage as a catalyst to build the brand and identity. All the while, the DC Cowboys remained volunteers and amateurs, performing solely for the love of it. Each dancer maintained a "day job," and the group only rehearsed in the evenings once or twice a week. As the warmer months seemed to be their busiest, the dancers would use the colder months to build up the repertoire and practice. Every year, rehearsals would cease for the months of November and December for the existing dancers. However new recruits that were successful in the annual auditions attended "bootcamp" rehearsals during those months to learn some of the existing repertoire. In January, the existing and new members started rehearsing together as the new season began.

During the early years, the dancers paid for all expenses out of their own pockets, and monthly dues were collected to pay for group expenses. The group would often pay for the opportunity to perform. To supplement these expenses, the group began fundraising through a monthly bar night at different gay nightclubs. Once their reputation grew, venues and events began to pay for the company's entertainment services and patron club members donated funds to support the organization and their mission. These funds allowed the organization to pay for all of their expenses including dancer costuming. In addition, the group sold merchandise which included T-shirts, performance DVDs as well as their sexy DC Cowboys calendars. Three of the more popular calendars featured the dancers without clothes in artistic poses and included the "making of the calendar" DVD.

In 1996, Platte added a charitable element to the organization. He created a mission statement which said the company would provide free entertainment to any HIV/AIDS charitable organization. Over the years, the company also directly raised funds for HIV/AIDS organizations by sharing the profits of their calendar sales. The DC Cowboys raised millions of dollars through performances for national and local non-profit organizations such as: Washington, D.C. AIDS Ride; Washington, D.C. AIDS Walk; Chase Brexton Clinic of Baltimore, Maryland; Northern Virginia AIDS Ministry; Human Rights Campaign; Whitman Walker Clinic of Washington, D.C.; Food and Friends of Washington, D.C.; Mautner Project; Gay Latino Benefits in Metro D.C.; Harford County AIDS/Cancer Benefit, Maryland; NYFD Benefit for the New York City Fire Department.

In 1996, the company received a grant from the D.C. Commission on the Arts and Humanities and the National Endowment for the Arts, honoring the company for its valued contribution to the Washington, D.C. arts community. The company always maintained a tax-deductible status as a 501c3 non-profit organization with a small board of directors.

During their 18-year tenure, the DC Cowboys provided an outlet for gay artists and performers in the Washington, D.C., metropolitan area. The company included 85 dancers, eight choreographers and three stage-managers. The company performed at 458 events in five countries. The DC Cowboys' crowd-pleasing, sexy dance style had been described as "Will Rogers Follies meets Bob Fosse." The group famously described themselves on America's Got Talent in 2008 as "Think Brokeback meets Broadway," which became a popular line echoed around the world. Their growth and popularity were attributed to their unique and high quality entertainment which was often copied in other cities but never equalled. In addition the dancers were talented, good-looking men who were friendly and approachable to their many fans. Their farewell season tour in 2012 visited all of their favorite performance venues and locations around the world and was dedicated to their fans who were instrumental to their success.

Typical performance venues included Pride Festivals in New York City, Washington, D.C., Baltimore, and Charlotte, North Carolina; Headliners on the Gay Rodeo circuit in Washington, D.C., Las Vegas, San Diego, Atlanta, Chicago, Calgary, and Texas; Halloween in New Orleans; Mr. Gay All-American Finals; Gay Men's Chorus of Washington, Washington, D.C., concerts and events; Whitman Walker Volunteer Appreciation at Constitution Hall, Washington, D.C.; PFLAG's Gala Dinner, Washington, D.C.; HRC (Human Rights Campaign) Leadership Dinner cruise aboard the Spirit of Washington, Washington, D.C.; Human Rights Campaign National Dinner, Washington, D.C. - special reception for major donors; Annual Chef's Best Dinner & Auction for Food and Friends, Washington, D.C..

Performance highlights included America's Got Talent television show, season 3, NBC, semifinalists (2008); Closing Ceremonies of the Gay Games VII at Wrigley Field in Chicago (2006); RSVP's Caribbean Fantasy gay cruise (2005); Arts grant recipient from the DC Commission on the Arts and Humanities and the National Endowment for the Arts (1996);The Sziget Festival in Budapest, Hungary (2009--012); Dales' Great Getaway television show, ITV London, England (2012); The Podge and Rodge television show, RTE, Dublin, Ireland (2010)."

Source

This history of the DC Cowboys Dance Company was supplied by its founder, Kevin Platte.
Provenance:
The collection was donated by Kevin P. Platte, founder and Artistic and Executive Director of DC Cowboys Dance Company in 2013.
Restrictions:
This collection is open for research use. Gloves must be worn when handling unprotected photographs, negatives, and slides.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Fees for commercial reproduction.
Topic:
Gays  Search this
Gay business enterprises  Search this
Homosexuality  Search this
Cowboys  Search this
Dance companies  Search this
Dance  Search this
Genre/Form:
Articles -- 1990-2000
Photographs -- 21st century
Correspondence -- 1990-2000
Press releases -- 1990-2000
Business records -- 1990-2000
Articles -- 21st century
DVDs
Photographs -- 1990-2000
Financial records -- 21st century
Financial records -- 1990-2000
Correspondence -- 21st century
Compact discs
Press releases -- 21st century
Business records -- 21st century
Citation:
DC Cowboys Dance Company Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1312
See more items in:
DC Cowboys Dance Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fcfb748b-0411-4008-8f12-3a8587b6f82d
EDAN-URL:
ead_collection:sova-nmah-ac-1312
Online Media:

Printed Material

Collection Creator:
Kepes, Gyorgy, 1906-2001  Search this
Extent:
3.6 Linear feet (Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)
Type:
Archival materials
Date:
circa 1922-1989
Scope and Contents:
Printed material provides an extensive overview of Kepes's career and activities through news clippings and magazine and journal articles, catalogs, and announcements of exhibitions, lectures, symposia, and other printed matter.

Brochures for publications include those for Language of Vision and the Vision + Value series.

Clippings are from newspapers, magazines, and other publications. Many are about Kepes, including reviews of exhibitions and publications. Some files may also contain published writings by Kepes, or designs by him, such as a 1940 copy of Direction magazine with a back cover designed by Kepes.

Programs are for events such as school commencements and award ceremonies.

Exhibition announcements and catalogs provide a fairly comprehensive record of solo and group exhibitions in which Kepes was represented. Also found are scattered catalogs and announcements for exhibitions of Juliet Kepes. Lecture announcements and press releases are primarily for events in which Kepes was involved.

The series includes sound and motion picture film recordings of a CBS television series "The 21st Century." The recordings are not the final production copies but contain original material presumably filmed for the episode entitled "Art for Tomorrow." They appear to feature CAVS fellows Jack Burnham and Vassilakis Takis, and may also relate to some additional motion picture films found in Series 10.2.

Also found is a motion picture film reel that appears to be of an educational Italian television program "Operazione Cometa."
Arrangement:
Records are arranged by type, and chronologically thereafter.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Juliet Kepes Stone or Imre Kepes. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor, Series 8
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928248f25-1dde-4a71-87f6-0c5a8902e45f
EDAN-URL:
ead_component:sova-aaa-kepegyor-ref9

Event Files

Creator::
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 cu. ft. (1 record storage box)
Type:
Collection descriptions
Archival materials
Manuscripts
Clippings
Brochures
Maps
Date:
1997-2000
Descriptive Entry:
This accession consists of materials created by the Smithsonian Institution's Center for Folklife and Cultural Heritage, under the direction of Richard Kurin, director, 1990-2009, during the development and planning of the "America's Millennium" program held to mark not only the new year, but the end of the 20th century and the beginning of the new millennium. The Smithsonian Institution, through the Center for Folklife and Cultural Heritage, the National Park Foundation, and the United States National Park Service, were directed to plan and execute projects and events for the program in conjunction with the White House Office. The White House Millennium Council, established by President Bill Clinton and Hillary Rodham Clinton through Executive Order 13072, created the America's Millennium program to celebrate America's historical and cultural legacy and stimulate fresh thinking about the challenges and opportunities of the 21st century. Materials include correspondence and memoranda; press releases; clippings; maps; an event program; and other related materials.
Topic:
Special events  Search this
Millennium celebrations (Year 2000)  Search this
New Year  Search this
Genre/Form:
Manuscripts
Clippings
Brochures
Maps
Citation:
Smithsonian Institution Archives, Accession 17-266, Smithsonian Institution. Center for Folklife and Cultural Heritage, Event Files
Identifier:
Accession 17-266
See more items in:
Event Files
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa17-266

Castor Advertising Corporation Collection

Topic:
Coca-Cola (Trademark)
Creator:
Fernandez, Castor  Search this
Castor Advertising Corporation  Search this
Names:
Anheuser-Busch, Inc.  Search this
Heublein, Inc.  Search this
International Rescue Committee  Search this
Richardson-Vicks Inc  Search this
Extent:
1 Cubic foot (4 boxes)
Type:
Collection descriptions
Archival materials
8mm films
Advertisements
Business records
Dvds
Handbooks
Letters (correspondence)
Masters theses
Magazines (periodicals)
Newsletters
Photographs
Press releases
Vhs (videotape format)
Newspaper clippings
Hispanic american periodicals
Date:
1960-2007, 2018
Summary:
This collection consists of materials documenting the Castor Advertising Corporation, Castor SG&B, and Castor Spanish International, which specialized in reaching Hispanic audiences.
Content Description:
Archival materials documenting the Castor Advertising Corporation, Castor SG&B, and Castor Spanish International. This collection includes correspondence, business records, awards, a copy of Fernández's MBA thesis, photographs, newspaper clippings, magazines, a DVD containing an interview with Fernández, and advertising reels recorded on VHS tapes, cassettes, and 16mm film.
Arrangement:
This collection is arranged into four series.

Series 1: Background Materials, 1961-2001, 2018

Series 2: Advertising Materials, 1969-1987

Series 3: Newspaper Clippings and Publications, 1968-2000

Series 4: Audiovisual Materials, 1960-2007
Biographical / Historical:
Castor A. Fernández Capote was born in 1943 in Havana, Cuba and moved to the United States in 1961. Fernández first lived in Miami, Florida but moved to New York City soon after. He attended City College of New York where he received his Bachelor and Master of Business Administration in Marketing. For his MBA thesis, "Market Segmentation through Television Advertising," Fernandéz focused his research on the potential for Spanish-language media to engage the Spanish-speaking market of New York. Fernández began his nearly four-decade-long advertising career in firms throughout New York City such as Link Advertising and Palmer Advertising. In 1968, Fernández established his own advertising firm called Castor Spanish International, focusing specifically on marketing designed for to the multiple groups of people described under the umbrella term "Hispanic." In 1989, Castor Spanish International merged with the Miami-based advertising corporation, Garcia-Serra & Blanco Advertising, to form a new agency: Castor SG&B. The agency dissolved the merger in 1990 and Fernández established Castor Advertising Corporation. Fernández retired from advertising in 2002. Throughout his decades-long career, he and his agencies did work for many major American corporations such as Café Bustelo, Citibank, McDonald's, Coca-Cola, Anheuser-Busch, Kmart, Richardson-Vicks, and Heublein Incorporated.
Provenance:
Collection donated to the Archives Center in 2018 by Castor Fernández.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Advertising agencies  Search this
Advertising campaigns  Search this
Advertising executives  Search this
Articles  Search this
Awards  Search this
Marketing  Search this
Minorities in advertising  Search this
Alcohol -- advertising  Search this
advertising -- Alcoholic beverages  Search this
Hispanic American businesspeople  Search this
Hispanic American consumers  Search this
Hispanic Americans  Search this
Cuban American business enterprises  Search this
Genre/Form:
8mm films
Advertisements
Business records
DVDs
Handbooks
Letters (correspondence)
Masters theses
Magazines (periodicals)
Newsletters
Photographs -- Color photoprints -- 1950-2000
Photographs -- Color photoprints -- 21st century
Press releases
VHS (videotape format)
Newspaper clippings
Hispanic American periodicals
Hispanic American periodicals
Citation:
Castor Advertising Corporation Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1461
See more items in:
Castor Advertising Corporation Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ad12c32d-fc26-4704-ab75-5f3c53184328
EDAN-URL:
ead_collection:sova-nmah-ac-1461
Online Media:

New Smithsonian Triceratops Unveiled: 65 Million Year-Old Dinosaur Gets a 21st Century Facelift and Name, April 23, 2001

Collection Creator::
National Museum of Natural History. Office of Public Affairs  Search this
Container:
Box 1 of 1
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 12-545, National Museum of Natural History. Office of Public Affairs, Press Releases
See more items in:
Press Releases
Press Releases / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa12-545-refidd1e1207

Manny Villafaña Papers

Creator:
GV Medical, Inc.  Search this
Cardiac Pacemakers, Inc.  Search this
CABG Medical, Inc.  Search this
ATS Medical, Inc.  Search this
St. Jude Medical, Inc.  Search this
Med General, Inc.  Search this
Kips Bay Medical, Inc.  Search this
Helix BioCore, Inc.  Search this
Villafana, Manny, 1940-  Search this
Extent:
10 Cubic feet (25 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Papers
Minutes
Annual reports
Clippings
Brochures
Reports
Press releases
Stock records
Date:
1961-2014
Summary:
The collection documents Manny Villafaña, inventor, entrepreneur and founder of several medical device companies since 1971. The majority of the collection pertains to St. Jude Medical, which introduced the mechanical heart valve technology that became the industry standard.
Scope and Contents:
The collection consists of 10 cubic feet of material documenting Manny Villafaña, an inventor and entrepreneur. The bulk of the collection is comprised of correspondence and clippings related to his professional life. There are a few personal items in the collection, such as a St. Jude prayer card, included with the records of St. Jude Medical and a photograph of Villafaña (1988) at the construction site of the Basilica of St. Mary.
Biographical / Historical:
Manny Villafaña (b. 1940- ) began his career in medical technology as a salesman for Medtronic, Inc., exploring the potential market in Argentina. Upon his return to the U.S. Villafaña went on to found Cardiac Pacemakers Inc. and later St. Jude Medical. During the decade following the founding of CPI, Manny Villafaña business savvy and medical technology know-how would propel him to celebrity in the Minnesota business community and national entrepreneurial scene. Some of the technology introduced by Villafaña's companies, such as the St. Jude's pyrolytic bileaflet artificial heart valve, have become industry standards. Villafaña would eventually found seven medical technology companies, with Kips Bay being the most recent.
Related Materials:
Materials at the Archives Center, National Museum of American History

Wilson Greatbatch Innovative Lives Presentation, 1996 (ACNMAH 0601)

James A. E. Halkett and Sigmund A. Wesolowski, M.D., Papers, 1948-1951 (ACNMAH 0220)

Van Phillips Oral History and Papers, 1991-2004 (ACNMAH 0859)

George Edward Burch Papers, 1984-1986 (ACNMAH 0316)

James A. E. Halkett and Sigmund A. Wesolowski, M.D., Papers, 1948-1951 (ACNMAH 0220)

Materials at Other Organizations

Conversazione, November 20, 1997, January 21, 1998 and May 20, 1998. Oral history is on file at the Minnesota Historical Society.
Separated Materials:
Related heart valves are in the Division of Medicine and Science, National Museum of American History. See Accession 2015.003.
Provenance:
Collection donated by Manny Villafaña on January 29, 2015.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cardiovascular Equipment Industry  Search this
Heart, Artificial  Search this
Inventors -- 21st century  Search this
Medical Equipment  Search this
Medical innovations  Search this
Medical instruments and apparatus  Search this
Inventions -- 20th century  Search this
Inventions -- 21st century  Search this
Inventors -- 20th century  Search this
Heart -- Surgery  Search this
Medicine  Search this
Genre/Form:
Correspondence -- 1980-2010
Papers
Minutes
Annual reports
Clippings
Correspondence -- 20th century
Brochures
Correspondence -- 21st century
Reports
Annual reports -- 20th century
Press releases
Stock records
Citation:
Manny Villafaña Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1340
See more items in:
Manny Villafaña Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cb57dd20-d95b-4a2d-9751-ccd23465facd
EDAN-URL:
ead_collection:sova-nmah-ac-1340

N. Issa Nyaphaga : www.nyaphaga.com

Title:
Issa Nyaphaga
Author:
Nyaphaga, Issa 1967-  Search this
Subject:
Nyaphaga, Issa 1967-  Search this
Physical description:
1 v. : ill. (some col.), col. photos. ; 30 cm
Type:
Mixed archival materials
Date:
1996
1996-2005
20th century
21st century
Topic:
Painting, Cameroonian  Search this
Call number:
ND1099.C33 N93 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_783199

When attitudes become form : Bern 1969, Venice 2013 / general editor, Germano Celant

Title:
When attitudes become form, Bern 1969
When attitudes become form, Venice 2013
Bern 1969 / Venice 2013
Editor:
Celant, Germano  Search this
Contributor:
Demand, Thomas 1964-  Search this
Koolhaas, Rem  Search this
Szeemann, Harald  Search this
Host institution:
Fondazione Prada (Milan, Italy)  Search this
Subject:
Szeemann, Harald Live in your head, when attitudes become form  Search this
Physical description:
727 pages : illustrations (some color) ; 29 cm
Type:
Exhibitions
Press kits
Press releases
Date:
2013
20th century
21st century
Topic:
Conceptual art  Search this
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1011199

SI Conservation Biology Institute Partners with George Mason University and U.S. Fish and Wildlife Service on Conservation

Subject:
Monfort, Steve  Search this
U.S. Fish and Wildlife Service  Search this
Conservation Biology Institute (National Zoological Park)  Search this
George Mason University  Search this
Type:
Memorandum of Understanding
Date:
October 26, 2012
Topic:
Conservation  Search this
Endangered species  Search this
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_13640

25 years of Andrea Rosen Gallery

Title:
Twenty-five years of Andrea Rosen Gallery
Author:
Andrea Rosen Gallery  Search this
Subject:
Andrea Rosen Gallery History  Search this
Physical description:
26 volumes : illustrations ; 17 cm
Type:
Exhibitions
Exhibition catalogs
History
Date:
2014
20th century
21st century
Topic:
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1041100

Transmission interrupted

Author:
Barghūthī, Murīd  Search this
Keenan, Thomas  Search this
Cotter, Suzanne  Search this
Tawadros, Gilane  Search this
Modern Art Oxford  Search this
Physical description:
35, [4] p. : ill. (some col.), facsims. ; 44 cm. + supplements ([34] p.)
Type:
Exhibitions
Date:
2009
21st century
Topic:
Art, Modern  Search this
Art, British  Search this
Call number:
N6497 .T74 2009
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_944227

Please touch the objects: Tactile models and alternative approaches to curation

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Lesson Plans
Blog posts
Published Date:
Tue, 30 Jun 2015 14:59:48 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_b57990fd97a10e41b2f80f9c966bb24a

New Native art criticism : manifestations / Museum of Contemporary Native Arts

Title:
Manifestations
Author:
Museum of Contemporary Native Arts  Search this
Museum of Contemporary Native Arts  Search this
Subject:
Museum of Contemporary Native Arts  Search this
Physical description:
199 p. : ill. (chiefly col.), port. ; 30 cm
Type:
Biography
Place:
North America
Date:
2011
20th century
21st century
Topic:
Indian art  Search this
Indian arts  Search this
Indian artists  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_985893

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